Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Nina De Azúcar Capítulo 16 Completo HD
Category
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Short filmTranscript
00:00He's going for the right foot!
00:02He's going for the ball!
00:04He's going for the goal!
00:06He's going for the goal!
00:08He's going for the goal!
00:10Goal!
00:12Goal!
00:14Goal!
00:16What a goal!
00:18What a goal!
00:20He's in Japan!
00:22Look at the referee!
00:24Did you ask for a delivery?
00:26No, as far as I know, no.
00:28If you want, I can invite Sushi, I don't know.
00:30Look, he let you walk to cheer you up.
00:32Whatever!
00:34Sushi!
00:36How funny you are!
00:38As I have you as a son!
00:40Excuse me?
00:42Give me your cell phone!
00:44What's wrong?
00:46My cell phone!
00:48Tell me you didn't hear the last audio I sent you.
00:50No, I didn't hear it.
00:52But I hear it now.
00:54No, no, no!
00:56What's going on?
00:58Are you hiding something?
01:00I just ask you to give me your cell phone.
01:02Give it to me, please.
01:04I need to delete the last audio.
01:06No, I won't give it to you.
01:08Please, I need you to give me the last one.
01:10Well, well, well.
01:12I like this, but we can talk first.
01:14Give it to me, please.
01:16Well, well, well.
01:18Give it to me.
01:20I haven't seen anything.
01:22It's not what it seems.
01:24It's between Ramiro and me.
01:26Calm down!
01:28I didn't mean to hurt you.
01:30As Mochito said, I'll take it off.
01:32Good night, shepherds.
01:34Take care and protect yourselves.
01:36It's nothing, Luisito.
01:38My cell phone!
01:40You ask for everything like that?
01:42Excuse me?
01:44I just ask you to delete the last audio I sent you.
01:48Please.
01:54So, you're going to confess that you miss me?
01:56Oh, gosh, gosh, gosh.
01:58Quite the opposite.
02:00I'm here to set limits.
02:02Limits?
02:04Of what?
02:08Of space.
02:10For example,
02:12now that you're my bodyguard again,
02:14and I'm your boss,
02:16and we already have a history,
02:18and we already know the danger and the consequences
02:20of being close,
02:22I'm not going to deny it.
02:24So, what do you propose?
02:30Do you feel the danger?
02:36Well, that's what can't happen.
02:38That's what can't happen in any way.
02:40Nothing like putting my hand on your arm,
02:42or on your back to walk, or anything like that.
02:44Nothing like being Tom Holland from Zendaya.
02:46So, if we're in a dangerous situation,
02:48can I still carry you like this?
02:50It's very clear.
02:52Only in case of emergency,
02:54and strictly work-related.
02:56I understand.
02:58And personal talks can't be at work.
03:00Okay, but sometimes
03:02personal talks come out of nowhere.
03:04We're going to avoid the out of nowhere.
03:06We're going to respect the roles, Garay.
03:08You're the bodyguard, I'm the boss,
03:10I give orders, you follow them, done.
03:12Okay, okay, but if it's for your safety,
03:14and if it bothers you, I'm still going to make the right decisions,
03:16because I'm here to protect you.
03:18Okay?
03:20Okay.
03:22As long as you respect my orders,
03:24and don't change them because you think you know more than I do.
03:26No, no, no, strictly professional, nothing personal.
03:28Now, the issue of distance, for example,
03:30in an elevator is complicated sometimes, don't you think?
03:32We're going to avoid elevators.
03:34I mean, closed spaces, not spaces that are
03:36extra-official to the work environment.
03:38Perfect, I agree.
03:40Now, do you think we should talk about my points?
03:42Ah! You also have points!
03:44Of course!
03:46I'm going to prepare the...
03:48Mom?
03:50What are you doing? You don't have your polo on!
03:52Mom, what's up?
03:54And who's with Miss Valentina?
03:56Hi, pretty.
03:58Yes, I told you the same thing.
04:00Fortunately, you also set limits,
04:02because this guy is very rebellious.
04:04Look, this lady knows you well.
04:06Well, then, do you think we should talk somewhere else?
04:08Hey, hey, hey, hey, hey, hey, hey, hey, hey!
04:10Distance.
04:16I don't think so.
04:20Send the wrong message.
04:22In today's episode, emergency guide
04:24to save disastrous lovers.
