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00:00A FEW HOURS LATER
00:21Thank you for picking me up from the police station and bringing me back home.
00:27You've been a gentleman.
00:31No one would have wanted to relate to me in such circumstances.
00:35But your gallantry will never cease to amaze me.
00:39Not even me, your lack of scruples.
00:45I'm glad you haven't been accused of anything, because I wouldn't have forgiven myself.
00:50In the eyes of others, I am as guilty as you.
00:53I am the necessary accomplice.
00:56You don't need to condemn me to know that I have lost the respect of almost everyone.
01:01When you decided to help me, you made a decision.
01:04A decision based on a vile deception.
01:08My priority was to save my daughter. And yes,
01:13to get it, I had to use you.
01:16But I can't be asking you for forgiveness forever.
01:20It hurts me that you are now repentant.
01:23That the opinions of others matter more than what moved you at that moment.
01:27That if I remember correctly, it was your sincere desire to help me.
01:32I was moved by the love for my daughter, and you by the love for me.
01:36So we have nothing to reproach.
01:44What has happened,
01:47what we have lived together,
01:49does nothing more than reinforce our bond.
01:53No, Barbara. No.
01:57Everything we have done together has destroyed it forever.
02:00What?
02:03It's over.
02:17According to Victoria Kent, the problem is that many women,
02:20before going to vote, would ask their confessors.
02:22Come on, it's so influential that...
02:25Inés, aren't you listening to me?
02:28Yes, yes, forgive me. It's just that...
02:30It has to be when I arrive and...
02:32I'm picking up because I'm a little nervous.
02:34Really, there's no reason.
02:36I've already told you that he's a person of total confidence.
02:40I'm sure he's a very interesting person,
02:41but can you tell me who you're waiting for?
02:44The playwright, so I can take measures.
02:48The colors and tones of the costumes can't be left to chance.
02:52They have to be chosen so that they feel good for the actors
02:56and, above all, for the protagonist.
02:59The truth is that it's very interesting.
03:01I would love to stay, but I have to go.
03:04But why don't you stay?
03:06I would love to know your opinion.
03:08Well, if that's why,
03:10from León Agustín, who knows.
03:13Besides, you already know that we are organizing the suffragette act.
03:16It will be celebrated in Madrid, Cabaret, next week.
03:20Lately, you haven't said anything else.
03:22Well, because there's nothing else.
03:25Hey, what do you think if we go out to dinner today?
03:28Lately, the three of us have been very busy,
03:29so we can spend some time together.
03:32Have you been silent?
03:34Well, if you don't feel like it.
03:35No, no, yes, yes, we do feel like it, but it's just that...
03:39I don't know, you speak as if we were the couple.
03:42It's just that...
03:43And I miss you.
03:44Lately, you spend so much time together that you even look alike.
03:47I think it's a good idea.
03:49At eight o'clock?
03:51Eight o'clock is perfect.
03:53And now I'm leaving, otherwise Celia will get mad at me.
03:56Goodbye.
04:07It was hard for me to look her in the face.
04:11I think it was hard for you too.
04:14I think... I don't know, I think she has realized something, I don't know.
04:19No, I don't know her and I don't suspect anything.
04:24But if we continue like this, she will end up finding out.
04:29Inés, I really don't think we should talk about yesterday's kiss.
04:33Agustín, I can't, I can't.
04:36It's just that...
04:38It's just that I think now we should focus on the rehearsals
04:41and all the work we have ahead of us.
04:45If that's what you want, then I agree.
04:52Yes?
04:59It must be the costume designer.
05:15What a sad thing it must be to be born so poor and to be so ungrateful.
05:20I'm curious to know what motivates you to get up every morning
05:24knowing that, no matter what you do, you will never stop being what you are.
05:28A miserable whore.
05:31Do you really want to know?
05:32No, it was just a way of talking.
05:34Actually, I'm not interested in the least bit.
05:37I don't know what you're talking about.
05:39No, it was just a way of talking.
05:41Actually, I'm not interested in the least bit.
05:45And do you know what I wonder?
05:47How a lady as sophisticated as you
05:50takes the trouble to try to insult me.
05:53I don't know, I say try because it doesn't insult whoever you want, but whoever can.
05:58Yes, I'm a whore.
06:00And I'm very proud to be one.
06:02Just like I'll be when I finish my studies and become a teacher.
06:06Maestra, did you hear that, Salvador?
06:09Oh, let me joke about those delusions of grandeur.
06:13But I thought that to be a teacher you needed to have a certain intelligence and good manners.
06:20Maestra.
06:22You'll be Maestra Fregona.
06:25Ah.
06:26And don't try to copy me again.
06:28I suppose you'll be surprised to know that by making an effort, one can achieve whatever one proposes.
06:33Sure.
06:34A lady as sophisticated as you, who has never had to fight for anything
06:37and who only aspires to be a wife without a job or benefit, well,
06:40it will sound like a Chinese woman.
06:42Well, this is too much.
06:43Salvador, are you not going to say anything?
06:45Are you going to allow this pedigree woman to insult your fiancée impunely?
06:51I'm waiting for you to put her in her place.
