Not Rated | 58min | Western | 31 January 1944 (USA)
Working undercover, Marshals Nevada and Sandy are looking for jewel smugglers along the border. Posing as a nearly deaf man, Sandy gets a job as the wagon driver that picks up pottery. When he breaks a piece of pottery the jewels hidden inside are revealed.
Director: John P. McCarthy
Writers: Adele Buffington, Johnston McCulley
Stars: Johnny Mack Brown, Raymond Hatton, Craig Woods
Working undercover, Marshals Nevada and Sandy are looking for jewel smugglers along the border. Posing as a nearly deaf man, Sandy gets a job as the wagon driver that picks up pottery. When he breaks a piece of pottery the jewels hidden inside are revealed.
Director: John P. McCarthy
Writers: Adele Buffington, Johnston McCulley
Stars: Johnny Mack Brown, Raymond Hatton, Craig Woods
Category
🎥
Short filmTranscript
00:00♪
00:30♪
01:00♪
01:18You can tell the boss that these jewels came from one of the oldest families in the country.
01:23They're tough to get hold of and I want plenty of jack for them.
01:27You're doing all right, ain't you? All you gotta do is get the stuff.
01:30Where would you be if we couldn't find a market for it in the States?
01:34Well, where would you be if I didn't handle the Russell stock?
01:37Well, trading gab isn't getting us nothing. I'm rolling.
01:42You tell him what I said anyhow.
01:44Sure, I'll tell him.
01:51And I never saw her from that day to this.
01:57See you later, Ben.
02:27♪
02:50Well, why didn't you get here before sunup?
02:52I've been expecting Whiskey Wiley. He ought to be here now.
02:54McGee was figuring careful. Wanted us to loaf around and drift off easy.
02:58Well, maybe they're smart and maybe they ain't.
03:01McGee says he wants more jack for that bunch.
03:03Well, he does, does he?
03:05You tell him if he ain't satisfied with this setup, get somebody else to peddle this stuff.
03:10All right.
03:11Now get moving.
03:13♪
03:42I know what I'm talking about.
03:45Eh?
03:46Now, you listen to me.
03:48I said I'm working for Blackie here.
03:50Eh?
03:51I said I'm working for Blackie here.
03:54Oh, I thought you said you were driving the team for a trading post.
03:59Well, I am.
04:02Don't make sense.
04:03How can you be driving the team and working for Blackie at the same time?
04:07Well, don't you see that...
04:09That's enough, Whiskey. Go on now.
04:11Now, listen to me. I want to see Blackie. I want my money.
04:16Got him across to McGee last night.
04:18What about the sheriff?
04:19Steered him over watching the triple X outfit.
04:21Where nothing happened.
04:22Put him on the phone.
04:23I'll get him.
04:24I'll get him.
04:25I'll get him.
04:26I'll get him.
04:27I'll get him.
04:28I'll get him.
04:29I'll get him.
04:30I'll get him.
04:31Where nothing happened.
04:32Whiskey's out there shooting off his mouth.
04:33Drunk again, huh?
04:34What's he saying?
04:35Better come out and see for yourself.
04:40You know, partner, I got a chance to buy a trading post.
04:45That's why I want my money.
04:48You're going to spend it all in one place, you say?
04:51No, no. I got a chance to buy a trading post.
04:54Look, you put him up about six foot and run five strands of fire,
04:57there'd almost be hog tight.
05:00I said I got a chance to buy a trading post.
05:03How high?
05:05What if you want to build a place for him?
05:08Get behind the bar. I'll take care of him.
05:14When Whiskey gets out of town, you know what to do.
05:17All right, buddy.
05:31How many times have I told you to stay sober on the job?
05:34Now get out of here. Come on, get out.
05:36Right on.
05:41What's the matter, partner?
05:42This town doesn't seem to be very sociable.
05:45I'll get even with you for this.
05:50You know, that ain't a very smart way to treat your customers.
05:53Oh, move on.
05:54What'd you say?
05:55I said move on.
