Vice Squad 1953
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Here we go, just about. Snap it up.
00:01:51All clear. Are you sure?
00:02:12I'm sure. I didn't see nobody.
00:02:16I'd better go now, Mickey.
00:02:17Will you call me?
00:02:18First chance I can.
00:02:19First chance,
00:02:25First chance I can.
00:02:26Now, let's go.
00:02:26First chance,
00:02:31cars by the bandwagon.
00:03:05This is Kellogg, Beat, Wine, E and H. Send a car to Max Carlot, 14th and Hamilton. Meet the officer, possible GTA suspects in lock. I will.
00:03:22Freeze.
00:03:34Freeze.
00:03:52All right, bud, police officer. Put your hands in front of me and come out slow.
00:04:03All right, come on. Keep your hands in front. Now turn around and face the car.
00:04:09Put your hands on the roof and put your weight on it.
00:04:11All right, palms down. Get your feet back.
00:04:14Come on.
00:04:15Come on.
00:04:19That's it.
00:04:38Help.
00:04:41Help.
00:04:42Stay where you are.
00:05:12Hide.
00:05:23Well, what about it, Mr. Hartraff?
00:05:28Aren't you going to tell me anything about what happened last night?
00:05:31My attorney told me I didn't have to tell you anything till he gets here.
00:05:37Look, Mr. Hartraff, this report on the shooting of Officer Kellogg
00:05:41has to be on the captain's desk when he gets in at 8 o'clock.
00:05:45Now, what's he going to think when he reads that you were found at the scene of the crime
00:05:48and refused to say anything?
00:05:51Not even what you were doing there.
00:05:54My attorney told me I didn't have to say anything.
00:05:57Captain, the captain has a lot of problems to contend with every day.
00:06:02He's not going to like it when he finds that you're one of them.
00:06:06Now, you still have a few minutes left to give me a statement before he gets here.
00:06:21Good morning, Captain.
00:06:22Good morning, Captain.
00:06:23Good morning, Kenny.
00:06:24How about something in the Kellogg shooting?
00:06:25Talk to Lieutenant Imlay.
00:06:27He's handling it.
00:06:28Oh, I did.
00:06:28He said to talk to you.
00:06:29All I know is what I got on the phone from Imlay.
00:06:32Captain.
00:06:34Take it easy, Frankie.
00:06:38Morning reports all here?
00:06:40All except Imlay's.
00:06:41He's still working on his.
00:06:43What's holding him up?
00:06:44He's been talking to the witness they picked up at the shooting last night.
00:06:46Well, I want to see his report as soon as it's ready.
00:06:49What's the latest from the hospital?
00:06:51Kellogg's still under oxygen.
00:06:52He hasn't regained consciousness.
00:06:53Not good.
00:06:57Miss Easton's outside.
00:06:59Hmm?
00:07:00The girl Judge Chaucer called about.
00:07:02Oh, yeah.
00:07:04Oh, uh, what's the name of that con outside with Lacey?
00:07:08Frankie Pierce.
00:07:09Uh-uh.
00:07:10He told Lacey he's got something good for you.
00:07:12Well, we'll see.
00:07:14Uh, they turned down our request for a new typewriter.
00:07:16Ha-ha, naturally.
00:07:19There's the television interview today at one.
00:07:21You have to be at the studio a half an hour early.
00:07:23For makeup.
00:07:24Makeup?
00:07:25They do it to everybody.
00:07:30I wish I could get out of it.
00:07:31Today's a bad day.
00:07:33Here, save this for me, Ginny.
00:07:35The chief called.
00:07:40Okay.
00:07:42Here's Nashville on Owen Critch.
00:07:43They've got a want on him, too.
00:07:45Let me see who that yard is.
00:07:47Oh, uh, Doris?
00:07:48Barnaby.
00:07:49She busy?
00:07:51I'll hang on.
00:07:53Chamber of Commerce again.
00:07:54With copies to the chief and Cade.
00:07:56Pickpockets?
00:07:57Mm-hmm.
00:07:57Cade wants to see you about it.
00:07:59Oh, chief?
00:07:59Yeah.
00:08:02Yeah, I know.
00:08:04Ginny talked to the hospital.
00:08:06I gave it all a homicide.
00:08:09Imlay.
00:08:10Well, taking the automobile after shooting the officer
00:08:12sounds like more than just a car theft to me.
00:08:15No, nothing on the witness.
00:08:16I'm waiting for Imlay on that.
00:08:18Yeah, I will, chief.
00:08:20No, nothing more.
00:08:22Yeah.
00:08:24Do you want to see Frankie Pierce first?
00:08:26No, let him stew a little.
00:08:29Send the Easton girl in.
00:08:32All right.
00:08:37You may go in now, Miss Easton.
00:08:39Miss, did you tell him, Miss?
00:08:41Take it easy, Frankie.
00:08:42This is Barnaby.
00:08:43Let me talk to Les.
00:08:44Miss Easton?
00:08:46Morning, Les.
00:08:46Listen to this.
00:08:48Nashville picked up Critch.
00:08:51Yeah, they've got a charge against them,
00:08:52but it's not enough.
00:08:53We can wrap them twice as hard,
00:08:54so get an extradition.
00:08:57They'll cooperate.
00:08:58If not, let me know.
00:08:59Miss Easton, please sit down.
00:09:10Judge Chaucer spoke to you, Captain.
00:09:11Yes, he did.
00:09:13Well, I don't know how much the judge has told you.
00:09:15Well, only that your mother is being victimized.
00:09:17I don't know the details.
00:09:19He calls himself Alfredo de Montova,
00:09:22Count de Montova.
00:09:23And he's years younger than mother.
00:09:25Well, we can't arrest him for that.
00:09:27She met him on the plane going to Rome.
00:09:29And he followed her all over Europe.
00:09:31And she wasn't here a week before he followed her over here.
00:09:34Well, is he extorting money from her?
00:09:37Well, she's paying his hotel bill.
00:09:38Well, I meant blackmail.
00:09:40I don't understand the purpose of your questions.
00:09:44If your mother is being victimized, I need proof.
00:09:47Well, this Count is planning to marry her.
00:09:51Well, there's nothing illegal in that.
00:09:57Captain, maybe if you knew mother, you'd understand.
00:10:03She's been sheltered all her life.
00:10:05And she's helpless and afraid of growing old.
00:10:11The money isn't important.
00:10:13But it's mother.
00:10:14This would really wreck her life.
00:10:16And I need your help.
00:10:18Oh, excuse me.
00:10:23The Kellogg shooting.
00:10:25This is all I've got.
00:10:28Nothing new here.
00:10:29We've got plenty of suspects for show-up,
00:10:31but no witness to identify him.
00:10:33What do you mean, no witness?
00:10:34What about the undertaker we picked up at the shooting?
00:10:37No, he's a problem.
00:10:39In what way?
00:10:41Well, he won't give us anything.
00:10:42I'd like you to talk to him.
00:10:45Well, we won't be long.
00:10:46I have him in detention.
00:10:49I'm sorry I've taken up so much of your time.
00:10:52There's a charge called marriage, Bunko.
00:10:56Misrepresentation for the purpose of fraud at the seat.
00:10:59We'll see.
00:11:02Get me Atkinson.
00:11:04One petticoat.
00:11:09Sergeant Atkinson.
00:11:10Captain Barnaby's office.
00:11:12Okay, Jenny.
00:11:13Lou, take over.
00:11:19Two girdles.
00:11:23Three pairs of stockings.
00:11:25Garter belt.
00:11:29Garter belt.
00:11:35This may be a foolish question, Captain,
00:11:37but will Mother have to know anything about this?
00:11:39No, she won't.
00:11:40And neither will the Count.
00:11:41Unless we get something on him.
00:11:42This is Sergeant Atkinson, Miss Easton.
00:11:46How do you do?
00:11:46How do you do, Miss Easton?
00:11:47Marv, I want you to pick up a Count de Montauver
00:11:49at the St. Clair Hotel.
00:11:50Oh, what charge?
00:11:51None yet, but we're looking for marriage, Bunko.
00:11:53Bring him in on the mistaken identity cover.
00:11:57Don't worry.
00:11:58I'll follow through personally.
00:11:59Thank you, Captain.
00:12:03Parents are an awful problem these days, aren't they?
00:12:14Captain.
00:12:16Give me the list on the show up.
00:12:18Captain, I got to talk to you.
00:12:20Can your business wait, Lacey?
00:12:21Sure, Bonnie.
00:12:22Captain, I got to talk to you.
00:12:24It's important.
00:12:26All right, let's take a walk.
00:12:29Bonnie, Bonnie, Frankie Pierce.
00:12:33You set me up, remember?
00:12:34Judge Rawlings, Poseidon, give me one to five.
00:12:36What's on your mind, Frankie?
00:12:37I'm in trouble, Bonnie.
00:12:38They got me up again.
00:12:39Well, I should have kept your nose clean.
00:12:41That's a bum rap this time.
00:12:42Bonnie, listen, you always said that
00:12:44if I ever happen on to anything.
00:12:46Yeah?
00:12:46You said you'd make it good to me.
00:12:48Did I?
00:12:48Yeah, Bonnie, and I got something.
00:12:50Something big on me.
00:12:53Come here.
00:12:59All right, Frankie.
00:13:01How big?
00:13:03Come on, don't waste my time.
