続・最後から二番目の恋 第3話
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00I'm Ai.
00:01If it's okay with you, I'll be your friend.
00:04Well, I'm looking forward to working with you.
00:06Friends who don't become lovers.
00:07What was impossible?
00:09You should go with me.
00:27Good morning.
00:29Good morning.
00:32Sabu-chan is here.
00:34Her name is Saburo.
00:37Saburo.
00:38She's cute, isn't she?
00:39Yes.
00:47Let's have breakfast.
00:50Yes.
00:51Okay?
00:53I'll go get ready.
00:56Jackie.
00:58What?
00:59Well...
01:02I...
01:03It's okay.
01:04Don't worry about it.
01:07Can I stay?
01:09Yes.
01:11As long as you want to stay.
01:14As a friend.
01:17Yes.
01:18Yes.
01:20It's a nice place, isn't it?
01:24Yes.
01:25It's relaxing.
01:34Good morning.
01:35Good morning.
01:36Hey, brother.
01:37Yes?
01:38It's Sunday.
01:39Are you free during the day?
01:40I have an appointment with a group.
01:42Okay.
01:44Sunday?
01:45Yes.
01:47I have a plan with a friend.
01:49A friend?
01:50That's rare.
01:51Who is it?
01:52Who are you talking about?
01:53Tell me.
01:55Mari, Mari, Mari.
01:56Are you okay?
01:57Are you okay?
01:58Mari.
01:59Get a hold of yourself.
02:01Are you having trouble sleeping?
02:02Yes.
02:03My head was in a mess.
02:05Shin-chan.
02:06Water.
02:07I couldn't sleep at all.
02:08What's wrong?
02:09It's complicated and long, so I'll stop.
02:12I don't think you can understand it.
02:15Mari.
02:16I've grown up.
02:17I've grown up.
02:19I'm listening.
02:21I'm glad to hear that.
02:23But I don't think you can understand it.
02:25It's complicated and long, so I'll stop.
02:28I don't think you can understand it.
02:29I'll stop.
02:31Good morning.
02:33Yes, yes, good morning.
02:35Yes, yes, good morning.
02:36It's morning.
02:37Good morning.
02:40It's a good morning.
02:42Lower your voice.
02:44Did something good happen?
02:45Well, yes.
02:46Do you want to hear it?
02:47No.
02:48Please listen.
02:49I don't want to hear it.
02:50Good morning.
02:52Chiaki, good morning.
02:55What's wrong?
02:56Is it broken?
02:57It was broken from the beginning.
02:58I see.
02:59What's that?
03:03Ryota Takayama.
03:04Who?
03:05Yes, yes.
03:06He's called Ryota Takayama.
03:07He's been staying at my house for a while, so I thought I'd introduce him to you.
03:11When I'm not here, he looks like a strange person.
03:14I can see it a little.
03:15I'm sorry.
03:17These are the members of the Nagakura family who had a good time last night.
03:21What are you talking about?
03:23No, no, no.
03:24What?
03:25Chiaki's new man?
03:26Is that so?
03:27No, it's not like that.
03:28How should I explain it?
03:30He's the so-called post-it man.
03:31He's the one who pushed Chiaki to the bottom of hell.
03:34I didn't know that.
03:35Anyway, that's right.
03:36That's why he's the post-it man.
03:39Nice to meet you.
03:42I'm Shinpei.
03:43I'm Chiaki's ex-boyfriend.
03:45We're brothers.
03:46Don't say that, Noriko.
03:48Angel.
03:49Yes, yes, yes.
03:50I'm Angel Shinpei.
03:52But I'm getting married soon, so Angel is retiring.
03:55Yeah, I'll make you breakfast.
03:58And this beautiful girl is...
04:01I'm Erina.
04:02Yes, I'm Erina.
04:03And this is Mariko.
04:04She's going to be a great writer in the future.
04:06She's going to be my girlfriend at work.
04:08That's right.
04:09I'm Mariko Nagakura.
04:10Nice to meet you.
04:11Where are you looking at?
04:12This is Noriko, the housewife.
04:14Be careful not to be bullied.
04:16I'm not being bullied.
04:18I'm just happy.
04:21You look happy.
04:22Yes, yes.
04:23Listen to me.
04:25Noriko, wait a minute.
04:27You're not married yet, are you?
04:30Hurry up.
04:31This is the eldest son of the Nagakura family.
04:35Hello.
04:40Mr. Yoshino, Mr. Yoshino.
04:42Everyone else has a caption twister, right?
04:44Yes.
04:45Something something.
04:46I don't have one.
04:47Do you want one?
04:48No, I don't want one.
04:49I have one.
04:56Mr. Yoshino, Mr. Yoshino.
04:57That's enough.
04:58Thank you very much.
04:59I said something unnecessary.
05:01If you don't mind, please have a seat and prepare breakfast.
