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00:00Believe in yourself. 64th episode.
00:04Graziella, are you ready to share your story with Sol? She's also a victim of Theo.
00:09What do you mean, also? It happened a few weeks ago.
00:13I met a man at the bar, and...
00:21Calm down. It's all right. Here.
00:25Ven. Excuse me.
00:29There's an emergency, and Lumière's not answering.
00:32She was going to go, but there's probably no signal.
00:35Go.
00:36All right.
00:37Yes, we... Graziella?
00:39Yes.
00:40Yes. Maybe we should talk in private.
00:44Right? Without the presence of...
00:47A man.
00:48A lawyer, between us.
00:51Yes.
00:52All right.
00:53I understand. I'll be right back. Excuse me.
01:01The engineer from the construction company Dorival El Cachati is accused of eco-crime.
01:06Is he a criminal?
01:07Yes, and he's already on the case.
01:09He's asking for the company's licenses, and he's going to the police before he's released.
01:13I'm sorry, but he has to go to the forum, and Laïge is leaving the office.
01:18I'm a trainee.
01:20This client is important to Lumière.
01:23All right. Get the documents ready. I'll go.
01:26All right.
01:27I'll tell Soi and Graziella I'll take care of it. Go, go.
01:33I went to a concert with my friends in Lapa.
01:38We decided to drink something.
01:40One last beer in the bar before we cleaned up and discussed the evening.
01:46Theo was there.
01:49I saw this handsome man.
01:52He smiled at me.
01:54He was tall and older.
01:57He came to our table.
01:59My friends left, and I decided to stay for a while.
02:02He gave me a compliment.
02:04He said I was beautiful.
02:07He even mentioned piercing on my butt.
02:11Then, when I said I was leaving, he offered me a drink.
02:17He said it would be...
02:19For his sake.
02:21Yes.
02:25When I was about to leave, I felt...
02:29that everything was spinning.
02:32I could barely keep my feet.
02:39He offered to help me.
02:44Let me take care of you.
02:46Let me call a cab for you.
02:48Would you do it?
02:49Of course.
02:50After that, I remember very little.
02:53Sometimes, there are glimpses.
02:56If I close my eyes, I see how he smiles at me.
03:00And from the inside, I feel disgusting.
03:04Very unpleasant.
03:08I know what it is.
03:12It's hard to find someone who believes in you
03:15when you can barely remember.
03:20I woke up in the middle of nowhere and...
03:25I told the guard
03:28what I thought had happened.
03:33And he played along.
03:37He made me change my mind
03:41before I went to the police.
03:48I didn't know what to do.
03:54So I decided to go back to the bar
03:57to see if there were any cameras there.
04:00I'm sorry you had to go through that.
04:05I'm sorry he did what he did to me.
04:13The drink.
04:15The promise to take care of me.
04:19You are very brave.
04:22Very brave.
04:24To be here.
04:26To face this bastard.
04:30I wish I could be like you.
04:34But it took me a long time
04:36to realize what I had been through.
04:53I'm sorry. This is from...
04:56the police. Pick up. I'll answer.
05:00Hello?
05:02Hello. Is this Graziela?
05:05Yes.
05:06I wrote down your number
05:08from an ad in the center.
05:10What's his name?
05:12Rodrigo.
05:14I was wondering if I could visit you.
05:17Okay. See you.
05:22Krasnik, let's meet.
05:24So you know what to do with Pablo.
05:27Let's do it.
05:33I'm going to have to show him
05:35one of my relatives.
05:37You explain to Benjamin.
05:39But tell him I can be here tomorrow.
05:41Okay. I'll share your story with him
05:44if you let me.
05:46Yes.
05:48We'll make this man pay for everything.
05:52It would be nice to talk to him.
05:55To understand that we're not alone.
05:58We're not.
06:00I'm glad I shared it with you.
06:04A relief in the middle of a nightmare.
06:09I'm leaving.
06:11Okay. Bye.
06:13Hurry.
06:16Pablo, do you see the cameras?