00:13:05Let's have it.
00:13:07All of a sudden, I can't think.
00:13:09What do you mean, you can't think?
00:13:10Well, it's not so easy to think
00:13:11with a bum rap and all
00:13:13and not know what's going to happen to you.
00:13:14My mind gets foggy.
00:13:17Keep him away from me, Lacey,
00:13:18till his mind clears up.
00:13:19Wait a minute.
00:13:21Your mind cleared up already?
00:13:22I just remembered.
00:13:25But first, Bonnie,
00:13:26I'm in trouble.
00:13:28Can't you help me?
00:13:29Well, out with it, Frankie.
00:13:30What have you got?
00:13:32A bank heist.
00:13:33All set to go.
00:13:35Where?
00:13:37Well, I could think better
00:13:39if I wasn't so worried.
00:13:42What's the charge, Lacey?
00:13:45Breaking and entering attempted burglary.
00:13:47Frankie's on parole.
00:13:48A mountain out of them all, though.
00:13:50I was drunk.
00:13:50Got in the wrong room by mistake.
00:13:52But first, Bonnie,
00:13:53give me a break, will you?
00:13:54Kill the bum beef.
00:13:55You'll be doing society a favor
00:13:57and you'll keep an innocent man
00:13:58from taking that jolt.
00:14:00And you'll help me think.
00:14:02What bank, Frankie?
00:14:04You'll kill the beef.
00:14:05I'm not promising anything.
00:14:07But you'll help...
00:14:07It all depends.
00:14:12Federal Savings Bank.
00:14:15West Side Branch.
00:14:17Well, go on.
00:14:18Who's pulling it?
00:14:20You think I know everything.
00:14:22I'll give you something big
00:14:23and you don't take care of me.
00:14:25Lock him up, Lacey.
00:14:27Maybe he thinks better alone.
00:14:29Believe me, Bonnie,
00:14:29I'm telling you,
00:14:30everything I know,
00:14:31I'll take an oath.
00:14:33Save it for the courtroom.
00:14:34I remember now.
00:14:38A Kansas City boy named...
00:14:40Al Fox.
00:14:45Call Chisholm.
00:14:47Where do you fit in?
00:14:49I was in the store with him
00:14:50when he got the deal.
00:14:52He bought the plants
00:14:53from a lifer named Creeler.
00:14:55He wanted me in on it,
00:14:56but not for me.
00:14:57Too rich for my blood.
00:14:58When was this?
00:15:01A couple of months ago.
00:15:03You've had this information
00:15:04for a couple of months?
00:15:07You see, it was this way, Bonnie.
00:15:09I wasn't in trouble until yesterday.
00:15:10You're not going to hold it against me,
00:15:12are you?
00:15:14All right, Frankie.
00:15:16When is it set for?
00:15:20I don't know exactly.
00:15:21It could be any day.
00:15:22What do you mean, any day?
00:15:23Well, Barker's planned to pull it
00:15:26as soon as he got on.
00:15:27He's in town.
00:15:28Is that what you're saying?
00:15:29I don't know, honest, Bonnie.
00:15:31He was due out a week ago.
00:15:32I don't know if he made it.
00:15:33Honest, Bonnie,
00:15:33I'm telling you everything I know,
00:15:35I'll...
00:15:35Yes, I know.
00:15:36You'll take an oath.
00:15:39Lacey is lending us Frankie Pierce
00:15:41for a while.
00:15:41He's got some information for us.
00:15:43What?
00:15:43Check on it, Ed.
00:15:44Might be something.
00:15:45Let me know.
00:15:46What?
00:15:46Give me Frankie's file.
00:15:48I'll be in detention or show up.
00:15:51What?
00:15:56Listen, Stan.
00:15:57The captain's a friend of mine
00:15:58and he promised me that we...
00:16:00Sure, Frankie.
00:16:01And he promised me
00:16:01you'd tell me a story.
00:16:03Let's hear it.
00:16:12If you'd just take a look
00:16:13at the suspects,
00:16:14tell us if you recognize any of them,
00:16:16then you can go back
00:16:17to your mortuary.
00:16:18All I was trying to do
00:16:19was help the policeman,
00:16:21not get involved in this mess.
00:16:23Mr. Artraff?
00:16:24Captain Barnaby.
00:16:25How do you do, Mr. Artraff?
00:16:26Captain,
00:16:26you don't think I had anything
00:16:28to do with what happened last night?
00:16:30No, of course not.
00:16:31Why, I'm secretary
00:16:32of the Goodfellows Club,
00:16:34member of the district draft board,
00:16:36and treasurer of the Undertakers
00:16:37and the State Association.
00:16:38We're not accusing you
00:16:40of anything, Mr. Artraff.
00:16:42About last night.
00:16:43We just want to know
00:16:44if you saw the shooting.
00:16:46My attorney told me
00:16:47not to say anything
00:16:48until he gets here.
00:16:50The officer is in a critical condition.
00:16:53He was shot while he was on duty
00:16:55trying to protect
00:16:55the decent citizens
00:16:56of this community like yourself.
00:16:59Now it becomes your duty
00:17:00to help him.
00:17:03All we want you to do
00:17:04is to answer one simple question.
00:17:07Did you or did you not
00:17:08see the shooting?
00:17:09He told me not to answer
00:17:10any questions.
00:17:11Come on.
00:17:25Who's his lawyer?
00:17:26Dwight Foreman.
00:17:27Foreman, huh?
00:17:29Well, that's going to make it interesting.
00:17:31If anybody has something
00:17:33to add on Rose,
00:17:34check officer Harn.
00:17:36That's all, Rose.
00:17:38Next is number five,
00:17:40Reed Duvall,
00:17:41brought in by
00:17:41Sergeants Gruber and Collins
00:17:43for drunk rolling.
00:17:44Age 33.
00:17:4624.
00:17:475 foot 7,
00:17:48132.
00:17:50116.
00:17:52That's all right, Marie.
00:17:53This is no model agency.
00:17:55Okay, Marie.
00:17:56Now walk up and down.
00:18:00These are the suspects
00:18:01I'm holding for Artraff.
00:18:03Got nothing on them
00:18:03without him, huh?
00:18:05Now, Marie,
00:18:06you should turn around
00:18:07and face front.
00:18:08I don't know what to do.
00:18:10You don't have to tell me.
00:18:12All right, Marie.
00:18:13Number three is Alice Valen.
00:18:15Let me know
00:18:16when Foreman gets here.
00:18:17108.
00:18:185 foot 3.
00:18:20And Bridget Jerome,
00:18:21age 30,
00:18:225 feet 1.
00:18:24Check officer Harn's
00:18:25on any of these girls.
00:18:26That's all.
00:18:27Now let's have
00:18:28line up for Lieutenant Cade.
00:18:32Come on, boys.
00:18:33Step lively.
00:18:33Now we'll find out,
00:18:40Mr. Moore.
00:18:40Do you want to see me, Cade?
00:18:42Oh, yes, Barney.
00:18:43We're ready, Lieutenant.
00:18:44Go ahead.
00:18:44I'll wait.
00:18:46All right, Mr. Moore.
00:18:48I want you to look
00:18:48at these men very carefully.
00:18:50One of them
00:18:51picked your pocket.
00:18:52We nabbed them
00:18:53halfway up the street.
00:18:545 seconds after you
00:18:55yelled thief
00:18:55and a second after
00:18:56he dumped your wallet
00:18:56in the sewer.
00:18:58Now pick him up.
00:18:59Your officer on the phone, Captain.
00:19:00Well, I don't know, Lieutenant.
00:19:02It happened so fast.
00:19:18All I saw was his back.
00:19:20That one.
00:19:22You sure?
00:19:23Well, pretty sure.
00:19:27Number three, step forward.
00:19:28Yeah, that's him.
00:19:33Detective Sergeant Burns,
00:19:34you can step down.
00:19:40All right, Mr. Moore.
00:19:41Get your wallet upstairs.
00:19:43Thanks, Justice Seng.
00:19:47That's all, Fitz.
00:19:49Okay, clear the state.
00:19:50It's about that letter
00:19:51from the Chamber of Commerce
00:19:51on the merchants' convention
00:19:52next week.
00:19:53All the pickpockets in town
00:19:55are licking their chops
00:19:55just waiting.
00:19:56I'll give you
00:19:59some extra men.
00:20:00That's not gonna do it, Barney.
00:20:02What I need
00:20:02is a nod from you.
00:20:04Let me rouse them.
00:20:05Here's the file
00:20:05on Frankie Pierce.
00:20:06Let me turn my boys
00:20:07loose with instructions.
00:20:08I told you
00:20:09I'm gonna give you
00:20:10some extra men.
00:20:11And you're gonna give
00:20:11the instructions
00:20:12I tell you to give.
00:20:13Well, of course.
00:20:14If the Chamber of Commerce
00:20:14is kicking,
00:20:15that's my problem.
00:20:16Wait a minute, Barney.
00:20:17Now, just do your job, Kate,
00:20:18and let me worry
00:20:18about the rest.
00:20:23Kellogg just died.
00:20:24Frankie's information
00:20:30is stacking up.
00:20:31We checked the penitentiary.
00:20:33Al Barkas was released
00:20:34eight days ago.
00:20:36He's probably in town.
00:20:40What do you think, Lou?
00:20:42Don't worry about Dutch.
