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00:00Garb!
00:01I've got you a present.
00:02Frank?
00:03I did what you asked and had a look at that PM report for your neighbour.
00:07Let me show you something.
00:08Is that a ballerina?
00:10Declan gave it to me. Do you remember?
00:12Everyone thought he was the stalker.
00:14You can't come in.
00:15Are you serious?
00:16Are you okay?
00:18Honestly, I don't know.
00:19You let me stand in front of him.
00:21I was trying to end all this.
00:23It's you.
00:27Yes, it's me.
00:29I was trying to get the hell out of life.
00:33I feel like I got anything hidden in my soul.
00:34Amen.
00:36Therefore, I realized that you are human in the war.
00:40I mean, the dead dry is治療 or dead.
00:46Because it was one of the gang properties.
00:52Oh, my God.
01:22Oh, my God.
01:52Oh, my God.
02:22How are we feeling?
02:24A bit rough.
02:27Coffee?
02:30How do you like it?
02:31What did you put in my drink?
02:42I think you'll find that was your own doing.
02:48I heard what you said.
02:51What, you think I didn't hear you?
02:53I'm sorry, what?
02:57I knew it was you.
03:00I always knew.
03:01Hugh, you were off your face last night.
03:04I don't know what you think you heard.
03:05Think?
03:06All I know is you came in, you were staggering around, saying very weird stuff about death, guilt, Ruth.
03:17No.
03:17And then you passed out.
03:18Now, let me make you some breakfast.
03:22Toast.
03:24You coppers and your booze.
03:29Bet you've ended up here a few times.
03:31I heard Frank liked to tipple.
03:33Don't!
03:33Don't!
03:35You mention my friend.
03:39It's terrible that he's gone.
03:41I know you killed him.
03:42And I know, I know what you are.
03:48And now I know, I'm coming for you.
03:55I'm gonna put you away.
04:01Whatever you say, Hugh, I think you're still drunk.
04:12No, you're not coming in.
04:24Oh, Margot.
04:24No.
04:25And Mum says so too.
04:26Oh, where is she?
04:27She's at work.
04:29Oh, love, come on.
04:30How's Ruth?
04:32It wasn't just like the old days.
04:34And the daughter you never had.
04:36Wait.
04:37The daughter?
04:38Is that what you think?
04:40Oh, sweet.
04:40She's never that.
04:41Look, she's just a troubled young woman.
04:43Who needs you more than I do.
04:45Don't worry, Dad.
04:45My skin's pretty thick these days.
04:47Look, you just don't understand what is going on.
04:50I do.
04:50Mum told me.
04:51You think Patrick's the stalker.
04:53Well, he is, isn't he?
04:55The guy that moved in, opposite.
04:57You're sick.
05:00Margot, I just...
05:00You're sick.
05:02And you won't get better.
05:03It's hot.
05:12So...
05:12You're sick.
05:15Give him to the girl.
05:17I don't know.
05:19I don't know.
05:19He's not sick.
05:20He's not sick.
05:20He likes to leave.
05:21He's not sick.
05:22He's not sick.
05:23He's not sick.
05:24Sorry, can't get off the phone right now. Leave a message.
05:54Hi, Jenny. Listen, I need to talk to you. Could you just ring me urgently, please? I need to look into the PM report for my neighbour, Frank. There's something wrong with that. Yeah, just call me.
06:24Hey, Patrick. You're back. Was it somewhere nice? Yeah. Grotti Hotel in the conference room. Didn't see the sky for three days.
06:43How's Liz? She's a bit out of sorts. You heard about this? About what? She said someone was in our house. She's seen someone?
06:55No, but she's a bit freaked out. Feels like someone's casing the joint, you know? What?
07:05Nothing. No, nothing. Well, it's just this thing happened last night.
07:12What?
07:12Hugh turned up in the middle of the night. As in, there he is, walking into my house.
07:21Seriously?
