First broadcast 15th February 2003.
A woman finds herself drawn into a terrifying and vulnerable situation which calls for desperate measures when she gently rebuffs the attentions of a man.
Natasha Little ... Hat Vezey
Denica Fairman ... Publisher
Barbara Flynn ... Grace Fisher
Neil Morrissey ... Stephen Kite
Rakie Ayola ... Cally
Edna Doré ... Grandmother Kite
Daniel Flynn ... Pete
Carla Du Bois ... WPC Liz Drew
Andrew Hallett ... Sgt. Gary Young
A woman finds herself drawn into a terrifying and vulnerable situation which calls for desperate measures when she gently rebuffs the attentions of a man.
Natasha Little ... Hat Vezey
Denica Fairman ... Publisher
Barbara Flynn ... Grace Fisher
Neil Morrissey ... Stephen Kite
Rakie Ayola ... Cally
Edna Doré ... Grandmother Kite
Daniel Flynn ... Pete
Carla Du Bois ... WPC Liz Drew
Andrew Hallett ... Sgt. Gary Young
Category
📺
TVTranscript
01:29Can I have your attention, please?
01:31I just want to thank you all for coming out this evening to celebrate the publication of Hat Vaisy's brilliant new picture book.
01:39Hat?
01:40Ah, Hat, where are you?
01:42Excuse me.
01:55Roald Dahl with depth, Beatrix Potter with better jokes and illustrations to die for.
02:02Well done.
02:03Well done.
02:12It was a great turnout, wasn't it?
02:29I think it was for you.
02:31No, you absolutely deserve it.
02:34You really do.
02:42You really do.
02:45I'm sorry.
02:48It's a great day.
02:50I'm sorry.
02:54I'm sorry.
02:58I'm sorry.
03:02I'm sorry.
03:05I'm sorry.
03:10You're right.
03:25Oh, hi.
03:26It's Pete.
03:27Listen, I know you're not over the moon about tomorrow night, but it'll be a doddle.
03:39but it'll be a doddle.
03:41All you have to do is walk around and look wise.
03:44And thanks. I owe you for this.
03:49Hello, Hat Vasey?
03:51Sorry? What name did you say?
03:53Hat Vasey.
03:54Vasey? Oh.
03:57I wanted to speak to Mrs Church.
04:01I think you must have the wrong number.
04:03What was your number?
04:05960246.
04:06That's what I've got written down.
04:08Someone's obviously made a mistake.
04:10Sorry to have bothered you.
04:11Thanks for being so helpful.
04:14No problem. Bye.
04:15I just wanted to ask.
04:18Are you Hat Vasey, the well-known children's author?
04:22Yes. Yeah, I am.
04:23Wow.
04:25My little daughter loved your books.
04:27I must have read them to her a hundred times.
04:30Well, thanks. That's really kind of you to say so.
04:33I'd better go.
04:35Bye. Bye.
04:36Bye. Thanks.
04:37Bye.
05:00Bye.
05:01Bye.
05:02Bye.
05:02Bye.
05:03Bye.
05:03Bye.
05:04At Vaisy.
05:23Who is it?
05:26Hello, is anyone there?
05:31Can you say something, please?
05:34I'm sorry.
06:04Don't bother with the details yet.
06:11Just get the proportions.
06:17No, for you.
06:26I'm sorry.
06:27You're not taking the class.
06:28You can't come in.
06:29I am taking the class.
06:31Are you sure?
06:32I'm supposed to have ten students.
06:34I've got ten students.
06:35I registered late.
06:37The office told me to come.
06:39They said they'd let you know.
06:41I'm Stephen.
06:42Stephen Kite.
06:43I'm sorry, but they didn't let me know.
06:45Oh.
06:46Oh, well.
06:47Never mind.
06:49I'll come back next week, then.
06:55Stephen.
07:03Have you done much drawing before, Stephen?
07:12Yes.
07:13Quite a bit.
