La Promesa Ep 387 Completo - La Promesa Cap 387 Completo - La Promesa RTVE Serie
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00:00:00♪♪
00:00:30And if I didn't intervene, I'm sure you would have abused her.
00:00:33I was passing through the corridor and I heard them.
00:00:35And he surprised you.
00:00:36That's right.
00:00:37It seems that he has decided to return to the hangar.
00:00:39Now that we had managed to get him out of there.
00:00:42Well, yes.
00:00:43But if he is not able to behave as God commands in this palace,
00:00:45it is better that he stays in his hole.
00:00:46Stop it, Cruz.
00:00:47I have heard that the cicuta causes a very agitated death.
00:00:52Who was the first to approach Pia's body?
00:00:54It was you, right, Vera?
00:00:56Father, it doesn't move us anymore.
00:00:58We must assume that Cruz and I are incompatible.
00:01:01And that we need to be away from each other.
00:01:05Come.
00:01:07Martina, don't get poisoned.
00:01:08You were the one who devised that twisted plan
00:01:11to get rid of Martina.
00:01:17Congratulations, Ignacio.
00:01:19You already have the way free to marry Margarita.
00:01:23You have been speechless, Ignacio.
00:01:31I must admit that you have left me stunned.
00:01:40Because it is the greatest stupidity I have ever heard in my life.
00:01:50It is not stupidity, Ignacio.
00:01:52Oh, you insist.
00:01:55I didn't know you had such an overflowing imagination.
00:02:00You can laugh as much as you want.
00:02:03But you can't fool me.
00:02:05Oh, no.
00:02:06No, because we know each other too well, don't we?
00:02:11Precisely.
00:02:14That's why you know that I'm not kidding.
00:02:24Petra, making false accusations without basis has its consequences.
00:02:29They are not false.
00:02:30Oh, no?
00:02:31Then show me the evidence.
00:02:34What do you base yourself on to make that accusation?
00:02:40You have nothing.
00:02:44No.
00:02:45I knew it.
00:02:51But I don't need it.
00:02:56The family is suffering so much because of Martina's departure.
00:03:00And you know that people end up believing what suits them, Ignacio.
00:03:07It would be hard for me to convince them that everything, everything has been a trap of yours.
00:03:16I would love to see you fail.
00:03:20And since we are with confessions, Petra, tell me, who will you talk to first?
00:03:25With Cruz?
00:03:26With the Marquis?
00:03:27I would give priority to Margarita over you.
00:03:30Because I'm sure she's delighted to hear from you.
00:03:35Sir.
00:03:40Excuse the interruption, but your bath is ready.
00:03:44Very well.
00:03:45I'm going up right now.
00:05:36Ah, I've already found them.
00:05:39Perfect.
00:05:42Wait.
00:05:53Here it is.
00:05:58Smell it.
00:06:00Do you notice the sweet and sour smell at the same time?
00:06:04Yes, I do, Mr. Baeza.
00:06:05That's because of the merlot.
00:06:07It's the type of grape that is used in the Bordeaux region, in France.
00:06:12For me, this is one of the best wines of Mr. Marquis.
00:06:15Balanced, with a body, not too alcoholic, and it also has an excellent presence in the mouth.
00:06:24Would it be hard for you not to know anything else?
00:06:26Yes.
00:06:27Well, you still have a long day ahead of you to continue learning.
00:06:31So go do your chores.
00:06:44What's going on, Miss Expósito?
00:06:46Do you know anything about Mrs. Darre?
00:06:48I would like to be able to answer you, but I haven't heard from her in days.
00:06:51Bad news.
00:06:53Mrs. Petra has become my shadow and I can no longer take a step without her looking behind me.
00:06:58The worst of all is that now she is asking more questions about the account.
00:07:01What kind of questions?
00:07:03She has been looking for Vera and me to inquire about the day Doña Pia died.
00:07:08But it has been an interrogation without any rules, Mr. Baeza.
00:07:11Calm down, sit down, sit down.
00:07:13Have they told you something that could make you suspect?
00:07:17No, nothing out of the ordinary, everything that everyone knows.
00:07:20And Miss González?
00:07:22Vera was more convincing than me.
00:07:24Keep in mind that she thinks that everything that happened is real.
00:07:26Well, then there is nothing to worry about.
00:07:29Don't go around the necessary, Mr. Expósito.
00:07:32Well, I think this is not going to end here.
00:07:34Petra is not going to stop until she gets the answer she wants.
00:07:37No, of course, Mrs. Alcos is a specialist in suspecting everything and everyone, yes.
00:07:42I think she will stop arguing when she realizes that she has nothing in her hands.
00:07:46Trust me.
00:07:47Well, I don't think so, Mr. Baeza.
00:07:49Don't you realize that if she is pressuring you so much it is because she has nothing against you?
00:07:53Don't fall into her trap.
00:07:55What if it's not like that?
00:07:57What if she knows more than we think?
00:08:00Impossible.
00:08:01Do you think that Mrs. Alcos can have the slightest idea of what really happened?
00:08:05That a specific person caused Mrs. Adar to be dead for a few hours?
00:08:09Or that she is not even buried in her town?
00:08:12That she lives in a cave that can be accessed by foot from here?
00:08:16No.
00:08:17Listen to me.
00:08:19What we have to do is not feed the suspicions of Mrs. Alcos
00:08:22and you will see how soon I forget everything.
00:08:26What's going to happen from now on with Mrs. Adar, Rem?
00:08:29Because I can no longer bring her the food she needs.
00:08:32It is getting more and more dangerous and we have no more excuses.
00:08:35I can't be going to Lujan to give her gifts forever.
00:08:37No, no. I'll go. I'll go.
00:08:39No matter how much power Mrs. Alcos creates in this house,
00:08:42there are still hierarchies and she cannot ask me for explanations.
00:08:46I don't know, Mr. Baeza.
00:08:48I don't know if it's a good idea.
00:08:49In the end, you don't know the way to the cave well and you shouldn't go alone.
00:08:53You could get lost and that's not what we want.
00:08:54No.
00:08:55Well, don't worry because we will do everything possible for you to continue going there.
00:08:59Leave it to me.
00:09:03How long do we have to go on like this?
00:09:05A short time.
