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00:00B.S.T.B.S.
00:31Until then, the parody of the impression of Kankobi was made into a parody.
00:36The impression of the face using cellophane tape, etc.
00:39They brought in new methods one after another and made a big break.
00:43In the final round of impersonation, the viewer rating was over 30% in a row.
00:49It caused a boom overnight.
00:52Ah, I have to improve various factories.
00:56What's in the box?
00:58What's in the box?
01:06After that, the impersonation industry continued to evolve with the times.
01:12This time, the impersonation talent representing each generation gathered.
01:17The only thing left was reality.
01:21There are artists who can't keep up with the quality up to 99.9%.
01:28Wow, that's a lot of work.
01:31What kind of drama was behind the heat?
01:36Tonight's event is a rally of impersonator-related people.
01:40Now, the door to space and time will open.
01:43The backstage of the movement that the people involved talk about.
01:56The first one is the legend, Mr. Korokke, who is still a top-runner in the industry and is active as an impersonator.
02:06The second one is Mr. Akimasu Haraguchi, who continues to make innovative songs.
02:19The third one is Mr. Yoshimatsu Retsugo, the hope of the impersonator entertainment world.
02:25Long time no see.
02:28That was fast.
02:30The fourth one is Mr. Matsuura Kodai, a singer and impersonator talent with over 140 million views.
02:41This time, we will guide you through the impersonation boom.
02:44We have a list of impersonator entertainers and talents from various eras.
02:50First, the first generation.
02:52This is 1987.
02:55It's been about three or four years since I've been called an impersonator.
03:00It was a sudden boom, wasn't it?
03:03It was just after the manzai boom was over.
03:07I was wondering if there was anything else to laugh at.
03:10The people who were watching the manzai boom felt like they were moving.
03:13The impersonator, who took off in the early 1980s as the next laugh of the manzai boom.
03:21How did the manzai boom become so popular?
03:28What kind of activities did you do when the manzai boom started?
03:31I went to a pub and went to a snack bar.
03:34There were more than 10,000 snack bars.
03:37So there was a culture like that.
03:40However, the manzai boom itself was not in a very good state in terms of popularity.
03:47Even if I went to a nightclub, it was over with the bustle.
03:50I was even told that impersonation was not so gay.
03:55So it was an era when you weren't recognized as gay at all.
04:00It was the same with TV stations.
04:02Why were there so many people who had such skills when they came out to such places?
04:07There was a manzai boom, and there were people who aimed for manzai.
04:10I know there are a lot of new manzai artists who want to come out.
04:14It's strange to think that there was a time when there were so many people who had skills.
04:21When we came to Monogoro, there was already an audition for impersonation.
04:24Was there an audition for impersonation?
04:27There was an audition, but there weren't many people who could impersonate properly.
04:34So there were a lot of people who could impersonate, and they continued to make jokes on the spot.
04:41In the end, Shiten-no-o was the only one who didn't stop making jokes.
04:46Kuroke-san, who was the youngest among Shiten-no-o?
04:48I was the youngest.
04:50Oh, I see.
04:51Akira-san was the oldest.
04:53The oldest was BG4.
04:56Then Akira-san.
04:58Then Kurikan.
05:00Then me.
05:01Was there a difference in the way you impersonated?
05:04Until then, it was okay to make a little bit of a joke.
05:08But when I impersonated Shiten-no-o, I made a joke on the spot.
05:11I was in the mood to be scolded by the person in charge.
05:14I was the most playful.
05:17That's a big difference.
05:19Akira-san did the tape game, so the tape of the elementary school class was gone when the teacher was tired.
05:29It was amazing.
05:31Akira-san put a lot of cello tape on his face in the dressing room and said,
05:35I wonder if it looks like someone.
05:38I was watching it from the side.
05:40Is that so?
05:41I said to Nago-san,
05:43Nago-san, it looks like you.
05:45If you do this, someone will do this.
05:47It's like Tanimura-san.
05:49If you put it all on, it's like Hachiro-san.
05:52I was being bullied a lot at that moment.
05:55That tape is special, isn't it?
05:58It's a tape that doesn't come off.
06:01Kurikawa-san is the end of the Moshimo series.
06:05If Go Hiromi was Min Min Zemi,
06:16If Uwata Keisuke was Tsukutsuku Boushi,
06:24It's beautiful. It's beautiful.
06:27It's amazing that I found that.
06:29There are many ways to show it.
06:32I'm sorry to say this as a child,
06:35I didn't know anything about BJ4.
06:38I was wondering who was doing it.
06:41But my parents said it was good.
06:44When that kind of culture is born,
06:46Then it's going to be like this.
06:48I've been focusing on what I don't do.
06:51If it was Mikawa-san, I'd say,
06:53I'd lick the microphone.
06:55I thought it was a time when anything was possible.
06:58I still do.
07:00I don't know anyone at all.
