Code of Silence - Season 1 Episode 1
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03:21Detective was looking for you on the breakfast shift.
03:24For me?
03:27Why?
03:28♪♪
03:38♪♪
03:48♪♪
03:53Hi.
03:54Hey, can I help you?
03:55I'm here for D.S. Francis.
04:01Over there.
04:10I'm Alison Brooks.
04:12Apparently you were asking for me?
04:14Yeah, I was. Alison, yeah.
04:16Thank you for coming up.
04:18I got your name from the community skills database.
04:22You signed up when you started working for the canteen.
04:25You read lips, right?
04:27Yeah.
04:28Oh, good.
04:29Okay, all of our usual lip readers are busy on other jobs.
04:31One sec.
04:33♪♪
04:41♪♪
04:45Hello.
04:46This is Alison.
04:47Alison works in the canteen.
04:48She's a lip reader.
04:50This is Detective Inspector Marsh.
04:52James.
04:53James.
04:54James.
04:55Hi.
04:56And this is D.C. Lawford.
04:57Ben, hello.
04:58Hello.
05:01So, you lip read.
05:03Did you have lessons or...?
05:05I just pick it up.
05:07And how much of a conversation can you read?
05:09Well, it depends.
05:10You know, some people are easy.
05:12It depends on the situation.
05:14Okay.
05:15Just have one moment.
05:16Is that all right?
05:17Have a seat there.
05:19Listen, all our usual tabs are tied up on other jobs.
05:22♪♪
05:27♪♪
05:32♪♪
05:37♪♪
05:42I can do it if you tell me where it is.
05:46Okay, that was impressive.
05:48Okay, we'll not answer that.
05:51Well, we're all watching a gang
05:55who are planning a robbery, a big robbery.
05:58And we have reason to believe they're meeting tomorrow,
06:01but they're always careful to meet in places where we can't bug them.
06:05That's why we need a lip reader,
06:07so we can understand what's being said.
06:09Exactly.
06:11With lip reading, it's not just about seeing words.
06:15It's who's talking and what you know of them.
06:18Because you kind of need context.
06:20But we've also got to be very careful about what we tell you,
06:24you know, for your own protection.
06:26Alison, do you need an interpreter or anything like that?
06:30Well, I don't have one now.
06:32You can't talk about anything that we've spoken about today.
06:35Oh, okay.
06:36Oh, well, you need to just check me out first,
06:39make sure you all can trust me.
06:41We'll let you know.
06:42DS Francis will be in touch.
06:58What?
06:59Why aren't those in the fridge?
07:00Well, I get them now.
07:09Would you like a beer?
07:11You don't have a beer?
07:12Okay, I'll get you that.
07:42You have to wait for me.
07:44I'm at the party.
07:48Oh, my God.
07:50Don't be afraid.
07:53I'm there for you.
07:57I'll be fine.
08:00Don't be afraid.
08:02I love you.
08:04I love you.
08:05I love you.
08:11I love you.
08:41Good.
08:42I've negotiated an extra hour,
08:43which means we now have surveillance until 11.30,
08:46and then the team is due on a job in Dover,
08:48which gives us a fighting chance to figure out
08:50what Helen Redman is cooking up this time.
08:52We picked up another text.
08:53The meeting place is a picnic bench
08:55on the south side of the park.
08:57Alison, come through.
08:59Went to three numbers.
09:00One unknown, one we think is Brayden Moore,
09:02and the other, like this, Joseph Holhurst.
09:05Oh, Christ, right.
09:07Okay, so Helen's getting the old gang back together.
09:09Well, minus Rob Mann, I guess.
09:11Isn't Danny Heath still inside?
09:12For the ransomware attack on the insurance firm.
09:14He's got eight months.
09:15Okay, so Helen's recruiting.
09:17Oh, Alison.
09:18Hey.
09:19Hey.
09:20You all right?
09:21Nice to see you.
09:22You all right?
09:23Come through.
09:24This gang that we're watching,
09:25they target jewellery stores, workshops.
09:29They're not afraid to use violence.
09:31We can't arrest them
09:32until we have enough evidence to secure a conviction,
09:35but that's like trying to do a jigsaw
09:38without the picture on the box.
09:40You want me to find that picture jigsaw?
09:42Exactly.
09:43We're doing what we can.
09:44We've got the live feeds.