07:22Yeah, he was drunk. He was off his tits. He ended up passing out on my sofa.
07:27What was he doing in your house?
07:29I have no idea.
07:30You know, when he was doing that big case, the one he flunked, he had some sort of breakdown.
07:38He had a breakdown?
07:39Oh, God.
07:43So?
07:44So he's got form for odd behaviour.
07:48And you think it could have been Hugh in your house?
07:52No. Come on, Steve. He's a cop.
07:54He was a cop.
07:56Just keep an eye out. Yeah?
08:00You, you, you...
08:09Just keep an eye out.
08:16Mom!
08:17Mom!
08:20Mom!
08:20Mom!
08:26Mom!
08:28Mom!
08:29Mom!
08:30Mom!
08:30Hello, Jacqueline.
08:57No!
08:58I know that I'm the last person you want to see.
09:00I am not the stalker. Stop harassing me!
09:04I know. I'm sorry.
09:07You've ruined my life! You left me to rot!
09:12I did. I did. Something's happened. I don't care.
09:20Declan, I need your help.
09:22God, no. No. No! No!
09:26Declan! No!
09:36He said he's been calling you.
09:42He's a twerp. Asking for favours. He's supposed to be retired.
09:48Yeah, well, I'm not answering. All right?
09:58Ruth's expecting us, yeah?
10:00She said she'd be in all morning.
10:06Curtains are still shut.
10:08The lights are still on.
10:14The lights are still on.
10:20The lights are still on.
10:28The lights are still on.
10:30The lights are still on.
10:44Ruth?
10:46Hi, it's Jenny.
11:01Ma-Martin?
11:09Oh man.
11:13I call it him.
11:16Okay.
11:20I've seen this before.
11:40Hi, I'm here.
11:46Hi, it's Ruth.
11:47I'm just so, so sorry.
11:48What I've done to you, I...
11:50I just can't stop.
11:51I...
11:52I just can't stop.
11:53I just can't stop.
11:54I...
11:55I can't stop.
11:56I can't stop.
11:57I can't stop.
11:58I can't stop.
11:59I can't stop.
12:00I can't stop.
12:01I can't stop.
12:02I can't stop.
12:03I can't stop.
12:04I can't stop.
12:05I can't stop.
12:06I can't stop.
12:07I can't stop.
12:08I can't stop.
12:09I can't stop.
12:10I can't stop.
12:11I can't stop me.
12:12I can't stop.
12:13I can't stop.
12:14I can't stop.
12:17I-I just can't stop, I-
12:20And, you know, somehow I've always found a way to hurt you and-and
12:27And now, well, now-now what I've done is even worse and
12:32I'm just so sorry, Ruth
12:35I know it's way too late, I-oh God
12:40It sounds quite funny, it's embarrassing
12:54Sometimes he gets a bit-
12:58Hi
13:00Hi, Mum
13:01Patrick, hello
13:02Alice, I need to ask you something
13:06Go on
13:07Hugh ended up on my sofa last night
13:12Oh, that's where he went
13:13Yeah, it was a little worse for wear
13:16I'm not judging, but, um, yeah, he seemed a bit-
13:21What was the word?
13:23Yeah, ragged
13:28Is he okay?
13:30Yeah, yeah, of course he's okay
13:32He thinks you're trouble, huh?
13:34Get him smashed like that?
13:38He's blaming me
13:39Well, I'm guessing he wasn't the one pouring the trebles
13:42Oh, well, my bad
13:44Great, well, stop worrying
13:47It's just some of the stuff he was saying
13:50W-what stuff?
13:52Oh, you know what your dad's like
13:55Give me your hand with the shopping, please
13:57Thanks
13:59There's not much
14:00What?
14:06I'll leave you to it
14:08Okay
14:17I hope I didn't say anything wrong
14:19No, not at all
14:20It's just I sometimes wonder how you cope with you
14:23I sometimes wonder how you're single
14:27A handsome, charming man like you
14:30Alice, behave
14:32But Margo's too young for you
14:35What?
