La Promesa Capitulo 491 Completo
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Short filmTranscript
00:00Belayo, why was my stepmother so interested in you coming here?
00:04What for?
00:05Her goal was for me to be as close to you as possible.
00:09She wanted me to seduce you.
00:13To take you as far away from here as I could.
00:15Whoever called had to expressly ask to be taken to the Palace of Promise.
00:19Besides, I'm convinced that that voice was that of Leocania.
00:22Well, I hope that for once, the lady is wrong.
00:26No, she already said it, Ignacio.
00:27That you were throwing me into the past.
00:29What happens is that I could never imagine that precisely she could reappear in my life.
00:36Catalina! Catalina! Catalina!
00:39Help!
00:40What's going on?
00:41A robber!
00:42Pass it.
00:43Wait here.
00:44We're going to take her to the room.
00:46Up, up, up.
00:48I would like you and me to get along very well.
00:51We should have started a long time ago, father.
00:54But it's better late than never, right?
00:56That's what they say.
00:57A lot of things are said.
00:59But for better or for worse, that train has already passed and I'm very sorry.
01:02But there is no other way.
01:04The first one, on the other hand, has backed off and set foot in Polvorosa.
01:07What do you know?
01:09I submit to the evidence, Manuel.
01:11Look, I think Hanna is no longer going back to the promise.
01:14The sooner you accept it, the better for everyone.
01:17I have given her the opportunity to compensate for my brother's death and she has rejected it.
01:21She is not going to marry you.
01:22She doesn't have to marry me.
01:24There is a way for her to pay for what she has done.
01:27What are you talking about?
01:29Eye for eye, tooth for tooth.
01:43You are with a married man.
01:46You are wrong, Mrs. Arcos.
01:48He is a widowed man.
01:50No, I'm not wrong.
01:52I have said what I wanted to say, Mrs. Darri.
01:55Married.
01:56The Duke of Carril has proposed a deal to me.
01:59But in the end I'm going to reject it.
02:02It was about entering the manufacture of cars.
02:05And that is a bold idea.
02:07As bold as it is risky and as things are, I prefer not to take risks.
02:12I'm going to the barracks.
02:14I'm going to be part of the Civil Guard.
02:16Surely they can help us find Hanna.
02:18I understand.
02:19There must be someone waiting for this letter.
02:22Look, there he comes.
02:34They have found a girl and it could be Hanna.
02:37Why didn't you talk to her directly?
02:39To get out of doubt.
02:40Because they have told me that she is unconscious and seems to be in a very bad state.
02:50I was already wondering that something bad must have happened to that girl.
02:54Lorenzo, do not advance events.
02:56We are not sure that Hanna is the girl who is admitted to that hospital.
03:01But they told you that she looked like her physically, right?
03:03For me it is clear.
03:05We just have to wait for confirmation, but I fear the worst.
03:09Father, Hanna has called.
03:12She was coming out the door when Lacayo came running to tell me that they had called.
03:16It was not exactly a call from Hanna.
03:19It seems that she is unconscious and seriously injured in the hospital of Villalquino.
03:23What?
03:24It did not have to be so abrupt, Lorenzo.
03:26Excuse me.
03:27In the army we are used to speaking loud and clear.
03:30What do you mean that she was unconscious and seriously injured?
03:32We still do not know if Hanna is the one in that hospital.
03:35They have reported that in their files there is a girl with a similar complexion,
03:40but no one has confirmed her identity.
03:43Okay, then I'm going to escape to Villalquino.
03:46I want to see that girl with my own eyes.
03:48Luckily I had the car ready.
03:49Wait, sir.
03:51We will let the driver know.
03:53In his nervous state, it would not be wise for him to drive.
03:56I think it's a very good idea, Romulo.
03:59Yes, you are right.
04:01Thank you, sir.
04:02Please pray.
04:03Hurry up.
04:13It is very unfortunate that you had to meet the secretary of the duke of Canel.
04:24I did not know that I was on the promise.
04:26I was caught off guard.
04:27But he has recognized you, which is very important.
04:29I'm not sure.
04:30Celo, calm down.
04:33Drink some water and tell us what happened.
04:38Thank you, Lope.
04:39But you found him face to face.
04:41Did he see you well?
04:42We even looked into each other's eyes.
04:43And how did he react?
04:45Well, that's the weird thing.
04:47In no way.
04:49He just took the letter that I gave him in the name of the marquis and left.
04:53Well, didn't he recognize you then?
04:55Of course.
04:56Dressed in the street and working in this palace, maybe he has not noticed who you are.
05:01But if I tell you that we are looking at each other.
05:04Because your face will sound to him, Marcelo.
05:06Just as other faces will sound to him.
05:09You will not be the only one he has closed deals with, calm down.
05:11Yes, that's true.
05:12We have all been looking at someone at some point.
05:15And then something else happened, as if nothing.
05:17That's it.
05:18That's how he identifies you if there is a world.
05:42Good morning.
05:45How do you feel, cousin?
05:47Much better.
05:51Jump to the sight.