06:19No, but it's better to stay with the helmet.
06:22Do you have the number?
06:24Yes, here.
06:28Higher, higher.
06:30Come on, come on.
06:32Graziela!
06:34Graziela!
06:36Graziela!
06:38Graziela!
06:40Graziela!
06:42Graziela!
06:44Graziela!
06:46Don't run!
06:47Take everything.
06:48Silence.
06:50You'll do what I tell you to.
06:52Otherwise, you'll get in trouble.
06:56Do you understand?
06:57Yes, I understand.
06:59Repeat it.
07:00Kalnoss will disappear.
07:01What else?
07:02He'll leave the city and go far away.
07:05Good.
07:07Did you learn your lesson?
07:09If you go to the police and tell them about the bar,
07:11we'll find you.
07:12Do you hear? Do you hear?
07:15Come on, run!
07:23Okay, Stanley. We have a deal at the end.
07:26You're a hard-working businessman.
07:29Okay, we'll talk on Friday. Take care.
07:33Sheila, how many times have I told you not to let him in?
07:36He said it's very urgent and important.
07:38You look better with me.
07:41Especially because I'm the one who cleans up after you.
07:46You can go.
07:51Tell us he's going to disappear from here.
07:54What else?
07:55He's going to leave the city and go somewhere far away.
07:58Okay.
08:00I've told you a thousand times.
08:02Find a professional.
08:04You pay them and they do what we want.
08:07Yes, but sometimes I can't stand it.
08:09Okay, then do it another day.
08:12Don't put my bar at risk.
08:14Just because you're obsessed with the dancer.
08:17The one who was Benjamin's gadget.
08:20Are you done? I have work to do.
08:22I'm not done.
08:23Look at you. You have everything.
08:26You look good, handsome, with money.
08:29You just have to get out and the woman will come.
08:32Even kill your friend's wife, the lawyer.
08:36Why do you still want what you don't have?
08:39Have you heard that the neighbor's grass is greener?
08:42You want my well-kept suit.
08:45My perfume.
08:46The French restaurant I eat in.
08:48Let's not talk about my wife.
08:50My grass is greener than yours.
08:54And people like you and me are not satisfied with your backyard.
08:59But at some point you'll have to stop.
09:02It will be bad and you know it.
09:05I know.
09:08But it's hard for me. I can't control it.
09:11I miss something.
09:13Something...
09:15I don't even know the name of.
09:18Hunger, which is not satiated.
09:21Tiredness, which only disappears when I die.
09:26When I'm with her, I feel more...
09:29I feel more...
09:31worthy.
09:34Better, kinder.
09:37That's perfect.
09:39Immediately marry her and forget about everything.
09:42I don't think I've ever loved anyone like that.
09:46Except yourself.
09:56Speak. Was it like in the movie?
09:59He gathers everything from the mass and explains it to you as if it were all at once.
10:04Bruno!
10:05My God, Bruno! Is this done in a working environment?
10:08It wasn't like that.
10:10When I left, he was talking to one of Theo's victims.
10:14Nova.
10:17She was soon drugged from him, just like me.
10:21But he's a criminal!
10:23My God, shut up.
10:25Do you know what burns me?
10:28She looks like me.
10:30You know?
10:32She's gloomy. She managed to turn off the lights and...
10:37How did you do it?
10:39What a bastard.
10:41That's why I decided.
10:43I'll break my silence.
10:44I'll be a witness in the case against Theo.
10:47Are you sure?
10:49It's going to be big.
10:51Suffering is expensive.
10:53I'm sure, Mom.
10:55When I came back, I didn't pay attention to every woman who was passing by.
11:03How many of them have suffered violence and are afraid to speak?
11:09How many of them don't even know what they've suffered and feel guilty?
11:15How many of them suffer from domestic violence without knowing that they can escape?
11:25How many more women will suffer from the hands of this man?
11:29No, that's enough.
11:31Enough.
11:33End of fear.
11:35End of silence.