14:37No
14:38No, I just see her as a friend
14:40She's too young for that too
14:42Nice seeing you
14:44Take care
14:52He's a good guy, you know
14:54No matter what dad says
14:56Your dad is a complicated man, Margo
14:59And I know he's not the father you wanted
15:01But he's never been a fool
15:03Yeah, what does that mean?
15:04It means that
15:05Just stay away from Patrick, please
15:08How can you still believe dad?
15:10After all the bullshit
15:14He finally turned up, by the way
15:16Your dad?
15:17Well, where is he?
15:18I don't know
15:20I told him to get lost
15:21Well, how did he seem?
15:23He seemed rough
15:24And he stank
15:25Margo, what was he like?
15:27He was like how he was before
15:30When he'd disappear for days
15:32You remember?
15:35And then we'd finally turn up
15:36Just as he was about to solve the case
15:38This time
15:40I've got him
15:41So he's just you wait
15:42Tomorrow
15:43You do remember
15:45And then
15:46He'd vanish again
15:48Go see Ruth
15:50And he'd be left
15:52Standing by the door
15:53Trying to pretend that everything was okay
15:55And I didn't know
15:57How to help
16:00I don't know why you're not
16:02More angry
16:03I am worried about him
16:07I'm sorry Mum
16:08Declan?
16:09Declan?
16:10Declan?
16:12I know you're in there
16:13Just open up
16:15I told you
16:16Declan?
16:20Declan?
16:21I know you're in there
16:22Just open up
16:26I told you
16:27Declan, I know that you hate me
16:29And I'd feel the same way
16:32But listen
16:33I'm coming in alright
16:36I've got nowhere else to go
16:37I'm coming in alright?
16:38I've got nowhere else to go
16:39I still got bricks through my window every now and then
16:52Doesn't matter that I didn't do it
16:55Because once your face is all over TV
16:57Because once your face is all over TV.
16:59Yeah, well, I pay for my failures, too.
17:03Not like me.
17:05Well, you had links to all the victims.
17:07Which he must have planted.
17:09I didn't know any of them.
17:11What? You knew Ruth?
17:13She's different.
17:15I never did anything bad.
17:16I just like to watch her.
17:20She's so pretty, you know.
17:22She's like a little sugar fairy.
17:24On top of a cake.
17:26Why did he pick you?
17:29I don't know.
17:30Because no one cares about me?
17:33Why did he even know about you?
17:34When you realised it wasn't me.
17:37And that CCTV proved that I couldn't have done
17:40half the crimes that you charged me for.
17:43No one, not even you, asked me that.
17:46I was taken off the case, sir.
17:47You wouldn't have come anyway.
17:50So Ruth is the only one that you actually had a connection with.
17:53All the rest were...
17:55Total strangers.
17:56So, so, that means that he would have been watching Ruth,
17:59and that's where he would have noticed you.
18:01Or he's watching you, and that's where he would have seen her.
18:04And you were stalking her, so...
18:05I wasn't stalking her!
18:06I just thought we could be friends.
18:12She's a beautiful dancer.
18:16I saw this ballerina statue in an antique shop.
18:21And it made me think of her.
18:24So, I...
18:25I got it fixed up, and...
18:29I gave it to her.
18:31You scared her.
18:33No.
18:34No, I'm not like that!
18:37What do you care?
18:39It's done.
18:41You're done.
18:43I'm done.
18:44I know something's changed.
18:45Something's happening.
18:46Something...
18:47Something new.
18:48Sure it has.
18:49If I can find out what the connection is between...
18:52Between you and the...
18:53And the victim.
18:54And why he picked you.
18:56And why he even met you.
18:58Then I can work out why he chose the rest.
19:00Don't you see?
19:00And do what?