00:09:06I have already spoken to Mr. Marquez and he has given me permission
00:09:08to spread the news that Mrs. Adar died a few days ago.
00:09:11But finally!
00:09:12When were you going to tell me this?
00:09:14No, I wanted to tell you.
00:09:15I didn't want to raise the alarm bells either.
00:09:17You have to spread this falsehood discreetly.
00:09:21We have to be more cautious than ever.
00:09:23Otherwise, we risk that all the effort we have made to get rid of Mr. Castillo
00:09:27is useless.
00:09:38It was that taste like cherry.
00:09:40Between sweet and sour at the same time.
00:09:42Undoubtedly, the best of the wines I have tasted from your winery.
00:09:46I'm glad.
00:09:48I'm about to order some bottles for my own house.
00:09:51I'll talk to the mayors to tell me what it's about.
00:09:53Or maybe you, Alonso, can help me.
00:09:56It's a Chateau d'Urquiat.
00:09:59I don't know it.
00:10:00It's a small winery that the dukes of Gandó recommended to me.
00:10:05Don Rómulo will have the reference.
00:10:07I'll talk to him later.
00:10:09I don't think it's easy to get.
00:10:11Especially right now.
00:10:13Why? Has there been a bad harvest?
00:10:15Because they are at war.
00:10:17Do you always have to end up talking about that damn war?
00:10:19Can't you have a little sensitivity?
00:10:21I was just asking about the wine.
00:10:23Don't take things out of context.
00:10:25And you have answered me, Alonso. You have answered me.
00:10:27Let's change the subject, please.
00:10:29Yes.
00:10:31Let's talk about Catalina.
00:10:33Has something happened to her?
00:10:36Are you going to throw me in the face again that I have returned to the hangar?
00:10:39You kicked her out of this house.
00:10:41What I was missing to hear.
00:10:43I only asked her to walk around with a coat in the palace rooms.
00:10:47That's not true.
00:10:48I know my daughter well.
00:10:50Are you going to deny what you saw in my eyes?
00:10:52You should thank me for watching over the morale of this house.
00:10:56She would never have left the first time she left, if it weren't for you.
00:10:59Alonso, you can charge against me whatever you want, dear.
00:11:02But that's not going to change the reality.
00:11:04Your daughter Catalina is an immature girl.
00:11:07Now that she has her brother fighting for her life on the front,
00:11:09she doesn't even know what to call her.
00:11:10Shut up, please.
00:11:13I know you are very excited.
00:11:15But be patient, for God's sake.
00:11:17Don't say anything that you may regret later.
00:11:20We are all nervous.
00:11:22Especially now that we are very worried about Martina.
00:11:26Fortunately, we know that she is adapting to the thousands of wonders.
00:11:30Soon they will doubt the origin of her evil and she will be back with all of us.
00:11:34That's what they said about my sister Eugenia.
00:11:36Don't compare.
00:11:37Don't tell me what I have to do.
00:11:39Martina's situation is a crisis.
00:11:41Your sister's situation is very different.
00:11:43Have you ever been in a place like that?
00:11:47Because I remind you that I have.
00:11:49You, with your dear German-born baroness,
00:11:51brought me into a retirement home.
00:11:54Our niece will never be the same again.
00:11:57And we will carry on forever
00:11:59with the guilt on our consciences.
00:12:01Don't be so treacherous, Cruz, please.
00:12:04Margarita says it's a great place.
00:12:07With large gardens and, most importantly, the best professionals.
00:12:10And you didn't lose your sanity when you were in that retirement home?
00:12:14That's because the place I was in is not even half as murky as the place where Martina is.
00:12:19But you don't want to see it.
00:12:20We won't let anything bad happen to Martina.
00:12:22Don't promise anything you can't keep.
00:12:25Well, come on.
00:12:27We've all finished with the coffee, right?
00:12:29Why don't you show me the roses, Cruz? Come on.
00:12:31Let's go.
00:12:32Yes, it will be better.
00:12:37I'm sorry.
00:12:47I'm telling you, Mr. Ricardo.
00:12:49It won't be a problem.
00:12:51I asked him to wait a few more days to inform Mrs. Petra, and he gave it to me.
00:12:54That's because he knows for sure
00:12:56what Margarita is up to.
00:12:58At least it's one less problem, Candela.
00:13:00I thank Mr. Prijecer for his understanding.
00:13:04Then there's only the other concern left.
00:13:07He's not a fool, is he?
00:13:09Before they start skinning my flowers,
00:13:11I'm telling you that I understand them.
00:13:13At least in part.
00:13:14Well, I don't.
00:13:15I don't either, girl.
00:13:17To begin with, I don't know what that means,
00:13:20economic survival.
00:13:22Neither do they, Candela. They don't know.
00:13:24They are simple people, like you and me.
00:13:26And now they think they're bankers.
00:13:28But you don't see it.
00:13:29It's virtue.
00:13:30What they want is to find an excuse not to give you a child.
00:13:34I'll explain.
00:13:36No, it's not that they don't want to give me Adolfito.
00:13:39It's just...
00:13:42that they're afraid.
00:13:44Afraid to give a child to their mother?
00:13:46Yeah.
00:13:47In the end, they're right, Candela.
00:13:50I didn't take care of him the way I should.
00:13:52I didn't understand him, and I chose the worst life possible.
00:13:56But that's not the case now.
00:13:58They just want to make sure Adolfito is okay with me.
00:14:01To make sure I can keep him.
00:14:03That's already taken care of.
00:14:05Yes, you already have a job with Don Fermín.
00:14:07And to make sure I'm going to be able to keep my son.
00:14:14They want 550 pesetas.
00:14:17What?
00:14:19Has your father-in-law lost it?
00:14:22That money to give back to your son?
00:14:25They're selling it to you like it's a goat.
00:14:27What goat, Simona? We're talking about 550 pesetas.
00:14:30They're not selling me Adolfito.
00:14:32Look, virtue.
00:14:34White and in milk.
00:14:35And if you rub it, it has cheese.
00:14:37That money is not for them.
00:14:39That money would go into a bank and be for Adolfito in the future.
00:14:43But if the child is with you, why do they want to keep that money?
00:14:46Because if the child stops being with me...
00:14:48What a Gali, Matías.