04:26Welcome Dayanos and Malober
04:28in our version, streaming, live,
04:30inevitable.
04:32How many or how many of you
04:34right now are affected
04:36by a message you have sent?
04:38Or by a compromising audio that is now
04:40deleterious.
04:42We know how it feels.
04:44That's why we're here, to help you.
04:46Here's a tip for you.
04:48If you put your phone in airplane mode at the right time,
04:51it's very likely that the message won't be sent.
04:54And if it's too late,
04:56another option is to invent an alternative story.
04:59You turn it into a joke.
05:01And when the victim asks you,
05:03you answer like a dream.
05:05Did you believe it?
05:07Ah, innocent!
05:09What a great tip, teacher.
05:12Well, some people call it experience.
05:14But I call it the power of age.
05:18Your age, Sara.
05:19Oh, you think I'm kidding?
05:21I haven't turned 30 yet.
05:22With votes.
05:23Well, don't forget to subscribe
05:25and activate the bell for more notifications.
05:28Well, let's continue.
05:33First things first, you almost killed me.
05:35Oh, don't exaggerate.
05:36I just moved your hair a little.
05:38Yes, well, that's like killing me.
05:39Could you please delete the audio?
05:41Is that all you care about?
05:42And what about everything you told me today?
05:44You come to me like this,
05:45flirting.
05:46What's wrong with you?
05:48I don't know if you're going to marry me.
05:50I don't understand anything.
05:51I can be a beast if I want to.
05:53But I love you.
05:55Yes, I feel it.
05:57Only sometimes, for many reasons,
05:58I prefer it to seem like I don't.
06:12Yes, I'm going to marry you.
06:17I just deleted the audio.
06:19Are you cheating on me?
06:20No.
06:22I'm begging you.
06:24Look,
06:26we're getting married soon
06:28and I can cook for you
06:30whenever you want.
06:32I'm begging you.
06:34I'm begging you.
06:36I'm begging you.
06:38I'm begging you.
06:40I can cook your diet plan for you.
06:42I can make your protein shakes for you.
06:46How do you know I like protein shakes?
06:48Because you drink the same protein shakes as Bruno.
06:53Please delete the audio.
07:01It could be that I delete the audio.
07:05But I don't know.
07:08I don't know.
07:09Because my curious spirit will want to know.
07:11And if I delete it,
07:12I'll never know what this is about.
07:14Please.
07:15So,
07:17I'd do it, but...
07:20I don't know.
07:21Please delete the audio.
07:22Nothing else.
07:23Delete the audio.
07:24Yes?
07:25Delete it, please.
07:26Look, I'll do whatever you want.
07:28Dad.
07:30Whatever you want.
07:33I'll do whatever you want.
07:35Okay.
07:38I'll delete the audio.
07:41But you give me a kiss.
08:03We'll be calmer here.
08:06Do you mind if I grab something?
08:08As long as you listen to me, I don't mind.
08:12I listen to you.
08:13Surprise me.
08:14Look, it's essential that I pay attention to any movement
08:17that happens around you.
08:19First of all,
08:24you can't distract me.
08:27Distract you?
08:28How?
08:29How?
08:30Staying away from any distraction is important for your safety.
08:34Another key point is that
08:36you can't ignore any warning or suggestion from me.
08:40That is, if I tell you to stay in the car,
08:42you stay in the car.
08:44You can't handle the situation on your own, understood?
08:47What if I get bored in the car?
08:49Even if you get bored,
08:51your safety is not negotiable.
08:55Anything else, Kevin Costner?
08:57Yes.
08:58Since you told me about physical contact,
09:00I want to talk about emotions.
09:02We can't allow work to be affected
09:04by anything that happens outside of it.
09:10My emotions?
09:11Or should you take care of your emotions?
09:14My emotions are completely controlled, princess.
09:18Are you sure?
09:19Completely. And you?
09:21I would die to kiss you right now.
09:24Really?
09:29See?
09:30You are very weak.
09:31What? No, no, no.
09:33What I meant is that I would never kiss you again.
09:36Never. Impossible.
09:37Me neither.
09:39Well, then, is it clear?
09:41Understood.
09:43I'm ready.
09:44Ready to go, Guille,
09:46because we are having a very important conversation right now.
09:49Oh, well.
09:50You're going to have to put that conversation on stand-by,
09:53because Valentín and I have an appointment.
09:58What?
09:59Yes.