05:57I'll move on.
05:58What'd you say?
05:59I said get out.
06:01What?
06:10Why don't you come out and fight like a man?
06:14Eh?
06:24Business doesn't seem to be so good at the palace.
06:26Customers all coming out. Nobody going in.
06:29You're coming in, ain't you? And I'm buying the drinks.
06:32Lucky.
06:40Have you forgotten that you promised to take me to your new plane?
06:43No, I know I'm a little late, sweet, but I didn't forget.
06:45Now you run along to this table and tell them to hitch the buck forward and I'll be right along.
06:50I'll be waiting.
06:57Come on in.
07:02What do you have?
07:03Sarsaparilla.
07:05Sarsaparilla?
07:07Just getting to town?
07:09Yep.
07:10Looking for anyone in particular?
07:12Oh, no one in particular.
07:14If I can find the right kind of a spread, I might settle here.
07:17Here's your sarsaparilla.
07:19Thanks.
07:20Well, here's looking at it.
07:22Here's looking at you.
07:29Oh, uh, was that the missus outside?
07:32Why?
07:34Couldn't help but notice the brooch she was wearing.
07:36What's the matter with it?
07:38Nothing. It's quite a rare piece of Mexican jewelry.
07:40Yeah? How do you know?
07:42I've seen quite a lot of it in my travels.
07:45She wouldn't happen to have the maid to it, would she?
07:48Why?
07:49I've got a girl that would like to have one just like it.
07:52Yeah, there's no maid to it, brother.
07:54And as you just said, you've seen a lot of it in your travels?
07:57I'd suggest you do just that.
08:00Travel.
08:01Further south, if you're looking for a spread.
08:04This is mostly mining country around here.
08:06Thanks.
08:08Yes, that could be.
08:11But down in my country, they'd treat you like a man
08:14till they find out different.
08:16Up here, they'd throw you out the stonk away.
08:19Yeah, and you're just about as sociable as the rest of them.
08:23Well, I guess I'll have to go.
08:25Thanks.
08:26Good-bye.
08:27Good-bye.
08:28Good-bye.
08:29Good-bye.
08:30Good-bye.
08:31Good-bye.
08:32Good-bye.
08:33Good-bye.
08:34Good-bye.
08:35Good-bye.
08:36Good-bye.
08:37Good-bye.
08:38Good-bye.
08:40Take care, Mr. Best of luck.
09:06How long have you been in Mesa City?
09:13Well, I've been here long enough to find out that we ought to trail that old man, Whiskey
09:16Wiley.
09:17He knows more than I have been able to find out.
09:20Although I did learn that he's working for a trading post northeast of here.
09:24Well, if he didn't go northeast, he headed west into the canyon.
09:28I think it's best that you meet up with him.
09:30After being thrown out of the saloon, he'll talk to you freely.
09:33I'll be close by.
09:34That's a good idea.
10:05La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
10:11la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
10:16la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
10:20la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
10:23la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la
10:53of the wagon.
11:23Oh, ho, ho, boy.
11:50The killer back there is finished.
11:59This unfortunate old fellow is too.
12:01Well, what are our plans now, son?
12:03Well, to begin with, I want you to take this wagon into the trading post and land the job
12:06as a driver, but not until morning.
12:08That'll give me a chance to get set myself.
12:10Oh, well, I'm going to tell the owner.
12:11You can figure that out on the way.
12:13Whistle.
12:43I wish Benita could always be as beautiful as she is now.
13:12Yeah, it could always be as peaceful, like Pedro's song.
13:16I wish so too, Joe.
13:19You know how worried I am about you being out here alone at night with just the old squaw?
13:23We won't be alone.
13:24Whiskey will be coming along shortly with the supply wagon.
13:27But Whiskey's so old.
13:29He's no help in times like these.
13:31The rustlers raid and no answer's read and left.
13:33Suppose those hombres took a notion to raid this place some night.
13:37There's nothing I can do about it, Joe.
13:39I couldn't close up and leave my friends the Navajos.