11:38End of silence.
11:40End of silence.
11:42End of silence.
11:44End of silence.
11:46End of silence.
11:48Benjamin.
11:50Thank you for taking care of the engineer's case. Fabricio told me.
11:54It was relatively easy.
11:56I submitted the environmental licenses and they decided not to raise charges.
12:01Can you come in for a minute?
12:05Is there a problem?
12:09Yes, you will learn from the official channels, but I wanted you to hear it from me.
12:14We will file a complaint against you for sexual violence.
12:22Today you refused.
12:25A new victim has appeared who wants to testify.
12:29Who is she? Since when?
12:31Not soon. It was soon.
12:34A week ago.
12:36Impossible.
12:38She was here, in the office.
12:41Who is the woman? What's her name?
12:43Her name is Graziella. She's a broker.
12:47And what did she say? Is she reliable?
12:50I didn't have time to talk to her as I should because of the engineer's case, but she was here, talking to Sol, and they were...
12:58Wait, wait. Are you going to file a complaint for something that Sol claims that some woman told her?
13:04She claims? Sol, there's no reason to lie.
13:06She shouldn't have lied from the very beginning.
13:10It's amazing how Theo has gone blind.
13:13I don't believe in a woman who doesn't stop lying.
13:18Benjamin, I'm coming back from Lumière. I left my sick mother there.
13:24How is Dora?
13:26She's weak, but that was expected.
13:29I...
13:32I'm going to say that we're going to have different offices.
13:38Okay.
13:40Why do you think it's necessary?
13:42I think so.
13:44And besides, I'm going to look for a lawyer who can take care of our divorce.
13:49Since it's going to be easy, I thought about Leonardo Fontura.
13:53Okay. He's great.
13:55If this alleged victim really has something against Theo, you should hear it from her, not from Sol.
14:00Right?
14:02Right.
14:14Okay, now turn your tail.
14:18Turn your tail.
14:21Turn your tail.
14:23Turn your tail.
14:25Good. You look great.
14:27Theo!
14:29I have to help Rafa buy lighting.
14:32We had to work on the face.
14:34Why now?
14:36Come here.
14:38I'm coming.
14:40My interview is coming out here, and Arthur from Model Art asked me to ask about the fashion agency.
14:45Rafa is helping me with that.
14:47You're hot.
14:49You're hot. You're a little fat in this picture.
14:51And here you could remove your breasts. There's so much technology.
14:56But why did he ask you out?
14:58He asked me out because he wanted a naturally beautiful woman, not a slut.
15:02Let's stop this discussion.
15:05I told Rafa I was going to ask Katia out for a family dinner.
15:10Incredible idea.
15:12I don't know if she'll accept.
15:14Oh, she'll accept. What's so bad about a family dinner? She'll call her daughter.
15:18It'll be great to get together.
15:21It'll be great.
15:28Good morning, Fabrizio. Is Benjamin here?
15:31Good morning. The client is waiting in his office.
15:33What do you mean? I'm sorry, but who are you?
15:37And when is he coming back?
15:39Yes. Thank you.
15:43Benjamin?
15:45When your client arrives, who will file a complaint against Theo,
15:48I want to be there, because I want to know why Theo is here.
15:53He's not coming.
15:55He left.
15:57Your cell phone is with the company.
16:00She's with another broker.
16:02And she can't give you her personal number.
16:05Strange.
16:07Yes. I figured it out myself.
16:09Where did this complaint come from?
16:12Let's see if she can figure it out.
16:15What?
16:17From someone connected to Sol?
16:19I don't need to tell you how to find the victim.
16:22Especially after you're connected to the accused.
16:25Benjamin, Sol won't forgive Theo for hurting Jennifer's fatherhood.
16:30She wanted you to be the father, and I understand.
16:33You're a better father than Theo, but...
16:36Think about what you're going to say now.
16:39You have to be more sensible before you accuse a friend of a crime
16:42when you've known him for 20 years.
16:45Have you ever thought about it?
17:02Yes.