07:02I'm doing an impersonation show.
07:04If an adult licks the microphone,
07:06I'm going to change the channel.
07:08I'm supposed to be deceived.
07:10I don't know what you're talking about.
07:12I remember watching it and being angry.
07:15The generation that was angry and did what was natural was the first generation.
07:19It was a big deal, wasn't it?
07:21No, Mikawa-san was the first one.
07:23That's how I became an impersonator.
07:25But I really didn't know.
07:27Mikawa-san came out behind me.
07:29I was like, wow!
07:31I thought it was going to be an era.
07:33I thought everyone wasn't looking at me.
07:35Then the real thing appeared.
07:37That's how I became one of the main characters.
07:39I really love Yoshimoto-san.
07:43Yoshimoto-san's laughter was beyond imagination.
07:49For example, he was impersonating Masao Sen.
07:59He had an attaché case.
08:01At the end, when he opened the attaché case,
08:04There were a lot of moles in it.
08:06It was a story that ordinary people couldn't think of.
08:10It's a strange story for all four of us.
08:13Agnieszka-san's nose was blooming.
08:17When I shake my head, Hinageshi-san's nose pops out.
08:20You're not imitating that, are you?
08:22That's why I had a lot of moles.
08:24How did you come up with that?
08:26I was wondering if it wouldn't open.
08:28I don't know if it's going to open.
08:31It's a joke that opens the wig.
08:36It's a joke that Amidai-san made up.
08:39Yoshimoto-san did a lot of things.
08:41He also did Drifters.
08:43But the hardest thing was to make a wig.
08:45He had to make a wig.
08:47He was late in opening the wig.
08:50What is impersonation?
08:52But if it's an impersonation,
08:55Is there a place in the world where it's recognized as a good job?
08:59It's okay if you don't like it.
09:01It's not good to be angry.
09:03That's the escape route of the impersonator.
09:07At that time, the direction of the impersonator changed.
09:10If you're angry, you're in a weird direction.
09:13The impersonator said,
09:15I can't help it.
09:17Then you shouldn't get involved.
09:19That's what I think.
09:22But it helps.
09:24The times have changed.
09:26Kodai Matsuda's time.
09:28Singing impersonation.
09:30You have to be closer to yourself.
09:32If you don't, you won't be evaluated.
09:35I've been doing it for a few years.
09:37I'm still doing it.
09:39If you have a mini croquette like Kintaro,
09:43It's easier for us.
09:45It's easier to perform.
09:47Impersonation isn't decided.
09:49As I said earlier, Kintaro.
09:51You just have to make him laugh.
09:53Kintaro is already out.
09:55But in the end,
09:57If you divide it like that,
09:59Copy and parody.
10:01That's the best way to divide it.
10:03If you look at it like that,
10:05I think it's easier to see.
10:07By the way, Koro-kun, Haraguchi-san, Yoshimatsu-san.
10:10When you impersonate Kei Shimura,
10:12Is there a difference?
10:14The way you speak is different.
10:16It starts with no motion.
10:18But it's Shimura-san's voice.
10:20I'm sorry.
10:22It's Shimura-san.
10:24It's Shimura-san.
10:26We each have our favorite era and character.
10:30There's Shimura-san.
10:32I'm doing it like this.
10:34I don't know if it's similar to me.
10:36By yourself?
10:38I don't know.
10:40If you go here, it's Shimura-san.
10:42But if you compare it like this,
10:44You're doing something completely different.
10:46The popularity of the impersonator emperor is tremendous.
10:48The viewing rate of the appearance program
10:50is more than 30%.
10:52However,
10:54Contrary to its activity,
10:56Various harms have occurred.
10:59To be honest,
11:01I didn't have many seniors who could do ad-libs.
11:03It's not a connection.
11:05It's a package.
11:07Because I don't have it,
11:09I made a lot of things.
11:11If this person does this,
11:13This is how you make a voice.
11:15I made a theory.
11:17Everyone else doesn't speak.
11:19I can't explain it to everyone.
11:21I'm still imitating.
11:23Even if I'm invited to a show as a guest,
11:26I'm not good at talking.
11:28If that happens,
11:30Isn't it hard for the copyists to fight?
11:32It's a momentary excitement.
11:34It's similar.
11:36Applause.
11:38It's an action that doesn't make a sound.
11:40People who sing properly
11:42It was a hard time.
11:44The first generation will lose if they sing properly.
11:46So at first, Moriguchi,
11:48Hiroko Moriguchi,
11:50Akiko Matsumoto
11:52At first, I sang properly and imitated.
11:55In the end, only Kyosei Iwamoto was left.
11:57To sing properly.
11:59So at first, Shizuka Kudo,
12:01I think it was Moriguchi who made fun of it.
12:05The first generation was popular,
12:07but it didn't spread to the multi-genre.
12:11From there, time passed,
12:13and entertainers who were good at new styles appeared.