07:14Right.
07:14Well, then you'll know that the human body's a very difficult subject.
07:18To start with, you have to get the proportions right.
07:20You can use your charcoal as a guide, like this.
07:25Chop her up into sections.
07:27The head.
07:28The torso.
07:31Keep your eye on the model, Stephen.
07:33Don't look at me.
07:34And then transfer that to the paper.
07:35I just wanted to say thank you.
07:57You weren't discouraged?
07:58No.
08:00No.
08:01Not at all.
08:02Far from it.
08:03Good.
08:06Can I take you for a drink?
08:09No.
08:11Thanks for the offer, though.
08:28Go.
08:52Bye.
08:52Bye.
08:53Bye.
08:53Bye.
08:56Bye.
08:58Can I help?
09:12You're a wonderful teacher, Hat.
09:15Thanks. I'm not, but thanks.
09:18Why'd you say that?
09:20I'm not a good teacher. I haven't got the personality for it.
09:23Don't put yourself down. You've got a great personality.
09:27You make me feel confident, like I can do anything.
09:34Good. That's good.
09:38Hat fazy.
09:40That's me.
09:41Well-known children's author.
09:44Why'd you say that?
09:45Well, you are, aren't you?
09:48Someone said that to me last night. Those exact words. Well-known children's author.
09:53Well, it must be true, then.
09:54No-one's said it before.
09:58How do you know about me?
10:00I saw your picture in the window of a bookshop.
10:05Right.
10:07Oh, I can walk. Let me out here.
10:08Oh, I wouldn't dream of it. I'll take you all the way home.
10:11Really? There's no need.
10:13Shouldn't be out alone at night.
10:14Stop here.
10:27Fate.
10:28Fate.
10:28Sorry?
10:29Meeting you like this.
10:31After seeing your picture.
10:32I've never met anyone like you, Hat.
10:37I think you're just so...
10:38Look, Stephen.
10:41I'm sure you're really sweet, but I don't need a boyfriend now.
10:45I split up with someone recently and...
10:48Well, it was pretty gruesome.
10:50I'm still getting over it.
10:54Sorry.
10:55Bad timing.
10:57Thanks for the lift.
10:58Wait.
10:59I'll walk you to the door.
11:01Well, this is it.
11:13Good night.
11:14Can I come in?
11:16Didn't you hear what I just said?
11:17Sorry.
11:18I need to use the toilet.
11:20Look, Stephen...
11:20Oh, there'll be two minutes.
11:22I did give you a lift.
11:31The bathroom's there.
11:36And then I'd like you to...
11:39Leave.
11:58Yes, now.
12:00Now, this minute.
12:13I'll explain when you get here.
12:14Just come.
12:18This is great.
12:20Oh, God.
12:22You have amazing taste.
12:23No.
12:24No, please.
12:27Please.
12:30I'm going to go to a place just like this.
12:34I live with my grandmother at the moment.
12:35Really?
12:37Oh, it's only temporary.
12:39She can look after herself.
12:41She's just getting...
12:43A bit, you know, batty.
12:48Look, Stephen, I'm very tired.
12:51You're so talented.
12:53Will you go?
12:55Have you read all these books?
12:56Please.
12:58Please.
13:00Wow.
13:02This is where you work.
13:09It's just...
13:10beautiful.
13:13Like you.
13:16That's where...
13:17Gosh.
13:20wonder who that can be.
13:32My neighbour.
13:36Callie, this is Stephen.
13:37I'm just going
13:39I'll show you out
13:42I'll see you next week, Hat
13:48if not before
13:49Next week?
13:51At the art class
13:53No, I was just standing in for a friend
13:57Sorry, one time only
13:59Good night
14:07The moral of this story is never accept lists from strangers
14:12Not all men are like Mark, you know
14:25Just all the ones I meet
14:27If you give up sex
14:35Mark's one on me
14:37How do you figure that out?