13:42No place to trade.
13:44You could marry me.
13:46Well, we'd find somehow to keep the post open.
13:50At least I'd know you had a home at the ranch and you were...
13:53You've gone over that so often, Joe.
13:56You wouldn't be happy with that kind of an arrangement.
13:58Neither would I.
14:00Perhaps some day someone will come along and buy this place.
14:05I told Whiskey when he was in Mesa City today to put out the word that I wanted to sell.
14:10When that happens, honey, we can get married, can't we?
14:14You know, waiting around for you has kind of grown on me anyhow.
14:19Pedro, go home now.
14:21Very good supper.
14:23Gracias, señorita.
14:25Your song is very good too, Pedro.
14:27Gracias, señorita.
14:29Adios.
14:30Adios.
14:31Pedro, you knew the ranchers put up reward money for the information about the rustlers.
14:35Si, I know.
14:36I look out.
14:38Adios.
14:39Adios.
14:44My foreman must have gone right over to the ranch in Mesa City.
14:47Maybe he ran across Whiskey in town and is riding back with him.
14:50Not Steve Rowland.
14:51He likes to travel fast.
14:53You know, he's one of the best foremen I've ever had.
14:56It was a smart idea of his to ride over to Mesa City to see Sheriff Halloway.
15:00If you ask me if the United States Marshal you should look to for help,
15:03I suggested to Steve the other day and he laughed at me.
15:06Now, honey, you don't like Steve because he's a little rough.
15:10He didn't mean nothing except Washington's a big place and it's got lots of troubles.
15:15He doesn't got time for little folks like us.
15:20Watch yourself, honey, and adopt for strangers.
15:23I will.
15:24And I can always ring the bell and bring Mama D's son up from the Pueblo if I have any trouble.
15:28And stop worrying.
15:30Hello and love never stops worrying.
15:33Good night, honey.
15:34Good night.
15:58I wonder what's happened to Whiskey.
16:11He's never been this late before.
16:13Maybe he's drunk again.
16:15No, he promised me he wouldn't.
16:17Wiley, boss.
16:22Who is it?
16:27Jack McKenzie, ma'am.
16:28I'm a stranger in these parts.
16:30Are you Miss Bain?
16:31Yes, but I don't cater to strangers knocking on my door at this time of the night.
16:35I was hoping you might allow me to rest my horse and get some sleep.
16:38In the morning I'd like to talk over some business with you.
16:41Business?
16:47Thank you, ma'am.
16:53Just a minute.
16:54Explain what you want.
16:56I don't blame you for being cautious in an open country like this.
16:59But all I want is just a place to sleep.
17:02You said you had some business to talk over with me.
17:04What is it?
17:06I heard in Mesa City today that you wanted to sell this place.
17:09Well, I might be interested if you'd give me a couple of days to look it over.
17:14I do want to sell, but to a party that the Navajos will accept too.
17:17That's right, miss.
17:19That's what I meant by looking the place over.
17:21I'd like to get acquainted with them too.
17:23That is, if we can make a deal.
17:26But I reckon that can wait till morning.
17:29Well, I guess it'll be all right.
17:32Mama Dee, get some blankets.
17:35Thank you, ma'am.
17:37Good night.
17:52Oh, it's you, Steve.
18:06Joe didn't think you'd be coming by this late, so he went on home.
18:09Who's the stranger?
18:11I'm letting him put up in the stable for the night.
18:13Oh, you are, huh?
18:14Señor.
18:19Blanket.
18:20Thank you, Mama Dee.
18:23Steve Rellen.
18:26Good night.
18:27Good night.
18:28You're not bedding down here, stranger.
18:31But you are piling on that horse and coming along with me.
18:34Steve Rellen, you put that gun away and mind your own business.
18:37Let him go ahead, miss.
18:38I want to hear what he has to say.
18:40You know what we think the stranger's loafing around in this range, Benita.
18:43And I think the ranchers will be mighty interested in questioning this one.
18:47Did you say ranchers?