10:00I'm going to a bar with Professor Guille.
10:04Okay.
10:05Then I'm going to get changed and I'll be back.
10:07No, no, no. Don't bother.
10:08The reservation is for two.
10:09Let's go?
10:10Yes.
10:11I'm his bodyguard, Guille.
10:12Let's go?
10:13Lastly, Valentina,
10:15you can't leave without telling me.
10:17You can't leave without telling me.
10:19You can't leave without telling me.
10:22You can't leave without telling me.
10:24You can't leave without telling me.
10:27You can't leave without telling me.
10:29I've already ruled out all of Valentina's friends.
10:31It's ridiculous to think that Ignacio would have a daughter
10:34who could be a devil.
10:36He's not stupid enough to hide a girl
10:38I could see every day.
10:40So, tell me who she is at once.
10:42I promise not to say anything.
10:44The last time you said that,
10:45I'm not going to tell you. I can't trust you.
10:49You've never been a trustworthy person.
10:51It's not offensive. It's better that we acknowledge our mistakes,
10:54because that way we can take better advantage of our strengths.
10:57And you're very good at giving me advice. Give me one.
10:59Well, another piece of advice that you're probably not going to follow.
11:02Please, I'm serious. I'm really not well.
11:04And it's not affecting me at all.
11:06Not even the Ayahuasca records.
11:08Not even yoga. Not even the constellations.
11:11Not even the toad.
11:13Calm down, calm down, woman.
11:16Calm down.
11:18Now I'm going out, but I know the perfect person who can help you,
11:21who can guide you, who can take you to your north.
11:24Great. Give me his contact and I'll call him.
11:26No, I can't because it's for reference. If I don't call him, he won't listen to you.
11:29So you can call him right away because it's life or death.
11:31You trust me.
11:32I can't trust you. We just talked about that.
11:34Well, I'll try to come see you, okay?
11:36Don't leave my house, okay?
11:37Where are you going?
11:38I'm going out. The important thing is that I meet someone good, right?
11:40Modern, right?
11:41Yes.
11:42Okay.
11:48A kiss.
11:50Okay?
11:53A friend's kiss, of course.
11:55A big kiss.
11:57Chappatex.
11:59A big kiss.
12:01Chappatex.
12:04Okay.
12:05Perfect.
12:08Done.
12:10Now.
12:11Now?
12:12Now.
12:13No, no, no. Not now. It's going to be my way.
12:14What?
12:15When I want and not when you want.
12:16No, no, no. I already fulfill my part of the deal. I fulfill yours.
12:19No, let yourself be surprised.
12:20It's going to be a surprise.
12:22So you relax.
12:23Flow. I'm a woman of my word.
12:25When is it going to be?
12:26A kiss is going to come.
12:27No, when is it going to be? Before the wedding?
12:28We're getting married the day after tomorrow.
12:31So don't worry.
12:33We're going to kiss anyway.
12:34Why don't we leave so much mystery and kiss now?
12:36And why don't you let the magic flow?
12:38Stay calm, baby.
12:41Let it flow and let it appear.
12:44As it appears in my desire right now to go to the bathroom.
12:47Oh, how he wrinkled.
12:50How he wrinkled.
12:52And well, they're not going to love each other with this kiss.
12:57And if it's your boyfriend who read or heard the message you didn't want?
13:02For example, Arroba Reggaeton Sabroso tells us that he sent a message to his girlfriend ending it.
13:08And then he repented, ladies and gentlemen.
13:11But it was too late because the girlfriend took it seriously.
13:14And she never wanted to see him again.
13:16Oh, poor Reggaeton Sabroso.
13:19And I say it because I have lived it.
13:22And with a letter, friends.
13:25By letter.
13:27How vintage.
13:28Well, it was when I was younger than now.
13:31Look, I'll tell you.
13:33I sent a letter declaring my love by mail.
13:38And when I sent it, there was no turning back.
13:41And the recipient read it?
13:43I guess so.
13:44Because I never heard from him again.
13:46Oh, well, he missed it.
13:48That's it.
13:49Oh, and Emis.
13:50Send your messages to Emis and to everyone.
13:52And remember that if you send a wrong message,
13:56breathe deeply.
13:58And if you can't undo it,
14:00don't give a f**k.
14:05How am I going to regret not hearing your message?
14:08I can't believe it.
14:09But hey.
