• 5 ay önce
F.u.g.i.t.i.v.a.s-E.n-B.u.s.c.a-d.e-l.a-L.i.b.e.r.t.a.d - Cap 22
Döküm
00:00I'm sorry. I shouldn't have done it.
00:03I don't owe you an apology. I wanted to do it too.
00:07Don't worry, things won't change between us.
00:11You have a commitment to Carmen that I'll always respect.
00:15I always knew you were a good person.
00:17I'm glad I didn't make a mistake.
00:19I'm glad I didn't do it.
00:21I'm glad I didn't do it.
00:23I'm glad I didn't do it.
00:25I'm glad I didn't do it.
00:27I'm glad I didn't do it.
00:29I'm glad I didn't make a mistake.
00:31What's important now is what happened with your mom.
00:34You don't have to worry. The house is yours.
00:37I'll be in debt with her all my life.
00:39What are you saying?
00:41Between mother and son, you're never in debt.
00:44She did it with all her heart.
00:46I'm worried about what she's going to live.
00:48She's so proud. She doesn't want to give me money.
00:51You're so proud.
00:54Do I look proud to you?
00:56A little bit.
00:58What about that woman?
01:00Why don't you dare tell her, Mom?
01:06I don't know.
01:08Are you afraid?
01:10It's not exactly fear.
01:13I've been trying to get rid of her for years.
01:18Now it's complicated.
01:20I understand, but she showed up.
01:22And here she is.
01:24And not just that.
01:26She gave me her house.
01:29You deserve to thank her, Mom.
01:33You're right.
01:37Thank you, Mom.
01:39That's better.
01:41What do I do to get some money?
01:43For now, don't worry about it.
01:45She told you she has a job.
01:47If one day she doesn't need it,
01:49I don't think you'll leave her helpless.
01:51Of course not.
01:52I hope she finds out.
01:54You're very close.
01:56If she lets me tell you, I will.
01:59You know how she is.
02:01Proud.
02:02Yes, proud.
02:06We have to celebrate you're the owner of the house.
02:09Yes, we have to celebrate.
02:11We'll see how.
02:12Yes.
02:13Yes.
02:17I'm leaving. Bye.
02:24What's wrong? Why are you so happy?
02:26Because Dario kissed me.
02:28No!
02:30You're so lucky! Congratulations!
02:34I knew you two liked each other.
02:38I love it.
02:40Look.
02:42On the one hand, I'm very happy for you,
02:44but on the other hand,
02:46I don't know how to thank you.
02:48I don't know how to thank you.
02:50I don't know how to thank you.
02:53But on the other hand, I don't know if it's such a good idea.
02:57If you say it for Carmen,
02:59I'll continue to respect her relationship.
03:01Don't worry.
03:02Yes, I say it for that witch.
03:05And because the superior warned us
03:07that her son was forbidden.
03:09I know.
03:10And I'm also going to respect that.
03:12But the fact that he kissed me
03:14is the best thing that's ever happened to me.
03:18It's a shame he'll have to be buried in your memories.
03:22I'm aware of that.
03:24But let me enjoy it a little bit.
03:27I haven't kissed a man in so long.
03:35Come in.
03:36Thank you.
03:37Come in, please. Sit down.
03:40How are you, Florencia?
03:42Fine.
03:46Please.
03:48What does all this mean?
03:53Well, I'm happy for the capture of those two fugitives.
03:56And I thought we could celebrate together.
03:59Of course.
04:01You must be very proud of your work.
04:04I can't deny it.
04:06Everything has turned out as I expected.
04:08However, I'm not going to give up
04:11until I capture all the fugitives.
04:14You're going to make it.
04:16Cheers to that.
04:19And why couldn't I have better company
04:21to open this bottle?
04:23Cheers.
04:24To something?
04:27I'm sorry to come with my problems just today,
04:30when all you want to do is celebrate.
04:32No, don't worry.
04:34You know that every time you need me, I'll be here.
04:37What happened?
04:40The day we went to dinner with my dad,
04:43Ismael came home early in the morning.
04:47I asked him where he had been.
04:49He told me that he was working
04:51and that his car had been stolen.