12:16That's
12:18Imitation of talking.
12:21When I was asked to talk with Sanma,
12:24The seniors until now
12:26What should I talk about?
12:28If it's around Harauchi,
12:30I can do everything.
12:32I'll talk, I'll stick it in, I'll turn it all around.
12:34The second generation
12:36If we do it,
12:38It's a lot easier as an imitator.
12:40Let's not go there either.
12:42But there's a difference.
12:44We have to be there.
12:46I thought I couldn't stay.
12:48It doesn't change how you show it.
12:50It's completely different.
12:52Mr. Imitator
12:54I've done too much.
12:56What's left?
12:58There was only reality.
13:00I used to be an entertainer.
13:02Imitation
13:04In the genre
13:06When I shifted,
13:08How can I survive in this world?
13:10When I thought
13:12There was no one.
13:14Imitation
13:16If you do it like that,
13:18It's better to be funny.
13:20I just need you to laugh.
13:22If you have the technology to stick it in,
13:24Imitate the person who sticks it in.
13:26I think it's better to stick it in.
13:28I think I can stay.
13:30When I looked at the story,
13:32The seat was vacant.
13:34The audience's understanding of comedy
13:36It's going up.
13:38In the variety
13:40He created a frame of gay imitation.
13:42I'm an entertainer.
13:44Even if the entertainer disbanded,
13:46If you can imitate
13:48I'm going to change my work to imitation.
13:50The technology of comedy
13:52It's a fusion of imitation technology.
13:54That's why it's an imitation content.
13:56One person
13:58That's not Mr. Shimura.
14:00Mr. Junichi Takada
14:02Make a story of a suitable fortune teller.
14:04At first,
14:06Who did you get off at the live show?
14:08I was doing it with Mr. Tunnel.
14:10At first
14:12Mr. Taka-san visits the dressing room.
14:14There are various people.
14:16At that time,
14:18Scatman John
14:20That melody
14:22Somehow
14:24I thought it would be interesting if I sang it.
14:26Mr. Takada
14:28I can hear it.
14:30It's a strange melody.
14:32Nori-san
14:34Scatman
14:36It's popular.
14:38When I open the gacha,
14:40Scatman
14:42Scatman
14:44How to make a story
14:46How to make a story
14:48One person story
14:50I've been doing it for five or six minutes.
14:52When you bring it to the imitation window,
14:54Make it short.
14:56I see.
14:58It's hard to sell your soul there.
15:00That's the trouble.
15:02Is imitation gay?
15:04Is it my gay?
15:06I'm thinking about that.
15:08I understand that feeling.
15:10Why do you think of imitation?
15:12When I thought about it,
15:14In the same way
15:16In a time when it didn't sell
15:18I was doing it at the same time.
15:20At that time
15:22Just by having a similar voice and face
15:24He suddenly got more work.
15:26If you have a chance,
15:28It's not your effort.
15:30I had a feeling that it was an imitation.
15:32You're just lucky.
15:34I think there were many reasons to look at it.
15:36Is it your effort?
15:38How far is your original?
15:40I had an eye for it.
15:42That's the real struggle.
15:44But
15:46First of all, you have to go out into the world.
15:48As a means
15:50If you use it, you'll sell your soul.
15:52I don't know if I can survive this.
15:54Let me tell you.
15:56At this time, Koji Tamada
15:58Mr. Tabo's story came out.
16:00Mr. Sanma's story came out.
16:02In a bit of a crazy way
16:04If you look at it,
16:06Talk, free talk
16:08It's not a story, it's a free talk.
16:10It's evolving.
16:12There's more work there.
16:14After all, if you're a comedian,
16:16I want to do this kind of work.
16:18I was able to do it.
16:20Koji and Haraguchi were going around in packs.
16:22We were doing it with pins.
16:24I was doing it.
16:26When I was aiming for comedy,
16:28Mr. Haraguchi and the others
16:30I felt like I was on a story show.
16:32I thought they'd call me on the show.
16:36Why don't you do anything?
16:38I don't know who I'm talking to.
16:40Koji and Haraguchi
16:42Talk and impersonation comedian
16:44Jump out of the hut
16:46I went to a talk show and a story show.
16:48I went to a talk show and a story show.
16:50I got a citizen's license.
16:52Then
16:54The first generation and the second generation
16:56The first generation and the second generation
16:58There's a big change in the impersonation industry.
17:00In other programs,
17:02I'm only allowed to play other songs.
17:04There's no wall.
17:06If you put it together,
17:08You can see this great thing.
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19:11I like street meat. Saturday, the 22nd, at 5 p.m.
19:17The first and second generations were active.
19:19I got a citizenship as an entertainer.
19:23Two major changes have been made to the popular content.
19:29One is the rule of appearance for impersonation programs.
19:33Why is that?
19:36For impersonation programs, there are Fuji TV and NITTERE TV.
