• il y a 2 mois
Transcription
00:00:00Battle Royale
00:00:10Help! They're shooting!
00:00:12Take cover!
00:00:13Have you gone mad!?
00:00:15Stop shooting with your bullets!
00:00:26Finally...
00:00:27It's over, thank God.
00:00:30Oh, hello people. Did you just hear that?
00:00:33That must have been the gangsters of Big Boy.
00:00:36They have eradicated a few of their opponents again.
00:00:40I tell you, you are no longer safe in this city.
00:00:43The gang wars are getting worse and worse.
00:00:45And the worst of all is Big Boy.
00:00:48He has set his mind to becoming the top gangster boss in this city.
00:00:52And he is on the right track.
00:00:56Just listen to the headlines that were to be read recently.
00:01:00Underworld money entry Barbarachen.
00:01:02This afternoon both arms of an older newspaper dealer,
00:01:04when he refused to share his weekly income with him.
00:01:07Stacks of newspapers were thrown into the gutter,
00:01:10when the mobsters devastated his booth and shortly after the escape.
00:01:14The amount of daily passers-by was paralyzed by the suddenness of the crime.
00:01:18Not a hand of the protest was raised.
00:01:20It is called organized crime.
00:01:23In the eyes of his terrified customers,
00:01:25today the popular owner of a shoe-cleaning booth,
00:01:27of whacks that have to be attributed to organized crime,
00:01:30had his knees crumpled.
00:01:32He paid a high price for his refusal to comply with the demands of the syndicate.
00:01:36A mother of four children, who was not to be blamed for her game,
00:01:39lay in the clutches of death tonight.
00:01:41Underworld killers left her fate in a bloodbath
00:01:44and served at the cash register of her son's car.
00:01:47Without warning, the gangsters opened fire
00:01:50and drove away in their escape car.
00:01:52Yes, I think that's enough.
00:01:54As I said, behind all these bloody acts is Big Boy.
00:01:58He is really not afraid of anything.
00:02:00I heard that he even bought the prosecutor
00:02:04and therefore never comes behind bars.
00:02:06In any case, I am sure that he is behind the shooting just now,
00:02:10where I almost got a bullet.
00:02:13By the way, there were five deaths.
00:02:15Although all criminals,
00:02:17but I think murder remains murder.
00:02:21If something serious happens soon,
00:02:23you can no longer trust the street.
00:02:26There is only one man who may be able to do something against Big Boy.
00:02:31The police officer, a la police officer,
00:02:34Dick Tracy.
00:02:50Hello, men.
00:02:52Tracy, Tracy, Tracy is here.
00:02:54Tracy, we are very happy that you are here.
00:02:56Tracy, whoever the boys are, they are all dead.
00:02:58The murderers took all the papers from him,
00:03:00but not a damn coin.
00:03:02Big Boy Caprice.
00:03:04Tracy is under control as Big Boy.
00:03:06What is the right thing to do?
00:03:08We already have an excellent police chief.
00:03:10When do you remove this old man?
00:03:12I'm a police officer, Charlie.
00:03:14I won't let myself be degraded.
00:03:16Hey, McNally.
00:03:17Hey, McNally.
00:03:19Big Boy would have the law out of power.
00:03:21I'll never get anything against him.
00:03:23Don't worry about that, Tracy.
00:03:25You'll get Big Boy.
00:03:26Big Boy terrorizes everything,
00:03:27and they want to put me behind a desk.
00:03:29But they believe in you, Tracy.
00:03:30They think if you were the police chief,
00:03:32then the city would be safe.
00:03:33To get me behind a desk is about as likely
00:03:36as me looking for a new girlfriend.
00:03:38Even Chief Brandon thinks you would be a fable on the police chief.
00:03:41A desk job.
00:03:42But Tracy, do you think sitting behind a desk
00:03:44is only for people who want to be safe?
00:03:46If you didn't risk your neck every night,
00:03:48then you could have a real marriage.
00:03:50I mean, a real life.
00:03:51Nobody puts Big Boy Caprice behind Swedish curtains
00:03:53by sitting behind a desk.
00:03:55Tracy, you said you'd take the day off tomorrow.
00:03:59Come on.
00:04:02Tracy.
00:04:03Of course.
00:04:06Hey, kid.
00:04:07What's the hurry?
00:04:08Where are you going?
00:04:09Keep calm.
00:04:10Hey, stop!
00:04:11Hey!
00:04:12Stop it!
00:04:13Hey, kid.
00:04:14Stop it!
00:04:15You're going to get me!
00:04:16Hey, come here!
00:04:17Did you steal his watch?
00:04:20Stop it, kid.
00:04:21You're making a mistake.
00:04:23It's just a watch.
00:04:24That's why you don't want to get yourself into trouble.
00:04:29Hey!
00:04:30What are you going to do?
00:04:31Are you going to kill yourself?
00:04:33Be careful!
00:04:35You're going to hurt yourself!
00:04:41But the boy ran and ran.
00:04:43In a reckless maneuver, he crossed the rails right in front of an approaching train,
00:04:48so that Tracy lost sight of him.
00:04:51With the stolen watch in his hand,
00:04:53he went to an old, tiny hut and finally disappeared in it.
00:05:03What did you pick up?
00:05:05You didn't leave me anything from the chicken.
00:05:07Show me the stuff.
00:05:09Is that all?
00:05:10Yes.
00:05:14You're a tough guy, aren't you?
00:05:15Do you want to try it with someone of your weight class?
00:05:23Maybe we should go in front of the door.
00:05:28Okay, tough guy.
00:05:29Are you going to give the boy something from the chicken now?
00:05:33There's a nice place for people who beat up children.
00:05:35Is this shit your father's?
00:05:37He has me on his elbow.
00:05:41Well, that's what Tracy got out of it.
00:05:44The boy wasn't exactly grateful that Tracy had guarded him from the beating of this guy.
00:05:50But let's turn to completely different people and a completely different place.
00:05:57The gangs that were killed at the shooting earlier
00:06:01belonged to the gang of Weichlippe,
00:06:03one of Big Boy's fiercest competitors.
00:06:07Weichlippe ran a club, the Ritz Club,
00:06:10where, of course, mainly illegal gambling was held.
00:06:15One of his attractions in his club was also a singer,
00:06:19Miss Mahoney, also known as Little Hazel.
00:06:23An extremely attractive blonde,
00:06:25who you could rightly call a race.
00:06:28Little Hazel had just finished her performance
00:06:30and went to the table where Weichlippe was sitting
00:06:33and his oyster was slurping
00:06:35when one of his gorillas appeared.
00:06:38Bad news from the garage, boss.
00:06:40We were there and blew them all away.
00:06:42Our men are getting pretty nervous.
00:06:45Champagne, Miss Mahoney.
00:06:47Little Hazel, that was enchanting as always.