04:53Did you know that?
04:55No, I had no idea.
04:57According to him,
04:59they stole it outside the DA's office
05:02and it happened to show up the next day.
05:05Don't you think it's very strange?
05:11Please, I need to know if Ismael is with someone else.
05:15I told you I don't know.
05:17I don't talk about those things with him.
05:19And I'm sorry to tell you this,
05:21but considering you,
05:23he's an idiot if he's with someone else.
05:29All you need is to be with someone you love.
05:35Someone to make you go crazy.
05:38And that's me.
05:45I love you.
06:15Ma'am, you can't enter the DA's office.
06:17He's not here.
06:18Please leave.
06:19I'm not leaving.
06:20I'm his girlfriend.
06:21And I'm going to wait for him here.
06:23No, but...
06:24No buts!
06:25Shh!
06:26Leave!
06:27I won't say anything to Nicolas.
06:41I was told he's living in a pension nearby.
06:44Did you like it there?
06:45Yes.
06:46Elodia, the owner, is very nice.
06:48She invited me to a reading club
06:50that meets on Mondays afternoons.
06:52Reading?
06:53Oh, no.
06:54Are you looking for something more entertaining?
06:56I don't know what you read in books.
06:58I fall asleep.
07:00I'm going to call Elodia
07:02to let her know I can't go today.
07:04Yes.
07:07Yes.
07:08Hello, hello.
07:10Hello.
07:11How did it go?
07:12Oh, well...
07:14What's that? Let it go, princess.
07:18I got the job.
07:19I'm the girl from Arturo Marquez's house now.
07:24I can't believe it!
07:26I stole your ex-boss' bag
07:28just because I liked her shoes.
07:30She looks very vain.
07:33Vain and double-faced.
07:35So be very careful.
07:36Of course, don't worry.
07:38The important thing is that I'll have all the time in the world
07:41to find what you need.
07:42Thank you for doing all this for me.
07:45No, for helping you.
07:46And I'm going to give you some extra money
07:48that's not bad at all.
07:49What?
07:50The problem is that I was asked for references.
07:53And I have to bring them tomorrow.
07:55You'll have to pretend to be my ex-bosses
07:57and say only good things about me.
07:59With pleasure, princess.
08:01You'll see how many flowers I'm going to give you.
08:04Hey, who's going to call?
08:06Florencia?
08:07I think so.
08:08No, I'm glad you can recognize her voice.
08:10I worked with her.
08:11No, don't worry.
08:12I'll train you.
08:14We rehearsed before.
08:16Oh, I have to go now.
08:18See you later.
08:25Hello.
08:27Could you come down?
08:28I have a surprise for you.
08:30Lizette and the superior are already there.
08:33Please.
08:44I still can't believe she's mine
08:47and that she was in my arms.
08:54You drive me crazy.
08:58You don't know how I wanted this moment.
09:01I really enjoyed making love to you,
09:04but I'm a married woman and this can't be repeated.
09:09Why?
09:10If you can't deny that I made you enjoy,
09:12that you screamed with pleasure...
09:15No, I'm not going to deny it,
09:18but unfortunately you're Ismael's friend
09:20and I'm Veronica's.
09:22Forget about her.
09:24I don't care.
09:27I do care, Ismael.
09:30I insist that we shouldn't have let ourselves go.
09:34It was a mistake.
09:36It's Veronica.
09:38Answer it.
09:41Hello.
09:42Honey, where are you?
09:45I'm waiting for you in your office with a surprise.
09:48If we don't meet, I'll be late.
09:51It doesn't matter. I'll wait for you here.
09:53I really want to see you.
09:55As you wish.
09:58Don't go.
10:00Please, don't insist.
10:02I don't want to see you.
10:04Please, don't insist.
10:16What is this?
10:19It looks delicious!
10:21It's to thank you for everything you've done for me.
10:24Wow! Now you've really gone all out, Martillo.
10:27Do you remember the day we were locked up in the punishment cell for fighting?
10:31Yes.
10:33I said that what I wanted the most was to be with the people I loved the most.
10:37And those people are you.
10:39All you've done is give me your friendship and love
10:43in the most difficult moments of my life.