19:41If you go to Fuji TV, don't go to NITTERE TV.
19:44If you go to NITTERE TV, don't go to Fuji TV.
19:47If you do other impersonations, don't go to NITTERE TV.
19:50It was so strict that I didn't know why there was such a restriction.
19:53It's like the old way of making movies.
19:56It's like the Nansha Kyotei era.
19:58If you go to a singing program, don't go there.
20:01If the program is too big, I feel like that will happen.
20:05How many times a year do you do it?
20:08It's 4 times a year.
20:11If you don't go to other programs, you won't be able to get more followers.
20:17You have to work hard at your business.
20:20If you go to other programs, you won't be able to get more followers.
20:28I was wondering why it was so strict.
20:32I've been fighting that for a long time.
20:35I've been fighting that for a long time.
20:38I haven't been able to do that now.
20:41I used to do it until a few years ago.
20:44You did a live performance with the people who appeared in the program.
20:49I started doing a live performance with this.
20:52I started doing a live performance with this.
20:55Miracle Hikaru and Takahiro Yamamoto.
20:58They are almost the same generation.
21:00They are almost the same generation.
21:05They don't have a wall.
21:10They want to get along with everyone.
21:12They want to get along with everyone.
21:15I wanted to convey the power of entertainment to everyone.
21:20When I did the live performance,
21:24I sat next to the person next to me and watched the reaction.
21:29Are you on good terms with the staff?
21:31We are not competing.
21:33We are rivals.
21:37Now if you have been together for a long time, you go to different programs.
21:42I haven't been together for a long time.
21:47So you've been together for a long time.
21:49But it depends on the live show.
21:51That's when the exchange started.
21:53After that.
21:54After that, it's like, let's have an exchange.
21:56It's not like that now, right?
21:58It's not like that now.
21:59The first time he called me,
22:03it was actually from the other station.
22:06He said, if you're told not to come out, tell me.
22:09He said that from both sides.
22:11So he was careful?
22:13Yes.
22:14So I thought I could come out either way.
22:16I said, I'll come out either way.
22:18That's fine.
22:20In the world of comedy,
22:22there was no such thing as coming out.
22:24But now, in a variety show or a talk show,
22:28people call me an impersonator.
22:31I'm very happy about that.
22:33I'm very happy about this.
22:35So I wonder if I don't have to impersonate
22:37because of this kind of talk.
22:39There's a bad habit of trying to do it right away.
22:41There's a bad habit of trying to do it right away.
22:44I've never seen that.
22:46I've never seen that.
22:48Recently, someone from BTS has been the most popular.
22:51Who was it?
22:52I'm someone from BTS.
22:54This is it.
22:55If this is good,
22:58what do you guys think?
23:00What do you think?
23:02After that, the third generation,
23:04who are good at singing and impersonating,
23:06appeared, and the impersonation became even more diverse.
23:10However, there were few shows that became popular,
23:13so how did they form themselves?
23:17Normal people, of course,
23:19don't appear on TV often, right?
23:21Basically, it's the income from live performances or on the spot.
23:24That's right.
23:25I hear that it's really good.
23:28It's much better.
23:29I hear that it's really good.
23:31You know both, right?
23:33I know both.
23:34Is it really good?
23:35That's right.
23:36When my son was born,
23:39he immediately applied for a job at the agency.
23:42Mr. Toshimura, you knew it,
23:44so you appeared on the media first, right?
23:46Yes.
23:47After that, the sales...
23:48After I started appearing on TV,
23:50the number of zeroes increased.
23:52Obviously, it changes.
23:53However, compared to the sales when the two of you appeared,
23:56I think it's a lot lower.
23:58Well, that's the whole thing.
24:00The two of you...
24:02It's not just the two of you.
24:03It's not just the two of you.
24:04It's not just the two of you.
24:05It's not just the two of you.
24:06It's really amazing.
24:07It's really amazing.
24:08It's amazing.
24:09It's amazing.
24:10It's amazing.
24:11It's how many people lived in Tokyo and how much money you make.
24:15To make money for a one service,
24:17it's natural to increase sales by maybe 100.
24:21When I did it quick...
24:22When I did it quick...
24:24it was completely different to going to a comedy con.
24:27It was different from the start point.
24:29So compared to going to work,
24:31it must be much different for the people present now.
24:33Kind of like getting one buzzer還有
24:34To get fun you know?
24:35It's true that YouTube's advertising revenue
24:37and the number of views the people now have on TikTok
24:40I think the live performance is more powerful than the performance itself.
24:44You do a lot of live performances, don't you?
24:46Yes, I do. I do more than 100 live performances every year.
24:52That's amazing.
24:53Matsuzora Koda-kun and Anamaki Yoko-chan are the genre of impersonation artists.
24:59That's right. They're impersonation artists.
25:01Yes, they're impersonation artists.
25:03People all over the country are happy to see them.