00:06:51I'm so happy that you're here.
00:06:53I'm so happy that you're here.
00:06:56I'm so happy that you're here.
00:06:58Do you mind if I go now?
00:07:00Why?
00:07:02I'll get sick when I see you eat.
00:07:04That wasn't the case before.
00:07:06You weren't such a baby then.
00:07:08Your obedience is real.
00:07:09Weichlippe, a racist, the bull!
00:07:12Weichlippe Manlis, you're under arrest
00:07:14for the possession and operation of his gambling club.
00:07:16Yes, where I'm arrested.
00:07:17Here, let's go.
00:07:18You too, little hazel.
00:07:20I didn't gamble, I'm a singer here.
00:07:23Get in the car.
00:07:24Little hazel?
00:07:25Those aren't bulls!
00:07:28Hey, Weichlippe.
00:07:29Hello, little hazel.
00:07:31Let's go.
00:07:40Weichlippe had fallen for a very nasty trick.
00:07:44As he had already recognized,
00:07:46it was by no means the bulls
00:07:48who had taken him hostage,
00:07:50but the killer of his opponent, Big Boy.
00:07:53They drove with Weichlippe and little hazel
00:07:55down to the port
00:07:56and brought them to an old warehouse.
00:07:59Once there,
00:08:00they forced Weichlippe into a wooden box,
00:08:03then put him on a folding door over the water
00:08:06and then slowly let liquid cement
00:08:10run into the box.
00:08:12Shocked,
00:08:13but still surprised,
00:08:15little hazel observed what was happening
00:08:18when Big Boy suddenly appeared in person.
00:08:24Oh, look what you've done.
00:08:26The beautiful smoking is dirty.
00:08:28Big Boy, we're buddies.
00:08:30No buddies in this business, Weichlippe.
00:08:32You taught me that.
00:08:34Sign this.
00:08:35I'm supposed to hand over the club to you?
00:08:37Exactly.
00:08:38I'm starting a show business now.
00:08:42This scum, Weichlippe.
00:08:44You need a beard.
00:08:46Not the beard.
00:08:47Not the beard, Big Boy.
00:08:48Not the beard.
00:08:51Big Boy, we're buddies.
00:08:53Big Boy, not the beard.
00:08:55We're buddies.
00:08:56I know, and I'll have to warn you,
00:08:58but everything is allowed in love and business.
00:09:01Benjamin Franklin.
00:09:06You.
00:09:07How do you want it?
00:09:08Have what?
00:09:09In my environment.
00:09:11A woman either has a heart
00:09:13or she has nothing at all.
00:09:16Oh, you know, I look good in both.
00:09:19Mumbler, wipe it clean.
00:09:32All right, spread it everywhere.
00:09:36Weichlippe's territory is from now on my territory.
00:09:40Everyone who worked for him, works for me now.
00:09:44And everything that belongs to him, belongs to me.
00:09:47Let's get out of here.
00:09:49And close the trap door.
00:09:50Put the box on the trap door.
00:09:54Again, Big Boy killed one of his opponents
00:09:57and took over his territory.
00:09:59Also taken over, he had the singer Miss Mahoney.
00:10:04But at least she stayed alive.
00:10:08Meanwhile, Dick Tracy had taken the little boy
00:10:11to Mike's snack bar,
00:10:13where his girlfriend Tess was waiting for him.
00:10:18Hey.
00:10:19Do you have a name?
00:10:21Boy.
00:10:22Boy?
00:10:23Boy.
00:10:24What name did your mother and father give you?
00:10:27What mother? What father?
00:10:29But who takes care of you?
00:10:31Who takes care of her?
00:10:33Well, best we understand the care.
00:10:34Hey, Mike.
00:10:35Yes?
00:10:36Mike.
00:10:37What?
00:10:38The orphanage.
00:10:39Mike, do you have ice cream?
00:10:40Yes.
00:10:41Let me go!
00:10:42Hey!
00:10:43No!
00:10:44Hey, where are you going?
00:10:45I was already there.
00:10:46Hey, come on, sit down.
00:10:48Sit down.
00:10:49I'm sorry, buddy, but you're grounded.
00:10:52Sit down.
00:10:53Listen, boy.
00:10:54If you have no home and no mother and no father,
00:10:56then you come to the orphanage.
00:10:57That's the law.
00:10:59Hey, Mike.
00:11:00Do you have any ice cream?
00:11:01Call Dick Tracy.
00:11:02Call Dick Tracy.
00:11:03Bring the boy some ice cream.
00:11:04Come on, Sam.
00:11:05The house is outside the river, Tracy.
00:11:07There's something in the bush.
00:11:08You'd better come here.
00:11:09I'm on my way.
00:11:11Hey, Tracy.
00:11:12What do I do with the eating machine?
00:11:14Huh?
00:11:15Oh.
00:11:16Could you keep an eye on him?
00:11:17Keep an eye on what?
00:11:19Bring him to my house.
00:11:21I'll tell Peter to call his orphanage.
00:11:25Are you married?
00:11:27No.
00:11:28I can't stand women.
00:11:29Good.
00:11:30Me neither.
00:11:32While Tess took the boy to Tracy's apartment,
00:11:35the police had arrested some of Big Boy's henchmen.
00:11:39When Tracy arrived in the area,
00:11:41he immediately began to interrogate the guys.
00:11:44That's good, that's good.
00:11:45Hello, gentlemen.
00:11:46Where is Weichlippe Mendles?
00:11:47Who is Weichlippe Mendles?
00:11:49Yes, who is Weichlippe Mendles?
00:11:50We may make a phone call.
00:11:51That's the law.
00:11:52Yes?
00:11:53Yes.
00:11:54Give me the phone.
00:11:56There you have the phone.
00:11:58I'll pay the bill.
00:11:59That's part of the protocol.
00:12:01You have no right to make a phone call.
00:12:03Okay, Tracy.
00:12:04Hey, Bulle.
00:12:05First test the water before you jump, huh?
00:12:07We have rights.
00:12:09Get the bad guys out of here.
00:12:10They're scaring me.
00:12:11Get up, Flatbeard.
00:12:12Get out of here.
00:12:13We had our rights, too.
00:12:14You can tell us that on the way.
00:12:15We'll talk to you later, Tracy.
00:12:19You can't do that, Tracy.
00:12:20The prosecutor will say
00:12:21you put witnesses under pressure.
00:12:23Get me the mumbler.
00:12:25Tracy said you should have a cup of coffee.
00:12:30Hello, mumbler.
00:12:35Where is Flatbeard Mendles?
00:12:40Where is Flatbeard Mendles?
00:12:52Mumbler, where is Flatbeard Mendles?
00:13:00Okay, you heard everything, Mrs. Green.
00:13:02That's his statement.
00:13:04Get him out of here.