06:54I'm waiting for you to put her in her place.
06:58Marta, Vanessa is right.
07:00It's time to put you in your place.
07:04And it turns out that she is way above you.
07:06What?
07:07Sorry, I think I didn't understand you well.
07:09You didn't understand?
07:10Wait, I'll explain it to you.
07:19Salvador, you have no idea what you just did,
07:21but I assure you that you are going to regret it.
07:23Both of you are going to regret it.
07:33I know perfectly well what I have done and the consequences it has,
07:36but I don't regret anything.
07:38Well, your father is not going to take it very well, right?
07:40I don't know how he's going to take it.
07:42Well, it doesn't matter, we'll take care of that when the time comes.
07:44How are you doing on your exam?
07:46Fine, fine.
07:47Just now I had a while and I wanted to take the opportunity to study.
07:50Well, good luck.
07:52Thank you, Santi.
07:59Good morning.
08:00Hi.
08:01How did you get up today?
08:03Well, better, much better, really.
08:05The sarpullido is already taking effect,
08:08and the truth is that I'm very hungry.
08:10Which is always a good sign.
08:12Yes.
08:13And to keep improving, I have prepared a good breakfast.
08:16That's good.
08:24Lucía, last night I couldn't sleep thinking about everything you told me,
08:29about everything that had to happen in that country.
08:34If you don't mind, I'd rather not go into painful details.
08:37Of course.
08:38It's over, that's the important thing.
08:41I hit rock bottom and I guess it can't go any lower,
08:45I hit rock bottom and I guess it can't go any lower,
08:49but the good part is that it won't happen again.
08:57And that now I'm safe.
08:59Thanks to Pietro, but also thanks to you.
09:03Okay.
09:05That's why I decided to come here to take care of you.
09:11To make up for all the trouble I've caused you.
09:17Well, the fact is done.
09:21Not for me.
09:24Antonia, I'm sorry I wasn't honest from the beginning,
09:28and now that I know her well,
09:33there's something I'm especially ashamed of.
09:37What do you mean?
09:39Now you'll understand.
10:01Isn't this the necklace they stole from you?
10:05Did you steal a lot from her?
10:07I couldn't steal much, I only had a few coins.
10:11The worst thing is that they stole a silver medal with our son's name.
10:16I had a lot of affection and all these years as my only treasure.
10:22The medal of John Carlo.
10:24There was no robbery, Antonio.
10:27I was so desperate that I just wanted to wake up Pietro's compassion
10:31and I couldn't think of how.
10:37You know, I even thought it was a trick of his,
10:43and I even felt bad about it.
10:46I already told you, I was very desperate.
10:49And willing to do anything to get it back.
10:54You see, I have a lot of sins to atone.
10:58Like everyone.
11:01The one who is not free from sin throws the first stone, right?
11:04Yes.
11:07Lucia doesn't think I'm in her place.
11:10And I'm also in yours.
11:15I guess we do what we can.
11:20I guess.
11:27Do you think Don Salvador will show up at the bookstore today?
11:31Well, I hope so, because I can't with so much uncertainty.
11:33I need to know if he saw me leave the bookstore with the Divine Comedy under my arm.
11:38Well, I would say no.
11:39Do you know why?
11:40Because if he hadn't, he would have reacted in some way.
11:42Like, for example, saying goodbye right there.
11:45What's that optimism about?
11:47Well, I guess it's because of the 50 pesetas that Don Fermin has given us,
11:51which I think are a good omen.
11:54Well, the kings of Rome.
11:56We were talking about you.
11:58Can you tell me when we'll be able to see those wedding photos?
12:01Since we can't attend, we want to see how it went, right?
12:04Besides, you have to have a lot of them.
12:06Almost none.
12:09Elías, I already told you that the wedding photos are all the same.
12:12And this one has all the views.
12:14Well, you're wrong about that, Cañete.
12:16Because, like the ones Trini has, none of them.
12:18Because you don't know how photogenic she is.
12:20Come on, she's my little star, Castro.
12:21She wants to be looking at the photos all day.
12:23Well, that's what I was going for.
12:25I'm going to give away a frame of photos as a wedding gift.
12:28Well, it looks like it's going to take a long time.
12:30It can even hang on the wall.
12:31All you have to do is choose the photo you like the most.
12:34The problem is...
12:36Is it going to be difficult to choose one knowing each other?
12:41We're not going to agree, right?
12:42In terms of photographs or in terms of putting salt in the food,
12:46one is going to see it black and the other white.
12:48But, well, we appreciate your intention.
12:50Yes, yes, I understand. It's a delicate matter.
12:53Camilo de la Sal didn't even hear me because I live alone.
12:55So I think it's best if I get in direct contact with the photographer
12:59so he can choose it because I think it's going to be very difficult for you.
13:02So, it's settled.
13:04Well, no, it's not settled because...
13:06The photographer is a man with a lot of work and he was just starting with the baptisms,
13:10but I'll bring you one tomorrow.
13:12Okay, I'm already looking at it.
13:13What a gift, you won't regret it.
13:16See you later.
13:20You just told her that you were going to bring her a photo
13:23of a wedding that has never been celebrated?