05:05Please sit down.
05:08What is it?
05:09It's that.
05:10You're back.
05:11That's great, Chiaki.
05:14Congratulations.
05:15I don't know if I'm happy or if it's just me.
05:18It's not that you're back.
05:20It's just that we're friends.
05:22We're just friends.
05:24We're just going to live together for a while.
05:27It's a one-on-one.
05:28That's impossible.
05:30A man and a woman.
05:32I'm sure it's the same for you.
05:34It's normal.
05:35Of course it's impossible.
05:37Even if you ask me, what do you think, brother?
05:41It's a little different from what Noriko said.
05:46I don't think I can do it.
05:48It's not that it's bad.
05:50But I don't think it's possible.
05:53We're just friends.
05:56We may be friends, but we weren't before.
05:58Before that, we were friends.
06:00It doesn't have to be before that.
06:02Hey, hey.
06:03Your father promised to be friends with Sota's mother, right?
06:07How do you know that?
06:09Sota said on the phone that his mother was very happy.
06:12Your father told you, didn't he?
06:14He said, would you like to be friends with me?
06:16He said he was very happy.
06:18It's a one-on-one.
06:20It's healing.
06:22By the way, why did Ryota break up with Chiaki?
06:26I don't know.
06:28What was impossible about Chiaki?
06:30Well...
06:32There's a lot going on.
06:34My body wasn't good.
06:36Noriko, you were very cheerful when you came in today.
06:38I think there's something you want us to hear.
06:41That's right.
06:43That's right.
06:45That's it.
06:46That's enough.
06:48I'm sorry.
06:49I was stupid to think so.
06:50Wait, wait, wait.
06:52Look, there's someone quiet.
06:54Mariko.
06:55Mariko.
06:57Are you okay?
06:58I'm scared, so stop it.
07:00If you have something in your heart, say it.
07:02Speak, speak.
07:04I worship Chiaki Yoshino.
07:08This person is the target of hatred.
07:10He's the one who hurt Chiaki's heart.
07:13I can't forgive him.
07:15But...
07:16However, I'm aiming to be a voice actor.
07:19This person is also the target of admiration.
07:22Because this person is the first winner of the scenario contest.
07:26I'd like to get some advice if possible.
07:29My heart is about to be torn apart by the loyalty to Chiaki and admiration for this person.
07:36I see, I see.
07:37I understand, I understand.
07:38I'm sorry.
07:39No, no, no.
07:40Then, Mariko.
07:41Let's think about it this way.
07:43If I hadn't been dumped by this person, I wouldn't have come to Kamakura.
07:49And I wouldn't have met everyone in the Nagakura family and Mariko.
07:59I see.
08:00As expected of Chiaki-sama.
08:01I'm glad you dumped Chiaki-sama into the bottom of the pit.
08:04The bottom of the pit...
08:06Thank you very much.
08:11What?
08:12Wait a minute.
08:13Um...
08:14I'm sorry, but it's always the same.
08:17Yes, yes.
08:18You're obviously late, aren't you?
08:20Wow, it's already time.
08:22Wait, wait, wait.
08:23What about my happy story?
08:25Can you summarize it in 5 seconds?
08:26What are you talking about?
08:27It's about my husband.
08:28I found out that he was trying to buy a house.
08:30It's not a lover's house.
08:31It's my house.
08:32My house.
08:33That's right.
08:34He was trying to surprise me.
08:36What should I do?
08:37What about my story?
08:38Your story?
08:39What's your story?
08:40It's a strange story.
08:41What? Congratulations.
08:42Then I'll go.
08:43What?
08:44I'm glad.
08:45I'm glad.
08:46Go as far as you can.
08:47To Antarctica or North Pole.
08:48I won't go.
08:49Go, go, go.
08:50Goodbye.
08:51Goodbye.
08:52What is this?
08:53It's boring.
08:56Is it always like this?
08:58What?
08:59No, I'm sorry.
09:04I'm sorry to call you out of the blue.
09:06It's okay. What's wrong?
09:07No, no.
09:08Did you hear that?
09:10What?
09:11The other day, Ryota was talking about where he couldn't do it.
09:15Oh, that.
09:16No.
09:17Don't ask me where I couldn't do it.
09:20It's no good.
09:21When a man is asked that kind of thing, it makes me sad.
09:24It's a lie.
09:25What?
09:26Did you hear that?
09:27I heard it all.
09:28What?
09:30I heard it all.
09:31Yes, I heard it all.
09:34Really?
09:35First of all, he said it was a problem before he couldn't do it.
09:42A problem before?
09:43What do you mean?
09:44He said he didn't like me from the beginning.
09:48What?
09:49I won an award in a contest, but it didn't go well at all.
09:53I happened to know him at a bar.
09:55I'm saying this myself, but at that time, he was a producer with a lot of power.