00:13:05What?
00:13:08Hey, hey.
00:13:09What's up, mumbler?
00:13:16It's necessary, Tracy.
00:13:17Even if you get something, it's better.
00:13:19Tell the guys in the lab
00:13:20I'm going to be Big Boy tonight.
00:13:21What?
00:13:22For the fifth time.
00:13:23A wild game, please.
00:13:24I'll show you what a wild game is.
00:13:26Letting Big Boy run around freely.
00:13:28We'll catch him.
00:13:30So, if you didn't understand
00:13:32Mumbler's statement,
00:13:34it doesn't matter.
00:13:35I didn't either.
00:13:36And Dick Tracy and his colleagues
00:13:38didn't either.
00:13:40But Tracy had again
00:13:41a great bold plan.
00:13:44He wanted to arrest Big Boy.
00:13:47And so he broke up with some colleagues
00:13:49at the Ritz Club,
00:13:50where Big Boy was just there
00:13:52with Heiserchen,
00:13:53a few other girls
00:13:54and the piano player
00:13:55with 88 keys.
00:13:56to rehearse a new song
00:13:58for the show.
00:13:59No!
00:14:00No!
00:14:01That's wrong!
00:14:02Wrong!
00:14:03I can't do that!
00:14:04It's not good!
00:14:05Boss!
00:14:06Boss!
00:14:07What?
00:14:08I'm sorry,
00:14:09but the girls are tired.
00:14:10We've been doing this
00:14:11for half the night.
00:14:12It's 2 o'clock in the morning.
00:14:132 o'clock in the morning!
00:14:14I'm the term
00:14:15from this book store.
00:14:16The birthplace
00:14:17of a new era
00:14:18of entertainment.
00:14:19And you tell me
00:14:20it's 2 o'clock in the morning
00:14:21and you come here
00:14:22to play the piano?
00:14:23That was enough.
00:14:25That was idiotic.
00:14:26He's the best piano player
00:14:27in the city.
00:14:28Shut up!
00:14:30Come here!
00:14:33Next time
00:14:34I'll take your fingers
00:14:35and take out your pretzel.
00:14:37And maybe I'll do
00:14:38something like that
00:14:39with your face.
00:14:42You hear?
00:14:43He plays much better here.
00:14:47Let's go on.
00:14:48So, from the beginning.
00:14:49So,
00:14:50from the first song.
00:14:52On.
00:14:57Tracy.
00:15:03Have you?
00:15:04Since when?
00:15:09Where is he?
00:15:13Strange.
00:15:14What a coincidence.
00:15:21You like to eat walnuts,
00:15:22don't you, Big Boy?
00:15:23I'm crazy about them.
00:15:24A lot of people
00:15:25love walnuts.
00:15:26They're good for the liver.
00:15:27Yes, but damn bad
00:15:28for the brain.
00:15:29You're becoming sluggish,
00:15:30Big Boy.
00:15:31You're under arrest.
00:15:32Get him out of here, guys.
00:15:33We have a nice
00:15:34accommodation for him,
00:15:35but we don't
00:15:36serve walnuts.
00:15:37You'll be back
00:15:38before noon anyway.
00:15:39Don't you have a break?
00:15:40I'll try again.
00:15:41I'll call my lawyer.
00:15:42I'll tell him
00:15:43to get his ass
00:15:44off the ground again.
00:15:45He won't.
00:15:47While Big Boy
00:15:48was taken away
00:15:49by the police,
00:15:50Tracy watched
00:15:51Little Hazel Mahoney
00:15:52retreat into her wardrobe
00:15:54and followed her.
00:15:56Hello?
00:15:57What you're doing
00:15:58is a breach,
00:15:59do you know that?
00:16:00I'm sorry.
00:16:01Sit down.
00:16:02Don't you want to
00:16:03arrest me?
00:16:04If I wanted to arrest you,
00:16:05I would have done it
00:16:06a long time ago.
00:16:07What do you have in mind,
00:16:08sweetheart?
00:16:09I think that soft-tongued
00:16:10Manlis is dead
00:16:11and I want you
00:16:12to tell me
00:16:13who killed him.
00:16:14But maybe you're
00:16:15not on his side.
00:16:16Which side are you on?
00:16:19The side I always
00:16:20stand on.
00:16:21Mine.
00:16:23No mourning for soft-tongued?
00:16:26I'm wearing black underwear.
00:16:28You know that it would be
00:16:29fair to take you
00:16:30to the yard
00:16:31and let you sweat
00:16:32under the lamp?
00:16:33I sweat much better
00:16:34in the dark.
00:16:36I know what's going on in you.
00:16:37You don't know
00:16:38if you want to hit me
00:16:39or kiss me.
00:16:40A very old story.
00:16:42You're sure
00:16:43Big Boy is in prison
00:16:44and you could
00:16:45extend his stay.
00:16:46Call me.
00:16:48Okay.
00:16:52Boy, oh boy.
00:16:53Maybe that was
00:16:54a mistake,
00:16:55that soft-tongued Mahoney.
00:16:58But Dick Tracy
00:16:59had everything under control.
00:17:01Just with one thing
00:17:02he was a little bit
00:17:03hasty.
00:17:05Namely,
00:17:06the arrest of Big Boy.
00:17:08Because once again
00:17:09the evidence was not enough
00:17:10and so the prosecutor
00:17:11set him free
00:17:12the next morning.
00:17:15Accompanied by
00:17:16an army of reporters
00:17:17the gangster boss
00:17:18left the state prison.
00:17:21Rebellion!
00:17:22Police brutality, boys!
00:17:23And that was
00:17:24the fifth time.
00:17:25What a luck
00:17:26that my wounds heal quickly.
00:17:27Mr. Caprice,
00:17:28do you intend to
00:17:29file a report
00:17:30against the city
00:17:31for robbery?
00:17:32Why should I
00:17:33hold the city responsible
00:17:34for what one man does?
00:17:35The city should remove him.
00:17:36This Tracy
00:17:37really has a
00:17:38labile character.
00:17:39Who was that?
00:17:40Hey, there comes Fletcher.
00:17:42Law without order
00:17:43is just as dangerous
00:17:44for the citizens
00:17:45as order without law.
00:17:46That's right.
00:17:51And he was gone.
00:17:52But not only
00:17:53that this rat
00:17:54was free again.
00:17:55To all the excess
00:17:56Dick Tracy
00:17:57and his chief Brandon
00:17:58also had to listen
00:17:59to a stand-up story
00:18:00from the prosecutor.
00:18:02How can I support
00:18:03a blind, angry
00:18:04police officer
00:18:05who unlawfully
00:18:06arrests citizens
00:18:07without a break
00:18:08and puts them in prison?
00:18:09Tracy,
00:18:10I am a prosecutor.
00:18:12Chief,
00:18:13I intend to become
00:18:14mayor.