00:20:44He'll be here.
00:20:45You don't think he's backing out
00:20:46on account of last night?
00:20:48Dutch and me make a deal.
00:20:50We stand by him.
00:20:51He'll be here.
00:20:52Al, here's Marty.
00:20:52He's got the truck.
00:21:09I don't get it.
00:21:11Why can't Marty be on time
00:21:12just once?
00:21:13You'd know if you met her, Al.
00:21:16Maybe I would.
00:21:17The right time
00:21:18I'm in the right place.
00:21:19Al's right.
00:21:33Pete?
00:21:34You're late.
00:21:35I know.
00:21:37Hi.
00:21:38Well?
00:21:38Where's Dutch?
00:21:43Ask him.
00:21:44We're here.
00:21:45What about the sedan?
00:21:46It's all painted and stashed
00:21:47in the old garage.
00:21:48We're okay in the car.
00:21:49We got here on time.
00:21:50What kept you?
00:21:51My last night in town, Al.
00:21:53After all.
00:21:55It was mine, too.
00:21:55I got here.
00:21:56I'm sorry.
00:21:59Al,
00:22:00do you ever get a feeling
00:22:02when things aren't right?
00:22:03You know what I mean?
00:22:04No.
00:22:06It's like when you can smell
00:22:07the coppers
00:22:08and the heat.
00:22:11You notice that?
00:22:12I ain't been sniffing around.
00:22:15I've been here, waiting.
00:22:18You figure we're all set.
00:22:19Lou's arranged for the boat.
00:22:21You say the cars are set.
00:22:22We're in good shape.
00:22:25This thing last night
00:22:27doesn't bother you guys, huh?
00:22:28Why shouldn't?
00:22:29It bothers you, Marty.
00:22:32It says here
00:22:32the cops are not expected to live.
00:22:35Officer Kellogg was still under oxygen
00:22:36and his condition was reported as...
00:22:38We read it.
00:22:40And what if he dies?
00:22:41So what if he does?
00:22:43It'll change the odds a little.
00:22:45You want out, Marty?
00:22:46It's nothing like that.
00:22:48Okay.
00:22:53Anybody else worried?
00:22:56Just say so.
00:22:59Nobody's worried, Al.
00:23:01Sure, I've gone this far.
00:23:03I'll go the whole way.
00:23:04I guess Dutch is with us.
00:23:06I talk to Dutch, too.
00:23:09Maybe it's the dame that's bothering you.
00:23:12Oh, come on, Al.
00:23:13What's eating you?
00:23:14Ain't jealous, are you?
00:23:15Guy gets dame happy.
00:23:17He forgets about business.
00:23:18Not me, Al.
00:23:19A dame means only one thing to me.
00:23:21And what have you been yakking about?
00:23:22You know how you had everything planned?
00:23:25Yeah, plans are still the same.
00:23:26Nothing has changed.
00:23:27You didn't plan shooting the cops.
00:23:31Well, what are you worried about?
00:23:32You're in the clear.
00:23:34That's right.
00:23:38Let's keep in Dutch.
00:23:39Barney around.
00:23:53She's inside.
00:23:54I've tipped my leads to be on the lookout for Barkus.
00:24:11How about calling Mona Ross?
00:24:13You know how to handle her better than I.
00:24:15Mona?
00:24:17Okay, she's a good bet.
00:24:19In the meantime, I'm moving on a stakeout.
00:24:22Well, don't tie up any more men than you have to.
00:24:24Right, Barney.
00:24:26Line, please.
00:24:27Ross Escort Bureau.
00:24:39I'm sorry, she's busy.
00:24:41May I help you?
00:24:44Oh, yes, Captain Barnaby.
00:24:46Just a moment.
00:24:47Mona, Captain Barnaby's on the phone.
00:24:50I'll be right there.
00:24:51She'll be right here, Captain.
00:24:57Hello, Barney, love.
00:25:06Oh, fine.
00:25:07Everything's fine.
00:25:12Oh, it's good to hear from you.
00:25:15Well, can't you tell me what it is on the phone?
00:25:18Well, I can't leave this minute.
00:25:23All right, Barney.
00:25:24I'll be there in half an hour.
00:25:27Trouble?
00:25:28I don't think so.
00:25:29He just wants to talk to me about something.
00:25:38Move along.
00:25:39Move along.
00:25:41Keep moving.
00:25:45Snap it up, girls.
00:25:46You can get your stuff upstairs.
00:25:47Oh, Anna.
00:25:48Have you got any of Mona Ross's girls?
00:25:50Two of them.
00:25:51They're checking out now.
00:25:51Well, pull that release as I want them held.
00:25:53What do I say to Mona when she starts hollering?
00:25:55You don't know anything about it.
00:25:56The foreman just went in to see Hartraff.
00:25:59Yeah?
00:26:03I'm sorry you had such a rough night, Mr. Hartraff.
00:26:06However, I think the worst is over.
00:26:09I hope so.
00:26:10Where does your wife think you are?
00:26:12Out of town.
00:26:14Delivering a corpse.
00:26:16And when does she expect you back?
00:26:19Sometime tonight.
00:26:21You've got to get me out of here.
00:26:22Oh, getting you out of here is no problem.
00:26:25Dwight, if my wife ever finds out I was with Vicki instead of a corpse...
00:26:28Now, take your time and think before you answer.
00:26:31Can you identify or give a description of the man under the stairs?
00:26:36It was too dark.
00:26:37I didn't see him clearly.
00:26:39Of course, if he walked into the room, I might possibly...
00:26:42If it was too dark, just say so.
00:26:45Don't say anything else.
00:26:46Or you may wind up in court answering questions you don't want to answer.
00:26:50What about the newspapers?
00:26:52Do what I told you and I can keep it out of the papers.
00:26:54Anything.
00:26:55Just so my wife doesn't find out.
00:26:57Now, don't worry. I'll have you out of here in half an hour.
00:27:00Thanks, Dwight.
00:27:01They'll release you or I'll get you out in a rift.
00:27:05That'll take longer, but you'll be out of here in time.
00:27:09What if they call me back later?
00:27:11My wife will want an explanation.
00:27:12I told you, if you say nothing, I can handle it from here on.
00:27:18Just remember, it was too dark.
00:27:21Well, that winds it up, Barney.
00:27:28Except for the suspects we're holding for Imlay.
00:27:31Well, Dwight Foreman is in with Imlay's witness now,
00:27:33so we better stand by until we hear from them.
00:27:35If the witness hired Foreman as his attorney,
00:27:38you might as well forget about him.
00:27:40Well, let's not jump to any conclusions.
00:27:42Foreman and Hartramp are waiting to see me, Barney.
00:27:44Okay, I'll go with you.
00:27:51We pulled in a lot of possible suspects last night, Dwight.
00:27:54I'd like to have Mr. Hartramp take a look at them.
00:27:56Mr. Hartramp will do all he can, Lieutenant.
00:27:59But I'm afraid you're going to be disappointed.
00:28:01He didn't see anything.
00:28:02Is that right, Mr. Hartramp?
00:28:04Yes, sir.
00:28:04There weren't any lights, and from where I was standing...
00:28:07It was too dark.
00:28:09That's right.
00:28:10The officers in the squad car said they got to the scene
00:28:13within a few seconds of the shooting.
00:28:15You were already there.
00:28:16Yes, sir. That's right.
00:28:19What did the man look like who fired the shot?
00:28:21He already told you, Lieutenant.
00:28:22It was too dark.
00:28:23Let him answer for himself.
00:28:25All right. It was too dark.
00:28:27Where were you when the shots were fired?
00:28:30I was just leaving the apartment house.
00:28:34You were just leaving the apartment house?
00:28:37What apartment house?
00:28:38You don't have to answer that, Mr. Hartramp.
00:28:40What were you doing in an apartment house in South Hamilton
00:28:42at 1.30 in the morning?
00:28:43You don't have to answer that either.
00:28:44You live in Harmon, eight miles away.
00:28:46Who were you visiting?
00:28:47Now look here, Lieutenant.
00:28:48This is all off the record, Mr. Foreman.
00:28:51Sure it is.
00:28:52But what's the point?
00:28:54Mr. Hartramp already told you that he didn't see anything.
00:28:57No sense holding him.
00:28:58Yes, it was too dark.
00:29:02All right, Bob.
00:29:03You can release your suspects.
00:29:05All right, Mr. Hartramp.
00:29:07Let's go.
00:29:08I didn't say he could go.
00:29:10Now look, Barney.
00:29:12This is one of my busy days.
00:29:14Don't make me waste a lot of time.
00:29:15I'm sorry, Dwight, but last night a policeman was killed.
00:29:18But you can't blame Mr. Hartramp for that.
00:29:20Come on, Barney.
00:29:22Okay, Dwight, when you're ready to cooperate.
00:29:24But we are cooperating.
00:29:25I'm not convinced.
00:29:27Until I am, he's still a suspect.
00:29:28Oh, don't be ridiculous.
00:29:30You know Mr. Hartramp here is a fine, upstanding American citizen.
00:29:34He's secretary of the Goodfellows Club
00:29:36and a member of his local draft board.
00:29:38Yes, I know.
00:29:38And something or other of the Undertaker's Association.
00:29:42Now look, Barney.
00:29:43I don't want to have to go over your head
00:29:45and run to the commissioner about this.