17:04Another one that disappears and leaves no trace.
17:08Yes. She's scared, Benjamin.
17:09I know how she is. She's not the judge.
17:12What are you going to do now?
17:14Sol's testimony isn't enough.
17:17Yes, the crime is over.
17:19If I ever see this man again,
17:22I'm going to get out of my hole and leave after this Velzevoul.
17:26Didn't Graziello say anything about cameras?
17:28Something like that at the bar?
17:30Yes. There are no cameras at Orfeo.
17:32And if there were, he wouldn't have given the records.
17:35But the shops around him...
17:38Shall we check?
17:44This is for my mother.
17:46When she sees that I'm better, this helps her get better.
17:51And she needs this energy.
17:53Honey, I think it's so beautiful how you take care of each other.
17:57It's the same with my mother, but... I don't know.
18:00It's just a family dinner. That's it.
18:03My friend.
18:05Hello.
18:07I went to the bar last night.
18:09Him, you, his mother, his father...
18:13We can talk about that, right?
18:16That's exactly what I said.
18:18I'm leaving. I'm looking for a teacher.
18:20I have a late report on someone.
18:22Go on, dear.
18:24Did you win the award for the hottest photographer?
18:26Bye.
18:28Bye, dear.
18:30Dinner with Theo?
18:32Are you crazy, Kate?
18:34I can go if you come with me.
18:35I'd rather meet the plague in Egypt than sit at a table with Theo.
18:40Why are you leaving?
18:42Because of Raphael.
18:44Are you really going to leave me?
18:46Yes. Or sooner. And you don't go either.
18:50Okay. I'll sell my sandwiches.
18:53And you, come on, think with your heart, my friend.
18:56Do you remember how many times I saved you at the kindergarten?
19:00It won't be clear.
19:02It won't happen.
19:03Go sell your sandwiches.
19:05Wait, let's talk.
19:07No, no.
19:12The report was approved for the evening.
19:15Bring my daughter.
19:23Listen, boss.
19:25The hotel told me there's a lawyer in the neighborhood
19:28who wants the security camera footage at the bar.
19:31Are you serious, Pablo?
19:34I see. I understand.
19:43Sir, are you looking for something?
19:52Feel at home.
19:54It's a great honor for me to meet the widow of my idol, Carlisle.
19:58God forgive him.
20:00Thank you, Mr. Raphael.
20:02And you, sir.
20:04We know each other from other places, right, Benjamin?
20:07You know why we're here.
20:09What we know is that the locals find it strange
20:12that two men from outside are looking for and interrogating for security cameras.
20:17People here don't deal with such things.
20:20I don't understand.
20:22What are you looking for and why do you need these records?
20:26Raphael, we need them.
20:27We heard your friend Theo raped a girl in the neighborhood.
20:31It's not possible.
20:33If someone told you something, it's obvious that he got mixed up.
20:37Stop, I'm done. I'll get more.
20:41That's Hugo.
20:43Isn't it Hugo? I saw him.
20:45He draws my daughter's face.
20:48It's a coincidence, right?
20:50Son, we'd better go.
20:52But...
20:54I think it's reasonable, because I'm Zed.
20:55Do you realize that you're protecting a rapist, a woman?
20:59Do you realize that you're talking about my friend?
21:02The only one who gave me a hand when I needed it.
21:06With all due respect to your late wife, Carlisle.
21:11Pay attention to what you're saying.
21:14You have no idea what Theo is capable of.
21:17Son, let's go.
21:19Seeing you two together, I remembered the dances in Ney Ney.
21:23The dances in Ney Ney?
21:25With all due respect, ma'am,
21:27I'd rather you get the hell out of the scene than drive me here.
21:37God.
21:39I really have to go.
21:41I don't want to miss the time.
21:44See you later.
21:46I'm free today, I'm not going to help my father.
21:48Yes, I want to.
21:50Bye.
21:51Bye.
22:03Why can't we find Graziella, Mom?
22:07Believe me.