09:45I need to see you.
09:46Oh, okay, sorry.
09:48We have surveillance teams in the park
09:51and we're watching the live feeds whenever we can,
09:54but today we need you to just sit and watch the monitors
09:57and tell us what you see, okay?
10:00Alison.
10:01Hi.
10:02These are the people we'll be watching, okay?
10:05We call her Cruella,
10:08we call him Hulk,
10:10and that's Wolf.
10:12What, like a codename?
10:14Yeah.
10:15We need you to tell us if you know any of these people.
10:18No.
10:19No?
10:20Here we go. Here we go.
10:21Here.
10:22Have a seat.
10:29Okay.
10:34Okay.
10:50Someone's approaching the rendezvous.
10:55Under an IC1 male, grey jeans, brown hoodie.
10:59Who is that?
11:00No idea.
11:01Awaiting orders.
11:02Shall I move him on?
11:08India, anything?
11:09Not yet.
11:10Nothing.
11:11They look really nervous.
11:12They keep waiting for someone.
11:16Hold on.
11:17Ben, he might be part of this.
11:20Hulk's here.
11:24New contact with Cruella entering Eastgate.
11:33Contact with Wolf, central path.
11:35Full house.
11:37Nia, do we have an idea on the IC1 male in the brown hoodie?
11:40Not yet.
11:41Okay, keep trying.
11:43There's not much to go on.
11:44I'm looking back through the messages.
11:48Okay, what about this one?
11:49What about this one?
11:50What can you see there?
11:52Here.
11:53Anything you can see.
11:56Okay.
11:57What about this one?
11:58What about this one?
11:59What can you see there?
12:02Anything at all.
12:03James, just give him.
12:13Liam.
12:15Liam.
12:16Liam.
12:17That's his name. His name is Liam.
12:18Nia, check for any associates of the gang called Liam.
12:32If we play the surveillance feedback,
12:35are you okay to try again,
12:37to get any information we might have missed?
12:40So, if I...
12:42play this back...
12:44Right.
12:45Anything you can get from this.
12:48Right.
12:49Can you just go back a bit?
12:51Yeah, well, if I...
12:52You do it.
12:53Oh, okay.
13:02She's introducing the man in the hoodie to Wolf.
13:14He said his last name.
13:15I missed it before.
13:17The hoodie says his name, Liam.
13:19And then I think his second name is something like...
13:23Barlow or Marlow.
13:25But P and a B and an M, they all look the same.
13:28Okay, what else?
13:29Keep watching.
13:30What else?
13:34Oh, Hulkster, I think he can help us.
13:40Yeah.
13:41So, here he is telling Wolf about himself.
13:48He's not from Canterbury.
13:49He moves around a lot.
13:52Yeah, it's like some sort of interview.
13:54Liam Barlow, 29.
13:56No previous convictions.
13:57I have an address in Manchester, but...
13:59They found him, yeah.
14:00Okay, I need a full profile on him.
14:02As quick as you can.
14:06Very good work today. Very, very good.
14:08Oh.
14:10You need to fill in this form if you want to be paid today.
14:12Alison.
14:13Alison.
14:15Um...
14:16Very important.
14:17You don't look up anything that you've seen in this office today.
14:20Okay?
14:21For your own safety.
14:22All right?
14:24Okay.
14:26LAUGHTER
14:28Fantastic. Well done, John.
14:30He knows his sport, this lad.
14:32So, Christy, over to you now.
14:34This is your turn now.
14:35This is your turn.
14:36Stop that.
14:37Get away.
14:38HE SNIFFS
14:39HE SNIFFS
14:40HE SNIFFS
14:41HE SNIFFS
14:42HE SNIFFS
14:43HE SNIFFS
14:44HE SNIFFS
14:45HE SNIFFS
14:46HE SNIFFS
14:47HE SNIFFS
14:48HE SNIFFS
14:49HE SNIFFS
14:50HE SNIFFS
14:51HE SNIFFS
14:52HE SNIFFS
14:53HE SIGHS
15:00SHE SIGHS
15:11Well done, baby.
15:16SHE Tries to breath
15:18Today, the footage is from CCTV, so it won't be as good quality, but we need a date and
15:40location for the robbery.
15:41Morning, sir.
15:42How are we doing?
15:43Good.
15:44Good to see you.
15:45Sir.