00:14:50They just want to make sure of money in case Adolfito has to be taken care of again.
00:14:53550 pesetas.
00:14:55It's not for his maintenance, clothes, school supplies, medicine...
00:15:00550...
00:15:01Canela, we've heard you.
00:15:04That's why I told them that I partly understand them.
00:15:07Because it's true that when they took him in for the first time, Adolfito was in a very bad state.
00:15:13And they had to spend a lot of money to get him back.
00:15:18I think they want to cover it up in case it happens again in the future.
00:15:24If that happens again, again, we don't want it.
00:15:29Nobody. Virtudes.
00:15:31What did you ask for? So much money? So happily?
00:15:35Just for a slap in the face?
00:15:37As if it were twice as much, Candela.
00:15:39I have to get that money no matter what.
00:15:42To be back with my son.
00:15:46Oh...
00:15:52Just in time.
00:15:54López was out of his mind.
00:15:56And well, you know my son Santos.
00:15:58He was going to return all the blows as hard as he could.
00:16:02But that wasn't the worst part.
00:16:04No, because I've already separated Santos from a lot of people.
00:16:08And I'm afraid it won't be the last one.
00:16:10So what was the worst part?
00:16:13Vera.
00:16:15Her eyes.
00:16:17She was ...
00:16:19She was terrified.
00:16:21Her whole body was shaking.
00:16:23And I know it wasn't because of the fight.
00:16:25It was because of what my son could have done to her before.
00:16:28But did any of them confirm that your son was forcing her?
00:16:32López. López accused him.
00:16:34And he said that was the beginning of the riot.
00:16:38And of course, Santos denied it.
00:16:40So logically, Ms. González has the last word.
00:16:43She said they were doing things as a couple.
00:16:46And that Santos wanted to go one step further.
00:16:49But that he didn't turn around because she refused because of the lack of decorum.
00:16:53Oh, then my friend, it's all said and done.
00:16:55I understand your jealousy.
00:16:56Because Mr. Ruiz's accusation is very serious.
00:16:59I know.
00:17:00That's why I regret not sharing it with you before.
00:17:02But...
00:17:04I couldn't.
00:17:05I was ashamed of my son's procedure.
00:17:08It was completely inappropriate.
00:17:10Now we have to watch them both so this doesn't happen again.
00:17:13Of course.
00:17:14And I will talk to him.
00:17:15After all, much of the blame for this happening is mine.
00:17:18Why?
00:17:19Because if he's here, it's because I insisted.
00:17:21But that doesn't hold you responsible for anything.
00:17:24No, no, no.
00:17:25But you warned me, literally, against him and I stepped in.
00:17:28But you did it for his own good, just like you're doing now.
00:17:31No one could have predicted this indecorous behavior towards Ms. González.
00:17:34But his fame preceded him.
00:17:36And sadly, well-earned.
00:17:37Because my son Santos is a picaflor.
00:17:39A vain Don Juan.
00:17:41Like a fool.
00:17:43How young you are.
00:17:45From now on, we're going to take Vera's words.
00:17:49And in the meantime, be careful so this doesn't happen again.
00:17:53Very well, I agree.
00:17:55But I ask you a favor.
00:17:56Let me talk to Santos.
00:17:57As you wish.
00:17:59I'm going to give you some advice, even if you didn't ask for it.
00:18:02It's more of a caress than a thousand blows to the side.
00:18:08Oh, really.
00:18:10Give me that.
00:18:13What bad luck, hey.
00:18:16Wait here a moment.
00:18:17I'm going to let the street know that I'm going to pick you up later.
00:18:19No, it won't be necessary.
00:18:20It seems to me that I will be recovering the sensitivity of the foot.
00:18:24Thank goodness we were close to the palace, huh?
00:18:26Thank goodness?
00:18:28Sorry.
00:18:29It's true.
00:18:30It would have been better if that wasp hadn't bitten you.
00:18:32It's more than a wasp, it was the whole hive, that.
00:18:35Well, it seems that the inflammation is already going down.
00:18:37Well, come on, let's go to your office.
00:18:39Is it true that I have such bad luck?
00:18:40Well, luck or fate, whatever you want to call it.
00:18:42It is clear that it is not on my side.
00:18:44Don't draw conclusions for a simple bite.
00:18:47It's the icing on the cake.
00:18:49What's good in my life?
00:18:51My son at war.
00:18:52Martina in the sanatorium.
00:18:54Catalina, more unbearable than ever, making me suffer.
00:18:57And Alonso, well, let's not talk about Alonso.
00:19:00Are you back?
00:19:01Yes.
00:19:02An interviewer made us come back in a hurry.
00:19:05You look good.
00:19:07Did Alonso warn you?
00:19:08Please, just a bite of wasp, you don't have to get things out of your head.
00:19:11Yes, but it was very painful, huh?
00:19:13In that case, vinegar is the best for his poison.
00:19:16Another knowledge you acquired on the front, Captain.
00:19:19It relieves pain and helps prevent future infections.
00:19:22Well, we'll also put ice on it to lower the inflammation.
00:19:25Very good idea.
00:19:27I'm going to let him know.
00:19:29Where are you going?
00:19:30To my alcove.
00:19:31To my alcove.
00:19:32I don't want to go without meaning anymore.
00:19:34Vinegar and ice?
00:19:36It's my ankle, not a gazpacho.
00:19:38And you don't have to come with me.
00:19:41Wait.
00:19:45How did you know he was in the hangar?
00:19:47Well, I didn't know, but I preferred to try my luck before setting foot in his palace again.
00:19:53I'm very sorry.
00:19:55It had to be very unpleasant for you.
00:19:59I was afraid you wouldn't want to see me again.
00:20:02Well, you see I don't.
00:20:05You had to show up in a cage.
00:20:07I shouldn't have visited you there.
00:20:10It's all my fault, forgive me.
00:20:12Catalina ...
00:20:14Miss, I have nothing to forgive you.
00:20:18And much less, you are not to blame for anything.
00:20:21The one who proved we don't have Dale was his stepmother.
00:20:25That's a very fine way of saying it.
00:20:28It was a scorn all right.
00:20:31Notice that I thought that people with titles were given a little ...
00:20:35education.
00:20:37You see that some lesson has already been skipped.