18:48Yeah, who else would be interested in the wrestling going on around here?
18:51It seems to me you're doing an awful lot of talking in front of this young lady.
18:55And I'm backing that talk up, too.
18:57Steve.
19:19I'm sorry, miss, but there was no other way.
19:21He got just what he deserved.
19:23Pick up that gun.
19:29Now, Steve Rellen, you get back to your own range business and leave my affairs alone.
19:33Mr. McKenzie is here to buy this post.
19:47Now you go and worry Joe about your being here.
19:50Joe Roskins is the owner of the Circle J outfit.
19:53Steve Rellen's his new foreman and thinks he can boss everybody else's business.
19:58But you forget that and get your rest, Mr. McKenzie.
20:01Thank you, ma'am.
20:02Good night.
20:23Found Knox dead laying in the road.
20:25Yeah?
20:26And no sign of Whiskey Wiley.
20:28Blackie's out of town with Rose.
20:30Damn again, that's all he thinks about.
20:32Another thing, I came by the post and found Bonita putting up a stranger for the night.
20:35Calls himself McKenzie.
20:37I tried to take him, but he's tricky and he's fast.
20:40But he won't get off so lucky the next time I meet up with him.
20:42Bonita says he's buying the place and ordered me off.
20:45Where's Joe?
20:46He rode over to Triple X.
20:48Where's your boys?
20:49Waiting for me up in Box Canyon.
20:51Now we got to work fast.
20:52Round up the rest of that cattle and get them across.
20:54McGee will be waiting for you.
20:56See Joe in the morning.
20:57Now you know what to say.
20:58And meet me up here alone.
21:00I get you.
21:08We're finished.
21:15That was a mighty fine breakfast.
21:16Gracias, senor.
21:17Oh, by the way, who is the George Bane out there on the sign post?
21:21Little boss.
21:22Big brother.
21:23He's died.
21:24I'm sorry to hear that.
21:29Mama D, you're some cook.
21:31Gracias, senor.
21:32Muy buen hombre.
21:39Thanks for the nice breakfast, Miss Bane.
21:41Mama D goes with the post too, Mr. McKenzie.
21:43Well, that's an added inducement.
21:47You've got a lot of nice pottery here.
21:50We own a lot of that.
21:52This is an odd piece of Indian work.
21:54It is, but an Indian didn't make it.
21:56It was made by a white man.
21:57A white man?
21:58You mean a squaw man?
22:00No, he lives alone in an old hogan near the mouth of the Box Canyon.
22:04He's called Tough Harsh, but he's more peculiar than tough.
22:08Peculiar?
22:09He doesn't like people.
22:10He doesn't talk to them very much.
22:12He learned to make pottery from the Navajos and keeps pretty busy at it.
22:16Well, he sounds kind of interesting.
22:18I think I'll ride over and have a look at him.
22:25Goodbye.
22:26Miss Whiskey's coming in a wagon.
22:34That's about fine.
22:36She's my wagon man and helper, Mr. McKenzie.
22:43It looks like my wagon, but not my helper.
22:54Ma'am, are you the boss of this outfit?
22:57Yes, where's my driver?
22:58What happened to him?
23:00I'm sorry, ma'am.
23:01You'll have to speak a mite louder.
23:03Where's my driver?
23:04What happened to him?
23:06He's in the back of the wagon.
23:07He's dead.
23:08Shot clean through the heart.
23:10Dead?
23:11No, no, querida.
23:12A loca.
23:14Ven, hijo.
23:16Ven.
23:19No, I found him about halfway out of Mesa City, about sun up.
23:24Looked like he might have been dead quite a spell.
23:26Maybe it happened yesterday.
23:28Why?
23:29Who would want to kill Whiskey?
23:31I don't know, ma'am.
23:33Who are you, stranger?
23:35Go again, Bob.
23:37Who are you?
23:38Not so loud.
23:40You know, my name is Hopkins, Sandy Hopkins.
23:43I just come up from Texas.