22:09Nice?
22:11I'm good, I'm good.
22:13It's good, Mom, I kiss you.
22:16How are you, Jenny?
22:17How are you, Jenny?
22:21My friend.
22:27Hi, Giga.
22:29Let's talk.
22:31I know you're back, and I have to tell you what happened.
22:35Can you get out of here?
22:37You tell me and the trial will begin.
22:48That's her.
22:50His girlfriend.
22:52That damn boy.
22:55He obviously did it.
22:57Are you talking to me?
22:59Here, Pablo, listen.
23:01Do you agree with me?
23:03If Sol and the lawyer know about the crap that happened here,
23:08at least in my bar,
23:10it's because Hugo opened his mouth
23:13and told them everything.
23:14And he told them everything.
23:16I wouldn't have imagined it, but you're right.
23:18I want this guy's head.
23:21And you will find the skull and put an end to his race.
23:26Yes, boss.
23:28But I have to meet him and leave him alive.
23:30We'll send the worm in the ditch.
23:33He betrayed the wrong man.
23:36Yes, yes, boss.
23:37You have time for everything,
23:40but if you can keep Hugo in your prayers, go ahead.
23:44I knew it.
23:46I'm coming from the airport and I felt
23:49that I had to come right here.
23:52Look who are the first people I meet.
23:55What a joy that you came, Eduardo.
23:58It's wonderful, Pastor.
24:00Yes, I have to go, Pastor.
24:02Thank you for the advice.
24:04You're welcome.
24:08Just a minute.
24:13Jennifer.
24:15Is everything all right?
24:17Yes.
24:19But so many things happen.
24:21Of course.
24:23I arrived, and you even greeted me.
24:27I'll be back.
24:28You know.
24:30What do you mean?
24:32Because of what you said.
24:34That we can change the world, wherever we are.
24:37Even here, in my country.
24:39Really?
24:41I'm glad to know that I inspired the missionary.
24:44No one knows what.
24:46I'm sorry for my bad attitude.
24:49So many things happen,
24:51that I have the feeling that my head is spinning.
24:54I'm sorry.
24:55So many things happen,
24:57that I have the feeling that my head is spinning.
25:00If you want to say something,
25:02or talk about any idea,
25:04I'm happy to meet you.
25:14Hugo.
25:16I have to talk to you seriously,
25:18right now.
25:20We'll meet at our place.
25:25Okay.
25:45What is it?
25:47What are you doing?
25:49The house is collapsing.
25:51Orfeo knows that you are giving information to the lawyer.
25:53He wants your head.
25:55Don't say that about God.
25:57Be glad that it's just a story.
25:59He ordered me to do the job.
26:02And what are you going to do?
26:04I'm thinking, brother.
26:06You are like my child.
26:08That's the only reason to keep you alive.
26:11But either you leave and disappear from the world,
26:13or I will have to disappear.
26:17If Orfeo finds out that I didn't kill you,
26:20he will kill me.
26:21Do you understand?
26:23Do you understand?
26:38I like this one.
26:40Isn't it nice to have a smile?
26:42Mr. Photographer,
26:44is everything ready for the party with my daughters and your gadget?
26:47No.
26:49I don't know.
26:52Do you like it?
26:54I should have changed my hairstyle.
26:56Yes, but the more natural it is, the better.
26:59I thought I had a frame that would look great with these pictures.
27:02Wait.
27:04You understand more than me.
27:06Yes, I think both are good.
27:15It was Hugo.
27:17Hugo gave me Graziel's map.
27:19He was scared to death.
27:21Unfortunately, they got it.
27:23What do you mean?
27:25Kate, Hugo was very brave.
27:28He knew that I was working on this case.
27:31And he will reach the authorities.
27:34Do you know where he is?
27:36How can I know?
27:38He's like a spider on an endless web.
27:40And his number?
27:42Do you have it?
27:44Call him.
27:52There is no connection.
27:59Is it Hugo?
28:01Are you waiting for him?
28:03Yes, I understand.