00:20:41Do you want?
00:20:43It's coffee, not tea.
00:20:45Yes.
00:20:48Well, some lesson, no.
00:20:49All.
00:20:51Now I understand how unfair it was with you telling him to return to the palace.
00:20:55I wouldn't last half a minute in that madhouse.
00:20:59Well, fortunately they are not all the same.
00:21:03As long as there is only one, I have enough.
00:21:06And me.
00:21:07You see how little it took me to return to my refuge.
00:21:12Miss,
00:21:13from the one who came here,
00:21:15I remembered a story that happened to me with my father.
00:21:18Which is quite the case.
00:21:21I hope my stepmother doesn't appear in that story.
00:21:23No.
00:21:26You see, it was in the town market.
00:21:28I was a child, I accompanied my father to sell fruit.
00:21:32And what surprised me about all that was that he knew everyone.
00:21:36Or that was what it seemed to me.
00:21:38He greeted everyone equally.
00:21:40No matter if it was the mayor, the priest or the most humble of the day.
00:21:47Nicolás Mendigo made distinctions.
00:21:49In fact, he gave him fruit to relieve his fatigue.
00:21:53Your father had a big heart.
00:21:59When we were picking up the stall in the afternoon,
00:22:03I asked him how it was possible that he was a friend of everyone.
00:22:07And he told me that he didn't even know many of them.
00:22:09So?
00:22:11He said that we never know who we can have in front of us.
00:22:15And the difficulties that may be happening.
00:22:19A nice word can change their day for the better.
00:22:24A great advice.
00:22:26Yes.
00:22:27He said that respect is a matter of humanity.
00:22:30That we all deserve it.
00:22:36Maybe he asks you to repeat that story to my stepmother.
00:22:39It would be good for you to hear it.
00:22:41No.
00:22:42I thought you were saving me something precious.
00:22:46I can't stop thinking about what Cruz told us when he found us hugged.
00:22:56Miss.
00:22:58You better forget that.
00:23:02Let her say that we were doing something indecent.
00:23:07You and I only hugged each other.
00:23:10I needed it.
00:23:12I was heartbroken by my cousin's death.
00:23:15I know.
00:23:18And you and I didn't do anything wrong.
00:23:21The only sinful thing in that room was the cursed imagination of your stepmother.
00:23:27You're absolutely right.
00:23:29The best thing would be to forget it and that's it.
00:23:43How did you leave Cruz?
00:23:46Angry.
00:23:48He still bothers me with that whore.
00:23:51I told you, he comes and attacks.
00:23:52Oh, well, no.
00:23:53Don't even remind me.
00:23:54I've insisted so much that I already seemed stupid.
00:23:58I admire your work, María Antonia.
00:24:00Cruz is not an easy woman to deal with.
00:24:03Well, I do it with pleasure.
00:24:05Nobody forces me.
00:24:07That honors you even more.
00:24:09Although I see that it also has its cost.
00:24:11You look exhausted.
00:24:14Well, yes. A little tired, so I am.
00:24:16The truth.
00:24:17And correct me if I'm wrong, but that fatigue has not only to do with my dear sister-in-law.
00:24:22Right?
00:24:24It may be.
00:24:25But hey, that's just my thing.
00:24:27I don't think anyone cares.
00:24:28I care.
00:24:31I care about your well-being.
00:24:32Especially if that well-being is committed by someone like Alonso.
00:24:37Good try, Lorenzo.
00:24:38Good try, yes.
00:24:39Yes, but you're wrong all the way.
00:24:42Really?
00:24:44I apologize, then.
00:24:46Although you understand my mistake.
00:24:48You've been like this since the night I kept Cruz busy so that you could solve your issues.
00:24:54You get on my nerves, Lorenzo.
00:24:57As you said, those issues only concern Marqués and me.
00:25:00I just wanted to show you my support.
00:25:04I'm going to ask for more water.
00:25:05I'm thirsty.
00:25:09I'm thirsty.
00:25:39Ana, you're the woman of my life.
00:25:41I thought we both knew that.
00:25:43Please, stop joking.
00:25:47Okay.
00:25:49What's wrong?
00:25:51I'm sorry, it's just that it's very important.
00:25:57Okay, then.
00:25:58I'd rather you tell me now because you're scaring me.
00:26:10I'm sorry.
00:26:36I'm sorry.
00:26:39Do you want to marry me?
00:27:04Listen to me.
00:27:06I promise you that I'll come back before you miss me.
00:27:13Don't promise me things you can't keep.
00:27:22Then I promise you that when I come back, we'll get married.
00:27:30Yes.
00:27:31Yes.
00:27:34Something tells me we're going to be happy.
00:27:37Very happy.
00:27:40Like in the stories.
00:27:57Where are you, Manuel?
00:28:01Why don't you keep your promise and come back soon?
00:28:10What a scare I gave you.
00:28:17What were you thinking about your Manuel?
00:28:22You don't know how much I miss him, Maria.
00:28:27I miss him so much it hurts.
00:28:31I'm sorry.
00:28:36It's okay, it's okay.
00:28:39How old are you that you have to cry over things like this?
00:28:43And not put up with it.
00:28:45I swear I'd go to war to see him again.
00:28:50Well, don't tell me you don't miss him.
00:28:52A war is a serious thing.
00:28:55No.
00:28:59I'd do anything, Maria.
00:29:01Anything to have him in my arms again.
00:29:06Well, you know that at the moment that can't be.
00:29:11But you'll see how soon he'll receive another of his letters.
00:29:14Well, I hope so.
00:29:16Because that means he's alive and that's all I want.
00:29:21I just want him to stay alive and come back soon.
00:29:24Of course you do, but while he waits you can't come down.
00:29:27That's what I don't want, Manuel.
00:29:31I know.
00:29:34But suddenly my worries come over me and overflow.
00:29:38And what other worries do you have apart from your lover?
00:29:42I swear.
00:29:43I swear.
00:29:49All I want is for them to be alive, for them to come back safe and sound.
00:29:54And that's it.
00:29:57Well, let's change the subject.
00:29:59Everyone knows that if you go to bed sad, you dream nightmares.
00:30:03And I don't want you to wake me up at midnight screaming.
00:30:10Why did the Marquis require you?
