Down Three Dark Streets 1954
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00Four words, best known by three initials, FBI.
00:01:20Letters that spell out the internal security of a nation.
00:01:23Behind those doors, your guardians.
00:01:28At their command, the most advanced and complete scientific assistance known to man.
00:01:34But often more important than science is the intelligence, the imagination of the individual agent.
00:01:40The FBI man.
00:01:43The FBI man with the special knowledge of human weakness and his ability to probe that weakness
00:01:50and thus trap the criminal into his own betrayal.
00:01:53On Highway 91, heading into California.
00:01:59Fill her up.
00:02:22Ethel.
00:02:52Operator, this is Ben, Dr. Gas Station.
00:03:09I want you to call the FBI.
00:03:11Tell them I'm putting gas into Joe Walpole's car.
00:03:15Joe Walpole?
00:03:16His license number?
00:03:19Okay, Mom.
00:03:20I'll see you later.
00:03:23Bye, Mom.
00:03:23I was just calling.
00:03:34Within a half hour of the brutal slaying at the gas station,
00:03:37the FBI had alerted each of its 49 field offices.
00:03:41Special instructions were sent to one office in particular,
00:03:45Los Angeles, California.
00:03:46The urgent alert on Joe Walpole becomes one of many cases
00:04:07that daily crosses the busy desk of Frank Pace, the special agent in charge.
00:04:12His job?
00:04:13To direct and coordinate the complex work in the field offices.
00:04:17Here, the case is evaluated and analyzed with the care of experience.
00:04:22Then, it is given to Agent John Ripley,
00:04:25the superintendent in charge of the criminal desk.
00:04:29His job?
00:04:30To supervise the investigation of all criminal cases
00:04:33handled by the special agents in the office.
00:04:43Now, look, Vince.
00:04:44We're going to crack this case, with or without your help.
00:04:46I'm going to ask you once more.
00:04:48Come on, let's go.
00:04:49We'll be late.
00:04:50Angelino!
00:04:52Maybe the car thieves you worked for
00:04:53won't mind you sitting in San Quentin three to five years.
00:04:56But you've got a wife.
00:04:57Look, I know.
00:04:58I know I've got a wife.
00:05:02Okay, I'm finished with them.
00:05:03How'd you make out with Angelino?
00:05:15I didn't.
00:05:17Still afraid to talk, huh?
00:05:18Oh, this just came in from Washington.
00:05:21Hmm.
00:05:22I'll get right on it.
00:05:24Rip, call Margaret for me and tell her I won't be home for dinner.
00:05:26Yeah, sure.
00:05:28Although Agent Stewart has been assigned the Walpo case,
00:05:31he still continues to investigate the Angelino file.
00:05:35Like all agents of the FBI,
00:05:37Stewart handles several non-related cases at the same time.
00:05:41Working that night on his two active cases,
00:05:46he brought himself up to date on Joe Walpo's long record
00:05:49of hijacking bank robbery and murder.
00:05:53And as he reanalyzed the history of interstate car thefts
00:05:56involving the Angelino boy,
00:05:58ten miles away in a quiet residential neighborhood,
00:06:01a telephone operator plugged in his third case.
00:06:04Hello?
00:06:23Hello?
00:06:26Mrs. Martell?
00:06:28Yes.
00:06:29You've got a little girl named Vicky.
00:06:32Who is this?
00:06:33You wouldn't want anything to happen to her,
00:06:36would you, Mrs. Martell?
00:06:37What do you want?
00:06:39You just listen.
00:06:41I want that $10,000 insurance money your husband left you.
00:06:45You're insane.
00:06:46You must be out of your mind.
00:06:47Shut up.
00:06:49I said you just listen if you want to keep that kid alive.
00:06:52I want that money.
00:06:54I'll tell you later how, when, and where to take it.
00:06:58Yeah.
00:07:00Mrs. Martell,
00:07:01just a word of advice.
00:07:05Don't tell anyone about this call,
00:07:08or I'll chill your little girl.
00:07:14Operator.
00:07:15Operator.
00:07:16Mommy, Mommy.
00:07:17Yes, baby.
00:07:19Yes.
00:07:22It's all right.
00:07:23I had a dream.
00:07:25Now go back to sleep.
00:07:26Are you going to bed?
00:07:29Yes, in a little while.
00:07:31Go to sleep.
00:07:31No.
00:07:33I'm going to bed.
00:07:36You're next.
00:07:39I'll go.
00:07:48On the beach.
00:07:49Are you going to bed?
00:07:50We're ready.
00:07:51I'm going to bed for a nice day.
00:07:53I'll go.
00:07:54People like me.
00:07:55That's, you're a wonderful woman.
00:07:58Please.
00:07:58We're not here.
00:07:59No, you're here.
00:08:00Please keep on.