23:45I was running the freight outfit of my own,
23:47but so much grief attached to it, I made up my mind to sell it
23:51and come up here and try and get a job.
24:00Where in blazes were you last night?
24:02I stayed at the Triple X Ranch.
24:03Why?
24:04What happened?
24:05Plenty.
24:06Rustlers cut our new fence and run off the whole bunch.
24:08Somebody must have spotted us when we moved them in there yesterday.
24:11I'm sorry, Joe, but we ain't got enough riders to be every place.
24:14There's something else you ought to know.
24:16It's got me puzzled.
24:17What?
24:18When I dropped by the post early last night, Benita was putting up a stranger.
24:22A stranger?
24:23Yeah.
24:24I got suspicious and was going to turn him into the ranchers for questioning.
24:28But Benita stopped me.
24:30She's a kind of a handsome cuss.
24:32I guess he's pulling the wool over her eyes plenty.
24:34Anyhow, she run me off.
24:36Told me to mind my own business.
24:43You know, miss, if you'd be looking for a driver now, I'd like to apply for the job.
24:48He looks like he's honest.
24:50He brought your wagon in with all the store goods.
24:54What'd you say?
24:56If you want the job, I guess you can have it.
24:58Oh, you don't say.
25:00Well, thank you, miss.
25:04You can unload the stuff and bring it inside.
25:06What's that?
25:07You can unload the stuff and bring it inside.
25:09I'll get it done right away.
25:11I'll give him a hand.
25:12Thanks.
25:20Looks like we're doing all right up to now.
25:22So far, so good.
25:34Check with me tonight when I get back.
25:36All right.
25:43This is Benita.
25:44She inside.
25:49Just put it down anywhere, Mr. McKenzie.
25:57Who are you?
25:58Who are you?
26:02You'll have to come again, bub. I'm a little hard of hearing.
26:04Who are you?
26:05Oh, I'm Sandy Hopkins, the new driver for this outfit.
26:11How often do you have to get your supplies?
26:13Oh, about once every month.
26:15Well, where do you deliver your pottery to?
26:17Mesa City, the same place I pick up my supplies.
26:19I see.
26:24Joe!
26:25Are you the stranger who put up here last night?
26:27Yes.
26:28Get him up.
26:29You're going to do some explaining.
26:31Who you are, where you're from,
26:33and what are you doing in this part of the country.
26:35You're coming along with me, stranger.
26:37Sure, I'll go with you if that's what you want.
26:40I'm sorry to cause you so much trouble, Miss Bain.
26:47You better take care of this before somebody gets hurt.
26:51No, Joe, wait.
26:53I want to visit the man who makes pottery for this girl.
26:55So keep your eyes open and meet me like I said.
27:12I understand all that, Joe,
27:14but I just can't believe that Mr. McKenzie
27:16had anything to do with that rustling last night.
27:18How do you know he didn't slip out of the barn last night
27:20when you were asleep?
27:21I didn't go to sleep until late.
27:23Besides, Mr. McKenzie came here to buy this place.
27:26To buy the place?
27:27Very funny.
27:29Where did he hear about it being for sale?
27:31In Mesa City.
27:33Through whiskey.
27:35You said whiskey was killing his way here.
27:38Don't you see, honey, you can't take chances
27:40with strangers at all these days.
27:42When rustlers are operating like this lowdown bunch,
27:44they just don't stop at rustling, do they?
27:46No, I guess not.
27:48I'm so mixed up and worried.
27:50I wish you wouldn't take so many chances, Joe.
27:52I don't trust this, Steve, even if you do.
27:54Now get that out of your pretty head.
27:56If that stranger shows around here again,
27:59send the death man after me.
28:22Let's go.
28:52There's a stranger coming this way.
28:54Get back and lay low.
29:05Howdy.
29:10Are you Mr. Harsh?
29:12Yes, I'm Harsh, since you know my name.
29:15I reckon you know I don't like folks,
29:17especially strangers, coming around my place.
29:20My name's Jack McKenzie.
