• 6 months ago
Transcript
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00:07:17How's the dog?
00:07:19Shit.
00:07:21It's normal.
00:07:23Be careful.
00:07:25I'm not a kid.
00:07:27I can make movies.
00:07:29Can you afford a second cell phone?
00:07:31The knife opens itself in the pocket.
00:07:33Right?
00:07:47I'm not a kid.
00:07:49I'm not a kid.
00:07:51I'm not a kid.
00:07:53I'm not a kid.
00:07:55I'm not a kid.
00:07:57I'm not a kid.
00:07:59I'm not a kid.
00:08:01I'm not a kid.
00:08:03I'm not a kid.
00:08:05I'm not a kid.
00:08:07I'm not a kid.
00:08:09I'm not a kid.
00:08:11I'm not a kid.
00:08:13I'm not a kid.
00:08:15I'm not a kid.
00:08:17I'm not a kid.
00:08:19I'm not a kid.
00:08:21I'm not a kid.
00:08:23I'm not a kid.
00:08:25I'm not a kid.
00:08:27I'm not a kid.
00:08:29I'm not a kid.
00:08:31I'm not a kid.
00:08:33I'm not a kid.
00:08:35I'm not a kid.
00:08:37I'm not a kid.
00:08:39I'm not a kid.
00:08:41I'm not a kid.
00:08:43I'm not a kid.
00:08:45I'm not a kid.
00:08:47I'm not a kid.
00:08:49I'm not a kid.
00:08:51I'm not a kid.
00:08:53I'm not a kid.
00:08:55I'm not a kid.
00:08:57I'm not a kid.
00:08:59I'm not a kid.
00:09:01I'm not a kid.
00:09:03I'm not a kid.
00:09:05I'm not a kid.
00:09:07I'm not a kid.
00:09:09I'm not a kid.
00:09:11I'm not a kid.
00:09:15I'm not a kid.
00:09:31I'm not a kid.
00:09:33I'm not a kid.
00:09:35I'm an adult.
00:09:37I'm not a explainer.
00:09:39I forgot to tell you.
00:09:42Did you press the record button?
00:09:47Did you have the digested maiher?
00:09:49I forgot...
00:09:51Yesterday, when I came back from my father's house,
00:09:54straight from the train station to school...
00:09:56Your brother gave it to you?
00:09:57A moment, so that he wouldn't bite me.
00:10:00And how is your father?
00:10:02He's silent.
00:10:05When he's quiet, who's silent?
00:10:06And I remember how he talked.
00:10:10And I'd rather not.
00:10:14And what now?
00:10:18I'll go crazy.
00:10:21My father would say,
00:10:23Go to the doctor.
00:10:26And I remember your father's words.
00:10:28Because he got out as soon as he could,
00:10:30and came back as late as he could.
00:10:32So that his mother wouldn't suspect
00:10:33that he'd lost another job.
00:10:35Because of his physical condition.
00:10:37Because of his advance.
00:10:39Because of his return.
00:10:41If it wasn't for that, I'd be a virtuoso.
00:10:43If it wasn't for that, I'd be a virtuoso.
00:10:46And my mother wouldn't have lost her job.
00:10:49Job?
00:10:51Disappointed.
00:10:52I can't say anything bad about her.
00:10:54I am because she pushed me.
00:10:57Women, tanks.
00:10:59Does it hurt?
00:11:00It doesn't hurt at all.
00:11:02You're so trendy.
00:11:05But you've got nice legs.
00:11:07Look under your feet.
00:11:13I bought Straviński's
00:11:15for 10,000.
00:11:16But some idiot threw it away.
00:11:21And when is it time for my lesson?
00:11:26As long as it's not too hard.
00:11:30I love you.
00:11:33What's this?
00:11:35Tempi passata.
00:11:36I'm not good at it, am I?
00:11:39Science goes to the woods.
00:11:41Like Ogary.
00:11:47You read it yourself.
00:11:51What's that memory of?
00:11:54A rat.
00:12:00It's going to rain.
00:12:06Wait.
00:12:10I wish it was warm.
00:12:14I want to live with an idiot.