14:10It was worth it.
14:19Leandro, it's been a long time.
14:23And I have no news.
14:25Time goes by and my peace is getting farther and farther away.
14:28I can't trust you.
14:30You're impossible to trust.
14:32At least give me a sign.
14:52Arnett Sala.
14:54Arnett Sala!
14:57Arnett Sala!
15:04What did you say?
15:06His name is inverted.
15:08Because all evil can be reversed.
15:27I'm sorry.
15:52Unveiled?
15:54Or is it because of Mr. Leandro?
15:56I had a missed call from Mr. Leandro.
15:59I returned it, but he told me not to worry.
16:02He already solved it.
16:07It's about the wedding, right?
16:09There are many things together, my love.
16:12Why don't you tell me?
16:13Maybe that will help.
16:16I'm fine, Terroncito.
16:18I'm fine.
16:20And you?
16:22Don't you mind?
16:26I'm fine.
16:29The universe has guided me here.
16:31How much more or less will the guide cost me?
16:36Your soul prepares to tune in to the cosmic.
16:41Today I will help you connect with the past.
16:44So you can understand what torments you.
16:48Clean yourself energetically and go now!
17:18I'm dying to steal your kiss.
17:20If there is nothing left but to dream of your love.
17:39Leandro, the python is going to poison me.
17:43Your house is a giant chimney.
17:45What is this, Leandro?
17:47Do you want to kill me?
17:52Did you see?
17:53Did you see?
17:54You could trust me.
17:56Now the help is with you.
17:58Not everything is what it seems.
18:00Let yourself be carried away by the mystique of the hypnotist.
18:05Hello, my loves.
18:07Your tropical mermaid has arrived.
18:17Where is my mermaid?
18:19Where is my mermaid?
18:21Where is my mermaid?
18:23Where is my mermaid?
18:25Where is my mermaid?
18:27Where is my mermaid?
18:29Where is my mermaid?
18:31Where is my mermaid?
18:33Where is my mermaid?
18:35Where is my mermaid?
18:37Where is my mermaid?
18:39Where is my mermaid?
18:41Where is my mermaid?
18:43Where is my mermaid?
18:45Where is my mermaid?
18:47Where is my mermaid?
18:49Where is my mermaid?
18:51Where is my mermaid?
18:53Where is my mermaid?
18:55Where is my mermaid?
18:57Where is my mermaid?
18:59Where is my mermaid?
19:01Where is my mermaid?
19:03Where is my mermaid?
19:05Where is my mermaid?
19:07Where is my mermaid?
19:09Where is my mermaid?
19:11Where is my mermaid?
19:13Where is my mermaid?
19:15Where is my mermaid?
19:17Where is my mermaid?
19:19Where is my mermaid?
19:21Where is my mermaid?
19:23Where is my mermaid?
19:31There's a lot of smoke.
19:33The neighbors will call the firemen.
19:36Are you prepared for the trance?
19:38Yes, but maybe I can...
19:40...ask for a fan, if we dissimulate the smoke.
19:42The surrounding disappears.
19:44Of course, with so much smoke.
19:52You are traveling to other lives.
19:56Far away times.
19:59Lost.
20:01But you are not alone.
20:10I invite you to dance.
20:12And to sing.
20:13And to sing.
20:15I am the mermaid of love.
20:17With a lot of pain.
20:19For you.
20:22If my skin sweats your scent.
20:25It's because I'm thinking of you.
20:28If I don't stop thinking of you.
20:30I get lost in your lips.
20:33In love so crazy.
20:36I don't care anymore.
20:39Because I only think of you.
20:42I think of you.
20:44Come back to me.
20:47I can't be without you.
20:50Baby, I'm alone.
20:52That's it, let's go.
20:53Little mermaid flowing with the current.
20:56You can tell me what you do in this place.
20:58Dancing cumbia and dressing like this.
21:00What are you doing here?
21:01And with two men, besides.
21:03Mr. Montes, how are you? Do you remember me?
21:05Disappear to read.
21:08Dad, why do you always have to get into my life?
21:10Wait a minute.
21:12Let's talk here.
21:13And very seriously.
21:15Seriously?
21:16I don't think so.
21:17Come here.
21:18Come here.
21:20Come back to me.
21:23I can't be without you.
21:26Baby, I'm alone.
21:28Come here.
21:29Come here.
21:31Sit down.