00:30:12He had bitten himself.
00:30:14That's what I heard.
00:30:16But I thought it was too much.
00:30:18The bite of such a small animal.
00:30:21That's how he must have gone to the mountains and come back with two or three bites like that.
00:30:24Well, it could be lethal.
00:30:26But not for the Marquis.
00:30:28No?
00:30:29Well, the truth is that no, because when he left he didn't have a badge.
00:30:32That's why I say it's an exaggeration.
00:30:36Come on, I think he has so much poison in his body that a little more is not even noticeable.
00:30:43No.
00:30:57I have to admit that it is more comfortable than any of my dresses.
00:31:02When you return home you will miss it, you will see.
00:31:05Very good Martina, what a great joy to see you with the uniform on.
00:31:09At first I needed a little push, but that's what friends are for.
00:31:13I was sure you two would get along.
00:31:15No one better than Juana to help you integrate here.
00:31:18I'm sorry, but I have no intention of integrating here.
00:31:21What I want is to talk to the doctor, I already told him.
00:31:24I know.
00:31:25It's been notified, don't worry.
00:31:27And he has insisted that you take the pill first.
00:31:29The pill? What pill? I'm not sick, I don't need any pill.
00:31:33It's just a very soft sedative, to flatten the nerves of the arrival.
00:31:37Because I'm not nervous here, what nerves?
00:31:39No, I also took it at the beginning.
00:31:41You'll see how it does you a lot of good.
00:31:48Take it.
00:31:53Take it.
00:31:54Take it.
00:31:59I told you to take it.
00:32:21You have to take it with me in front.
00:32:24Take it.
00:32:54Hey.
00:32:55What's wrong?
00:32:56Nothing, a puncture.
00:33:00Really, huh?
00:33:01Look, I'm not superstitious, but lately it seems to me that I have a black eye,
00:33:04or that they have cast an evil eye on me, or I don't know.
00:33:07Maybe you have your head elsewhere.
00:33:09Well, I'm the same.
00:33:10I've read the same page of this magazine three times.
00:33:13I haven't found out anything.
00:33:15That will be the guilt that devours you inside.
00:33:18Let's not even start.
00:33:20Well, you know what?
00:33:21You know what?
00:33:22I'm going to ask them to prepare the car for me.
00:33:25For what?
00:33:27You and I are going right now to see Martina at the sanatorium.
00:33:29No.
00:33:31That's not going to be possible.
00:33:33Why not?
00:33:34It's not that far.
00:33:35We come back before lunch, we just go, say hello and make sure she's okay.
00:33:39No, it can't be, Luz.
00:33:41So please sit down.
00:33:43Why?
00:33:45Have I been forbidden to visit?
00:33:48Well, something like that.
00:33:51I see.
00:33:53Those places all work the same.
00:33:55It was an express order from the doctor when we admitted her.
00:33:58No visits for the first three or four weeks.
00:34:02They did the same to me.
00:34:04Those morons.
00:34:06They are all cut off by the same pattern.
00:34:08They just told us that visits cause pain in both patients and families.
00:34:13Which also slows down the patient's adaptation process.
00:34:15Sure, and they told us they do that so that the patients tell us what they are doing there.
00:34:19I'm always thinking about what's best for everyone.
00:34:21And you still think that's no less than a sanatorium.
00:34:24Luz, leave that alone.
00:34:26Leave that alone, please.
00:34:28If my daughter is there, it's for a reason, and you know it.
00:34:31Yes?
00:34:33For a blackmail you have borrowed from her?
00:34:34Without offering a minimum of resistance?
00:34:36No, there was simply no other option.
00:34:38Don't tell me that, Margarita.
00:34:40Tell your daughter when you go to see her in three or four weeks.
00:34:44You are being very unfair.
00:34:47The truth hurts, dear.
00:35:11Are you okay?
00:35:16Should I call a nurse?
00:35:17No, no, no. Don't call anyone.
00:35:20It was ...
00:35:22It was the pill. It will pass soon, I'm sure.
00:35:25You must be right.
00:35:26It's not the first time I've heard a colleague complain about that.
00:35:29Dizziness and nausea.
00:35:32That.
00:35:33At least it was a little.
00:35:35Or so they say.
00:35:38I shouldn't have taken the pill.
00:35:40You did what you had to do.
00:35:42If you go by the rules, it's worse, believe me.
00:35:47What do you mean?
00:35:50The doctors and nurses are in charge here.
00:35:52You and I can tell Misa that they don't care.
00:35:56Yeah, and what happens if you refuse?
00:36:01Hey.
00:36:02Why don't we take a walk?
00:36:05The fresh air will help you get over the dizziness.
00:36:10No, no, no.
00:36:11I don't know if I'm going to feel good being like this.
00:36:17Anyway,
00:36:20we can go out.
00:36:21Of course, woman.
00:36:22Do you think this is a prison?
00:36:25Besides, I have to introduce you to the people.
00:36:27Most of them are very nice.
00:36:29Most of them?
00:36:30Of course.
00:36:31You don't intend to please everyone, do you?
00:36:34Let's go.
00:36:37Wait, I can't walk.
00:36:39Come on.
00:36:46I think I need five minutes.
00:36:50No problem.
00:36:51The gardens won't move from their place.
00:36:58Nor will the lanterns.
00:37:10Well, it's 550 pesetas.
00:37:13Don't say that again.
00:37:15It's like they give you money every time you poop like a chicken.
00:37:18Well, I hope so.
00:37:19Because that's how I would give it to Virtudes
00:37:21so that she would give it to your in-laws.
00:37:24The truth is that it's a lot, partner.
00:37:26A lot?
00:37:27It's a lot of money.
00:37:28What do those people think?
00:37:29That your daughter poops money?
00:37:31I would love to give everything I have saved to my daughter.
00:37:34She doesn't even have to start with that.
00:37:36I would also help her as much as I could.
00:37:38Although...
00:37:39I don't know about you, Simona,
00:37:41but I think that...
00:37:43How do you say it?
00:37:44Economic solvency.
00:37:46That's it.
00:37:47That's what my grandmother has been looking for.
00:37:49I think these two are well-off.
00:37:51And what they want is money.
00:37:53From your daughter's desire to get her child back.