00:12:16Who would bandage my fingers so nicely?
00:12:19An idiot cleans up nicely,
00:12:21cooks, works.
00:12:23What an idiot.
00:12:27Don't wipe the floor again.
00:12:29On the bread with lard.
00:12:51I'm not an idiot.
00:12:53I'm an idiot.
00:13:16Mr. Ludwik?
00:13:21Your curator is ill.
00:13:23I'll replace him.
00:13:24Follow me.
00:13:32Follow me.
00:13:46You're being moved to a different facility
00:13:48and to a lower class.
00:13:50But why?
00:13:52For inappropriate pedagogical behavior.
00:13:54You don't keep them in check, Mr. Colleague.
00:13:56Do you believe in checks?
00:14:01And Colleague Marian?
00:14:04It's a school from which he...
00:14:06And you have the same name as him.
00:14:10That's how it turned out.
00:14:13Then I'm resigning.
00:14:15I don't want to leave this school.
00:14:17You told them things they don't want to hear.
00:14:20And it could end very badly.
00:14:21For whom?
00:14:22You're supposed to be an adult, not them.
00:14:24Adults?
00:14:25With your grudge.
00:14:26As if I was listening to Marian.
00:14:29Who left whom?
00:14:30Mr. Colleague or Mrs. Colleague?
00:14:35Colleague is a weak man.
00:14:38Trzcina straightens after going through Horda.
00:14:41I wish...
00:14:42I'm interrupting.
00:14:43Never.
00:14:54Because I just wanted to report
00:14:56that I found the entrance to the Ujazdowski castle
00:14:58for Masali's funeral.
00:15:00And we just entered the Buddhist path.
00:15:02It will be Nisizdaramsala.
00:15:04Colorful writing.
00:15:05A whole week of uninterrupted mourning.
00:15:07With sand in the eyes.
00:15:09Which the Gauls did not see.
00:15:10I wish...
00:15:11And I in fidelity.
00:15:13Please remember,
00:15:14Dalai Lama was a puppet of Mao.
00:15:17I'm too smart.
00:15:22All right.
00:15:53Was there a colleague?
00:16:02I can't.
00:16:05I saw you...
00:16:06It was.
00:16:08And?
00:16:09Well, I'm still kind of worried, but sir...
00:16:12She's not alone.
00:16:14I mean...
00:16:16She was never.
00:16:18I mean...
00:16:19Beautiful lady.
00:16:23Count Tolstoy said
00:16:26that the biggest mistake we make
00:16:29is mixing beauty with virtue.
00:16:32Who?
00:16:33The lion.
00:16:34When the lion wanted to devour the monkey in the jungle,
00:16:36it refused to come down from the tree.
00:16:38What did the lion say?
00:16:39Well, I'll cut you off.
00:16:42When we were in Georgia
00:16:44on a student trip,
00:16:45the hosts offered a toast to Stalin.
00:16:50We said,
00:16:51but he killed you just like us.
00:16:53So what?
00:16:54And what is the most efficient animal in the jungle?
00:16:57This one.
00:16:58Then shoot everyone else!
00:16:59Let him live!
00:17:01I hate animals.
00:17:03Dogs.
00:17:05Horses.
00:17:06Spiders.
00:17:07You don't like cats?
00:17:09Food.
00:17:10Copulation.
00:17:11Mice.
00:17:12Cows.
00:17:13Rats.
00:17:18I was going to give it back, but...
00:17:20I'll sell it to a friend.
00:17:26Shut up, kid!
00:17:42I'm sorry.
00:17:43I'm sorry.
00:17:44I'm sorry.
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00:22:00I'm sorry.
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00:22:02I'm sorry.
00:22:04Earth! Earth! Earth!
00:22:07Earth! Earth!
00:22:09Earth! Earth!
00:22:10Earth! Earth!
00:22:11Earth! Earth!
00:22:12Earth! Earth!
00:22:13Earth! Earth!
00:22:14Earth! Earth!
00:22:15Our nomiad is going to create an Uprising in the city!
00:22:18Should we fight against the Arsenal?
00:22:20We'll crush banks with a German!
00:22:24We'll crush banks with a German!
