🎥 Friday the Thirteenth (1933) is a gripping British drama directed by Victor Saville that weaves together the lives of multiple Londoners on the eve of a tragic bus accident. This powerful ensemble film explores fate, destiny, and the unpredictability of life, set against the backdrop of 1930s London.
This overlooked gem from the early days of British cinema is a striking example of ensemble storytelling long before the technique became popular in modern film. Friday the Thirteenth uses the dramatic ticking clock device to build suspense and emotional engagement, gradually introducing us to a diverse group of characters whose lives intersect in unforeseen ways. The result is a poignant mosaic of personal struggles, human connections, and the fragile nature of existence.
🧠 Plot Summary:
On an ordinary Friday the 13th, a double-decker bus travels through the busy streets of London. But as the day progresses, a dark fate looms. In a storytelling approach reminiscent of later ensemble dramas like Crash or Magnolia, the film introduces various passengers—each with their own backstory, hopes, fears, and dreams.
As the audience, we are introduced to:
A nervous bride-to-be coping with last-minute doubts
A struggling composer trying to make ends meet
A bickering couple on the verge of separation
A conman planning one last hustle
A young boy lost in the city
A cheerful elderly woman looking forward to a reunion
As the narrative unfolds, their individual lives are explored in greater depth. The viewers witness moments of happiness, despair, courage, and fear, all leading to the fateful collision that brings them together in tragedy.
The film's climax—an unexpected crash—is both shocking and emotionally devastating, revealing which characters survive and which do not. The randomness of the event and the emotional weight of the losses force viewers to reflect on the fleeting nature of life and how interconnected our lives truly are, even if we don’t realize it.
This overlooked gem from the early days of British cinema is a striking example of ensemble storytelling long before the technique became popular in modern film. Friday the Thirteenth uses the dramatic ticking clock device to build suspense and emotional engagement, gradually introducing us to a diverse group of characters whose lives intersect in unforeseen ways. The result is a poignant mosaic of personal struggles, human connections, and the fragile nature of existence.
🧠 Plot Summary:
On an ordinary Friday the 13th, a double-decker bus travels through the busy streets of London. But as the day progresses, a dark fate looms. In a storytelling approach reminiscent of later ensemble dramas like Crash or Magnolia, the film introduces various passengers—each with their own backstory, hopes, fears, and dreams.
As the audience, we are introduced to:
A nervous bride-to-be coping with last-minute doubts
A struggling composer trying to make ends meet
A bickering couple on the verge of separation
A conman planning one last hustle
A young boy lost in the city
A cheerful elderly woman looking forward to a reunion
As the narrative unfolds, their individual lives are explored in greater depth. The viewers witness moments of happiness, despair, courage, and fear, all leading to the fateful collision that brings them together in tragedy.
The film's climax—an unexpected crash—is both shocking and emotionally devastating, revealing which characters survive and which do not. The randomness of the event and the emotional weight of the losses force viewers to reflect on the fleeting nature of life and how interconnected our lives truly are, even if we don’t realize it.
Category
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Short filmTranscript
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00:03:29I've been robbed
00:03:35What are you going to do about it?
00:03:38Write me out of check?
00:03:39Oh dear, what can I do?
00:03:41I'll tell you what you can do, you can walk
00:03:42It's not necessary really
00:03:44Allow me
00:03:46Oh, thank you very much indeed
00:03:48Oh, thank you very much indeed
00:03:48Oh, thank you
00:03:49Just tuck me on for you too
00:03:53Hello
00:03:58Is it raining you're in?
00:04:01I'll go down and see
00:04:02Looks a nice ship for a cruise, sir
00:04:18Looks a nice ship for a cruise, sir
00:04:18Yes, doesn't she?
00:04:19This is Shooting Star
00:04:20Good, eh?
00:04:22Yeah
00:04:22I once lost seven and six on a horse called Shooting Star in a hurdle race
00:04:26It's more like Falling Star
00:04:27Still, you may be lucky, sir
00:04:29Haven't told the wife we're going yet
00:04:31It'll be a surprise for her
00:04:32She'll enjoy that
00:04:33I bet she will
00:04:34All I get is a busman's holiday
00:04:37And you know what that is
00:04:39Art
00:04:45If there's one thing I know anything about, it's art
00:04:47As my poor old mother used to say
00:04:49Joe, you shouldn't be in the market
00:04:50You should be in a museum
00:04:51You said a mouthful
00:04:52And she was right
00:04:53Believe me, she was right
00:04:54I could pick out a Venus T. Marlowe as soon as I saw one
00:04:56I bet you can pick out a bargain
00:04:57Pick it out?
00:04:58I can smell it
00:04:59I'm a Whippet
00:05:00Sure
00:05:00Whippet Joe, that's what they call me down at the market
00:05:02In fact, my nose is my fortune
00:05:04You're telling us
00:05:05Wise guy
00:05:17You dropped this, miss
00:05:31Oh, thanks
00:05:32You won't forget to put me off at Linden Gardens, will you?
00:05:39No fear, miss
00:05:40We mustn't keep auntie waiting, must we?
00:05:45Any more fairs, please?
00:05:47Any more fairs, please?
00:06:17Any more fairs, please?
00:06:23Yes I know
00:06:23пуke
00:06:24Thank you
00:06:25Threet
00:06:25I don't know
00:06:25Well
00:06:26And I can't I know
00:06:26How can you do
00:06:27So
00:06:27I will okay
00:06:28I will
00:06:29You
00:06:29Tam
00:06:30Thirteen
00:06:31Really
00:06:32I can see
00:06:33All right
00:06:33MFF
00:06:34I can see
00:06:35Nothing
00:06:36I can see
00:06:37If it's
00:06:37I can see
00:06:38Maybe
00:06:38Maybe
00:06:38I can see
00:06:39Maybe
00:06:40I cannot see
00:06:41The
00:06:42Maybe
00:06:42Or
00:06:43I can see
00:06:44You
00:06:44You
00:06:44Let's
00:07:16Ha! Look at that. I wonder what bit of bad luck's waiting for us around the corner. I don't fancy Hurst Park this afternoon, you know.
00:07:42Don't be a fathead. What do you think we're working this shift for? You'll lose your shirts.
00:07:47It might interest you to know that we may own this place by tomorrow, and you're the first that's sacked.
00:07:53Yes, and if our information proves correct, we shall pick up a parcel.
00:07:57Why, taking your lunch with you?
00:07:59That's right. Show your ignorance of racing parlance.
00:08:06I like that.
00:08:08Parlance.
00:08:09That's a good word you're used to in.
00:08:11I read, Fred. I read.
00:08:12So I see.
00:08:14All right, Mr. Clever.
00:08:16As a matter of fact, I'm now in the middle of a work on the occult.
00:08:19That's funny. I had a brother who was an oculist.
00:08:23The occult is the study of the supernatural.
00:08:25You always was superstitious.
00:08:29And rightly so.
00:08:31My mother and father first met on a Friday the 13th on some sand dunes.
00:08:35Oh? Did they blame it on the date or the dunes?
00:08:38What do you mean, blame?
00:08:39And on the day I was born, a cross-eyed man came to the front door.
00:08:43That accounts for a lot of things, that does.
00:08:46I'll ignore that thrust.
00:08:48Well, you can't blame the oculist for everything.
00:08:51It was on a Friday the 13th that Steve won by a short head on Gay Crusader.
00:08:56You can't win the Blooming Tarby on a Blooming Friday.
00:08:58It wasn't on a Blooming Friday. It was on Gay Crusader.
00:09:02Then what are you arguing about?
00:09:03I'm not arguing.
00:09:04Oh, yes, you are.
00:09:05No, I'm not.
00:09:06Oh, yes, you are.
00:09:07And you.
00:09:24What's the matter with you, Henry?
00:09:25Got staring sickness or something?
00:09:27Perhaps I have.
00:09:28You're worth staring at me in that dressing gown.
00:09:33Yes, it is rather nice, isn't it?
00:09:34I suppose you think I never notice anything.
00:09:40What do you mean?
00:09:42Oh, their dressing gown and various other things I could mention.
00:09:46What?
00:09:48Oh, I'm not going to say what they are now.
00:09:51Well, back to the old desk.
00:09:55See it's up, dear.
00:09:56So long, Bonzo.
00:10:04Of all the markets I love best, there's none to beat the Cali.
00:10:16Of all the markets I love best, there's none...
00:10:19Where'd you pinch the car, Joe?
00:10:21There's a nice thing to say to me.
00:10:22Where did you pinch it?
00:10:23You shouldn't say that.
00:10:24Besides, it ain't grammar.
00:10:25What you should have said is, where did you knock it off?
00:10:26But now, it's got you straight away.
00:10:27Now, don't do that.
00:10:28There's a good fellow.
00:10:28That's not going to cause a bit of bother.
00:10:29You understand?
00:10:30Always the number one thing in its face.
00:10:32Now, I'll tell you where I got the car.
00:10:33You've heard of Al Capone's car?
00:10:34Yeah.
00:10:34The one with the bulletproof windows?
00:10:35Yeah.
00:10:36And the machine gun inside?
00:10:37Yeah.
00:10:37Well, this ain't a bit like it.
00:10:38Now, come on, Bia, now, tell you some more.
00:10:39I bought this car from a friend of mine.
00:10:40I gave him three pounds for it.
00:10:42And if I'm going to have any bother with it,
00:10:43he's going to have a job to get the other two pounds, fifteen.
00:10:44Now, don't mess that about.
00:10:45There's a good fellow.
00:10:46Put it away.
00:10:46We'll get something to play with later on.
00:10:48Tommy, what do you think of the cat's dinners?
00:10:49Cat's dinners?
00:10:50Lights, lights.
00:10:51Don't be a mug all your life.
00:10:51Do you like the ladies' hat?
00:10:53Hat?
00:10:53Bonnet.
00:10:54Bonnet.
00:10:54Give us a hand up at this table.
00:10:55Be careful.
00:10:56Now, go steady.
00:10:56Go steady.
00:10:57You see what you've done?
00:10:58You want to be very careful.
00:10:59You want to be careful with a thing like that.
00:11:00Now, if you'd have broken that glass,
00:11:01you'd have had seven years' bad luck.
00:11:03Always remember, if you break a mirror,
00:11:04seven years' bad luck.
00:11:05Be careful with it.
00:11:05Never break it.
00:11:08Joe, I sometimes wonder
00:11:09where you gets hold of these here bargains.
00:11:12What you take to the Cali every Friday.
00:11:14Looks fishy to me.
00:11:16You're trying to make it on a crook?
00:11:17You're talking to one of the widest boys
00:11:18that ever walked in a pair of shoes.
00:11:20I might be flat-footed,
00:11:21but I've got broad shoulders and a clean mind.
00:11:22Come down here.
00:11:23And I always remember my mother's words.
00:11:24She used to say to me,
00:11:25Joe, honesty is the best poverty,
00:11:27and she knew what she was talking about
00:11:28because she never lied.