28:05I'll leave you.
28:07I'll take a shower.
28:09Try to contact him.
28:17What is it now?
28:19What do you want?
28:21I want a dinner with my daughters and my son's gadget.
28:25Arrange it, or I'll have to tell him who you are.
28:32Okay.
28:34But if Hugo gave Graziel's number to my father,
28:37why was he surfering all the time?
28:40I don't know, daughter.
28:42There is a possibility that he was oppressed, scared.
28:46He could have told us the truth.
28:48That's right.
28:49He probably wanted to protect you, you know?
28:53So you wouldn't get in his way.
28:56That's probably why he was talking to Kate.
28:59Why don't you ask him?
29:01Daughter, I think Hugo likes you.
29:04I saw the graffiti he made on both of your photos.
29:08It's beautiful.
29:10I'll call him.
29:12Yes, call him and tell him Benjamin wants to help.
29:20There's no connection.
29:23Is he okay?
29:26Mom!
29:28We have a visitor.
29:30Who?
29:32Eduardo, I didn't know you were back, son.
29:35How are you, Leluso?
29:37Welcome home.
29:39Eduardo arrived today, but he couldn't get into the kitchen.
29:43My mother went to work and forgot to leave me the key.
29:45She was going to have dinner with the pastor,
29:48but I insisted on inviting this good man to have dinner with us.
29:52Bravo!
29:54I don't want to interrupt.
29:56No, Eduardo, you can stay.
29:59Oh!
30:01Serve her here.
30:03Super!
30:05Isn't it modern?
30:09Kate confirmed me.
30:11I'll try to bring Jenny, too.
30:13Hey, Jenny.
30:15Good news.
30:17Do you like it?
30:19It's great.
30:21I was missing Brazilian food.
30:24Look, I'm only missing the aroma.
30:27Bravo, Mom.
30:30I'm not hungry.
30:32I think I'll take advantage of the opportunity to study.
30:35What are these jobs?
30:37No, Grandma, this is because I have a lot of interesting material.
30:40I'm going.
30:41Is the tea ready?
30:43No, Mom, it's not necessary.
30:45Yes, make it sweet.
30:48Serve her the rice.
30:52Isn't it uncomfortable from my surprising visit?
30:55There's nothing in common with you, Eduardo.
30:57Eat.
30:59I want to know if you like it.
31:06Please, answer me.
31:12Hello.
31:24Hugo, I called you.
31:26I wrote to you, but nothing.
31:28I had to get away from the cell phone.
31:30I came here to tell you that I'm leaving.
31:33Leaving?
31:35But where?
31:37I heard you took a risk.
31:39And that's because of me.
31:42Because of you.
31:44I haven't experienced it with anyone else.
31:46But I have to go.
31:50Hugo, the bathroom window is open.
31:54Come in.
31:56I have to call you.
31:58At least once more.
32:00Can I?
32:06I'm coming out now.
32:09I'm coming out.
32:12Can you come out?
32:14It's urgent.
32:16Are you OK?
32:18Yes, I'm sorry.
32:25I saw you together at the church.
32:28The priest is coming.
32:30It's nothing like that, Hugo.
32:32Eduardo is a friend of the church.
32:34He came back from abroad.
32:36With all due respect,
32:38would you excuse me
32:40so I can talk to my gadget.
32:43Or rather, my ex-gadget.
32:45Eduardo, would you leave us?
32:47I need Hugo right now.
32:49Please, don't tell my family.
32:53OK.
32:55I don't even know what's going on here.
32:57I'll leave you.
32:59Listen, brother.
33:01When I'm not here, take care of Jenny.
33:10How is she going to take care of me?
33:13What's going on?
33:21Edu, why are you laughing?
33:24Maria Eduarda,
33:26what's wrong with the upbringing?
33:28Nothing.
33:30I'll see if Jenny needs anything.
33:32No, ma'am.
33:34I went out of the bathroom and talked to her.
33:36She's fine.
33:37She needs time to calm down.