00:22:29Go, go, go!
00:22:38Cheers to...
00:22:39We'll drink to his balls!
00:22:41Cheers to Mr. Pszczol.
00:22:43That's all.
00:22:44So bad...
00:22:45So bad!
00:22:46Bad!
00:22:47Bad!
00:22:48Bad, bad, bad!
00:22:49Bad, bad, bad!
00:22:50Bad, bad, bad!
00:22:51Bad, bad, bad!
00:22:52Alright, Magda. Let's go.
00:22:54Oh, yeah, alright.
00:22:59Let's go!
00:23:06Chae, Songpyeon!
00:23:09Chae, Songpyeon!
00:23:11Chae, Songpyeon!
00:23:13Chae, Songpyeon!
00:23:16Chae, Songpyeon!
00:23:18Let's drink to her!
00:23:22Get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get out, get
00:23:52out.
00:24:22Not yet.
00:24:23Then at least tell me.
00:24:27A boy running through the snow,
00:24:33reaches Arcadia.
00:24:36What does it look like?
00:24:42It's under a cloche,
00:24:44made of transparent, opalizing material.
00:24:48And under it?
00:24:50A huge palace.
00:24:53Does anyone live there?
00:24:56A group of refugees.
00:24:59They fuck around in 18th century costumes.
00:25:02So they're fringes,
00:25:05plumes and wigs.
00:25:07What do they do there?
00:25:09They write,
00:25:11paint, compose.
00:25:15And what about the women?
00:25:17The ladies?
00:25:19But it's artificial.
00:25:21What do you mean?
00:25:23They move their hands.
00:25:26If they want to.
00:25:28And if they don't?
00:25:30They don't move.
00:25:34All of them?
00:25:36Except for one.
00:25:38And then the boy falls in love.
00:25:40No.
00:25:41She is the wife of the master of this place.
00:25:47The master of this place?
00:25:49The old one.
00:25:51But the perfect one.
00:25:56What do you mean?
00:25:59The one who doesn't recognize sex.
00:26:02How does it end?
00:26:11I'll tell you when I find out.
00:26:17Okay, I'm going.
00:26:19You say they compose.
00:26:21They play instruments.
00:26:23Can I ask you to write a poem?
00:26:25I wrote the last poem when I was 18.
00:26:28The title is Over the Water.
00:26:30There was no scrubbing.
00:26:32And then...
00:26:34Never again.
00:26:36Never again what?
00:26:37I didn't fall in love.
00:26:39So?
00:26:41Should there be a camp?
00:26:43After the lack of summer.
00:26:45A bad girl.
00:26:47She stole my house.
00:26:49My heart and time.
00:26:51My nights and days.
00:26:52She sold it for a million.
00:26:54Can you believe it?
00:26:55Before it all goes down.
00:26:57Wait.
00:26:59Is there anything else?
00:27:01Just today.
00:27:05Will you go with me?
00:27:07Did you plan it?
00:27:09A little.
00:27:10Then I'll go.
00:27:15I'm going.
00:27:24With red eyes.
00:27:26Marian Krocz.
00:27:31Krocz.
00:27:33I got a new cell phone.
00:27:37You're not at school?
00:27:38I'm making a film about school.
00:27:40But I need a lover.
00:27:42In every film there is a love story.
00:27:44Not in every and not in every.
00:27:46You said it yourself.
00:27:48He said what he knew.
00:27:50And you have to stick to
00:27:52the only chosen hero.
00:27:54Which one?
00:27:56The one who is the most unfortunate.
00:27:58Oh, because it's a movie about crying.
00:28:00It's a threat.
00:28:02And crying.
00:28:04And funny and scary.
00:28:06Like a fucking tiger.
00:28:07Meaning?
00:28:08Funny and terrible.
00:28:09Like a fucking tiger.
00:28:11Aha.
00:28:12Yeah.
00:28:13Oh.
00:28:21I feel like shit.
00:28:43For what?
00:28:44For throwing this movie to the director.
00:28:46That's how it was.
00:28:47It was thrown away.
00:28:54Better for a knife
00:28:55than for a lack of spirit.