00:11:29I'll tell you what I'm going to do.
00:11:30I'm going to get away
00:11:31because I don't want to stand to you all the morning.
00:11:32Goodbye.
00:11:33And I'll be sure you wish yourself.
00:11:34Well, what time does the market open?
00:11:36It's open at ten o'clock,
00:11:37but you don't want to bother.
00:11:38You'll never get there with that.
00:11:41I don't think I'm going to get there with this.
00:11:45What's this for?
00:11:46I don't know.
00:11:47Don't bother me.
00:11:47There's a good fellow.
00:11:48I've got enough bother here.
00:11:49Why don't you let the donkey tow it for you?
00:11:54I think that's a good idea.
00:11:55Let the donkey tow it.
00:11:56But don't go too fast for the first 500 miles.
00:11:58I want to run this car in trouble.
00:12:03Don't do that.
00:12:04Don't scratch the paint.
00:12:05What's the matter with you?
00:12:06Have you got any sense?
00:12:07Do you want to make it look shabby?
00:12:19Do you want to make it look shabby?
00:12:20Do you want to make it look shabby?
00:12:21Do you want to make it look shabby?
00:12:22Do you want to make it look shabby?
00:12:23Do you want to make it look shabby?
00:12:24Do you want to make it look shabby?
00:12:24Do you want to make it look shabby?
00:12:25Do you want to make it look shabby?
00:12:25Do you want to make it look shabby?
00:12:26Do you want to make it look shabby?
00:12:26Do you want to make it look shabby?
00:12:27Zora, where's the marmanade?
00:12:57Martha, where's the marmanade?
00:13:02I told you we were out, Mum, and asked you to order some yesterday.
00:13:06I'm sorry, dear.
00:13:07I must have forgotten to order them, Marmanade.
00:13:09Forget.
00:13:10Forget.
00:13:11That's all you can do.
00:13:12If it weren't for me, I'd like to know where you'd end.
00:13:15In the bankruptcy court, dear.
00:13:16Yes, and when you forget to turn up.
00:13:19Oh, Frank!
00:13:20Well, I don't want to brag, Mary, but promotion in a bank thought means something.
00:13:26Well, you suck at it for three years working like a nigger.
00:13:30Frank, I do admire you.
00:13:32I'd like to give you a big hug.
00:13:33I wish you would.
00:13:34Mary, do you like being a typist?
00:13:35Piccadilly Circus.
00:13:36He won't swallow it, dear.
00:13:37Oh, no.
00:13:38I think we should have done that.
00:13:39You don't have to cut the newspaper.
00:13:40I don't want to be able to cut the newspaper.
00:13:41I don't want to lie, Mary.
00:13:42I don't want to brag, Mary.
00:13:43The promotion in a bank thought means something.
00:13:44Well, you suck at it for three years working like a nigger.
00:13:45I think I do admire you.
00:13:46I'd like to give you a big hug.
00:13:47I wish you would.
00:13:48Mary, do you like being a typist?
00:13:51Piccadilly Circus.
00:13:56he won't swallow it dear
00:14:02come on it's a very nice little pill
00:14:10oh dear I'm sure he doesn't like me
00:14:13give him to me
00:14:14you get more selfish and cruel every day
00:14:17yes dear
00:14:19come along
00:14:25oh dear darling
00:14:28what has a nasty big bogeyman been doing to you
00:14:32what are you standing there for Ralph
00:14:34you're late
00:14:35yes dear
00:14:37well Pook
00:14:40your mistress wants you to go for a toddle
00:14:45a rose I love
00:14:47a man well-loving
00:14:49a man he or she loves
00:14:52an armless we love
00:14:54an armless you love
00:14:56an armless they love
00:14:58a man well-loving
00:15:00a man well-loving
00:15:02a man he or she loves
00:15:05an armless we love
00:15:07a man is you love
00:15:09an armless they love
00:15:11a man well-loving
00:15:13the mutt, don't love it
00:15:15the mutt, feel to your feet up
00:15:18the moment, who we love
00:15:20the moment, you love
00:15:22the moments, stay to
00:15:23the moment, you buy in
00:15:25and that's very good
00:15:28the mutt, feel to your feet up
00:15:41morning sir
00:15:42Millie, why will you keep on calling me sir?
00:15:44Well, all those little boys do.
00:15:46You're in one of your irritating moods this morning.
00:15:49Oh, it's only a gag.
00:15:51I've got a million of them. Hachicha! Hachicha!
00:15:53Gag?
00:15:54Oh, you know, joke.
00:15:56Well, don't you know what that means, either?
00:15:58Of course I do. I've got a pretty good sense of humor.
00:16:00At least I always thought so. Rather prided myself on it.
00:16:02Hmm. Hmm. False pride, I call that.
00:16:04How's your homework getting on?
00:16:06Fine. I think I can order a meal in Italian now.
00:16:08Really? Hmm. More than I could.
00:16:11I wish I could better myself a bit.
00:16:13Oh, why don't you?
00:16:14Now, how could I find time to study
00:16:16when I'm glorifying British variety from lunchtime till midnight, eh?
00:16:20Take a grammar book to the theatre, I suppose,
00:16:22and learn a couple of verbs while I'm changing my knickers.
00:16:24Shh!
00:16:25No, your voice. There's the other boys we hear now.
00:16:27That's a word that never fails to amuse them.
00:16:29It wouldn't amuse them if they had to change the blessed things eight times a day.
00:16:32Millie, you realize why I'm spotting French and Italian, don't you?
00:16:36No.
00:16:37To take you to Paris and to Naples, on our honeymoon, of course.
00:16:40You're a dear.
00:16:41I tease you a lot.
00:16:42But I love you a lot, too.
00:16:44Did you know that?
00:16:46I'd like to hear you say that.
00:16:48Yes!
00:16:53Then, no more dancing your toes off, eh?
00:16:57Oh, but I like dancing, Horace.
00:16:59In moderation, isn't it?
00:17:00Yes, but you're going to give up the stage when we're married.
00:17:02I thought we'd settled all that.
00:17:03You have, but I haven't.
00:17:04Suppose I asked you to give up teaching after all your studying for it.
00:17:07It's not the same thing at all.
00:17:09Darling, it is.
00:17:10Headmaster says there's a lot of noise in your room.
00:17:13Would you kindly give them some verbs to repeat or something when you have to leave the room?
00:17:20Hold auntie's hand, Johnny, else the policeman will arrest you and then where will you be?
00:17:37In jail.
00:17:38Oh, look auntie.
00:17:39Get that a giraffe.
00:17:40Yes, dear, but don't point.
00:17:42Auntie, is this London station?
00:17:45Yes, dear.
00:17:46They call it King's Cross.
00:17:47Now, I wonder where there's a man who can tell me.
00:17:49Was it George or King Edward who was cross, auntie?
00:17:52I don't know, dear.
00:17:55Oh, Porter.
00:17:56I think you mean Inspector, madam.
00:17:58Oh, yes.
00:17:59My name's Miss Tweak.
00:18:00Now, can you tell me what time's the last day excursion train to Lincoln?
00:18:04Twelve ten midnight.
00:18:05Oh, thank you very much.
00:18:06Now, come along, Johnny.
00:18:08Now, the first thing we're going to see is the Tower of London.
00:18:11That's the place where everybody was beheaded, do you remember?
00:18:14It was the very wooden requirements.
00:18:17What's it like, Joe?
00:18:18Well, the royal enclosure's pretty full.
00:18:19There's nobody in the tube bobbering.
00:18:20Tattersall is filling up a bit.
00:18:21Here.
00:18:22Where'd you get the Rolls Ford from, Joe?
00:18:23Well, a matter of fact, I bought it from the R-Graft can.
00:18:24How much did you get for it?
00:18:25What's that, Nosey?
00:18:26I might have given him £25 for what I might.
00:18:27Not bad, is it?
00:18:28Self-starter and all.
00:18:29Look, Joe, he's here to get.
00:18:30Oh, that's what we know.
00:18:31That's what we know.
00:18:32That's what we know.
00:18:33It's pretty, isn't it?
00:18:34It was missed from an auction sale down at Sandorme's last Wednesday.
00:18:36And there were several... dealers there.
00:18:38Of course, I know the name which one had.
00:18:40Oh, it's not.
00:18:41It's not.
00:18:42I've been there to go.
00:18:43Well, the royal enclosure is pretty full.
00:18:44There's nobody in the tube bobbering.
00:18:45Tattersall is just filling up a bit.
00:18:46Here, where'd you get the Rolls Ford from, Joe?
00:18:48Well, a matter of fact, I bought it from the R-Graft can.
00:18:50How much did you get for it?
00:18:51What's that, Nosey?
00:18:52I might have given him £25 for what I might.
00:18:53Not bad, is it?
00:18:54It's a self-starter and all.
00:18:55Look Joe, he's here to get.
00:18:56Oh, prove we know.
00:18:57almost last Wednesday. And there were several dealers there. Of course, I know I've no right
00:19:04to question these frank open faces I see around me. I mustn't shirk my duty. Well, he's got
00:19:10nothing on me. He doesn't upset me. I wish my conscience was as clear as yours. Conscience,
00:19:15that's right. That was the pride of my dear old mother. She said to me, Joe, the first
00:19:18I was born, I said, what, mum? She said, you've got a conscience, and she knew. Hello, Joe.
00:19:22Hello, chum. Have you got anything interesting in your stuff today? Well, I'll tell you what
00:19:25I've got. I've got a whatnot, that's what I've got. You can have it for a couple of
00:19:28bob. It's got a leg missing. You can have it for 18 pence. I'll tell you what, buy a cradle,
00:19:31then go home and ask your wife if you've got any children. I'm not looking for valuables,
00:19:34I'm looking for rubbish. Bill, put a waterproof sheet over that donkey. Junk, you know, old
00:19:40vases and statues, bronzes. Rubbish like that. I know. Yeah, well, I wish you luck.
00:19:55Good morning, ladies. Don't run away. I've got the very line you're looking for. 36
00:20:09am I right? And always remember, ladies, if you've got no stockings on, you won't have
00:20:12to pull them up. Now, my first lock today will be a pair of trousers, worn by the Duke
00:20:15of Passion, made by one of the finest sailors in London, every button hand sewn, what can't
00:20:19speak can't lie, shown the tape outside, one price and one price only. Who'll give me 25 shillings
00:20:23for them? Give me two bob for them. You'll give me two bob for them? Son, it's only a
00:20:27shilling a leg. The button's cost me more than that. I'd want these trousers to go up and
00:20:30not come down. If my chauffeur was here, I'd make him drive me home. I'd never been so
00:20:34insulted in all my life. I stood in this market pitch for 10 years, allowed people to turn
00:20:37my stock over. What are you doing? Turning the stock over. And you stand there and offering
00:20:42me two shillings. You know what I've got a good mind to do with you? I'll take your two
00:20:45bobs. Give me your two bobs. You fancy that? Make me an offer for you. I've been trying
00:20:52to pin you down for months. And I think I've done it at last. Joe, you were in that sale
00:21:05room when this valuable statue disappeared. I'll nab you yet. You'll nab me? My poor
00:21:12mother used to say to me, Joe, go straight and you'll have the world at your feet. And she
00:21:16was right. They're here.
