Fabrizio habló sobre la polémica en torno al intérprete nacional de música urbana, Pailita.
Category
📺
TVTranscript
00:00Caution!
00:01Tres tambores, señoras y señores!
00:04I'm ready!
00:05What is the truth of the controversy with Ailita?
00:15No, please! You want to kill me here? You can kill me!
00:18But you told me I could do it!
00:20Sorry, sorry! I don't know why I reacted that way!
00:27I'm scared of you!
00:28No, I'd rather die.
00:32What happened? Did you solve it? Did you let it pass?
00:36Well, the one who solves it is more in the hands of the Pailismo than mine.
00:41The Pailismo Leninismo.
00:44I obviously have nothing against Pailita, and I wish you the best.
00:48I don't have anything personal against him.
00:50Let's sort out the facts. Let's sort out the facts.
00:52Help me, help me, please.
00:5312.26 at night.
00:54Already?
00:55No.
00:56Pass, pass. Pailita joke.
00:57Pailita joke. I, of course, on stage, I hear laughter.
01:00I didn't know anything, nothing, not a word, nothing, nothing, nothing.
01:03Nobody told me anything.
01:0412.26.
01:06Then I leave the stage, of course, with the awards,
01:08with the euphoria of a moment like this, of being in the top five,
01:11everything that has happened, what we have just seen.
01:13This moment comes when you have to go to the press conference,
01:16the subject of what always happens, and then we leave.
01:20We are already on our way to an abortion.
01:24Horrendous.
01:25To a, how do you say it? Topless.
01:27What do you say here in Chile? Topless?
01:29Topless.
01:30Topless.
01:31Topless.
01:32Topless?
01:33A place.
01:34A place.
01:35A place.
01:36A place.
01:37Not so good, but someone managed to get us to go after the show.
01:41A bit of interference.
01:42A bit of exposure.
01:43And exposure.
01:44And then we go there, obviously, with everything,
01:46and there they start telling me, you know?
01:48Like, hey, there was a scandal, apparently,
01:50and shit, what a shit.
01:51And I was in celebration mode, I was with my team,
01:54we had gotten the shit out of this show.
01:56Your family?
01:57We were my family.
01:58And Pailita also wanted to get the shit out of you?
02:00Pailita was there with me.
02:02I was in another one.
02:04Honestly, we were celebrating what was ours.
02:07So we had worked on this show for a long time,
02:10so what was I thinking?
02:12And then, on top of that, these people come to tell me
02:15that there were other problems with Pailita,
02:17and then, like, deep down, everything that had happened that night,
02:20many bad things had already happened.
02:21What did they say about Pailita?
02:22That he had gotten angry, they had told me one thing,
02:24and then they showed me a video where he was very happy.
02:26And he said, like, no, it has nothing to do with it,
02:28it's a lie from the press.
02:29So I said, well, I don't know.
02:30No, I agree with his statement.
02:32Pailita laughed, but Carlos?
02:36He had a terrible time.
02:37Terrible.
02:38So, of course, I have to talk to Carlos.
02:40Hey, but that night we were celebrating Fabricio,
02:44and Fabricio, it was his night, he was having a great time,
02:47and at one point, Guatón Salinas comes up to me and says,
02:51In La Guata, you know where I live?
02:53In De Guata.
02:54And I tell him, I don't know, why?
02:57Because all of Pailita's friends are coming there.
03:00And Marcianeke, Pablo Chile, start arriving next to us.
03:05And it was like, oh, oh, oh.
03:07And I started to look, who are we going to recruit in this?
03:11I said, Sergio, Miguelito, Sergio and me.
03:15Sergio.
03:17Now, I want to tell you that at that moment,
03:19when these guys started to show up,
03:21I took a picture with Marcianeke, I took a picture with Pablo Chile.
03:24It was a good vibe.
03:25We did that, because when they arrived, Fabricio said,
03:28because they had already told us what had happened,
03:31and we saw them arrive, we were in the same VIP of De Guata.