25:07I think it's interesting that people want to get excited with that song.
25:13For example, people can't go to see Gohon-ni, so they can't get a ticket.
25:19Or people can't see Gohon-ni all together at once.
25:22But if there are two people in front of you, you can see Gohon-ni with dozens of people.
25:27That's why people get excited with that song.
25:29That's right. It's like having a festival by yourself.
25:32I think people will enjoy the live performance.
25:34Don't make a genre of impersonation.
25:36He's still doing it.
25:39But I think it's really good.
25:41Kisara Sokkuri Yakata is one of the gateway for impersonation artists.
25:52There are not only impersonation artists, but also Sokkuri-san.
25:57Seiko Maneda is a legend.
26:03These people are a little different.
26:06I think Sokkuri-san and impersonation artists are a little different.
26:10Because they are the same.
26:12It takes a lot of courage to call yourself Fuyuyasumi Sakamoto.
26:15It's amazing.
26:16I've worked with him before.
26:18He said, Fuyuyasumi Sakamoto, let's have a summer dinner.
26:23That's what he meant.
26:25He has a great naming power.
26:28Some people have a mind of their own.
26:32Satoshi is like that.
26:34Satoshi has a mind of his own.
26:36What do you think of people like that?
26:41I want to choose a word, but what do you mean by that?
26:45What do you mean by that?
26:47I can't help it.
26:49That's what I mean.
26:51Isn't it strange?
26:52I understand what you mean.
26:54I don't know what to do.
26:57That's normal.
26:59There is a tendency.
27:01There is a tendency between Ikichi Yasawa and Fuyuyasumi Nagafuchi.
27:05Stop it.
27:07I don't know what's going on.
27:10What is that?
27:12I'm in trouble.
27:13They quarrel over small things.
27:15I'm the one who got the approval first.
27:18I don't know.
27:20I think that impersonators are people who take other people's things.
27:26They are useless people.
27:29So, they are the ones who get the approval first.
27:33It's strange to say that.
27:36I say no, but there are people like that.
27:40When I was young, I was asked to drink with a person like that.
27:44I said, you drank with A, the real Yasawa.
27:46I said, I'm the real Yasawa.
27:49I don't know why I'm getting angry.
27:51Which one do you like?
27:53Yasawa A or Yasawa B?
27:55I don't like Yasawa.
27:58What time is it now?
28:00He is calm like Satoshi.
28:03When he does something, he does it quickly.
28:05He is like a craftsman.
28:07After this, the staff explain the method of making jokes.
28:12It's amazing.
28:15There is nothing softer than Mr. Takeda.
28:19Do you know that there are a lot of harmful substances in the air of your room?
28:25For example, dust such as bed makeup and dandruff scatter like this.
28:33There are more than 100,000 dandruff in one futon.
28:40These substances will eventually fall to the floor over time.
28:45However, every time they walk, they will be buried in the middle again.
28:49Dandruff allergens are found in places about 1 meter or 1.5 meters above the floor.
28:56I think the height of a small child's mouth is about 30 to 50 cm above the floor.
29:02There are a lot of allergens there, so I think it's better to be careful of the air environment.
29:08There is an air dog.
29:11The air dog sucks in the air from below and emits clean air from above.
29:16Therefore, before it falls to the floor, it is sucked in.
29:20This allows you to clean the air in your room more efficiently.
29:27As a result of the test, more than 99% of dandruff, mold, pollen and pet allergens can be removed.
29:38In addition, 99.9% of pollen, bacteria and viruses smaller than PM2.5 can be removed.
29:50Therefore, more than 12,000 medical facilities around the country have introduced air dogs.
29:58The world's strongest air purifier, AirDog, can be purchased from the official website.
30:06First, search for AirDog.
30:10AirDog is a product of the Japan Air Force.
30:13It is a product of the Japanese Air Force.
30:16It is a product of the Japanese Air Force.
30:19It is a product of the Japanese Air Force.
30:24How do the stars of the impersonation world, representing each generation, fake and break?
30:30Method of making data
30:33How much is the repertoire?
30:35I can say more than 1,000.
30:38Do you include BTS?
30:40BTS can do about 7 people.
30:447 people?
30:45Isn't that a lot of water?
30:48If you include a morning dog and an evening dog, it's more than 1,000.
30:52If you start doing this, you won't have anything to do.
30:55Is the repertoire like that?
30:57If you do something that no one noticed first, it will be a repertoire.
31:04Like a game story?
31:06For example, if you say chicken in the morning and evening,
31:10In the morning, it's like this.
31:12In the evening, it's like this.
31:14If you get tired, you won't be able to speak.
31:18Everyone will be convinced.
31:21Is that so?
31:23Is that so?
31:25It's more fun to do it yourself than to force it.
31:28It's the same with salmon roe.
31:30That's right.
31:32I don't do the same genre.
31:34What kind of genre is it?
31:36Salmon roe is like this.