10:45Thank you.
10:47And forgive me, please.
10:49Don't worry, Martillo.
10:51To be honest, I was the most reluctant to forgive you.
10:54But, well, I understood that any of us can make mistakes.
10:59Thank you, Monce.
11:01Well, we're not going to cry anymore.
11:04Where did we start? Everything looks so good!
11:07What do you want?
11:09I want chicharrón.
11:11Florencia, if we're discreet, we can see each other as many times as we want.
11:15You have no idea what it means to me...
11:17Don't go on. It doesn't make sense.
11:19And hurry up, Veronica is waiting for you.
11:31What are you doing?
11:33Thinking.
11:35What?
11:37My mom came to talk to me.
11:39She didn't want me to pay for the house.
11:41Don't tell me we have to leave.
11:43That woman is going to hear me.
11:45Stop it! You're wrong.
11:47She gave it to me.
11:49The house? For you?
11:51Yes.
11:53And I'm very moved.
11:55I didn't expect such a generous gesture from her.
11:57That's the least I could do.
11:59With the work it has cost us to build everything we have,
12:01we deserved it.
12:03No, we didn't deserve anything.
12:05What's wrong with you?
12:07It was for her generosity, for her good heart.
12:09And I...
12:11I didn't want to accept it.
12:13Okay, okay.
12:15But don't tell me you're a saint now.
12:18I need to be alone.
12:20Excuse me.
12:21Oh, everything is delicious, Martillo.
12:23Did you make it?
12:25No.
12:27You know the kitchen is not my forte.
12:29Did you help Superior?
12:31No, no.
12:33I found out about the food by chance.
12:35Because I came to talk to Dario.
12:37I was going to call you to invite you, Superior.
12:39You have been a fundamental piece to make our friendship
12:41something so great.
12:43We have all contributed to be like a family.
12:45Yes, that's right.
12:47And I'm very grateful to you.
12:49Yes, that's right.
12:51And what a great gift life had in store for us.
12:53Don't you think?
12:55Since we fled, I have learned from each of you
12:57only good things.
13:00From you, Superior, in addition to your solidarity
13:02and companionship to every test,
13:04I have learned to receive and give affection
13:06without asking for anything in return.
13:11From you, Lizette,
13:13the strength and the grip you have to do things.
13:17From you, Montse,
13:19the delicacy,
13:21the pride
13:23and the self-love you have.
13:27And to you, my dear Frida,
13:29I owe you my life.
13:31You rescued me when I felt lost
13:33and you gave me back the desire to live.
13:35You are not only my friend,
13:37you are my soulmate.
13:40You have always been by my side
13:42with a word,
13:44a smile,
13:46just being there.
13:48I can't imagine life without friendship.
13:52Frida, say something.
13:54The hammer is telling you very nice things.
13:56Don't you want to shut up?
13:58No, what's going on?
14:00What's going on?
14:02Wake up!
14:04I'm going for Daniel.
14:18You left your heart
14:20ready to fight
14:22because they are already there.
14:24Fugitives
14:26looking for the same way out
14:28having the same sentence
14:30that brings life to risk
14:32and now we had to lose.
14:34Fugitives
14:36looking for the same way out
14:38we had to lose the game
14:40but this is a new bet
14:42because freedom is here.
14:44Freedom is here.
14:52Live one day at a time
14:54there is no time to lose
14:56because in this prison
14:58you can't hear the wind.
15:00You will never trust
15:02or surrender
15:04what you feel,
15:06you always have to take it inside.
15:08There is no weakness,
15:10there is nothing to show.
15:12Here I say it and here I deny it.
15:14Here I say it and here I deny it.
15:16Fugitives
15:18looking for the same way out
15:20having the same sentence
15:22that brings life to risk
15:24and now we had to lose.
15:26Fugitives
15:28looking for the same way out
15:30we had to lose the game
15:32but this is a new bet.
15:36Fugitives
15:42What happened?
15:44Why did she faint?
15:46We don't know.
15:48She suddenly fainted.
15:52I'm going to take her to her room.
16:04Do you have alcohol?
16:06Yes, yes, of course.
16:08We have to take her to the hospital.