14:40It's what bastards like that want
14:42They dump you
14:43They expect you to crash and burn
14:46That was your evening
15:05That was all right
15:07I've had the most wonderful evening of my life
15:13I've fallen in love
15:15Again?
15:19That wasn't love, Nana
15:20I can see that now
15:22This time
15:25It's the real thing
15:27I haven't told her yet
15:31But
15:31I'm going to marry her
15:33Let's back in
15:34Let's back in
15:34Let's back in
15:34Let's back in
15:49Hi, this is Han. Sorry I'm not here at the moment.
16:18Please leave a message.
16:22Pat, please. Why won't you pick up the phone? You're going to have to talk to me sometime
16:34because I'll keep calling until you do.
16:48Miss Vasey?
17:00Yes?
17:01I have some flowers for you.
17:35I really fancy her, Callie.
17:47Scared her off, didn't I?
17:50I'm just so crap out of all this.
17:53I just don't know how to make the right moves.
17:58You've just got to take things slowly.
18:01You know, it had to just come out of a really shitty relationship.
18:07Really? I didn't realise that.
18:10Yeah, Mark. Art dealer, floppy hair, flash car, Hugh Grant clone. He got her pregnant, made
18:20her have an abortion that she didn't want, and then he dumped her for some posh tart he'd
18:26been screwing all along.
18:28Poor heart. How did she take it?
18:31She lost it. Big time. She wouldn't eat. She wouldn't wash. Then one night she downs a bottle of vodka,
18:40goes round to his flat, and he's there with Victoria, for you know whatever her name was.
18:46Look, I'll spare you the gory details, but she ended up in a police cell.
18:50Hi, this is Hack. Sorry I'm not here at the moment. Please leave the message.
19:02I could kill him for what he did to you.
19:04I'm talking about Mark. Mark the bastard, with his poxy gallery and his flash car.
19:11I'd never treat you like that. Never in a million years. I love you.
19:15Leave me alone or I'll call the police!
19:17I'll call the police!
19:47Later!
19:49elections, coming to theater doesn't work!
19:50My two- horizon to black and white.
19:51We have gotten applause for you.
19:52Тогда Michelle.
19:53Lets come to the hotel of our houses.
19:55I want to be here, too.
20:00Get rid of this.
20:01There will be a kiss!
20:02I want to deal with yourolong creekwatch helicopter channel.
20:06It's meaning the airport.
20:08OK, we'll fill it all together.
20:10Especially when metro you do that.
20:12I can do the seu được.
20:14Pat, please, wait, why are you doing this to me, why don't you talk to me, why don't you talk to me, I love you, I love you.
20:44Who is it?
21:08It's Pete.
21:10Is everything all right?
21:12Yeah, why shouldn't it be?
21:13Come in.
21:14I've been trying to call you all afternoon.
21:19I unplugged the phone.
21:20You never unplug the phone.
21:22Wine.
21:23Thanks.
21:25So, taking my class wasn't the ordeal you'd anticipated?
21:29It was fine, just don't ask me to do it again.
21:33Any particular reason?
21:34Thanks.
21:35Let's just say I'm not cut out for teaching.
21:38Ah.
21:39These are the flowers you mentioned.
21:41Yeah.
21:42You really shouldn't have.
21:44No, I didn't.
21:45They're not for me.
21:45They're not for me.
21:47I just can't take another man screwing up my life.
22:05Not after Mark.
22:07Oh, Hat.
22:08Hat, come on.
22:09Don't you think you're being a bit...
22:10What, hysterical?
22:11It sounds to me like this kite chap fancies you and he's just coming on a bit strong, that's all.
22:20He sabotaged my car.
22:23How strong is that?
22:24He did what?
22:25So that he could give me a lift home.
22:27Are you sure?
22:28The mechanic was sure.
22:32Look, just talk to this guy.
22:34Tell him you're not interested.
22:36I'm sure he'll understand.
