Valle Salvaje Cap 167 Completo Valle Salvaje Ep 167 Completo
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Valle Salvaje Cap 167 Completo:
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FunTranscript
00:00Don't listen to her, José Luis.
00:02This woman has lost the Oremos.
00:03I'm telling the truth.
00:04She killed her, I swear she confessed.
00:06This is inaudible.
00:07Don't listen to her, she's a manipulator.
00:09The time has come for everyone to know the truth.
00:11I'm going to tell your children, José Luis.
00:13They deserve to know.
00:14Victoria, please leave us alone.
00:16How?
00:17Are you going to believe her?
00:19I beg you to leave.
00:20José Luis, remember what you did with Don Tolivio.
00:23I'm telling you to leave!
00:25José Luis, thank you for listening to me.
00:28You are more nonsensical than I thought.
00:31You know that Victoria was about to report you to the Holy Brotherhood for false accusation.
00:36If she hasn't done it, it's because of me.
00:38What did she tell you?
00:39What you just said.
00:40I don't know.
00:41I don't know.
00:42I don't know.
00:43I don't know.
00:44I don't know.
00:45I don't know.
00:46I don't know.
00:47I don't know.
00:48I don't know.
00:49I don't know.
00:50I don't know.
00:51I don't know.
00:52I don't know.
00:53What you just told me.
00:54That you had accused her of murdering Pilara.
00:57She was consterned.
00:58Consterned, José Luis?
00:59That woman doesn't know what that means.
01:01Victoria is right.
01:02You have completely lost your mind.
01:06I thought that stupid idea had already left your head.
01:09But from what I saw, I was wrong.
01:11I'm more lucid than ever, José Luis.
01:13She confessed to me that she killed my sister.
01:16I know what I heard.
01:17But you are listening to yourself.
01:19But what sense does it make to confess to you so barbarically without coming to terms with it?
01:23Maybe because I was sure you were going to react exactly like that, José Luis.
01:26That woman has no conscience.
01:28She's a murderer.
01:29She even told me that she enjoyed killing her.
01:31Enough already!
01:36A little bit of mercy, for God's sake.
01:38You're talking about my future wife.
01:41She has completely deceived you, José Luis.
01:46I demand that you do not accuse my fiancée of something like this again,
01:50especially without evidence.
01:51And if you dare to get my children involved in this,
01:53I will be the one to take you to the Holy Brotherhood.
01:57Would you really do that?
02:00Don't test me.
02:03No.
02:14Please.
02:16It's the third shot you're taking.
02:18Maya.
02:19I need to reconcile the dream anyway.
02:23If you're a good sleeper.
02:25But I'm a little nervous today.
02:27That job is too big for me.
02:29No, Pamplinas.
02:30You're more than ready.
02:32What do I know about being a governess?
02:35It's practically what you've been doing all your life.
02:38What I've been doing all my life has been taking care of children.
02:41Very rebellious children.
02:43Don't you remember the one we used to call when we were younger?
02:47That's something else.
02:49That's nothing.
02:50Children are children.
02:51But being a governess in such a big palace,
02:55you have to organize the service, the kitchen,
02:59give orders to everyone.
03:03I think you're good at giving orders.
03:06When have I ever given orders in my life?
03:08If you have done with me what you wanted.
03:11We have.
03:12But ...
03:13What about the waiter at the Villa de Madrid?
03:16Or the waiter who made us the orders for the market?
03:20Have you forgotten?
03:22You have always given orders.
03:24And you organized the Father's House to a thousand wonders.
03:28Now it's the same, but in a bigger house.
03:32I don't know, I don't know.
03:33I feel older.
03:35And I don't learn so fast anymore, BĂĄrbara.
03:37Nonsense.
03:42Oh my God.
03:43They are the Galves of Aguirre.
03:45They are dukes.
03:47That's flour from another coast.
03:49They are normal and ordinary people, Aya.
03:51They have nothing ordinary.
03:55Take advantage of the fact that Adriana is in the big house.
03:59Tell her your fears and she will help you.
04:02Adriana.
04:04I don't know if Adriana is in her best moment.
04:08Don't you think she's a little weird?
04:11Weird in what way?
04:13I don't know.
04:17I think something's wrong with her.
04:18She's sad, down.
