Igra sudbine, Epizoda 1419 ,Igra sudbine 1419,Igra sudbine 1420,Igra sudbine Epizoda 1419, Igra sudbine Epizoda 1420,Epizoda 1419 Igra sudbine ,Epizoda 1420 Igra sudbine
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00:00A few days later
00:14Come in.
00:17Good evening, sir.
00:20Hello.
00:21How are you?
00:22I'm fine. I was expecting you.
00:24As always. Thank you.
00:30Come on. Let's go.
00:35It's nice that we came.
00:37Yes, it's nice that we came.
00:40Here's the bench. Come on, let's go.
00:45Good evening.
00:46Good evening.
00:47Good evening.
00:49What do you think?
00:52I saw something really suspicious.
00:55I was at Sara Berger's office, waiting for her.
00:58Then two men came out of the office.
01:05Do you think it's me, or did you feel financial problems?
01:10Didn't you sign a contract?
01:14What's up, guys?
01:15Nothing. I was doing some Instagram reels.
01:19What reels?
01:20With these famous people. I put everything together.
01:23I did interviews with them.
01:25Really?
01:26We have to excite her.
01:28Are you working with singers?
01:29Yes.
01:30Do you like that we left the house?
01:34Yes, I like it.
01:35I think it's better than sitting at home and staring at the wall.
01:39Come on, Lenka.
01:42We'll solve everything together.
01:44Everything will be fine.
01:46Then I saw something even stranger.
01:48Do you want to tell me what?
01:50There was a picture of Andrija on her laptop.
01:54A picture of Andrija?
01:57A picture of Andrija BoΕ‘njak.
01:59Who?
02:00I'm talking about him.
02:01Yes, a picture of Andrija BoΕ‘njak.
02:03I'm doing beautiful things in my free time.
02:08These beautiful things won't bring me bread on the table,
02:11as our people would say.
02:13You have to make a living from something.
02:15You have to earn something.
02:18Olga, this is for you.
02:20What is it?
02:21What is it?
02:22Champagne.
02:23It was sent by the gentleman who sits down in the corner.
02:27Kajo!
02:31How are you, Kajo?
02:36I don't know.
02:37This school reminds me a lot of Mileta.
02:41The proposal is to start a cooperation with your sponsorship.
02:46And then, if it goes well,
02:48we can talk about some other possibilities.
02:51Some people work in your newspapers
02:53who have less experience and are less capable than me.
02:57Who are you thinking of?
02:59It doesn't matter who I'm thinking of.
03:01But it's true.
03:19They say that life writes novels
03:23They say that life is not fair
03:28Sometimes it wins, but often it fails
03:32And everything is unknown, except for fate
03:42Like in love and in war
03:46There are no rules
03:51You have one life, only one chance
03:55To become someone
03:58Because the star gives everything
04:04The game of fate is like a wheel of fortune
04:09Sometimes it wins, sometimes it doesn't
04:14Like in love and in war
04:18The game of fate is like a wheel of fortune
04:23Sometimes it wins, sometimes it doesn't
04:43Like in love and in war
05:04Don't worry about me, please.
05:06Are you going to be okay?
05:08Everything will be okay.
05:10Everything will be okay.
05:12But now everything is not okay.
05:14What's wrong with you, Kajo?
05:16You're crying in the school.
05:18The school reminds you of Mileta.
05:20How can it remind you of the school?
05:23It's not that it's not.
05:29He always made me coffee in this school.
05:33And when I don't have this school,
05:35and the coffee is not in it,
05:37believe me, the coffee has no taste.
05:40I can imagine how hard it is for you.
05:42You can't.
05:44Come on, tell us how you feel.
05:46Get it out of you.
05:48I don't know.
05:52Sometimes I lie down,
05:54and I sleep, and I just wake up,
05:57and I really feel like he's there next to me.
06:01Still.
06:02Yes.
06:04And then,
06:06I even turn to him.
06:08That's it.
06:09That's it.
06:10And then I wake up,
06:13and I remember everything, and so on.
06:16Do you go through walls?
06:21I, when it was hard for me,
06:23when my heart was beating and bleeding,
06:26did I go through walls?
06:29I haven't gone through yet.
06:31What?
06:39What is it?
06:40Where are you going now?
06:42I have to go to work.
06:43Come on, sit with us a little longer.
06:45Yes, sit.
06:46I can't.
06:47I can't.
06:49I've wasted all my free days,
06:51and I'm missing the kids,
06:53and I have to work.
06:55There's a lot to do.
06:57Maybe it would be better to rest a little.
06:59No, no.