15:46Now, it's not very clear, I can barely see your face.
15:54Okay, well, you use this and you take as long as you need.
16:03What's she saying?
16:04Here.
16:05What's she saying?
16:06Could Lala be saying something about Beryl Marsh?
16:17Is someone in Pudding, though?
16:19Yeah, yeah.
16:20What else?
16:21Keep looking.
16:22I think she's saying a date.
16:23Let me go back a bit.
16:24Actually.
16:25Actually, two dates.
16:267th and 17th.
16:27Could it be 7th or 17th?
16:28Alternate dates.
16:297th and 17th.
16:30Could it be 7th or 17th?
16:31Alternate dates.
16:32Could it be 7th or 17th?
16:33Alternate dates.
16:347th and 17th.
16:357th and?
16:36Maybe it might happen between the date.
16:37I mean, it's very hard to see, but she said,
16:40keep an eye on him.
16:41Let's see something here.
16:42This guy.
16:43What's he saying, at that?
16:44Putting him in the flat.
16:45Putting him in the flat.
16:46Good.
16:47Near that act.
16:48Could it be the tap?
16:49It's a tap.
16:50It's a tap.
16:51I think it's in the tap.
16:52It's in the tap.
16:53Okay, go.
16:54They're both tap.
16:55Tap.
16:56Tap.
16:57Tap.
16:58Tap.
16:59Tap.
17:00Tap.
17:01Tap.
17:02Tap.
17:03The tap is the name of a pub.
17:06Yeah, yeah, yeah, yeah, it could be a tap.
17:09Are they talking about Healy's?
17:10I don't know.
17:22PHONE VIBRATES
17:27Shh!
17:28I'm sorry, I'm going to have to go.
17:31What?
17:33PHONE VIBRATES
17:35I'm going to go.
17:36No, I'm going to hang up.
17:37PHONE VIBRATES
17:41I'm going to eat.
18:03PHONE VIBRATES
18:18Excuse me. Hello.
18:20What is happening?
18:21Our landlord's selling our estate to this management company.
18:24I think we should pay for it.
18:31Sorry, um, does that mean our rent's going to go up?
18:35Someone's got to pay for our expensive seat.
18:45HE MUMBLES
18:55HE MUMBLES
19:06HE MUMBLES
19:25HE MUMBLES
19:33We've got intel that the gang are meeting in a bar not far from here.
19:36You can watch on my tablet.
19:38Saves us going to the station.
19:40How do you know they're going to meet at the bar?
19:42Someone got lazy.
19:43We're monitoring their messages, but that's why we need to be quick,
19:46because they could change their passwords at any time.
19:49Yeah.
19:50They're having technical problems with the camera.
19:54Would you be up for going into the bar?
19:57Into the bar?
19:58We'd just be friends having a drink.
20:01We won't get too close to them.
20:04OK. Yeah?
20:05But you're buying. OK.
20:07Wolf, Hulk and Hoodie are at a table to the left.
20:10On the left? Yeah.
20:11Our team will be in there and we can just take their place as they leave.
20:15I'm just going to talk to you like we're friends
20:18and you can just ignore me and you watch them, OK?
20:21Yeah. You ready?
20:43What do you want?
20:44Can I have an afro spritz, please?
20:48Two afro spritz, please.
21:12OK, we've got to go.
21:22OK, I'm just going to chat while you get where you can.
21:27Take your time, OK?
21:30Oh, Wolf's here.
21:42Are you OK?
21:44I need to get closer. The angle's really bad.
21:47It's too dangerous.
21:48Keep trying from here.
21:49You're not going to get everything straight away.
21:55Are you OK?
21:56I can't see anything from here.
21:58OK.
22:00Drink up.
22:01Why?
22:02What are you...?
22:03Wait.
22:04Alison!
22:09Hi, can I have an afro spritz on her tab?
22:18OK.
22:49I'm sorry.
22:50I'm sorry.
22:51I'm sorry.
22:52I'm sorry.
22:53I'm sorry.
22:54I'm sorry.
22:55I'm sorry.
22:56I'm sorry.
22:57I'm sorry.
22:58I'm sorry.
22:59I'm sorry.
23:00I'm sorry.
23:01I'm sorry.
23:02I'm sorry.
23:03I'm sorry.
23:04I'm sorry.
23:05I'm sorry.