00:28:58You're a dog, you believe in spirits?
00:29:06In your own way.
00:29:08In your own way.
00:29:10In your own way.
00:29:40My eyes are freezing.
00:29:42Mary is crying.
00:29:50I got a new cell phone.
00:29:53Isn't it from school?
00:29:55I'm making a movie at school.
00:29:57But I need a lover.
00:29:59In every film there is a love story.
00:30:01And in every book.
00:30:04Not in every and not in every.
00:30:06I told you.
00:30:07You said it yourself.
00:30:08He said what he knew, right?
00:30:10And you have to keep one chosen hero.
00:30:13Which one?
00:30:15This one.
00:30:16Who is the most unhappy.
00:30:18Because this movie is for?
00:30:20For crying.
00:30:21For horror and crying.
00:30:22For horror and crying.
00:30:23And funny and scary.
00:30:25Like a fucking tiger.
00:30:27Meaning?
00:30:29Funny and terrible.
00:30:31Like a fucking tiger.
00:30:36No?
00:30:37It would be a good song.
00:30:38Good morning.
00:30:39Like Mr. Duszyca.
00:30:41I feel like shit.
00:30:45Ale.
00:30:46Ala.
00:30:47Ala.
00:30:48You have a cat, Alu.
00:30:49I have a dog.
00:30:50I have a dog and I'm rich from the house.
00:30:51From the house.
00:30:52And my father even has a horse.
00:30:53A horse.
00:30:54And I am grateful to you.
00:30:55Yes?
00:30:56For what?
00:30:57For the fact that you dared to reject the direction of this movie.
00:31:01As it was, so it was.
00:31:02So it was.
00:31:03So it was.
00:31:08You know what?
00:31:10It's better to suffocate than to have too little of a soul.
00:31:12Does the author believe in spirits?
00:31:14In his own way.
00:31:15In his own way.
00:31:29Good morning.
00:31:33Someone for 30?
00:31:34Is it possible?
00:31:35For a girl?
00:31:38And how about for yourself?
00:31:52I studied literature for a week.
00:31:54And while studying, I was talking about the impact of cinema on the story.
00:31:59And what?
00:32:03I don't really know.
00:32:08Orient is east, dear lady.
00:32:10Roses are from the east.
00:32:12These are from the Netherlands.
00:32:14Very beautiful.
00:32:16And they smell?
00:32:18Now it doesn't smell much.
00:32:20Bekunia non olet.
00:32:22What do you mean?
00:32:23Bekunia nas olewa.
00:32:29Here.
00:32:31For what?
00:32:33One flower for you.
00:32:40Does it hurt?
00:32:46When you come back.
00:32:49After many, many years
00:32:53You will find peace in the flowers.
00:32:58After many, many years
00:33:01You will find peace in the flowers.
00:33:05As if nothing ever happened.
00:33:08But not chrysanthemum.
00:33:10Even sweet?
00:33:17Love.
00:33:21You have a beautiful voice.
00:33:25Literature and cinema.
00:33:29I'm in love.
00:33:33Come back, Asya, come back from this war.
00:33:58I love you.
00:34:28I love you.
00:34:54Can you help me with this shit?
00:34:59Single or double?
00:35:01For two loops.
00:35:03It's like for me and for Józef.
00:35:05Józef is a father or a brother?
00:35:07I'm from a orphanage.
00:35:09You can touch it.
00:35:11From the thinnest wool.
00:35:13Merinos.
00:35:14Merinos.
00:35:16It's bad.
00:35:18The co-locator teaches Polish and literature.
00:35:21We talk here, and there the bank is burning.
00:35:28Ah!
00:35:59Uh!
00:36:10Ha-ha!
00:36:29Good day, sir.
00:36:54Smalec left.
00:36:56Smalec left.
00:36:58I don't drink after Smalec.
00:37:02Oh.
00:37:05Only because of Sledzika.
00:37:08Can I turn on the dishwasher?
00:37:12I have so much acid.
00:37:15Acid from cabbage.
00:37:17So I can jump to the toilet?
00:37:19No, no, no.
00:37:20It's in the washroom.