29:23I'm stopping at the trading post for a few days.
29:27Miss Bain showed me some of your pottery.
29:30Mighty good stuff.
29:32Maybe Miss Bain forgot to tell you
29:34there's secrets about making this pottery,
29:36and I don't want anybody to know them.
29:38I don't aim to go into the pottery business, Mr. Harsh.
29:41So your secret is safe.
29:44But I am planning on buying the trading post.
29:47So I'll be handling some of this pottery for you,
29:50that is, if Miss Bain and I can get together.
29:53There ain't gonna be no more pottery,
29:56because I'm closing up.
30:00Sorry to hear that.
30:05I'll be seeing you.
30:48Something is haywire.
30:50Whiskey died all right.
30:52The little deaf fella just brought him
30:54and his wagon into the post.
30:56I don't see why Blackie didn't take care of him in his territory.
30:59Now we got a deaf guy to worry about,
31:01and a stranger called himself McKenzie.
31:03And I don't like Knox being killed
31:05and not knowing who killed him.
31:09Now we gotta work fast.
31:11Get the rest of that Circle J cattle over to McGee tonight.
31:14Bring back what stuff he's got with you.
31:18I'll take care of things from now on.
31:23I got a new idea how I'll handle this.
31:27Sounds all right, but where do I come in?
31:31You're in.
31:33I'll do as I tell you.
31:35All right.
31:41Well, uh, madam.
31:43Where do you want me to put this stuff?
31:45Que?
31:47Oh.
31:49Habla usted espanol?
31:53Si, senor.
31:55All right.
31:57Then where do I put the stuff?
31:59En la sala, la cocina.
32:01Donde usted quiera.
32:03Como le de la gana y como usted quiera.
32:05No fooling.
32:07Lil' boss, no me entiende este hombre.
32:10Take the wagon over there.
32:12Hey, just a moment.
32:14Take the wagon over there and unload the stuff in the storehouse.
32:17And when you're through, I want you to go see Mr. Harsh.
32:20I'll give you a note explaining that you're the new man working for me.
32:23Tell him that you'll be up there tomorrow morning with the wagon
32:26to pick up the pottery for Mesa City.
32:28Yes, I'll do that.
32:30Now tell me, how do I find the place?
32:32You can't miss it.
32:34You take the first wagon trail off of the main road.
32:36It leads right down to Harsh's Hogan.
32:38All right, I think I can find it.
32:40All right.
33:00Miss Bonita, stranger, he comes.
33:11I'm sorry, Mr. McKenzie, but you'll have to leave here.
33:13I'm your friend.
33:15I'd like to speak to Joe.
33:16Not now.
33:17You must go.
33:18Steve's told several of the ranchers that you know something
33:20about this rustling going on around here.
33:22And Joe thinks so too.
33:24That's right, miss.
33:25I do know something about the rustling.
33:28But I don't want to cause you any more trouble.
33:30So I'm pulling out tonight.
33:33Thanks for everything.
33:41You get Steve and tell him I want this fellow McKenzie
33:44out of this territory by tomorrow.
33:46I don't care how he does it.
33:49Bring Ed and Shorty back with you.
33:52Yes, but you say.
33:58I'm sorry.
33:59I'm sorry.
34:00I'm sorry.
34:01I'm sorry.
34:02I'm sorry.
34:03I'm sorry.
34:04I'm sorry.
34:05I'm sorry.
34:06I'm sorry.
34:07I'm sorry.
34:08I'm sorry.
34:09I'm sorry.
34:10I'm sorry.
34:11I'm sorry.
34:12I'm sorry.
34:13I'm sorry.
34:14I'm sorry.
34:15I'm sorry.
34:16I'm sorry.
34:17I'm sorry.
34:18I'm sorry.
34:19I'm sorry.
34:20I'm sorry.
34:21I'm sorry.
34:22I'm sorry.
34:23I'm sorry.
34:24I'm sorry.
34:25I'm sorry.
34:26I'm sorry.
34:27I'm sorry.