00:29:47But if you won't play ball, I may have to.
00:29:49Now you listen to me, Foreman.
00:29:51I know all about your contacts with the commissioner
00:29:53and your influence with the political brass in this town.
00:29:56But don't threaten me.
00:29:57I don't like it.
00:29:59I'm not running a detective bureau for you,
00:30:01for myself, or for your clients.
00:30:02I've got a job to do,
00:30:03and I'm doing it the best I know how.
00:30:05It's for Mr. Hartramp here.
00:30:08He's still in my custody.
00:30:10If you want to spring him, get him out on a writ.
00:30:12I'm holding him until then.
00:30:19So we'll get a writ.
00:30:22Tell him check Uncle Irving and get their releases.
00:30:24We're through with him.
00:30:25How about?
00:30:26Yeah.
00:30:26I want you to keep working on Hartramp.
00:30:29Anything you say.
00:30:30I think you can soften them up if you work fast enough.
00:30:32Find out whose apartment he was visiting
00:30:34on South Hamilton Drive last night
00:30:36and bring the lady in.
00:30:39Foreman's getting Hartramp out on the writ.
00:30:41But I'll try to stall him until I hear from you.
00:30:43I'll call you when I get her.
00:30:47Stairs.
00:30:48Another man stationed behind the teller's counter.
00:30:51I'll be near the manager, Mr. Schaefer.
00:30:53All right, Lieutenant.
00:30:53We'll see how it looks after we're in the bank.
00:30:55Captain Barnaby, this is Mr. Schaefer,
00:30:57vice president of the Federal Savings Bank.
00:30:59How do you do, Mr. Schaefer?
00:31:00How do you do?
00:31:01Well, the, uh, Lieutenant Chisholm told me
00:31:04this stakeout is based on some information
00:31:05that was given to you.
00:31:06Yes, that's right.
00:31:07How do you happen to get the tip, Captain?
00:31:09Well, I can't answer that, Mr. Schaefer.
00:31:11The detective is only as good as his information.
00:31:13We'd never get any if we revealed the source.
00:31:16Well, what are the chances, then?
00:31:18Well, you never can tell.
00:31:19A while back, we got a tip on the jewelry store.
00:31:22We staked it out for a month and nothing happened.
00:31:24How does it shape up, Ed?
00:31:25All right.
00:31:26We'll be ready by the time the bank opens.
00:31:28Fine.
00:31:29If we can locate the men who are planning this caper
00:31:31before they can pull it, so much the better.
00:31:34If not, let's hope the information proves false.
00:31:38Go ahead, Ed.
00:31:39I suggest we go over it once more.
00:31:42Fred, do you remember your...
00:31:44Hiya, Pete.
00:32:03Where you been, Dutch?
00:32:04In the pokey.
00:32:05This town's hot as a firecracker.
00:32:07That's what I've been telling out.
00:32:08How come you got picked up?
00:32:10Oh, yeah.
00:32:11Well, last night I went to the Moves.
00:32:12When I get out, I decide to shoot some pool.
00:32:15I'm there about an hour when a squad car comes up.
00:32:18Pulls three of us in.
00:32:19They drag us downtown and grill us all night long
00:32:21about a cop killing.
00:32:22So the cop died?
00:32:24Yeah, he kicked off this morning.
00:32:33What's it all about?
00:32:36What's the matter with Marty?
00:32:38Nothing.
00:32:39Go on.
00:32:39What happened next?
00:32:40Oh, yeah.
00:32:40Well, they got nothing on me, see,
00:32:43but I can't prove I've been to the movies.
00:32:45I tell them the whole plot,
00:32:46but they ain't seen the picture.
00:32:47So they hold me over for the morning show-up.
00:32:50Then nothing happens.
00:32:51They let me go, and here I am.
00:32:58Well, what's wrong?
00:32:59I didn't do anything.
00:33:00I can't help it if...
00:33:01Here it is, Dutch.
00:33:02The cop was shot while Pete and I
00:33:04were lifting the car last night.
00:33:05Well, they didn't know.
00:33:09What do we do now?
00:33:11What do you think we should do?
00:33:13Don't ask me.
00:33:14What do you say, Lou?
00:33:16Sure, sure, Al.
00:33:18Go ahead as planned.
00:33:20Get the car?
00:33:22Sure.
00:33:2351 Buick.
00:33:24Marty had it painted.
00:33:25Bowl will be waiting, and everything's set.
00:33:27Any more questions?
00:33:29Lou?
00:33:30No more questions.
00:33:31Okay, let's get going.
00:33:31Let's go.
00:33:40That your answer, Marty?
00:33:42I'm still thinking.
00:33:44You had plenty of time to think.
00:33:46I don't feel so good.
00:33:47I think I'll skip it.
00:33:48What kind of twist is that?
00:33:50I just don't feel right.
00:33:51You know, the cop-telling and the heat.
00:33:54You sure ain't the dame?
00:33:55That ain't the point.
00:33:57It just so happened I wasn't with you guys last night.
00:34:00I'm clean.
00:34:01I'm clean.
00:34:15Okay, Marty.
00:34:17It's time to go.
00:34:19What are we waiting for?
00:34:21Good night.
00:34:38Good night.
00:34:38Good night.
00:34:39.
00:34:43There's Mr. Hartramp's release. Check him out, please.
00:35:08I told you everything would be all right.
00:35:13I'm fully aware that the budget is already strained.
00:35:20Nevertheless, I strongly recommend that, sir.
00:35:24Captain Barnaby's office.
00:35:26Yes, he's right here. It's the desk, Sergeant.
00:35:29Yes, Fred?
00:35:30We're issuing that release now, Captain.
00:35:32All right, stall him for a few minutes.
00:35:37Hartramp's on his way out.
00:35:39He'll be leaving in a few minutes.
00:35:40We'll be waiting for him, Captain.
00:35:43Who was I?
00:35:47Nevertheless, I strongly recommend it.
00:35:52I'll handle it, Mac.
00:35:55Wow, let's see what we've got here.
00:35:58Your watch.
00:36:06Your ring.
00:36:06Your wallet.
00:36:14Hi, Dave.
00:36:34Hi, Bob.
00:36:35How's the outfit look?
00:36:36Fine.
00:36:37Sorry we had to call you in when you were off duty.
00:36:39Here's the deal.
00:36:41Barney thinks Hartramp is involved with a girl somehow.
00:36:44If we can find her, we can put a lot of pressure on him.
00:36:46Uh-huh.
00:36:47Now, the only thing we know for sure is that he was visiting an apartment house on South Hamilton Drive.
00:36:52See if you can find the girl's address.
00:36:53Well, I'll do the best I can, Bob.
00:36:55I'll give you a two-minute start.
00:36:56All right.
00:37:10Hartramp, mortuary.
00:37:11No, he isn't.
00:37:13Yes, Shirley.
00:37:13Goodbye.
00:37:15May I help you?
00:37:16One of your lines is reported out of order.
00:37:18Oh, they seem to be working fine.
00:37:19Well, there's a private line.
00:37:20Woodley 9051.
00:37:22Oh, Mr. Hartramp's office back there.
00:37:24Oh, I won't be bothering, Mr. Hartramp.
00:37:27No, he's out of town and won't be back till this evening.
00:37:54Yes, sir.
00:38:11What may I do for you?
00:38:12I saw your ad in the paper about the $65 funeral.
00:38:16I was wondering just what does that include?
00:38:19Let me show you our booklet.
00:38:21You know, we offer a choice of ten services, but frankly, I lean toward this one for $2.95.
00:38:28If you'd just show me the $65.
00:38:30Oh, it's lovely, of course, but it doesn't include the chapel or the organist with a singer.
00:38:36Oh, I see.
00:38:37Okay.
00:38:37Okay.
00:38:37Okay.
00:38:37Okay.
00:38:42Did you say $595?
00:39:01Everything's all right now.
00:39:03Isn't that a little high?
00:39:05But isn't this for someone very dear to you?
00:39:08In a way, yes.
00:39:10It's for me.
00:39:12I'm thinking ahead.
00:39:14I'll just take this along and keep in touch with you.
00:39:27I tried to give you as much time as I could.
00:39:29Did you find anything?
00:39:30This address book.
00:39:31Here's a number on South Hamilton Drive.
00:39:34Vicki Webb.
00:39:35Sounds good.
00:39:36Thanks, Dave.
00:39:37I hope this doesn't.
00:39:38Tell Barney I'll call him when I check on this.
00:39:47Barney's like that sometimes.
00:39:48Likes to throw his weight around.
00:39:50Well, Dwight, thanks very much.
00:39:52Hello, Dwight.
00:39:53Hello, Mona.
00:39:55Why, that's all right, Mr. Hartranf.
00:39:57You sure I can't give you a lift?
00:39:58Thanks.
00:39:58I'll take a cab.
00:39:59Taxi!
00:40:00Taxi!
00:40:01Oh, I'm terribly sorry.
00:40:03I was just going...
00:40:03Take your hand off me.
00:40:05I'm not touching.
00:40:06Police!
00:40:07Where are the police?
00:40:08I'm a police officer, ma'am.
00:40:09I want this man arrested.
00:40:10But I wasn't doing anything.
00:40:12I was just going...
00:40:13Wait a minute.
00:40:14You better come along, too.
00:40:15I'll be glad.