23:06I'm sorry.
23:07I'm sorry.
23:08I'm sorry.
23:09I'm sorry.
23:10I'm sorry.
23:11I'm sorry.
23:12I'm sorry.
23:13I'm sorry.
23:14I'm sorry.
23:15I'm sorry.
23:16I'm sorry.
23:17I'm sorry.
23:18I'm sorry.
23:19I'm sorry.
23:20I'm sorry.
23:21I'm sorry.
23:22I'm sorry.
23:23I'm sorry.
23:34Can I get some napkins?
23:37Yes.
23:47Oh, Jesus Christ.
24:04You shouldn't have got so close, they could have seen you.
24:06Do you want to know what I shot?
24:09What did you see?
24:11This isn't about the jewellery shop.
24:12Yeah. I think they were talking about something like Metro.
24:18Like a biometric.
24:21Biometrics? Are you sure?
24:22I can't think of what else it can be. It's such a clear trait. Biometric.
24:27Biometrics?
24:29That sounds like they're going for a vault.
24:30That is a step up for this gang.
24:33Who do you think is taking break-in?
24:38I think he's a computer hacker.
24:40Did you see anything else about the venue?
24:45Could he need something?
24:48I don't know what, but I think Cruella is going to get him information.
24:55You did well. You got loads this time.
24:58It's so much easier when you're in the room with them.
25:00Look, these people are dangerous. You don't want to get close to them.
25:45Oh, can I get you something?
25:58No, thanks.
26:15What are you waiting for?
26:38Come with me.
26:40Let's go get you.
26:42Wait.
26:44No.
26:46Come on.
26:51No, I'm not. It's not about that.
26:53Come on.
26:55I don't want to look at that ghost.
26:57Come on.
26:59Come on.
27:00But I need you.
27:04I need you.
27:25Alison, hi.
27:27We should... It's a live feed tonight.
27:29See you.
27:30See you around.
27:35They're meeting in the play area.
27:36What? You got that from a phone messenger?
27:38How do you know about that?
27:40I thought you'd say something about phones.
27:45We're looking for a potential high-security facility,
27:48somewhere that uses biometrics,
27:50which is new territory for this gang.
27:52Did you find out what they're planning to steal?
27:55Look, just stick to lip-reading.
27:57Leave the detection to us.
28:00SIREN WAILS
28:08Contact with Hulk.
28:12Cruella, south side with Driver.
28:18Well, that's a shit angle, isn't it?
28:27And we have Wolfe.
28:30SIREN WAILS
28:41Hoodie's joining the party.
28:43OK, we've got them. We just need to see them.
28:49I can't see anything. Do you...?
28:52Can I get... Can I get closer?
28:53You can't. Nothing at all. You can't see anything.
28:55Well, I can't lip-read the back of her head.
28:57They weren't like anyone coming closer. Bad idea.
28:59Quick, just a little bit closer.
29:00She's got a point. They're right there, talking to me.
29:03They're right there. OK, ask her to move in.
29:04706, move closer with caution.
29:07SIREN WAILS
29:09SIREN WAILS
29:28OK.
29:29This isn't going to work, is it?
29:32Oh, shit.
29:34Something's wrong with her.
29:35Five, six...
29:36Great. OK.
29:38Stand her down. Yeah? Yeah.
29:40706, stand down. All units, stand down.
29:43Yeah, we're right there, talking about him.
29:45We're right under our noses. Right there.
29:47Please, don't... OK, well, we...
29:49Listen!
29:50I want to know where they've gone to after that, OK?
29:52I want to know where they've gone, who they've spoken to,
29:54what tasks they were given, yeah?
29:56Ben, a list of all high-security facilities
29:59that use this biometric data.
30:00Let's try and pinpoint a venue, can we, please?
30:02Let's try to make sure today wasn't a complete fucking waste of time.
30:08SIREN WAILS
30:27Can I... Sorry. What?
30:29I need to go to the toilet.
30:31Alison?!
30:35Ashley?
30:39Can we talk? Yeah.
30:41I'm really sorry that I didn't get anything earlier.
30:44Don't worry.
30:46We were asking too much.
30:48No, and James...
30:49James wasn't angry with you.
30:51This isn't just about stopping a robbery.
30:53There's...
30:55Cruella.
30:57Her husband is in Balmarsh Prison for ten years for manslaughter.