19:01Then I've got the proof.
19:03So think!
19:04Think why you!
19:06The same reason he wrote you all of those letters.
19:10He knew you loved the chase as much as the catcher.
19:12Oh my...
19:13You and him.
19:15Me and him.
19:16Dirty men.
19:18Do you ever think about the link?
19:21Between you and your victims?
19:25What?
19:25You met me and my life is trashed.
19:30Ruth too, right?
19:33As your wife.
19:35Your family.
19:37Who's done more damage.
19:40You or the stalker.
19:42That's a stupid thing to say.
19:45Really?
19:46Name me a single person who's better off for knowing you!
19:50Hey!
19:54Give Ruth my love!
19:56If you dare!
19:57Come on, I'll see you soon.
20:04I'll see you, man.
20:05I'll see you soon.
20:08Neighbour, since she saw a man banging on Ruth's door two nights ago trying to break in,
20:13guess the description she gave.
20:14Male, white, fifties, balding.
20:19I can't believe Hugh went back there after he promised.
20:22What a prick.
20:23Prick?
20:24Jen, he was there at the scene of the crime, at the time of the murder.
20:28A murder which looks just like all the other victims of the old Ripton stalker case.
20:32No, see, I was wrong about that.
20:33It's not the same.
20:35It's cruder.
20:36I mean, it's similar, but the stabbing's different.
20:39It's a different kind of rope.
20:40Different knots.
20:42Oh, so a copycat then?
20:43Yeah, maybe.
20:44Or someone pretending to be the stalker.
20:46I just, I don't know.
20:49Hugh would.
20:51Yeah, well, we could ask him.
20:53Nice and formally, with his solicitor present.
20:55Martin.
20:56Look, Jen, I know he's your mate.
20:57No, he's not a mate.
20:59Five minutes ago, he was my boss, and he was a great boss too.
21:03Whatever you all thought.
21:04He's involved in this.
21:05You don't know that.
21:06He was there.
21:07He left that weird phone message.
21:09There's all these links to the stalker.
21:10It's all circumstantial.
21:12It's dodgy.
21:13It's what it is.
21:15Look, I'm not saying he's the killer, okay?
21:21Not yet, anyway.
21:29Scary.
21:30But you're okay.
21:32A bit wobbly, to be honest.
21:33Not bad.
21:35But Paul's home.
21:36What, him?
21:37What's he gonna do?
21:38Scare him off with his Kindle?
21:40Oh, he's better than nothing, I suppose.
21:42Oh, I don't like it.
21:43It just feels like we're being watched.
21:45And what's this about you catching Hugh in your house?
21:48I think, I hope, was a misunderstanding.
21:54Like how?
21:59And don't worry about the twins.
22:02Oh, my God.
22:03Whatever this is, I'm sure they're perfectly fine.
22:07Okay, okay.
22:08It's okay.
22:10Tina.
22:10Tina.
22:11You just call me whenever you want.
22:12Thanks.
22:14I mean it.
22:18Hmm.
22:25What did he want?
22:27Um, he was just being friendly.
22:30What?
22:31He said that we can call him if anything happens.
22:34What do we need him for?
22:35Why have you got your pants in a twist?
22:37He's been saying shit about Hugh.
22:40Hugh was the first friend I made when we moved in.
22:42Yeah.
22:42And you've always thought he was a hero because he was a cop.
22:44You and your true crime podcast.
22:46No, I admired him because he's bloody good at his job.
22:48And he's a proper friend, too.
22:50What?
22:51He's not a friend now?
22:52Because Patrick's here.
22:55How does that work?
23:03Oh, thanks for coming.
23:13There's some fruit, salad, puddle pasta.
23:18Yeah.
23:19Have you got the report?
23:23Frank's post-mortem, yes.
23:25There.
23:25You know, Margot's still fuming with you.
23:34Oh, God.
23:34Well, she'll calm down.