00:40:16What do you mean?
00:40:17Dwight!
00:40:18What are you...
00:40:18Dwight!
00:40:23Sorry, I had to bring you downtown, Mona.
00:40:25Well, it's always good to see you, Barney.
00:40:27I had to come down anyway.
00:40:29They're holding two of my girls.
00:40:31Well, they are.
00:40:33As if you didn't know.
00:40:37Go ahead, Barney.
00:40:38What do you want this time?
00:40:40We've got a tip on some out-of-town boys.
00:40:43The only one identified so far is Alvin Barkers.
00:40:47I've heard of him.
00:40:48Here's his description.
00:40:51We hear he's in town, and I want to locate him.
00:40:54Sorry, Barney.
00:40:55We try to steer clear of that element.
00:40:58They might give us a bad name.
00:41:01How about the girls we picked up last time?
00:41:03I intend talking to them.
00:41:06Who said you could talk to them?
00:41:08You're not going to give us trouble, are you, Barney?
00:41:10Well, I need your help.
00:41:12It all depends on you.
00:41:13Hi, Mona.
00:41:14I got him on Tova outside.
00:41:16I didn't know if you wanted me to wait.
00:41:17No, I'll see him later.
00:41:19You can start him talking.
00:41:20He hasn't stopped since I picked him up.
00:41:22Alfredo Giovanni Borgatti-Guseppe Montalbos.
00:41:25Count de Montalbos at your service.
00:41:28Count?
00:41:29I wish to cooperate in every way with the police.
00:41:31Well, thank you, Count.
00:41:32This way, sir.
00:41:37Well, what about it, Mona?
00:41:41Look, I operate a license escort service, strictly legit.
00:41:46I don't have clients like Barkers.
00:41:48Of course you don't.
00:41:49But you hear about them, and so do your girls.
00:41:53How can they hear about anything if they're locked up?
00:42:01Ginny, two Mona Ross's girls are being held.
00:42:05They're to be released on my say-so.
00:42:07Thanks a lot, Bonnie.
00:42:09The boys are in town on business, so you know what to look for.
00:42:13I get the picture.
00:42:14I'll start on it right away.
00:42:16You can tell the girls there will be a token of appreciation from the department for any help they can give us.
00:42:21You're a sweetheart.
00:42:23As much as the budget will allow.
00:42:26And remember, Mona, I can't wait too long for the information.
00:42:29Of course not.
00:42:31Goodbye, love.
00:42:32Goodbye.
00:42:32Goodbye.
00:42:33Goodbye.
00:42:33Goodbye.
00:42:33Goodbye.
00:42:33Goodbye.
00:42:33Goodbye.
00:42:33Goodbye.
00:42:35See you in 43 minutes.
00:43:05Goodbye.
00:43:06Goodbye.
00:43:07Goodbye.
00:43:08Goodbye.
00:43:09Goodbye.
00:43:10Goodbye.
00:43:11Goodbye.
00:43:12Goodbye.
00:43:13Goodbye.
00:43:14Goodbye.
00:43:15Goodbye.
00:43:16Goodbye.
00:43:17Goodbye.
00:43:18Goodbye.
00:43:19Goodbye.
00:43:20Goodbye.
00:43:21Goodbye.
00:43:22Goodbye.
00:43:23Goodbye.
00:43:24Goodbye.
00:43:25Goodbye.
00:43:26Goodbye.
00:43:27Goodbye.
00:43:28Goodbye.
00:43:29Goodbye.
00:43:30Goodbye.
00:43:31Goodbye.
00:43:32Goodbye.
00:43:33Goodbye.
00:43:34It's pretty quiet, Barney.
00:44:04Nothing unusual.
00:44:07Yeah, we're all set.
00:44:23I'll stick around today until we get a routine.
00:44:28Right. Will do.
00:44:31Sure, Barney.
00:44:34I told you I heard Vicki go out earlier this morning.
00:44:59You don't know where?
00:45:01No.
00:45:02Does she work?
00:45:03Not regularly.
00:45:04Is there anyone who could tell us where she might be?
00:45:06Yes, there's her mother.
00:45:08She works in some drug store over in the Roswell District.
00:45:11Do you know which one?
00:45:12No, but it's around there somewhere.
00:45:14Thanks.
00:45:15She's not in any trouble.
00:45:23Barney, you're persecuting an innocent man.
00:45:25Innocent?
00:45:26That's not what the lady said.
00:45:28Stop it, Barney.
00:45:29He didn't touch her and you know it.
00:45:30All I know is what the lady said and the word was molest.
00:45:33Right.
00:45:34Shut up for a minute, will you, Mr. Hartramp?
00:45:36Now, wait a minute, Barney.
00:45:37This is an obvious frame.
00:45:38You can get into plenty of trouble.
00:45:39It won't be the first time.
00:45:42Yes?
00:45:44All right, Ginny. I'll be there.
00:45:45Have a car for me.
00:45:46Right.
00:45:47Now, don't worry, Mr. Hartramp.
00:45:49Everything's going to be all right.
00:45:51Wait a minute, Barney.
00:45:52Why, please.
00:45:53Keep your shirt on, will you, Mr. Hartramp?
00:45:56I'll get another writ.
00:45:57Barney!
00:46:02Barney!
00:46:07Barney!
00:46:08Barney!
00:46:09Barney, wait a minute.
00:46:10Barney, listen.
00:46:11I'm a reasonable man.
00:46:12Let's see if we can work something out.
00:46:14All right.
00:46:15What did Hartramp see last night?
00:46:17But that's not reasonable.
00:46:18How can you make a man see something
00:46:20that he didn't?
00:46:21Come on, Barney.
00:46:22Let's talk it over.
00:46:23Sure.
00:46:27Thanks, Barney.
00:46:35Barney!
00:46:37Barney!
00:46:45Now, don't be disturbed, Count.
00:46:46From what you've told me,
00:46:47I'm sure that this is just a case
00:46:48of mistaken identity.
00:46:49I tried to understand.
00:46:55How's it going, Marl?
00:46:56We're talking.
00:46:57I've got his family tree back to the
00:46:58founding of Rome.
00:46:59How's it sound?
00:47:00I don't know.
00:47:01You want to talk to him?
00:47:02I can't.
00:47:03I've got a television interview.
00:47:04I'll get back to you.
00:47:06I must apologize for keeping you like this,
00:47:08Count of Montover.
00:47:09I'm happy to cooperate with the police.
00:47:11Sergeant Atkinson will take you to lunch.
00:47:14I'll be back.
00:47:15Arrivederci.
00:47:16Arrivederci.
00:47:18But, Sergeant, I do not know all these questions.
00:47:21What have they to do with being someplace where I wasn't?
00:47:24We'll get it all straightened out eventually.
00:47:26Lunch.
00:47:35Oh, Captain.
00:47:36Hello, Mrs. Jenna.
00:47:37Oh, uh, call the university and, uh,
00:47:39have Professor Moni come in this afternoon.
00:47:41Captain, can I speak to you for a minute, please?
00:47:42Not just now.
00:47:43I'll be back at two.
00:47:44Oh, but I've got to talk to you, Captain.
00:47:46I can't stand it any longer.
00:47:47There's going to be trouble.
00:47:48Well, don't worry about it.
00:47:50Hmm?
00:47:51Your wife called.
00:47:52You better hurry.
00:47:53The car's waiting.
00:47:54Oh, but Captain, please.
00:47:56Uh, make an appointment for Mr. Jenna.
00:48:14We call him coming soon.
00:48:15Oh, he'll be back.
00:48:18Don't worry.
00:48:19I can't wait.
00:48:20But I'm gonna call him.
00:48:22Even if I'm like Arthur.
00:48:23Oh, you go.
00:48:25Seeho.
00:48:26Abi-ếnie.
00:48:28Oh, there you go.
00:48:29I can't wait nor see the delay.
00:48:30With the yelling at basic cos Balladin?
00:48:33He Harrison.
00:48:35Oh, look.
00:48:37We have...
00:48:38I have eatenß함 können mugsy
00:48:39それを見せる
00:48:40Just in a minute, everybody.
00:48:52Just about ready to go, Captain.
00:48:54Is it all right to smoke during the interview?
00:48:57That's what we want.
00:48:59Here, have one of ours.
00:49:01On the air in 40 seconds.
00:49:03Now remember, just relax.
00:49:05Just be yourself as if you're at home,
00:49:07sitting in your own living room talking things over.
00:49:09Oh, only please try to remember
00:49:11to look out toward the cameras as much as possible.
00:49:13Clear the set and stand by.
00:49:15Okay, here we go.
00:49:39Oh, only please try to remember.
00:51:13I'd like to see the manager, please.
00:51:19He's right back there.
00:51:22Put your hands on the desk.
00:51:45Don't move a muscle.
00:51:58Can I help you?
00:51:59Yes.
00:52:01Press the buzzer.
00:52:05Turn around and open the gate.
00:52:29You.
00:52:30Stay where you are.
00:52:43Come on, grunt.
00:52:45Come on.
00:52:46Come on.
00:52:47Come on.
00:52:47Come on.
00:52:49Come on.
00:52:49Come on.
00:52:50Ah!
00:53:20Let me turn the conversation away from your men, Captain.
00:53:40In the short time we have left, tell us something about yourself.
00:53:44For instance, do you ever assign yourself to a case?