00:37:22When you get it back, you'll comfort me.
00:37:25And then I'll show you pictures from South Africa.
00:37:28Ah, where you buy boats.
00:37:30Yacht, baby. Yacht.
00:37:32A colossal investment.
00:37:39And to think I'm from Zielonka.
00:37:42And my husband is from Konina.
00:37:45There are cabanas from Konina.
00:37:49Delicious onion.
00:37:56Cabanas, merinos.
00:37:59Ha-ha-ha!
00:38:08You have a nice smile.
00:38:10But I don't want kids, do I?
00:38:12Stupid.
00:38:13Investment.
00:38:15I'm scared of kids.
00:38:17Why?
00:38:19Because they grow up.
00:38:21I know that from...
00:38:22Ah, yes, I know.
00:38:24You met your...
00:38:25No.
00:38:27I cleaned the mental hospital
00:38:29and he kept his mother there.
00:38:32That's cruel.
00:38:34Kids are cruel.
00:38:41Acid.
00:38:46Acid.
00:38:55Acid.
00:38:58Acid.
00:39:24Ah!
00:39:39Ah!
00:39:55A full make-up.
00:39:57And a long undulation.
00:39:59And who has such purple hair?
00:40:02Me.
00:40:04The sun shines, it rains.
00:40:07Baba Yaga folds the butter.
00:40:10You like it, don't you?
00:40:12Marian pays.
00:40:13What a room.
00:40:15So I have the add-ons here.
00:40:17That's better.
00:40:18Let's say, safer.
00:40:20If he doesn't think.
00:40:21He doesn't think.
00:40:23If he doesn't think.
00:40:24He doesn't think, mother.
00:40:26In your father, I think.
00:40:30That?
00:40:31That I tormented him, tormented him,
00:40:33made him laugh.
00:40:34It's not worth it.
00:40:36It was?
00:40:38It's worth it.
00:40:40You graduated from the Academy of Music.
00:40:42You were a virtuoso.
00:40:43Not anymore.
00:40:45Your father was a scoundrel, and I was a lady.
00:40:48I remember him as a good man.
00:40:51He was honest.
00:40:53I mean, they threw him out of office one after another.
00:40:56He hardly talked to me.
00:40:58I was the one who complained.
00:41:00He'll die, you know, for what?
00:41:02For his conscience being thrown out.
00:41:09In the end, he only pretended to go to work.
00:41:12I thought he was in charge at the station.
00:41:14Shit, not at the station.
00:41:16He was walking with a bucket.
00:41:18They even threw him out of the street.
00:41:20What?
00:41:21He didn't want to steal.
00:41:22What was there to steal?
00:41:23When he came home, he didn't wash him.
00:41:26What?
00:41:27He washed him with a tap.
00:41:28What?
00:41:29When he came home.
00:41:30But he was always polite.
00:41:32With some...
00:41:33He was always polite.
00:41:34With a dog.
00:41:35With a puppy.
00:41:36I didn't think he was crazy.
00:41:37You were crazy, mother!
00:41:43It would be good for us if he died.
00:41:47He was an orphan.
00:41:49A poor son.
00:41:52They forced him to live in the city center.
00:41:55People are coming to the city center.
00:41:57I'm not a good Christian.
00:42:01What do you believe in?
00:42:03In your talent.
00:42:04I don't.
00:42:05And in money.
00:42:07Stop it.
00:42:09I did it for God's sake.
00:42:16He is your father.
00:42:21And who?
00:42:24Who?
00:42:46Oh, my God.
00:42:48Oh, my God.
00:43:15Oh, my God.
00:43:20Oh, my God.
00:43:25Oh, my God.
00:43:30Oh, my God.
00:43:35Oh, my God.
00:43:40Oh, my God.
00:43:45Oh, my God.
00:43:50Oh, my God.
00:43:55Oh, my God.
00:44:00Come here. Let's make a vow.
00:44:03You know I'm a virgin.
00:44:05I only have one God.
00:44:07Your husband.
00:44:09You're so stupid.
00:44:11You're so stupid.
00:44:13You're so stupid.
00:44:18Ouch, it burns.