10:03He said, I like this woman a little bit.
10:06If I become this woman's man, I think I can get a big job.
10:11What?
10:12Really?
10:13You'll get it.
10:15I'll get it.
10:17He wasn't such a strong man from the beginning.
10:20As he saw me falling in love with him, he couldn't bear the sense of sin.
10:26I'm sorry, I can't do it.
10:28And he actually did another post-it.
10:33I'm sorry.
10:46It's really tough.
10:48It hurts.
10:49It hurts so much that I can't even laugh.
10:53Everything I said, did, and felt while I was with him.
10:58It's all full of pain.
11:01If it was true, I would have been beaten up and I would have felt like my life was over.
11:08But I don't want to lose now.
11:11I don't want to be depressed about this.
11:14But at the same time...
11:16I have a question.
11:18Go ahead.
11:19Even if I feel that way, I don't hate him.
11:24Of course, I don't like him.
11:26I don't like him, but I don't hate him.
11:29What is this? Please tell me.
11:32Chiaki is a good woman.
11:34That's right.
11:38Let's eat.
11:39Let's eat.
11:42They are the women who eat special eel.
11:45That's right.
11:46I'm sorry, I'm going to cry.
12:00I love you.
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16:21Take your time.
16:25What am I doing?
16:28What do you mean?
16:29Shinpei was working as an angel, wasn't he?
16:31It's not a job.
16:33I decided to let him continue.
16:36Shinpei, didn't you say that?
16:38I said the opposite.
16:40Excuse me.
16:41Please have some tea.
16:44Anyway, that's what happened.
16:47I won't forgive you if you say you're just cheating on me.
16:51I'll tie you up in a cage and torture you.
16:54But you're different, aren't you?
16:59It must have been hard for you.
17:01You're a lonely woman who can't do anything.
17:05I don't like that.
17:07And I don't want you to worry about your personality.
17:14That's why I decided to forgive you.
17:19But you're not forcing yourself, are you?
17:22I want to force myself.
17:25At first, everyone wants to force themselves.
17:27Sorry to keep you waiting.
17:39Hello, this is Nakagura.
17:45Right now?
17:48Yes, of course.
17:50Yes, I understand.
17:54Why now?
18:00It's hot.
18:02Why is it so hot?
18:04I'll eat it.
18:06It's hot.
18:08I'll leave it to you.
18:10Thank you for the food.
18:13I'm sorry.
18:16I'm sorry.
18:18He's a jerk.
18:20He's a jerk.
18:27I'm sorry.
18:29Can you all get together?
18:34What's wrong, Chiyuki?
18:36Nothing.
18:38I have two things to tell you.
18:44First,
18:46about the drama you're recommending.
18:49I'll keep it.
18:52It's my fault.
18:54Stop it. I know how you feel.
18:56But I'm your boss.
18:58I'll write it down.
19:00It'll be good for your career.
19:03I'm fine.
19:05There's nothing wrong with it.
19:07It's just a formality.
19:10It's not over yet.
19:12Don't let your guard down.
19:14Right, Mariko-sensei?
19:16I won't.
19:18I have one more thing to tell you.
19:26The next class is recommending the next season.
19:30Yes.
19:32It's a big hit.
19:34I heard it's the next season.
19:37I want you to fill in the blanks.
19:45That means...
19:48it's almost time to air.
19:50We'll start right now.
19:54That's right.
19:56You're scared, aren't you?
19:58It's going to be tough.
20:01I, Kubo, will be the producer of this drama.
20:07Of course.
20:09I'll work with you.
20:13I know it's not perfect, but...
20:15No, no.
20:17Let's do our best.
20:19Let's do it.
20:22Yes!
20:24Yes!
20:31Do you want to get rid of your acne scars?
20:33If you use TCB, you can get rid of acne scars.
20:36If you use TCB, you can get rid of acne scars.
20:39If you use TCB, you can get rid of acne scars.
20:42If you use TCB, you can get rid of acne scars.
20:45If it's a family, it's a small house in the forest.
20:49One day, one set is limited.
20:52There are so many halls to choose from.
20:55The plan is this price.
20:57If it's a family, it's a small house in the forest.
21:01Why do you hurt me?
21:03Why do you hate me?
21:05Brother!
21:07This is not a story of a distant country.
21:11It's your story that will happen in the near future.
21:16I'm Hitomi Iren.
21:17A pure man with no experience in society has been assigned to the HR department.
21:22He has various problems of the modern world.
21:25I'm Hitomi from HR.
21:26Stop it with your big voice.
21:28Stop it!
21:29Awahara.
21:30Do you mean to work with patience?
21:32It is our job to create an environment where we can work with peace of mind.
21:36What are the young people doing now?
21:39Awahara, Awahara.
21:41I don't think it's a victim or a victim.