05:53Yes, you have regained your color.
05:55On the cheeks.
05:56It's just that I'm so scared.
05:58You haven't told my father or my brother about my fainting, have you?
06:01No, no, no, of course not.
06:03Nor the marquis.
06:05You know that I wouldn't even take a breath to spread it to the four winds.
06:11The last thing I want is for them to worry about my ailments.
06:14They have enough with Hanna's disappearance.
06:18I see.
06:19Well ...
06:21Your health is also important.
06:23Yes, but I'm better.
06:25You don't have to be alarmed.
06:36What game are you playing with each other?
06:38What are you doing?
06:41It is obvious that you are hiding something from me.
06:44Don't be suspicious, Curroque.
06:46I'm perfectly fine.
06:47Yeah, and that's why you were looking at her like that?
06:49He hasn't looked at me in any way.
06:51He has looked at me as he looks at everyone.
06:54As he looks at you too.
06:55Come on.
06:58Could it be that you had an argument in the plaza?
07:00No?
07:01Is that it?
07:03Seriously, Martina?
07:04Don't you realize that in the state in which Catarina is, she can't get upset?
07:07Well, it's just that ...
07:08No, no, I'm sure it was an imprudent thing.
07:10Well, stop it, Curroque.
07:11Martina is not to blame for anything.
07:14It is true that the walk upset me, but it was not because of Martina, but because ...
07:19Because I had an encounter with Pelayo.
07:25Pelayo? That bastard was at La Promesa?
07:27No, he wasn't ...
07:28He wasn't at La Promesa.
07:29He was at ...
07:31Around the farm.
07:32Come on, look.
07:34At least he had a little decency.
07:36And I hope he came to remedy, in some way, the uproar he caused you.
07:42In reality, he only came to give explanations that no one ...
07:44No one had asked him, and then he went where he came from.
07:47It's just that he has the little shame of showing up here then.
07:50I'm going to make him pay for all the damage he's doing to you.
07:52No, Curro.
07:53Don't do anything.
07:54And don't even tell anyone that Pelayo has come, please.
07:58But, Catalina, someone has to stop him.
08:00Someone has to tell that bastard that he is not welcome at La Promesa.
08:03I already did it.
08:04Let him be.
08:06And I promise you that he is not going to set foot in this house anymore.
08:11And how are you so sure of that?
08:14Well, because the meeting we had was ...
08:16It was a point and an end in our relationship.
08:19It ended forever.
08:31Well, anyway, we don't gain anything if we keep turning this around.
08:35And we are not in that secretary's head to know if he has identified you or not.
08:39Well, no matter how important it is, he hasn't said anything yet.
08:42And he hasn't revealed your identity either.
08:44But what if he does?
08:45So what do we do?
08:46The only thing we can do is try to continue with our life.
08:49Of course.
08:50There is nothing else we can do.
08:56What were you talking about?
08:59Do you all have a face of jail?
09:03Is something wrong?
09:04Nothing that concerns you.
09:07But we are colleagues, Lope.
09:09Very well said.
09:10We are colleagues, not friends.
09:13Well, I did have something to tell you.
09:16The gentlemen have received news of Hanna.
09:21She has appeared badly injured and it turns out that she is quite serious.
09:26What happened?
09:28I don't have to give explanations.
09:31We are not friends.
09:34I'm sorry.
10:05What?
10:13Her goal was for me to be as close as possible to you.
10:17She wanted me to seduce you.
10:21To take you as far from here as I could.
10:24Her obsession was to get rid of you at all costs.
10:31So ours has been a lie from the beginning.
10:33No, no, no, Catalina.
10:34Please listen to me.
10:36Listen to me.
10:37It's true.
10:38It's true that it started in a deceitful way.
10:41But then I fell in love with you.
10:43I fell in love with you.
10:44My feelings were true.
10:46You can't doubt them.
10:48I can't?
10:49I can't?
10:51Are you listening to yourself?
10:55How could you make such a bad plan?
10:58I know and I wish I hadn't done it.
11:01But at that moment I was lost.
11:04You joined my stepmother to ruin my life.
11:06No, it's not that, Catalina.
11:08It's not that.
11:09I never wanted to hurt you.
11:32Oh.
11:43It's true that the gentlemen have received a somewhat disturbing call from the hospital in VillalquĆn.
11:49But Hanna is there.
11:51But then, is it true that she is badly wounded?
11:53Calm down, calm down, please.
11:55There is a girl there, in bad condition, but there is no certainty that it is Hanna.
12:00And then why did Santos tell us that?
12:02Because of a taste and a couple of bad words.
12:04Well, because maybe they are similar physical features, but no one has certified that it is our Hanna.
12:10I see.
12:11Well, that's more reassuring.
12:14Only half.
12:16Well, the worst thing is not to get mad, please.
12:18I understand that a driver is taking Mr. Manuel to that hospital.
12:23Yes, Mr. Manuel wanted to see the girl with his own eyes.
12:26Logical and normal.
12:28Oh my God.
12:29It can't be Hanna.