13:25Yes, Trini, I told her.
13:28But, let's see, Miguel, it seems like a lie that you don't know him,
13:30that you fall for his tricks again.
13:32Hold on, you're getting old.
13:34Don't panic.
13:35Because it turns out that we do have photographs of the wedding.
13:39Of the real one.
13:40So I'm not getting into a mess.
13:42Rather, quite the opposite.
13:44I'm getting you out of one.
13:45Out of nothing.
13:47Well, now I'm going to have to thank him.
13:49What a jerk.
13:54Inés.
13:56Do you know where your uncle is?
13:58I know he left a while ago, but he hasn't come back yet and it's strange.
14:02Well, he'll be here soon.
14:04Can I help you?
14:05Well, it's about the multitudinous breakfast at the Puerta del Sol.
14:09The truth is that there are some problems and I'd like to talk to him.
14:12Are you sure you don't know where he's gone?
14:15No, I'm sorry, but you seem worried.
14:17Well, a little worried, yes.
14:20I'm in a bit of a hurry.
14:23Mrs. Lázara, niece.
14:29Anything new in my absence?
14:31No, nothing.
14:32Mrs. Lázara has an urgent matter to talk to you about, so I'll leave you alone.
14:36Okay.
14:43Urgent, she says.
14:44I hope I haven't arrived too late.
14:46Tell me.
14:47Pietro is overwhelmed with the multitudinous breakfast at the Puerta del Sol.
14:50Okay, you can hire an assistant.
14:53And how did you know I was going to ask you?
14:55Because we're getting to know each other.
14:57And if you think it's convenient, there's nothing else to talk about.
15:00We don't want our Pietro to overflow.
15:02Anything else?
15:04No.
15:05No, that's all.
15:09Where are you going?
15:11You may have finished your breakfast.
15:15You may have finished yours, but I haven't finished mine.
15:19Actually, I haven't even started.
15:24Don't you want to know why I'm so entertained?
15:29It's none of my business.
15:30You're wrong. Yes, it is.
15:32Yesterday I had to use all my persuasion to convince my neighbor, a jewel,
15:38that I had to make an order in less than 24 hours.
15:43And I have faith that I have.
15:47An order to a jeweler?
15:50Well, I don't know what it has to do with me.
15:54Can you do me the favor of trying this on?
15:58I hope it's to your liking, because it's for you.
16:02For me?
16:03Yes.
16:04No, no, I'm sorry, I think I'm doing it wrong, very wrong.
16:07Of course.
16:09First I have to ask you a question.
16:14Lazara, do you want to marry me?
16:21I didn't expect this.
16:23Yes, yes, I know you're not being as romantic as you should be.
16:27Well, I should have given you a dinner in the light of the candles, but...
16:30But it was here.
16:33In this office where our love was born.
16:38And this is where I want it to continue.
16:41So...
16:46Lazara, do you want to be my wife?
16:52Yes, I do.
16:55In fact, I would like nothing more.
17:04Yes.
17:10And why are you crying?
17:12Because I thought you would never ask me.
17:14I would never dare.
17:26Hello!
17:29Don Salvador, I didn't expect you.
17:32Of course, you can show up whenever and however you want.
17:35That's what I'm here for.
17:37How can I help you?
17:39Tell me, Miguel, who are you trying to fool?
17:43Fool?
17:47I know what you mean, but it's not a trick, it's a misunderstanding.
17:52It has an explanation.
17:54Dante Alighieri wrote The Divine Comedy in 13...
17:57What are you talking about, Miguel?
17:59I don't have much time, so I'm going straight to the point.
18:03I admit that, because of that stupid thing, I've had my doubts.
18:10Although, fortunately, Salvita has come to his senses.
18:14Oh, is it about Salvita?
18:17What else could it be about?
18:19In part, it's because of the good work you've done with him.
18:23And that he himself has recognized me.
18:25It's an honor.
18:27The important thing is that he has accepted to marry Vanessa.
18:31It's a very important marriage for my family to be related to the Alta Alcurria.
18:37Well, as much as accepting...
18:39Don Salvador already knows the young people of today.
18:42They don't give the commitment the same value that we can give you and me.
18:46Come on, Miguel.
18:48What is well done, is well done.
18:50Don't take away your merits.
18:52You are definitely a good influence for my son.
18:56Something that was exactly what I wanted from you.
18:59Yes.
19:00And it must continue to be so until the end.
19:04Until I see Salvita on the altar giving the yes I want to Vanessa.
19:09Miguel, you must finish your work.
19:14My work?
19:16Look, Don Salvador, the man proposes, but it is God who disposes.
19:21You can't do this to me.
19:23I can.
19:25While I pay your salary.
19:28Miguel.
19:32If Salvita broke the commitment with Vanessa,
19:36I would consider you responsible.
19:40But it's something that, for the good of all, is not going to happen, right?
19:44Because you want to continue being my strong man, right?
19:51Yes, yes, I do.
19:53You couldn't have said it better.
19:56Inculcate that idea in my son.
19:58Put those two simple but powerful words in his head.
20:04Yes, I want.
20:07Miguel, in the matter that concerns us, you are God.