31:40There's no chicken, salmon, and BTS.
31:42It was there until 1997.
31:45Is there a technique to make a voice?
31:48I divide it into parts around the face.
31:51Mr. Itsuki sings behind his face.
31:54Is there a sensual thing?
31:56When Mr. Itsuki does it, everyone puts in a low voice.
31:59In fact, Mr. Itsuki doesn't put in a low voice.
32:02He sings like this.
32:04But Mr. Itsuki sings like this.
32:10He doesn't sing here.
32:12He sings like this.
32:14He sings like this.
32:16He sings like this.
32:18He sings from a high place.
32:20He sings from a low place.
32:22For example, Mr. Fukuyama.
32:24Mr. Fukuyama doesn't speak like that.
32:27He sings like this.
32:29It sounds similar.
32:31Mr. Takeda is around here.
32:34Mr. Fukuyama is around here.
32:36Mr. Harada, how many parts do you sing?
32:38I sing about 200.
32:42I sing about 200.
32:44But when I think about it now,
32:46there are about 7 people who use it in a variety show.
32:50That's right.
32:51It's amazing that there are 7 strong songs.
32:54If there are 7 songs, I think I can do it.
32:57And I use it separately.
32:59Mr. Kato's line,
33:01saying,
33:03this situation is not natural.
33:05I use it a lot in the variety show.
33:07This restaurant's seasoning
33:10makes this situation so good.
33:12It's not natural.
33:14I didn't say anything about the taste at all.
33:16I didn't say anything about the taste at all.
33:18I didn't say anything about the taste at all.
33:20Mr. Gourney saw that
33:22and said,
33:24it's like you.
33:26It's not a one-shot gag.
33:28It's just you.
33:30Everyone thinks that way about me.
33:34So I told Mr. Tetsuya Takeda,
33:36I like you.
33:38I explained for about 5 minutes.
33:40I like this kind of thing.
33:41I like this kind of movie.
33:42I've been watching it since then.
33:43I like this line in this drama.
33:45After I said everything,
33:46Mr. Takeda looked at me and said,
33:48you're lying.
33:50You're imitating that, aren't you?
33:52You're imitating that, aren't you?
33:53You're imitating that, aren't you?
33:55The bad thing about imitating actors is
33:57when they do something,
33:59I think I got it.
34:01When I work with the people in the repertory,
34:04it's a harvest day.
34:06It's a harvest day.
34:08Mr. Yoshimura,
34:09you appear in a lot of movies.
34:11You appear in a lot of movies.
34:12How many times do you do business?
34:14I sing a lot.
34:15There are about 50 to 60 people in the repertory.
34:18How long have you been doing business?
34:1915 to 16 years.
34:21That's amazing.
34:23There's room for imagination when it comes to imitating food.
34:27You don't have to say what you didn't say.
34:28It's an ad-lib.
34:29That's right.
34:30How do you make this?
34:32I have no choice but to cover it up.
34:34If it's like that,
34:36I might say something like this.
34:38Mr. Shimura is like that, too.
34:39I can see what Mr. Shimura usually does.
34:41If you ask me if I really said that,
34:44it's a little vague.
34:45I'm just imitating.
34:47I'm just imitating Mr. Shimura in my memory.
34:50If there's a voice imitation or a cell phone imitation,
34:53it's like a personality imitation.
34:56I'm trying to be that person and imitating it.
34:59It's really hard, isn't it?
35:00That's right.
35:02That's right.
35:03And I laugh a little.
35:06I'm a little embarrassed.
35:08I do it while thinking about my personality.
35:10Mr. Shimura is probably saying this.
35:12Do you look it up a lot?
35:13I don't look it up.
35:15I like it and I keep looking at it.
35:19There are so many human characteristics,
35:21so where do you choose?
35:23That's where I'm an interesting singer.
35:26It's where you like it.
35:27That's right.
35:28How do you convey it?
35:29Do you package it as a story?
35:31Do you put it in a free talk?
35:33I see.
35:34Mr. Tetsuya Takeda,
35:35especially in the era,
35:36everyone's favorite...
35:38That's right.
35:39It's going to change.
35:40I didn't go through the singer era at all.
35:42Mr. Kinpachi.
35:44Mr. Kinpachi at that time
35:46The beginning and the end are different.
35:48At the beginning,
35:49it's like shaking it down from above.
35:51There's something I want to say to you.
35:53From above.
35:55And at the end,
35:56it's the same.
35:57There's something I want to say to you.
35:59I'm going here.
36:01And recently,
36:02There's something I want to say to you.
36:05It's a little bit of a habit.
36:07Depending on the era,
36:08we'll split it up.
36:10Then the people who are watching
36:12If you're Mr. Takeda of this era,
36:14you'll know.
36:16I don't have any software
36:18that's more than Mr. Takeda.
36:20Like Doraemon,
36:21everyone knows.
36:22I already know.