04:20Do you know what's wrong with her?
04:22Yes.
04:24But don't make me tell you, please.
04:26Adriana would kill me.
04:27When did you stop trusting me?
04:30It's not that.
04:31I mean, Adriana didn't even want to tell me.
04:34But she couldn't take it anymore and she ran away.
04:36What?
04:37Aya, please.
04:40Let her tell you.
04:43Let her tell me.
04:45How closed and proud she is.
04:49She's not going to tell me anything, BĂĄrbara.
04:52But I'm going to ask you one thing.
04:55Whatever you want.
04:58You have to be very aware of her.
05:01Do you promise me?
05:22Yes.
05:30Are you going out alone?
05:32Yes.
05:33And I'd appreciate it if you didn't look at me like that.
05:36I'm sorry, I didn't want to bother you.
05:38Don't bother me, Rafael.
05:40But it would be good if you fulfilled your request to avoid each other.
05:49But it's not necessary for you to avoid all of us, don't you think?
05:52What?
05:53Breakfast?
05:54What do you eat?
05:55What do you eat alone, Adriana?
05:56It's the best.
05:58It's your family's house.
06:00Your brothers and your father eat together.
06:03And I wouldn't feel good eating with them and depriving them of your presence.
06:07But you can't be wandering around the house alone like a ghost.
06:10I'd appreciate it if you didn't give me advice.
06:15I'm saying this for you.
06:16You don't have to take things out of context.
06:18I will do what I consider, Rafael.
06:20Now, if you'll excuse me, I'd like to continue reading.
06:37Adriana, I think it's necessary for us to avoid each other now.
06:41It's precisely to protect you.
06:45The less we see each other, the less we will suffer.
06:50I love you.
07:02When Julio and you got married,
07:04and some time later you played a happy marriage in front of the gallery,
07:13I...
07:14Yes, I could say that I felt the greatest pain that a human being can feel for love.
07:21I felt dead inside, Adriana.
07:24Dead.
07:27A pain that was destroying me inside.
07:30And if I had gone on, that duck would have dragged you with me.
07:36How was I going to pretend that you were going through that torment?
07:39How?
07:41I'm sorry, but no.
07:43I couldn't forgive myself.
07:54Rafael,
07:56I appreciate the concern you show me, but...
07:59But please, save yourself this protection. I didn't ask you to.
08:02It's okay.
08:04It's okay.
08:05It's okay.
08:08I see that it's good that you're not working.
08:11Please.
08:12Why don't you invest that energy in fulfilling your wishes with Ursula?
08:16Adriana, please, I beg you, don't go there.
08:19Ursula doesn't deserve that treatment and that animosity you show her.
08:22You're very wrong.
08:24She's not the one who causes me this animosity.
08:28I thought so.
08:29No.
08:30Elviño is a person I don't care about.
08:33So what bothers you?
08:36How blind you seem to have become from one day to the next.
08:41And now, if you'll excuse me,
08:44I'm going to continue with your request to avoid each other.
09:03I'm sorry, cousin, I didn't want to bother you.
09:05Don't worry, you don't bother me.
09:07Sit down.
09:13What are you doing?
09:14I'm writing a letter to my best friend from Villa de Madrid.
09:18I've missed her a lot.
09:20At first, I also missed mine a lot.
09:23And not anymore?
09:24Of course I do.
09:26I miss you a lot.
09:28I miss you too.
09:29And not anymore?
09:30Of course I do.
09:32But I'm doing better thanks to my friendship with Irene.
09:35Right now, she has become a very important person for me.
09:38You've been very lucky.
09:41You also have people in El Valle.
09:43Yes, Pedrito and Rafael.
09:46If it weren't for them, I would hardly have anyone to talk to.
09:50My most sincere apologies if I haven't been able to...
09:53integrate you or be hospitable.
09:56Don't worry, I wasn't saying it for you.
09:58You've always been very kind.
10:01I wish Adriana had been half as kind as you.
10:07Do you think she'll ever accept me?
10:10I don't know if it's worth trying.
10:14It will always be worth it.
10:17My sister is a good person.
10:18That's what everyone says.
10:21What happens to me is that I have the feeling that every time I talk to her, she feels attacked.
10:28Don't take it to heart.
10:31She's going through a difficult time.