00:18:16If you can't
00:18:17arrest Detective Tracy,
00:18:18you have to suspend him.
00:18:20Or I should
00:18:21file a complaint
00:18:22and suspend you.
00:18:30For the moment,
00:18:31Tracy was fed up.
00:18:33He left the police station,
00:18:34drove home,
00:18:35picked up Tess
00:18:36and the boy
00:18:37and spent the whole day
00:18:38in the city
00:18:39with them.
00:18:41They wandered
00:18:42through the streets,
00:18:43bought clothes
00:18:44and went to eat
00:18:45until they returned
00:18:46home in their car
00:18:47in the evening.
00:18:56A beautiful day.
00:18:57Yes.
00:19:01What?
00:19:02I thought about it, Tess.
00:19:04About what?
00:19:06Well, you live alone.
00:19:08You know I love
00:19:09living alone.
00:19:10You know me.
00:19:11I'm not the lonely type.
00:19:13Well,
00:19:14that's something
00:19:15we have in common.
00:19:16Yes,
00:19:17we have in common, Tracy.
00:19:18Well,
00:19:19don't you think
00:19:20because we have so much
00:19:21in common,
00:19:22it might be
00:19:23a good idea
00:19:24if we just...
00:19:25if we just...
00:19:27Yes?
00:19:28You know...
00:19:41Listen,
00:19:42listen,
00:19:43it was less about
00:19:44you living alone
00:19:45than much more...
00:19:46I mean,
00:19:47I thought about
00:19:48living alone.
00:19:49I mean...
00:19:50Hey Tracy,
00:19:51watch out!
00:20:00Tracy, wait!
00:20:01Everything all right, boy?
00:20:02Yes,
00:20:03nothing happened.
00:20:04Thanks for the hint.
00:20:05Where was that Tracy?
00:20:06I don't know, boy.
00:20:07I thought
00:20:08we were done.
00:20:09They just want
00:20:10to scare us.
00:20:11That's not possible!
00:20:12What are we waiting for?
00:20:13Let's catch them!
00:20:14Let's catch them!
00:20:15Come on!
00:20:16Forward!
00:20:17We can still get them!
00:20:18They went right ahead!
00:20:19I saw it!
00:20:20I'm sorry.
00:20:21That's not possible, Tracy!
00:20:23Tracy,
00:20:24when you're playing around
00:20:25on the street,
00:20:26that's part of the rules.
00:20:27I know that.
00:20:28Just don't expect
00:20:29that I'll like it.
00:20:30Come on!
00:20:31Come on!
00:20:37Where did they go?
00:20:38Where did they go?
00:20:39No idea.
00:20:41Who was that, Tracy?
00:20:43No idea, boys.
00:20:44Do me a favor
00:20:45and look around, okay?
00:20:46All right, Tracy.
00:21:04Tracy was lucky again.
00:21:07But this was only
00:21:08the first attack
00:21:09of Big Boy's people
00:21:10against him.
00:21:11And the second one
00:21:12was already underway
00:21:13when Tracy
00:21:14tried to persuade
00:21:15the boy
00:21:16to brush his teeth
00:21:17a little later.
00:21:21Peppermint.
00:21:22Try it.
00:21:24You know, Tracy,
00:21:25for such a tough guy
00:21:26you do a lot of
00:21:27feminine things.
00:21:28Oh, indeed.
00:21:30Who is it?
00:21:31Mr. Tracy.
00:21:32Who is it?
00:21:33I'm Mrs. Scaff.
00:21:35I come from the farm.
00:21:37From the farm?
00:21:38I'm afraid
00:21:39I'll have to bring
00:21:40the little boy
00:21:41to the orphanage.
00:21:42Please give me
00:21:43a minute, Mrs. Scaff.
00:21:44I hope you understand,
00:21:45Mr. Tracy.
00:21:46As a single man
00:21:47you can't just
00:21:48read a child
00:21:49from the street
00:21:50and take him
00:21:51with you.
00:21:52Mrs. Scaff,
00:21:53let's talk about this.
00:21:54He belongs in an orphanage.
00:21:55That's the law.
00:21:56Everything has to
00:21:57go according
00:21:58to the regulations.
00:21:59He has to be
00:22:00brought in
00:22:01in a proper way.
00:22:02Mrs. Scaff,
00:22:03if you just leave
00:22:04everything to me,
00:22:05I think you...
00:22:06We don't want
00:22:07to see you
00:22:08in the orphanage.
00:22:09Get out!
00:22:13Well, this time
00:22:14Tracy had bad luck.
00:22:17The gangsters
00:22:18caught him.
00:22:19They forced him
00:22:20to get into their car
00:22:21and drove off
00:22:22without noticing
00:22:23that the boy
00:22:24was sitting on
00:22:25the bumper.
00:22:26They stopped
00:22:27in front of the house
00:22:28where Tess lived
00:22:29and brought Tracy
00:22:30to the boiler room
00:22:31where Big Boy
00:22:32was already
00:22:33impatiently waiting.
00:22:34I'm glad
00:22:35that you could
00:22:36help us, Tracy.
00:22:37We thought
00:22:38it would be
00:22:39the most comfortable
00:22:40if we met
00:22:41in the basement
00:22:42of your friend's
00:22:43rented house
00:22:44while you were
00:22:45at work.
00:22:46You know, Dick,
00:22:47which is why
00:22:48I call you Dick,
00:22:49my colleagues
00:22:50would love to see
00:22:51you in an accident.
00:22:52But I said,
00:22:53no,
00:22:54I'll take care
00:22:55of Tracy myself,
00:22:56I said.
00:22:57And do you know
00:22:58why?
00:23:00I want you
00:23:01on my side!
00:23:03And I'll tell you
00:23:04what my side means.
00:23:05My side
00:23:06means a lifetime
00:23:07of speed and adventure
00:23:08without a stopwatch
00:23:09far and wide.
00:23:10It means
00:23:11that you can
00:23:12treat your girl
00:23:13first-class.
00:23:14You should be treated
00:23:15like a princess
00:23:16and hugged
00:23:17like a baby.
00:23:18Do you want to
00:23:19lay down the whole bundle?
00:23:2015,000 round mice.
00:23:21Uh-uh.
00:23:22So we agree.
00:23:2315,000 round mice.
00:23:24Welcome
00:23:25to the new world, Dick!
00:23:26We have a damn
00:23:27good ship
00:23:28steward
00:23:29on board with you.
00:23:30Outside
00:23:31there's a big world
00:23:32waiting for you
00:23:33and they're ready
00:23:34to sell
00:23:35the whole store.
00:23:36All we have to do
00:23:37is make it absolutely clear
00:23:38that everyone knows
00:23:39that I'm the one
00:23:40who's going to
00:23:41take over.