21:32Enjoy it.
21:34Like this.
21:36Glow, glow.
21:38I'm the mermaid.
21:42I want to dance softly.
21:44You're going to go crazy.
21:47The temperature rises and I lose control.
21:50I'm the mermaid of glow.
21:52Come back to me.
21:55I can't be without you.
21:58Baby, I'm alone.
22:00Come here.
22:01Come here.
22:03Come back to me.
22:14In your past life you have been a noble of the court of a king.
22:19But there was no gold in your days.
22:23Only scandals.
22:27Forbidden loves.
22:30Your house.
22:31Your house.
22:32Your house.
22:34What's going on?
22:37A burst of dark energies.
22:41Out.
22:42Out, entity.
22:43Out.
22:45Who are you talking to?
22:47To the entity that is in your home waiting for you.
22:52Out.
22:53Out.
22:54Out.
22:55Don't ever come back.
22:57Me?
22:58Don't I come back to my house?
22:59No, I'm talking to the entity.
23:02Out.
23:03Out.
23:04Out.
23:05Don't ever come back.
23:07He's still talking to the entity because he didn't leave, right?
23:09He's still there, right?
23:10No.
23:11Now I'm talking to you.
23:13You have to escape the misfortune.
23:22Has the sheet spoken?
23:24His sheet writes.
23:27Wow.
23:29What's up?
23:31Do I have to leave my little house?
23:33I'm just a messenger of the message.
23:35Not a real estate broker.
23:38Your home is cursed.
23:40For mistakes of distant lives.
23:45The decision to heal is only yours.
23:49Only yours.
23:55I know you're not lying to listen to the streaming.
23:59Oh my gosh.
24:01What a repercussion.
24:03I congratulate you, Mrs. Emma.
24:05Do you know why?
24:06Because you are authentic.
24:08And people value that.
24:10No?
24:13Well, I'm going to bed.
24:15It's been a very long day.
24:17Rest.
24:25What did Ignacio tell you?
24:29He's not going to say anything.
24:31At least not until the wedding.
24:39Thank you to my tropical audience.
24:42I love you with all my heart.
24:44Thank you for giving me that strength
24:46so that the mermaid never stops shining.
24:59You tell me two men, dad.
25:01I already told you. I'm tired.
25:03This is my bodyguard and my bakery teacher.
25:06And the truth.
25:08A boxer and a baker.
25:10More impossible glamour, right?
25:12And who tells me? You?
25:14Dressed as a 20-year-old, little old man.
25:16Hey, hey, hey. It's not a costume.
25:18It's the new Leandro.
25:20Ah, it's an old man who dances with a little mermaid
25:22full of cheap lentil.
25:24I don't know what surprises you.
25:25If it seems that you love the ordinary.
25:27Or you don't leave a New York lawyer
25:29for a neighborhood baker.
25:31Look, dad.
25:34Not all the fleur that you put on your teeth.
25:36Nor the perfume.
25:37Nor that tight pants.
25:39It's going to make me get bored of you.
25:41You've humiliated me.
25:42So I'm going home tonight.
25:44You're leaving again, you mean?
25:45As if I had never returned.
25:47And now I take all my things.
25:49Let's go, Guille.
25:50Are you sure you won't regret it?
25:52I'd rather regret what I do
25:54than what I stop doing.
25:56Chopra.
25:58Excuse me.
25:59Guille, Guille.
26:01Guille, I'm telling you as a friend, seriously.
26:04Look for another girl.
26:08I'm not a man.
26:10But I swear I try.
26:11I try to repel her.
26:12I try not to get close to her.
26:13Not to attract her.
26:14But what can I do?
26:16I can't help her from getting closer to me.
26:31I'm coming.
26:32No, no, no.
26:33And I don't regret anything.
26:35No, no, no.
26:36I don't understand why you get out of the car.
26:37Why do you come here?
26:38Why are you taking that girl from me?
26:40Guess.
26:43Oh, I see.
26:45The kiss, right?
26:47You're never going to give up.
26:49I could, but it's unfair.
26:50I'm already complicating part of the deal.
26:52You're not complying.
26:53Please, you're not letting me score a goal.
26:55At least give me that kiss.
26:57It would be like a desert oasis.
26:59Let me score a goal.
27:00Give me the hope that we're going to stop playing interviews and play first.
27:03What happens is that...
27:05Look, believe me.