12:32If Mr. Manuel has not driven the car, it is because ... because things don't look good.
12:38But the girl they found is alive, right?
12:42Of course.
12:43That's why she's in the hospital.
12:45Otherwise ...
12:46No, ma'am.
12:47It's better not to venture.
12:49Let's wait and see what Mrs. Arcos tells us, who is talking to Mrs. Marquesa right now.
12:58What do you want, Petra?
12:59Well, I wanted to tell you about the rumors that circulate on the service floor.
13:03I hope they are worth it.
13:05They were related to Ms. ExpĆ³sito, ma'am.
13:09They say she has appeared from the VillarquĆn hospital.
13:12And it seems that Mr. Baeza was the one who told her.
13:16I don't know.
13:17I don't know.
13:18I don't know.
13:19I don't know.
13:20I don't know.
13:21I don't know.
13:22I don't know.
13:23I don't know.
13:24I don't know.
13:25I don't know.
13:26No one could have told you.
13:27And?
13:29Nothing.
13:30No one knows any more details.
13:31No one knows any more details because there are none.
13:34We'll only have more news when Manuel returns from there.
13:37I understand, ma'am.
13:38The only thing we know is what they told Marquez on the phone.
13:42And they couldn't even confirm the identity of the girl who entered.
13:45But I understand that the description matches Hanna.
13:49It would be very strange if it weren't for her, ma'am.
13:51My son is going to suffer a horrible pain.
13:54He will die of pain.
13:55He's young, and with time, he'll get better little by little.
14:02I suppose so.
14:04I also suppose that fate has wanted the problem with Hanna to be solved forever.
14:12A terrible one, but that's the way it is.
14:16As the saying goes, when the dog is dead, the anger is gone.
14:20That's right, because if, as they say, Hanna is so badly wounded,
14:25it wouldn't be strange where she's badly hurt.
14:29We'll soon find out, as soon as we see Manuel's face as he walks through the door.
14:34But it's not the first time he's faced such a loss.
14:38And yes, it will be a very hard blow, but he'll get over it, just as he overcame Mrs. Jimena's.
14:44I can't bear to see my son suffer.
14:47Sometimes, ma'am, it's not a bad thing if things don't go well.
14:51It's clear.
14:53It will be difficult to make Manuel understand.
14:56Well, it will be hard, but time ends up putting everything in its place.
15:04It's obvious that this solution, fallen from the sky, is better than I could ever imagine.
15:10Fate is a bit capricious, but this time it seems to have taken his side.
15:16Anyway, it's better not to raise the bells on the flight.
15:19For now, we'll have to wait patiently to see how the events unfold.
15:23Yes, we'll have to wait for your son to return to see how this all ends, as you said.
15:31That's right. You have to be prepared, Petra.
15:33I'll be alert.
15:35And when Mr. Manuel returns, we'll wait for his encouragement and act accordingly.
15:57Do you need help?
15:59No, thank you. There's no need.
16:02I know your arms are stronger than mine, but sometimes the strength is more important.
16:08Maria, I'm more than used to handling them alone.
16:11I know you handle them very well alone.
16:15But if you put this product on it, it's magic.
16:19And with a little splash, the stain comes off on its own.
16:24Although if you prefer to leave it on your knuckles, you can continue.
16:26Come on, I'll put the froth on you.
16:38What's wrong?
16:40What's wrong, Maria?
16:44In these cases, it's best to grab the bull by the horns.
16:47Maria, what happened in the shelter can't happen again.
16:54You mean the kiss?
16:56Maria, please, don't even mention it. I'm a man of God and under no circumstances would I allow that to happen.
17:01If it was all my fault, if I was the one who threw myself and didn't control my impulses ...
17:05But I saw you move away.
17:07Well, but you didn't have time because I was cheating on you.
17:09Stop it, Maria.
17:11Please, the important thing is that this doesn't happen again.
17:14You're right, I'm sorry.
17:18Don't worry.
17:22Besides, I don't want you to think that I'm going to kiss anyone,
17:28that I don't know what's going through my head.
17:30Come on, who would think of kissing a holy man like you?
17:33Well, Maria, I'm not a saint either.
17:36Don't exaggerate.
17:39I'm very sorry to have put you in such an uncomfortable situation.
17:44It was a lot of emotions that I lived in that shelter and I think I let myself be carried away by enthusiasm.
17:49And I apologize.
17:51I'm sorry, I'm sorry, I'm sorry, I'm sorry ...
17:53Stop it, stop it.
17:54I just need you to forgive me.
17:55I insist that if someone is guilty, it is someone, it is me.
17:59Maybe I abused too much of your generosity and gave rise to feelings that you have misinterpreted.
18:05No.
18:06You didn't abuse anything because it was all my fault.
18:09Only my fault and absolutely my fault.
18:11Well, let's leave this exchange of guilt, please.
18:13It doesn't make any sense.
18:15Well, it's true, it's a deaf fight.
18:19We leave it at that.
18:21We are both partly to blame.
18:23But the important thing is that this doesn't happen again.