23:36I mean, you'll talk to her.
23:38What were you doing at Patrick's last night?
23:40Yeah, listen, he confessed to me.
23:43He admitted it.
23:43What?
23:44Yeah, yeah.
23:46Just out of the blue?
23:47He admitted it?
23:48Yeah, nobody.
23:49He just said it just to kind of mess with my head.
23:52And, of course, he denied it in the morning.
23:54When you were sober.
23:56But he said it.
23:57And then he kept going on about Frank.
23:59Just teasing me, almost.
24:02Letting me know that he killed him.
24:06They spotted that there was no chloroform or other sedatives.
24:10But I think that he was drugged with some kind of natural herb
24:13that showed the same qualities.
24:17Oh, there it is.
24:20Gelcinium.
24:21There.
24:22There are traces in the bloodstream.
24:24But they said they don't tell me how much.
24:26Do you think the coroner wouldn't have spotted something like this?
24:30Listen to yourself.
24:31You think that Patrick confessed to killing Frank?
24:33I don't think.
24:34I don't think.
24:36I know.
24:36I heard him.
24:37Because he told you when you were so drunk that you passed out.
24:41I know what I heard.
24:42You just don't see it, do you?
24:44You don't see how bad you are.
24:45And I've told you.
24:47I've warned you.
24:49But you just carry on anyway.
24:51But I know it's Patrick.
24:54And I need you to believe me, Alice.
24:58I can't do this anymore.
25:01I can't.
25:02You're drowning.
25:03And you're pulling me down with you.
25:05But this, this, I know, I know I'm right.
25:08This time?
25:10Oh, you.
25:12I promise.
25:14I promise, Alice.
25:16Just save your promises, please.
25:20Just prove it.
25:22Or I can't be with you.
25:24Or I can't be with you.
25:54Or I can't be with you.
26:24Steve.
26:29Steve.
26:30Steve.
26:30Oh, my God.
26:34There's somebody down there.
26:41Steve.
26:42Wait, wait, wait.
26:43What are you going to do?
26:44What are you going to do?
26:48What?
26:49What?
26:52What?
26:54What are you going to do?
26:56What are you going to do?
26:56What are you going to do?
26:57Oh, Steve.
26:58Steve.
26:58Wait.
26:59Steve.
26:59Steve.
27:00Wait.
27:02Oh.
27:05I've got a baseball bat, so wherever it's in here, you're going to get your skull capped in, you hear me?
27:35Cheers, mate. I'd do it myself, but you need a special drill bit.
27:54No worries.
27:55Happy to help.
27:57What are we going to do about Hugh? Are we going to tell Alice?
28:00We didn't actually see him, though, did we?
28:02No one's getting past that.
28:04What are you saying? You don't think it's Hugh?
28:05Is it his golf club?
28:10You called the police, right?
28:13Yeah. Well, they said they'd send someone around, but I'm not holding my breath.
28:17Yeah, well, Hugh, they'll look after on their own a bit.
28:19Right, so what are we going to do? What, do we just wait for Hugh to break in again?
28:23He's been in all of our houses over the years. He's going to know how to get in.
28:28I don't want to think about it.
28:29I'm off to the hardware store. I'm going to get a chunky hammer.
28:32What?
28:32If anyone wants to break in again, bring it on.
28:34Oh, for God's sake.
28:36Bring it on.
28:38Try not to stress too much, guys.
28:39Oh, yeah.
29:02Oh, yeah. Hi.
29:04Yeah, Paul, yeah.
29:05Are you around?
29:07Well, no.
29:09I want to talk to you about Patrick.
29:11I want to talk to you about Patrick.
29:31Hi.
29:32Did you hear that someone broke into Liz and Steve's house?
29:40No.
29:41Nothing's been stolen yet, but things have been moved around, haven't they?
29:46Been reordered.
29:48Yeah.
29:49How many houses?