21:44Wait a minute, wait a minute, wait a minute.
21:46What is that person?
21:47It's a weak person.
21:49I don't care what they say.
21:51I'm just going to be treated as Awahara.
21:53There are no young people anywhere.
21:57Let me tell you what I'm thinking.
21:59I think I can do something if I talk to him properly.
22:01What is he doing?
22:04He does reckless things, but he is a person who sees people more than anyone else.
22:08It's okay.
22:09Let's believe.
22:10Hitomi from HR.
22:12April 4, Tuesday night at 9 o'clock.
22:16I've never really seen it.
22:18I thought it was a great movie.
22:20It's not a sense of accomplishment, it's a sense of loss.
22:26Under Ninja.
22:28Please watch it on TV.
22:31I can't give up my life.
22:33Consciousness disappeared on the street.
22:35Stop worrying now.
22:36Get ready.
22:37I can't accept it if I stop worrying.
22:39Then I'll take it here.
22:40It's impossible to operate on the street in a place like this.
22:43You don't have the right to stand in the white field yet.
22:45We are gods of war.
22:47Let's change the fate of Japan.
22:49It's coming.
22:51The 7th tunnel has collapsed.
22:53There are many injured people.
22:54There is a risk of re-collapse.
22:56Move.
22:57Let's follow this order.
22:58The patient is wandering the white field.
22:59New angel?
23:01Vivid colors.
23:03Motifs that transcend time and culture resonate on the canvas.
23:08Tomokazu Matsuyama's First Last.
23:10Supported by Unimat Group.
23:13Scream with colors.
23:16The first time we met was two weeks after the wedding.
23:21We didn't know anything about each other.
23:24It's starting at 10 p.m. on April 24th.
23:31It's a business trip to BICEL.
23:32Come on, everyone.
23:34BICEL is here.
23:35Kimono.
23:36A kimono that you wear and sleep at home.
23:38It's so expensive.
23:40Maruko was surprised because she didn't know BICEL.
23:42BICEL is here.
23:46The first time we met was two weeks after the wedding.
23:51We didn't know anything about each other.
23:54It's starting at 10 p.m. on April 24th.
24:01Is your daughter's name Kusiyama?
24:04I'm going to sue you.
24:06I'm going to sue you.
24:08You know the answer, don't you, Kageyama?
24:10If you don't mind, tell me.
24:11I don't want to tell anyone about my daughter.
24:15Don't worry, everyone.
24:19After solving the mystery, you can't eat because you're full.
24:23So it's better to solve the mystery after dinner.
24:35Excuse me.
24:38Mr. Nagakura.
24:39Yes.
24:40I have a question.
24:43Yes, what is it?
24:44What kind of woman do you hate?
24:49You don't like her, but you hate her?
24:51What do you want me to do when I ask you what kind of woman you like?
24:55That's right.
24:57What if I ask you what kind of woman you don't like?
25:00That's what I'm going to do.
25:04I don't know.
25:06I don't have time. Answer me.
25:13I don't like a woman who is too flashy.
25:16I don't like a woman who is too flashy.
25:21I see.
25:24Mr. Nagakura, this is for you.
25:26Yes.
25:27What else?
25:29What else?
25:32What else?
25:36I don't like a woman who doesn't eat well.
25:40I see.
25:41I'm often praised for my beautiful eating style.
25:45I see.
25:46It's difficult.
25:48I'm not used to it.
25:50What?
25:51I understand.
25:52That's enough.
25:57Excuse me.
26:05What is the mayor aiming for?
26:11I'm hungry.
26:13Wait a minute.
26:15I want to eat curry.
26:20You can eat it.
26:22What are you doing?
26:24Excuse me.
26:42What are you doing?
26:43It's delicious.
26:44You can eat it later.
26:45Is that okay?
26:48Thank you very much.
26:50Here you are.
26:52Thank you very much.
26:54How did it go?
26:55It's all gone.
26:57It's too sudden.
26:59Please keep it.
27:00Yes.
27:01Please keep it.
27:02Please keep it.
27:04Ms. Tsuchiyaki.
27:05I'm a director candidate.
27:06I can't do this.
27:07It takes time.
27:08I spend a lot of money.
27:10Ms. Tsuchiyaki.
27:11I've collected a lot of books and manga that have become popular recently.
27:15I've collected a lot of books and manga that have become popular recently.
27:18Ms. Mariko.
27:20Please check if you can get the copyright.
27:23Yes.
27:25Ms. Tsuchiyaki.
27:26Yes.
27:27Please keep it.
27:31I have to write a script.
27:34Do you want to get the copyright?
27:36Do you want to eat curry?
27:38Do you want to eat curry?
27:39Do you want to eat curry?
27:40Do you want to eat curry?
27:41Do you want to eat curry?
27:42I want to drink coffee.