00:23:42And that you
00:23:43have now
00:23:44made yourself
00:23:45responsible
00:23:46for breaking
00:23:47a law.
00:23:48Hey, hey!
00:23:49Hurry up!
00:23:50You stupid
00:23:51snitch!
00:23:52Let's get this
00:23:53over with!
00:23:54Okay, guys,
00:23:55give it to him!
00:23:56That was
00:23:57your opening
00:23:58song
00:23:59to the oxygen.
00:24:00You stupid
00:24:01stupid
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00:29:48I have a deal for you. We meet in an hour at the train station. Yes, exactly in an hour.
00:29:57Yes, that was it. The new character I was talking about.
00:30:02But not only that the voice sounded so strange, the guy also looked very strange.
00:30:10It was the man without a face.
00:30:14But what did he want from 88 keys, the piano player of Big Boy?
00:30:18Why did he order him to the street band rehearsal?
00:30:22Well, let's hear it.
00:30:26Up here, 88.
00:30:30Open the suitcase.
00:30:33Do you want to know why I called you?
00:30:375000, the first wait.
00:30:40For what?
00:30:42You work for Big Boy Caprice.
00:30:45Do you want to make a lot of money by helping him, yes or no?
00:30:50Yes.
00:30:52Give Big Boy this letter. Tell him you found him under your door.
00:30:58What should I tell him who they are?
00:31:01Nothing, because you've never seen me.
00:31:04And don't try to find me.
00:31:07I'm calling you, damn business.
00:31:15While Tracy was preparing the raid in the club,
00:31:18he took 88 keys, the money and the letter,
00:31:21went to the club and read Big Boy the content of the letter.
00:31:26If you kill Dick Tracy, you will be the main suspect and the city will make against you mobile.
00:31:30But for 10% of your income, we can guarantee that Dick Tracy will never be a problem for you again.
00:31:35And that no suspicion will fall on you.
00:31:41What do you have to lose? If they don't love you, they don't pay you.
00:31:44You are a piano player.
00:31:46What else do you want to be? A traditionist?
00:31:49Don't bring me another offer from someone you've never seen and who is not professional.
00:31:52Get out of here. Get out of here.
00:31:55Do you want me to follow him?
00:31:57Where to? To the piano?
00:31:59You have to leave that to me, Big Boy. You have the best puppets in the city.
00:32:05What did he say?
00:32:07Everything is fine. Just calm down.
00:32:09I have everything under control.
00:32:11Calm down.
00:32:13Please, please. Everything is fine.
00:32:15Calm down. I have everything under control.
00:32:17Do you hear me? I have everything under control.
00:32:19Please, please.
00:32:21Sit down, all of you. No fuss, just calm down.
00:32:24Take care.
00:32:25No fuss.
00:32:26Everything is fine.
00:32:27Hey Bill, think about it. Frank, you take over the bar.
00:32:30Hello, Big Boy. There is the whole gang.
00:32:33Do you have a class meeting or something?
00:32:35This is a private party, mister. Entry only with invitation.
00:32:38I have an invitation. A search warrant.
00:32:43No game, nothing at all, Tracy.
00:32:45What? You mean, you thought there would be a game of luck?
00:32:48I'm entering a club where games of luck take place.
00:32:50I'll be back, Big Boy.
00:32:52Listen, tell me when you come. Then we'll have a party, with good friends, for you.
00:32:55Okay, Tracy.
00:32:59I thought you wanted to take care of Tracy.
00:33:02He didn't kill her, did you notice?
00:33:04Yes.
00:33:05He just wanted to ruin our mood.
00:33:07Oh no. Tracy wanted a little more than just ruining the mood of the guys.
00:33:13And his seemingly unsuccessful raid already had its purpose,
00:33:17because Tracy had just managed to hide a rat in the club.
00:33:21From now on, he could constantly hear the guys,
00:33:24so that he was informed about all the companies.
00:33:27This gave him the opportunity to strike in time
00:33:30and always be in front of the gauners at the scene.
00:33:33It was a time when he could strike one blow after the other against the underworld,
00:33:39and the press was not spared with praise.
00:33:42Dick Tracy struck hard again tonight, right in the heart of the underworld prince.
00:33:47This was just one report.
00:33:49But for days now, the newspapers were full of reports about Tracy's heroic deeds.
00:33:55A wave of relief went through the city.
00:33:58Only Big Boy was out of sight and was raging in anger.
00:34:01Tracy! Tracy!
00:34:03It's as if he could read my mind.
00:34:05Hectic Garcia, Red Smoker, Johnny Deerville, and now Zato.
00:34:09I don't understand. How could he do this to himself?
00:34:12I don't understand. He knows what we're doing.
00:34:15You said you knew what you had to do with Tracy.
00:34:18Leave him to me, you said.
00:34:20Now I want to tell you something.
00:34:22I'm going to tear the damn fool out of the headlines.
00:34:25I'm going to finish him.
00:34:27If you kill Tracy, everyone will point their finger at me.
00:34:30This fool.
00:34:43It had to come to this.
00:34:45Big Boy had discovered the waltz and knew that he had been overheard.
00:34:50While he was setting a trap for Tracy,
00:34:53he was sitting with Tess in Mike's snack bar.
00:35:00Hey Mike, what's in the jelly? Melted tires?
00:35:03Sometimes I really wonder why I didn't go to Tracy because of the hot stove.
00:35:07Tracy, I'm going to leave.
00:35:10I've always feared that...
00:35:12I mean that you would never take a little time to calm down and...
00:35:16Now I know exactly.
00:35:18I knew that you would never take a desk job, Tracy.
00:35:21Dick Tracy, I'm calling Dick Tracy. Can you hear me, Tracy?
00:35:25You pushed Big Boy into the clutches and that's good.
00:35:28I'm calling Dick Tracy. I'm calling Dick Tracy.
00:35:31Tracy.
00:35:33Good luck.
00:35:35Come on, Tracy. Here, Wanker Bailey, can you hear me?
00:35:39What's up, Wanker?
00:35:41There's something going on in the Southside warehouse. Sounds like a big deal. Really big.
00:35:46I'm going.
00:35:48Tracy, come on.
00:35:50I'm going.
00:35:51Tracy, are you still there? You should go right now, Tracy.
00:35:55I'm on my way.
00:35:57I'll be back, Tess.
00:36:00Well, only Tess wouldn't be there anymore.
00:36:04She meant it seriously. She wanted to leave Tracy.
00:36:08She had already packed her bags and was on her way to her mother.
00:36:13Meanwhile, Tracy Follins was caught in the trap.
00:36:16He had gone down to the warehouse in the port,
00:36:19where Big Boy and his friends had already been waiting for him.
00:36:23They overwhelmed him and wanted to send him on exactly the same long journey
00:36:27as at the beginning of our story, Mr. Soft-Lip.