29:52I don't know, but a few.
29:56And everyone thinks it's you.
30:02It's because Patrick's being a devious arsehole, isn't he?
30:05I knew it.
30:10He's way too chummy.
30:13Liz is winding Tina up about all the break-ins.
30:16The two of them are getting really shrieky.
30:18Yeah, well, they need to be.
30:19You think he's dangerous?
30:20Yes.
30:21Yes, Paul.
30:23He's dangerous.
30:24How about I help?
30:27I could have a snoop about his place when he's out.
30:31No, no, he mustn't know that you're on to him.
30:32No, no, no, he'd be at work.
30:34Just, Paul, whatever you do, just...
30:36Just, um...
30:38Just don't get involved, right?
30:39No.
30:54So, think!
31:11Think, why you?
31:13The same reason he wrote you all of those letters.
31:16He knew you loved the chase as much as the catches.
31:20She's a beautiful dancer.
31:22I saw this ballerina statue in an antique shop,
31:26and it made me think of her.
31:28So, um...
31:30I got it fixed up, and I gave it to her.
31:36I saw this ballerina statue in an antique shop.
31:40I got it fixed up, and...
31:42Wait, what?
31:44This ballerina statue that you gave to Ruth.
31:48Now, what was wrong with this?
31:49Just slow down!
31:51You said you got it fixed up, right?
31:52Now, what did that actually mean?
31:54Declan, okay?
31:54So, what was wrong with it?
31:56I dropped it.
31:57When I first got it, I dropped it, and the arm snapped.
31:59So, you repaired it, okay?
32:00You took it to a repair shop, didn't you?
32:02Yes.
32:02Yeah, and was it Harbuckle repair shop on Murray Street?
32:05I don't know.
32:05Maybe.
32:06Maybe?
32:07I don't remember.
32:08I'd know it if I saw it.
32:10Okay, so...
32:10So, the guy.
32:11The guy who repaired it, okay?
32:13So, just describe him.
32:15He was a nice guy, friendly, didn't charge too much.
32:18No, no, what did he look like?
32:20It was years ago.
32:21I popped in, dropped it off, came back a week later, barely spent five minutes with the fella.
32:27Is that him?
32:28You're seriously telling me that you can't even describe this guy?
32:31What if I took you down to the police station?
32:32What would you say then, eh?
32:34Um.
32:36Eh?
32:36Well, he...
32:39He, um...
32:42Well, he was really charming.
32:45And...
32:48He loved the statue.
32:51And he...
32:51He said that he could see that I wanted to give it to someone really special, so it deserved
32:56a special treatment.
32:58He did a perfect job.
33:01He shook my hand, took my picture, because he could see how pleased I was.
33:06He was a nice guy.
33:10Maybe it's not him.
33:11He shook my hand, took my hand, took my hand.
33:41Uh, I understand that I've hurt you, and how much I've hurt you, and I didn't mean
33:46it, I promise.
33:50I hate it.
33:51It's the worst thing in the world, just the way you look at me.
33:56One day I'll make you proud of me.
34:02See you soon, sweets.
34:06I love you.
34:06I knew you'd need me.
34:20I love you.
34:25All right.
34:29So...
34:29What are we looking for?
34:34Well, we're looking for a link.
34:37Right.
34:38These are the crime scene photographs from the second victim.
34:42He's a 64-year-old man called...
34:42man called Brian Townsend. Right. This is his paperwork from his home office. He was
34:50a bit of a hoarder, so he never threw anything away. Hmm. Oh, that's it. What? That's the
35:03link. It's a receipt. Recondition and repair of an antique carriage clock. Yeah, but look
35:09who signed it. Patrick Harbottle. Let's go and tell the cops. No, they're not going to
35:17do anything. This is just another piece of paper. This is the link, you see. It's the
35:22shop. The shop is the link.