00:08:00Stewart speaking.
00:08:29I got a phone call a few minutes ago.
00:08:33Take your time.
00:08:35The man said he'd kill my little girl if I didn't give him my insurance money.
00:08:41May I have your name, please, and your address?
00:08:46Miss Catherine Martell, 1157 Samson.
00:08:51What number is Martell?
00:08:54It's Dunkirk 21199.
00:08:59He warned me not to call anyone to hang.
00:09:01He did the right thing.
00:09:03Where can I see you in the morning?
00:09:06Can't you come tonight?
00:09:08It wouldn't be advisable, Mrs. Martell.
00:09:10Besides, there's no need to worry tonight.
00:09:13You can come to my office.
00:09:15I'm a buyer at Orbex.
00:09:17Fine, I'll be there at 9 o'clock.
00:09:19Will you make out a list of everyone you know and everyone you have dealings with?
00:09:23Yes, I will.
00:09:24Mrs. Martell, I assure you we'll be doing everything we can to help you.
00:09:29Thank you, Mr. Stewart.
00:09:30Come on.
00:09:55This is Martell, yes, I'm Zack Stewart the agent you talked to last night. Thank you very much for coming
00:10:25Thank you
00:10:29It was all so frightening
00:10:31I know I have a couple of youngsters myself
00:10:34The voice in the phone, Mrs. Martell, did it tell you anything about the person?
00:10:38You know, young or old man or woman?
00:10:41No, no, but I'm sure it was disguised. It sounded so peculiar
00:10:47I kept asking myself, who?
00:10:50All night long I kept saying, who would want to do such a thing?
00:10:54You spoke of insurance money?
00:10:56Yes, my husband's
00:10:58He was killed in an automobile accident
00:11:00He left me ten thousand dollars
00:11:02Could be anyone that knows about it
00:11:04An acquaintance, even a repairman or delivery boy
00:11:06Do you have that list I asked you for?
00:11:08Yes
00:11:13You've included everyone, family, friends
00:11:15Oh no
00:11:16Could be someone close to you
00:11:17No
00:11:18You must include everyone, Mrs. Martell
00:11:20Have the materials I ordered come in yet, Kate?
00:11:24You know I was promised
00:11:25All right, Henry, you'll get them tomorrow
00:11:27Tomorrow?
00:11:28You said tomorrow, two days ago
00:11:29Please, Henry, I'm busy
00:11:31Oh
00:11:32I'm so sorry
00:11:34This isn't like me going to pieces like this
00:11:41But every time the phone rings, I jump
00:11:44Just not knowing when he's going to call again
00:11:47That's the pattern of extortion, Mrs. Martell
00:11:49To frighten you to the point, you'll do whatever he wants
00:11:51But we won't let him
00:11:53I know, I know
00:11:55You sat on the edge of your bed and watched her all night
00:11:57I did that once when my little boy had scarlet fever
00:12:03I'll be all right
00:12:04Sure you will
00:12:05But for your own peace of mind, we've placed your house under surveillance
00:12:12Without disturbing the normal routine of the neighborhood
00:12:14Agent Stewart arranged the procurement of identification on every person entering or leaving Kate Martell's apartment
00:12:22Agent Stewart received Mrs. Martell's permission to intercept every telephone message
00:12:26He supervised preparations to take down the next call from the extortionist word for word
00:12:33Meanwhile, Agent Stewart's attention was required by his two other cases
00:12:43To all agents
00:12:44Firearm shoot has been arranged for September 30th
00:12:47Too fast for you? Ripley speaking
00:12:49I'd like to speak to Agent Stewart
00:12:51He's not in right now, can I help you?
00:12:53No, I want to speak to him personally because
00:12:57Well, it's about one of his cases
00:12:59Well, he'll be back pretty soon, can he call you?
00:13:01No
00:13:02And I can't come to your office
00:13:04Can he come here?
00:13:06Your name, please
00:13:08Your name, please
00:13:10Brenda Rawless
00:13:12Can he come here about eleven o'clock tonight?
00:13:14Eleven, couldn't you make it a little bit earlier?
00:13:16Brenda Rawless
00:13:17Brenda Rawless
00:13:18No, not before eleven
00:13:20I'll be alone then
00:13:22What's your address?
00:13:24Twelve ten North Drexel
00:13:26Twelve ten North Drexel
00:13:27I will see you tonight, Miss Rawless
00:13:29Hello, Zack
00:13:30Hi, Rip
00:13:31Ten fifty-six
00:13:32That's close enough, let's go
00:13:33Hello, Zack
00:13:34Hi, Rip
00:13:35Ten fifty-six
00:13:36That's close enough, let's go
00:14:07Miss Brenda Rawless
00:14:17I'm Special Agent Ripley
00:14:19This is Zack
00:14:20No, please go away
00:14:21We have an appointment with Brenda Rawless at this address
00:14:24No
00:14:27May I come in, please?