00:44:19Wipe it off.
00:44:23Like a leg.
00:44:24Like a leg. I'll wipe my leg and go.
00:44:30Do you know what sex is?
00:44:36Sex.
00:44:38And money.
00:44:40Money.
00:44:42And sex.
00:44:44What?
00:44:45Are you cheating?
00:44:49I saw it on TV.
00:44:50What about yours?
00:44:52He's afraid he won't infect me.
00:44:57He infected me.
00:45:00You're stupid.
00:45:02You only have one life.
00:45:03How do you know?
00:45:05Here.
00:45:07Here.
00:45:14Hello?
00:45:20Fine, I'll tell her.
00:45:26Your husband wants you to bring him something from McDonald's.
00:45:31He'll be late for work.
00:45:34He'll be late for work.
00:45:36It's bad for the baby.
00:45:38What about you?
00:45:40Nothing.
00:45:42This burger is for him.
00:45:44The thickest, multi-layered one.
00:45:46And he won't forget.
00:45:52He has to have the strength to push.
00:45:55I want him alive.
00:45:57Call me Ola.
00:45:58Ola, beautiful Ola.
00:46:00Cock-a-doodle-doo.
00:46:02Cock-a-doodle-doo.
00:46:04Do you like football players?
00:46:07Ronaldo, Beckham.
00:46:10They have beautiful bodies.
00:46:13Beckham, Modena, Ruzsa.
00:46:16She even designed a car.
00:46:19Do you like it?
00:46:21Beautiful, beautiful, beautiful, beautiful.
00:46:24Yes, yes, yes.
00:46:27A kiss?
00:46:29Interesting.
00:46:35You!
00:46:37What do you see in your glutton?
00:46:41He likes me.
00:46:46Get out!
00:46:57I don't give a fuck about this pregnancy.
00:47:05You're a whore.
00:47:08You're a whore!
00:47:10Ola!
00:47:11I don't recognize condoms.
00:47:13Give it to me.
00:47:18Pour me a glass.
00:47:20What?
00:47:21Do the laundry!
00:47:35Fuck!
00:47:38I think it started.
00:47:41Give me the condoms.
00:47:43Thank you.
00:47:46You're a whore.
00:47:48You're stupid.
00:48:00Jesus Maria!
00:48:03You're a whore!
00:48:16Hamburgers!
00:48:46You're a whore!
00:49:10Yes.
00:49:13Yes.
00:49:20Anya for Mr. Jakub?
00:49:23With ketchup?
00:49:26And with mustard?
00:49:28For one or for two?
00:49:33You said for you.
00:49:36Grow a lily.
00:49:38Grow a lily.
00:49:39Highly.
00:49:41As you lie deeply.
00:49:45Please.
00:49:47You haven't been to my place yet.
00:49:48Come.
00:49:50You'll see something.
00:50:21Put it somewhere.
00:50:24Not here.
00:50:30Beautiful.
00:50:32World War II.
00:50:35The fighter.
00:50:37He was Japanese.
00:50:39His name was Zero.
00:50:45He was the best.
00:50:48Until the English invented Spitfire.
00:50:58Then American Tom.
00:51:02And finally Hellcat.
00:51:1720mm.
00:51:24What a shell.
00:51:29I'll cool you down.
00:51:32Tell me, Mr. Jakub.
00:51:34I'll cool you down, Mr. Jakub.
00:51:42She keeps telling me that I eat like a pig.
00:51:46She looks beautiful.
00:51:48Mrs. Ola.
00:51:50Mrs. Ola. Mrs. Ola has a belly.
00:51:52I can't stand it.
00:51:53I mean, I can't stand it.
00:51:55Don't tell her what I've been doing here for hours.
00:51:59She'll make fun of me again.
00:52:02Our secret.
00:52:04Remember.
00:52:06Sweet as a lily.
00:52:10It won't work this way.
00:52:12I'll open the entrance with this trick.
00:52:15But first I have to turn off the alarm.
00:52:18The whole bank will be rich
00:52:20when you walk through the hall.
00:52:23Inside.
00:52:24How would you know?
00:52:29It's all covered.