20:13You are the one who disposes.
20:17By the way, I forgot your wedding gift.
20:22I hope it will help you.
20:25You are very generous.
20:28And I can be much more.
20:31Miguel, don't forget.
20:35Yes, I want.
20:38Yes, I want.
20:46Yes, I want.
20:48I don't want.
20:52I don't want.
21:17May I?
21:19Come in, friend.
21:26I wanted to talk to you, Fabio, if you have a moment.
21:29Of course.
21:30From now on, I have all the time in the world because I have already finished in this office.
21:35What do you mean you have finished in this office?
21:39I have done everything I could as manager of the company.
21:42A position that I should never have accepted.
21:47I know very well that you cannot defend the indefensible.
21:50And that my credibility has been damaged forever.
21:54Yes, Fabio has disappointed me.
21:57How could he hide from me that Carla was alive?
22:00You are the most honest person I have ever met.
22:03Not even I can understand it.
22:08I swear by the most sacred thing that if I look back, I don't recognize myself.
22:12Well, in any case, it is never too late to rectify.
22:16And I will not be the one to judge you.
22:19But Fabio has not come here to talk about that.
22:21I wanted to ask you a question.
22:23Are you sure Carla got on that ship?
22:28Yes, I assure you.
22:31You and Matilde can rest assured.
22:37Well, that Carla is far away doesn't mean anything.
22:41Considering that her mother is still here.
22:44Although, well, I hope it will be more difficult for her,
22:47considering that she does not count on your help anymore.
22:55I have already told you. I have finished with that family.
22:59Although, with respect to Mrs. Bárbara,
23:02I am sorry to tell you that she is on leave.
23:04No, I know that.
23:06A contact in the police told Jaco yesterday.
23:11How is Matilde?
23:13Well, she is not well, Fabio.
23:15Not more after knowing this unfair outcome.
23:20I'm sorry, really.
23:22No, you don't have to apologize for anything.
23:24I am also to blame for all this.
23:27Matilde knew how to see the kind of person that Carla was,
23:31the evil she had inside.
23:33And I, well, I couldn't see it.
23:37I understand her. The same thing happened to me with her mother.
23:40It is obvious that they are such-and-such.
23:45And I understand that the galleries are not yet on sale
23:49for the businessmen to whom they are rented.
23:52That's right.
23:54Then I would like to ask you one last favor
23:57before you give up your obligations.
23:59Ah.
24:01Try to convince Mrs. Bárbara, I imagine.
24:05I will try.
24:07You have my word.
24:09I will always be indebted to you.
24:11To you and to Matilde.
24:23Thank you very much for your purchase.
24:25Any record you need, we can take care of it.
24:28Good day.
24:34Good day.
24:40Good day.
24:42Is Laurita there?
24:45No, she is not.
24:47She has gone to the printing house to review the suffrage posters.
24:51We need them as soon as possible and I wanted to insist on it.
24:55Do you want me to tell her something?
24:57No, no, it's not urgent. Don't worry.
24:59Wait a minute, Inés.
25:01Wait for me here.
25:05Inés.
25:13I did want to see you.
25:15I would like to talk to you.
25:17Yes, of course, tell me.
25:19You don't need me to tell you how important Laura is to me, do you?
25:24No, no, no, she is to me too, but ...
25:27what is this about?
25:30That yesterday I saw you at the Madrid Cabaret.
25:32I saw you and Agustín kissing.
25:35Since when, Inés? Since when you and Agustín have been together?
25:38No, no, no.
25:40Celia, you're wrong.
25:43It's just that there is nothing between us.
25:46But I saw you with my own eyes.
25:48And I'm sure there was something between you two.
25:51Nobody kisses like that if it's not because there is something.
25:54But ... but we just rubbed our lips.
25:58And we broke up right away.
26:02Well, we just let ourselves get carried away by the emotion, nothing more.
26:06But what emotion are you talking about?
26:09It's just that, well, we've spent a lot of time together lately,
26:12with my rehabilitation and ...
26:14and now preparing the play.
26:16I don't know, it's been a lot of things and ...
26:20And I don't know, I think we just got confused.
26:23Yeah.
26:25When you kiss someone on the lips,
26:27you know exactly what you're doing.
26:30I don't think you're confused, Inés.
26:32I think you feel something for him and he feels something for you.
26:35And nothing would happen if it weren't because Laura is your sister.
26:39But Celia, this has nothing to do with her.
26:43It was a mistake and it will never happen again.
26:48I'm sorry, Inés, but I don't believe you.
26:50When did you forget that Agustín was her boyfriend?
26:54But Celia, please, if you know exactly what I'm talking about.
26:57The daily friction, spending so much time together, I don't know.
27:02But the same thing happened to you with Laurita.
27:05It's true, the same thing happened to me.
27:07Of course.
27:08But I told her.
27:10What are you going to do?
27:15What are you talking about?
27:18Laura has to know the truth.
27:21No, no, let's see, let's see, Celia.
27:24That kiss was the first and the last.
27:27What's the point of hurting him if nothing else is going to happen between us?
27:32Inés, I don't believe you.
27:35You're in love.
27:37This is the reality.