16:10I don't think it's a good idea.
16:12The movement of the car could affect her.
16:14She took a long time to recover.
16:17What's going on?
16:19Estrella fainted.
16:21Go get my wallet, please.
16:23I'm going to take her to the hospital.
16:25Wouldn't it be better to call a doctor?
16:27I don't know anyone, I'm going to take her.
16:29You come with me.
16:35Why are you killing me?
16:37You lost consciousness, but don't worry.
16:39I'm going to take you to the hospital.
16:41No, no, it's not necessary.
16:43I think it is.
16:45You were unconscious for a long time.
16:47Please, no.
16:49It's better if I see a doctor.
16:51No, it's not necessary.
16:53I just want to rest.
16:56Be careful.
17:10Who are you waiting for?
17:11For you.
17:13Don't go.
17:16You didn't sleep last night and you didn't go to work today.
17:19What's going on?
17:21Nothing, nothing is happening to me.
17:23Everything is fine.
17:26Vicente, please.
17:36Mario, how are you?
17:37Thank you, I'll check it right now.
18:08What were you doing at the construction site?
18:10What are you doing here so early?
18:12I'm asking you the same thing.
18:14I was taking care of a matter of the prosecution
18:18and since I was close to the house,
18:20I decided to continue working from here.
18:22You?
18:24I left the office early because I went to my dad's house
18:26to interview the girls the agency sent.
18:28Charo needs someone to help her.
18:30Good idea.
18:33It's from the prosecution, I have to answer it.
18:35Hello? Yes.
18:51Don Alava, 29, Colonia Roma.
18:54Keep me informed, okay?
18:57Thank you.
18:59Is everything okay?
19:01Yes, would you like something to drink?
19:03No, no, thank you.
19:05I have to go back to the office.
19:07I just remembered that I have to send a budget.
19:09Urgent.
19:17Thank you very much for your concern,
19:19but look, I'm fine.
19:21I didn't need to go to the hospital.
19:23It would have been better if I checked you out.
19:25I'm sorry.
19:27I don't know if you had a very good scare.
19:29All of a sudden, plop, you fainted and to the floor.
19:31I'm sure my blood pressure dropped.
19:33My mom had the same thing, it's hereditary.
19:35Anyway, it would be good
19:37if I see a doctor later
19:39so you know why your blood pressure drops.
19:41Okay, I'll go later.
19:43Thank you, boss, for worrying so much about me.
19:45Does it happen to you often?
19:47No, it hasn't happened to me in a long time.
19:49And you?
19:51I don't know.
19:53I don't know.
19:55No, it hasn't happened to me in a long time.
19:57And I thought my speech had moved you so much
19:59that you even fainted.
20:01I'm sorry, but I didn't even hear it.
20:04Do you want something to drink?
20:06No, it's fine.
20:08I just want to close my eyes for a while.
20:10Well, we'll let you rest.
20:12We're going to be walking around
20:14to see if you need anything.
20:16Thank you.
20:19I can stay with you
20:21until you feel better.
20:23There's no need.
20:25I'll stay with her.
20:27Get some rest.
20:29I will.
20:31And thank you for everything.
20:36Superior, don't look at me like that.
20:38I'm fine.
20:40Everything's fine.
20:42Do you really feel okay?
20:44Yes, I just need to sleep for a while.
20:46You'll see that when I wake up,
20:48I'll be like new.
20:55You're here!
20:57Ta-da!
20:59The surprise I told you about when I called you.
21:02What a surprise,
21:04but we're not allowed to drink at work.
21:06What a shame.
21:08But we can eat something.
21:10And we'll save the bottle for another intimate moment.
21:13Well, let's go.
21:15Let's go.
21:17Let's go.
21:19Let's go.
21:21Let's go.
21:23Let's go.
21:25I'm sorry, but I'm not in the mood.
21:27I did a lot of work.
21:29Don't tell me.
21:31I brought all this to celebrate
21:33with the best DA in the world
21:35who managed to catch those criminals.
21:37If you want me to continue being the best DA in the world,
21:39I have to work.
21:41Are you really kicking me out?
21:43No, don't take it that way.
21:45I really have a lot of things to take care of.