18:27Don't worry, it won't happen again.
18:29I'm going to control my impulses.
18:35And I just ask you not to punish me by moving away from the shelter.
18:38I wasn't going to do it, Maria.
18:40It would be a greater punishment for those who live there.
18:44They have taken a lot of affection from you and Antonino would die if he didn't see you again.
18:50So can I keep helping you?
18:52Of course.
18:55For not knowing the illusion you make of me.
18:58And I swear to you, for the most sacred, that this will not happen again.
19:02I know.
19:06Friends?
19:08Friends.
19:35But you have said that you are still not sure that that poor girl is Hala, right?
19:48Yes, the truth is that the identity of that girl is still unknown.
19:53Well, we grab that burning nail, no matter how much it burns.
19:57Yes, but the description of the girl does not leave much room for doubt.
20:03Oh my God.
20:04Well, we'll have to trust.
20:06Young people at that age all look more or less alike.
20:09Yes, but you know many young people who may be confused with Miss ExpĆ³sito.
20:15Well, I think that despite the bad omens, hope must be maintained.
20:19Yes, they say that it is the last thing that is lost.
20:23But in this case, at least I have already lost it.
20:27Because a young woman appears who physically coincides with the description of Miss ExpĆ³sito.
20:34And at the same time, she has been missing for days and no one knows where she is.
20:40Blank and in a bottle, as they say.
20:45Well, maybe the girl they have found will recover soon, whoever it is.
20:49Well, it would be a miracle.
20:51Because, as Mrs. Marquesa told me, the young woman arrived very badly injured at the hospital.
20:58And right now she is unconscious and on the verge of death.
21:02My God, what a shock.
21:04What happened to that boy?
21:06Didn't Mrs. Marquesa tell you anything else?
21:08No, I don't know anything else.
21:10As soon as I have more news, I will inform you all.
21:14And now, continue with your tasks.
21:21Yes.
21:40Teresa, for God's sake, but you are doing it backwards.
21:45Hello, Teresa.
21:46Can you do me a favor? I have to put two buttons on this jacket of Mr. Curro
21:50And you know how bad I'm going to get?
21:53Yes, but you'll have to wait.
21:55I did the bend wrong.
21:57Did it go wrong or what?
21:59Well, yes. I have my head in a thousand things. I'm completely out of focus.
22:04That's why they told us about Hanna, right?
22:07As much as Mrs. Arcos insists, I don't think that girl who debates between life and death is her.
22:13Well, we have to keep believing until reality shows us otherwise.
22:18But that's not all I'm worried about.
22:21It's also about you.
22:23About me?
22:24Yes, Marcelo.
22:26I can't get my head off the meeting you had with the secretary of the Duke of Carril.
22:32But didn't you say we had to act normally, as if nothing happened?
22:35Well, I don't know anymore.
22:37I think all this is getting out of hand.
22:39All I can do is apologize for exposing you to something like this.
22:43I don't know what to think anymore, Marcelo. I feel deceived.
22:46I swear I've told you the whole truth.
22:48Yes, you also told me the truth when you told me you had killed a man in a fight.
22:53And that was a very serious crime.
22:55But at least you could claim that it was self-defense.
22:58But all this is very dangerous, Marcelo.
23:00I know.
23:01And those people are very important.
23:04How could you not tell me?
23:06Forgive me, Teresa.
23:08You have no idea how many nights I've been thinking about this matter.
23:11Unable to reconcile the dream.
23:12And why didn't you share it with me?
23:14Because you know that I was aware of the seriousness of this matter.
23:18And you didn't want to expose yourself or worry about it.
23:21Which has ended up happening.
23:23And how do you want me to react?
23:25I understand your concern, but I've tried to avoid it until the last moment.
23:28Well, you've had many ways to avoid it.
23:30I didn't know how to react.
23:32Besides, what would you have gained by knowing the truth, Teresa?
23:35Marcelo, the truth is the truth.
23:37You don't have to gain or lose anything to deserve it.
23:39I was afraid, okay?
23:41Those people are very dangerous.
23:43They make very civilized gentlemen.
23:45But only facade.
23:47Their cruelty has no limits.
23:49And I didn't want you to become a victim of them, okay?
23:51I already know that they are very dangerous people.
23:53And that is precisely why the daughter of one of them had to flee her home
23:57and come to La Promesa to work as a maid.
23:59That proves you more than what I'm telling you.
24:03Is there anything else you're not telling me?
24:07Because if so, Marcelo,
24:09I beg you to do it.
24:11No, Teresa.
24:13I swear I've told you the whole truth.
24:22Since I see you with that scarf,
24:24take advantage and put some sheets in the owner's room.
24:27Very well, Mr. Arcos.
24:29And try to bother her as little as possible.
24:31Because she is very affected by the call from the hospital in Villalpino.
24:34I will be exquisitely careful, Mr. Arcos.
24:36Don't worry, if you allow me.
24:39And don't ask about Ms. ExpĆ³sito.
24:42Because until Mr. Manuel returns, we won't know anything new.