27:39And you can't deny it.
27:42No, no, no.
27:44Agustín and I have already talked about it.
27:47And let's focus on work.
27:50Really.
27:51Celia, I promise you, please.
27:53I'm asking you.
27:54Forget everything you saw.
27:56Inés, listen to me.
28:00What?
28:01You know Laura doesn't deserve it.
28:03And I'm very sorry, but I can't look the other way.
28:08But what do you want me to do?
28:11Tell her.
28:12As soon as possible.
28:16Otherwise the lie will end up rotting.
28:18And then there will be no remedy.
28:24No.
28:38Vanessa, dear.
28:39I'm glad to see you.
28:40I came as soon as I could, given the urgency you have transmitted to me on your phone call.
28:46Tell me, what is it about?
28:47Something very serious, Don Salvador.
28:49What would it seem to you if your future daughter-in-law was humiliated by a cleaner in the presence of her future husband?
28:55Unacceptable, of course.
28:57And that not only would he not defend her, but that he would take sides for the same aggressor.
29:01I say that ...
29:03Look, forgive me, Vanessa, but I don't understand it.
29:05But if you're insinuating that my son did that ...
29:07I'm not just insinuating it, I'm affirming it.
29:10What's more,
29:12I even kissed her.
29:15Father, if you let me explain my version of the facts, you will understand that ...
29:18Are you going to be ashamed to deny a drama?
29:22No.
29:23Because, in general, everything Vanessa has said is correct.
29:25Especially the part at the end.
29:26But I think it would be convenient to nuance the story.
29:28More than anything, because ...
29:29The reason for having summoned Don Salvador is none other than to ask for his help.
29:34In addition to taking part in the situation, because I think this can be reconducted.
29:39Does that mean that your commitment is not in question?
29:42As long as he apologizes to me and commits to return to the Redil?
29:45Ah, if that's the only reason, don't worry.
29:49Salguita?
29:50We are waiting.
29:54Marta did not attack Vanessa.
29:55She was the one who treated her in a disrespectful way,
29:57telling her that cleaning was an unworthy job and that that was why she was a inferior being.
30:01Of course she is inferior.
30:03I mean, one has never been inferior.
30:07I mean, one should never forget where she comes from and how to treat a lady.
30:12And that whore didn't do it.
30:13Do you realize, father?
30:14I have not invented social classes.
30:16Well, well, calm down.
30:17For a moment I thought it was something serious.
30:21What I see here is a small dispute between a couple of lovers.
30:26Sometimes my son can be very idealistic, but even stupidity has a cure.
30:31Well, if everything is clear, I'm leaving.
30:35Don Salvador, nothing is clear until he apologizes to me
30:38and promises me that he will never talk to that rude woman again.
30:41Well, much less kiss her.
30:43If that's the only reason, don't worry.
30:46He apologizes to you and promises you whatever it takes.
30:48No, father.
30:49You can't talk for me.
30:50Neither now nor ever.
30:52In fact, Vanessa has not told you everything that happened.
30:55Because not only did I defend Marta, but I'm also in love with her.
30:58Stop talking nonsense.
31:00You haven't given me enough disgust.
31:02Well, here's the last one.
31:03I break my commitment.
31:05This.
31:06This is the most humiliating thing that has ever happened to me in my life.
31:10As you will understand, don Salvador, I will have to inform my father of this affront.
31:14And I assure you that he will not like it.
31:17Vanessa.
31:18Vanessa, wait, please.
31:24That girl.
31:25That slut.
31:27She is no longer well received in my bookstore.
31:30In fact, I would ask don Fermi to fire her.
31:33And I will make the voice run so that no one hires her.
31:36We are.
31:44Tell me, have you settled the rice well?
31:46Yes, the truth that very well.
31:48Holy hand.
31:49A holy hand.
31:51In my town it has always been said that the boiled rice balances the temperature of the body.
31:56And that is why it is given to the disabled people.
32:00Wait.
32:01It must be the doctor.
32:08Pietro.
32:09Lucia.
32:10I went through the dispensary.
32:11They told me that the doctor is going to be late.
32:13Antonio, if even it is possible that it cannot happen all day.
32:18How is it possible?
32:19Well, I was waiting for him like May water.
32:21And they told you why?
32:22Yes, because there are many people with fever.
32:24And with more serious symptoms than yours.
32:27It seems that there is a flu epidemic in the neighborhood.
32:30I'm sorry.
32:33This means that you will have to be here together, both locked up.
32:37I'm very sorry, but ...
32:38Regret what?
32:40Well, nothing, one more day meeting, right?
32:42Say the same, Antonio.
32:45So everything is fine, right?
32:46Both locked up.
32:48Yes, everything is fine.
32:49I know.
32:50By the way, why did you never tell me what happened in Verona?
32:56What are you laughing at? What about Verona?
32:58No, I can't believe you don't remember.
33:00No, you disappoint me, Pietro.
33:02It was just after we got married.
33:04On a Sunday.
33:05At my house.
33:06Ah, stop, stop, stop, stop.
33:07Yes, yes, yes, now.
33:10You are always alone.
33:11What are you laughing at?