21:47Okay.
21:49That happens to me because I wanted to have a detail with you.
21:55We have to talk.
21:57About what?
21:59I already told you that everything is fine.
22:03Are you going out?
22:05Yes.
22:07I want to clear my mind and have a beer.
22:09Why are you doing this?
22:11Why are you doing this?
22:13I don't know.
22:15I don't know.
22:17I don't know.
22:19I don't know.
22:21I don't know.
22:23I don't know.
22:25Why that attitude?
22:27If you're mad at me, tell me.
22:29What time are you coming back?
22:31I don't know.
22:33I don't have to give you explanations.
22:35We're just roommates.
22:36What a miracle!
22:38I haven't seen you around here in a while.
22:40I know a man was here looking for information.
22:42Did you talk to him?
22:44Yes.
22:45What did he say?
22:47Tell me everything.
22:49He showed me a photo of the man who was here.
22:51I don't know what he was doing.
22:53I don't know.
22:55I don't know.
22:57I don't know.
22:59I don't know.
23:01I don't know.
23:03I don't know.
23:05He showed me a photo of the man who was here.
23:07He asked me if I knew him.
23:09I didn't want to give him any information,
23:11but he told me he was his friend and that he passed away.
23:13What else did he say?
23:15He asked me if I ever saw him with anyone.
23:17Why did you answer him?
23:19Because I did.
23:21He showed me a photo of a girl.
23:23That has nothing to do with you.
23:25I told him I had no idea who she was.
23:27That's when he showed me the photo of the woman who was here.
23:30Then he asked me permission to enter the suite.
23:32And you let him in?
23:34The truth is yes.
23:36With that, he's a friend of the deceased.
23:38How can I say no?
23:40He just came in quickly and left.
23:42Listen to me.
23:44If that man comes back,
23:46for no reason can he find out that I was the one in this place.
23:49You tell him that the suite has already been rented.
23:51Oh, miss, look, for God's sake, I don't understand anything anymore.
23:54No, you don't have to understand anything.
23:57You just have to keep your mouth shut.
24:00No, well, if we leave, my mouth is a grave.
24:07Estrella is still asleep.
24:09I don't think she can work today.
24:11Of course not.
24:13Let her rest as long as necessary.
24:15I can put the music on and attend the tables.
24:17No, no, no, I do Estrella's work.
24:19Oh, we do it between the two of us.
24:21Okay.
24:23Let's get ready.
24:25Yes, let's go.
24:27We're seeing each other, Mrs. Martin.
24:29Oh.
24:31I was very pleased that you stayed.
24:33The pleasure was mine.
24:35It is always a pleasure to share with you.
24:38I will be in contact to find out about Estrella.
24:40Yes.
24:43It is incredible the close relationship you have with them.
24:47They adopted me like their mother.
24:50Well, I'm leaving.
24:52Have a good night full of people.
24:54Thank you.
24:55Well, if you need money,
24:57I can gladly help you.
24:59Do not worry.
25:01With what I earn in my work, it is enough.
25:03Where are you living?
25:05In a pension, nearby.
25:07And I'm very comfortable.
25:09I already needed a room for myself.
25:11I'm glad you're okay.
25:13And please, anything you need,
25:15do not hesitate to ask me.
25:17Thank you.
25:19Grandma, are you leaving?
25:21But first I have to give you the strongest hug in the world.
25:25Dad, can I go with her?
25:27Yes.
25:29Yes, go with her.
25:31Come.
25:33So you can invite your grandmother something on the way.
25:36Let's go.
25:38Be careful.
25:44Shh.
25:46Shh.
25:48Oh no.
25:50No, no, no, it's time to work.
25:52I have to get up.
25:54No, you keep resting.
25:56We'll take care of it.
25:58No, Dario is going to get mad at me.
26:00Don't worry about Dario.
26:02He'd rather you take care of yourself and recover.
26:04He doesn't want to leave you.
26:06Really?
26:08Yes.
26:10That's it.
26:24I'm here.
26:26That's good.
26:28I'm making tuna salad for dinner.
26:30Oh, that's delicious.
26:32I'm starving.
26:34Could you send the budget?