24:47So just leave the scarf and the sheets.
24:49Very well, I'll do that.
24:51By the way,
24:52have you already made any decisions about the matter I mentioned?
24:58What do you mean?
25:00About the husband?
25:02Mr. Pellicer?
25:03No.
25:05Wow.
25:06I can see that you are not worried about
25:08maintaining relations with a married man.
25:11Although the truth coming from you, I don't know.
25:13Why am I surprised?
25:14You have always had a very lax attitude
25:16with morality issues.
25:18It's okay, Mr. Arcos.
25:22Do you know what they call women who are with married men?
25:25I've said enough.
25:26I can see that it bothers you that I tell you the truth face to face.
25:29What bothers me is that you invent things.
25:32Look, Mr. Arcos, I know you very well.
25:34And I know that everything that comes out of your mouth
25:35has only one goal,
25:36which is to bother me and laugh at me.
25:39As if I had nothing better to do than waste time with you.
25:42I'm very sorry, but this time you have stabbed me in the neck.
25:44And I'm not going to believe your lies,
25:46nor am I going to lose my papers.
25:48It is clear that there is no one more blind than the one who does not want to see.
25:51And you have a blindfold.
25:54If you are so sure that I'm cheating on you,
25:56why don't you ask your boyfriend to see what he says?
25:58You just have to mention your wife.
26:01Oh no, your wife is dead.
26:03Yes, a very alive dead, as far as I understand.
26:05Let's see how Mr. Pellicer reacts when you ask him.
26:08Mr. Arcos, I want one thing very clear.
26:11I'm not going to let anyone, and that includes you,
26:14tell me what I have to do.
26:16And much less get involved in my relationship with Mr. Pellicer.
26:34I'm going to send a maid upstairs
26:36to bring Miss Catalina a piece of apple pie,
26:39which has been very tasty, Lope.
26:41Well, yes, at least she enjoys it, because the gentlemen haven't even eaten it.
26:44My stomach is closed because of so much disgust.
26:47Lucky that Miss Catalina, no matter how much disgust,
26:50always has a hole for a candy.
26:52And she does very well. Sugar always lifts the mood.
26:55What worries me is that Mr. Manuel has not given news
26:59from the hospital in VillalquĆn, right?
27:01Yes, the truth is that I could have called
27:04to calm my nerves a bit.
27:06And I don't know what such modern advances are worth
27:08if when they are really needed, they are not used.
27:11The truth is that it would not have been wrong to hold a telephone conference.
27:14The bad news, the sooner it is known, the better.
27:17Because that way the body is getting ready.
27:19The maid is here.
27:20Yes, Mrs. Candela, don't be sad, don't lose hope.
27:23Also, if it was Hanna who is in the hospital,
27:25I'm sure she would get through.
27:27She is a very strong girl.
27:28Yes, yes, she is strong.
27:29But I prefer that it is not Hanna, really.
27:32And that everything remains in a terrible confusion.
27:35Well, let's see if she appears soon.
27:36Mr. Manuel no longer clears these black clouds.
27:41Mr. Baeza, do you have any news?
27:45No, we still don't have news from Mr. Manuel.
27:48But hey, I interpret that as something positive.
27:52Because it is already known that the bad news
27:54always run more than the good ones.
27:57That's true.
27:58You are very wise, Mr. Romulo.
28:01By the way, if I have come, it has been to convey a message from Miss Catalina.
28:05Precisely, right now I was going to send you this piece of apple pie with a maiden.
28:11Because I think she is not very Catholic.
28:13Well, you will be able to check it with your own eyes.
28:16Is Miss Catalina going down to the kitchens?
28:18No, but she asked me to prepare a little meeting with her in my office.
28:22Really?
28:23I have a face of chance.
28:26Well, come on, also prepare a cup of tea for her.
28:29And so I take her the complete snack.
28:31Of course, Miss Simona, right now.
28:33I'm going to get a flag.
28:48Who do I have to shoot?
28:51The clueless who asks.
28:54Me?
28:55But I just threw it.
28:57Yeah, and then I threw it and now it's your turn again.
29:04You don't look very focused on the game.
29:06I've only lost my mind for a moment, that's it.
29:09Well, don't worry.
29:11Can I tell you a secret?
29:16I also have my head elsewhere.
29:19Well, then why are we playing cards?
29:22If none is pending.
29:25I don't know how that call went.
29:27Is there any news about Manuel?
29:29The girl who is badly injured in the hospital is Hanna.
29:31I'm sorry, I can't ease your concern.
29:33I have tried to contact the hospital in Villalquino,
29:36but the operator says that the line must be blocked because no one answers.
29:40Problems only attract problems, they are like a magnet.
29:43I'm really praying that poor thing is not Hanna.
29:46No, I find it incredible
29:48that we haven't had any news since this morning's call.
29:52What if something has happened to Manuel?
29:56No.
29:57I'm going to Villalquino right now.
29:59Curro, calm down, don't rush.
30:01Aronso, we have no news.
30:04This way we would get out of doubt.