00:21:29Oh, good morning, sir. Good morning. I want the best bunch of flowers you've got in the
00:21:34shop. Oh, may I ask the occasion? Oh, yes. Well, it's the anniversary of my wedding day.
00:21:39Oh, congratulations. And what flowers does your wife like? Joke is I haven't asked her,
00:21:44on purpose. And I'm sure she thinks I've forgotten it's today. Quite, yes. Carnations are very
00:21:48a la mode, you know. Oh, are they? Oh, I tell you what. I'm expecting some roses in about
00:21:53five o'clock. Exactly like these are. Those will be fine. How much would a dozen of those
00:21:59cost? Ten shillings. Well, would you have them got ready for me and I'll call on my way home?
00:22:03Yes, I will. Thank you. Thank you. Morning. Good morning. I'm sure he suspects. What makes
00:22:12you think so? Well, he kept looking at me during breakfast and asked me if I thought he didn't
00:22:16notice things. I'm sure he knows. Oh. Well, perhaps I'd better clear out of town until things
00:22:23blow over. Things won't blow over, Max. Oh, don't be silly. I've got to go with you. Now,
00:22:31listen. I'm frightened, Max. I've got to go with you. Two weeks on Tuesday, Mr. and Mrs.
00:22:42Henry Jackson will be leaving England for a short cruise in the Mediterranean. Short,
00:22:46because Mr. Jackson can't afford a long one. Coo, I bet your wife's tickled to death.
00:22:50That's a surprise. She doesn't know yet. I've been saving up two years for this. Two years
00:22:55I've been filling in cruises for other people and here I am filling in me own. What do you
00:22:59think of that, eh? Lucky devil. Oh. Oh, poop.
00:23:29Oh, look at my leg. What? Oh, laddered all the way up. Real silk, too. Oh, isn't it a shame?
00:23:49Oh, that's too bad. Well, if I may be allowed to replace the articles, if you'll be good
00:23:59enough to tell me the size. Oh, no, really. I couldn't permit you.
00:24:04Bad dog. Size nine. Oh, size nine. Pook, Pook, do give me a break. Oh, size nine. Well,
00:24:13what address, or where should I... Well, this is my... I mean, I usually take the air here.
00:24:19Oh, well, I hope to be able to refund your loss, eh, this afternoon. Well, Pook and I
00:24:25must be, eh, strolling along.
00:24:34Oh, no, nothing doing.
00:24:36How about?
00:24:37I haven't got a heart.
00:24:37Persecution. That's what it is. Persecution. Good morning. I might as well tell you straight
00:24:43away that I'm not here looking for a job. Oh, no, sir. After all, I don't have to look
00:24:48twice at my visitors to find out which class they belong to. Oh.
00:24:51Will you come this way, sir? Thank you very much.
00:24:55No, what I'm really here for is to make inquiries about a cousin of mine who took, eh, well,
00:25:00took a wrong step, you know, of sowing his wild oats and all that poor old Frank.
00:25:04Yes, of course.
00:25:06Yes, he wouldn't give his mother his whereabouts, you see, and so she's been rather worrying
00:25:09over it and worrying her eyes out, as a matter of fact.
00:25:12Well, it's strictly against the rules, you know. I'm very sorry.
00:25:16Very sorry for the old lady, so I think we might make an exception this time. What did
00:25:20you say your cousin's name was?
00:25:21That's marvellous of you. Frank Parsons, Pentonville Prison.
00:25:26Frank Parsons. Parsons was at Pentonville.
00:25:30Sounds like a public school, doesn't it?
00:25:31I beg your pardon?
00:25:32Oh, it doesn't matter.
00:25:36Hmm, Peneford. Peneford. Parsons, David Parsons.
00:25:40Francis.
00:25:40Parsons, Francis B. Parsons. Ah, there we are. Ah. I think I've got good news for the old lady,
00:25:46sir.
00:25:46Very?
00:25:46He's a clerk in the South West Commercial Bank. Has been for three years.
00:25:50No. A bank clerk?
00:25:52Yes, first we've ever had. I seem to remember a relative of his who pulled some wires.
00:25:57That'd be Uncle Alec, yes. Well, that is sporting of you.
00:25:59No, if I may say so, sir. It's sporting of you. Why? Well, taking an interest in a man who's blotted the family's cutcheon, so to speak.
00:26:07Oh, good morning. Good morning, sir.
00:26:08Good morning, sir.
00:26:22You can argue till you've blew in the chops. I say Steve won the derby five times.
00:26:26Six.
00:26:26Five, six, five. I challenge that.
00:26:29All right.
00:26:30Pomeran, 1915.
00:26:31Yes.
00:26:32Great Crusader, 1917.
00:26:33Yes.
00:26:33Humorous, 1921.
00:26:35Yes.
00:26:35Potter tea.
00:26:36Potter tea.
00:26:37He won the Caesar witch in 21.
00:26:39I know what I'm talking...
00:26:41Oh, I see.
00:26:42A slight error.
00:26:44Yeah.
00:26:45Well, there is no need to be funny about it.
00:26:47Well, I'll be, mother.
00:26:48That's right. Not too strong for me.
00:26:50Now, when Teapot won the Caesar witch...
00:26:52Oh, look what you've done now.
00:26:54Here.
00:26:55Steady on.
00:26:55Well, off of it.
00:26:57I remember when the Caesar witch was won by Teapot, because my aunt had just had her second.
00:27:02Will you not cross those knives?
00:27:05Oh, you are touchy.
00:27:07Now, listen.
00:27:09We've got to play safe this afternoon.
00:27:11Huh?
00:27:11Strategy.
00:27:12Strategy.
00:27:13He ain't running.
00:27:14Now, I mean we must be strategic.
00:27:17Oh, I see.
00:27:18We'll go easy on the first.
00:27:20Hmm?
00:27:21Any to come, all on Steve's mount in the second.
00:27:24Yes.
00:27:26Any to come, plunge on the third.
00:27:29Oh.
00:27:30And this is where we plunge.
00:27:33I've got a horse...
00:27:34Don't tell me.
00:27:35It can't lose.
00:27:36That's right.
00:27:36I guessed it.
00:27:37Now, I know a cook that had a follower who used to be a jockey.
00:27:41But her cooking was so good, he got too heavy and couldn't ride.
00:27:44Now, he says mix grill.
00:27:46And his tips never fail.
00:27:48This will be the exception that proves the rule.
00:27:50Oh.
00:27:51You always were a pacifist.
00:27:53Here, do you want to get me into trouble?
00:27:55Who's pouring out this tea?
00:27:56Remember, I'm a bachelor.
00:27:57Well, I started, didn't I?
00:27:59I was mother.
00:28:00Oh.
00:28:01Well, my wife don't know with that theory.
00:28:03Now, I think we ought to have one of these six many tips of all's.
00:28:07Listen, girls.
00:28:07We'll take the opening chorus.
00:28:09And make it snappy, see?
00:28:10Right, let's go.
00:28:11One, two.
00:28:12Noon till night, merry and bright.
00:28:16Here we pop over the top.
00:28:18Non-stop variety girls.
00:28:21Whatever any impropriety girls.
00:28:24Not like society girls.
00:28:26Come on, get in.
00:28:27Never in five.
00:28:29Oh, lord.
00:28:30That I have to go.
00:28:31Not like society girls.
00:28:33You know, whenever a variety agent asks me if he can come and watch a rehearsal, I always smell a red.
00:28:54What do you mean?
00:28:55Ah, come off it.
00:28:56Which one of them you've got to try and get off my payroll this time?
00:28:59Oh, stow that, my dear chef.
00:29:01I wouldn't dream of it.
00:29:02No, I know you wouldn't.
00:29:04But you do, just the same.
00:29:08Come on, girls.
00:29:09Give me something.
00:29:11Five.
00:29:14All right, girls.
00:29:14Take it easy.
00:29:22No, no, no, no, no, no, you kids.
00:29:24I'm going to get you all out of here as quick as I can.
00:29:30Morning, sweetheart.
00:29:30Morning, light of my life.
00:29:32Oh, you know you're a kid in a million.
00:29:35Oh.
00:29:36What original things you think of to say?
00:29:38Well, you've certainly got the best pair of legs in the theatre.
00:29:42What are you going to do about it?
00:29:43Make me a dame or something?
00:29:45No.
00:29:46I'm going to make you a star.
00:29:48Oh, mister.
00:29:49You wouldn't fool me, would you?
00:29:51No, I'm on the straight.
00:29:52No kidding about this.
00:29:53Besides, I'm looking for a girl to join the English troupe at the Casino de Paris.
00:29:58Paris?
00:29:59Uh-huh.
00:30:00And you just about filled a bill.
00:30:03And there's a solo in the first part, too.
00:30:07Oh?
00:30:09Well, why not come back and have a little bit of supper with me tonight and let's talk
00:30:12it over.
00:30:14It takes me all my time to crawl home without going out to supper.
00:30:16Don't let's worry about going out.
00:30:19Come back to the flat and have some supper and I'll...
00:30:21I'll play some records to you.
00:30:24Thanks.
00:30:25I've got a portable of my own.
00:30:27Oh, come and have a bit of supper.
00:30:28Oh.
00:30:29Why not?
00:30:31My mother said I never should.
00:30:35Bye.
00:30:40Yes.
00:30:41Yes, Wakefield speaking.
00:30:43Is that you, Zimmering?
00:30:44Listen, old man.
00:30:45I wouldn't do this for any other man in the city.
00:30:48You know that.
00:30:49But you did get my missus into the Royal Garden Party.
00:30:51I'm not likely to forget a thing like that.
00:30:54Listen now.
00:30:55I've just opened a cable.
00:30:57I've got it here on me desk now, old man.
00:31:00Red hot information.
00:31:01Yes?
00:31:02You can buy Fizak oil shares and buy heavily.
00:31:06Yes.
00:31:06Yes, yes.
00:31:07Fizak government has given its okay about the concession and things going through at
00:31:10this very minute.
00:31:12Get my brokers on the phone at once.
00:31:14Yes, yes, yes.
00:31:15There's no question about the rise, but for the love of my, keep it under your hat.
00:31:19If it gets out, the shares will pop up like a bloomin' balloon.
00:31:22And don't breathe a word, even to the girlfriend.
00:31:24Goodbye.
00:31:25Pardon?
00:31:27Put me through to Mr. Cranheimer himself, will you?
00:31:28Mr. Wakefield speaking.
00:31:29That's all I understand.
00:31:30Proof of an old friend.