26:36What budget?
26:38The one I urged you to send.
26:40That's why you went to the office, right?
26:42Oh, yes.
26:44Of course.
26:46With so many things pending, things get messy.
26:48I sent it.
26:50Good.
26:52How are you?
26:53In the case of some smugglers
26:56who were transporting smuggled goods.
26:59And how did they find out?
27:01I'd rather not talk about work.
27:03I've had enough for today.
27:05I understand.
27:07The same thing happens to me.
27:09Hey, I found out that next week
27:11they're going to premiere the second season
27:13of El Bando de Franco.
27:15Do you remember how it ended
27:17in the last episode of the first season?
27:19How can I not remember?
27:23Hey, where the hell is Estrella?
27:25She's not going to work.
27:27She fainted in the afternoon
27:29because her blood pressure dropped.
27:31So she's not going to resume work until she's better.
27:33Those guys already took the measure, Dario.
27:35And all to allow Angelina to stay.
27:37But Estrella is an excuse
27:39not to come to work.
27:41What's wrong with you?
27:43She got really sick.
27:45She must have had a fever
27:47and you fell around.
27:49I don't understand why you have such a bad will.
27:51I haven't seen any of the girls
27:53and I don't want any of them
27:55to have mistreated you.
27:57Well, no, because they're monsters.
27:59But one day they're going to get their hands on you
28:01and you're going to regret hiring them.
28:03And you remember me.
28:10Hi!
28:12Hi!
28:14And Chale?
28:16I don't know.
28:18We agreed to meet here.
28:20Can I have a beer?
28:21I'll go get it.
28:23I'll go with you.
28:28I'm glad to see you.
28:30I haven't seen you in a while
28:32since you brought your little friend.
28:34I knew you weren't going to get along with her.
28:37Like she's not our kind.
28:39So what?
28:41What do you mean, what?
28:43You're not one of those who hang out with people like her.
28:45You're very wrong.
28:47People aren't worth what they have,
28:49but what they are.
28:51She's better than me
28:53and we're both useless perverts.
28:55But Gabriela stays single,
28:57studies and works at the same time.
28:59Grow up, my queen.
29:09Are you expecting someone?
29:11No. Who could it be?
29:13I don't know. I'll go see.
29:15Amanda?
29:17Good evening.
29:19I'm sorry to bother you at home,
29:21but I need to talk to you.
29:23It's okay. Come in.
29:25Thank you.
29:31What's wrong?
29:33My dad quit.
29:35No, how?
29:37The commander is a fundamental element
29:39in the prosecution.
29:41Without him, they'll hardly catch
29:43the other fugitives.
29:45Well, yes,
29:47but he argued with the prosecutor Arteaga.
29:49He can't stand him.
29:51He doesn't do anything but raise his neck
29:53with our work,
29:55while his initiatives are useless.
29:57Why did they argue?
29:59When they were interrogating Estefania López,
30:01one of the fugitives we captured,
30:03he told her that if she cooperated,
30:05he would give her the name of the former convict
30:07who gave us the information to find her.
30:09I can't believe it.
30:11He put you in danger of Mrs. Marta.
30:13Yes, fortunately, my dad intervened
30:15but it has been terrible
30:17to have him in charge of this case.
30:19He is very overbearing,
30:21unprofessional, irresponsible and incapable.
30:24My dad, me and the whole team
30:27have tried to be patient
30:29and obey his orders,
30:31but what he did in the interrogation
30:33was what filled my dad's patience.
30:35He is not willing to work
30:37under the orders of someone
30:39like Prosecutor Arteaga.
30:41Please, do something.
30:43We can't let him go.
30:45I'm going to take notes on the matter.
30:47Tell your dad to come to work tomorrow.
30:49Thank you very much.
30:51I knew I could count on you.
30:53No, please, thank you for keeping me informed.
30:55See you tomorrow. I'll go with you.
30:57Good night.
31:05Thank you.
31:15Thank you.
31:42There's cancer.
31:45There's cancer.
32:08Where are you going so early?
32:10To work.
32:12I have a lot of things to attend to.
32:13Have a good day.
32:15You too.
32:43I received all the messages you sent me last night.