33:12Why did you tell him?
33:13And why not?
33:14Tell me.
33:15No, no, no.
33:16To bother Antonio or to embarrass him?
33:17No.
33:18None of those things.
33:19Pietro, relax.
33:20He told me because I asked him.
33:21I was curious.
33:22Besides, you have nothing to be ashamed of.
33:24It's very nice that you are reciting Romeo and Juliet.
33:27Even if you didn't realize you were a priest in church.
33:31Wait, I just remembered something even funnier.
33:34Look, this was just after we met.
33:37And it has to do with a bicycle, a bouquet of flowers, my grandfather and a pizza.
33:43Let's see, tell me.
33:44Ah, a pizza.
33:45A pizza.
33:46But look at that face, so shy.
33:49You can't say anything.
33:53Marta.
33:54Marta, it's Alexander.
33:56Marta, if you have done everything you have in your hand, please, there is nothing to be ashamed of.
34:01Of course.
34:02Don't worry, there will be more opportunities.
34:04No, Antonia, but I hope I have taken advantage of this.
34:07I still don't know the result, but I think I have passed and with a grade.
34:10How nice.
34:11Our teacher.
34:12Bravo.
34:13Antonia.
34:14That can still infect.
34:16Yes, really.
34:17I am very proud of you, dear.
34:19And I am proud of you, Antonia.
34:21If in the end I manage to be a teacher, it has been thanks to you for everything you have done for me.
34:25I love you very much.
34:27I love you too.
34:32I had never seen her so affected.
34:35And it may not be because I had no reason, but I swear to you that this time it is different.
34:39And what makes you think that this time it is different?
34:42It is not for something specific, it is an intuition.
34:46I notice it as if it were about to explode.
34:49Something that had been incubating for several days.
34:52I think you have noticed it too.
34:55Yes, it had a tone out, but ...
34:58Let's see, did he tell you something that seemed significant to you?
35:03Or that gives you any clue of what he may be thinking?
35:07He told me that ...
35:09the time of words had ended and that it was time to act.
35:14And where is he now?
35:16He has gone out to buy something for tonight's dinner.
35:22Jacobo ...
35:25Do you think Matilde would be able to take justice into her own hands?
35:31Matilde?
35:34Man, I don't know.
35:36But well, fortunately, Carles is far from here, out of our reach.
35:41I don't mean Carla.
35:44If not her mother, Mrs. Bárbara.
35:46No, no, no, no. She will know how to keep her head cool.
35:49She's not going to do anything stupid.
35:51I would like to be just as sure as you, but I can't.
35:54I shouldn't have left her alone.
35:57As you know, I have to go to Seville today.
35:59But if you ask me, I'll stay.
36:01Whatever it is for you. Really, yes.
36:03I know and you have shown it all this time.
36:06And I thank you very much, really, but ...
36:09it won't be necessary.
36:12Well, then I have to go because the train is about to leave.
36:16Yes, a call and I'm here.
36:20And Matilde, give her time, it's strong.
36:23She has to assume it and let the waters return to their course.
36:26We are made of other money.
36:28We would never act like Carlos or his mother.
36:31You're right.
36:32We are not like them.
36:35Take good care of yourself.
36:37And promise me that Matilde and you are going to start a new life.
36:40Promised?
36:42I promise you.
36:51I'll walk you to the door.
37:07Hey, do we know anything about Antonia?
37:09And Pietro?
37:10Well, I haven't talked to Pietro, I've talked to Marta.
37:13And she told me she's better, thank God.
37:15Thank goodness.
37:18You told Trini, didn't you?
37:23Yes.
37:25There are people who think that happiness does not exist if it is not shared.
37:29And besides, Trini has always been my confidant in matters of the heart.
37:33Who was going to tell her?
37:35Yes, who was going to tell me that she would become such a great friend of mine?
37:38Well, I hope she didn't bother you, that she told her.
37:41Don't be angry.
37:42No, I'm not angry.
37:45What I would like is for us to be a little more concentrated.
37:48If you plan to tell someone else, try to keep me informed.
37:53Yes, well, it's just that Trini escaped me, so it was a bit of a surprise.
37:57But with the others, I think it's better to continue as we are.
38:00Unless you want something else.
38:02Well, I would tell Miguel.
38:05But lately he's a little out of focus.
38:09So I'm with you.
38:11It's better not to rush.
38:13Teresa, shut up.
38:14If you have a moment, please, I would like to announce something important to you.
38:18Right now, Mr. Fermin?
38:20They're going to finicky us.
38:25You see, you are my most trusted employees.
38:29And that's why I wanted to announce something to you,
38:31so that later you can communicate it discreetly, please, to the rest of the team.
38:37You tell me, Mr. Fermin.
38:41Wait a minute.
38:45I have the honor to announce my marriage commitment to Mrs. Lázaro.
38:50I love you.
38:56Well, considering that at the press conference they told me that the posters will be ready tomorrow,
39:00we have to think about how to distribute them.
39:04What?
39:05What do you mean, what?
39:07Celia, where's your head? Didn't you hear what I told you about the posters?
39:11Yes, I was thinking...