27:43I want to drink coffee.
27:44I'd like a cup of coffee and a bowl of brown rice and chickpea curry.
27:50I'd like a cup of coffee and a bowl of brown rice and chickpea curry.
27:51Please.
27:55I'm sorry.
27:56I'm hungry.
27:57It's okay.
28:04How is Kamakura?
28:09It's a good place.
28:11It's a bit old.
28:14I agree.
28:16But I'm glad you like it.
28:19I'm glad you like it.
28:20I'm glad you like it.
28:21I'm glad you like it.
28:22I've heard a lot from Ms. Tsuchiyaki.
28:26She's always bad-mouthing you.
28:28I know.
28:31But it was interesting.
28:35But it was all a lie.
28:38She said it wasn't a lie.
28:40I see.
28:43I see.
28:45But Ms. Tsuchiyaki's story was the longest.
28:50I see.
28:53I've always wanted to talk to her.
29:00I wanted to change the subject.
29:03I wanted to change the subject.
29:06I said something that hurt her.
29:10I said I didn't want to talk about it.
29:17I understand.
29:19But is that why you broke up with Ms. Yoshino?
29:26No.
29:28I mean, when you showed up,
29:30I was wondering what I didn't like about you.
29:36She seemed to think it was impossible.
29:41She wanted to overcome it.
29:44I mean, she wanted to fix it.
29:52I'm the worst.
30:06Mr. Mitsui.
30:09Mr. Mitsui.
30:11Please read this.
30:14Please read it slowly.
30:18What is it?
30:22Well...
30:25It's tough.
30:27Really.
30:30Yes.
30:33I thought about how she felt when she said that.
30:40Yes.
30:43But she accepted you.
30:49Yes.
30:50Yes.
30:56I'm sorry.
31:01It's Chiyo.
31:02It's okay.
31:05Hello.
31:07Do you have money?
31:09Yes, I do.
31:10Then come right now.
31:12Where?
31:14To the station. JMT.
31:16Come right now.
31:18Run to me.
31:21Yes.
31:23Come right now.
31:25Really?
31:26Yes.
31:27I'm sorry.
31:28It's okay.
31:30I'm sorry.
31:32No, it's okay.
31:34It's okay.
31:36I'm sorry.
31:37Be careful.
31:38Yes.
31:40I'm sorry.
31:41See you.
31:46Here you are.
31:50Here you are.
31:52Excuse me.
31:53Which way should I go to the station?
31:57Right.
32:00Which do you prefer, getting 100,000 yen today or getting 100,000 yen next year?
32:05In the world of economy, you should think about it in terms of money.
32:09If you think about money,
32:10Okaneno Gakkou G.F.S.
32:12G.F.S.
32:15Paul Moriarty's 100th Anniversary.
32:18Many famous songs resonate in the heart.
32:22Maestro of the new era, Shinpei Sasaki.
32:25Paul Moriarty's Love Sounds Orchestra.
32:30What the hell are you doing?
32:31What the hell are you doing?
32:32A hidden asset of a wealthy man that surprises even the rich.
32:35I'm sorry.
32:36I'm sorry.
32:37Unforgivable crimes.
32:39I'm sorry.
32:40I'm sorry.
32:41Okaneno Gakkou G.F.S.
32:45How are you?
32:50I'm fine.
32:55A movie, a love letter.
32:57Those feelings are on the screen.
33:00The suspect, Fukuda, is passing in front of us.
33:03Kazuko Fukuda, who kept running away.
33:06But there is a more amazing fugitive in the world.
33:12Awesome place.
33:14I don't know what happened.
33:15I just walked in on her.
33:18It's all your fault.
33:21A woman who kept running away to Kaoka.
33:25New Gossip The World.
33:27Tonight at 9pm.
33:30A popular historical manga that has exceeded 2.3 million copies.
33:34The stage of Oten no Mon has finally become a Blu-ray.
33:37Ryuji Sato, Katsunori Takahashi,
33:39and Mariko Hanakusa will challenge the case of the peace.
33:42This is the end of the shopping.
33:45It's hard to watch.
33:47The excuse of a perverted old man.
33:49This spring.
33:50The second love comes back from the end.
33:53I only say things that make me angry.
33:55In the first place.
33:56You don't have to put on such thick makeup.
33:58What am I saying from the morning when there is no quarrel?
34:02Second life.
34:03Thank you for the guitar.
34:05I'm Mariko Nagakura.
34:06I'm 49 years old.
34:07I work as a teacher.
34:09My name is Nagakura.
34:10Kura-chan?
34:11Yes?
34:12If you are an adult and a great teacher, you may go to school.
34:16It's a lie.
34:19Didn't you quit your job?
34:21I'm still moving my body, so I want to do a little more.
34:23For Tamakura.
34:24I want to make more and more with everyone.
34:26Is it impossible?