32:46I just want you to know that I'm alive.
32:48Don't worry.
32:51Are you going to work?
33:13I'm Mrs. Paulina Covarrubias.
33:15I'm San Martin's widow.
33:17Do I look like a screenwriter to you?
33:19Oh, no.
33:20With that name, you're going to look like Mrs. de las Lomas.
33:22It doesn't work.
33:24It has to be something more common,
33:26like a woman who has a lot of money.
33:28I don't know.
33:30I don't know.
33:32I don't know.
33:33I don't know.
33:35I don't know.
33:37I don't know.
33:39I don't know.
33:41I don't know.
33:43Aurora Montero.
33:45Aurora Montero, okay.
33:47And you're going to say that I worked with you for three years.
33:49And why don't you work with me anymore?
33:51Because you moved to live in Veracruz.
33:54Okay.
33:56I just can't get nervous.
33:58Why?
34:00You know I'm afraid that Florencia is going to recognize me.
34:02That's not going to happen.
34:04Don't worry.
34:06I hope not.
34:08Are you going to take it handwritten or what?
34:10No.
34:11I'm going to go to the stationery so they can write it for me
34:13on the computer and print it for me
34:15and make it more presentable.
34:17Okay.
34:19Okay.
34:21You control your nerves.
34:23Fresh, light.
34:25All a lady.
34:29Say,
34:31what are you doing here?
34:33I came for you.
34:35Change.
34:37You have to go to work.
34:39What are you talking about?
34:41Excuse me.
34:43Last night I went to Ismael's house to talk to him
34:45and I told him what happened.
34:47How dare you?
34:49I wasn't going to stay with my arms crossed.
34:51Besides, Ismael doesn't agree with Nicolas' ways
34:53and less with your resignation.
34:55He told me he was going to take notes on the matter
34:57and that you should go to work.
34:59I asked you very clearly not to do anything.
35:02Please, Dad.
35:04You are a key piece in the case of the fugitives.
35:08You can't leave him.
35:10You changed. Let's go.
35:12I was expecting to have a quiet morning
35:15and I couldn't even have breakfast.
35:31You again?
35:33What do you want now?
35:35Good morning. I need to ask you a question.
35:37Look, if it's about the suite
35:38she already rented it.
35:40Now I know I won't be able to let her in.
35:42When did she rent it?
35:44Yesterday, I think.
35:46Do you know who rented it?
35:48How would I know?
35:50I just know she rented it.
35:52You know what?
35:54I need to know the woman who accompanied my friend.
35:56She was a tall woman.
35:58Look, you know what?
36:00I already helped her as much as I could.
36:02You better go and never come back.
36:04Save your money.
36:05They are very powerful people.
36:07I really don't want any problems.
36:35Now you.
36:38Look, the young man from last time just came.
36:40What did he say?
36:42He wanted to describe a woman
36:44who was the one his friend came to the suite with.
36:46And what did you answer?
36:48I didn't want to listen to him.
36:50I told him I couldn't give him information.
36:52He better leave and never come back.
36:54Well done.
36:56If he comes back and insists on getting your information,
36:58tell him the same thing.
37:00Okay, now.
37:02Thank you.
37:04Good morning, ma'am.
37:06I told you not to show up here again.
37:08Don't tell me that.
37:10Look how excited I am
37:12to start working here with you
37:14and above all to learn from you.
37:16Hey, since I didn't feel like tamales,
37:18I brought you a pork rind quesadilla.
37:20You're going to like it.
37:22It's really good.
37:24Did you bring your recommendations?
37:26Of course, there they are.
37:28Should I close it?
37:30Of course, close it.
37:31Good morning.
37:33How did you sleep?
37:35Perfect.
37:37I slept a lot.
37:39It looks like it's what I needed.
37:41Of course you needed it.
37:43There's nothing better than sleeping to recover.
37:45Yes.
37:47And breakfast in bed and all that stuff.
37:49We don't want you to do anything but rest
37:51and get well.
37:53They're going to get used to me
37:55as long as they make me aware.
37:57They're going to get used to you.
37:58I'm glad to see you better.
38:00Well, I don't think it's because of breakfast, right?