00:31:32Not butting in, am I, wicker, the old fellow?
00:31:34No, no, no.
00:31:35Heard the latest about the policewoman and the Serpentine?
00:31:37No.
00:31:38Well, there was a Scotchman, an Irishman, and a Welshman.
00:31:43And the Scotchman goes up to the policewoman and says,
00:31:45Hootsawah, my bonnie wee lassie.
00:31:48Of course, sir, I can't quite get the accent.
00:31:51No.
00:31:52Excuse me, Hamilton, I'm on the phone.
00:31:55Oh?
00:31:56Something doing on the market?
00:31:57Oh, no, no, no.
00:31:58No, very slack today.
00:31:59Oh, I see.
00:32:00Doing a spot of phoning.
00:32:01Yes.
00:32:02All right, carry on, old boy.
00:32:04I'm sorry.
00:32:05I'll ring you back in a few minutes.
00:32:08Huh?
00:32:08Oh, no, no, no.
00:32:09Not in the least important, thank you.
00:32:10No, no, goodbye.
00:32:11Ring up later.
00:32:14Cherchila Femme.
00:32:16You sly old devil.
00:32:18Yes.
00:32:20Talking of Cherchila Femme,
00:32:22what's the difference between a taxi passing a girl's school
00:32:25and an old gentleman...
00:32:26Excuse me, just a minute.
00:32:27Oh, thank you, Miss Lane.
00:32:29Get those people on the phone for me.
00:32:30You know, I've always admired that girl.
00:32:41Not a bad little chassis, what?
00:32:42Eh?
00:32:43No.
00:32:43Excuse me, Hamilton.
00:32:44Hello.
00:32:54Now, is that you, Kranheimer?
00:32:56Now, listen.
00:32:57I want you...
00:32:58I say, wake us, old boy.
00:33:00I quite forgot to tell you the very latest one.
00:33:03It's about a bald-headed man
00:33:04who went to his doctor...
00:33:06I'll be with you in a couple of seconds, old man.
00:33:08Carry on, old boy, don't mind me.
00:33:10A bit of a sticker, eh?
00:33:12You know, I always maintain...
00:33:14I'll ring you later.
00:33:17Somebody creating a spot of bother.
00:33:30I say, wake us.
00:33:32It's not really serious.
00:33:33What?
00:33:34I mean, she's not likely to go to the waif.
00:33:40Ah, what are you up to now?
00:33:42Norman, I'm ashamed of you, wasting your time.
00:33:45My dear, Mrs. Wakefield.
00:33:46Flora, what does this mean?
00:33:54I haven't any money.
00:33:56But I gave you five pounds this morning.
00:33:59I know, dear, but I left it in my other bag at home.
00:34:02Oh, really, Flora.
00:34:03You're enough to drive a man to drink.
00:34:05Pardon me, so you are.
00:34:07I gave you five pounds and I left home this morning.
00:34:10Those people are on the phone again, Mr. Wakefield.
00:34:14Oh, tell them, er...
00:34:16Very good, sir.
00:34:17Yeah.
00:34:17Oh, pardon me, so.
00:34:19Anybody think I was made of...
00:34:21Friday, 2.30.
00:34:30Must have TB.
00:34:33Norman, dear, you haven't got consumption.
00:34:35Eh?
00:34:37Oh, no, dear.
00:34:38No, no, no.
00:34:39TB?
00:34:41Turkish bath.
00:34:42Oh.
00:34:43Oh, hang it.
00:34:44No, I shan't be able to go.
00:34:45I say.
00:34:46But you can't cut the TB.
00:34:48I mean, it's good for our putting.
00:34:51Very well.
00:34:53Very well.
00:35:06Well, there's a cheque for ten pounds for you.
00:35:09Ten pounds, Norman?
00:35:10Yes, dear.
00:35:11And I want you to deliver this liquor personally.
00:35:15For this address.
00:35:17It's in the same street as the bank.
00:35:22Message.
00:35:22Just deliver the letter, dear.
00:35:25Very important.
00:35:26Very important indeed.
00:35:28You can trust me, Norman, dear.
00:35:31Goodbye, Mr. Briggs.
00:35:33See you at bridge tonight.
00:35:34Now, don't be late for dinner, dear.
00:35:35No, dear, no, no, no.
00:35:37Well, come on, old fruit.
00:35:38Lunch.
00:35:38And then the old TB.
00:35:40I hope I happen to be of the Armonies' work.
00:35:43Oh, no.
00:35:43My next lock will be a small box.
00:35:49Unseen and unsighted.
00:35:50I shall start at the low price of a shilling.
00:35:52If anybody bids me two shillings and I get no further bid,
00:35:54that bidder becomes a buyer.
00:35:55Now, what will you start at?
00:35:56Six.
00:35:57Sixpence.
00:35:57A bob.
00:35:57A bob.
00:35:58One and six.
00:35:58One and six.
00:35:59Half a crown.
00:36:00Half a crown.
00:36:00Don't bother about the money, lad.
00:36:01It's quite all right.
00:36:02Take that.
00:36:02I'll make you a present of that.
00:36:03Send your old clothes on to the wine.
00:36:04Yes, what?
00:36:05What's that?
00:36:05That's Big Ben.
00:36:06Huh?
00:36:07Matter of fact, it's a watch, sir.
00:36:08Wine's like a ball of silk.
00:36:09You can drop it in a bucket of water.
00:36:10So we will not interfere with the workings of this watch.
00:36:12A watch site that could be marked up in any shop for £4.10.
00:36:15If I sold that to any member of my audience today,
00:36:17that man being my father,
00:36:17I could go home and sleep the sleep of the just-knowing fool
00:36:19while I've given him value for money.
00:36:20I'm not asking £4.10.
00:36:22Four pounds or three pounds.
00:36:23One price and one price only as far as they go.
00:36:24I've only got a gross lip.
00:36:25A pound.
00:36:26Would you bid me a pound for that, sir?
00:36:27All right.
00:36:28I'll take a chance.
00:36:29That's what I like, a sportsman.
00:36:31That's right, sir.
00:36:32Now, you bid me a pound for that watch, sir.
00:36:33That shows that watch is worth a pound.
00:36:34Am I right?
00:36:35Sure.
00:36:35Right, sir.
00:36:35If that watch is worth a pound,
00:36:36that watch must be worth a pound.
00:36:38Yeah.
00:36:38Do me a favor, sir.
00:36:39Bid me two pounds for the loss.
00:36:41No, I'm sorry, sir.
00:36:42Not you.
00:36:42I'm very sorry.
00:36:43All right.
00:36:43I guess I'll blow the works.
00:36:45That's what I want.
00:36:45I just want to gain your confidence,
00:36:46and I'll make you one of my talking and walking advertisers.
00:36:48And I'll do the same for you, sir.
00:36:49I'll treat you the same as I'll treat you as your friend.
00:36:51Now, see what sort of a sports you are.
00:36:52Would you give me 18 shillings for a pound?
00:36:53Sure, I would.
00:36:53You will?
00:36:54Stop.
00:36:54Give me your 18 shillings.
00:36:55Take it out of the pound.
00:36:57Wise guy.
00:36:58Tell me, would you be interested in that, sir?
00:37:00No.
00:37:01As a matter of fact, we're antique dealers from New York.
00:37:03We're looking for something special.
00:37:04Then I think I've got what you're looking for.
00:37:05What is it?
00:37:06I couldn't tell you that, sir.
00:37:08When can we see it?
00:37:09When can you see it?
00:37:10Meet me tonight at half past 11 at the Piccadilly Tube Station.
00:37:14I have the very thing you're looking for.
00:37:15Piccadilly Tube Station?
00:37:16Yes.
00:37:16Half past 11.
00:37:17Number three exit.
00:37:18Okay.
00:37:18Don't forget, boys.
00:37:19It's a bet.
00:37:20It's a bet.
00:37:21Wise guys.
00:37:22My next lot will be a pair of lady silks.
00:37:24They're so small you can get them in your handbag.
00:37:26Don't run away, ladies.
00:37:26They're only stockings.
00:37:28Well, it worked, chief.
00:37:32We've got to meet him at 11.30 at the Piccadilly Tube Station.
00:37:35He's got something up his sleeve.
00:37:36And I've got a feeling that that something is a valuable statue that I'm after.
00:37:40And I've got a feeling that this is going to be Slippery Joe's unlucky day.
00:37:45I'll eat you boys tonight.
00:37:54This place is awfully noisy, isn't it?
00:37:55Well, it isn't exactly an undertakes, Carla.
00:37:57This place will take you out of yourself.
00:37:59Hello, Dickie.
00:38:00How are you?
00:38:00Hello, Dickie.
00:38:01Hello, Dickie.
00:38:02You seem to know all the men here.
00:38:03Well, of course I do.
00:38:04Everybody here is on the stage.
00:38:06Hello, Amy.
00:38:06How's your boyfriend there?
00:38:07He's hot still.
00:38:08How's yours?
00:38:11Well, I must get back to my boys.
00:38:13What for?
00:38:14Natural history.
00:38:14Oh, stay and have some coffee.
00:38:16You'll learn more natural history here than you'll ever be able to teach your boys.
00:38:20Yes, that's just what I don't like about this place.
00:38:22Hello, sweetheart.
00:38:23Hello, light of my life.
00:38:25Oh, Mr. Dawes.
00:38:26Mr. Nichols.
00:38:27Pleased to meet you.
00:38:28In the business?
00:38:29Business?
00:38:30On the stage.
00:38:31No, I mean the, uh, teaching.
00:38:33He's a professor.
00:38:33Ah.
00:38:34When I look here, kid, you think over that contract and look after your tap dancing.
00:38:38Your face is okay, but it's your legs that'll carry you furthest.
00:38:41They'll carry her just as far as I want them to and no further, Mr. Nichols.
00:38:45Horace.
00:38:46Oh.
00:38:48See you later.
00:38:49That's Tornit.
00:38:50Tornit?
00:38:50What's my chances, you silly old pilgrim father?
00:38:53Do you realize that man offered me a job at the Casino de Paris?
00:38:55Oh, where's that?
00:38:56Paris, of course.
00:38:56Where did you think it was?
00:38:58A spide la zouche?
00:38:59Well, you're not going.
00:39:00Did I hear you say I can't, girl?
00:39:02Yes, you did.
00:39:03Paris, of all places.
00:39:04Oh, what's wrong with Paris?
00:39:05You were going to take me there?
00:39:06Oh, that's different.
00:39:07We'd have gone to the Louvre and places like that.
00:39:08Seen Napoleon's too, I suppose.
00:39:10Another daring outing.
00:39:11It's incredibly obvious what that fellow wants to take you to Paris for.
00:39:13My dear Horace B.S.E.
00:39:15I'm not a B.S.E.
00:39:15Well, RSVP, or whatever you are.
00:39:17It's about time you realize I can take care of myself.