00:53:47No, not really.
00:53:48Yes, occasionally, when something real hot comes along,
00:53:52I'll pitch in with the men and lend whatever assistance I can.
00:53:56I'll go over the case with them and maybe suggest some angles,
00:53:59probably work on some angle or another myself.
00:54:02There's no telling just how much work I might do on a specific case.
00:54:07I like to say this, though, for the...
00:54:11What does it mean?
00:54:13You'll have to excuse me. Oh, uh, excuse me.
00:54:23Thank you, Captain, for a most interesting visit,
00:54:25and I hope we'll have the pleasure of another interesting visit soon.
00:54:30Attention, all units. Attention, all units.
00:54:34Be on the lookout for...
00:54:36that will maximize the eyebrows from the 물어�
00:54:41that will enhance the numbers.
00:54:42Except for new察 who are far from there.
00:54:44Here's aToinum of BCE.
00:54:46Next, let's go over to Stück Park.
00:54:47Oh, my God.
00:55:04Oh, my God.
00:55:07Oh, my God.
00:55:10Oh, my God.
00:55:13Move! Move! Move!
00:55:28Captain, I have an appointment.
00:55:30Hey, Barney, how about a statement?
00:55:31Later. Come in.
00:55:32But Barney, listen, I...
00:55:33Captain?
00:55:34Yes?
00:55:35The kidnapped girl's parents are outside.
00:55:37Well, I'll see them when I finish with Lacey.
00:55:39Mona Ross called.
00:55:40Yeah, what'd she say?
00:55:41She'll call back. Wouldn't leave a message.
00:55:42We'll try and reach her.
00:55:44We just came from the morgue, Barney.
00:55:46Well, what about it, Frankie? Could you identify him?
00:55:49Honest, Barney, I never saw those two guys before in my life.
00:55:52Frankie, any help you can give us will work in your favor.
00:55:55I know. I wish I could help.
00:55:57But honest, Barney, I'm telling you everything I know.
00:55:59Okay.
00:56:03Bring the girl's parents in.
00:56:05Barney, you're not gonna hold this against me.
00:56:07You're not gonna forget what you told me this morning.
00:56:09We'll see.
00:56:10Keep them on tap.
00:56:12Mr. and Mrs. Lawson, this is Captain Barnaby.
00:56:15How do you do?
00:56:16Captain, is there any news?
00:56:18Have you heard anything about Carol?
00:56:20The city's sealed out tight.
00:56:22Every road, every bridge.
00:56:24We have men posted at the airport, the railroad stations, the bus depots, at the boat docks.
00:56:29They can't leave the city.
00:56:31Every available man is on the case.
00:56:34We're doing everything we can.
00:56:36We'll find her.
00:56:38Yes, but will you find her alive?
00:56:40Will we get Carol back unharmed?
00:56:42How can you tell?
00:56:43How can you be sure?
00:56:45How can you be sure?
00:57:15Get going.
00:57:19All right.
00:57:20What about the girl?
00:57:21First, get the boat.
00:57:22When we're outside the harbor, we'll talk about her.
00:57:24All right, sister.
00:57:25Relax.
00:57:26Just do what you're told.
00:57:27You'll be all right.
00:57:28The stairs are over there.
00:57:45Yes, I'm Vicki's mother, but I don't keep her on a leash.
00:57:54Oh, look, honey, you must have some idea where she is.
00:57:57I might.
00:57:58You tell me what you want to see her about.
00:58:00Oh, come on.
00:58:01I just want to get some information from her.
00:58:03Well...
00:58:04I knew you'd help me, honey.
00:58:06All right.
00:58:07She went shopping for a coat.
00:58:09Do you know where?
00:58:10No.
00:58:11One of the expensive places on Langley Boulevard.
00:58:13After all, she makes 45 a week.
00:58:16Thanks.
00:58:21Come on.
00:58:22Come on.
00:58:23Now, let's see what we...
00:58:24And never mind the conversation.
00:58:26Ah, ah, ah, ah!
00:58:29Sign here.
00:58:33Go ahead and sign.
00:58:43Stop worrying, will you, Mr. Hartraff?
00:58:46You're out, aren't you?
00:58:47Yes, but...
00:58:48Now, take my advice and try and forget about what happened.
00:58:50Sure, Dwight.
00:58:51And relax.
00:58:52Everything's going to be all right now.
00:58:53Now, you go on home.
00:58:54I'll let you know the minute anything happens.
00:58:55Have you a car?
00:58:56Yes, thank you.
00:58:57Fine.
00:58:58I'll keep in touch with you.
00:58:59Thank you, Captain.
00:59:00Ginny.
00:59:01Haven't you reached this morning yet?
00:59:02Her line's been busy.
00:59:03Well, keep trying.
00:59:04Come in, Mr. Jenner.
00:59:05The police is down.
00:59:06I'll let you know the minute anything happens.
00:59:07Have you a car?
00:59:08Yes, thank you.
00:59:09Fine, I'll keep in touch with you.
00:59:11Thank you, Captain.
00:59:12Ginny.
00:59:13Haven't you reached this morning yet?
00:59:14Her line's been busy.
00:59:15Well, keep trying.
00:59:16Come in, Mr. Jenner.
00:59:17The police is down.
00:59:18No, no, no, no, no.
00:59:20Well, when I walk down the street,
00:59:22the shadows get all over me.
00:59:23Every Wednesday evening,
00:59:24it's the boxing matches.
00:59:25I see.
00:59:26Well, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:59:29The police is down.
00:59:38Well, what seems to be the trouble this time?
00:59:41Well, when I walk down the street,
00:59:43the shadows get all over me.
00:59:45Every Wednesday evening, it's the boxing matches.
00:59:48I see.
00:59:50It's the television pictures.
00:59:52They're all over me.
00:59:54There must be a law.
00:59:56Mona Ross on extension 2.
00:59:58Oh, excuse me.
01:00:00Mona?
01:00:01I told you...
01:00:03I told Jenny I'd call you back.
01:00:05Didn't she give you the message?
01:00:07Well, I can't wait, Mona.
01:00:08What is it?
01:00:09Have you got something for me?
01:00:10Yes, I have.
01:00:11But I'm in the middle of a meeting.
01:00:14It might be.
01:00:17I'm busy, love.
01:00:18I'll call you back.
01:00:19Well, you'll have to talk louder.
01:00:20I can't hear you.
01:00:21Oh, just a second.
01:00:22I've got another call.
01:00:24I can't hear you.
01:00:27Rush the nearest squad car to 105 South Newhall,
01:00:30Ross Escort Bureau.
01:00:31Make it a code 2.
01:00:32Pick up Mona Ross and bring it to me.
01:00:35Still there, Mona?
01:00:37I'll have to hang up, Barney.
01:00:39I'll call you...
01:00:40Donna, there goes the other phone.
01:00:41Hold on, hold on a minute, Mona.
01:00:46Sorry, Mr. Jonah.
01:00:47Well, what are you going to do about it, Captain?
01:00:50I can't stand it much longer.
01:00:52Now, let me get this straight.
01:00:54Every time you go outside, you get these television shadows on you.
01:00:58Even at night?
01:01:00It's worse at night.
01:01:02Well, I don't know.
01:01:04I'll do what I can.
01:01:06Have you got a witness?
01:01:07A witness?
01:01:08Yes, first you've got to have a witness.
01:01:10Oh, I didn't know.
01:01:13Be right with you, Mona.
01:01:16A witness?
01:01:19What do I need a witness for?
01:01:21Well, it's a legal technicality.
01:01:24A legal technicality?
01:01:26What do I do?
01:01:28You have to get the witness.
01:01:29That's your job.
01:01:30Oh, I'll get one, Captain.
01:01:33Where do I find one?
01:01:35What about, uh...
01:01:37Morton Garber?
01:01:39He's very good.
01:01:40Morton Garber?
01:01:41Yes.
01:01:42Do I know him?
01:01:43Better if you don't.
01:01:44That makes him a perfect witness.
01:01:45Oh.
01:01:46Oh, I'll get him, Captain.
01:01:48Uh...
01:01:49Where do I go?
01:01:51The city clinic.
01:01:53Do you know where it is?
01:01:55Oh, sure.
01:01:56Ask for Dr. Morton Garber.
01:01:57Tell him I sent you to see him.
01:01:59Dr. Morton Garber?
01:02:00Uh-huh.
01:02:01Thank you, Captain.
01:02:02Thank you very much.
01:02:04Mona, I'm sorry.
01:02:06You were saying, uh...
01:02:08Really, Barney?
01:02:09You don't seem to understand.
01:02:12I told you I can't talk now.
01:02:15You'll have to come along with us, Mona.
01:02:16Say, what is this?
01:02:17Sorry, Mona orders.
01:02:18Take your hand off me!
01:02:19Wait till I see that, Barney.
01:02:21Take your hand off me!
01:02:24Professor Vonney's here.
01:02:29Professor, how are you?
01:02:30Good of you to come down.
01:02:31Not a bit.
01:02:32I always enjoy it.
01:02:33This won't take long.
01:02:34We've got a man here I want you to see.
01:02:35What are you holding him for?
01:02:36Well, we brought him in our mistaken identity, but, uh...
01:02:39We're looking for marriage, Bunko.
01:02:46Drunkenness and disorderly conduct.
01:02:48Well, I told you...