10:33And sometimes I think that my approach to Rafael is bothering her.
10:37For some reason I don't know how to tell you.
10:41I don't know.
10:42She thinks she hasn't spent much time in the Duke's family.
10:48She's still clumsy in her relationships with some people.
10:52If I don't tell her that we're together all day,
10:55or that she leaves her obligations aside...
10:58Then...
11:00Then...
11:02I'd like her to respect me.
11:05It wouldn't be much of a request, would it?
11:07I think she respects you.
11:09She's not that bad or that rude.
11:12Is that why she speaks ill of me?
11:15She's telling people that I'm not a good person.
11:21She's told you too, hasn't she?
11:24Don't worry.
11:25Don't worry, I'm not going to ask you to speak up.
11:28She's your sister.
11:31Do you think it's fair, BĂĄrbara?
11:34Do you think it's fair that she treats me like that?
11:39No, no.
11:40It's not fair.
11:53Oh, my God.
11:55This kitchen is like Plaza Toro.
12:04A copper pot.
12:09A wooden spoon that I don't know what...
12:12I'm sorry.
12:14A wooden spoon that I don't know what...
12:16I'm sorry.
12:18I'm sorry.
12:20I'm sorry.
12:22I'm sorry.
12:25Mrs. Isabel, have you seen this?
12:26There are several kitchens to cook at the same time.
12:28Be careful, please.
12:31I'm sorry, ma'am.
12:32The girl is quite impressive.
12:34Yes, I'm sorry.
12:35This kitchen is a nightmare.
12:36Yes, it is.
12:37That's why I hope you're up to the task.
12:40I've given my face for both of you in front of the Duke.
12:42I play a lot.
12:44We promise we'll be up to the task.
12:46Promises aren't enough, Isabel.
12:48I'm giving you a golden opportunity.
12:50Don't forget that.
12:52Thank you very much.
12:54That's why I hope you'll do your best
12:57and don't get distracted by nonsense.
12:59I don't want the trust you had in the little house.
13:02Don't talk to the gentlemen.
13:04Not even with Adriana.
13:07You won't go to anyone,
13:09unless they go to you first.
13:11Do you understand?
13:14I have a question.
13:16Let's see.
13:18How can I take care of the little house
13:20and the big house at the same time?
13:22It's very simple.
13:24Your priority will be this house.
13:26You must keep the Galvés de Aguirre happy and satisfied.
13:32But when you have to go back to the little house,
13:35you can rely on Raimunda, Matilde or BĂĄrbara's help
13:40if necessary.
13:43Has this been clarified?
13:45Isabel, remember, you're saving everything.
13:47I don't want the slightest mistake.
13:59Mrs. Isabel, I've never seen such an apparent kitchen.
14:02I feel like cooking a gacha or a crumb.
14:06Oh, girl, I envy your red.
14:08Mrs. Isabel, are you okay?
14:10I'm scared to death.
14:12Don't worry.
14:13Between the two of us, we'll get out of the car.
14:15Better two mules than one.
14:18But there's one thing, and it's that ...
14:20I don't know where it starts.
14:23And why don't you help me think
14:25what I can do to feed these people?
14:28Mrs. Isabel, they eat nobles.
14:41I was looking for you.
14:51Can we talk for a moment?
15:03I don't want it to get any worse.
15:06I don't want it to get any worse.
15:11And what did you expect, Atanasia?
15:13What did you expect?
15:15That all this wasn't going to affect us?
15:22I'm going to be honest with you.
15:25I think you should forget about the whole revenge thing.
15:29It's causing too much pain.
15:32What started out as a just cause is turning into a real nightmare.
15:36I thought you understood how important all this is to me.
15:39You know I need to get revenge on the Duke
15:41to be able to be at peace, Matilde.
15:44Do you have any idea how hard it is to see
15:46how the man who has hurt my mother, me, and my whole family
15:49is camping at his ranch without any punishment?
15:53Atanasia, if you want your revenge, have it.
15:58I'm not going to oppose it, but ...
16:01I'm definitely not going to be here to see it.
16:05I don't want to have anything to do with that darkness
16:08that's growing inside you.
16:12So forget about me unless you rethink things.
16:16And rethink what, Matilde?
16:18Everything.
16:19Everything, Atanasia. You've completely lost your mind.