34:28I'm sorry.
34:29I'm sorry.
34:30I'm sorry.
34:31I'm sorry.
34:32I'm sorry.
34:33I'm sorry.
34:34I'm sorry.
34:35I'm sorry.
34:36I'm sorry.
34:37I'm sorry.
34:38I'm sorry.
34:39I'm sorry.
34:40I'm sorry.
34:41I'm sorry.
34:42I'm sorry.
34:43I'm sorry.
34:44I'm sorry.
34:45I'm sorry.
34:46I'm sorry.
34:47I'm sorry.
34:48I'm sorry.
34:49I'm sorry.
34:50I'm sorry.
34:51I'm sorry.
34:52I'm sorry.
34:53I'm sorry.
34:54I'm sorry.
34:55I'm sorry.
34:56I'm sorry.
34:57I'm sorry.
34:58I'm sorry.
34:59I'm sorry.
35:00I'm sorry.
35:01I'm sorry.
35:02I'm sorry.
35:03I'm sorry.
35:04I'm sorry.
35:05I'm sorry.
35:06I'm sorry.
35:07I've got a delivery order for Macer City ready, and I picked it up the first thing tomorrow
35:13morning.
35:14Tell Miss Bonette I'll get them ready.
35:16I didn't quite get that.
35:17Tell Miss Bonette I'll get them ready.
35:19Yes, sir, and I'll tell her exactly what you said.
35:22What did you say your name was?
35:24Harsh.
35:25Harsh.
35:26See you again, Mr...
35:30Harsh.
35:31The.
35:54Slowly. Maybe. Now there's going to be no way.
36:01When he comes in the morning, I'll soon find out if he's deaf.
36:06Now you get to steam like I told you.
36:32They're pretty smart, Sandy.
36:34Yeah, they are.
36:36So far, we're doing all right.
36:38But how are we going to tie these loose ends together?
36:40We're going to take some long chances tonight, Sandy, and times against us.
36:54There it is, Sandy. As clean as day.
36:58Red, get those strays out of the wash.
37:00The boss don't want one of them left.
37:02I'll tail off and follow the herd until we get to the lodge.
37:04I'll get it done.
37:08You circle to the right and cut back.
37:10I want to get acquainted with that foreman.
37:27So you're the rustler.
37:40Well, I've sure been blind as a bat.
38:27Sandy, get Joe to the trading post.
38:41That's the nearest and safest place.
38:43Do whatever you can for him.
38:58Querida mia, go and sit down, please.
39:11Joe would only have listened to me.
39:13Well, it could be worse.
39:15And it could have happened sooner.
39:17But Marvin D. knows what to do.
39:19And with your help, I'm sure he'll pull through all right.
39:22I'm so confused.
39:24You're not as deaf as you wanted me to believe.
39:26No.
39:27Just another cover-up for a United States Marshal
39:30who moves into this territory.
39:32And we're not through yet.
39:34There's still plenty of work for the deaf man.
39:36And what about Mr. McKenzie?
39:38Another United States Marshal who's taking chances,
39:41tall chances, this very minute.
39:44I hope nothing's happened to him.
39:46And so do I.
39:48I think I'll go outside and take a look around.
39:51I'll go outside and take a look around.
40:22Where's Red?
40:24I'm over here.
40:26You and Barton watch the herd till we get back.
40:36Come on, Red.
40:38Stay where you are.
40:40Chuck that gun.
40:51Follow your men.
41:10Captain, here are two prisoners I want you to hold for me.
41:13All right, Marshal. I'll lock them up.
41:21All right.
41:42Just a minute.
41:44Reach.
41:47Turn around.
41:55Where you're going, I'm going.
41:57And when you get there, you're saying,
41:59this is Mr. McKenzie.
42:01The boss wants him to take over from now on.
42:04In a different talk, you'll never finish it.
42:08Understand?
42:10All right.
42:17Mr. McKee in?
42:19Yes.
42:20All right.
42:21Tell him we're here.