36:23And it changes depending on the era.
36:25The hit songs are different.
36:27Depending on the drama,
36:29other people sing.
36:31I know a lot.
36:33I don't know.
36:34I don't know.
36:35I don't know.
36:36I don't know.
36:37I don't know.
36:38I don't know.
36:39I don't know.
36:40I don't know.
36:41There's no such thing as me doing it first.
36:43It's everyone's thing.
36:45Everyone does this.
36:47Does Tetsuya Takeda do it?
36:49Tetsuya Takeda?
36:50I did it for the first time in a video the other day.
36:52Can you do that?
36:53Everyone's doing it.
36:54Does it hurt?
36:56It hurts a lot.
36:57I'm embarrassed.
36:58I've been embarrassed.
37:00It's embarrassing to do it like this.
37:02You don't look like you're doing it.
37:03Are you doing it?
37:04Can I do it?
37:05To my beloved.
37:09Ah, okuru kotoba.
37:13Oh!
37:14You got it.
37:15Wow.
37:16You're good.
37:17Well, I feel like I'm depending on someone.
37:22If you think about it that way, the people who don't sing
37:25have a lot of similar voices.
37:28When you divide the genres, artists have a lot of similarities.
37:32It's big.
37:33So it's hard to tell if they're the same key or not.
37:37What's hard for kodai-tachi right now is that everyone has a high key.
37:42When you listen to a high-pitched singer,
37:45they all sound the same, don't they?
37:48I think it's pretty hard to work on that.
37:52For me, it's like adjusting my throat with voice training.
37:59Oh, moving it?
38:00That's crazy.
38:01That's amazing.
38:02It's like this.
38:03If it's high, it's like this.
38:05If it's low, it's like this.
38:07There's also a voice quality, right?
38:09Yes.
38:10And then you can adjust the volume of your breath.
38:12You can adjust whether to put it in your nose or not.
38:14When you listen to that person's voice,
38:16can you tell how similar they are by how loud they breathe?
38:19Yes, I can.
38:20I see.
38:21On the other hand, there aren't many people who have a high voice.
38:26They're about 184 centimeters tall.
38:28If you look at my repertoire, they're all about that tall.
38:31The height of the body and the voice are similar.
38:34The length of the instrument is about 190 cm for Kobukuro Kuroda,
38:39183 cm for Hirai Ken,
38:42and 188 cm for Yonezu.
38:44The people I work with are pretty tall,
38:47so I naturally choose instruments that are similar.
38:51When you listen to it, can you tell if it's similar to you?
38:55Sometimes I can tell if I can do it.
38:57Even if it's completely different from Creep Hype,
39:01it has a strong characteristic.
39:06Do you want people like that to sell?
39:08If there's someone who's just good at it, it's hard to imitate.
39:10I think so.
39:11You think so?
39:12I think it would be nice if there was someone who was low and unique.
39:18If there's someone like Sorimachi-san,
39:20if there's a song like Poison,
39:23it's really easy to sing.
39:26The fourth generation, including Matsuura-san and Ishimasa-san,
39:29is active in the imitating industry.
39:33How is it different from the previous generation?
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41:37The impersonation industry has entered a new phase with the appearance of the fourth generation.
41:43What has changed?
41:46People like Mr. Yoshimura
41:49People who work in disguise
41:53If you're not good at this channel, you're good at singing.
41:57It's time to color in what you're good at.
42:02I feel like I'm sharpening my weapon here.
42:05I'm doing it in a state where I'm impersonating a lot of people.
42:11Even if you change the way you speak,
42:14I think it's a trend to do it from a different angle.
42:18Mr. Matsumoto has SNS right away.
42:21You have to post a lot of new things.
42:23SNS is easy to buzz.
42:26It's easy to post what you think freely.
42:29It's faster than a trend.
42:31This layer is popular here.
42:33But the world is not limited to layers.
42:35You have to find the cocoa.
42:37No matter how popular it is on TikTok,
42:39People who are watching TV don't know it yet.
42:42I can't bring it to TV.
42:45The trend of TikTok is completely different in Japan.
42:49That's right.
42:50When I'm on TV, I sometimes impersonate Mr. Matsumoto.
42:54But on TikTok, I impersonate young people.
42:59It's important to find new people.
43:03I've been doing it for a long time.
43:06I've been doing it for a long time.
43:09There are places where you can do it again.
43:15That's right.
43:16When Mr. Muroi's movie was released,
43:21I was surprised.
43:23I thought I could eat again.
43:25You don't have any respect.
43:27I don't have any respect.
43:29There are a lot of impersonators.
43:32Besides the genre of impersonation entertainer,
43:36It's a new generation of broadcasters.
43:39Everyone can act as an impersonator.
43:44I think there are a lot more rivals.
43:46I think it's a general story of entertainers.
43:49I don't think there's a boundary.
43:51There are a lot more people to fight.