16:22You're not the person I used to know.
16:24I assure you I'm still the same.
16:26Well, you don't awaken the same feelings in me.
16:30Now I'm afraid of you.
16:33Afraid?
16:37Why?
16:38Afraid of what you might do, of what might happen.
16:43And I've lived my whole life in fear.
16:45Atanasia, I don't want this anymore.
16:47Matilde, listen to me.
16:48No, don't come near me. Don't touch me.
16:51Matilde.
16:53Matilde, for God's sake, calm down. It's me.
16:55I can't calm down. My soul is in a fist.
16:58And you know why?
17:00Because the man I love is obsessed with killing someone.
17:04Atanasia, that doesn't give me any security.
17:06That doesn't calm me down.
17:09And I've lived many years with a man who scared me.
17:12No.
17:13Matilde, I swear I'll never become that man.
17:17Swear to me something else.
17:21Swear to me that you won't kill him.
17:28And this time be honest with me because you already swore to me once
17:31and you weren't able to keep your word.
17:36Swear to me.
17:40Atanasia, for God's sake, swear to me so I can sleep in peace.
17:47I swear.
17:56Look at me.
17:59I swear.
18:22Have you come to mourn your late sister?
18:26Or to tell her the same lies I've tried to make my fiancé believe?
18:33Lies.
18:35At least I have the decency not to act when we're alone.
18:45We both know he admitted to killing my sister.
18:49Watch what you say.
18:51He has already been able to prove what each word is worth.
18:55Yes, José Luis is completely blind. I don't know what I've given him.
18:59And I'm worried that he's so close to you.
19:03Shut up already. It gives me a headache.
19:05I'm not going to shut up, Victoria. You can't control my will.
19:08I think I can.
19:09In fact, your fate is more than ever in my hands.
19:15One more provocation, one word out of tune, one bad look
19:20and I swear I'll accuse you of defaming my honor.
19:24You'll lose everything.
19:26You can't do that.
19:27What can't I do?
19:29Go ahead, give me a reason.
19:35That's the way I like it.
19:37Let him lower his head like he's done all his life.
19:39Remember who's who in this house.
19:46Any problems, ladies?
19:51No.
19:53We have only coincided in our prayers.
19:57If you'll excuse me.
20:24What? Are you with the seed count?
20:29Everything okay?
20:32And you, how are you?
20:37Julio, you don't need to ask me how I feel every time you see me.
20:41Sorry.
20:44Don't worry, everything is fine.
20:54Well...
20:57I was thinking...
21:01that...
21:06maybe...
21:08you and I could do something together.
21:11Go to the river to fish, to hunt or...
21:14spend the night in the open air.
21:17Like when we were kids, right?
21:19Like when we were kids, right?
21:22That we spent the night in the open air,
21:24telling stories about bears and animals.
21:29We could tell Alejo.
21:33Do you remember how much we made him angry?
21:37Especially when I undressed
21:39and put a hollow trunk on my head.
21:43And I put branches around my body.
21:46And I showed up screaming like a wild animal.
21:49He was shivering with fear, poor thing.
21:53If I remember correctly, he asked us to sleep together, right?
22:03Well, I think it's a great idea, brother.
22:06I really want to do it.
22:08Well, I'm glad to hear it.
22:11In fact, I'm going to look for Alejo and ask him when the three of us can go.
22:16I don't know how Julio is today.
22:21That's why I'd rather you stop asking.
22:29If I tell you the truth,
22:31I haven't felt anything so strange in my life.
22:34What do you mean?
22:38Well, on the one hand,
22:40I'm convinced that Julio is a good guy.
22:43And on the other hand,
22:45I'm convinced that I did the right thing with Adriana.
22:48Although I suppose she hates me,
22:50I'm willing to bear that hatred.
22:56But on the other hand, it's very hard, brother.
22:58Very hard.
23:05And with Ărsula?
23:08Is your relationship going anywhere?
23:10I don't know.
23:12Does she look good to you?
23:15We're still getting to know each other.
23:19Maybe it's the beginning of something.
23:22What I could tell you is that
23:24right now, that girl is my biggest support in the house.
23:28It makes me forget my sorrows.
23:32She looks happy.
23:34And cheerful.