00:39:20Do you know I've slapped more gentlemen's faces than any other chorus girl in the West End?
00:39:23And I shall continue to do so ad lib.
00:39:26This happens to be a job of work, and I'm keen on it.
00:39:28If you're going to marry me, you've got to settle down and not go gallivanting all over
00:39:32the continent, kicking your legs in the air, and being chased by a lot of dirty old men.
00:39:36Oh, if we weren't in public, I'd add one more to my collection and slap your face.
00:39:39Perhaps you won't get a chance.
00:39:41Not if I have to marry you to get it, I won't.
00:39:43You're a nasty, narrow-minded, pre-war old bookworm.
00:39:46I'd sooner scrub floors than be married to you for life.
00:39:49Goodbye.
00:39:49Bye.
00:40:04Lunch.
00:40:06Two seven minutes, please.
00:40:13One seven minutes, please.
00:40:14Whatever may have been the cause of the present depression, nothing but the restoration of
00:40:27confidence will bring back economic prosperity to the world.
00:40:44I was on the point of asking you something this morning.
00:41:05You?
00:41:06How did you know?
00:41:07The girl always knows, silly.
00:41:09Speak up.
00:41:10We can't quite hear.
00:41:12Sorry.
00:41:13Continuing our talks on feathered family life, we now visit the nightingale in mating
00:41:22time.
00:41:23I'm worth £4.10 a week now.
00:41:25No.
00:41:26Yes.
00:41:27And I've saved up £200 in three years.
00:41:29No.
00:41:30Yes.
00:41:31You must have worked jolly hard.
00:41:32I worked hard as Philip and Mary me.
00:41:38This peep at feathered domicility shows that two grown-up birds who have mated experience
00:41:45increasing difficulty in finding food for so many baby mouths.
00:41:49years old.
00:41:51Shall we get out?
00:41:52Yes.
00:42:03Excuse me.
00:42:06Oh.
00:42:07Thank you so much.
00:42:08Not at all.
00:42:09Oh, it's got all my money in.
00:42:11I am grateful to you.
00:42:13Yes, thanks very much.
00:42:14Not at all.
00:42:15It's a pleasure.
00:42:16Very interesting programme, wasn't it?
00:42:17Especially the part about the princess thingamajig reviewing the girl guides.
00:42:20Well done.
00:42:21I couldn't help overhearing the last part of your conversation in there.
00:42:25Would you think it awfully rude of me if I congratulated you?
00:42:28Well, that's very nice of you.
00:42:30Look here.
00:42:31My name's Blake.
00:42:32William Blake.
00:42:33Oh, my name's Parton.
00:42:34And this is Miss Summers.
00:42:35My, er...
00:42:36Fiance.
00:42:37Now, I know this is frightfully unconventional, lovely and all that, but...
00:42:42I do think you ought to celebrate this, you know.
00:42:44Will you come and have a cocktail with me at six in...
00:42:46in the Regent Palace?
00:42:49Will you?
00:42:50Frank, we ought to celebrate today of all days.
00:42:52Of course you ought.
00:42:52Yes, Mr. Blake, we'd love to come.
00:42:54Love to.
00:42:54That's fine.
00:42:55Oh, I'll be a little late, I'm afraid.
00:42:58Banks close earlier than offices.
00:42:59Oh, well, er...
00:43:00You come at six then, Parson's, will you?
00:43:02Sure.
00:43:02Don't you be tiddly when I arrive there.
00:43:04Oh, no, of course not.
00:43:05We'll see you at six, then.
00:43:06Goodbye.
00:43:06Goodbye.
00:43:07What a nice chap.
00:43:08Charming.
00:43:17What?
00:43:18I... I...
00:43:19Make your pardon?
00:43:22And what is your pleasure, sir?
00:43:26But I want a pair of silk stockings.
00:43:28Ladies' silk stockings for the gentlemen, please.
00:43:31Oh, thank you.
00:43:35Oh, wait.
00:43:36It's nice of you to turn up, my dear.
00:43:48Uh, thank you.
00:43:49Oh, are those my stockings?
00:43:50Oh, fancy you remembering.
00:43:51Oh, ever so dinky posh.
00:44:01I can't wait to put them on.
00:44:02Good dog.
00:44:03Good dog.
00:44:04Good dog.
00:44:05Good dog.
00:44:06Ralph!
00:44:07Ralph!
00:44:08Ralph!
00:44:09Ralph!
00:44:10Ralph!
00:44:11Oh, ever so nice of you to buy me those lovely stockings.
00:44:13Here, I'll be.
00:44:14Ralph!
00:44:15Ralph!
00:44:16Ralph!
00:44:17Ralph!
00:44:18Ralph!
00:44:19Ralph!
00:44:20Ralph!
00:44:21Ralph!
00:44:22Ralph!
00:44:23Ralph!
00:44:24Ralph!
00:44:25Ralph!
00:44:26Ralph!
00:44:27Ralph!
00:44:28Ralph!
00:44:29Ralph!
00:44:30Ralph!
00:44:31Ralph!
00:44:32Ralph!
00:44:33Ralph!
00:44:34Ralph!
00:44:35Ralph!
00:44:36Ralph!
00:44:37Ralph!
00:44:38Ralph!
00:44:39Ralph!
00:44:40Ralph!
00:44:41Ralph!
00:44:42Ralph!
00:44:43Ralph!
00:44:44Ralph!
00:44:45Ralph!
00:44:46Ralph!
00:44:47Go on, go on, come along, come along, come along, come along.
00:45:04He's there.
00:45:05Come on, you win.
00:45:06Come on Steve.
00:45:07Come on Steve.
00:45:08Hold your phone.
00:45:09Hold your phone.
00:45:10I'm holding him.
00:45:11Go on, let's go.
00:45:12Steve.
00:45:13Steve.
00:45:14Steve.
00:45:15Steve.
00:45:16Steve.
00:45:17Steve.
00:45:18Now he's gone.
00:45:19He's gone.
00:45:20That's the finish.
00:45:21Go on.
00:45:22Tell me what the numbers are.
00:45:23I didn't look.
00:45:24Just put them up, I'll tell ya.
00:45:25Oh.
00:45:26Daddy's second.
00:45:27What can you expect?
00:45:29And anyway, look at the date, Friday the 13th.
00:45:31Well you can't blame Donny for that, he's won the derby five times.
00:45:33Four times.
00:45:34Five, I'm telling you.
00:45:35And four times.
00:45:36In addiction!
00:45:39We stayed a chance here!
00:45:41Blime it, will it be sustained?
00:45:43I don't understand.
00:45:44Oh, what about your tips now?
00:45:46Well, what about them?
00:45:47I thought we were going to wrap up our packet.
00:45:48Well, these tanner tips have never thrown out before.
00:45:50Didn't I say get a shilling one?
00:45:52Oh, can't help that. We've got a tanner one, isn't it?
00:45:54Do you mind?
00:45:55Did you bring him along?
00:45:56Attention to space!
00:46:01That went there. What did I tell you?
00:46:03What did I tell you?
00:46:04Who said Friday the 13th was unlucky?
00:46:06You did.
00:46:07You did. You've been harping on it all day.
00:46:09Who's been harping on it?
00:46:10You have. Now, where's the ticket?
00:46:11You've got it.
00:46:11I gave it to you.
00:46:12Now, don't be silly.
00:46:13Don't be a great hurt.
00:46:14You've got it somewhere.
00:46:14Who's a great burg?
00:46:15Here, where is it?
00:46:16Here we are.
00:46:16I've got it somewhere.
00:46:17Come on, boy.
00:46:18I've been thinking a lot about that girl who phoned you up this morning.
00:46:26Oh, Lord.
00:46:27Still, old boy, it's a bit thick.
00:46:33You see, Wakers, old boy,
00:46:35once a girl like that says that you realize that you've made a mistake.
00:46:39I'm not the sort of man that makes mistakes.
00:46:41Still, old boy, it's a bit hot.
00:46:43Oh, I suppose you're feeling a bit fucked with yourself today, eh?
00:46:48Well, I think you'll find I have every reason to be.
00:46:50A word in your ear, old boy.
00:46:52Don't let this girl get wind of it.
00:46:55Well, I don't want to damp your enthusiasm.
00:46:57Oh, hi, Major.
00:47:03Wakers, you know Major Henderson-Lowe?
00:47:05You must have met on board meetings.
00:47:09Of course.
00:47:10I didn't recognize you at first.
00:47:11Of course.
00:47:12How are you?
00:47:13I'm very well, eh?
00:47:13You were very open.
00:47:14Oh, wonderful.
00:47:15You're not too cold, you know?
00:47:16Yeah, nice massage.
00:47:17Save it for me this afternoon, please.
00:47:19You should come along to my showrooms.
00:47:23I've got some nice new Rolls Royces.
00:47:25Well, he can afford one now.
00:47:27Oh, yes.
00:47:28He just bought off a big deal in the city.
00:47:30Well, I don't know.
00:47:32Well, what about the color?
00:47:34What do you think of a nice gray?
00:47:36Plum color is very fashionable.
00:47:38I'm rather partial to navy blue myself.
00:47:39Plum color is a bit loud.
00:47:41Oh, my God.
00:47:49Good evening, Piper Sten.
00:47:51Put mine down there, Major.
00:47:55Nice and comfy now, what?
00:47:57Brother.
00:47:59Hello.
00:48:00City sensation.
00:48:01Oh?
00:48:02Big drop in Pesach oil showers.
00:48:04What?
00:48:05There was a sensational drop this afternoon in Pesach oil showers.
00:48:08Official denial issued from the Pesach legation,
00:48:11of the rumour which has been prevalent in city circles
00:48:13that the Pisa government would grant a concession.
00:48:16Many gullible city gamblers have had their fingers badly burnt.
00:48:21Now, there's just the sort of damn fool thing that I had to put my money into.
00:48:25You don't have a perfect arse in these things.
00:48:27I only wish I had your business sense, wake arse.
00:48:41There you are, Mrs. Wakefield.
00:48:57Yes.
00:48:59Oh, hello, Norman.
00:49:00Now, listen, dear.
00:49:01This is very important.
00:49:04Don't be afraid to tell me the truth.
00:49:06Yes, dear.
00:49:07Did you deliver that note this morning?
00:49:14Hello.
00:49:15Hello, hello, hello.
00:49:17Are you there?
00:49:19Yes, I'm here, dear.
00:49:21Well, did you deliver it?
00:49:26Why, of course I did, dear.
00:49:28I'd never forget a thing like that.
00:49:31Oh.
00:49:32You sound relieved, dear.
00:49:34Yes, I am.
00:49:38Goodbye.
00:49:47Get me a taxi, will you please?
00:49:48Yes, please.
00:49:49Oh, Lord.
00:50:03Thirty-eighth time this week.
00:50:05Oh.
00:50:05Oh.
00:50:05That would be so much simpler if we'd just been born with tide songs.
00:50:07You will do it.
00:50:08Oh, Lord.