33:40But this bean...
33:42Tasty.
33:44Tasty.
33:46Eat as much as you want.
33:48Look, my father can help you.
33:51He's talking about Benjamin,
33:53not someone else.
33:55Let him be.
33:57He'll protect you.
33:59There's no such thing for people like me.
34:01I'm a small-time bandit.
34:03My life is useless.
34:05Hugo,
34:07you're so many things.
34:09You're talented,
34:11intelligent,
34:13you've changed your life.
34:15I'm proof of the transformation.
34:17Yes, but
34:19the bad doesn't reach people like me.
34:22I've been in this for a long time.
34:24Don't say that.
34:26You're from another world.
34:29You're a student.
34:31You have a rich father.
34:33And I...
34:34If I disappear,
34:36I won't miss anyone.
34:40You'll miss me.
34:43Violence in my world is normal.
34:46They'll be upset if they catch you because of me.
34:51I'll be with you.
34:53No.
34:55I'm leaving.
34:57They're probably suspicious
34:59that I came to talk to God.
35:01I think they're looking for me.
35:02I think they're looking for me.
35:33I love you a lot.
35:40I love you, too.
35:52Hi, Pablo.
35:54Did you make it?
35:56I didn't find the boss.
35:58I've searched all over the place.
36:00I went to his house.
36:02I passed by his house.
36:04I went to Naldo's people.
36:06But nothing.
36:08He's gone.
36:10Son of a bitch.
36:12If he shows up, you know
36:14he'll be destroyed.
36:17Leave that to me.
36:19Relax.
36:21Take advantage of the fact that you're doing nothing.
36:23Help me solve the problem with the wall.
36:25Every time I look at the graffiti,
36:27I hate the guy.
36:29I hate the guy.
36:40I'm coming in, friend.
36:42I'm bringing a visitor.
36:44Hello.
36:46Hello, Benjamin.
36:48Hello.
36:50I left to talk before I went to the office.
36:52Bruno, help me.
36:54Hello, Benjamin.
36:55We're waiting for you.
36:57Give it to me.
36:59I'll carry it.
37:01You're so stubborn.
37:03I can't take it anymore.
37:05It looks like everything is coming at us.
37:07All the signs to say no.
37:09But something in my heart says
37:11I have to go on.
37:13We still have hope.
37:15Remember Janina?
37:17Yes.
37:19She doesn't disappear.
37:21She just thinks.
37:23I should have talked to her.
37:25She's afraid of the lawyer,
37:27of the trial,
37:29and maybe talking to another woman
37:31would have been easier.
37:33Yes, it would.
37:35You're not coming?
37:37Mom, yes.
37:39No, I'm not coming today.
37:41Benjamin and I have to decide something.
37:43No, no, wait, wait.
37:45I'll take it.
37:47I'll carry it.
37:49Take care of the cover.
37:51Come on, come on.
37:52I told you I wasn't coming.
37:54You gave me a chance.
37:56I know it's scary.
37:58I know I don't want to ever
38:00talk about it again.
38:03I don't want to remember.
38:05But we remember.
38:08I don't know what Theo did to you.
38:12But I felt so scared
38:14when he touched me.
38:16And when he said
38:18he'd take me home,
38:20I was too scared
38:22to react.
38:24I knew it was a lie.
38:26But the spark of hope
38:28in me told me
38:30everything would be fine.
38:33But it wasn't.
38:36And every time I remember
38:39I go back to that place.
38:41Just like that.
38:43Every moment.
38:46And I see that you know
38:47exactly what I'm talking about.
38:52We'll talk at the end of the day.
38:55We'll come back later.
38:57No, no, no.
39:00I'll be outside
39:02waiting for you.
39:04Okay?
39:10I like this bag, Kate.
39:13So what?
39:14I don't know if I should use it more.
39:17For God's sake.
39:19I'll give it to my girlfriend.
39:21Look, there.
39:23That's your sexy missionary.
39:25Let's go say hi.
39:27No.