01:02:49All right, all right.
01:02:50I'm afraid I'll have to have your belongings again.
01:02:53Captain!
01:02:54Captain!
01:02:55Atkinson has been handling it.
01:02:56He's in with him now.
01:03:06Alfredo Di Mantova.
01:03:07Oh.
01:03:08It's a good name.
01:03:09Sounds all right to me.
01:03:10Again, I must apologize for keeping you like this, Count.
01:03:12This is the man we've been waiting for.
01:03:13No.
01:03:14No, you've got the wrong man.
01:03:15I've never seen this man before.
01:03:16You've made a mistake.
01:03:17I'm terribly sorry, sir.
01:03:18Not at all.
01:03:19How the police could have made such a mistake, I don't know.
01:03:20How the police could have made such a mistake, I don't know.
01:03:21My name is Bruno Vanni.
01:03:22Alfredo Giovanni Burgacci Giuseppe Montalvo.
01:03:23Count De Mantova.
01:03:24De Mantova.
01:03:25Don't I know that name?
01:03:26Leon de Montalvo di Milano?
01:03:27My family is from the north.
01:03:28My family is from the north.
01:03:29I'm not keeping you like this, Count.
01:03:30I'm not keeping you like this, Count.
01:03:31This is the man we've been waiting for.
01:03:32No.
01:03:33No, you've got the wrong man.
01:03:34I've never seen this man before.
01:03:35You've made a mistake.
01:03:36I'm terribly sorry, sir.
01:03:37Not at all.
01:03:38How the police could have made such a mistake, I don't know.
01:03:41My name is Bruno Vanni.
01:03:42Alfredo Giovanni Burgacci Giuseppe Montalvo.
01:03:45Count De Mantova.
01:03:46De Mantova.
01:03:47Don't I know that name?
01:03:49Leon de Montalvo di Milano?
01:03:51My family is from the north.
01:03:54This is a chance to find a concitantino.
01:03:57Yes.
01:03:58I've just arrived in this country.
01:04:00She was born in America or in Italy?
01:04:02I was born here.
01:04:04My parents were born in Bologna.
01:04:06Ah.
01:04:07And I'm an American-Bolognese, huh?
01:04:09Yes.
01:04:15I thought you went home.
01:04:17We decided to wait here, Captain.
01:04:18Have you heard anything yet?
01:04:20No, nothing yet, but we're doing everything we can.
01:04:23Wouldn't you like to wait in my office?
01:04:24You'll find it more comfortable.
01:04:25We're fine, Captain.
01:04:27Please don't worry about us.
01:04:50That's what I'm doing.
01:04:51I'm going to walk home, Maria.
01:04:55Let's sing in.
01:04:58Two ???
01:05:03THE END
01:05:33What's wrong, officer?
01:05:35Just a routine check. Okay, Joe. Move it out.
01:05:47This is really a raw one, Barney. I told you I couldn't talk.
01:05:51No, I couldn't wait, Mona.
01:05:53I had a customer sitting right in front of me.
01:05:56I tried to do you a favor and you picked me up like I'm an ordinary...
01:05:59We haven't the time. Let's get down to business.
01:06:03Well, about a week ago, one of my girls, Dolores Lee, stops coming in.
01:06:09I figure she's got a fella. You know, it happens every so often.
01:06:14Oh, let's skip all that.
01:06:16Well, a little while ago, Dolores shows up wild.
01:06:20She's got a fella, all right. Seems he's been giving her a big line.
01:06:23Coming into lots of sugar, trip to Mexico, good times, fat of the land.
01:06:28This afternoon he waltzes into her apartment, parks himself and says the deal is off.
01:06:34No sugar, no Mexico, no good times.
01:06:37All he's got to offer is himself.
01:06:40A real phony.
01:06:42What's his name?
01:06:43She said his name was Marty Kuzelich.
01:06:47What about it, Frankie? You ever hear of him?
01:06:49Marty Kuzelich was in the store with us.
01:06:52Think he could be in on it?
01:06:53Sure. Why not?
01:06:55Him and Bacchus were pals.
01:06:57He could be in on it.
01:06:59Where can we locate him?
01:07:00He's at her place now.
01:07:02Linda Hotel, room 3C.
01:07:04We'll take a look at him.
01:07:06Well, you better hurry up.
01:07:07She's not there and he won't be there long.
01:07:09Dolores is going to tell him to take a powder.
01:07:11She's real fed up with that phony.
01:07:13What do you say, Lacey?
01:07:15We think it sounds good, Barney.
01:07:17Okay, I'll be waiting.
01:07:18Right, we're on our way.
01:07:24Barney, about that token of appreciation.
01:07:28If it's the man we want, you've earned it.
01:07:31Fine.
01:07:32Well, see you around, love.
01:07:41Mona.
01:07:44Sorry I had to pick you up that way.
01:07:47Don't be sorry, Barney.
01:07:49I may have to pick you up sometime.
01:07:58Let's go, boy.
01:07:59Good boy, hug him.
01:08:03See you next time.
01:08:09Ooh!
01:08:11Goodbye.
01:08:13Come on.
01:08:43Come on.
01:09:13Come on.
01:09:14Come on.
01:09:15Come on.
01:09:16Cut it out.
01:09:17Take it easy, Marty.
01:09:18Take it easy.
01:09:19All right.
01:09:20Let's go.
01:09:21Come on.
01:09:22We had a nice talk.
01:09:24What did you find out?
01:09:26The Count's an imposter.
01:09:28You sure?
01:09:29Absolutely.
01:09:30First, he wasn't born in Italy.
01:09:32His Italian is one generation removed.
01:09:35Second, he isn't a de Montova,
01:09:37because his idiom is from southern Italy,
01:09:39the kind used around Naples.
01:09:41The de Montovas are from Milan in the north.
01:09:44Third, he was born in America.
01:09:48His English is disguised,
01:09:50but his flat A's and his hard R's
01:09:52betray a background of the Middle West.
01:09:54I'd say Cleveland or Chicago.
01:09:59That wraps it up.
01:10:01Lieutenant Imlay on extension 2.
01:10:04Yeah, Bob?
01:10:06I got her, Barney.
01:10:08We're coming in now.
01:10:14Nice, sir.
01:10:15Yeah.
01:10:16Let's go.
01:10:23Thank you, Professor.
01:10:24Anytime you need me, Captain.
01:10:25Ginny, bring your book.
01:10:26I want you to take a letter.
01:10:45This is ridiculous.
01:10:48This is ridiculous.
01:10:49I won't sign a letter like this.
01:10:51I have no intention of parting with Mrs. Easton.
01:10:54We know you're not a Count.
01:10:56We know you weren't born in Italy.
01:10:58You cannot intimidate me.
01:10:59I have rights.
01:11:00I demand to see Mrs. Easton.
01:11:02What are you doing with my belongings?
01:11:04This is all of it, Barney.
01:11:05We took the liberty of checking you out of your hotel.
01:11:07You have no right to do that.
01:11:08Yes, I know.
01:11:09Only if you're going to catch that 5.30 train, you'll have to hurry.
01:11:125.30 train?
01:11:13Yes, it goes to Chicago and Cleveland.
01:11:15Misrepresentation and fraud for the purpose of marriage
01:11:18is a felony in this state.
01:11:22Yeah?
01:11:23Yeah, Ginny.
01:11:24I'll be right in.
01:11:26Give him his choice, Marv.
01:11:28First class accommodations on the train
01:11:30or a bunk in the cell block while we check up on him.
01:11:33All right, Count, which is it going to be?
01:11:38We'll put up the dough for my train fare.
01:11:53It'll be taken care of.
01:12:03All right, Kuzelich.
01:12:04Make this easy on yourself.
01:12:05Make what easy?
01:12:06Where's Barkas?
01:12:07Hold up.
01:12:08Who?
01:12:09All right.
01:12:10Stop the stalling.
01:12:11Barkas?
01:12:12What?
01:12:13Never heard of him.
01:12:14You and he just finished doing a stretch together.
01:12:16With 500 of the guy.
01:12:17So I met him once, maybe.
01:12:19What does that mean?
01:12:20It means we know you're tied in with Barkas
01:12:22in that bank heist he pulled today.
01:12:24You got the wrong amount of Kuzelich.
01:12:26I was riding in a cab at 1 o'clock.
01:12:28Cab number 605, yellow cab company.
01:12:30Well, you could check it.
01:12:31Was the bank job at 1 o'clock, Marty?
01:12:35How do I know what time the bank job was?
01:12:38All I know is you can't be in two places at the same time.
01:12:42Like I said, I'm clean.
01:12:44Well, I don't know from nothing.
01:12:46Now, go ahead if you want.
01:12:47Sock me around.
01:12:49You gonna hold me?
01:12:51Hey, look, I'm entitled to one phone call.
01:12:54Give him his call.
01:13:00How do you get hold of the public defender?
01:13:02This print just came out of the soup, Captain.
01:13:05This is the bullet that killed Kellogg,
01:13:07and this is the one we took out of Lieutenant Chisholm.
01:13:09Both were fired from the same gun.
01:13:11Barkas?
01:13:12Yes, it looks that way.
01:13:13That clears Kuzelich.
01:13:15Yes, it does.
01:13:16Back again, Dwight?
01:13:17For the third and last time.
01:13:19You're going to regret this day, Barney.