00:50:09Thirty-eighth time this week.
00:50:12Oh, Lord.
00:50:13Thirty-eighth time this week.
00:50:14Oh.
00:50:14Oh.
00:50:15That would be so much simpler if we'd just been born with tide songs.
00:50:17You will do it.
00:50:18I should take care of you.
00:50:19We will do it.
00:50:20We will do it.
00:50:31But it's very important you can't go through.
00:50:34Hello, sweetheart.
00:50:50Hello, light of my life.
00:50:52Oh, last five minutes, Grace.
00:50:53I'll tell you I'm Miss Adams' fiancée.
00:50:55I don't care if you're her grandfather.
00:50:57Oh, good.
00:50:59Here.
00:51:00Mr. Bronson.
00:51:00If you don't take your arm away, I'll knock you down.
00:51:05Oh, non-stop all-in wrestling, eh?
00:51:07Oh, Horace, I'm surprised.
00:51:08I'm not talking to you.
00:51:09I don't think it's much use.
00:51:10But as for you, I...
00:51:11What's all this going on during the snake dance?
00:51:14You go and get rid of her, please.
00:51:15Go on.
00:51:16Who are you?
00:51:16I came here to see this young lady.
00:51:18Yes, all right.
00:51:18I know.
00:51:19I know.
00:51:19I know.
00:51:19I can't stand by.
00:51:20How can you bring him here?
00:51:21Dear Jackson, we've got to do these before we leave.
00:51:33Before we leave?
00:51:34Yes, but this will take all night, won't it?
00:51:36Hmm.
00:51:37It's a rush going to sailing being postponed until tomorrow.
00:51:39Funny how superstitious some people are.
00:51:42Superstitious?
00:51:42What do you mean, superstitious?
00:51:43Look.
00:51:45Oh, yes, of course.
00:51:46Damn.
00:51:47Damn.
00:51:47Damn.
00:51:47Damn.
00:51:47Damn.
00:51:51Yes, they're all ready.
00:51:56Fresh as paint.
00:51:58Look, I'm working late.
00:51:59I'm afraid it's rather difficult.
00:52:01Oh.
00:52:02Mr. Jackson, shall I send them around to your wife?
00:52:04Oh, no, no, no.
00:52:05Don't do that, because I do want to give them to her myself.
00:52:08I tell you what.
00:52:09You give her a ring at my side door any time before midnight.
00:52:12I'll have them ready for you, all right?
00:52:14Oh, yes.
00:52:14That's grand.
00:52:15Thank you very much.
00:52:16Goodbye.
00:52:19Miss, put these roses over there
00:52:21and put a Hesperin in the water, will you?
00:52:26We'll put this card with them.
00:52:42Hello.
00:52:44It's Henry.
00:52:44Oh.
00:52:45What?
00:52:47Oh.
00:52:48Oh, working late?
00:52:49Oh, I am disappointed.
00:52:52But, darling, you didn't really think I'd forgotten this morning, did you?
00:52:56Forgotten?
00:52:57Forgotten what?
00:52:58Well, the anniversary.
00:53:00What anniversary?
00:53:02Well, I'm waiting five years today.
00:53:04Oh.
00:53:05Oh, yes.
00:53:06Yes, I did think you'd forgot.
00:53:09Yes, I was a little hurt.
00:53:11Oh, well, look here, darling.
00:53:12I'll give you a ring just as I'm leaving the office, see?
00:53:15Yes.
00:53:15Yes, all right, dear.
00:53:16Goodbye.
00:53:17Bye, darling.
00:53:19Well?
00:53:20Come on, let's get out of this.
00:53:21If he finds you here with me, he'll do me in.
00:53:23Oh, come on, duck.
00:53:28I'll plead his dog for him.
00:53:31Hurry up.
00:53:32Oh, it's all right.
00:53:33I can't have him running down the street after me.
00:53:35You got everything?
00:53:36Yes, well, I'll leave him there, sir.
00:53:39There.
00:53:40Now I'm ready.
00:53:41Come on.
00:53:42This is a very lucky day for you financially, too, isn't it?
00:53:49Oh, oh, yes.
00:53:51I see, I must be more careful about raising my voice in the cinema.
00:53:54Exactly.
00:53:58Lord, I wish I had 200 pounds in the bank.
00:54:00Oh, but hadn't you?
00:54:02No.
00:54:03Well, I mean, champagne and all that.
00:54:05Oh, that's only the scale of living I'm used to.
00:54:07You see, when a chap's an old Etonian,
00:54:09well, you can't very well let yourself down, can you?
00:54:13Oh, you were at Eton?
00:54:14Yes, yes.
00:54:14The pater insisted on it.
00:54:16I was in Pendleton's house, as a matter of fact.
00:54:18Jolly good house.
00:54:18If I were you, I should go straight home and change my tie.
00:54:29He was never at Eton, you know.
00:54:30Well, cheerio.
00:54:32Cheerio.
00:54:32Clegg.
00:54:35Yes.
00:54:37Were you at Eton?
00:54:39Well, as a matter of fact, for a time, I was, I was at your school.
00:54:42My school?
00:54:43Yes.
00:54:44What do you mean, Stowe?
00:54:45No, not exactly Stowe.
00:54:47It's a school with, with no prize day, but with quite a lot of discipline.
00:54:54With no dormitories, but with quite a number of little cubicles.
00:54:57Very simply furnished, with no playing fields, but with very high walls.
00:55:09I have an apprentice idea what you're talking about.
00:55:13Haven't you?
00:55:13Well, here we are.
00:55:25Two old boys who have forgotten to put on the old school tie.
00:55:30Disloyal of us, don't you think?
00:55:32Oh, wait, sir.
00:55:33Bring us some more champagne.
00:55:34Well, you'll make it vintage champagne this time.
00:55:36The last tasted like a gargle.
00:55:37What did I say?
00:55:40You've been following me about all day.
00:55:42Yes, I'm awfully active.
00:55:45Well?
00:55:47I have got to have 100 pounds.
00:55:51But can't, can't you go to someone who's got less to lose than I have?
00:55:55I've tried everything.
00:55:56As a matter of fact, Frank, old boy, you know, between you and me, I'm pretty desperate.
00:56:01I won't.
00:56:03I won't.
00:56:04Ah, here we are.
00:56:06How are you?
00:56:06Sit down.
00:56:07There we are.
00:56:08That's fine.
00:56:09Why?
00:56:10You are, Tidley.
00:56:12Never mind.
00:56:13It's a celebration day.
00:56:14Ah, here we are.
00:56:15Do you know, Miss Summers, that Frank and I have just discovered we were both at the same school?
00:56:19No, really?
00:56:20Well, Frank's always been a bit mysterious about himself to me.
00:56:23Now you'll be able to tell me all his guilty parts.
00:56:25Exactly.
00:56:26Won't he be useful, Frank?
00:56:28I...
00:56:29But what's the matter with him?
00:56:36I don't know.
00:56:38He's ill.
00:56:39I'm so sorry, Mr. Blake, but I must catch him.
00:56:41Yeah, quiet.
00:56:41Oh, so you have got back?
00:56:55Yes, I've got back all right.
00:56:56What sort of day have you had?
00:56:57I've had a wonderful day.
00:56:58I've sold the ottoman that's been hanging around me neck for the last three years, and I've sold the car, Bill.
00:57:02What?
00:57:02Yes, I've sold the car.
00:57:03You've never had.
00:57:04As true as I'm going up these stairs, and I don't lie, I never put these skates on again.
00:57:07I've sold the car.
00:57:08Who, too?
00:57:09A commercial traveller?
00:57:10No, the rag and bone man.
00:57:11What did he give you for it?
00:57:12He gave me a cigarette for it.
00:57:13A black cat.
00:57:19Joe?
00:57:20Who was them two blokes what you was talking to?
00:57:23Oh, they're two American fellas.
00:57:24I'm going to do business with them.
00:57:24I've got to meet them tonight at half past eleven down at Piccadilly Cube Station.
00:57:27Oh, what do they want?
00:57:28Oh, I know what they want.
00:57:29I think I've got what they want.
00:57:30What's that?
00:57:33A pair of Cipcads.
00:57:33What do you think it was?
00:57:33A tin of milk?
00:57:34This is a collar.
00:57:34Don't be a mug all your life.
00:57:35There'll be a lot of dollar bills flying about tonight.
00:57:38Whoopee!
00:57:42Not going out, are you, Millie?
00:57:43I'll be back in twenty minutes.
00:57:46Do you believe the roof, bud?
00:57:48I wouldn't miss it for worlds.
00:57:50Toodle-oo!
00:57:50Toodle-oo!
00:57:54Hello.
00:58:00I'm more interesting than a lot of addition and subtraction, aren't I?
00:58:10Aren't I?
00:58:13Oh, still peeved?
00:58:16No, I've just resigned, that's all.
00:58:18Oh, what are you resigned about?
00:58:20Not seeing any more of you.
00:58:22Oh?
00:58:24You don't sound very upset at the idea.
00:58:25Oh, what's the use of being upset?
00:58:27You obviously think I'm too dreary and stayed for you.
00:58:29I don't really.
00:58:30It's only my wisecracking.
00:58:31Your what?
00:58:32You know, the way I pull your leg.
00:58:33I suppose the way you were letting that agent maul you about, that was pulling my leg, too.
00:58:37I wasn't letting him maul me about.
00:58:38Depends what you mean by mauling.
00:58:39I saw he was and you were encouraging him.
00:58:41I wasn't.
00:58:42You've got to be nice to those fellas or they make it hot for you in your job.
00:58:45Yes, that's just the point.
00:58:46Your job's more important to you than I am.
00:58:49Either your job's got to go or I have.
00:58:51It might just as well be me.
00:58:54Oh, you silly old Puritan, you.
00:58:56I don't suppose you'll find that agent fellow a Puritan, so you'll have a really good time out of him.
00:59:00And you'll be able to get jobs out of him at the same time, so it's no good pretending to me you don't like me maul.
00:59:04Oh, Hollis, this is too silly.
00:59:06You know we're crazy about each other.
00:59:08And if we fight like cats and dogs now, what's married life going to be like?
00:59:11There isn't going to be any married life.
00:59:12Not while you go about with half your clothes on and let fellows like that Nichols make love to you.
00:59:18Darling, we'll both have cooled down by tonight, so please meet me at the stage door tonight after the show.
00:59:29Same as usual.
00:59:31Too dear.
00:59:32I'm sorry if I've done wrong.
00:59:35If I see you at the stage door, I'll know everything's okay.
00:59:37I'll know everything's okay.
00:59:53I'll know everything's okay.
00:59:55I'll know everything's okay.
01:00:27You're having a hard evening's work, Mrs. Wakefield.
01:00:55I don't think you've been dummy yet.
01:00:57No.
01:00:59Hello, Wakefield.
01:00:59It looks as if his stomach had turned upside down.