23:36And I can assure you that if it weren't for her,
23:38I wouldn't be where I am now.
23:43But...
23:45But?
23:47Do you feel guilty for looking for consolation
23:49in the arms of another woman?
23:52No.
23:54It's not that, brother.
23:58It's just that it's not the same.
24:04I see.
24:09Maybe you should give her a chance.
24:12I don't want Adriana to take more advantage of the poor girl.
24:16And it's not my fault.
24:19I think that the more Adriana sees you with Ărsula,
24:22the more...
24:24the more she feels that your relationship is over.
24:30Because it's over, right?
24:33Because it's over, right?
24:46I think you should try it.
24:49You deserve to be happy, Rafael.
24:53Even if you look like that.
24:55Very good.
25:01Adriana also deserves to be happy.
25:04And it's in your hands to get it.
25:09And you too.
25:12You also deserve to be happy, brother.
25:21I know I repeat myself a lot in my speech,
25:23but you need to understand it.
25:25Your problems with Mercedes have to stay in the past.
25:29And above all, remember that I'm on your side.
25:32It's what I expected.
25:34And what I hope is that you learn to live under the same roof.
25:37She's the aunt of my children.
25:39I need you to assure me, for the good of the family.
25:42Of course.
25:44Although she is not a saint of my devotion,
25:46I will make the effort for you.
25:48I'm glad to hear that.
25:50What I don't know is what your sister-in-law is willing to give up.
25:54I made it very clear to her last night.
25:56Then we can trust that she won't go to your children
25:59with those absurd ideas about how her mother died.
26:03I don't think Mercedes wants to hurt my children.
26:07That woman doesn't think clearly.
26:09Her hatred of me is stronger than her prudence.
26:13I don't think it's worth risking.
26:16The truth is that now she is more out of control than ever.
26:19There is only one thing that could stop her.
26:22What?
26:24A man.
26:26I already told you.
26:28It's time to start looking for a husband who takes care of her
26:31and who offers her a new life far from here.
26:39Excuse me.
26:41I come to announce that Mrs. Victoria
26:44has put me in charge of the service of the big house.
26:47I am the new governess.
26:50I have already ordered the service to do general cleaning in the balconies.
26:57And if it is not a nuisance for Miss Irene,
27:00I have sent everyone and each of their dresses to clean and organize.
27:05I think it's a very good idea.
27:09Are you very committed, Isabel?
27:12Yes, we were already needing someone to put a little order.
27:15I want you to know that I am at your disposal for everything you need
27:19while Mrs. Victoria finds the right candidate.
27:23More organized than you, I doubt it.
27:27Do not hesitate to call me if you need anything.
27:30And without further ado, the food is ready.
27:33You can go to the dining room as soon as you wish.
27:38Excuse me.
27:45I'm sorry.
27:58Look what I found.
28:01It's a shield.
28:03And made of solid wood.
28:06These are good, good ones.
28:08For the best child in the world.
28:12Is it from the fair?
28:14I bought it from a craftsman in a shop.
28:16I saw it and I remembered you.
28:18It is the perfect complement to your sword.
28:23In the end, you went alone?
28:26Yes.
28:27I preferred to go alone than to cause more problems.
28:32I am very sorry for the inconvenience I could cause you with Adriana because of this.
28:36Don't worry, don't be sad.
28:39Well, everything that has to do with Adriana makes me sad.
28:42I see.
28:43But you know what?
28:45In the end, you will end up getting along.
28:48Do you think so?
28:49Yes, because some people, like you two,
28:53in the end, by force, end up getting along.
28:57I don't think that happens between us.
29:00Why?
29:02Adriana doesn't even look at me anymore.
29:05And at this point,
29:08the best thing is that I leave the valley in a few days.
29:11Already?
29:12Yes, I've already been with Aunt Victoria for a season and ...
29:17I don't have much more to do here.
29:19But where would you go?
29:23I don't know.
29:25I wouldn't like to go back to my house in Villa de Madrid.
29:29Everything is very boring there.
29:31But I don't think I have another option.
29:36Well, that's why you should stay.
29:42I mean it.
29:44Now that Elias has gone to work at the big house,
29:47I don't have anyone to take care of me.
29:50Pedrito, you and I know that you don't need a lot of care.
29:54Well, I still need some.