22:39Look, I've got to go.
22:41I came over to ask you out to dinner tomorrow night.
22:43My treat, just for helping me out.
22:52No, no, then.
22:54Thanks.
22:54Are you going to be all right now?
22:55I'm fine.
22:56Yeah?
22:56Thanks.
22:57Much better.
22:57Okay, then.
22:58Take care.
22:58Oh, Pete, tomorrow night, what time should you say?
23:057.30, okay?
23:06Perfect.
23:07See you in San Marco, then.
23:09Bye.
23:10Take care.
23:11Take care.
23:28And I'm rather, I'm not a very good star.
23:58Bye.
23:59Bye.
23:59Bye.
24:27Bye.
24:28Bye.
24:28Bye.
24:28I don't know.
24:58I don't know.
25:28I don't know.
25:46Pete, where are you?
25:48I'm at the hospital.
25:49What? Are you OK?
25:50I think I've broken my breast.
25:52Oh, my God, you poor thing.
25:54Have you seen a doctor?
25:55I'm still waiting.
25:56Do you want me to come out?
25:57No, no, don't worry.
26:03You look lovely.
26:10You've obviously gone to a lot of trouble.
26:12No. No.
26:14I thought you'd have been glad of the company since Pete can't make it.
26:17What do you know about Pete?
26:19Well, if that was him on the phone, I know he can't be hurt too badly.
26:25Please don't hurt me.
26:47How can you say that?
26:54I'd never hurt you.
26:57I want to look after you.
26:59I love you.
27:01And you love me.
27:02No, I don't.
27:03You just don't know it yet.
27:06You will.
27:07In time.
27:08And we've got plenty of time.
27:09We've got the rest of our lives.
27:10Did I say you could use the phone?
27:12Did I?
27:13Did I?
27:16Don't ever disobey me again.
27:28Want your present?
27:30Go on, take it.
27:36Open it.
27:37Well?
27:51It's very nice.
27:53It's just a little token of what I feel for you, Art.
27:57Well, look at it then.
28:03It's very valuable.
28:05Cost me a lot of money.
28:08I chose it specially because I knew you'd like it.
28:14Look, I really can't accept it.
28:18It's beautiful.
28:23Can I try it on?
28:25Of course.
28:34Perfect.
28:35Perfect.
28:37Help me fasten it.
28:39Help me fasten it.
28:56Oh, fuck.
28:57The police will be here in five minutes!
29:27Who is it? Hello? Miss Faisy? It's the police!
29:42I understand you want to talk to us about an incident.
29:48And Sir Capitall, he barges in there, declares he loves you, proposes marriage, gives you a valuable piece of jewellery, and you kick him in the balls.
29:56Sorry, Miss Faisy, I didn't mean to sound flippant. It must have been very frightening for you.
30:02It was. I was terrified.
30:04Even so, that kick wasn't very clever. Violence often backfired.
30:07Though in the circumstances, Hatt, you did the only thing you could. I think you handled it very well.
30:13I was just speaking to your friend, Pete Webster. He's still in casualty. Cuts and bruises and a badly broken wrist.
30:19No.
30:20Could have been a lot worse. He says his brakes fell completely.
30:23Well, I knew it. I told you so.
30:25I can't say for sure that they were tampered with.
30:27Get the bike. Examine Pete's bike. You must be able to tell.
30:30I'm afraid we can only do that if your friend makes a formal complaint. And even then...
30:34Sorry, Hatt.
30:35This kite fellow, when he was in here, did he actually assault you?
30:38The whole experience was an assault. He knocked the phone out of my hands.
30:43Right. And that's all?
30:46If I hadn't fought bad, God knows what he would have done.
30:49Can we take a look at this choker he gave you?
30:55Nice, if you like that sort of thing.
30:57It's pretty. It's antique, I should think.
31:01I think it's horrible, like some kind of bondage collar.
31:05I don't want it. Give it back to him yourself.