30:05Or you will add a new concern to all we already have.
30:08No, but don't worry about that.
30:09I'm going and I'll be back in a moment.
30:10Manuel said the same thing and he hasn't returned.
30:13Villalquino is a long way from here.
30:15If that's true, Curro.
30:18Besides, in the time it would take you to get to the best, Manuel is already back.
30:21Yes, Uncle Alonso is right.
30:23It makes no sense for you to stand there and not get anything.
30:26What we have to do now is stay calm
30:28and stay in the palace in case he wants to contact us.
30:39I can't stand this uncertainty, man.
30:42To think that my sister was missing
30:45and that now she could be badly injured or even dead.
30:49No, Curro.
30:50We don't know anything.
30:52Please, you have to trust.
30:55What if ...
30:57What if I never see her again?
31:00I couldn't stand that.
31:01But you don't even have to think about that.
31:04Really, it's not going to happen.
31:06It's Hanna.
31:08Curro, she's going to get out of this.
31:11It's a lie that you don't know her.
31:14Have faith.
31:15Please, I have it.
31:30It shows that you had accumulated hunger.
31:33And that you have not eaten for days.
31:36I don't like salty food, but ...
31:39This cake is irresistible.
31:41Yes, it is.
31:44You do it even with your eyes closed.
31:46I also close my eyes of pleasure when I finish it.
31:50These sweets give me life, Simona.
31:54Oh, how nice it is to see you here.
31:59It's a shame I can't go up to visit you in your chambers.
32:02I would love to.
32:03I hope so.
32:05Yes, you know how Mrs. Marquesa gets when she sees us cooks on the noble floor.
32:10Yes, I'm a basilisk.
32:13That's why I usually go down to the service.
32:16Which is not a bad solution, really.
32:19Even if it's in this place, in the office of the mayors.
32:24Yes.
32:25Yes, I asked Romulo to lend it to us for a while because ...
32:29I need privacy to tell you something.
32:33I mean, you have to tell me something serious.
32:37I don't know, it was very strange for me to be summoned here, to the office of the mayors.
32:42Well, tell me, miss. I'm ...
32:46I'm all ears.
32:51Yesterday I had an indisposition and it was not fortunate.
32:57It was because of the tension that accumulated because ... because I had a meeting with Pelayo.
33:05That bastard has been here.
33:09Well, the bad is done.
33:12But it's always good if he has repented, even if it's late.
33:15No, the point is that he has not repented and he has no intention of trying again.
33:22And what did he want, that shameless?
33:27He was still ...
33:30He was still hiding a lie from me.
33:33The worst of all.
33:38Oh miss, what are you going to tell me now?
33:42Well, it's so horrible that ...
33:45that I need to forget it so as not to ... so as not to lose my sanity.
33:51Take a deep breath, miss.
33:54And take out all that pressure you have there in your chest that is oppressing you.
34:00He did not come to the promise invited by my father as I thought, but Cruz ...
34:06moved the strings for him to come here.
34:10Oh, the Virgin.
34:12What has that woman done this time?
34:15I'm afraid it's no good.
34:20Miss.
34:22If you don't want to keep talking, we'll leave it here.
34:24No, no, it's just that ...
34:26I need ... I need to tell you. I need to tell you.
34:31Okay, well, tell me.
34:34Let go of all that you have in there.
34:37You know that I ...
34:39I will always listen to you with all the love in the world.
34:42I know.
34:47Come in.
34:50Mr. Arcos, Mr. Baeza told me that you were looking for me.
34:55That's right.
34:57Take it.
34:58It is a letter for the modistor, Mrs. Marquesa.
35:01It contains instructions on some models that the Marquesa has in mind for this winter.
35:06And I guess I'll have to take it to the box office.
35:08As soon as possible. That's why I asked to be called to you.
35:11I don't trust the rest of the lackeys.
35:14Well, thank you for your trust, Mr. Arcos.
35:16I know you're going to be focused.
35:20And everyone is here like a headless chicken waiting for that call from the hospital in Villalquino.
35:24It is true that nothing else has been said in the service area.
35:28Any excuse is good to stop working.
35:33Don't worry, I'll do it as soon as possible.
35:40Santos, are you also in Bavia?
35:42Why are you standing here now?
35:45I wanted to ask you something, Mr. Arcos.
35:49Go ahead, ask.
35:52Do you know if Mrs. Marquesa already has news about the research I was going to do about my mother?
35:57It's just that it's taking too long.
36:01No.
36:03But you must be more patient, Santos.
36:06You know that the lady promised to inquire and she never breaks her word.
36:11But you have to make an effort to do the part I ask you.
36:15Yes, Mrs. Petra, but you know that I can't stand my father.
36:18Yes, but if you don't do your part, what do you expect us to do?
36:26Okay.
36:28And one last thing.
36:31Coming here, I have crossed paths with Mrs. Pia.
36:33And she has looked at me in a rather disturbing way.
36:37Impertinent.
36:39Do you know if something has happened to her that I have not found out?
36:42Has she looked at you?
36:44No.