01:01:02What's the matter, Wakefield, old carrot?
01:01:06I'm fine.
01:01:07Mr. Wakefield's certainly playing rather an absent-minded game this evening.
01:01:12Yes.
01:01:13Anybody seen the bridge problem in the paper tonight?
01:01:17I thought it was rather good.
01:01:19I've never missed one yet.
01:01:21By the way, where are the evening papers, Lodge?
01:01:23The master put them on the kitchen fire, madam.
01:01:25That was a funny thing to do.
01:01:27You're not feeling ill, are you, dear?
01:01:29I tell you I'm fine.
01:01:31But all I can say is, Wakefield's old top,
01:01:33that is a bridge player your stock is well below par.
01:01:36Your call, Mr. Briggs.
01:01:43One speed.
01:01:45Two hearts.
01:01:48Two spades.
01:01:51Four hearts.
01:01:52Oh, double four hearts.
01:01:59Content?
01:02:01Content.
01:02:04Hearts are trumps.
01:02:05And I'm dummy at last.
01:02:09But, Mrs. Wakefield, you haven't a heart in your hand.
01:02:12Good God.
01:02:12Oh, how stupid of me.
01:02:17But then I always am stupid.
01:02:19I must go and look after the sandwiches.
01:02:23Sorry.
01:02:25Is that Mr. Cranheimer's house?
01:02:27Mr. Cranheimer, the stockbroker?
01:02:28Oh, when will he be back?
01:02:30It's terribly important, you see.
01:02:32I've got a note for him and got to his office this afternoon after it closed.
01:02:35Gone to the theatre.
01:02:37Will he be back to supper?
01:02:38He will.
01:02:39Oh, yes, well, I don't quite know what to do.
01:02:42I'll call around a little later.
01:02:44Yes, that's all right, darling.
01:02:46I'll see you later.
01:02:47I said, do come down, dear.
01:02:48Miss Bright's furious at your playing so badly.
01:02:50Oh.
01:02:54How stupid of her.
01:02:56It's only a game.
01:02:58You seem very flurry tonight, dear.
01:03:00You've forgotten something again.
01:03:02Oh, no.
01:03:03Oh, well, let's get back and finish the rubber.
01:03:06Come on, dear.
01:03:06Oh, yes, sir.
01:03:09You're a big woman.
01:03:10It's always terribly important, my girl, but I won't have such goings-on in my house.
01:03:14I won't.
01:03:15Let me pass you silly bad-minded woman.
01:03:21What is it, Frank?
01:03:26Is this another girl?
01:03:29Mary, I...
01:03:30I've been to prison.
01:03:33Yes?
01:03:40I got a year for embezzlement.
01:03:43I thought it'd make life so much easier for me.
01:03:46My brother was ill.
01:03:47I've dated for him, too.
01:03:53That's all right.
01:03:54Mary.
01:04:02This fellow Blake wants money.
01:04:04I can't believe it.
01:04:06She seems so charming.
01:04:10Are you in, Frank, old dear?
01:04:14Oh, you know.
01:04:15No, no.
01:04:15Yeah.
01:04:16You're going there.
01:04:17Come on, buddy.
01:04:19Mary, I...
01:04:20Come in.
01:04:33Come in.
01:04:39Oh.
01:04:40How very nice to see you again.
01:04:41I didn't realize that you both, shall we say, anticipated the ceremony.
01:04:52Won't you have one of my cigarettes?
01:04:58Yes, you're quite right.
01:04:59It isn't mine.
01:05:01To use a popular expression, I pinched it.
01:05:03You must come up and see my collection.
01:05:04Aren't you very afraid of the police?
01:05:06No, but I don't care to meet them socially.
01:05:09As a class, they bore me.
01:05:11You see, Miss Summers, I'm one of those people who, shall we say, live on their wits.
01:05:16My wits are very sharp.
01:05:18I advise you very strongly to think twice before cutting yourself on them.
01:05:22Of course.
01:05:23You're like all blackmailers.
01:05:25My dear Miss Summers, what a very ugly word.
01:05:28You've quite shocked me.
01:05:29You're like them all.
01:05:31One is only to stand firm and you're helpless.
01:05:34You're playing a game of bluff and you know it.
01:05:36Go on.
01:05:37If you don't care out of this room in two minutes,
01:05:40with the promise that Frank will never see you again,
01:05:43I'll go out and ring up Scotland Yard.
01:05:45Go on.
01:05:46You've been to prison yourself once.
01:05:48I'm 25 years old, Miss Summers, and I've been to prison
01:05:51four or five times.
01:05:54I really can't remember which.
01:05:55You see, I'm a wrong-un by nature.
01:05:58And I'm not really happy unless
01:05:59I'm up to what the governor used to call my tricks.
01:06:01My father, a charming old gentleman,
01:06:04you'd have liked him enormously.
01:06:05Then I'll go to him.
01:06:06Well, unfortunately, you see,
01:06:07he's not accessible at the moment,
01:06:09owing to not having quite finished serving a life sentence.
01:06:11Won't you really, Smoke?
01:06:15Here.
01:06:17Now, look here.
01:06:18Mr. Blake.
01:06:19Yes?
01:06:21If I go to the police.
01:06:22Yes?
01:06:23And tell them that you're blackmailing Frank,
01:06:26think what you've got to lose.
01:06:28I have nothing to lose.
01:06:31Oh, my God.
01:06:56He's one
01:07:04Well, so I'm standing there minding my own business, see
01:07:11Oh, for Pete's sake, Chief, we don't want him to see you hanging around here
01:07:15You better scram
01:07:16All right, all right
01:07:17We've got ten minutes yet
01:07:18Now I'll get a taxi, go to your hotel
01:07:20And hang around there till you get him in your room
01:07:22Then everything will be fine and dandy, Chief
01:07:24See you later, boys
01:07:24So long, Chief
01:07:25So I said to this guy, I said, brother, don't get me in any argument because I know all the answers
01:07:29You know, my wife will be wondering where I am
01:07:32It's funny, there's no reply
01:07:36I tell you what, she's out
01:07:39My wife's at home waiting for her husband
01:07:41She must be at home
01:07:43I tell you what, she's ill
01:07:45Ill? Nonsense, the line's out of order
01:07:47Good night
01:07:55Good night
01:07:56Oh, Norman
01:08:12That note you gave me to deliver this morning
01:08:16What of it?
01:08:17What of it?
01:08:17Will it make a very big difference to you?
01:08:19Eh?
01:08:20Financially, I mean
01:08:21Oh
01:08:21A bigger difference than you can realize
01:08:26Oh
01:08:28You know, the minute I saw you
01:08:32I said to myself, I said
01:08:33Now that's a man, what you can call a man
01:08:36You were rather exaggerating, I'm afraid
01:08:39Ralph
01:08:40Ralph, you're a wonderful
01:08:42Oh
01:08:43Oh, you really think so?
01:08:45Well, I
01:08:46Manners
01:08:49That's that old, tawny port
01:08:53What will your wife say?
01:08:55My wife?
01:08:57My wife can go to, uh, to the dogs
01:08:59Oh, you are awful
01:09:02You know, there's a lot of you out of me in your eyes, did you know?
01:09:06No, no, I didn't
01:09:08Oh, there is
01:09:08I feel any moment now, if I wasn't careful
01:09:11You might put your arm round my way
01:09:13Oh, might I?
01:09:15Well, I never thought of that quite
01:09:17There
01:09:24I knew you would
01:09:25You bold creature
01:09:26Well, I suppose there's nothing for it but me to put mine round you
01:09:30Oh, ho, ho, ho
01:09:36Really, you mustn't do that
01:09:38Oh, yes, I must
01:09:39It's going too far
01:09:40Oh, please
01:09:43Morning, night
01:09:45Merry and bright
01:09:46Oh, off we pop
01:09:48Over the top
01:09:50Well, that's that, thank God
01:09:52All I need now to put me right would be a nice long country walk
01:09:56Oh, what?
01:09:57Oh, what?
01:09:58I shan't want you till the morning
01:10:03Very good, sir
01:10:04Do you think the gentleman may fancy a cigar, sir?
01:10:08Yeah
01:10:09No, I don't think so
01:10:11Very good, sir
01:10:12Oh, I want to go to Wimbledon Common
01:10:25Yes, lady
01:10:26Oh, I've left my keys inside
01:10:30And I've only got a shilling
01:10:31Oh, can't be done, can it?
01:10:33Well, I must get to Wimbledon Common
01:10:35Well, you might get a bus round the corner, lady
01:10:36Oh, I don't think so
01:10:38Get him off first, please
01:10:44Hold tight
01:10:48There, please
01:10:50Here, please
01:10:55Wimbledon Common, please
01:10:58Er, which end, ma'am?
01:11:01Has it got more than one end?
01:11:03Well, it's not what you might call an allotment, you know
01:11:05I'm going to miss my last bus if I'm not careful
01:11:09There, old chap
01:11:10Might ring up the supervisor for me, will you?
01:11:12Right, what about your flowers?
01:11:14They'll have to wait till tomorrow now
01:11:15Good night
01:11:15Good night, old chap
01:11:16Get him off first, please
01:11:19How many room?
01:11:22Right to the corner
01:11:23Plus behind, 34th
01:11:24Takes your father down
01:11:25Oh, I'm in a hurry
01:11:26I'll take this one
01:11:26All right
01:11:27Hold tight
01:11:28I'm sorry I'm late, boys
01:11:34I've been to see the wife's sister
01:11:35It's a very sad case
01:11:36Ah, was it there?
01:11:37Gave you that promising bottle of scotch, eh?
01:11:40Yeah
01:11:41What about a taxi up to the hotel, eh?
01:11:42Now, look, if you guys want to take me for a ride
01:11:44Do you mind if we go in a bus?
01:11:45Sure, let's go
01:11:46Let's go
01:11:47Let you lean
01:11:51Any more first, please
01:11:53Hurry along there, please
01:11:55Nice day for ducks
01:11:59Wise
01:12:00Mind the steps
01:12:01Heels, please
01:12:05Heels, please
01:12:07Three pennies
01:12:10Have you got change for a fiver?
01:12:12Fiver
01:12:12Stay buddy
01:12:13Can you spare three dimes?
01:12:17I'd laugh if he brought a grammar book
01:12:24Ha-ha, it is, I know
01:12:25Hello, yes
01:12:28Miss Adams
01:12:31Mr. Nicholl's on the phone asking if you've left yet
01:12:33Says he's expecting you
01:12:34Oh
01:12:34Sir, I'm on my way
01:12:37She's on her way, sir
01:12:39Let him off first, please
01:12:44Hurry along, ma'am
01:12:46Hold tight
01:12:48Heels, please
01:12:54Oh, where do I get off for?
01:12:59Linden Gardens
01:13:00I'll put you off, miss
01:13:01What happens?
01:13:06You
01:13:06Would you mind giving me a cheque for a hundred pounds?