31:08Sorry, love. You can't do that.
31:10I'm not keeping it.
31:11It's okay, Hatt. Don't worry about it. Don't worry about anything.
31:17He's in there. Let's see what he's got to say.
31:19Let me do the interview, all right?
31:21Yeah.
31:22How long have you had the short, Mr. Kite?
31:28About five years or so. Come in.
31:35I'm happy to answer all of your questions, but I would like to know what this is all about.
31:39Do you know Harriet Vasey, Mr. Kite?
31:41Hatt? Yes, I know Hatt.
31:44She hasn't had an accident, has she?
31:46No.
31:47How long have you known her?
31:49I've been acquainted with Hatt for years now.
31:53We've been seeing each other seriously now for about two and a half months.
31:59When did you last see Miss Vasey?
32:01This afternoon. She invited me round for tea.
32:04But when I got round there, she was in a bit of a mood, so I never actually got in.
32:10A bit of a mood?
32:12She was upset. Never found out why.
32:16Miss Vasey says she hardly knows you, Mr. Kite.
32:19She says that she's only met you a few days ago.
32:21She claims you've been harassing her.
32:23She alleges you forced your way into her flat this evening and terrorised her.
32:28Oh, no.
32:30My friend said something like this might happen.
32:33With Hatt's history...
32:35What history is that, then?
32:37Something similar happened with the last boyfriend.
32:40Hatt started imagining things.
32:44It all got out of hand, unpleasant.
32:47Since then, well, modern medication works wonders.
32:51But I'm afraid Hatt seems to have stopped taking it.
32:56I'm very fond of Hatt.
33:00She can be such fun.
33:03I took this in Cornwall last month.
33:08Happier times.
33:09Hatt...
33:11Hatt is...
33:14She's a troubled young woman.
33:17She said you gave her this choker.
33:20Oh, no.
33:21Did you give it to her?
33:23It's not mine to give.
33:25It's my grandmother's.
33:27She must have taken it.
33:28You mean stolen it?
33:30I don't want her getting in any trouble for this.
33:33Hatt doesn't always know what she's doing.
33:37I don't want this to go any further.
33:53I can't fight what I see.
34:01People that come together.
34:05People that fall apart.
34:10No one can stop us now.
34:14Come on.
34:17Gr modeling.
34:22Left in my mind
34:25I sing in the reaches
34:29We'll see what we'll find
34:33We can stop us now
34:47Cause we are all made of stars
34:51People that come together
34:55People that fall apart
35:21People that fall apart
35:25People that fall apart
35:29Hot.
35:55Hot.
35:57Hot.
35:58Hot.
35:59Why did you involve the police in all this, huh?
36:02I could have forgiven you anything.
36:04The rejection.
36:06The heartache you caused me.
36:08Because I loved you.
36:10And I believed you loved me.
36:13I hate you.
36:14Well done.
36:16Now I hate you.
36:18And I'm going to make you suffer.
36:19Mr. Cite.
36:21Well done.
36:22Who are you?
36:31A friend.
36:42Have you got any brandy?
36:44I think there's some vodka in the fridge.
36:47That'll do nicely.
36:49You said he's done this before.
36:51Oh, yes.
36:54But now he's gone high tech.
36:55I think.
36:56I think.
36:57I think.
36:58Stephen, are you all right in there?
37:23Why wouldn't I be?
37:28So why me?
37:31You mustn't think like that.
37:33That's the first step to blaming yourself.
37:36This isn't personal, that.
37:38How can it not be personal?
37:40You were in the wrong place at the wrong time, that's all.
37:43If Kite hadn't got his claws into you,
37:46it would have been some other poor girl.
37:48Some other poor girl?
37:51Yes.
37:52There was some other poor girl before me, wasn't there?
37:57Come on, Grace.
37:58This may not be personal for Kite, but it's very personal for you, isn't it?
38:04Who was she?
38:11My daughter.