36:45No.
36:47If she has looked at you in a strange way, it is possibly because lately she has been tense.
36:52Like everyone here.
36:54Lately, everyone has been very tense.
36:57Yes.
36:58Yes, it is true that lately too many things happen in the promise.
37:02Come on, make that letter to the modist.
37:04That some of us have the obligation to be efficient and stop complaining.
37:10I will do it as soon as possible, Mrs. Arcos.
37:23Well, I thought that woman had already destroyed me with ...
37:27with all the scandal of the cartoons that were published in the press.
37:32Yeah.
37:33With that woman you can't lower your guard.
37:36You should already be tormented.
37:38I know.
37:39I know and she did it again.
37:41She destroyed me again, split me in two.
37:46Cruz brought Pelayo to the promise with the intention of making me fall in love and ...
37:49and take me away from here.
37:55Conde DaƱil has never been in love with you.
37:59It was all a lie.
38:02He says that over time he loved me, but I no longer know what to believe.
38:06I can't believe his lies.
38:09It's a trap.
38:11It's the most humiliating thing they've done to me in my life, Simona.
38:13No, miss.
38:15The only humiliating thing here is the bad behavior of Conde DaƱil.
38:19And you ... you don't let yourself be dragged down by that man.
38:23No, miss.
38:25You know that Catalina is strong and confident of herself.
38:29Like you have always been.
38:32Well, yes.
38:34Well, yes, you're right.
38:38The lamentations are over.
38:40I'm not going to cry anymore.
38:42I'm not going to shed a single tear for that man.
38:45You don't deserve them, miss.
38:47And the Marquise even less.
38:49That's right.
38:50And it's not wrong for him not to come.
38:53What do you want to tell me now?
38:55What do you want to tell me now?
38:59Well, the conversation with Pelayo was like ...
39:02like cauterizing a wound with hot iron.
39:06It hurt, yes.
39:09But it's closed.
39:25It's closed.
39:27It's closed.
39:53I heard the car and I came running.
39:58Manuel, tell me that the girl in the hospital is not Hanna.
40:02Please.
40:14She had the same complexion.
40:17They were both young and blonde, but ...
40:20It wasn't Hanna.
40:24Are you sure?
40:26There is no possibility of error, right?
40:29I know her perfectly.
40:32Her look.
40:34The touch of her skin, her smell.
40:36I assure you that there is no chance of error.
40:43That girl ...
40:46was in a deplorable state.
40:50And what had happened to her?
40:53I don't know, but luckily it wasn't her.
40:56Well, whoever it is, let's hope she recovers.
41:03Manuel, you have no idea how worried we were here at La Promesa.
41:07Well, imagine how I was.
41:11Well, you don't look very relieved.
41:15At first I was.
41:18When I saw that it wasn't Hanna, she was like you.
41:21But ...
41:24Then I realized that the problem persisted.
41:27We are still at the starting point, Curro.
41:29Hanna is still missing and we have no idea where she could be.
41:33Yes, it's true.
41:36But Manuel, that girl in the hospital is not Hanna.
41:39It's ... it's a little balsam.
41:41Yes, it mitigates some of the anxiety, but it doesn't cure it.
41:43I know.
41:45Manuel, please, give yourself a little break.
41:49Yes, enjoy this good news and ...
41:52and we'll start looking for Hanna again.
42:00Besides, I don't see you very well. Have you eaten anything?
42:03No.
42:05Manuel, the main thing is to have a full stomach to be able to have a clear mind.
42:10I appreciate it, Curro, but I'm not hungry.
42:12Well, I'll ask for a cold drink so you can recover.
42:15It's not necessary.
42:17Yes, it is. Listen to me.
42:19Because after the cold drink you will see everything differently, I assure you.
42:23Okay.
42:25I'm going for it.
42:47I'm going for it.
43:00Mrs. Darre.
43:02What a joy to see you here.
43:05Please, have a seat.
43:10Well, I understand by your gesture that it is not a visit to have a rest,
43:16but something to do with work, right?
43:18That's right.
43:20Ricardo, do you know if Santos has brought a letter to the post office?
43:23A letter from Mrs. Marquesa to the modist.
43:25Should I have done it?
43:27Well, I was in charge, but Mrs. Arco was ahead of me.
43:30I understand.
43:31I mean, I don't want to have problems with her, but that's up to me, right?
43:34Sure, sure. Well, you are the personal maid of the Marquise.
43:37Indeed.
43:39Well, now that you mention it, the truth is that I did see Santos leave a while ago.
43:43It is very possible that he went to Tafeta.
43:46It's been a strange day.
43:48We are all very upset with the disappearance of Hanna.
43:51Even Mrs. Marquesa, although she says no.
43:54Yes, you are right.
43:55The call from the hospital in VillalquĆn has affected us all a bit.
43:58That's right.
44:00And I suppose you are also very worried about your friend Hanna.
44:03Which is understandable.
44:05Yes, yes, I am.
44:07Although, if I'm honest,
44:10well, there is something else that ...
44:13that has me very confused.