00:37:56No, I don't think so.
00:37:57Because until today, those people have taken care of the child
00:38:00without asking for a single peseta in return.
00:38:02Don't you think that's exactly what they want?
00:38:04That Virtudes can't pay for it?
00:38:06Because that way, they keep the child,
00:38:08and here, and then glory.
00:38:10Don't you think that's a bit too much?
00:38:12So why are you asking for so much money?
00:38:15I know that my Virtudes won't give up
00:38:17until she gets the last peseta.
00:38:19But I don't know where she's going to get it from.
00:38:22From her salary, obviously.
00:38:23Because with how little she gives us here,
00:38:25when your daughter saves it,
00:38:27your grandson will already have a grandson.
00:38:29It's not fair that my Adolfito
00:38:31grows up far from his mother.
00:38:33I'm telling you, this is exactly what your in-laws want.
00:38:36No, Candela, I don't think so.
00:38:38The times I've been there,
00:38:40you can tell they're good people and they've treated me well.
00:38:42And you can tell.
00:38:43They don't care about the child.
00:38:45I don't think it's a bad intention.
00:38:47I don't know if it was the first or the last time
00:38:49that, out of greed, they ended up in Pedro Botero's pockets.
00:38:52I just hope that my Virtudes finds
00:38:55a way to get that money.
00:38:57But it's 550 pesetas.
00:38:59Candela, please, don't repeat the amount!
00:39:03I'm sorry.
00:39:18Don't you see you're leaving a lot of wrinkles?
00:39:21You have to iron the garment well
00:39:23before putting the iron on top.
00:39:25Thank you.
00:39:31Now I'll send someone to help you.
00:39:34Thank you very much.
00:39:37By the way, Hanna,
00:39:39have you heard anything about what's being said in town?
00:39:43I don't know what you mean.
00:39:45Well, I was there yesterday afternoon
00:39:47and I was surprised that not one,
00:39:49but several acquaintances of mine asked me about Pia.
00:39:52Because...
00:39:53they've heard that...
00:39:55that Pia is dead.
00:39:57Did you know something?
00:40:00Well, no. I don't know what you're talking about.
00:40:02Come on, Hanna.
00:40:04You're a very smart person
00:40:06and you always know everything.
00:40:08So, come on.
00:40:10Tell me who's gone too far.
00:40:12I don't know.
00:40:14And anyway, I don't think it's such a strange rumor.
00:40:16It's what happened.
00:40:18What does that mean?
00:40:20The Marquis has already given the order
00:40:22to spread the news about Pia's death.
00:40:24Once again, he asks me a question I can't answer.
00:40:26Maybe Mr. Baeza can help you.
00:40:29Well, yes.
00:40:31I'll have to talk to him.
00:40:33Because if the situation gets out of hand,
00:40:35it would be terrible for the honor of the family.
00:40:38Indeed, it can't be.
00:40:40We should avoid it, yes.
00:40:42If only we could hear that Pia
00:40:44has died here in the palace,
00:40:46that she has taken her life.
00:40:48We have to make a budget.
00:40:50Besides, Mr. Marquis did want
00:40:52to know that she had died in his town.
00:40:54Yes.
00:40:56But rumors can't be controlled.
00:40:58We have to know where they're taking us.
00:41:00I knew that such a hasty way of acting
00:41:02was going to bring us problems.
00:41:04What do you mean by hasty?
00:41:06That way of taking the body from here
00:41:08and to that burial.
00:41:12Well, I think that in this case,
00:41:14the urgency went hand in hand with the distribution.
00:41:16Well, it's obvious that it wasn't enough.
00:41:18And that what she has done
00:41:20has been to sow doubts in people.
00:41:22Because whoever acts in a hurry at night
00:41:24has something to hide.
00:41:26Juana,
00:41:28there were other reasons
00:41:30to act with that diligence.
00:41:32What other reasons could there be?
00:41:38Mr. Baeza, do you have a moment?
00:41:42Well?
00:41:44Vera, it's just that
00:41:46Mrs. Petra had a doubt and she hasn't been able to solve it.
00:41:50It's just that rumors are starting to spread
00:41:52about the town
00:41:54that she has died in.
00:41:56And we were wondering if Mr. Marquis
00:41:58had given the order to tell the truth.
00:42:00I understand.
00:42:02Miss Expósito,
00:42:04you can finish your homework.
00:42:06Mrs. Arcos,
00:42:08if you don't mind,
00:42:10come with me to the office.
00:42:12I'd like to know.
00:42:30Get ready!
00:42:32It's a miracle!
00:42:38I've spent so much time here
00:42:40that I can already tell the caterpillars apart.
00:42:42I'll have to give them names.
00:42:46Good morning,
00:42:48Mrs. Maite!
00:42:54Poor Maitecita.
00:42:56They say that in her youth
00:42:58she was more beautiful than the little Argentine.
00:43:00And that's why she pretended to be a duke
00:43:02very close to the king.
00:43:04But he left her planted on the altar
00:43:06and she totally lost her mind.
00:43:10Martina, you haven't said a word
00:43:12throughout the walk.
00:43:14I was listening to you.
00:43:16I know.
00:43:18You don't know because it's a secret
00:43:20that only crazy people know.
00:43:22What?
00:43:24What do you mean?
00:43:26It's about a supernatural power.
00:43:32Let's read minds, Martina.
00:43:36For example,
00:43:38what the hell are you doing in this place
00:43:40if you're completely naked?
00:43:44It's a joke.
00:43:50Come on.
00:43:52Do you know why they put us together in the room?
00:43:54Because we're healthy.
00:43:56That you and I are in this sanatorium
00:43:58has nothing to do with our heads,
00:44:00but with our families.
00:44:02I'm wrong.
00:44:04I'm sorry.
00:44:08Why did they lock you up here?
00:44:12To fall in love with the wrong person.
00:44:14My father never accepted it.
00:44:16He wanted to marry a despicable man
00:44:18because he had money.
00:44:20I tried to escape with my lover,
00:44:22but they caught us.
00:44:24Even so, that man no longer wanted to marry me.
00:44:26So to ruin his business,
00:44:28my father put me in this place.
00:44:30And are they going to leave you here forever?
00:44:32No, of course not.