00:36:30But there Tracy received help from a completely unexpected side.
00:36:34The Faceless appeared and shot around the warehouse so that Tracy could flee.
00:36:39Big Boy, who barely escaped the bullet, was shivering with anger.
00:36:45Okay. Okay, that's enough.
00:36:47I want to see you both under the ground.
00:36:49This Faceless has to go under the ground and Tracy has to go under the ground.
00:36:52What's wrong with you?
00:36:53Have you forgotten how to live?
00:36:55Your work doesn't mean anything to you anymore.
00:36:57Don't you have a job?
00:36:58I don't have to work anymore.
00:37:00And above all, no sense of duty.
00:37:02We're dealing with fate here.
00:37:04I'm making history.
00:37:05And what do I get from you?
00:37:08I want you, Tracy, under the ground.
00:37:14Meanwhile, Tracy had returned to his police station and mobilized his people.
00:37:20I don't fully understand, Tracy.
00:37:21If you tell me there was a man without a face, I bet my pension that it was true.
00:37:25But for whom did he work?
00:37:26Yes, for whom did he work?
00:37:27I have no idea, guys, but it was no imagination.
00:37:29Please leave my suit.
00:37:30We need a witness who is willing to testify.
00:37:32A man without a face?
00:37:33A man without a face.
00:37:36Yes, it was a big mystery with the man without a face.
00:37:41Tracy thought intensively about it while he went over to Mike's snack bar,
00:37:47where his colleague Chief Brandon and the boy were waiting for him.
00:37:51Mike, give the boy a donut.
00:37:54Hi, Tracy.
00:37:55Hi, Tracy.
00:37:56Hi, Tracy.
00:37:57Which one do you want?
00:37:58Where's Tess?
00:37:59Not in town anymore.
00:38:00She asked me and the boys to watch the boy.
00:38:02With jam.
00:38:03With jam.
00:38:04With jam.
00:38:06Tess left town.
00:38:07I'm sorry, Tracy, I thought you knew.
00:38:09Should I take the boy to the yard?
00:38:11No, Chief.
00:38:12Thank you for coming.
00:38:13Okay.
00:38:15Good night.
00:38:17Good night.
00:38:20Tracy, do you want a donut?
00:38:24Yes, thank you.
00:38:25Mike, give me a coffee, please.
00:38:27A coffee.
00:38:28A coffee for me, too.
00:38:29A coffee for me, too.
00:38:32The fate of the boy was, of course, also something that had to be clarified.
00:38:37In advance, Tracy took him to the guardhouse.
00:38:40But when he arrived there, a surprise was already waiting for him there.
00:38:44Or rather, a person.
00:38:47The cool blonde,
00:38:49Heiserchen Mahoney.
00:38:52Get your head up, Tracy.
00:38:53I'm the one in danger.
00:38:54I'm not allowed to talk to a bully.
00:38:56You know what I want.
00:38:57I want you to tell me.
00:38:58I don't want anything to happen to you.
00:39:00You shouldn't tell me what you don't want.
00:39:01Tell me what you want.
00:39:03You want me.
00:39:05Don't you?
00:39:07You're right.
00:39:08I really want you.
00:39:09In the witness stand, where you can tell the truth.
00:39:10You're lying.
00:39:11You want me the same way I want you.
00:39:13I'm supposed to take a risk for you.
00:39:15Then do the same for me.
00:39:16I told you, I'll protect you if you speak up.
00:39:18How do you want to do that?
00:39:19Nobody can...
00:39:20That's my job.
00:39:21I don't understand your job.
00:39:22I only understand feelings.
00:39:23If you don't tell me how you feel, Tracy, I can't trust you.
00:39:26One moment.
00:39:27What should I tell you?
00:39:28What do you expect?
00:39:29That I'll think about you?
00:39:31Okay.
00:39:32I'll tell you.
00:39:33Tell me.
00:39:34Is my statement so important to you?
00:39:36Then tell me that you want me.
00:39:38If you do that, I'll do everything you say.
00:39:41How much do you want Big Boy?
00:39:43It's up to you.
00:39:45Tell me that you want me.
00:39:47Tell me that you want everything.
00:39:49But tell me now.
00:39:52If I told you that, I'd hurt someone, and I don't want that.
00:39:56You trust her.
00:39:59I love her.
00:40:09Tracy didn't suspect that his girlfriend Tess had been kidnapped.
00:40:13The kidnapper, the man without a face,
00:40:16had forced Tess to write a letter to Tracy,
00:40:19who had just entered the police station.
00:40:23Well...
00:40:25Dear Dick, we should talk about everything again.
00:40:27Please come to the nursery.
00:40:28Tess...
00:40:30Tess wants to talk to me.
00:40:31You take care of the boy, okay?
00:40:33Okay, Tracy.
00:40:35Tracy, you kicked Lilian.
00:40:36Should I put her in the water?
00:40:37Tracy!
00:40:38Tracy!
00:40:40I'm here to pick up my child.
00:40:41File number 3812.
00:40:43I don't want to wait.
00:40:44I want to take the child with me immediately.
00:40:46Are you from the caretaker, ma'am?
00:40:48Oh, yes.
00:40:49This ma'am was from the caretaker.
00:40:52And without hesitation, she took the boy to the orphanage.
00:40:56Meanwhile, Tracy fell into a bad trap again.
00:41:00He went to the nursery to meet Tess,
00:41:03without suspecting that the man without a face was lurking there.
00:41:08When Tracy entered the nursery,
00:41:10he didn't even notice that from a small pipe between the flowers
00:41:14a gas of intoxication was flowing.
00:41:18Tess, where are you?
00:41:19Tess, where are you?
00:41:21Tess!
00:41:26Tess!
00:41:28Tess!
00:41:30Relax, Tracy.
00:41:32Breathe the scent of flowers and sleep.
00:41:35I won't kill you.
00:41:37I won't even hurt you.
00:41:40But your great career is over.
00:41:50Dick Tracy was, so to speak, completely knocked out.
00:41:55The man without a face had prepared everything well.
00:41:58He placed the mindless Tracy in a hotel room
00:42:01right next to a corpse
00:42:03and then notified the police.
00:42:06So it came what had to come.
00:42:09Dick Tracy was arrested on suspicion of murder.
00:42:12The next day, the newspapers were full of it
00:42:15and the only one who was happy about this new situation was Big Boy.
00:42:20Oh yes, bad news tonight.
00:42:22Worse than bad, it's heartbreaking.
00:42:24Dick Tracy is in the limelight today.
00:42:26The praise hymns are silenced in the face of oppression and murder
00:42:29and in the void you can once again hear the clatter of the game chips.
00:42:32That's wonderful.
00:42:33I will think of him today.
00:42:36I have to leave that to you, 88.
00:42:38Your men did it.