00:52:30How would you know?
00:52:34And I won't get a kiss.
00:53:34Come on.
00:54:05Come on.
00:54:07Come on.
00:54:35Ah!
00:54:36Ah!
00:54:37Ah!
00:54:38Ah!
00:54:39Ah!
00:54:40Ah!
00:54:41Ah!
00:54:42Ah!
00:54:43Ah!
00:54:44Ah!
00:54:45Ah!
00:54:46Ah!
00:54:47Ah!
00:54:48Ah!
00:54:49Ah!
00:54:50Ah!
00:54:51Ah!
00:54:52Ah!
00:54:53Ah!
00:54:54Ah!
00:54:55Ah!
00:54:56Ah!
00:54:57Ah!
00:54:58Ah!
00:54:59Ah!
00:55:00Ah!
00:55:01Ah!
00:55:02Ah!
00:55:03Ah!
00:55:04Ah!
00:55:05Ah!
00:55:06Ah!
00:55:07Ah!
00:55:08Ah!
00:55:09No!
00:55:16Come in.
00:55:39Let's march.
00:56:03Don't worry, it's not contagious anymore.
00:56:08For what?
00:56:10For communism.
00:56:12Were you in the Party or in the Security Service?
00:56:15There were 3 million people in the Party.
00:56:18Believers?
00:56:21Well, you are my father.
00:56:24How do you know?
00:56:26Just like that.
00:56:28I shot.
00:56:30Although we shot a little more business, right?
00:56:35A lot of people.
00:56:37Krispa, Gazulka.
00:56:40Because?
00:56:42Someone had to.
00:56:45It must have been Naruz.
00:56:48Holy Word!
00:56:54And before that?
00:56:56Auschwitz!
00:56:58Borowski also educated himself in Auschwitz.
00:57:01Who?
00:57:04The best Polish writer after the war.
00:57:07And?
00:57:09He wrote a collection of stories.
00:57:11Ladies and gentlemen, to Gazulka.
00:57:13And then he became a commissar for Komuchów.
00:57:16Alive?
00:57:19He put his head in Gazulka's chest.
00:57:25He learned that a human being
00:57:28is a box of waste!
00:57:32No, sir.
00:57:35A human being sounds proud.
00:57:41Fuck.
00:57:45Mickiewicz!
00:57:47He called his best friend!
00:57:49Fuck you!
00:57:52This Mickiewicz?
00:57:54The first man.
00:57:56Adam.
00:57:58And from youth to youth, let's say.
00:58:01Poverty.
00:58:05Indifference.
00:58:07What do you feel about me?
00:58:09No.
00:58:11Nothing.
00:58:16And fuck you in the ass, you shit.
00:58:21Because I know, so I don't know.
00:58:26And you stink.
00:58:29And your friend is from the syphilis?
00:58:36And what do you do?
00:58:39In the ass.
00:58:46Nothing.
00:58:50You stink.
00:58:53What did you do?
00:58:59My fatherland, you are like health.
00:59:02Health? How much do you have to appreciate?
00:59:05The one who finds out, he lost you.
00:59:17Pretty good news.
00:59:20MTD?
00:59:21Multidrug.
00:59:22Dapsoma, rifampicin, clofazimine.
00:59:24Significantly slowed the development of the disease.
00:59:26It's a pity that it is not known.
00:59:27You see, you made fun of it.
00:59:30I mean, by what miracle?
00:59:32Please treat it as a miracle.
00:59:34That for now you don't have to amputate.
00:59:37This gentleman's throat has a tuberculoid form.
00:59:40What does that mean?
00:59:42He loves wires.
00:59:44Threatening.
00:59:45And the threat is cured.
00:59:47There is also a second hypothesis.
00:59:51Of the three types of thrombus, only one is infectious.
00:59:54This one?
00:59:56No.
00:59:57If it turns out that it is a nerve thrombus.
01:00:00Sensitive?
01:00:02Music.
01:00:03Was it in the tiles?
01:00:05No.
01:00:06It's a pity.
01:00:08This seemingly warm water in the tap allows for all depravations.
01:00:13Sign.