27:07You don't know the difference between a real kiss.
27:11A kiss with love.
27:13Passionate.
27:14A commitment kiss.
27:17You don't understand it.
27:18You're going to understand it.
27:19Goodbye.
27:20Wait, wait, wait.
27:22There's something special about you.
27:26Don't play with me, Armando.
27:27No, I'm not playing.
27:28Honestly.
27:33I want to thank you.
27:34Thank you for giving the yes.
27:37For adding to this madness of...
27:40of getting married.
27:42Football is my life.
27:44And I'm fulfilling my dream thanks to you.
27:49You put sugar in my life.
27:53And I don't know what a real kiss will be like, but...
27:57Having you on my team is really nice.
28:46I was wondering who was here.
28:49It's your daughter.
28:50Oh, Daddy Nilo.
28:56I came to eat something sweet.
28:57I was reading, trying to sleep, but...
29:00It's hard today.
29:02And you? Everything okay?
29:04Yes, fine, fine.
29:07Ramiro brought me here.
29:10And well, we had a very stressful day.
29:12Weddings are always like that, daughter.
29:16I remember mine with your mom.
29:19It was beautiful to see her walk to the altar.
29:23That moment is unique.
29:25It doesn't happen again.
29:27You know?
29:30Sometimes I think if I would still love myself like that day.
29:34Daddy, but why do you say that?
29:40Who could stop loving you?
29:45You are the most beautiful human being on the planet.
29:51Oh, daughter.
29:54Never doubt it.
29:57You are the best father in the world.
30:27All the time I'm thinking of you.
30:30Fulfilled dream.
30:32I will always take care of you.
30:34True love.
30:36I don't know how to stop loving you.
30:38We are watching Nina de Azúcar.
30:41Thanks to...
30:43New Ariel.
30:46Oh, darling.
30:47I sent you a video of a recipe.
30:49Yes, I downloaded it right away.
30:51That's having the fastest mobile network in Peru.
30:53Change the fastest mobile network in Peru
30:54to 0800 00200 or to enclaro.pe
30:59So, do you like Christmas?
31:01Oh, but you don't know what I like the most.
31:05Tasty, soft and...
31:09And fluffy.
31:11This Christmas, we are all panetontotus.
31:21What is up is down.
31:22What is up is down.
31:24What is down is up.
31:26What is inside is outside.
31:28And what is outside is inside.
31:38Your house...
31:40Is the one with giant windows.
31:43With the pool in the background.
31:45It's your trap.
31:47And also...
31:49Your husband's.
31:51If you continue there...
31:53If you continue there, he will leave.
31:56He will leave you.
31:58There roams the love of his past life.
32:05The arrival of the brave.
32:10Oh, no, it's Leandro.
32:12I move here.
32:13To your house.
32:14Here?
32:15I mean, here?
32:16Yes.
32:17Here with you.
32:18To your house.
32:21Stay with me.
32:22I can't live without you.
32:25Take me with you.
32:26It's the only thing I want.
32:45You do very badly.
32:47To elevate my tension.
32:50To crush my ambition.
32:53It's still like this.
32:54You'll see.
32:59I turn around.
33:01Much later than yesterday.
33:04I would wait for you again.
33:07I won't do it.
33:08I won't do it.
33:13Where is our error?
33:15Without a solution.
33:17Did you go with your father?
33:21Wow!
33:22And this cake festival?
33:26My wedding cake.
33:28Seven floors.
33:30I haven't slept all night.
33:35I knew you would be here.
33:36I saw your bed made.
33:39Don't sleep.
33:41And you, stay away.
33:43You know you're not lucky.
33:44Mrs. Emma, please.
33:45Don't start with that.
33:46That I save things.
33:47Because I'm going to believe it.
33:48Enough, please, both of you.
33:49Look, look.
33:50I'm going to do it for you.
33:51Even lie about Guille's luck.
33:54Oh, please, Nina.
33:56Go to rest.
33:57Listen to me.
33:58Look, I'll replace you.
33:59You?
34:00Yes.
34:01Grandma, I have to finish the cake.
34:02Please, give me some time.
34:03No, no.
34:04I'm done.
34:05Nina, please, please.
34:06Go to sleep.
34:07It's an order.
34:08Look, they're counting on you.
34:09Yes.
34:10Okay.
34:11Well, come on, come on, come on.
34:12Come on, little girl.