43:53That's right.
43:54It's easier to answer.
43:57When I was watching on TV,
44:00It was VHS.
44:02Without VHS, I couldn't confirm the origin.
44:05Now I can easily confirm it.
44:07I can check it.
44:08I can see if it's similar or not.
44:10I'm looking for a hole.
44:12I can see if it's similar or not.
44:13Old fans say,
44:15My favorite person doesn't say this.
44:18I think it will come directly.
44:20I think it will come directly.
44:21Especially for those who are serious,
44:24If you can't keep the quality up to 99.9%,
44:29There are artists who want to quit.
44:31That's a lot of work.
44:33It's a great world.
44:36You're going to be attacked until the pitch is off, right?
44:40That's right.
44:41You have to sing well in the first place.
44:43That's right.
44:44First of all, you have to be good at singing.
44:47And then you have to be respected by that person.
44:54I'm glad it's not now.
44:56I see.
44:58The intonation of the Kansai dialect was different.
45:03I don't think there were many people who could do that.
45:06In addition, there is one more thing that faces the modern imitator industry.
45:12I don't know if it was allowed because I'm not good at it.
45:16I don't know if it was allowed because I'm not good at it.
45:21I'm curious about what's going to happen.
45:23I wonder what's going to happen from now on.
45:27Of course, if you allow it, it's okay.
45:30In particular, it's no good to use data on your own.
45:34The rights are being taken away.
45:36What's increasing now is that the players are admitting themselves.
45:42I've come to say that a lot.
45:44I'm doing it because I've been admitted.
45:48I think it's better than the story, but it's more like it.
45:52This is really okay.
45:55I think it's time to be told clearly.
45:57I don't think I was told anything from the beginning.
46:00When I put out a video of Ken Hirai on YouTube, all the profits were cut.
46:05When I saw that, the A.I. on YouTube mistook my video for a CD.
46:13That's how all the profits were cut.
46:15It's not a normal cut, it's a distribution.
46:18It's a distribution.
46:20The more similar it is, the more it's going to be.
46:24That's right.
46:25And the difficult thing is that in short videos, there's a guy who's just messing with his voice.
46:31The A.I. can't tell if it's a technique or a tool that he's singing.
46:38I think it's going to be really difficult.
46:40Emotions may become important.
46:45I can imitate his voice, but I don't know how far I can get with A.I. technology.
46:50That's the strength of live performances.
46:52It's proof that it's real.
46:54In the end, I don't think it's something you can see on the screen or on your cell phone.
47:02I think it's a live performance.
47:04I think it's a live performance.
47:06I think it's a live performance.
47:08I think it's a live performance.
47:11When I pass the microphone, I can't tell you anything but live.
47:18I can't tell you anything but live.
47:23I think it's going to be a very strong genre if you talk about music and other things in a different way.
47:3224 million people.
47:35It's a medley.
47:38It's going to be hard to say who it is.
47:44It's going to be hard to say who it is.
47:52It's okay for us to use what we've made in the band.
47:58It's okay for us to use what we've made in the band.
48:06People need to decide who to play in front of the machine.
48:13People need to decide who to play in front of the machine.
48:15If you don't tell people who you are, it's going to be hard to get into a society where people know who you are.
48:22If you don't do it, they won't be able to say who you are.
48:26If you don't do it, they won't be able to say who you are.
48:31It's hard.
48:33I don't want to be noticed.
48:36I want to see a group of imitators.
48:41I want to see a group of imitators.
48:44I think we need that.
48:48I think we need to have a group of people who understand us.
48:51If we have that kind of law,
48:54it will be the hardest job to do.
48:57For example, copyright.
48:59If we are told not to use this name,
49:02it will be the end.
49:04Some artists are noisy when they sing.
49:07It's not just about borrowing a name.
49:10It's about how much influence you get from the name you borrowed.
49:15I think it's important to act in a way that has a positive effect on yourself.
49:21You can't say,
49:23I can't do this anymore.
49:26If there are still lively people,
49:29it will be over when there are more ugly people.
49:32If you think about it,
49:35I'm living in a good era.
49:39We don't have a lot to talk about, but it's about time.
49:43Thank you for your time today.
49:47It's interesting to fight against AI.
49:51Finally, the seeds of the future.
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52:56It's interesting to fight against AI.
52:59I'm afraid of AI judges.
53:02The quality is getting better.
53:05I'm looking forward to it.
53:07On SNS, there are more and more people who speak like amateurs.
53:14There aren't many people who make fun of it.
53:16That's right.
53:17But if everyone works together,
53:20we can make something new.
53:22It's just that we haven't found it yet.
53:38Next Episode
53:40I think all the ingredients are at home.
53:43It's delicious in a simple way.
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53:47If you eat it, it will definitely lead to a repeater.
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53:51Every Monday at 11 p.m.
53:53If you want to watch the show again, please watch it on TVER.