44:16Ah, well, what is it about?
44:18Because maybe if you tell me, I can help you.
44:20Yes, yes, you can, yes.
44:22Look ...
44:25It would help me if you told me the truth.
44:28About your wife's death.
44:34But why are you so interested in knowing it?
44:37Because they told me that Ricardo is alive.
44:40And I want to know the truth.
44:42What?
44:43Ricardo, if your wife is alive, you would not be a widow.
44:46You would still be married to her.
44:48Who told you?
44:49That doesn't matter, I want to know if it's true or not.
44:51No, no, who told you?
44:55Mrs. Arcos.
44:57Well, I've already told you.
44:59And now tell me the truth, please.
45:04You have nothing to add?
45:06I told you that woman is poison.
45:07And that she can't stand seeing us happy and together.
45:09That doesn't answer my question, Ricardo.
45:12What do you tell me about your wife?
45:14That she has been dead for years.
45:36No.
45:55Ana, it's you.
45:57It's not a dream.
45:59Ana, it's me.
46:07No.
46:08No.
46:09No.
46:10Well, I've been talking to SimĆ³n before I came.
46:13And he has helped me a lot to talk to her.
46:15He always has good advice.
46:17Yes, he always knows what to say.
46:20The truth is, yes.
46:22Well, I'm very happy that you have decided to take a walk with me.
46:29My confinement is over and my grief is over.
46:34Yes, I see you much more whole.
46:38I've always been a whole woman.
46:41I think I was wrong when I thought I needed to complete myself with Pelayo.
46:47And I like to see you like that.
46:50I'm not going to shed a single tear for someone who doesn't deserve them.
46:56And you don't know how happy I am to notice you with such firm determination.
47:01Well, yes.
47:02Firm as a rock.
47:06Pelayo is history.
47:09And I'm not going to let the memories of a man make me bitter for the rest of my life.
47:16I hope so.
47:18It is.
47:21Someone once told me that every grief has its number of tears to cry.
47:28That sounds familiar.
47:30Simona's advice.
47:32Right?
47:33Maybe, yes.
47:36That woman always has great eloquence.
47:39Great eloquence, but accurate.
47:43The thing is, I've already cried everything I had to cry for Pelayo.
47:47And it's not a phrase made up.
47:49It's a firm decision.
47:52Does that mean you're going to stop reading the cards of that man over and over again?
48:01That's impossible because I've broken them into a thousand pieces.
48:04There's not a single word left.
48:06What? Catalina?
48:08Catalina, you don't know how proud I am of you.
48:11Really.
48:13I love to notice you with that confidence in yourself.
48:17That I should never have lost.
48:19That I should never have lost.
48:24You've always been a role model for me.
48:26Come on, don't exaggerate.
48:27No, I'm serious.
48:30I've always admired that intelligence, that independence,
48:35that drive to face the things you don't consider fair.
48:41Well, given the recent events, I don't think I'm a role model for anyone.
48:49I'm going to submit to public scorn for being a mother without a partner.
48:54No, don't be silly.
48:57You've always known how to behave, even in the worst moments.
49:02And you'll always be a beacon for me.
49:19I love you.
49:50I promise I'll never leave you again. I promise.
49:58I promise I won't let you feel alone again.
50:04Never.
50:06Well, it's my duty to tell you that Mrs. Marquesa was very worried when she received your visit.
50:12Well, thank her for my concern, but tell her it's not necessary.
50:18That as soon as I find it appropriate, I'll go see her.
50:22Tomorrow, as soon as she's better, she'll be able to resolve all her doubts without any problem.
50:27What do you mean tomorrow? After all the anguish we've felt for her?
50:30Do we have to wait until tomorrow?
50:32The least we could do was to apologize to her as soon as we get there.
50:34Why are you so afraid to come into my bedroom?
50:37MarĆa, I didn't know it was your room.
50:39And, of course, if you don't tell her, it's because ...
50:44Being ... being a priest ...
50:48I want you to keep an eye on her closely.
50:50And that she doesn't take a step inside or outside the palace without me knowing.
50:53And above all, if she sets foot in the service area, I want you to inform me as soon as possible.
50:59Since she was so close to me these days ...
51:01Yeah, and you made it clear to me what your position was.
51:04Yes, but she doesn't pretend that things are solved overnight.
51:08I was ... obstinate.
51:10Are you uncomfortable because he's here? He can come at another time if he wants.
51:14No time is good, Hanna. I don't know if I explain myself.
51:17Hanna, Mrs. Marquesa has forbidden it and you are going to look for a real problem.
51:21And another one for us.
51:23Well, if I tell him to shut up.
51:25If he doesn't marry the count, that boy will always live with the stigma of being a bastard.
51:29I have run out of arguments.
51:31He's going to listen to you.
51:33We have to get him to change his mind for his own good and for his son's.
51:37It wasn't hard for him to forgive your absence, right?
51:40Well, luckily we were able to clarify some things.
51:42I'm glad.
51:43Although, unfortunately for you, I am much more resentful than my son.