39:29Let's see if your poker expression improves.
39:31Hey, hello, Eduardo.
39:33Hey, Kate. Hello.
39:35How are you?
39:37Good. Hello.
39:39Hello.
39:41Everything okay?
39:42I'm learning English.
39:44I'm teaching it in church.
39:46You should try it.
39:48Thank you, Kote.
39:50But I'm already speaking Portuguese.
39:52Jenny likes to practice a new language with you.
39:54Kate!
39:56She likes everything you're involved in.
39:58It's good to know.
40:00We haven't even talked about how I should return.
40:03I'm just very busy.
40:05And now we have a job.
40:07Yes, we'll have dinner at my friend's house.
40:09The bar in Tijuca.
40:10Will you come?
40:12Kate!
40:14I've been wearing these clothes since this morning.
40:16I'm tired.
40:18You're great.
40:20Kate!
40:22As the saying goes, God's eyes are beautiful.
40:24Exactly.
40:26We'll take advantage of the fact that the road is long.
40:28Come on, can we?
40:30I think it would be good to have a man with us.
40:32A friend, right?
40:34Now, let's call Katia.
40:36Come on, let's go.
40:38Katia?
40:40Hey, look at her.
40:47I don't know if I'm doing the right thing.
40:50He does this to others.
40:53He said he'd help you clean up, right?
40:57Then he got in the car and went to another address.
41:03I'll talk to you, but not here.
41:11In the end, we managed to get young people to come to this family.
41:15Hello.
41:17They have a very busy schedule.
41:19Look how beautiful this is.
41:21Right, Rafa?
41:23I think you found your son,
41:25and you are...
41:27Eduardo Asolano.
41:29It's nice to meet you.
41:31And me.
41:33Lisa, you'll be my son-in-law, right?
41:35No, he's a friend of the church who's coming back from Guatemala.
41:37I have a friend from the church who came back from Guatemala.
41:40Ah, how interesting.
41:42I've never thought about tourism in Guatemala.
41:45Me neither.
41:46No?
41:47It was the mission of the church.
41:48Okay, let's sit down.
41:50Sit down, come on.
41:51To talk.
41:52Sit down.
41:54Yes, sit down comfortably.
41:55There's already juice here.
41:57I...
41:58How are you?
42:00Your hand is cold.
42:01Yes, I think my blood is falling.
42:03I'm going to the bathroom.
42:05To come?
42:06Yes, thank you.
42:07Yes, Ardo, tell me, what was this mission in Guatemala?
42:10Surely it's in a difficult position.
42:13What many people think of as a crisis, in my opinion, is a force.
42:17The country has a very rich culture, wonderful people.
42:20If I start talking about it, I'll stop tomorrow.
42:26I have to show you something, Jenny.
42:29Rafael made a beautiful picture of Clara.
42:32Oh, wait.
42:33Yes, I'll take it.
42:35Juice?
42:36Maybe.
42:37Yes, maybe a little.
42:41Oh, my God.
42:44What the hell?
42:46What's going on?
42:51Katie.
42:54I like you so much, you know?
42:57To be under my arm.
43:02You're crazy.
43:08Next episode.
43:15What's going on? I'm already asleep.
43:17Let me stay with you, please.
43:20You smell like alcohol.
43:26Only you can save me.
43:29I'll talk to your family.
43:31I haven't decided yet if I'm going to tell her about Theo.
43:35But it would be nice to talk to her.
43:37I understand.
43:39My little daughter doesn't know, but I'm getting ready.
43:42Because if I testify against Theo, she'll understand.
43:47I hear your voice from outside.
43:49Daughter, she's my husband's lover, you know?
43:53I'm not. I'm dating Rafael.
43:56She doesn't remember my son's name.
43:58Hey, hey.
44:00You're in my house.
44:02You're talking about my daughters.
44:04So you knew.
44:06And your mother was a member of the family.
44:08Look, I'm not going to lie to you.
44:11Because I think you're already married to Theo.
44:14He's a rapist.