30:00But you're almost a man now.
30:02You're going to end up taking care of the whole house.
30:06You're right.
30:08I had to try.
30:10When are you leaving?
30:14Look, let's do something.
30:18Come here.
30:25I'm going to think about it a little more, okay?
30:28But if I ever leave,
30:31I want you to know that you are the person I will miss the most in this valley.
30:37I will always carry you in my heart.
30:41Come here.
30:59Mr. Alejo, what are you doing here?
31:02Mrs. Victoria is on her way here in Creparte.
31:04She didn't like anything on the menu.
31:06What?
31:07But I did what I could with what I found in the kitchen.
31:10Yeah, well, she's really angry.
31:12I knew it. Look, I knew it.
31:14It's just that I haven't had time to prepare anything decent.
31:16Luisa, Luisa, it's a lie.
31:18The food was delicious.
31:20You must have seen it. Come here.
31:22It was so good, in fact, that we considered it appropriate to congratulate the cook.
31:26Really?
31:27Of course.
31:28And I volunteered to do it.
31:30For that and, incidentally, to steal a kiss from you.
31:33Marta, I'm not giving you a kiss now.
31:34These people can see you and with the scare you've given me.
31:36Luisa, you should be very proud.
31:39You had a very high bar with Antonia.
31:41True.
31:42And she was famous for being the best cook in the region.
31:45She had a good hand, yes.
31:47But in the end, she always made the same dishes.
31:49Novelty has played in your favor.
31:54Oh, Luisa, I'm so happy to have you here.
31:56Even if it's just for a season.
31:58A season, you said it.
31:59Why do you say that?
32:01Because I'm not comfortable working here, far away.
32:03I'm like ...
32:05I don't like to work like this.
32:08I think you should rethink it.
32:10Did you stay to work in the big house?
32:12Forever.
32:13No.
32:15If I'm here, it's to obey Mrs. Victoria, who has already put me straight like a sparrow.
32:19Come on, you've run out of time.
32:21And she asked me not to talk to anyone.
32:24Not with Miss Adriana.
32:26Not with any Galvez D'Aguirre.
32:28So go, you can't find me a problem.
32:33That woman is relentless.
32:35You don't know it well.
32:37I had already forgotten what it was like to work under her yoke.
32:40And far away with how quiet I was in the little house.
32:43Why don't we go out for a walk?
32:45And so we celebrate your first day.
32:48I can't, Alejo.
32:50I still have to prepare lunch and dinner for tomorrow
32:53for Miss BĂĄrbara, Pedrito and Mrs. Matilde.
32:56And then I have to go to see Evaristo.
32:58Poor Alejo.
32:59I'm sorry.
33:00Do you want anything?
33:01Yes.
33:02Yes, congratulate them on the work done.
33:04A kiss, girl, on my part.
33:07On behalf of the Galvez D'Aguirre family, we are pleasantly surprised.
33:10Oh, thank you very much.
33:12At your command, always.
33:14Good afternoon.
33:16With God.
33:27Oh.
33:28Tired?
33:29I don't see the time to go to bed.
33:32Neither do I.
33:34And now I have to go to the little house
33:36and start the work that awaits me there.
33:38Oh, girl.
33:39I don't know how you're going to hold this pace.
33:42Neither do I, Mrs. Isabel.
33:44Neither do I.
33:46I don't know.
33:54These ugly mushrooms for tomorrow's lunch.
33:57Ready to heat and serve.
33:59Thank you very much for the effort, Luisa, but it wasn't necessary.
34:01I could have done it myself.
34:03Oh, no, not at all.
34:04That I work in the big house doesn't mean I have to abandon you to your hunger.
34:07Well, we're not going to be able to do everything.
34:09Mrs. Matilde, I'm on the plate and you're ...
34:11Ah.
34:12Can I put up with it?
34:13Well, you'll see.
34:15They're going to forgive me, but I've made a simple dinner today.
34:18I would like to go see my child as soon as possible.
34:21Luisa, the first thing is the first.
34:23Go, go see your child.
34:25No, I haven't finished yet.
34:26Besides, I don't stay calm if I don't finish my obligation.
34:29But it's okay.
34:30Does something happen to the creature?
34:31He's ... delicate.
34:34He only calms down when I give him my chest.