07:00Come on.
07:01Come on.
07:02Come on, we're waiting for you to come back.
07:04Come on.
07:06Come back, Kayo.
07:17Will this ever stop?
07:22I don't know.
07:25But I know I'm very worried.
07:30And I'm worried if you'll know how to make
07:33real, good, strong, homemade coffee.
07:36Of course I'll know.
07:38Hop, hop, come on.
07:47This coffee is so good,
07:49I don't even feel sad,
07:51it's coffee like coffee.
08:00Hey.
08:01I'm just telling you about Marijana.
08:03I heard you talking to her.
08:05I think it was a little too much.
08:07It shouldn't have been like that.
08:10Aww, what's that?
08:13I don't know, you tell me.
08:15It's for you.
08:20Wait, let me see.
08:25It's for you.
08:27It's for you.
08:31It only says it's for Olga, it doesn't say what it's for.
08:34I want to see who you gave me the address to.
08:37Look at him, he's sulking again.
08:39Who did I give you the address to?
08:41What's it to you?
08:42We live in Vila KanaΔka.
08:43Everyone who lives here knows where that villa is.
08:46Yeah.
08:47Look,
08:48I'm not going to ruin your five minutes of fame.
08:52Enjoy.
08:58Jesus Christ.
09:12Hey.
09:14Hey.
09:15What's up?
09:18Nothing, I'm trying to work, but something's not right.
09:21Uh-huh.
09:23Okay, I see you're alone.
09:26Where's that Vitomir?
09:28He's not here yet.
09:30Uh-huh, okay.
09:31Tell me, how was last night?
09:34So-so.
09:36So, nothing?
09:37You see, I thought the gig was really good.
09:41No, the gig was good.
09:43I just had a bad time.
09:46What?
09:47Did something happen?
09:50No.
09:53Tell me, look at yourself.
09:56Why should I look at myself?
09:57I can see that you're really upset.
09:59I'm not.
10:01Okay, never mind.
10:03Come on, Natalija, tell me freely, it'll be easier for you.
10:09The gig was good,
10:10just that Vitomir isn't really a good partner to go out with.
10:15He's always looking into that little pancetta.
10:18That mine?
10:21Yeah, how do you know what it's called?
10:23Well...
10:25We met Vitomir and I when we came back from the pancetta,
10:28when we went to talk about the theme for the vlog.
10:30Okay, did Vitomir tell you anything about her?
10:37My dear...
10:40My dear Stevan, you've become an inventor.
10:44Man...
10:46Why am I an inventor?
10:47I drink tea alone, I sit alone in a corner.
10:50I mean, there's no one around.
10:53No one.
10:54And when someone passes by, people rush in,
10:56they have some business, some chaos.
10:58These two young people die here,
11:00across the road from you,
11:02and you sit there like a rooster.
11:04I mean, I don't know what to say.
11:07And I drink tea, which I hate.
11:09I hate tea.
11:11I mean, if I could get some rakija,
11:13I would...
11:14I would sing here, I'd go crazy.
11:18And what does that mean?
11:20Stevan, don't you have anything to eat, man?
11:23Why did you come here?
11:25When I...
11:26I don't give a shit, man.
11:28What kind of people are they?
11:30They don't give a shit.
11:32And about bacon, not to talk about it,
11:34one day I took bacon,
11:36bacon with garlic,
11:37so that I could fuck their mother.
11:39I mean, she was standing there,
11:41with her ass down,
11:43they felt the garlic,
11:46and about bacon, not to talk about it.
11:49I mean, if someone gave me bacon,
11:52they would die,
11:54because they give bacon without garlic,
11:56that's their...
11:58burger, what's it called?
12:00So they give me bacon without garlic,
12:02I don't come here,
12:03I'll jump off the 17th floor.
12:06Come on, man,
12:08why are you pushing me?
12:10I'm not pushing you,
12:11I'm pushing my sister.
12:13My sister is an idiot.
12:15I told her nicely,
12:17not to talk about it,
12:19she told everyone how I'm looking for a job,
12:22how I'm looking for a job,
12:24and then this guy came,
12:26who was in my commission,
12:28who fired me from the police,
12:30I gave him a name,
12:32I don't want to remember the names of those people,
12:34they fired me,
12:36and now he came to me and said,
12:38and then he took me to Vukasin,
12:40okay, that Vukasin is not bad,
12:42he took me to the editor of the magazine,
12:46and she gave me a job,
12:49and then she started to shorten everything.
12:52Come on, man, I can't...
12:55I'd rather go to Pec,
12:57I love Pec.
12:59What kind of black seat is this?