34:13Come on.
34:14I'll take care of the cookies.
34:15Don't go.
34:16Okay.
34:17Come on.
34:18Come on.
34:19Let's go.
34:20Let's go.
34:21Let's go.
34:22Let's go, let's go.
34:23Let's go.
34:24Come on, Alessandra, I'm going to tell you two things.
34:26One, our house is not cursed.
34:27Two, you can't move out here like this, out of the blue.
34:30Please.
34:31Ignacio, I'm not coming back.
34:32And you know me, you know that making me change my mind is a difficult battle.
34:36So, why don't you get us a nice apartment?
34:38We'll move there and we'll have a new home.
34:40Look, I know you're stupid, but I wasn't born yesterday.
34:42I know all this is about my daughter, right?
34:46Alejandra, I know that bothers you, but you need time.
34:49How ugly, Ignacio. How egocentric. It's a horrible defect.
34:53It's not about you. It's about me.
34:55About my needs. About my changes.
34:57Okay? So, tomorrow you're going to the wedding in silence, as we agreed.
35:01And for you to see that I do help you, tomorrow I'll be in charge of making your move here.
35:05With the others.
35:06Wait. Wait, wait, wait.
35:08Do you want me to move to your ex's house?
35:10Leandro is my ex.
35:12Nobody remembers that. Nobody remembers him in general.
35:15Actually, it's hard to notice when he's here.
35:17It's a people!
35:20I mean, people.
35:21How are you? Good?
35:23Let me see. Like this.
35:24Like this.
35:28Now you look like a neon sign, but normally.
35:31Well, then.
35:33Honey, are you moving here? With us?
35:35Yes.
35:46I don't know how to dance.
35:52Good morning to the godfather of the wedding.
35:58Are you okay, Angel?
36:00I haven't slept at all.
36:01Oh, I understand. I understand. But since yesterday, I've noticed a...
36:06Bad?
36:09I can't take it anymore, Mirta.
36:12Yesterday I saw you with Ignacio La Torre in a cafeteria.
36:17And I wanted us to talk.
36:19For you to tell me.
36:22To understand what was going on, but...
36:25You didn't tell me anything.
36:29So tell me now, Mirta.
36:33Is there something I should know about you two?
36:38Because it's not that I don't trust you, honey.
36:40I've never doubted you, you know that.
36:44But I don't like secrets.
36:50You're absolutely right.
36:54I'm sorry.
36:58It was Nina.
37:02Ignacio...
37:05He proposed to her to do the district's cake festival and Nina refused everything.
37:11Obviously it's for the woman.
37:14So he asked me to be the intermediary.
37:18I'm sorry.
37:20Oh, Angel, forgive me. I'm not like that.
37:23No, honey.
37:24No, I don't like it. I'm not like that.
37:26I know. Calm down, honey. No, forgive me.
37:28I would never hide anything from you.
37:29I know, Mirta.
37:30I would never hide anything from you.
37:32I would never cheat on you with anyone.
37:34I know, honey. I'm sorry.
37:36I'm sorry for treating you like that, honey.
37:38I'm sorry. I'm sorry, honey.
37:40I'm sorry.
37:54What's wrong? Are you crying?
37:57The wedding. Let it get exciting.
38:00Let's go, let's go.
38:03And you two cry quietly.
38:18I love you.
38:30I love you.
38:45Being a pet lover is making your pet part of your life.
38:49And that's why I take care of them with Atrevia 360.
38:52Atrevia 360 protects them against internal and external parasites.
38:56Atrevia. Pet lovers like you.
39:00A nourishing and healthy hair reveals the best of me.
39:03Pantene Intensive Treatments.
39:05With natural oils and pro-vitamins.
39:07Nourish, hydrate and repair deeply.
39:11For a healthier and fuller hair.
39:14Find the treatments at Sachet Pantene at just one Sol 50.
39:18On December 31, there will no longer be analog television in Lima.
39:25You know, if you like it, applause!
40:00You can enjoy your favorite shows by putting on a simple antenna.
40:04For any questions, check the instructions on this website.
40:08Every day, open television reaches more than 10 million Peruvians
40:13and accompanies them in their mornings, afternoons and nights.
40:16Open television, the magic of connecting us.
40:21This Tuesday, 24...
40:22They are very thin.
40:24400 grams of flour.
40:25That's right, that's right, that's right.