03:35I think VIP is to call him too much.
03:39Did they find out where the teas were?
03:41No, we got to the same place.
03:43And there Fabricio says, no, I'm going to go,
03:46maybe I'm going to go talk, to talk, to see the vibe.
03:48And he leaves, and I look at him and I say,
03:50Fabricio again, putting him in a bind, as always.
03:54And then we left from behind, again, man, again.
03:58Something very funny happened to me.
03:59How do you know I'm not going to laugh?
04:01That one of the guys from the urban genre,
04:03that the truth is, there are so many guys that one is difficult,
04:05because there are many urban genres.
04:06Imagine, Jordan 23, 22, another Jordan.
04:09Sasu.
04:12It's complicated, it's complicated how to catch everything.
04:16It's difficult.
04:18So, at some point, one of the guys comes up to me
04:21and tells me, and this is true, he tells me,
04:23fucking Cuban, man.
04:24Did he tell you while singing or talking?
04:26No, talking, but with autotune.
04:27He said, I feel that you exceeded yourself, man,
04:33you have to be more careful with your words, brother.
04:36And it was like…
04:38There you got the vibe, man.
04:39Really?
04:40From the urban genre.
04:44Be careful with my words.
04:47I was thinking inside, outside, saying,
04:49no, yes, of course, don't worry.
04:51Yes sir, yes sir.
04:52Yes sir, whatever you say, don't worry.
04:53And you, that, you hit him in the balls with him.
04:55All the songs were coming to you.
04:57And then Gonzalo Valenzuela came and told me,
04:59you acted badly.
05:02But it was…
05:04Quiet, where did it go?
05:06It was…
05:09It was a very strange situation.
05:12He said, you acted badly, you acted badly.
05:14So I stayed there with that feeling.
05:16That he also got angry.
05:17Yes, of course, that there were some people
05:19who felt bad, but finally, for me,
05:22I have nothing against them,
05:24a monkey does it so that people laugh,
05:26and the audience laughed,
05:27and that's all they want to achieve.
05:28And that happened.
05:29But still, when we got off the stage,
05:31we got off happy because it had gone super well,
05:34people loved us and everything,
05:36and I remember that a producer of yours came,
05:38one of your 15 producers,
05:40and he says, and we were like, hey, hey,
05:42he says, come this way, this way, come this way,
05:44and we were like, what, what happened?
05:46They want to hit Fabricio.
05:48And I swear to you that they hid it from me, luckily,
05:50well, they hid this information from me until the end,
05:52until we were very far away.
05:53But who wanted to hit you?
05:54La Quinta Vergara?
05:55Pailita.
05:56Pailita.
05:57La Quinta Vergara?
05:58Well, Gonzalo too.
05:59But it is assumed that…
06:00Gonzalo.
06:01Well, they came out saying no,
06:02then I…
06:04I was standing in the corridor,
06:05talking to the people, I don't know,
06:07and a producer came and said,
06:08over here, Pedro, over here,
06:09the people want Fabricio,
06:11and Fabricio's dad is here,
06:12over here, come this way, I don't know,
06:14and well, I got there,
06:15get in this van, please, get in this van.
06:17Yes, with a lot of tension.
06:19Of course, and then he explained,
06:21and as I approached, he started saying,
06:23what happens is that there is a problem
06:24with an urban singer,
06:26his friends are there,
06:27we don't know if they are dangerous people or not.
06:31And I thought…
06:32I thought they were joking,
06:33half behind the scenes,
06:34I never thought…
06:35Maybe this is what he didn't know.
06:36What I love about all this
06:37is that I feel it feeds the myth of that show,
06:39because so many things have happened,
06:41that show, on stage,
06:42we are talking about the door that opened for us,
06:44that the guys came in,
06:45that they brought the bunkers,
06:46all that stuff.
06:47I feel that so many things happened that night,
06:49that I still think we are figuring out
06:52what happened, but yes.
06:54While all that was happening,
06:55the guy was with the bunkers.