34:28Chief.
34:29It was the same period.
34:30It seems to be gone.
34:31What?
34:32A life that is dear whether you cry or laugh.
34:35We will live together forever.
34:37You and me.
34:39Love from beginning to end.
34:41April 14th.
34:42Starting at 9 pm on Monday.
35:05April 14th.
35:06Starting at 10 pm on Tuesday.
35:17Thank God.
35:18You really came running.
35:20It's a wonderful time.
35:23I will definitely get you to listen to what I say.
35:25What?
35:26I'll do it if I'm told something to do.
35:28This time, Rent-a-Law.
35:30It's the worst start.
35:32Right?
35:33The only thing that's decided is the day of the show.
35:36The actors aren't here yet.
35:37The director isn't here yet.
35:39And of course, the project isn't here yet.
35:41So, the first thing that's decided is...
35:44the scriptwriter.
35:58It's okay.
36:02Here.
36:04This time,
36:06I'll have these two write the script.
36:09Wait a minute.
36:11I won't.
36:12Just wait a minute.
36:14This Mariko Nagakura is a very good writer.
36:17She has a very good composition,
36:19and she's good at putting together stories in a precise way.
36:22She has the power to incorporate a lot of different ideas into a short story.
36:26But, from the beginning,
36:29she has no experience in writing a script.
36:34Then, there's Ryota Takayama.
36:38He's the kind of person who wrote what he wanted to write from scratch.
36:44But that's all.
36:46At first, I think he had a lot of things he wanted to write,
36:49but he said,
36:50I don't like that.
36:51I don't like this kind of thing.
36:52It's commonplace.
36:53It's stupid.
36:54He said,
36:56This is what he said.
36:57There are a lot of things you don't want to do.
37:00And then,
37:01I don't know what you want to write.
37:05You know,
37:07in a drama,
37:09there are things like Mariko Nagakura
37:12and Ryota Takayama.
37:14I think it's boring if I don't have them both.
37:17I mean, I don't think it's fun.
37:21These two are still in their early stages.
37:25But if we work together,
37:27I think they'll be able to show even more strength.
37:34That's what I thought.
37:37What do you think, Mitsuishi-san?
37:39I have a feeling that Chiaki-san will win.
37:42That's right.
37:43And so, starting today,
37:45or rather, starting now,
37:47we're going to get started.
37:49Yoroshiku onegai shimasu.
37:51Yoroshiku onegai shimasu.
37:53Yoroshiku onegai itashimasu.
38:00Yoroshiku onegai shimasu.
38:02Yoroshiku onegai shimasu.
38:04Let's get started, Chiaki-sama.
38:06Yoroshiku onegai shimasu.
38:09So, let's get started with the planning meeting.
38:13Yes!
38:14Let's go!
38:20Chiaki!
38:25What is it?
38:26Are you asking me why I'm doing this for you?
38:29No.
38:32That's why you approached me, isn't it?
38:36Then I'll give you an answer.
38:38Like a man.
38:39Like a woman.
38:41I see. Like a woman.
38:45Let's go to the meeting.
38:51What is Mariko doing?
38:53What am I doing?
38:55I don't know.
38:57If only I could build a house.
39:09A big house.
39:13Not yet?
39:15What do you mean?
39:17Your father is waiting for you at the festival, isn't he?
39:19Really?
39:20Yes.
39:22Have you ever been surprised?
39:26Why?
39:28I don't know.
39:31I know he's waiting for me.
39:34But I don't want to pretend not to notice.
39:39I don't understand.
39:42Welcome back!
39:45Thank you for your hard work.
39:50Thank you for your hard work.
39:53You can eat it right away.
39:56Great.
39:58Did you find anything?
40:00What are you talking about?
40:03I haven't found anything yet.
40:05Ouch!
40:09This restaurant is good.
40:12But I have to be patient.
40:15I have to be patient.
40:23Are you trying to surprise him?
40:26Me?
40:28No, I'm not.
40:29Then what is it?
40:32I don't know.
40:37The interior of a new house.
40:41No way.
40:43Thank you for your hard work.
40:46Thank you for your hard work.
40:48It's in the left pocket, isn't it?
40:57Are you alone?
40:59Yes.
41:00I have a lot of things to do.
41:02I'm back to being a producer.
41:04That's great.
41:07I'm back to being a producer.
41:10I'm back to being a producer.
41:13I'm back to being a producer.
41:14Mariko and the others are still working.
41:16I think they will stay up all night.
41:18I can't stay up all night.
41:20I'm sorry to bother you.
41:22You have a long way to go.
41:24I have to think about the distribution.
41:28I understand.
41:34If you don't mind,
41:36can you go out with me?
41:40Just for a while.
41:42Just for a while.
41:44I understand.
41:45I want to ask you to go out with me.
41:49The spring of Japan is full of good things.