00:42:39They got Tracy out of the way.
00:42:41And he will take him into custody.
00:42:43Friends, we are back in business.
00:42:46Why shouldn't I be mayor?
00:43:14As much as Big Boy was happy about Tracy's arrest,
00:43:17so was the boy.
00:43:19He just couldn't believe it
00:43:21and immediately got in touch with Chief Brandon.
00:43:24Tracy didn't do it, Chief.
00:43:26I know exactly that she didn't do it.
00:43:28It's not right that you called me, boy.
00:43:30Tracy is in pretty bad shape because of it.
00:43:33There's no sign of her.
00:43:34Looks like a kidnapping,
00:43:35but so far no one has asked for ransom money.
00:43:37Tracy is the only one who can find her.
00:43:39The judge says no caution.
00:43:41It wasn't him, Chief. It wasn't him.
00:43:44It was really shocking
00:43:45how the boy acted for Tracy.
00:43:48Chief Brandon couldn't help it.
00:43:50He made an exception
00:43:51and allowed the boy to visit Tracy in prison.
00:43:55Why should someone kidnap Tess
00:43:57and not ask for ransom money?
00:43:59If only I knew how to get out of here.
00:44:01I'll leave you two alone for a moment.
00:44:03It can't take much longer.
00:44:06The state police will soon arrive
00:44:08and search the district prison.
00:44:13How's the food?
00:44:15Good.
00:44:16And how is it in the orphanage?
00:44:18Good, too.
00:44:20I got a final certificate.
00:44:23But...
00:44:24But don't you need a real name for it?
00:44:26I do.
00:44:28Dick Tracy, Jr.
00:44:30If you agree.
00:44:33Yes, I agree.
00:44:35While Tracy and Dick Tracy, Jr. continued to talk,
00:44:40Chief Brandon went to his desk
00:44:43where the phone was ringing.
00:44:49This is Brandon speaking. Who's there?
00:44:51Do you want me to bring you behind bars?
00:44:55Yes.
00:44:56He has kidnapped Tess.
00:44:57Drive to the 38th corner.
00:44:59Just a moment.
00:45:00Wait until I call you back.
00:45:02Hello.
00:45:0438th corner, Grant.
00:45:06That's the Ritz Club.
00:45:08Joe!
00:45:09Yes, sir?
00:45:10Get my car.
00:45:11Keep an eye on the boy until I get back.
00:45:13Okay, Chief.
00:45:28The man without a face
00:45:30was an impenetrable game.
00:45:33First he delivered Dick Tracy to the knife
00:45:35and thus did Big Boy a favor.
00:45:38And now he had claimed to Chief Brandon
00:45:40that Tess would be in Big Boy's power
00:45:42and would be in the Ritz Club.
00:45:45Brandon, of course, lost no time
00:45:47and immediately made his way there.
00:45:50But he did not go alone.
00:45:52In addition to the reinforcement of some officials,
00:45:55he needed the best of his men,
00:45:57Dick Tracy.
00:45:59And so he left all the regulations aside,
00:46:01got Tracy out of prison
00:46:03and drove with him to the Ritz Club.
00:46:07Big Boy did not yet know what was coming for him there.
00:46:10But it was already going on
00:46:12when the phone rang.
00:46:19Big Boy, for you.
00:46:21Yes, Caprice.
00:46:23Master!
00:46:24When was the last time you looked up at your neighbors, Big Boy?
00:46:27Master!
00:46:30Take a look at the attic. It's a mess.
00:46:33Big Boy, you'd better come with me, quick.
00:46:38Big Boy and his gorilla, Flatbeard,
00:46:40went to the attic
00:46:42and made a surprising discovery.
00:46:45Tess was hanging and kneeling on the floor
00:46:49and stared at the two of them.
00:46:53What are you doing here?
00:46:55That's Tracy's doll.
00:46:57What are you doing here?
00:46:58How did you get in here?
00:46:59That's your trap!
00:47:01If anyone sees you like that,
00:47:02they'll think we kidnapped you.
00:47:03Then we'll call the FBI.
00:47:05Come on!
00:47:07Big Boy and Flatbeard grabbed the girl,
00:47:09dragged her down to the store
00:47:11and wanted to leave her
00:47:13when Tracy showed up outside.
00:47:15Tracy!
00:47:16What's going on?
00:47:17Come on, we have to get out of here.
00:47:18What's going on?
00:47:19Come on, get out of here.
00:47:21Don't shoot.
00:47:22It's a trap!
00:47:23Nothing happened to me, Tracy!
00:47:25It's kidnapping, Big Boy!
00:47:26You can't get out of this thing!
00:47:28Things aren't always what they look like.
00:47:30You'll have to pay for this.
00:47:31Let me go!
00:47:32If you're up to something,
00:47:33I'll shoot you, you hear me?
00:47:34Come on!
00:47:36We're surrounded by thugs.
00:47:38What thugs?
00:47:39A few million of them.
00:47:40What?
00:47:41Shut the books!
00:47:42Shut the doors!
00:47:43It's your fault.
00:47:44They're forcing me to take you as a hostage.
00:47:46Give me the guns!
00:47:47Oh, God, Boss.
00:47:48There are 30 girls.
00:47:50We're on the crossroads.
00:47:51They're trying to get us there because of kidnapping.
00:47:55Get out of the way!
00:47:56Get out of the way!
00:47:58I like Tracy.
00:47:59I had an appointment with him.
00:48:00Did he tell you?
00:48:01I'll tell you something.
00:48:02Maybe I'll give him a bullet in the head.
00:48:04Shut up!
00:48:05Shut up!
00:48:06You won't say a word to anyone.
00:48:08You think they'll hang us?
00:48:10But I'll get out of this thing.
00:48:12Watch out.
00:48:14Move it!
00:48:21Okay, Big Boy.
00:48:22That's enough.
00:48:24Get out of the way!
00:48:25Those damn thugs will never get me alive.
00:48:27We're getting out of the way.
00:48:29Get out of the way!
00:48:31You have no chance.
00:48:33The game is over.
00:48:35That could be unpleasant.
00:48:36I'm telling you.
00:48:37If you pull any dirty tricks, I'll blow your head off.
00:48:40Big Boy!
00:48:44At this moment, the police opened fire.
00:48:47The gangsters shot back like crazy.
00:48:50But Big Boy grabbed the poor Tess...
00:48:52...and fled with her as a ghost through the alley.
00:48:56Sometimes I wonder why I'm trying to save the world.
00:48:59Nobody cares about me.
00:49:02Pain can be a cure for the world.
00:49:04We learn from pain.
00:49:05We learn not to be swayed by pain.
00:49:08It's very embarrassing.
00:49:10It's all very embarrassing.
00:49:14They say I've deceived you.
00:49:16I haven't deceived you.
00:49:17But now I have.