39:14Nothing, I was thinking that the members of the Lyceum Club have assured me that they will participate in the event.
39:19Well, I didn't expect less.
39:20On October 1, the law will be voted and until then we have to press for it to be approved.
39:24I hope our act will be of some use.
39:26Yes, there's no doubt about it.
39:28There's already a lot of talk in all the women's circles, in the capital and in the provinces.
39:32It's going to be a success.
39:34Are you sure you're okay? You don't say it very convinced.
39:38Yes, forgive me, Laura.
39:40Nothing, I'm a little nervous. Too many emotions.
39:43Do you remember what we told my uncle once?
39:46We don't want to be told the story.
39:48We want to be part of it.
39:50And we're doing it.
39:53Inés, how are you?
39:57Fine, fine, fine. You don't know who I ran into on the street.
40:01Who?
40:02Marta. She came to examine herself and she thinks she passed with a good grade.
40:07That's great. An associate needs more women like Marta.
40:11Yes, the truth is that I'm very happy. She deserves it.
40:15From what I see, Madrid-Cabaret is becoming the epicenter of the suffragists.
40:19I don't know if you're going to allow me to sit with you or ...
40:23Well, only if you're in favor of the female vote.
40:27Of course I am.
40:29Would you like something to drink?
40:32I'll go with you to ask.
40:42I guess you haven't talked to Laura.
40:44No. I already told you it wasn't necessary.
40:47What?
40:49Aren't you ashamed to be sitting next to her knowing you've kissed her boyfriend?
40:53Look, Celia, please don't do this to me.
40:56You're giving her too much importance. I already told you no.
40:59That nothing happens and I really hope you hadn't seen it.
41:02But I saw it, Inés, I saw it.
41:04And I'm not going to erase it from my memory.
41:06Go with your conscience.
41:08But I'm not going to betray Laura.
41:10I'm sorry.
41:11Celia.
41:16Now bring us the drinks.
41:18And Celia?
41:20No, she's tired and she's gone.
41:23She's been very strange all day. I think she's hiding something from me.
41:35But, well, you're not going to say anything?
41:38Of course, Don Fermín.
41:40Mrs. Ázara wishes you a happy marriage.
41:44Congratulations to both of you.
41:46I'm very happy that you are the first to congratulate us.
41:49They are two very special people for me.
41:53And the pillars on which this business has been sustained since the beginning.
41:57And I will never forget that.
42:00I will never forget that if I am here now it is thanks to you, Teresa.
42:04From the beginning you have always trusted me.
42:09Well, I said it.
42:11Our most sincere congratulations.
42:13Thank you, thank you. You can go back to work.
42:17Well, it seems that your favorite employees approve your decision.
42:22I think today is one of the happiest days of my life, if not the happiest.
42:26That's a lot to say, don't you think?
42:28Honestly, at my age I didn't expect to fall in love with the way I did.
42:33I thought that time had passed.
42:36There is no way to fall in love.
42:39We all fall in love the same way.
42:41It doesn't matter what we have.
42:43Some call it mature love.
42:45I like to call it wise love.
42:48I think we have found ourselves at the moment when we had to do it.
42:51Neither before nor after.
42:53How do you do it?
42:54What?
42:55Because you are always able to express exactly what you want to say.
43:00But I never find the words.
43:04You say things.
43:06The one that if we didn't have enough having her as a manager,
43:09now we have her as a consort owner.
43:12She has done it very well.
43:16At least we are not fired.
43:18For now, Cañete.
43:20For now.
43:31I love you.
43:42News, news.
43:44Don Fermin is going to marry the vampire.
43:47Today Teresa has met us and she has told us officially.
43:52What do you think?
43:53What strangest things have been seen in this house?
43:55But if I have to be surprised, I am.
43:59What are you doing?
44:01I have taken a photo of our wedding album to give to Elías.
44:04I am scraping the date so that they don't discover the lie.
44:08I can't believe it.
44:10What do you want me to do?
44:11If they see this, they will realize that we got married on the 29th and not the 31st.
44:15Come on.
44:16Tell me what you think.
44:18We are both.
44:19I think it will work.
44:20Yes, I think it will work, but knowing Elías, I don't know.
44:23He is able to ask you for the entire album.
44:25No, no, no.
44:26There it is.
44:27I finish scraping the date and the matter is solved.
44:30If you say so.
44:32Look, why don't we change the subject?
44:35I have spoken with Don Salvador.
44:37And what did he tell you?
44:39Well, he has appeared in the bookstore and he has not told me anything about the book,
44:43so I deduce that he did not see me take it.
44:46But that's good news, isn't it?
44:48And then what did he want?
44:49Congratulate me on the good influence I am exercising in Salvita.
44:54And on top of that, he has given me 30 pesetas as a wedding gift.
44:58My goodness, well, added to the 50 pesetas that Don Fermín gave us, that's a good peak.
45:06And what about being a manager, has he told you anything?
45:09Well, he has made me understand that it is linked to the fact that Salvita leaves Marta and commits to Vanessa.
45:17And I see it very black, so I see myself dependent on the rest of my life.
45:21It has to be like this, it has to be like this.
45:25Oh, how handsome we were, my goodness.