34:36This morning I felt sorry to leave him.
34:39If you could see that little face you've put on me, like a wounded bird.
34:44Why don't you bring him to the little house?
34:46I could take care of him when you can't.
34:51Well, it wouldn't hurt me.
34:52That's what we're here for.
34:53Look, besides, that's how Raimunda knows him.
35:00I've noticed that you and Raimunda get along better than before.
35:08It's normal, being co-workers.
35:10That's how we are.
35:11Yes, well, but it gives me the feeling that you and she trust each other more.
35:15Well, the right one.
35:22Mrs. Matilde, I have a doubt about Raimunda and maybe you can solve it for me.
35:30I'm all ears.
35:34Do you know anything about her past?
35:36No, Raimunda doesn't usually talk much about herself.
35:39Never?
35:40Nothing.
35:42Not even in confidence?
35:44And she doesn't know anything about her past, about her youth, if she has a family ...
35:48No, Luisa, I told you no, I don't know anything about Raimunda.
35:51It's just that it's weird, don't you think?
35:53Why? Why is it weird?
35:56Nothing.
35:58It doesn't matter.
36:00For some reason, did you insist so much?
36:02No, I don't know, it's just that talking about her past, it gives me the feeling that she and Mr. Atanasia have known each other before.
36:10Those two?
36:12About what?
36:13When could they have ...
36:15I don't know, a feeling.
36:16Feelings are never friends of certainty.
36:18So you don't think they know each other?
36:19What do you think? It's impossible for them to know each other.
36:24That's it, that's it, let's finish this as soon as possible so you can go see your son.
36:29How can I help you? What do I do?
36:34I need eggs.
36:35I need eggs.
36:37If you're going to use the henhouse, get me half a dozen.
36:39The henhouse?
36:41Eggs, yes.
36:53Victoria knows how to play her cards well.
36:57No matter how much I swear that she killed her, José Luis will never believe me.
37:01If you allow me to comment, I think you made a terrible mistake by accusing her.
37:06And what did you want me to do?
37:08That woman takes me out of my box, Bernardo.
37:11Be prudent.
37:13What the hell prompted you to make the foolishness of accusing her in such a way?
37:17She confessed to having killed my sister.
37:19Don't you think that's enough reason?
37:20I had to stop myself from tearing her eyes out at that precise moment.
37:25It was a robbery.
37:28It's just that ...
37:30I have no words to express how I feel.
37:35How painful this situation is for me, Bernardo.
37:39I think what Victoria was looking for was precisely that, to provoke you.
37:46And to make her realize it, José Luis.
37:49Do you think ...
37:50Do you think I fell into her trap?
37:53Yes, Mercedes.
37:56From now on, you must be very careful and anticipate her movements.
37:59No.
38:00No, Bernardo, it doesn't matter anymore.
38:02It doesn't matter, we've lost.
38:05Victoria is my sister's killer and she's going to marry my brother-in-law.
38:09Something can still be done.
38:10No.
38:11It's too late.
38:13I don't want to lose my brother-in-law.
38:15Something can still be done.
38:16No.
38:17It's too late.
38:19Victoria has won in every way.
38:21She didn't even have to marry José Luis to control him.
38:26Well, him, this house and all of Valle Salvaje.
38:30Don't worry, Mercedes, I'm with you.
38:31We'll think of something together.
38:46Bernardo.
38:52I'm afraid.
38:55For the first time, I'm afraid of living in this house.
39:00Because of Victoria.
39:03It's just that I can't get my head off what she told me.
39:09She told me she enjoyed killing my sister.
39:16He's so perverse, so dark.
39:22If he was able to do that to her, what will he do to us?
39:31I think the time has come.
39:36For what?
39:39To leave Valle Salvaje.
39:55But, girl, weren't you in the kitchen of the big house?
40:00I'm switching between them, Mrs. Raimundo.
40:03Then let me help you with dinner.
40:05No, it's okay.
40:06It won't be necessary.
40:07It will only be a pleasure to serve Miss BĂĄrbara, Pedrito and Mrs. Matilde.
40:11That's done.
40:12And you go to rest, you've done enough for today.
40:15No, I have to go take care of my son.
40:18The poor thing is delicate.
40:19What's wrong with him?
40:21Nothing, his teeth are coming out.