38:12Whenever Karen turned around, he was there.
38:27He phoned 20 times a day.
38:30Wrote her hundreds of letters.
38:33She went ex-directory.
38:35She moved twice.
38:36He always found her.
38:43Most of the time, it was all lovey-dovey.
38:45You know, flowers, presents.
38:46When he felt Karen had betrayed him.
38:55Being unfaithful.
38:59Then what did you do?
39:01When Karen announced her...
39:03engagement, Kite tried to throw acid in her face.
39:07He turned my daughter from a happy, confident young woman
39:17into a terrified recluse.
39:24Too frightened to stab at her own front door.
39:28He murdered her.
39:34No.
39:36She took an overdose of antidepressants.
39:40But Kite stole her life.
39:43As sure as if he'd stuck a knife in her heart.
39:45That's Karen.
39:56I only came here for the funeral.
39:58We planned to stay just a few days.
40:01Sought out Karen's things.
40:04And he was here.
40:06At the funeral.
40:08Crying.
40:09Can you believe it?
40:11That's the first time I saw him close up, face to face.
40:15That's when I decided.
40:18I couldn't save Karen.
40:22But perhaps I could help other women.
40:24Warn them about him.
40:27Give them some advice.
40:28Guardian angel.
40:30I don't know about that.
40:32You don't have to hide under the duvet.
40:35Well, that's a relief.
40:36But you do have to change your habits.
40:38Your routine.
40:39Your life.
40:39I can't do that.
40:41Pat, unless you help yourself, you'll be helping him.
40:43That's Kite's.
40:45The one with the blue door.
40:51Where to now?
40:52Shall I take you home?
40:53No.
40:55Drop me off in town, please.
40:57I want to see what the police have to say.
40:59And he's been spying on me with this camera thing, hooked up to a laptop.
41:03Sit down, Miss Vasey.
41:07This second time Mr. Kite broke in, did he do much damage?
41:11No, but he must have stolen my keys.
41:13I looked up your previous, Miss Vasey.
41:15A what?
41:16You were arrested last April for harassing a Mr. Mark Layton-Bell.
41:19You were let off with a caution.
41:22What's that got to do with this?
41:24I understand you're supposed to be taking medication for your, uh, your psychological problems.
41:31Where's your partner?
41:32What, partner?
41:33You mean WPC Drew?
41:35Yeah, yeah, WPC Drew.
41:37I want to speak to her.
41:38Sorry, um, she's not here.
41:39She's having a day off.
41:40Look, so far, Miss Vasey, this is all off the record.
41:43But if you want to make it official, I'll switch on the tape.
41:46All right?
41:47It's your choice.
41:47It's your choice.
41:54The police were no help to Karen.
42:01He's too clever.
42:03How can you live like this?
42:07Well, it's only temporary.
42:09When I sell my house, I'll, uh, get something better.
42:12He's stealing your life like he stole your daughter's, like he's already stealing mine.
42:16If I have my way, Kite will be locked up forever.
42:22Unless he actually murders someone, that's not going to happen.
42:27I need to do something, Grace.
42:31Hi, this is Hat.
42:38Sorry I'm not here at the moment.
42:39Please leave a message.
42:42I know I said some bad things, Hat.
42:46But I didn't mean them.
42:48I was hurt.
42:50Hurt and angry.
42:52If we could just sort this out.
42:54Please pick up the phone.
42:58I said pick up the phone, you bitch!
43:00I steal a car.
43:02Something big and heavy.
43:04Then I get him to meet me.
43:05I know just the place.
43:07Then I wait for him, keep the engine running, then he steps into the road.
43:12Then I torch the car so it looks like joyriders.
43:15It's perfect.
43:17Don't even have to get my hands dirty.
43:19Bloody?
43:19Yeah, bloody.
43:21What do you want me to do?
43:23Nothing.
43:24Doing this by myself.
43:26Do you know how to steal cars?
43:28No.