45:29But what are you doing?
45:30But what are you ...
45:31What, what, what?
45:32Have you uploaded them?
45:33I'm uploading the wedding photo.
45:35Sorry, my love, sorry.
45:36But hey, we have others.
45:37No, well, the others are not valid.
45:38They are all unique, they are all important and special.
45:41Yeah, but love, we have to finish with this.
45:44Because you already know how they are in the living room.
45:45They are not going to leave us alone.
45:47And what is your plan?
45:48Scratching photos until we run out of wedding photos?
45:50No, we show them a photo, but they don't see the reverse.
45:56Look, you know what?
45:58I don't care.
46:21To judge by his face of disgust that he did not expect to see me.
46:25Of course not.
46:26How dare you?
46:27You are not welcome in this house.
46:29Get out of here right now.
46:31No, I'm not going to leave until he listens to me.
46:34And I don't want to talk to dependents who have come to more.
46:37Either you leave my house right now, or I will be forced to call the police.
46:40The police?
46:42Doesn't it seem strange to you that a person who is free, under bail, needs to call the police?
46:48May, go away.
46:49Leave us alone.
46:53What do you want, bitch?
46:58Today I have to think about everything that you and your daughter have done to destroy me.
47:04That's where I and my family got.
47:07And I was impressed to see that the list was so long.
47:11My mother's murder.
47:13The car accident.
47:14The attempt to intern me in a asylum.
47:17But well, I don't want to bore her.
47:20If you've come to throw all that in my face, you're wasting your time.
47:24Because this matter is in the hands of justice.
47:27That's precisely what it's about.
47:29That I don't trust justice.
47:31Proof of this is that you are here, in your house, quietly, and your daughter is free.
47:36So, what have you come for?
47:38To ask you for forgiveness? Is that what you want?
47:40No.
47:41No, that wouldn't change anything.
47:45You know what?
47:47I've come up with another ending for this story.
47:51And instead of staying in my house with my arms crossed, I've thought...
47:56that I could make it a reality.
48:03Maybe that would be much fairer.
48:07Matilde, don't do anything crazy, for God's sake.
48:15It's a beautiful ring.
48:18Yes, it wouldn't have been cheap.
48:21Who else gives money, Laurita?
48:23It's the least I could give Lazaro in such a special moment.
48:27That wedding won't change anything.
48:29Because Mrs. Vampira is already walking around the living room as if she were the mistress of the court.
48:34The one who's going to be affected will surely be Teresa.
48:37When I told my father that I was crazy about you, he made me meet that guy and get me engaged to her.
48:41Yes, but that's already so complicated, isn't it?
48:42Yes, but I also threatened to kick you out of the bookstore and talk to Mr. Fermin to fire you from La Moderna.
48:51What did I ignore?
48:53Well, Celia saw us kissing.
48:58And she wants me to tell my brother or...
49:02Or what?
49:04Or to stay away from you.
49:07And if I don't do either of those things, well...
49:09Well, she'll tell him herself.
49:11Ours is over forever.
49:14We have crossed a point from which we can no longer return.
49:17What can I do to get another chance?
49:19I'll get closer to you, I'll get closer to you.
49:22Come here.
49:24You can hardly see the details, man, Miguel.
49:28There's something that escapes me.
49:30Yes, me too.
49:32I'm aware that you saw how Inés and I kissed.
49:35In any case, I want to tell you that more than a kiss, it was that our lips kissed, that is...
49:41Agustín, I saw what I saw.
49:44I've been watching all morning to see if my father comes to talk to Mr. Fermin and he hasn't shown up.
49:48Well, he's regretted it and he's not coming to fire me.
49:52I would have to change my father a lot so as not to fulfill a threat, but who knows?
49:57I wouldn't like to have to deal with any unscrupulous or with Mrs. Agustín herself.
50:01I wouldn't like to have to deal with any unscrupulous or with Mrs. Barbares herself
50:06if she finally decides to stay with the locals.
50:09In any case, it doesn't seem like good times are coming in terms of these businesses.
50:14Or not, Agustín, or not.
50:16It seems like a lie that we're going to get married.
50:19And are they going to get married right away?
50:21Or are they going to have a long relationship like they used to?
50:24No, no, no, no, no. We'll get married right away.
50:27Sure, but the truth is that they have how to be waiting.
50:28I mean, Mr. Fermin, Mr. Fermin is not a child anymore.
50:34What's this?
50:36Money. A good amount.
50:38Enough so that you can finish your studies without straining.
50:42As my son has told me, he wants to be a teacher.
50:46Don't let this opportunity pass.
50:48Come on, Mrs. Lázaro's convict had more poison than a viper.
50:51Well, you see.
50:53What he told me when we were alone put me on edge.
50:55So this woman has not signed the peace treaty with me.
50:59Are you serious? Is something wrong?
51:05Elias.
51:07What do you know about Teresa and Cañete?
51:10Are they in a relationship?
51:12Well, as far as I know, no.
51:14Well, there is no more to see them to know that they are breaking up.
51:19Lara.
51:21I'm glad to see you again.
51:23We are friends.
51:25I will never leave you alone.