40:23Oh, well.
40:26Let's see, when do I meet him?
40:28I'll bring him tomorrow.
40:29Mrs. Matilde will do me the favor of taking care of him.
40:32She will take good care of him, you'll see.
40:36And what a joy to have a little boy around here,
40:38screaming and barking all over the house.
40:40Well, I hope you don't mind.
40:42Of course not.
40:47And I hope you don't mind Mrs. Atanasio either.
40:51How is she in the office, working?
40:54Well, we close the door of the office and here, peace and glory.
41:01You and Mrs. Atanasio have known each other before, haven't you?
41:07Well, I met him when I got here and it's been a while since I got here.
41:13So, yes, I've known him for a long time now.
41:17Why are you asking me this?
41:20I mean, before you came here to work.
41:24Luisa, I don't know what you mean.
41:27Raimunda, if you don't want to tell me, you're free to do so.
41:32But I don't want to hear lies either.
41:36Luisa.
41:42Luisa, wait a minute.
41:48Can I trust you?
41:53I don't want anything I'm going to tell you to come out of your mouth.
41:57What you tell me in this kitchen will not come out of here.
42:03And how did you know?
42:07I don't know, just by looking at you I've noticed something strange.
42:11As if you trusted each other.
42:15Something more, as if you had something that united you.
42:18I don't know, my gut tells me.
42:21Well, I hope that's just your intuition and that you haven't told anyone.
42:28Because it's true.
42:30What is true?
42:32That you know each other?
42:33Yes, I know Atanasio.
42:37I didn't know.
42:39I know him very well.
42:41Very well?
42:43Did you coincide working somewhere else?
42:45No.
42:47I've known him since before I was born.
42:52How?
42:58Luisa, I know him like you know Evaristo.
43:04Atanasio is my son.
43:15I was just hoping to receive a little affection and understanding from my children towards my fiancée.
43:22Especially from you, Irene.
43:25Maybe it's a little early to show such feelings.
43:28But you could have helped her in her first days at home.
43:34No, I had thought about it, father.
43:36I did, and you know why?
43:40Because I was especially excited that the two women of my life, my fiancée and the girl of my eyes,
43:46could have a good relationship.
43:49I know that Victoria will never be your mother, but you could have an understanding.
43:59Since when do you enter a room without lights?
44:02Excuse me, Mr. Duke, but there is an important visit waiting.
44:07At this time? Who?
44:10Don Hernando de GuzmĂĄn, accompanied by his son, Don Leonardo.
44:21What do you mean, Don Hernando?
44:29It is the very Duke of Valle Salvaje who I have before my eyes.
44:40It is then when work becomes a privilege, a treasure that you cannot lose, whatever the cost.
44:48And sometimes you have to lie.
44:49Mr. Marquis.
44:51So you are the famous Irene.
44:54What are you two doing here?
44:56What are you two doing here?
44:58No one had told us about your visit.
45:00I should have told you, but I didn't think you would care.
45:04What's wrong with him?
45:05I don't know. He's been like this for a while.
45:08He has given you the breast.
45:09He has eaten and he is clean.
45:10As soon as he finishes, he changes it.
45:12But he doesn't stop crying.
45:14He is a friend of Don Hernando de GuzmĂĄn.
45:16Leonardo's father?
45:18He has come with his son.
45:21What?
45:22And where does his lineage come from?
45:24I don't think you know any of my ancestors, Marquis.
45:29Isn't it noble blood?
45:30Are you the marriage that Mrs. Victoria is waiting for?
45:33Eva, waitress, Amadeo, my husband.
45:36Nice to meet you.
45:38Let's talk about my son.
45:40You followed my instructions to the letter.
45:45To the letter.
45:47If there is something that worries me more than Rafael, it is our brother.
45:50What happened to Pedrito?
45:52I'm going to take him to the big house with me.
45:55Do you still intend to leave?
45:57Bernardo has defeated me.
45:59I have no other alternative than to admit it.
46:02I can't stay here.
46:04Have you ever had the feeling of feeling completely safe next to a person?
46:12What do I have, Julio?
46:13I'm about to lose everything I have left.
46:17But of course, if I have a chance,
46:19if I have a chance to avoid it, I will do it.
46:22And I'm going to start right now.