00:14:28No, leave me alone
00:14:37Go over
00:15:05Congratulations
00:15:06What happened?
00:15:30I'm with the FBI.
00:15:32Keep everybody out of the alley.
00:15:35Yes, sir.
00:15:36Who was with you a few minutes ago?
00:15:58Operator, give me the police.
00:15:59Emergency.
00:16:01Who was it, Miss Rellis?
00:16:04This is Ripley, FBI.
00:16:05An agent was killed in an alley back at 1210 North Drexel.
00:16:09Right.
00:16:10The murder of Agent Stewart fell under the immediate jurisdiction of the local police.
00:16:16Accordingly, Brenda Rellis was removed to headquarters where Lieutenant Couple of Homicide was unable to pierce the armor of fear left by the killer.
00:16:23Come on, come on, Miss Rellis.
00:16:25How much longer do you think you can try our patients?
00:16:31Yes.
00:16:36Air condition, the best best to take her home and let her get some sleep.
00:16:52Make her think we've finished with her while we tail her around the clock.
00:16:57Frank, we'll sweat at this as if Zach had been one of our men.
00:17:02Fine, Jake.
00:17:02Well, this was his night with his kids, too.
00:17:14Well, this was his night with his kids, too.
00:17:14Rip.
00:17:27Yes, sir.
00:17:29That girl in there, she called about one of Zach's cases.
00:17:34But which one?
00:17:36It's Walpole, Martell, and, uh...
00:17:40Angelino.
00:17:43One of them ties in with Zach's murder.
00:17:46As soon as all three cases are concluded, the sooner we'll know his killer.
00:17:52I'm turning over those three cases to you.
00:17:56Let's call it a night.
00:17:57Come on.
00:17:57By morning, Agent Ripley had thoroughly analyzed all three of Zach Stewart's cases.
00:18:19One of them held the clue to his killer.
00:18:24The first to be investigated was the Joe Walpole case, in which Agent Stewart had been trying
00:18:29to develop a lead to the fugitive through his girlfriend, Connie Anderson.
00:18:33F.B.I.
00:19:00Okay.
00:19:01You're in.
00:19:02The bar's over there.
00:19:06Help yourself.
00:19:08Thanks.
00:19:14Boy, Scott's got names.
00:19:17Yes, I'm Ripley, and it's Mr. Barker.
00:19:20I suppose it's about Joe Walpole.
00:19:23That's right.
00:19:25Why don't you ask the bloodhound who was here yesterday?
00:19:28He was killed last night.
00:19:30Oh, that's tough.
00:19:38Do you mind if I put something on?
00:19:42I don't like men staring at me before lunch.
00:19:45I don't care for the eyes.
00:19:46I don't care for the eyes.
00:19:55Or have you gotten that far?
00:19:59Who killed your pal?
00:20:00Well, we thought you could help us on that.
00:20:03Me help you?
00:20:04That'd be good for a laugh.
00:20:07What time was he killed?
00:20:09Eleven o'clock.
00:20:10That lets me out.
00:20:11I was at the stadium rootin' for Gonzales.
00:20:15Poor slob got knocked out in the last round.
00:20:19When I was sitting in my usual Wednesday night seat, row 10, aisle B.
00:20:23Everybody there saw me.
00:20:25See, can't pin anything on me.
00:20:26And now that business is over, maybe we can get a little informal?
00:20:37Yeah, let's talk about Walpole.
00:20:39Oh, look, Buster, to begin with, you're supposed to phone up.
00:20:42I was nice enough to let you in.
00:20:43Like I told a guy yesterday, Joe Walpole's only a name to me.
00:20:46So go on and beat it.
00:20:47There's a lot I'd rather do than waste my time talkin' to you.
00:20:49Walpole put your name on the prison records to notify in case of illness.
00:20:53So what?
00:20:55He gives you presents.
00:20:57All right.
00:20:58Maybe you're the type.
00:21:00You'd understand.
00:21:02Try me.
00:21:04You said he gave me presents.
00:21:06Oh, sure he did.
00:21:08And I knew where the presents were comin' from,
00:21:09and I didn't wanna stop him or his presents.
00:21:11You know why?
00:21:12Why?
00:21:17Oh, you're a kid livin' in a five-buck hall closet with a straw mattress.
00:21:27And a guy like Joe Walpole looks at you.
00:21:31Oh, you fall hard.
00:21:33You think it'll last forever.
00:21:35Like one of them watches you don't have to whine.
00:21:39Oh, Buster.
00:21:42I sure done a lot of whining.
00:21:47Phone us when you hear from Walpole, will you?
00:21:53Sure.
00:21:54Thanks.
00:21:56For what?