00:44:34I wouldn't allow it.
00:44:36I guess they'll punish me
00:44:38when I marry someone else
00:44:40or when I leave town.
00:44:42It's the way my father has
00:44:44to make sure I learn the lesson.
00:44:46How sad.
00:44:48And you?
00:44:50How did you end up in this sanatorium?
00:44:52Did you go for a man?
00:44:54You don't have to say that.
00:44:56But what's your story?
00:44:58Come on.
00:45:00Don't be ashamed.
00:45:06We met
00:45:08when we were kids.
00:45:10But we had never
00:45:12thought about anything
00:45:14romantic.
00:45:16Is he poor?
00:45:18No, he's not poor, but he's from my family.
00:45:20He's my cousin.
00:45:22Well, he's the cousin of my cousins,
00:45:24not my blood cousin.
00:45:26I understand.
00:45:28One day we realized
00:45:30that we were madly in love
00:45:32with each other, but
00:45:34the family situation was complicated
00:45:36so we had to hide it.
00:45:38A clandestine relationship?
00:45:40How nice.
00:45:44Those were the happiest months
00:45:46of my life.
00:45:50What happened then?
00:45:54My father died.
00:45:56Thank you.
00:45:58It was hard for me
00:46:00to accept his death,
00:46:02and it still is.
00:46:04I made the mistake
00:46:06of blaming him.
00:46:08Now I'd rather
00:46:10apologize and admit
00:46:12that I was wrong.
00:46:14Why did you stop him?
00:46:16He went far away
00:46:18and all I knew about him
00:46:20was the letters he sent to my uncles,
00:46:22but I don't even know
00:46:24who they were.
00:46:26And now we're going to stop talking about this
00:46:28because I'm crying like an idiot.
00:46:36Letters.
00:46:48What's going on?
00:46:50Didn't you like it?
00:46:52Yes, I'm thinking about it.
00:46:54Thinking about your cousin, right?
00:46:56I feel like I've failed.
00:46:58I haven't done enough
00:47:00to prevent her from being locked up
00:47:02in that sanatorium.
00:47:04Ma'am, the decision to lock her up
00:47:06wasn't hers.
00:47:08She doesn't have to carry that guilt on her shoulders.
00:47:10But I promised her I'd find out the truth
00:47:12and I have nothing.
00:47:14There's still time.
00:47:16We still have time. I already told her
00:47:18what was in my hands...
00:47:20So there's one thing you could do for me.
00:47:22Well,
00:47:24you know what I need.
00:47:26Tadeo and I came to the conclusion
00:47:28that Cicuta had to leave the pharmacy.
00:47:30So I told him to try
00:47:32to buy a bottle, but I haven't seen him again.
00:47:34Ma'am,
00:47:36I don't want to discourage you, but Tadeo
00:47:38hasn't been able to get anything.
00:47:40What?
00:47:42The pharmacist
00:47:44has refused to sell him anything.
00:47:46But he told me that man
00:47:48would sell anything in exchange for money.
00:47:50Yes, but not Cicuta.
00:47:54Tadeo thinks it's possible
00:47:56that rumors have reached the pharmacist's ears
00:47:58about his cousin Martina and Conde Ayala.
00:48:00That's why it's possible that he's on the lookout.
00:48:02Well, then we'll have to insist.
00:48:06Tadeo is already trying,
00:48:08that's why he hasn't said anything yet.
00:48:10Well,
00:48:12I was going to ask you to talk to him
00:48:14to try to help him.
00:48:16That would be useful to us, miss.
00:48:18A night
00:48:20with
00:48:22a war
00:48:26of
00:48:28doubt
00:48:30and ...
00:48:32What are you writing?
00:48:34Nothing.
00:48:36Nothing?
00:48:38Nothing.
00:48:40Nothing.
00:48:42Nothing.
00:48:44Nothing.
00:48:46Nothing.
00:48:48María, don't tell me again
00:48:50that these are your homework.
00:48:52It's exactly
00:48:54what it is, Hanna. My homework.
00:48:58And I mean it.
00:49:00María, do you really think I was born yesterday?
00:49:02I know you're writing
00:49:04in secret and also at night
00:49:06when you think I'm asleep.
00:49:08You're not asleep?
00:49:10Well, you see I'm not. So tell me.
00:49:12Is it a diary or what?
00:49:14They are my things, only mine.
00:49:16So don't insist anymore.
00:49:18Curiosity killed a cat.
00:49:20Yes, two cats.
00:49:22I don't know why you're trying to hide it from me.
00:49:24In the end I'm going to end up thinking
00:49:26you're writing something bad about me.
00:49:28Because I'm ashamed.
00:49:30But how are you going to be ashamed, María?
00:49:32So don't insist anymore.
00:49:34Let's see, all I want is for you to tell me
00:49:36you're writing a diary.
00:49:38But I don't want to tell you, Hanna.
00:49:40Do you know what's wrong with you two?
00:49:42If Hanna doesn't tell you, I'm leaving.
00:49:44What's wrong with what you're writing?
00:49:46Oh, you know.
00:49:48Yes, she knows. And she's not going to tell you anything
00:49:50because they're my things.
00:49:52But what's wrong with that?
00:49:54That's what I want to know.
00:49:56In the end I'm going to be the worst, María.
00:49:58Well, don't get involved.
00:50:00María, she doesn't want to know because she's your friend.
00:50:02Exactly.
00:50:04Well, look.
00:50:06Don't even think about it.
00:50:08Don't even think about it.
00:50:13It's a book of love stories.
00:50:18Yes, they're love stories.
00:50:20And don't even think about laughing that I'm looking at you, Hanna.
00:50:22Why would I do that, María?
00:50:24I think it's a great idea.
00:50:27Do you think so?
00:50:29Well, of course. Who better than you to write something like that?
00:50:31You have a gift for the word.
00:50:33Nice way of telling me that I didn't fall for it, huh?
00:50:36I'm serious.
00:50:38Why don't you read us something?
00:50:40I'm listening.
00:50:42No, no, no.
00:50:44No.
00:50:45What do you mean, no?
00:50:46No.
00:50:47Are you sure you wrote it for someone to read?
00:50:50Well, okay.
00:50:53I'll let you read it.
00:50:54I'll wait until I finish it.