01:13:21Maybe, if you'll tell me what it's all about.
01:13:23Don't get smart with me, Barney.
01:13:25I came here to tell you
01:13:26that I'm going to have my client released for the last time.
01:13:28And if you try to detain him,
01:13:30I'll see to it that you and your whole blasted department
01:13:32go up before the grand jury.
01:13:34Is that clear?
01:13:38Give me the booking desk.
01:13:40Fred, this is Barnaby.
01:13:42Foreman is on his way over with another writ.
01:13:44I want Hartrant moved out to the Belmont station.
01:13:49Give me the radio room.
01:13:55Back again, Mr. Foreman?
01:13:56What I just told Barnaby goes for you, too, Sergeant.
01:14:01Yes, sir.
01:14:04Car 205K. Car 205K.
01:14:07Lieutenant Imlay, proceed to Belmont station.
01:14:10You?
01:14:14Good. Have my car ready.
01:14:24Okay, Lacey, we're going to work on Marty Kuzelich now.
01:14:28Maybe he'll squeal.
01:14:29How are you going to do it?
01:14:30Ballistics showed us that Barker shot Kellogg last night.
01:14:33Well, what if I tell Marty that he did it?
01:14:35Think you'll fall for it?
01:14:37He might, if I have a witness to back me up.
01:14:40That's where Hartrant comes in.
01:14:45You're just the way the lawyer gets here.
01:14:46Okay, Marty, he's going along with us.
01:14:48Where are we going?
01:14:49Come on, let's go.
01:14:53This is the most outrageous day I ever had.
01:14:55Barnaby isn't going to get away with his antics anymore, I can tell you that.
01:14:58Oh, Mr. Hartramp, it's Dwight.
01:15:01Mr. Hartramp?
01:15:02Well, what do you know?
01:15:03Jailbreak.
01:15:04Mr. Hartramp!
01:15:06Where are we going?
01:15:07The mouthpiece is on his way down now.
01:15:08To see me.
01:15:09Relax, Marty.
01:15:10Relax, Marty.
01:15:40I'm?
01:15:41Good.
01:15:44I've got seriousanya.
01:15:46Good tommy talking...
01:15:50What we all know...
01:15:59Is it howling?
01:16:05Your...
01:16:07Come on.
01:16:33Stand by.
01:16:37Right in here, Marty.
01:16:59Make yourself comfortable, Marty.
01:17:02All right, now.
01:17:04Why'd you bring me out here?
01:17:05Want a cigarette?
01:17:07Take his cups off, Lizzie.
01:17:10I don't get it. I thought it was all settled.
01:17:13I'm clean.
01:17:19What are you guys holding me for?
01:17:21Did you check that cabbie?
01:17:22Well, here, remember, I gave him two bucks.
01:17:24Sure you didn't, Marty.
01:17:26Then what is it?
01:17:27What kind of treatment is this?
01:17:30Just because I've done time.
01:17:33I still got some rights.
01:17:35Of course you have, Marty.
01:17:36The public defendant's going to do something about this.
01:17:40I was nowhere near that bank job.
01:17:42I got nothing to worry about.
01:17:44You got nothing to worry about, Marty. Stop worrying.
01:17:48Who's worrying?
01:17:50I just don't like being pushed around.
01:17:52It can't be any out-of-town job.
01:18:04Well, that last stretch cleaned me up.
01:18:07All over the country.
01:18:08I can go anywhere.
01:18:10I'm free!
01:18:12They're here, Marty.
01:18:13What about that policeman who was shot last night, Marty?
01:18:19Hey, now, wait. I was with my girl last night.
01:18:21Dolores, leave!
01:18:23This is crazy!
01:18:26Call Dolores. She'll tell you.
01:18:27Montgomery 3-399-0.
01:18:29Police station's a kind of charming, ain't they?
01:18:40Yeah.
01:18:41Kevin Barnaby, Miss Vicki Webb.
01:18:43How do you do?
01:18:43Oh, how do you do?
01:18:48Vicki!
01:18:51Jackie, sweet!
01:18:52What have you done?
01:18:54Well, you two know each other.
01:18:56Vicki, what did you tell them?
01:18:58Why, nothing, Jackie.
01:18:59They didn't ask me any questions.
01:19:01We didn't have to.
01:19:03We know you're supposed to be out of town
01:19:04and that you're not due back until this evening.
01:19:07Your wife's probably expecting you for dinner.
01:19:09Uh-oh.
01:19:10Vicki!
01:19:10Oh, by the way, Vicki, have you met Mrs. Hartranft?
01:19:14You better leave me out of this.
01:19:15Well, we think you should meet Mrs. Hartranft, Vicki.
01:19:18After all, you two have, uh, something in common.
01:19:21Captain, please, please.
01:19:23Vicki!
01:19:28Mr. Hartranft.
01:19:30A policeman was killed on South Hamilton Drive at 1.30 this morning.
01:19:35You were there on the spot when it happened.
01:19:37Isn't that so, Mr. Hartranft?
01:19:38Well, I was just coming out of the apartment building.
01:19:40And you got a good look at the man who fired the shot.
01:19:42Well, it was so dark.
01:19:43Yes, but you've got excellent eyes.
01:19:45You were close to the man and you saw him.
01:19:46All I saw was...
01:19:47And you can identify him if you see him again.
01:19:50You're willing to do your duty and identify him
01:19:52and testify to that fact.
01:19:53Isn't that so, Mr. Hartranft?
01:19:54Well, I...
01:19:55Well, the man who shot the officer is in our custody.
01:19:58Here.
01:19:59In the next room.
01:20:01He killed Kellogg.
01:20:02And you're the only one who is there.
01:20:05You saw him last night.
01:20:06Now you will see him again.
01:20:08When I take you in there,
01:20:09I want you to take a good look at him
01:20:10and identify him.
01:20:24That's him.
01:20:25What?
01:20:26Are you sure?
01:20:27Absolutely.
01:20:28I got excellent eyes.
01:20:29I don't want any mistakes.
01:20:31So help me.
01:20:32You'll testify to that fact?
01:20:34Oh, it's my duty.
01:20:35Now, will you tell us again
01:20:37exactly what you saw this man do?
01:20:40I saw him shoot the officer
01:20:42on South Hamilton Drive
01:20:43about 1.30 this morning.
01:20:45No!
01:20:47He's crazy!
01:20:49Thank you, Mr. Hartranft.
01:20:53Give him his release.
01:20:59All right, Marty.
01:21:00You know what I think of cop killers.
01:21:02You're crazy.
01:21:02I wasn't even near there.
01:21:03I've done one thing before,
01:21:04but now I know who pulled the trigger.
01:21:06Marty, I didn't know you pulled the trigger.
01:21:08No, I'm telling you!
01:21:09I'm going to see to it personally
01:21:10that you get the book.
01:21:12If it's the last thing I do,
01:21:14I'm going to make sure that you get it.
01:21:16Stop it!
01:21:16You please!
01:21:16I'm going to be there
01:21:17when they walk you to the gas chamber.
01:21:19I'm going to look through the glass
01:21:20as they strap you down.
01:21:22I'm going to watch you
01:21:23as the smoke curls up your nostrils
01:21:25and fills your lungs.
01:21:26I'm going to watch you every second of it
01:21:27and I won't be happy
01:21:28until you keel over like a wet rag.
01:21:30Marty, the cop killer!
01:21:31I wasn't even there last night!
01:21:36It was Bacchus and Piedmonti.
01:21:39Bacchus and Piedmonti.
01:21:40Harcraft saw you!
01:21:41I swear, I swear!
01:21:42I swear!
01:21:56Ask Dolores.
01:21:57I was with her.
01:21:58Dolores will swear!
01:21:59Dolores will lie.
01:22:02Well, no!
01:22:02Why should she?
01:22:03Sure she will.
01:22:04She loves you.
01:22:05No!
01:22:06How do you think a judge and jury will react?
01:22:08Who do you think they're going to believe?
01:22:09A con like you and that floozy of yours?
01:22:11Or a clean, upstanding,
01:22:12home-loving American citizen
01:22:14like Mr. Jack Harcraft?
01:22:16Of course, if we could get Bacchus
01:22:18and beat Monti...
01:22:19You'll want to know where you can find Bacchus.
01:22:32I'll wait and write a break.
01:22:35Quickogs are welcome,
01:22:37but it's in to us.
01:22:38Come on,
01:22:38let's welcome,
01:22:39buddy.
01:22:41I'll be and raised.
01:22:45If you would,
01:22:46try the other to Vermont,
01:22:47you'll see that the storm
01:22:48will нравeding the storm
01:22:50but the storm will show you
01:22:52along to a little bit.
01:22:54Yes.
01:22:54Well,
01:22:55take a break.
01:22:56Always over fromince...
01:22:56Ofince.
01:22:58�� ela.
01:22:58Better,
01:22:59but notre belle
01:23:00tocy son valentine.
01:23:00Oh, my God.
01:23:30Oh, my God.
01:24:00Oh, my God.
01:24:30Oh, my God.
01:25:00Oh, my God.
01:25:30Oh, my God.
01:26:00Oh, my God.
01:26:30Oh, my God.
01:27:00Oh, my God.
01:27:30Oh, my God.
01:27:32Oh, my God.
01:27:36Take him in.
01:27:37See you in the morning, Lacey.