01:13:13Now
01:13:13He hasn't got a hundred pounds
01:13:15Yes, he has, he's got two hundred
01:13:16Well, that's very nice of you
01:13:20Thank God we're never to see you again
01:13:22Well, you never can tell, you know
01:13:23I mean, what is the expression?
01:13:24Something about a bad penny?
01:13:26How can you stand there and say such?
01:13:28My dear Miss Summers
01:13:29I was educated at a very nasty little school
01:13:32But I have never yet been known not to behave quite beautifully
01:13:35Oh, thank you so much
01:13:36Very nice of you
01:13:37Very pleased to have met you both
01:13:38Goodbye
01:13:39What did he mean about the bad penny?
01:13:47It means
01:13:48He's coming back for more
01:13:50They always come back
01:13:52Oh, Miss Frank
01:13:54What are we supposed to do?
01:13:57Hang on there, please
01:13:58Hold tight
01:14:00Help me
01:14:03Oh, dearly
01:14:11Oh, look
01:14:13There's a Frank Closeman
01:14:14A what?
01:14:15He's been watching us
01:14:16Well?
01:14:17Don't you know this is a park?
01:14:18A lady friend of mine got out of doing a lot less
01:14:21God bless my soul
01:14:22Oh, the way you've led me on to
01:14:24Look here
01:14:24We'd better run for it
01:14:25We'll go that way
01:14:26I'll go this, please
01:14:27Oh, this way
01:14:28Oh, well
01:14:29Goodbye
01:14:29Goodbye
01:14:31Goodbye
01:14:31Goodbye
01:14:31Well, how did you make up?
01:14:38I don't know
01:14:39I don't know
01:14:39Not so bad
01:14:44Oh, well run, Lord Bertie
01:14:47Thank you
01:14:48Hey, off a minute
01:14:50We're not camping out
01:14:51I'm sorry
01:14:52I'm sorry
01:14:52I think you're fine
01:14:53Ready yet, Mark?
01:14:57One moment
01:14:58Give me two tickets to King's Cross, young man
01:15:15Sorry, Mum
01:15:16Sorry, Mum
01:15:16Can't be done
01:15:17But I'm going to King's Cross now
01:15:19That's clever of you
01:15:20For this bus ain't
01:15:21That a man in uniform
01:15:22Told me to take a number 134
01:15:24So it must be the right bus
01:15:26It is, Mum
01:15:26The only thing against it
01:15:27Is it's going the other way
01:15:28You've made me miss my last excursion train to Lincoln
01:15:32Would you mind pressing your belt, please?
01:15:35Come along, Lou
01:15:36Give Auntie an umbrella
01:15:37Well, this is the end of a perfect day
01:15:44And no mistake
01:15:44I've been robbed
01:15:57Well, what are you going to do about it?
01:15:59Write me a check
01:16:01Oh, dear
01:16:01What can I do?
01:16:03Allow me
01:16:04Oh
01:16:04Looks nice ship for a crew, sir
01:16:07Yes, doesn't she?
01:16:08Yes, yes
01:16:09Good, eh?
01:16:10I like six and a six on a horseball shooting star
01:16:14I know, I know
01:16:14I know
01:16:14It's quite cold
01:16:16You know, you may be lucky
01:16:18Haven't told the wife we're going yet
01:16:20Be a surprise for her
01:16:21She'll enjoy that
01:16:22I bet she will
01:16:23Art
01:16:25If there's one thing I know anything about
01:16:27It's art
01:16:27As my poor old mother used to say
01:16:29Joe
01:16:29You shouldn't be in the market
01:16:30You should be in the museum
01:16:32She'll be here in ten minutes
01:16:33It's under slippery customer, sir
01:16:34We've got him this time
01:16:36Got him beautifully
01:16:38Pick it out
01:16:38I can smell it
01:16:39I'm going to whip it
01:16:40Sure
01:16:40You won't forget to put me off at Linden Gardens, will you?
01:16:50But are you sure she's not in?
01:16:52Sure, Mr. Dawes
01:16:53This is late for her, too
01:16:55Did you miss her at the stage door?
01:16:57As a matter of fact, Mrs. Lomas
01:16:58We had a bit of a tip
01:16:59Oh
01:16:59얼마나 do you want to see you
01:17:01Don't be a bit afraid of
01:17:02The entire neighborhood
01:17:03Is on your way
01:17:04Do you like me to walk
01:17:05whee sacs
01:17:06It's kurt
01:17:08Don't be afraid
01:17:10No, no, no
01:17:11Do you want to hang?
01:17:12The country better
01:17:13The country better
01:17:14Don't be afraid
01:17:14Don't hide
01:17:15And when you want to do
01:17:15Doing Torah
01:17:16Yes
01:17:16Her
01:17:16Flooring
01:17:17Will be
01:17:18As if the island ряд
01:17:19Well, it does importantly
01:17:20You just need him
01:17:20To sorry
01:17:21Just Prinzip
01:17:21The Wizard
01:17:23Toруго
01:17:23I
01:17:24You just need to
01:17:28It's hijo
01:17:28Dude
01:17:28False
01:17:29Alf.
01:17:40Hello.
01:17:42You always was suspicious.
01:17:44Superstitious.
01:17:46Yes.
01:17:47And I'm inclined to agree Friday the 13th was unlucky.
01:17:54Unlucky?
01:17:56You said it.
01:17:59It's no use.
01:18:11You can't fit the Emperor of China's head onto Marie Antoinette's bust.
01:18:18Hard to wash out, Chief.
01:18:20The thing must be powder by now.
01:18:22Oh, damn.
01:18:23You looking for something?
01:18:25I'll catch you yet.
01:18:26Why, pick on me.
01:18:27A lad who's never done any harm to anybody.
01:18:28And I always remember my mother's words.
01:18:29It's far better to be a coward than die young.
01:18:32See, Fransanjo?
01:18:33I'm all right, excepting I broke something in there which I value very much.
01:18:35And what was that?
01:18:36A bottle of scotch.
01:18:37But don't let that worry you.
01:18:38Sticks and stones might break my bones, but bad names will never hurt me.
01:18:40Put a poultice on that.
01:18:42It slipped my memory.
01:18:44I was on my way to Mr. Cranheimer's in that bus.
01:18:49Yes, yes, Cranheimer.
01:18:51I know they've fallen considerably, but...
01:18:52No, no, no, no, no.
01:18:55A misunderstanding.
01:18:56I, erm, I reconsidered my decision.
01:18:59Yes, yes, goodbye.
01:19:01Oh.
01:19:02Fallen considerably?
01:19:07Does that mean I've saved you a pretty penny?
01:19:11Yes, it does.
01:19:13Oh, I am glad, dear.
01:19:16Flora, where's the marmalade?
01:19:18Martha, where's the marmalade?
01:19:20I told you we'd run out for them and asked you to order some yesterday.
01:19:23I'm so sorry, darling.
01:19:25I'm afraid I must have forgotten to order the marmalade.
01:19:27Forget.
01:19:28Forget.
01:19:29You'd forget your head if it wasn't screwed on tight.
01:19:33You'd...
01:19:34You...
01:19:35You...
01:19:36Oh...
01:19:37You...
01:19:38Shall I put these in the window, sir?
01:19:46No, send them round to the widow with this card.
01:19:49With heartfelt sympathy in your irreparable loss.
01:19:58No, no, no, no, my ducky darling.
01:20:00No, no, no, dear.
01:20:02No.
01:20:03Drink it for Mumsy.
01:20:04No, dear.
01:20:05The pain's in the head.
01:20:07The police.
01:20:09Good morning, madam.
01:20:10Good morning, sir.
01:20:11Oh.
01:20:12I don't know anything about the accident, Inspector.
01:20:14I don't remember anything.
01:20:16It was all dark and then I was at home.
01:20:18I don't want to speak to you about the accident, sir.
01:20:20I want to speak to you about the park.
01:20:22You suffered a loss.
01:20:23I don't remember anything about it.
01:20:25I'm still dazed.
01:20:27Suffered a loss in the park?
01:20:29No, no.
01:20:30I didn't lose anything.
01:20:31Oh, yes.
01:20:32He lost his dog.
01:20:33He's down at the station now.
01:20:34Oh, Ralph.
01:20:35Do you mean to say you left Pook in the park?
01:20:38Yes, dear.
01:20:39What?
01:20:40Ralph, are you mad?
01:20:41Don't you know the park's the most dangerous place in London?
01:20:43For a dog?
01:20:48You're telling me.
01:20:52That row was my fault.
01:20:53It was my jealousy.
01:20:54No, it was my temper.
01:20:56I've been thinking if you want to go on with your career...
01:20:58Now how can I be God's gift to non-stop with a sprained ankle?
01:21:02Please, sir.
01:21:03Will you kiss me?
01:21:11By the way, dear, I've been thinking.
01:21:13That bus was going the other way.
01:21:14Where were you going to that time of night?
01:21:16Oh, to see a maiden aunt of mine in Kensington.
01:21:18But you've never seen her before?
01:21:20No, dear.
01:21:21I don't think I'll ever see her now.
01:21:29Darling.
01:21:30Come.
01:21:40I had to see you alone for a minute.
01:21:42I haven't slept all night.
01:21:44I'll be around again soon.
01:21:46Either that or I'll be sacked.
01:21:49The best thing for you would be never to see me again.
01:21:51You Mr. Francis Parsons?
01:22:01Yes.
01:22:02Did you give the fellow a check yesterday?
01:22:04Yes.
01:22:05Blake.
01:22:06He was killed late last night in a bus smash.
01:22:08He was no stranger to the force, you know.
01:22:11Was he bothering you?
01:22:13Well, a good witness, I say.
01:22:14Good morning, Miss.
01:22:15Good morning, sir.
01:22:16I'd like to stay in my bed and breakfast every night.
01:22:17Yes, sir.
01:22:18Well, you know that bus we got off last night went on a bit further and was hit on the top there clean.
01:22:23Here's the picture.
01:22:24Oh, I wish I'd have been there.
01:22:25Oh, I wish I'd have been there.
01:22:26Aunty.
01:22:27Yes, sir.
01:22:28If we hadn't have got off that bus, it would have passed the place where the crane fell before the crane fell, wouldn't it, Aunty?
01:22:30Yes, sir.
01:22:31Yes, sir.
01:22:32And then there wouldn't have been an accident, would there, Aunty?
01:22:33Yes, sir.
01:22:34Well, you know that bus we got off last night went on a bit further and was hit on the top there clean.
01:22:39Here's the picture.
01:22:40Oh, I wish I'd have been there.
01:22:43Aunty.
01:22:44Yes, sir.
01:22:45If we hadn't have got off that bus, it would have passed the place where the crane fell before the crane fell, wouldn't it, Aunty?
01:22:53Yes, sir.
01:22:54And then there wouldn't have been an accident, would there, Aunty?
01:22:57So do, Aunty.
01:22:58So do, Aunty.