31:02A member of the public died during their last armed robbery
31:05and James blames himself for not stopping it.
31:07That's why we're pushing really hard.
31:09Was it James' fault?
31:11No. The investigation cleared him, but a man died,
31:16and, you know, he had a wife,
31:18so sometimes the IOPC's blessing isn't enough.
31:24I could see a lot more if you'd just get me closer.
31:27I mean, I've got a lot more in the wine bar.
31:29I don't think that's a good idea.
31:31OK, but the tap...
31:33It's a pub, right? The Canterbury tap.
31:35And they're putting him in a flat nearby,
31:37so maybe he might go in there.
31:40Have you been researching the case?
31:44No.
31:45You really, really need to leave the investigating to us.
32:00Hello.
32:01I was just dinner with Rose.
32:02How are you, sweetie?
32:05Erm, excuse me, my coffee.
32:07Oh, OK.
32:13Enchore.
32:15Erm, did you use nut milk?
32:17No.
32:19No.
32:20I'll get you another one.
32:26Hi. Alison!
32:31Can we have a chat before you go?
32:33OK.
32:34Erm...
32:35I'm really sorry, but...
32:37Carl thinks this isn't working out.
32:44But he didn't ask for the nut milk.
32:47And even if he did, he waited till I turned away.
32:50I'm sorry.
32:52No, I really need this job.
32:54I know.
32:55And I don't want to lose you.
32:56You're going to find something else.
32:58No.
32:59Samira!
33:00Alison.
33:02You could have told me yourself.
33:30I'm sorry.
33:44I've been trying to find out a reason for it.
33:50I don't want to lose you.
33:53But you don't want to lose me.
33:56It's real.
33:57It's real.
33:59What?
34:04You don't understand.
34:07It's real.
34:09It's real.
34:12I don't want to lose you.
34:15I don't want to lose you.
34:20Leave me alone.
34:21I don't want to lose you.
34:28I don't want to lose you.
34:38Oh, hello again.
34:40Hi.
34:41Can I have a half a cold yumbie, please?
34:45You know you can't afford them.
34:47I like the name.
34:48Cold Yumbie, Dead Pistache, Bobby Biscuit.
34:52It makes it easier to look through when people order them.
34:55You work in a bar?
34:56Yeah, I used to.
34:57But I'm currently looking for a job at the moment.
34:59Oh, we can never hold on to stuff.
35:02Wait, so are you looking?
35:04Er...
35:05I know you're probably thinking I don't want to hire a deaf barmaid.
35:08But I will learn all your menus before the first year.
35:11I don't let people order food.
35:13I've got a day job, but I can work any evening.
35:16Right, OK.
35:17So what you're saying is...
35:19I'm saying, give me a chance and I'll show you.
35:28I'm going to try it round there.
35:37Got it, thank you.
35:46Hi.
35:50What can I get for you?
35:52It's a pint of IPA.
35:57BOTTLES CLINK
36:14Are you, like, a regular here?
36:16No, I just moved in around the corner.
36:19I better remember your order, then.
36:28Do you find it hard with the music?
36:31Sorry?
36:33You're deaf, aren't you?
36:34Or hard of hearing, is that what you say?
36:37I'm deaf.
36:39What did you say?
36:41Does the music make it difficult for you?
36:45Yeah, sometimes.
36:47But...
36:48I like the beat.
36:50Yeah, this is a good one.
36:53BOTTLES CLINK
36:55Bad day?
36:59Just work.
37:02Can I tell you a secret?
37:06It's my first day, and I pretended I know everything about craft beer.
37:10But I actually don't.
37:15That's got a new job, too.
37:17What do you do?
37:18What do you do?
37:22It's too boring to explain.
37:31That'll be £0.99.
37:41What's your name?
37:43I'm Alison.
37:45Liam.
37:48Have a good day.
37:50You, too.
38:08Hey, don't worry. I'll close up here.
38:11You did good tonight.
38:12Come back tomorrow, what do you think?
38:14Yeah?
38:15Oh, yes.
38:16Yes.
38:40Oh, do you go in?
38:42Closing, aren't you?
38:44Got to go to work.
38:46Night.
38:47Goodnight.
39:13DOG BARKING
39:43DOOR CREAKS
40:13DRAMATIC MUSIC
40:39Fuck! Are you OK?