43:31But I know someone who does.
43:32I used to do that when I was young and daft, but not anymore.
43:39Now I'm a law-abiding member of society.
43:43Could you show me how to do it?
43:45Who's the poor sod?
43:46That guy who was here the other night, Stephen.
43:48I thought he was all right.
43:51He's been pestering me.
43:54I say no, but he doesn't hear.
43:57So, can you show me how to do it or not?
44:04It's not that easy, hat.
44:06Don't pick a car that's too modern.
44:08Don't pick a car with a steering wheel lock.
44:10And once you're in, you've got to be able to hotwire it.
44:13I mean, it's not that easy.
44:14It's not that easy.
44:16Hey, you!
44:46Hey, you!
44:48Oh!
45:16Oh!
45:18Oh!
45:20Oh!
45:22Oh!
45:24Oh!
45:26Oh!
45:28Oh!
45:30Oh!
45:32Oh!
45:34Oh!
45:36Oh!
45:38Oh!
45:40Oh!
45:42Oh!
45:44Oh!
45:46Oh!
45:48Oh!
45:50Oh!
45:52Oh!
45:54Oh!
45:56Oh!
45:58Oh!
46:00Oh!
46:02Oh!
46:04Oh!
46:06Oh!
46:12I could kill him for what he did to you.
46:14And we've got plenty of time.
46:16We've got the rest of our lives.
46:17Did I say you'd use the phone?
46:18Did I?
46:19Did I?
46:20Why won't you talk to me?
46:22And I'm gonna make you something.
46:23Pick up the phone, you bitch!
46:25Why are you doing this to me?
46:27I love you!
46:28I love you!
46:29I love you!
46:30I love you!
46:31I love you!
46:32I love you!
46:33I love you!
46:34I love you!
46:35You said you'd help me.
46:36And if I can, I'm not sure murder's really my forte.
46:40I need you to do two things.
46:43Give me an alibi.
46:45Say that you were with me through a whole day and night.
46:47Swear to it in court if you have to.
46:49Will you do it?
46:51Yes, of course.
46:53The alibi would be stronger if we had another person to back it up.
46:57Is there someone you trust?
46:59Someone who knows what happened to Karen?
47:01Karen's godmother Maud.
47:02She stayed with her when she was trying to get away from Kite.
47:04But Kite tracked her down.
47:06Maud hates Kite as much as I do.
47:09Good.
47:10Excellent.
47:13What's the other thing?
47:14You said you wanted me to do two things.
47:19Go home, Grace.
47:22Take your house off the market and get your life back.
47:26Karen never would have wanted this.
47:49Stephen!
47:50I'll be there in a minute!
48:01No, Stephen.
48:02I need you here now.
48:05Oh, Stephen, I need you here now.
48:10Ginger. Oh, nasty and damp.
48:13And he's down there all the time.
48:22Stephen, I know, uh, I know I should have phoned first.
48:27I just, um, please don't be cross.
48:30I just wanted to sort out this terrible misunderstanding.
48:33I explained to your grandmother, you're right, she's really sweet.
48:41Misunderstanding?
48:42That crazy woman at my flat the other night with that awful spray thing.
48:46Did you know her?
48:48I'd never set eyes on her before.
48:49She just burst in and did it hurt very much.
48:54Until that happened, we were getting on like a house on fire, weren't we, Stephen?
49:03Is that the time? I've got to go.
49:06Bye-bye, Mrs. Kite.
49:08It was lovely to meet you at last.
49:10I called to ask you out for dinner tomorrow night so we can straighten things out.
49:25I thought we could try that place on the Bristol Road.
49:28The manor house, do you know it?
49:31No.
49:32But I'm sure I can find it.
49:34Say, um, at 8.30?
49:36OK.
49:38Great. I'll see you then.
49:39I look forward to it.
49:58How long has she been here?
49:59I said, how long has she been here?
50:03Too long.