41:52There are many things you can't give up.
41:55Break the illusion.
41:57It's the end of a new era.
42:00Osaka High, 3 p.m. on Sunday.
42:04Kiki, a witch who flies in the sky and connects hearts.
42:09A story of small friendship and great growth will deliver a new impression.
42:15A magical letter from a witch.
42:22A tax-exempt car VS G-Men.
42:25The reason why the car exploded is surprising.
42:30This is not good.
42:34A strange movement in the car.
42:39They don't forgive serious crimes.
42:41The police are investigating.
42:44A new love has come back after five and a half years.
42:46A true story of money.
43:04That incident in Japan.
43:06The world was even more amazing.
43:08A girl who made a miracle happen in a car accident.
43:11But she has a secret.
43:14I'll arrest you for murder.
43:16New Gossip The World, tonight at 9 p.m.
43:20Hello, everyone. I'm Mamoru Miyano.
43:23I'm going to appear in a movie called Calipico.
43:30A super, super, super big artist is in an emergency.
43:36Let's go! Let's go! Let's go!
43:45Calipico is a movie.
43:47It will be released on April 25th.
43:49There was no Japanese.
43:51I don't know why, but I was in the range.
43:53Why?
43:54Kento Agao was a man of unbelievable failures.
43:58When I was sleeping in the morning, I drank the lid and threw away the liquid inside.
44:02Tonight.
44:04What will you do ten years later?
44:07Katsuo is a harvest.
44:08Wakame is an exchange student.
44:10Tama is a housewife.
44:11Isono family is a big family.
44:13Tana, a junior high school student, will save you.
44:15June 5th.
44:19The first time we met was two weeks after the wedding.
44:24We didn't know anything about each other.
44:27A lot of people have opened their eyes.
44:30April 24th, at 10 pm.
44:34The legendary O Sadaharu appeared.
44:38If you lift your feet in the sunny weather, the lights will be on.
44:42April 6th, at 7 pm, the O Sadaharu special will be aired on BS Fuji.
44:49Buy a high degree of price.
44:52Cut it on your kimono and record it.
44:55Oh, thank you!
44:56I'm Bicel!
44:57You can get these items for free when you go on a business trip!
45:00Bicel is the best!
45:04Are you serious?
45:05Of course I'm serious!
45:10Excuse me!
45:11Yes?
45:12Can I have one more of this?
45:13Of course!
45:14I've been dumped so many times.
45:18But the worst was when I had my first love.
45:22Your first love?
45:24Don't be so happy.
45:26I'm not happy.
45:27When I was in elementary school,
45:29love letters were popular among my classmates.
45:34And they were fake.
45:35What do you mean by fake?
45:37Someone must have started it.
45:40For example,
45:42in your name,
45:44I will become you,
45:46write a love letter,
45:47and give it to someone.
45:49You're quite a funky elementary school student.
45:52Here you are.
45:55Can I have this?
45:59At that time,
46:02I had a crush on someone in my class.
46:06I was like,
46:07what is this feeling?
46:09I was thinking like that.
46:12Her name was Shinobu-chan.
46:16She was a quiet girl.
46:18She was a quiet girl.
46:20She must have liked you.
46:23I didn't want her to like me when I was in elementary school.
46:29One day,
46:31when I got home,
46:33there was a letter from Shinobu-chan in my mailbox.
46:38A fake one?
46:39No, no.
46:40It was true.
46:42I checked it later.
46:46Someone replied to my love letter.
46:53She was a serious girl.
46:56She replied to my love letter.
46:59What do you think it said?
47:01I don't know.
47:02Hurry up.
47:03I'll think about it.
47:05You'll say it anyway.
47:06I'll say it, but...
47:09I hate Shinobu-chan the most in my class.
47:16Isn't it tough?
47:18It's tough, isn't it?
47:20I don't think that
47:23Shinobu-chan likes me.
47:27I don't think that at all.
47:30When I'm with her in my class,
47:32I want her to think that I'm cute.
47:35That's fine.
47:36You're cute.
47:38You're cute.
47:40I have another story.
47:43It's a sad story.
47:45It was when I was in middle school.
47:50Yes?
47:52You know...
47:54Yes?
47:56Did you hear something from Ryota?
48:02About what?
48:04I knew it.
48:06You were going to comfort me
48:09by telling me your sad story.
48:12I didn't mean that.
48:14You're so kind.
48:15You spilled it.
48:17Stop it.
48:19It's nothing.
48:21I'm happy.
48:32Can I ask you something?
48:35Yes, what is it?
48:38Ryota-kun,
48:41why do you accept
48:44everything about work?
48:48I see.
48:53You want to change it.
48:56Your memories.
48:59So you don't leave scars.
49:02That's why you're trying to change it.
49:06Your memories
49:09and my painful memories.
49:15I want to change them into new memories.