35:39How are you getting on? Yeah, good. I'm just typing up the report
35:57now. Oh, great. Well done. One last thing. Forensics found this. Fallen under the mattress.
36:03I'll just do it at the back. Add it to the report, yeah? What? I just, um, I need to talk
36:18to Hugh. About what? About the everything.
36:48Well, what a nice surprise. I know what you are. Even if no one else, even if, even if
37:14all of these lot fall for it. Well, what can I say? I'm a people pleaser. Are they all
37:24up there? How do you mean? Do any of them not make it onto the wall? Well, the ones who
37:35aren't happy, normally, they don't want their photograph taken. So there's them? You really
37:44are very charming. He was right. Who was right? Catch you later.
37:52Please.
38:01Please.
38:14Fuck! Fuck! Fuck!
38:38Thank you. What's up?
38:40Yeah, hi. Yeah, hi, Paul.
38:41I know what I said earlier on, but I really do need your help.
38:45Yes. Here we go. What do you need?
38:48Okay, I want you to go into Patrick's back garden, and in there, there's a key.
38:52I don't know if it's ours. Right?
38:53Yeah, that's right. So, uh, I promise you that you go in and out in a flash, okay?
38:58I promise I won't be a hero. What do you need?
39:01Okay, so there's, um, uh, upstairs in his bedroom, under his bed, there's an old case.
39:07Oh, yeah. I know the one.
39:10How could you possibly know?
39:11Yeah. Because I just took it out of his house.
39:19You what?
39:20Yeah. I decided to have a little snoop around after all. I was in and out like a ninja.
39:25Sorry, you, you've got the case.
39:29Yeah. I can't get it open, though.
39:32That combination lock is a bugger, eh?
39:35What do you think's inside?
39:37There's polaroids. There are polaroids of every victim that he has killed, okay?
39:41So, I just want you to stay put, Paul.
39:44Are you all right, Mum?
39:58You're not getting a divorce, are you?
40:00No.
40:01Not yet.
40:02He, he just won't stop lying, Margot.
40:07He won't stop.
40:09He's obsessed.
40:10He won't do anything that doesn't suit him.
40:13He is bloody minded.
40:15He's not thinking about us at all.
40:18I shouldn't even be talking to you about this.
40:21But you're the only person I trust.
40:28Do you think that Patrick is the stalker?
40:33Really?
40:35I don't, I don't know.
40:39What do you think, Mum?
40:48I think your dad's right.
40:51When I saw the way Patrick was with you,
40:54I knew something was wrong.
41:00I'm going to call them, tell them to come home.
41:12Oi, hey, Q, we need to talk.
41:15Sorry, mate, I can't, not now.
41:17No, you really can.
41:18Steve, Steve, I can't.
41:21Fine.
41:22Fine, I tell you what, I'll be back in a second.
41:24You can explain something to me.
41:31Oh.
41:32Oi, second I says.
41:35Don't walk away.
41:38Hey, hey, excuse me.
41:40Over here.
41:41Yes, it's gone.
41:42I'll be back in a second.
41:46I don't know.
42:16Paul?
42:23Paul, is that you?
42:35Oh my God, Paul.
42:37No, no, it's all right.
42:40Oh, no, no, just stay calm.
42:41Stay calm.
42:43Yes, all right, I'm here, Paul.
42:45It's okay, it's okay.
42:46I don't know.
42:51I don't know.
42:58I don't know.
43:05It was Tina's house.
43:09That's Dad's.
43:10Hugh!
43:11What's happened?
43:12It's Dad's.
43:12No, no, no, no, I'm his wife.
43:14What's happening to his mom?
43:15That ain't firm.
43:17What's happening to his mom?
43:17It's surprising.
43:23Hello.
43:24It's Jason.
43:24Yes, you're right now.
43:26Yes, yes, sir.
43:26I don't know.
43:27It's just a person.
43:29It's only been an accident.
43:42It's just a person.
44:12It's just a person.