50:07About ten minutes.
50:09What did she talk about?
50:11I don't know. I wasn't paying attention.
50:15Now, get her out of the way. I want to watch my programme.
50:18She's a slut, Stephen. You're too good for her.
50:25Hello, Hat Faisy.
50:27It's me.
50:27I'm calling to chat about tomorrow.
50:32I booked us a table for 8.30.
50:34Is it the big place that's set back down a long drive?
50:39Yeah. Have you been there?
50:40No.
50:45I've driven past.
50:47I'll meet you in the bar. There's bound to be one.
50:51I'm glad you finally came to your senses, Hat.
50:54I knew you would.
50:57Yeah, well...
50:59Fate.
51:00Wasn't that the word you used?
51:02We can't escape it.
51:05What are you doing now?
51:07Nothing much.
51:08Spot for work. How about you?
51:11Same.
51:13Well, I'd better go.
51:15Yeah.
51:17Night, Hat.
51:18Night, Stephen.
51:19You got my number?
51:43Don't worry, Grace.
51:44I'll find you.
51:45But why don't I stay?
51:46No.
51:46I can drive you back.
51:47We talked about this. It's better if you're already there.
51:50What if someone recognises you?
51:52I'll keep off the main roads. No one will see me.
51:54What about his grandmother?
51:56She's Gaga. He told me himself.
51:58Anyway, if the police question her, it doesn't matter.
52:00When it happened, I was hundreds of miles away.
52:05That's if they even find the body.
52:09When will I see you?
52:12God knows.
52:14Sometime tomorrow afternoon.
52:21How are you actually going to do it?
52:22You don't want to know.
52:25You don't want to know.
52:25You don't want to know.
52:55Just drop me here.
53:24It's my heart.
53:25Oh, thank you.
53:25You're welcome.
53:25Thank goodness I caught you.
53:49What's wrong?
53:50There's a wedding reception going on.
53:52Some girl I was at college with.
53:54There's people in there I haven't seen for ten years.
53:56They haven't spotted me yet, but if they do, we'll have to join them.
54:01What shall we do?
54:03Let's find somewhere else.
54:05Good.
54:06That's what I thought.
54:07They liberated this from the reception.
54:26You didn't?
54:26Yeah.
54:27Well, they messed up our evening.
54:30Pinched a couple of glasses, too.
54:32So where shall we go, then?
54:34I know just the place.
54:36What sort of place?
54:37Quiet.
54:39Off the road.
54:41Romantic.
54:42Sounds perfect.
54:45Sounds perfect.
54:50Is this romantic or is this romantic?
55:09Are you coming?
55:34Yeah.
55:34Just drop my keys.
55:45You do like champagne?
55:48Of course.
55:50To us?
55:52To us.
56:00Stephen.
56:01Stephen.
56:01Oh, fuck.
56:02Oh, fuck.
56:03Oh, fuck.
56:03Oh, fuck.
56:04Oh, fuck.
56:04Oh, fuck.
56:05Oh, fuck.
56:06Oh, fuck.
56:06Oh, fuck.
56:07Oh, fuck.
56:08Oh, fuck.
56:09Oh, fuck.
56:10Oh, fuck.
56:11Oh, fuck.
56:12Oh, fuck.
56:13Oh, fuck.
56:14Oh, fuck.
56:15Oh, fuck.
56:16Oh, fuck.
56:17Oh, fuck.
56:18Oh, fuck.
56:19Oh, fuck.
56:20Oh, fuck.
56:21Oh, fuck.
56:22Oh, fuck.
56:23Oh, fuck.
56:24Oh, fuck.
56:25Oh, fuck.
56:26Oh, fuck.
56:27Oh, fuck.
56:28Oh, fuck.
56:29Oh, fuck.
56:30Oh, fuck.
56:30I don't know.
57:00I don't know.
57:30I don't know.
58:00I don't know.
58:30I don't know.
59:00I don't know.