13:01This is not the police,
13:03what do I care?
13:05I have children,
13:07and what I had an intervention,
13:09I mean, that's this fool,
13:11a photographer came,
13:13but he said he'd pass by me,
13:15he said he'd pass by me,
13:17I don't know,
13:19a little tomorrow,
13:21when I turned him two fingers,
13:23I turned him,
13:25I mean, the man falls,
13:27as if I don't know what I did to him,
13:29you know,
13:31I turned him two fingers,
13:33that's what you call a lady's fire,
13:35as soon as I say hello to people,
13:37I immediately check
13:39if there are two fingers
13:41that I can turn,
13:43and I turn him, no problem,
13:45now I hit him,
13:47no, I didn't hit him,
13:49I didn't touch him,
13:51the boss jumped on me,
13:53like a scoundrel,
13:55the same as a scoundrel,
13:57you can't...
13:59I didn't hit him,
14:01then I hit him,
14:03I went to the hospital,
14:05I'm a man,
14:07I'm a policeman,
14:09I'd better go now,
14:11my mother,
14:13Gosha has those mums,
14:15fuck, I think he'll call me,
14:17because those are also,
14:19my nails are now all down
14:21in a shop,
14:23at the boss's,
14:25I had nowhere to hide,
14:27it will soon start to stink,
14:29it will now start to stink,
14:31I don't want it to come,
14:33I know that,
14:35where I stood,
14:37I'd better swim,
14:39I don't know what I'm doing,
14:41and this rain,
14:43I can't even think of rain,
14:45I'll kill myself.
14:57He didn't say anything to me.
14:59What is he doing?
15:01What is he doing?
15:03I don't know much,
15:05I know he recently moved in,
15:07I know he works as a hairdresser,
15:09and in addition, he studies.
15:11It's worth it.
15:13Look, for me,
15:15it's all ok.
15:17Yes, I know, I'm sorry.
15:21Maybe it's just a bit of a whim.
15:23What whim now?
15:25I'm asking myself something.
15:27About what?
15:31Vito Mir and I,
15:33we were together,
15:35one night.
15:37What?
15:41Vito Mir and you, right?
15:43Oh my God.
15:45I know, yes,
15:47but it happened,
15:49I don't know how, but it happened.
15:51Wait, wait, are you serious?
15:53Look, it's ok.
15:55I mean, if it happened,
15:57let it happen,
15:59it's ok, I wouldn't tell you
16:01to do something stupid, right?
16:03What are you looking at me for?
16:05Do you have any advice?
16:07Well, look,
16:09ok, take it easy.
16:11If I were you,
16:13I wouldn't put any pressure on him.
16:15I mean, men don't like that,
16:17but it's nice of you to let him go,
16:19let him question himself,
16:21so don't put any pressure on him,
16:23because it will only make him refuse.
16:25Just cool him down.
16:27You think so?
16:31Vito Mir.
16:33Oh my people.
16:41Hello, Stevan.
16:43Hello, where are you?
16:45Hello, Stevan.
16:47How are you?
16:49Fine, and you?
16:51Not bad, not bad.
16:53But, Stevan, what's that?
16:55What?
16:57That in your hand.
16:59Oh, I'm writing something, it's ok.
17:01Look at him, he's become a journalist.
17:03Congratulations, Stevan, congratulations.
17:05Well, ok, I'm not exactly a journalist,
17:07that's normal, but
17:09if I'm bored,
17:11I have nothing to say,
17:13I don't have anything to do,
17:15then I take and scribble something.
17:17A little.
17:19That's wonderful.
17:21What's it about?
17:23About his life, what he does every day.
17:25Well, I know, but maybe there's a playful structure.
17:27There's no playfulness,
17:29it's something in me,
17:31it's not about me,
17:33I don't know what to do,
17:35you're all in some action,
17:37and I'm writing a diary, what can I do?
17:41Wait, wait,
17:43you're an old policeman,
17:45you have good subjects, don't you?
17:47Of course I do.
17:49Do you?
17:51Of course I do.
17:53You know, there's no action here.
17:55I'm a trained policeman,
17:57and that unfortunate guy
17:59who's going to come to the boss,
18:01I'm going to catch him with two fingers
18:03and...
18:05I mean, if I had the right
18:07for some action,
18:09I'd finish him in the hospital.
18:11But, ok,
18:13you're a gangster,
18:15it doesn't matter.
18:17And don't let me eat,
18:19I don't know what to do with myself.
18:21Honestly.
18:23Ok, Stevan,
18:25that's going to be the end of it,
18:27and we're going to have a quick breakfast together, ok?