01:00:15We knew each other coldly, you know?
01:00:18I'm from the village.
01:00:20At my parents' house still, right?
01:00:25My father, for example,
01:00:27went back to the village.
01:00:29Because?
01:00:30Because nature is friendlier.
01:00:32Nature is our biggest enemy.
01:00:36Yes and no.
01:00:37What does no mean?
01:00:40What does no mean?
01:00:42Sarkis and Soma.
01:00:45Soul.
01:00:48And body.
01:00:50My love.
01:00:53Show me where the soul lies.
01:00:58In the cinema.
01:01:02Gentlemen are gay.
01:01:04Sodom and Gomorrah.
01:01:06Calm down.
01:01:09Calm down, calm down.
01:01:13Proust was a sodomite,
01:01:15and he wrote the most subtle poem in the world.
01:01:18What are you talking about?
01:01:21See you later, doctor.
01:01:37Not everything has to be like this.
01:01:39A lot of birds.
01:01:43It's cruel.
01:01:45These crickets.
01:01:48So small and yellow.
01:01:50So graceful.
01:01:52They even kill sleeping bats.
01:01:55I had an affair with a Vietnamese girl.
01:02:03Please repeat.
01:02:05I had an affair with a Vietnamese girl.
01:02:08And it was because of her?
01:02:12When I started to break down,
01:02:14I came to her with a question.
01:02:16And?
01:02:17She wasn't there, she was different.
01:02:19She had the same name.
01:02:21Because they're often without papers.
01:02:27I hope they ate her.
01:02:34It punished them.
01:02:38We have to hurry.
01:02:42We'll also record the camp.
01:02:44You haven't tried it yet.
01:02:48The symphony is about to start.
01:02:56And my first poem?
01:03:00You'll make it.
01:03:05Stendhal wrote his poems in his forties.
01:03:11Who?
01:03:13Red and black.
01:03:17But Stendhal didn't know cinema.
01:03:22Action!
01:03:24Camera!
01:03:25Action!
01:03:27Action!
01:03:29Camera!
01:03:30Action!
01:03:31And?
01:03:32You hate him, kill him!
01:03:34Action!
01:03:36It's just a script!
01:03:38But a poem!
01:03:40If it can be called a poem.
01:03:43Don't cheat.
01:03:45Don't do anything stupid.
01:03:47Calm down.
01:03:49And don't make a circus.
01:03:53Poetry.
01:03:55End there.
01:03:57And the prose begins.
01:03:59And?
01:04:01I don't know.
01:04:06You have to compose.
01:04:08And you have to write.
01:04:12I'm going to write.
01:04:14And I'm going to compose.
01:04:16On three.
01:04:18One, two, three!
01:04:28Can we change your name?
01:04:30What's your name?
01:04:32Marian.
01:04:33That's a good name.
01:04:35From Mary, the mother of God.
01:04:37That's right.
01:04:38My name is Marian.
01:04:40I like it.
01:04:41I like you.
01:04:44When I was little, in the yard,
01:04:46I fell from a tree.
01:04:48I wanted to be a dancer.
01:04:50And you can't?
01:04:52Everything is ruined there.
01:04:54It requires expensive surgery.
01:04:56And probably abroad.
01:04:58Ruined with money?
01:05:00I don't have rich parents.
01:05:05I came back.
01:05:07Because you sang to me.
01:05:09I sing in church.
01:05:11Soprano?
01:05:13Are you a musician?
01:05:16I like to listen.
01:05:19Oh, my rosemary,
01:05:21Don't fall apart.
01:05:23Oh, my rosemary,
01:05:25Don't fall apart.
01:05:28I'll go to the girl,
01:05:30I'll go to the only one,
01:05:32I'll ask her.
01:05:35I wanted to invite you
01:05:37for coffee, kebab, pizza, hot, burger, but...
01:05:41But?
01:05:43No money.
01:05:46Only in a few days.
01:05:48Okay, I bet.
01:05:50God forbid.
01:05:52Now I couldn't, I'd lose my job.
01:05:55But you eat bread with marzipan.
01:05:57I do.
01:05:59Then?
01:06:00I'll wait.