38:03Tell Lorena what happened.
38:05Let's see, do you believe in love at first sight?
38:08The one where you feel tingles in your stomach?
38:11I think so.
38:13It turns out I was in the kitchen talking to...
38:16Please leave.
38:18I have to talk to Estrella alone.
38:21Leave!
38:23I have to talk to Estrella alone.
38:25Leave!
38:27Leave!
38:34What's up?
38:36I'm here to tell you not to make a fool of me.
38:38I know you're pretending you're feeling bad.
38:40Fortunately, I don't care what you think.
38:44Stop manipulating Dario.
38:46You're trying to hurt him and I think you're normal.
38:49Think whatever you want.
38:51I have my conscience, don't worry.
38:53Don't worry because I know you like Dario.
38:55But I warned you.
38:57You and your friends are going to the streets.
39:14Put this on.
39:17Am I going to wear a uniform?
39:19What did you think?
39:21That you were going to work as a secretary or something?
39:23And why don't you wear it?
39:24Because I'm part of the family.
39:27So put it on.
39:29Or you can leave.
39:31The Marques don't like people without a face.
39:34Especially not in their house.
39:36Will I look good?
39:38Of course you will.
39:40It's not a fashion show.
39:42Come on, go get changed.
39:54What's up, Charo?
39:56Julissa is here and she brought her recommendations.
39:59Do you want me to call her?
40:01No, I'll do it. I'm on my way.
40:03Are you okay?
40:05No, but we'll talk later.
40:07Okay.
40:09Let's rehearse.
40:11I'm Florencia and you answer me, okay?
40:14Okay.
40:16Ms. Montero, I understand that Ms. Julissa
40:19worked for you.
40:21Yes.
40:22For three years.
40:24Not so bad.
40:26It shows that you are imposing.
40:28More relaxed, lighter.
40:32Yes, for three years.
40:34No, this is not going to work.
40:36You are very nervous.
40:38It has to be more credible.
40:40Let's rehearse mine so you can relax, okay?
40:42Okay.
40:44Ask me.
40:46Mr. Figueroa, I understand that Julissa worked for you.
40:49Yes, yes, but...
40:51Unfortunately, neither me nor my wife
40:54need Julissa's services.
40:56But she is a very hard-working girl.
40:58Honest, clean, discreet.
41:02How do I look?
41:05I already told you that we didn't hire you to be a model.
41:10Good morning, Ms. Florencia.
41:12Good morning.
41:14Can you show me your recommendations?
41:16Yes.
41:18Here they are, ma'am.
41:19Aurora Montero.
41:21Ricardo Figueroa.
41:23Very well.
41:25I'm going to call them.
41:31Good morning.
41:33Good morning.
41:35Taking advantage of the fact that I see you,
41:37I have something to tell you.
41:39Commander Rojas resigned,
41:41but don't worry.
41:43I already thought of who can replace him.
41:45I will not allow Commander Rojas to leave the case.
41:46I already found out about your behavior.
41:48What you did is very unprofessional
41:50and leaves a lot to be desired.
41:52What do you mean?
41:54I arrested two more fugitives, their accomplices,
41:56and I dismantled a laboratory full of illegal substances.
41:58Isn't that enough?
42:00Enough.
42:02You didn't do anything.
42:04Commander Rojas was in charge of the operation.
42:06What you did in the interrogation is unforgivable.
42:08How dare you put the life of an informant at risk?
42:10Let's see, I understand your annoyance.
42:12But I don't want to get involved.
42:14Besides, he was the one who resigned.
42:16I even tried to convince him not to leave
42:18and he didn't want to listen to me.
42:20That doesn't justify your behavior.
42:22You are out of the case.
42:24What?
42:26Let's see, Ismael, you can't do this to me.
42:28We are friends.
42:30This has nothing to do with friendship,
42:32but with work.
42:34Okay, I made a mistake and I'm sorry.
42:36If you want to reinstate Rojas, go ahead.
42:38There is no problem for me.
42:40I don't want to get involved.
42:41If you want to reinstate Rojas, go ahead.
42:43There is no problem for me.
42:45Don't you understand?
42:47You are out of the case.