42:47Davis and his men at the bar.
42:49All right. Tell them to come in.
43:12Who's this?
43:13This is Mr. McKenzie.
43:15The boss wants him to take over from now on.
43:18We got all the stock of the Circle J out here.
43:21And we're running late.
43:22So let's have this stuff.
43:24We want to get back before daylight.
43:26All right.
43:27You tell Harts this is the last stuff he's going to get
43:29until I get my cut for that other deal.
43:32I'll tell him.
43:46Tell Harts I'll be over tomorrow night to see him.
43:49I'll tell him.
44:15I'll tell him.
44:46I'll tell him.
45:12What's keeping Davis?
45:14That's what we do here before sunup.
45:25You and Shorty go out and spot Davis.
45:27Stop him.
45:28I don't want this deaf bird to see him.
45:29Bill, you know what to do.
45:40Morning.
45:42You wouldn't want to be shut up on a nice morning like this, would you?
45:45No.
45:46But safe?
45:47Yeah, it's a nice morning.
45:49Yes, it is.
45:50I'll show you how to wrap these up.
45:51I don't want any of them broken.
45:52Speak a little clearer, will you?
45:54I said I'll show you how to wrap these up.
45:56I don't want any of them broken.
45:57Yeah.
45:58I'll be as careful as I can with them.
46:13We've got to clear out.
46:14Star Packer with the name McKenzie cut in on us at the Campino.
46:17I got out, but he's running me hog wild ever since.
46:19I just backtracked and controlled Sunrise.
46:21Now, come on.
46:22Let's get out of here.
46:36Put it over there.
46:37I'll take care of it.
46:38I'll take care of it.
46:39I'll take care of it.
46:40I'll take care of it.
46:41Put it over there.
46:42Perfect.
46:43Put it on that bench over there.
47:12What's the idea?
47:13Who's that?
47:14Harsh wanted to find out if Bonita's new driver is sure deaf.
47:28Is that the factory?
47:31Go ahead and wrap them.
47:33All right.
47:34I think I know how to do her now.
47:35Go ahead and wrap them.
47:36All right.
47:37I think I know how to do her now.
47:57Get inside.
48:06Saw your death, eh, Hopkins?
48:14Just as I thought.
48:17We knew you were chipping the stuff out, McGee.
48:20But we never figured out how until now.
48:28And I've been waiting a long while for you to make a mistake in your figuring, Marshal.
48:34And this is it.
49:05All right.
49:06Come on.
49:07Get over there.
49:08Face on the door.
49:09Go on.
49:35McKenzie!
49:38I'll give you one minute to come down with your hands up, or I'll drop your partner.
49:55Stay where they are.
49:56Get them up.
50:04Come on.
50:15All right, you men.
50:17Move in.
50:23Step along there.
50:30Your hunch was right, son.
50:32There's the stuff.
50:34Good.
50:35Now we can take them to town and pay Blackie a visit.
50:38All right?
50:39Get moving.
50:58I've certainly learned a lot that's going to help me in the future, Nevada.
51:01Thanks.
51:02You're going to be all right now, Joe.
51:04And I wish both of you all the luck and happiness in the world.
51:08Goodbye.
51:10Goodbye.
51:12Bye, Mama D.
51:13Yes, senor.
51:15Goodbye, Sandy.
51:17What'd you say?
51:18I said goodbye, Sandy.
51:20I heard you the first time.
51:22Hasta la vista.
51:23Muy bien.
51:24Gracias.
51:25De nada, senor.
51:33Well, you know, this is about one of the trickiest assignments we've ever had, son.
51:38That's right, Sandy.
51:39Now you can go to that hotel of yours down in Texas and just sit tight.
51:43While I go home and find out if there's any news from Washington.
51:46And if there's not, I'm coming down there and stay a spell with you.
51:50What do you say, old-timer?
51:52Well, that's a mighty.
51:54But don't call me old-timer.
51:56All right, Sandy.
52:00So long, nobody.
52:01So long.
52:02So long, Sandy.