18:29A quick breakfast? No, no, no.
18:31Wait, wait, Stevan.
18:33You're eating those pastries,
18:35I can't do that.
18:37Ok, we're not going to eat pastries,
18:39we're not going to take it as a dialogue.
18:41We're going to have a quick breakfast together,
18:43and we're going to talk.
18:45Right. Just don't talk about work.
18:47Ok.
18:49We're not going to talk about work.
18:51You know what?
18:53How about this?
18:55If I can, give me five eggs and bacon.
18:57Deal.
18:59Ok, let's go.
19:01Ivana.
19:03Ivana, Ivana, Ivana.
19:05I enjoyed your concert so much.
19:07Yes.
19:09I'm speechless.
19:11It was so emotional,
19:13so intense,
19:15so subtle.
19:17It was so...
19:19I'm so happy
19:21that you're here.
19:23I'm so happy
19:25that you're here.
19:27I'm so happy
19:29that you're here.
19:31It was so emotional,
19:33so intense,
19:35so subtle,
19:37so intense,
19:39so subtle.
19:41My brain is beginning
19:43to produce a compliment.
19:45You're fucking with me.
19:47Ok.
19:49I feel horrible.
19:51Why do you feel horrible?
19:53What's the problem?
19:55I don't know.
19:57It looks like I'm in love with Olka.
20:00You're in love with Olka?
20:02Yes.
20:03Why are you in love with Olka?
20:07I heard she got a bottle of champagne.
20:11Yes, she did.
20:13And she got a bouquet of flowers for the house tomorrow.
20:16Did she?
20:17Yes.
20:18From a cello player?
20:19I don't know.
20:20I don't know.
20:21She didn't write anything on the cello.
20:23I don't know.
20:25I don't know what to tell you, Ivan.
20:29So what's the problem?
20:32The problem is that Olka feels great about it.
20:39She should feel it.
20:40And I feel it.
20:41It doesn't matter.
20:42You say she should feel it.
20:44She feels it a lot.
20:46You should be happy about it.
20:48Yes.
20:49When we started making that band together,
20:51we realized it somehow.
20:53We were in it together.
20:55We started creating together.
20:57And our private relationship flourished.
21:01Flourished?
21:02Yes.
21:03So what's the problem, Ivan?
21:05I don't understand anything.
21:07Don't you want Olka to sing more in this band?
21:12No.
21:13No.
21:14I have a job.
21:15Olka loves it and she does it great.
21:19Do you think that Olka could get along with one of the band members?
21:25What are you talking about?
21:27No.
21:28She's not like that.
21:30I don't know what the problem is.
21:32I don't know where she's stuck.
21:37So what?
21:38I understand.
21:41I understand.
21:48I understand.
22:06Hey, Mariana.
22:07Hey.
22:08Do you want to go out?
22:18No.
22:23Tell me, please, what's the problem?
22:26You understand, but I don't.
22:28Come on.
22:29Take a sip of that coffee.
22:32Give yourself some space.
22:34Take some time.
22:36And then tell me.
22:41What's your problem, really?
22:48What's your problem?
23:04Hello.
23:05Hello, Gabriela.
23:06Thank you for coming.
23:08It's good that we met so quickly.
23:10I have to tell you that I was surprised by your invitation.
23:13We couldn't do this in the office.
23:15It was important to meet in person.
23:17I wouldn't call you if I didn't think this was serious.
23:20Okay.
23:21What happened?
23:23I have to tell you something.
23:38I want to help you.
23:40And I can lend you some money if you want.
23:44Aleksa, thank you. I don't know what to say.
23:47You don't have to say anything.
23:49You'll pay off your debt to the performers.
23:51That's 5,000 euros, right?
23:52Yes.
23:53Deal.
23:55Thank you so much.
23:57You literally helped me.
23:59I don't know what to say. Thank you so much.
24:01There's no need to thank me.
24:03You deserve this.
24:05I wouldn't do this if I didn't think it was right.
24:08I'll pay you back.
24:09I know.
24:10Don't worry.
24:11I'll pay you back.
24:12I know, I know.
24:13But it's not a problem.
24:14We'll make a deal.
24:15You'll pay me back at the war, or whatever.
24:18Okay?
24:19I don't know what to say. I'm confused.
24:21You don't have to say anything.
24:23Just...
24:24I hope you'll be able to get out of all these problems.
24:29And I hope you won't be an optimist anymore.
24:33I hope so, too.
24:35I'm mostly thinking about alcohol.
24:39Believe me, I'll never drink a drop of alcohol again.