40:27You don't have to overdo it either.
40:28Well, well, well, it's fine, it's fine.
40:30Hey, and don't ask me to tell you a story,
40:33because it would be too fashionable.
40:36Well, a little while.
40:43Grandma.
40:45Stay a little while.
40:47♪♪♪
41:18In just 24 hours, you will wake up on the day of your wedding.
41:25The day you start a new life.
41:29♪♪♪
41:59♪♪♪
42:29♪♪♪
42:32Up, up, up.
42:33Today we have a girlfriend to comb and make up.
42:36So let's go.
42:38Protein breakfast of emotion.
42:42Protein? What is that, mom?
42:44Ah, they are shakes that Cesar gave me.
42:47The ones that Ramiro eats.
42:48Oh, like when he's in his future.
42:52And I take the same.
42:54But it doesn't have the same effect on you.
42:57And Cesar and Luis, yes, they do.
43:01No, no, no, no, no, no.
43:03Don't come in, you can't see the dress.
43:05I'm sure Mille sent it.
43:07No, look, I just want to talk to my future wife, please.
43:09Alone, if you can.
43:12Don't worry, I'm going to talk to him.
43:15Are you sure? Are you without pajamas?
43:16Yes, just a minute, nothing more.
43:19No, look.
43:20Don't go.
43:21Don't go.
43:22Don't look, don't look.
43:24No, no, no, no.
43:25I'm looking at him.
43:27Don't worry, little brother-in-law.
43:29But hey, good vibes.
43:33Jealous in the end.
43:35My brother.
43:44Did you come for that?
43:46I came to give you something.
43:54What is it?
44:00I also wanted to tell you something.
44:02Tell me.
44:05I know you have a heart, Ramiro.
44:07I know you care about other things,
44:09apart from your career and the gel you have on your hair.
44:14I know about the people in your neighborhood who go to school often.
44:18You visit the kids.
44:20You give them sports equipment.
44:22You tell them how important it is to take care of their health.
44:27I know you adore Simoncito.
44:32And that you tell Tomas about how to boost the family.
44:35I know everything.
44:38It seems like no one knows how to keep secrets.
44:42Love can't be hidden.
44:45That phrase is yours, isn't it?
44:47I read it a while ago.
44:52That's why I also wanted to give you this.
45:04It's beautiful.
45:08My grandmother also wrote.
45:11She loved to put into words what she felt.
45:15She said she felt free.
45:20That she could be whoever she wanted.
45:24It reminds me of you.
45:27And I feel that with you I can be whoever I want to be, too.
45:33I'm really bad at these things.
45:35I'm leaving.
45:36No, wait.
45:49I love you.
45:50I love you.
45:51I love you.
45:52I love you.
45:53I love you.
45:54I love you.
45:55I love you.
45:56I love you.
45:57I love you.
45:58I love you.
45:59I love you.
46:00I love you.
46:01I love you.
46:02I love you.
46:03I love you.
46:04I love you.
46:05I love you.
46:06I love you.
46:07I love you.
46:08I love you.
46:09I love you.
46:10I love you.
46:11I love you.
46:12I love you.
46:13I love you.
46:14I love you.
46:15I love you.
46:16I love you.
46:17I love you.
46:18I love you.
46:19I love you.
46:20I love you.
46:21I love you.
46:22I love you.
46:23I love you.
46:24I love you.
46:25I love you.
46:26I love you.
46:27I love you.
46:28I love you.
46:29I love you.
46:30I love you.
46:31I love you.
46:32I love you.
46:33I love you.
46:34I love you.
46:35I love you.
46:36I love you.
46:37I love you.
46:38I love you.
46:39I love you.
46:40I love you.
46:41I love you.
46:42I love you.
46:43I love you.
46:44I love you.
46:45I love you.
46:46I love you.
46:47I love you.
46:48I love you.
46:49I love you.
46:50I love you.
46:51I love you.
46:52I love you.
46:53I love you.
46:54I love you.
46:55I love you.
46:56I love you.
46:57I love you.
46:58I love you.
46:59I love you.
47:00I love you.
47:01I love you.
47:02I love you.
47:03I love you.
47:04I love you.
47:05I love you.
47:06I love you.
47:07I love you.
47:08I love you.
47:09I love you.
47:10I love you.
47:11I love you.
47:12I love you.
47:13I love you.
47:14I love you.
47:15I love you.