49:19I see.
49:21In modern terms,
49:24it's like overwriting memories.
49:28Do you understand?
49:29Yes.
49:30It's not overwriting.
49:32I don't think so.
49:35I'm overwriting.
49:38What are you talking about?
49:40I'm overwriting.
49:41Please continue your sad story.
49:45Please comfort me.
49:48What's wrong with you?
49:50Don't look at me like a queen.
49:52If you're going to be kind,
49:54please be kind until the end.
49:57Please comfort me until morning.
50:00You said until morning.
50:02You said just a little.
50:04I said just a little.
50:07You said just a little.
50:08Are you okay?
50:10Please be strong.
50:14What's wrong?
50:15Nothing.
50:16Are you okay?
50:17I'm okay.
50:18It's a little dirty.
50:22We...
50:24We used to have an idea.
50:28Yes, we did.
50:30At that time,
50:33the hotel room was full
50:35and it was over in a blink of an eye.
50:37Yes, it was.
50:39What would have happened
50:41if the room was empty?
50:44What would have happened?
50:48You're laughing too much.
50:50You're laughing too much.
50:52It doesn't look good on you.
50:54What do you mean?
50:56What do you mean?
50:57It doesn't look good on you.
50:59What do you mean?
51:00You're naked and you're in bed.
51:02You're naked and you're in bed.
51:04That's rude.
51:06It's not rude to you.
51:07That's rude to you.
51:08It's not rude.
51:10It is.
51:12It's a popular phrase in Kamakura.
51:13What is?
51:15There's an ogre with a sheepiser.
51:19It's misumi.
51:31There's a beautiful mess inside, and it's everywhere.
51:36Just look at yourself now, deep inside.
51:40Deeper than you'll ever dare.
51:44Deeper than you'll ever dare.
51:48There's a beautiful mess inside.
51:52Beautiful mess inside.
52:02Um...
52:04Yes?
52:06Oh, no.
52:08I'm fine.
52:15An angel from Kamakura?
52:18Huh?
52:20I see.
52:30He's gone.
52:51Please do not hit too hard.
52:53Move your leg to the left and right.
52:57Okay.
53:05Ms. Harada.
53:07The teacher just said,
53:10you can't hit too hard.
53:13You have to move your leg to the left and right.
53:17You have to do it like this.
53:19Really? But it's faster this way.
53:21No, it's faster this way.
53:32You're up, Sensei.
53:38How was the meeting?
53:42It was a bit...
53:45But...
53:47It was fun.
53:50That's good.
53:55I'll do my best.
54:00You have to do your best.
54:04Yes.
54:06I'm counting on you.
54:08I'm counting on you.
54:13Chiaki.
54:16I didn't know at the time, but...
54:23You're a good woman.
54:29You're too slow to notice.
54:32Right?
54:35Chiaki!
54:40Oh, you're here.
54:52Mariko!
54:54I'll be in my room for a while.
54:56I'm in trouble!
54:58Come back!
55:00Wait a minute!
55:04I'm sorry!
55:06I'm sorry!
55:09I can't. I'm in that room.
55:15Chiaki.
55:17You're a good woman.
55:20You're a good woman.
55:22Wait a minute.
55:26Chiaki.
55:28The three of us will live here.
55:30What are you talking about?
55:32You said it was impossible for a man and a woman to live together.
55:35If that's the case...
55:38I don't care.
55:40What are you talking about?
55:42I...
55:44Wait!
55:46Wait!
55:56Are you okay?
55:59By the way, Megakura.
56:01Yes?
56:03I met someone.
56:05Who?
56:07I met an angel.
56:09I see.
56:21I'm sorry.
56:23What's wrong, Mariko?
56:25You have a nosebleed.
56:27Why?
56:29Why do you have a nosebleed?
56:31I don't know.
56:33Did you bump into something?
56:35No.
56:37Why?
56:39Why do you have a nosebleed?
56:41I don't know.
56:43Did you bump into something?
56:45I don't know.
56:49I'm Bicel.
56:51That's fast.
56:53How much is the kimono?
56:55Here you are.
56:57Even if it's just a little, it's free of charge.
56:59You can buy it for a high price.
57:01Kimono is Bicel's nose, nose, nose.
57:04Why did you hurt me?
57:06Why did you hate me?
57:08Sister!
57:10This is not a story of a distant country.
57:14It's a story of you that will happen in the near future.
57:19It's 1 o'clock from 3 hours 45 minutes.
57:23Shouhei Ohtani of the Dodgers has won his 8th home run in this season.
57:30We will tell you the details of the game.
57:34Crime hidden in a familiar place.
57:36From an elderly person who runs out of his job, to a man who runs away in a hurry.
57:41We looked into the crimes of police officers and people who run away.
57:53I'm home.
57:55Are you okay, Marumo?