00:50:56And not before.
00:50:57And I have to think about it because I'm not sure.
00:50:59I'll decide later.
00:51:11Don't you drink the last one?
00:51:22So, have you finished planting the plots?
00:51:25Yes, but it hasn't been easy.
00:51:29Why?
00:51:30Did you need more seeds?
00:51:32Or did you have problems with the plowing?
00:51:35No, we've had problems with a scarecrow.
00:51:40Do you know Gerardo?
00:51:42Yes, from when I worked with your father.
00:51:44And do you know his nickname?
00:51:45No.
00:51:46No?
00:51:47They call him the Pocamecha.
00:51:49Because he has a genius of a thousand demons.
00:51:51I can imagine it perfectly.
00:51:54And that he took it with the scarecrow?
00:51:56No, no.
00:51:57On the contrary, scarecrows scare him.
00:51:59He says they give him bad luck.
00:52:01You won't say it seriously.
00:52:03Can you imagine how much luck the Macones have?
00:52:06Poor Pocamecha.
00:52:08But I came up with an idea that seems to have worked.
00:52:14What? Covering his eyes to go to the field?
00:52:17Can you imagine?
00:52:18No.
00:52:19What I did was take my father's old clothes
00:52:22and I put on the scarecrow.
00:52:25Gerardo respected him a lot.
00:52:27I told him it was a tribute.
00:52:30A strange tribute.
00:52:32Anyway, the man calmed down.
00:52:36And now he has lunch with the scarecrow.
00:52:39He tells him about his life.
00:52:41And you call it that?
00:52:43You're making all this up.
00:52:46No, I swear I'm not.
00:52:54What's wrong?
00:52:56Do I have a stain?
00:52:57The beard?
00:52:58No, no.
00:53:01I wasn't thinking about how good your job is.
00:53:06Well, it's too soon to say, isn't it?
00:53:09Not only do you have to know the field well,
00:53:11but also the people who have worked with you.
00:53:15And what you've done for that man is important.
00:53:18You've helped him overcome his fears.
00:53:21You see how silly you are?
00:53:24And that speaks better of you.
00:53:27You don't even care when you help someone.
00:53:31Like you did with me.
00:53:36Come here.
00:53:44I think it's time for me to give you back your scapular.
00:53:54Like this.
00:54:05Like this.
00:54:36Vera, how are you?
00:54:37We haven't seen each other all day.
00:54:41I'm fine.
00:54:43And you?
00:54:44Fine, fine.
00:54:45I'm out of breath, but like everyone else, I guess.
00:54:48How are you?
00:54:49Very busy?
00:54:51I'm also out of breath.
00:54:55With Doña Petra, one doesn't even have time to rest.
00:54:59Yes.
00:55:00One doesn't even have time to rest.
00:55:03Yes.
00:55:07Good night, Lope.
00:55:09Good night.
00:55:11Wait a minute.
00:55:19Is something wrong?
00:55:21I mean, is something wrong with me?
00:55:23Because you've been avoiding me all day and you've been doing it since yesterday.
00:55:27Have I done something that has made you angry?
00:55:30No.
00:55:32Of course not. You haven't done anything, Lope.
00:55:35Vera, you don't have to go through this alone.
00:55:39Lope, please.
00:55:40I'm serious.
00:55:42Vera, if something happens to you, I'll never forgive myself.
00:55:45Never.
00:55:48Lope, it's really nothing. Everything is fine.
00:55:51Vera, for God's sake.
00:55:52I wasn't born yesterday and your face doesn't say everything is fine.
00:55:56Maybe saying that it's about boyfriends with Don Ricardo is good for you, but not with me.
00:56:04Listen to me.
00:56:06Look at me.
00:56:08I don't want to put you in an uncomfortable position,
00:56:10but it's killing me to see you like this.
00:56:13Lope, this is not a matter of ...
00:56:14Yes, it is, Vera.
00:56:16Of course it is.
00:56:18I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:56:23Because you're playing with fire and you're burning.
00:56:25Lope, you don't understand.
00:56:26No, I don't understand.
00:56:27Vera, of course I don't understand.
00:56:29That's why I need you to explain it to me.
00:56:32Please.
00:56:34Please, tell me.
00:56:55Vera.
00:57:25Vera.
00:57:55Vera.
00:58:04Did you receive my message?
00:58:05Yes.
00:58:07Although it still surprises me that you have summoned me here.
00:58:11At this time it is the quietest place to be able to speak discreetly.
00:58:15I hope so.
00:58:17I don't want to meet anyone.
00:58:19And I doubt anyone wants to meet me.
00:58:22What do you want, Mrs. Alcos?
00:58:26I have information that will surely be of great interest to you, Mr. Gregorio.
00:58:39The in-laws of my daughter have asked my virtues to give them 550 pesetas
00:58:44to return to their son.
00:58:45But that's the money the in-laws have asked for.
00:58:47Don't you like the virtue of so much money with your maid?
00:58:51Well, I think I could get it in a few weeks.
00:58:54I don't want you to go around saying that absurd theory of yours that I poisoned myself.
00:59:03Well, I've been raising her more and more stubbornly.
00:59:05You do all this just to annoy me?
00:59:08And I assure you that I have just started, Ignacio.
00:59:11What about Maria Antonia?
00:59:12I was hoping you would tell me.
00:59:14I haven't seen her for days.
00:59:15I haven't seen her for days.
00:59:16And why do I have to know what's going on with her?
00:59:18Because I haven't seen her since the day I found you arguing in the greenhouse.
00:59:23Thank you very much. You don't know how good this is for me.
00:59:26To write that saga you want so much?
00:59:28If I already knew it.
00:59:29Right now I'm doing it, but how did you get it?
00:59:31Here I can get almost anything I want.
00:59:34Your daughter is locked up in a asylum.
00:59:36And you're not doing anything to get her out of there.
00:59:38What can I do?
00:59:39I don't know, I don't know, but something, something.
00:59:41I don't know how Mrs. Darre will be, but I haven't seen her in days.
00:59:45The last time she came, she brought a lot of water and food, didn't she?
00:59:48Well, yes, but I've been doing calculations and ...
00:59:52It may not be enough.
00:59:55If it's not the finish line, of course.