00:49:18It's your fault.
00:49:19It's your fault.
00:49:20It's your fault.
00:49:21It's your fault.
00:49:22It's your fault.
00:49:23It's your fault.
00:49:24It's your fault.
00:49:26While Big Boy dragged the girl through the wine cellar...
00:49:30...Dick Tracy made a decision.
00:49:34He has Tess under his control.
00:49:35But he can't get out with her.
00:49:36We have to get in.
00:49:37Get in?
00:49:38Give me the MP, Sam.
00:49:40Forward, men.
00:49:41Big Boy is in there.
00:49:42He has Tess under his control.
00:49:43I knew he wouldn't get out of there.
00:49:47But violence was no longer necessary.
00:49:49The gangsters were at the end of the line.
00:49:52So Tracy ran into the bar.
00:49:54But Tess couldn't find him.
00:49:56Instead, however, he spotted Little Hazel Mahoney.
00:50:01He ran out with her through the wine cellar.
00:50:05Tracy.
00:50:08You don't trust me.
00:50:11Tracy.
00:50:14Good luck.
00:50:20With that, Tracy pursued him through the wine cellar.
00:50:23Meanwhile, Big Boy and Tess had arrived outside...
00:50:26...and ran with her along the river to the large bridge.
00:50:30And she let herself into this game.
00:50:33Big bear.
00:50:34I don't necessarily need to cross the river.
00:50:37But don't push me.
00:50:41Oh, she's rolling.
00:50:44Believe me.
00:50:45I didn't want her to end up like this.
00:50:53Big Boy and Tess ran like madmen to the bridge...
00:50:56...which had just been pulled up.
00:50:58He wanted to jump.
00:51:00But for my taste, it looked pretty close.
00:51:05Jump!
00:51:06We can do it!
00:51:07No, no, don't jump.
00:51:08We can't do it.
00:51:10You'll pay for this.
00:51:11You'll pay for this.
00:51:16Good thing Big Boy decided not to jump over the bridge.
00:51:21Otherwise, they wouldn't have made it.
00:51:24But what was about to happen wasn't much better.
00:51:28Because Big Boy was so close.
00:51:31He couldn't jump over the bridge.
00:51:33And coming back was bad, because Tracy was already far away.
00:51:38So Tess and he fled directly to the machine room of the bridge...
00:51:42...where huge gears clashed and made a loud noise.
00:51:47Don't move!
00:51:48Don't move or I'll kill you!
00:51:51A forest! A forest! A forest!
00:51:54I'll have to kill you!
00:51:55A forest!
00:51:57The way I see it...
00:51:58...and that's what's going on with me...
00:52:00...that means there's this, there's that...
00:52:02...and then there's what we wish to be.
00:52:05What?
00:52:06I don't know.
00:52:07What?
00:52:08I don't know.
00:52:09The future.
00:52:10A man without a plan is not a man.
00:52:13Nietzsche.
00:52:14Wait a minute.
00:52:16Wait.
00:52:17I have an idea.
00:52:19Oh, yes.
00:52:20Oh, yes.
00:52:21Oh, yes.
00:52:22I have an idea.
00:52:24In a way.
00:52:28Here it is.
00:52:30Wait! Wait!
00:52:31What was that?
00:52:33Hands up!
00:52:35I have to talk to you!
00:52:37I didn't kill this woman!
00:52:39What?
00:52:40What the hell?
00:52:41What's on the next bullet?
00:52:42Your name?
00:52:43Annika Vindic!
00:52:45Good!
00:52:46Good!
00:52:47Tracey!
00:52:48Good!
00:52:49What was that?
00:52:50Tracey!
00:52:53Tracey!
00:52:54Tracey!
00:52:55Where am I?
00:52:59Are you hiding from me?
00:53:00Are you hiding from me?
00:53:01That's not fair!
00:53:02That's not fair!
00:53:03That's not fair!
00:53:04Get out, Tracey!
00:53:05Get out, Tracey!
00:53:06What are you doing?
00:53:07Do you want me to smash your stupid head like a walnut?
00:53:11Tracey, I didn't kill this woman!
00:53:13Someone wants to take me out!
00:53:15Tracey, what do you want?
00:53:16Get out!
00:53:17Show yourself!
00:53:18I just want to see your face!
00:53:19I just want to talk to you!
00:53:20I want to make you sensible!
00:53:21I want your head!
00:53:22And I'll smash it like an egg!
00:53:23No!
00:53:24No!
00:53:25No!
00:53:26No!
00:53:27No!
00:53:28Tracey, listen to me!
00:53:29Do you hear that?
00:53:30That's exactly what's happening to this can right now!
00:53:32That's what's happening to your head in a few seconds!
00:53:34And then there's your beautiful hair to stroke!
00:53:37No!
00:53:38No!
00:53:39No!
00:53:40No!
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00:58:38No!
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00:58:40No!
00:58:41No!
00:58:42No!
00:58:43No!
00:58:44No!
00:58:45No!
00:58:46No!
00:58:47No!
00:58:48No!
00:58:49No!
00:58:50No!
00:58:51No!
00:58:52No!
00:58:53No!
00:58:54No!
00:58:55No!
00:58:56No!
00:58:57No!
00:58:58No!
00:58:59No!
00:59:00No!
00:59:01No!
00:59:02No!
00:59:03No!
00:59:04No!
00:59:05No!
00:59:06No!
00:59:07No!
00:59:08No!
00:59:09No!
00:59:10No!
00:59:11No!
00:59:12No!
00:59:13No!
00:59:14No!
00:59:15No!
00:59:16No!
00:59:17No!
00:59:18No!
00:59:19No!
00:59:20No!
00:59:21No!
00:59:22No!
00:59:23No!
00:59:24No!
00:59:25No!
00:59:26No!
00:59:27No!
00:59:28No!
00:59:29No!
00:59:30No!
00:59:31No!
00:59:32No!
00:59:33No!
00:59:34No!
00:59:35No!
00:59:36No!
00:59:37No!
00:59:38No!
00:59:39No!
00:59:40No!
00:59:41No!
00:59:42No!
00:59:43No!
00:59:44No!
00:59:45No!
00:59:46No!
00:59:47No!
00:59:48No!
00:59:49No!
00:59:50No!
00:59:51No!
00:59:52No!
00:59:53No!
00:59:54No!
00:59:55No!
00:59:56No!
00:59:57No!
00:59:58No!
00:59:59No!
01:00:00No!
01:00:01No!
01:00:02No!
01:00:03No!
01:00:04No!
01:00:05No!
01:00:06No!
01:00:07No!
01:00:08No!
01:00:09No!
01:00:10No!
01:00:11No!
01:00:12No!
01:00:13No!
01:00:14No!
01:00:16That's the best present!
01:00:18I'll be married to Cooper!

Recommandations