40:44Alison!
40:45I'm fine, I'm OK. I just got a bruised arse in the morning.
40:48Have you got a death wish?
40:49I'm sorry, I forgot my light.
40:51Don't get up. Don't get up.
40:53I'll be fine, I'll be fine, I'll be fine.
40:56OK, you need a hospital.
41:00I'll drive you.
41:05Are you OK? Get in.
41:13DOG BARKING
41:21So...
41:23..you were on your way to somewhere?
41:25Oh, I missed my meeting.
41:27And, besides...
41:30..this is more important.
41:32I can't run you over and then abandon you.
41:34Oh.
41:44I'd like to post your release first.
41:52That is weirdly a fact.
41:59Do you do this often?
42:01Just throw yourself in front of cars?
42:04In my spare time.
42:06Well, I'm honoured you chose me.
42:09Are you from Manchester?
42:11I don't always get the accent.
42:13Yeah. Yeah, I am.
42:16Just got here and I barely know anyone.
42:19But...
42:20..now I know you.
42:25Now you know me.
42:27Now I know you.
42:31Now you know me.
42:57It is happening now?
42:59Yeah.
43:00OK, we picked up a text.
43:02We know that they're meeting this morning,
43:04but we don't have a location.
43:09602.
43:11Need contact with Eddie.
43:13All right.
43:14Let's go. Nia?
43:16We've got a text coming in.
43:19It's from Eddie.
43:21It's from Eddie.
43:23It's from Eddie.
43:24Listen.
43:25We've got a text coming in.
43:28Brightwalker Roast.
43:29OK, Ben, Ben, where is that?
43:31There. It's by the Splash Park in Vale Garden.
43:33OK, we've got a what-three-words location.
43:35The gang are meeting by the Splash Park in Vale Gardens.
43:39Can we get officers there?
43:40602, Eddie's diverting.
43:42He's entering the electronic shop on Beam Street.
43:44Wait, wait, wait, wait.
43:45Temporarily lost on Eddie.
43:46Knocking on bones, sir.
43:47Why? Why the change of location?
43:49I don't know.
43:50OK, there's a back alley down the back of the shop.
43:52Maybe he's trying to shake us.
43:53Nothing on foot.
43:54What is he doing?
43:55What is he doing?
44:01Contact with Eddie.
44:03He's carrying a bag.
44:04Subject continuing east on foot along Beam Street.
44:07What is in that bag?
44:08Can we see what he's bought?
44:09Negative.
44:13Subject continuing on foot.
44:15Taking west turn into Vale Gardens.
44:19601.
44:20601, new contact with Hoodie.
44:22Entering Vale Gardens, headed toward the Splash Park.
44:27601.
44:30Hulk on site.
44:31Here we go.
44:45He's saying he's sorry.
44:46OK.
44:47If we set up a meeting, you turn up and there's no fucking discussion.
44:52Hulk is getting really angry.
44:54Something about a meeting.
44:58Alison, there.
45:07What is he saying?
45:09And there.
45:10What's that?
45:12There.
45:13What's he saying there?
45:14We need to know what he's saying.
45:15There.
45:16There.
45:27Have you made contact with Liam Barlow?
45:31You've risked the entire fucking operation.
45:34Good morning, Mr Stanford.
45:35I have an appointment.
45:36I've got information.
45:37We were so clear to you about the dangers of getting involved.
45:41I didn't tell him I was lip-reading for you.
45:43You understand how dangerous this is, becoming an informant.
45:46I'll have to keep my eye on you.
46:13I'm sorry.
46:14I'm sorry.
46:15I'm sorry.
46:16I'm sorry.
46:17I'm sorry.
46:18I'm sorry.
46:19I'm sorry.
46:20I'm sorry.
46:21I'm sorry.
46:22I'm sorry.
46:23I'm sorry.
46:24I'm sorry.
46:25I'm sorry.
46:26I'm sorry.
46:27I'm sorry.
46:28I'm sorry.
46:29I'm sorry.
46:30I'm sorry.
46:31I'm sorry.
46:32I'm sorry.
46:33I'm sorry.
46:34I'm sorry.
46:35I'm sorry.
46:36I'm sorry.
46:37I'm sorry.
46:38I'm sorry.
46:39I'm sorry.
46:40I'm sorry.
46:41I'm sorry.