24:42I hope you won't need it.
24:44I won't.
24:46Send me a receipt so I can pay you back.
24:49Okay, okay.
24:50And send me an e-mail.
24:51Deal.
24:53Thank you again, Aleks.
24:55You literally saved my life.
24:57There's no need to thank me, but...
25:00I'm glad I helped you.
25:03I'll call you when I pay you back.
25:05Okay.
25:06Bye.
25:22Let's get straight to the point.
25:24Okay.
25:26I don't have any proof of what I'm about to tell you.
25:30But?
25:33But maybe I'm trying to find out who's leading this campaign against you.
25:39Where did you get that information?
25:42I got it from a mix of strange circumstances.
25:45What circumstances?
25:47What are they?
25:49Maybe you should pay attention to Sara Berger.
25:52Maybe she's behind this campaign.
25:56Where did you hear that from?
25:58Maybe Aleks told you?
26:00No, no, I didn't tell him anything about this.
26:03Where did you get that information?
26:05I believe it's a coincidence.
26:09Let me hear it.
26:11It might sound a little crazy, but...
26:14Sara is hiring my brother's ordination.
26:16And my mother is going to her therapy.
26:18Okay.
26:19And when my mother went to one of those therapies,
26:22a very strange situation happened.
26:26What situation?
26:28She went to that therapy and saw your photo on her laptop.
26:45So?
26:48My problem is that Olga...
26:51What?
26:52She flew a lot.
26:53She flew a lot.
26:56It was hard, wasn't it?
26:59But that's not your problem.
27:02What is?
27:05Your problem is that you're not in the center of attention.
27:10Oh, come on.
27:13I never stopped being in the center of attention.
27:16Yes, you did.
27:18How did you stop?
27:20Don't lie to me.
27:22You feel like a pig.
27:24You feel like a 13-year-old pig.
27:26Like a third wheel.
27:28Like a third eye.
27:30Come on, Ivan.
27:32You're finally doing the job you love.
27:35With the woman you love.
27:37That's right.
27:38But she collects the money.
27:41And she would collect it without you.
27:44Yes.
27:45Yes?
27:46My love for music was so strong
27:51when we started performing together,
27:56when we had an audience.
27:58I was overwhelmed by reality.
28:01Yes, reality.
28:03I realized that Olga was much better than me,
28:07that I wasn't needed or good enough.
28:12See?
28:15I didn't say that.
28:17You said that.
28:18That's right.
28:19What are we doing now?
28:21That's right.
28:23I feel terrible because of that.
28:25Terrible.
28:26I believe you.
28:27Yes, yes.
28:28Terrible.
28:29That's terrible.
28:35Sit down.
28:37I'll order something.
28:39Come on, Bogdan.
28:41Terrible.
28:58That's proof.
29:00I told you I don't have any proof.
29:04It wasn't doubtful,
29:06but when she told me, it became so.
29:09Wait a minute.
29:11Your mother knows about the affair
29:13and follows the affair that's going on with me.
29:16Not only that, but she also draws conclusions
29:18about who's behind her,
29:20and that's her therapist,
29:23who's a journalist in my book.
29:27I mean, who's your mother?
29:29I know it sounds crazy, really.
29:32My mother is an ordinary woman,
29:34but she really has a good smell.
29:36Of course, we were talking about the affair.
29:39You were talking to your mother about the affair?
29:42The whole city was talking about it.
29:44When we mentioned it, she told me what she saw.
29:49Okay, maybe it was a coincidence.
29:54You're saying the whole city was talking about it.
29:58Maybe Sara Berger was just reading the news.
30:03Maybe.
30:05She was reading it,
30:07and she saw two very suspicious men.
30:12What do you mean, two men?
30:17My mother was sitting in front of the police station,
30:21and two very strange men came out of her.
30:24It made her even more suspicious.
30:28Who were those people?
30:30I don't know.
30:32For one of them, she said
30:34that the mullet was wearing a strange hairstyle,
30:38and for the other one, she said
30:40that the guys were hipsters.
30:42I don't know if that description means anything to you.
30:46For one of them, it could mean something,
30:49but it's not important.
30:51Okay, who were those people?
30:53It doesn't matter.
30:55I mean, it's not important.
30:57Anyway, thank you for the information,
31:00but I think it's a wrong track.
31:04Okay, I had to tell you about it.
31:07Let me tell you about it.
31:09And please, say hi to mom, the detective.
31:12I will.
31:13Say hi to Jovan, too.
31:15No, no, no.
31:17I'll take care of it.
31:20Okay, thank you.
31:23Bye.
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