00:21:57Oh, uh...
00:21:58One more question, Miss Anderson.
00:22:02Yeah?
00:22:04Who is Brenda Rallis?
00:22:07I never watch those quiz shows.
00:22:09You don't know her?
00:22:10Nope.
00:22:17The second of Agent Stewart's cases revolved around Vince Angelino,
00:22:26the boy who chose to go to the federal penitentiary
00:22:28rather than reveal the names of the car-stealing gang who hired him.
00:22:40Pizza?
00:22:41Lasagna.
00:22:41Agent Stewart had been trying to get to Angelino through his wife, Julie.
00:22:53Mrs. Angelino?
00:22:54Yes?
00:22:54We're from the FBI.
00:22:55We'd like to talk to you.
00:22:57Come in.
00:23:01I'm Mr. Parker.
00:23:02This is Mrs. Ripley.
00:23:03Hello.
00:23:03How do you do?
00:23:05Won't you come inside?
00:23:06I understand one of our agents talked to you yesterday.
00:23:12Yes, Mr. Stewart did.
00:23:15Why don't you sit down?
00:23:22Mr. Stewart was killed last night.
00:23:24Killed?
00:23:25Not because of my husband.
00:23:28We don't know yet.
00:23:30That's why we'd like to have your help.
00:23:32We'd like to have you recall your conversation with him if you can.
00:23:35He was so, so understanding.
00:23:39I'm so sorry to hear it.
00:23:41Did he have a family?
00:23:45A wife and two kids.
00:23:48Poor woman.
00:23:51I'll tell you just what I told him.
00:23:53My husband didn't steal the car.
00:23:57I think you must have told him a little bit more than that, Mrs. Angelino.
00:24:00I've gone over it again and again, hoping I would find something that would prove he's innocent.
00:24:08That night, when it happened, Vince was nervous, worried.
00:24:16So many bills to pay and out of his job.
00:24:20He thought he would sleep better if he got some fresh air.
00:24:23He walked down to the drugstore.
00:24:25You probably don't care about small things like that.
00:24:30That's the way you're wrong.
00:24:31Any small detail will help us.
00:24:33Well, a little later, Mrs. Stellini knocked on the door.
00:24:37She has a phone.
00:24:39Vince had called her to tell me he met a man at the drugstore.
00:24:43The man had offered him $50 to drive a car to Las Vegas.
00:24:48What man? What was his name?
00:24:49Mr. Stewart asked me that.
00:24:53If Vince had told me anything about the man, what he looked like, or his name, or anything.
00:24:59And I told him no.
00:25:01Vince had never heard of him before he called.
00:25:04When you talked to Mr. Stewart, did he say anything that might lead you to think that he had a clue to the man's identity?
00:25:10No, I don't remember anything.
00:25:16But I keep praying that you find the man.
00:25:19Because when you do, it will prove that Vince was innocent.
00:25:30Dear, I didn't think.
00:25:32The sun must be right in your eyes.
00:25:39Sorry.
00:25:39It was very inconsiderate of me.
00:25:51How long have you been blind, Mrs. Angelino?
00:25:56Since I was 14.
00:26:00Must be kind of difficult here all by yourself.
00:26:03No.
00:26:04It's just this waiting for Vince to come back.
00:26:07Thank you for your cooperation.
00:26:15Uh, do you know a woman by the name of Brenda Rollis?
00:26:20Brenda Rollis?
00:26:21No, I'm sure I don't.
00:26:25Goodbye.
00:26:27Mr. Ripley.
00:26:28Yes?
00:26:28Please be careful.
00:26:29Well, if somebody killed Mr. Stewart because he came here and talked to me, then you could be in danger.
00:26:35Well, thank you very much, Mrs. Angelino.
00:26:40I'll be careful.
00:26:42Goodbye.
00:26:42All right.
00:26:50Agent Stewart's third case dealt with the target of an extortionist.
00:26:55Mrs. Martell.
00:26:56Are you Mr. Ripley?
00:26:58Yeah, that's right.
00:26:59I was stunned when I heard about Mr. Stewart's death.
00:27:03You don't believe it had anything to do with...
00:27:05Oh, we don't know yet.
00:27:06I hope the fish and chips are as good as they used to be.
00:27:09I'll go on and enjoy your lunch, will you?
00:27:12That list you gave Mr. Stewart.
00:27:15Are you sure he didn't leave anybody off of it?
00:27:18No, I don't believe so.
00:27:20What's the matter?
00:27:21Somebody coming?
00:27:22Yes, he'll probably want to join us.
00:27:23All right.
00:27:24Relax now.
00:27:24Just take it easy.
00:27:30Kate.
00:27:31Well, well.
00:27:31Small World Department.
00:27:33Hello, Dave.
00:27:34Oh, I'm sorry.
00:27:34I didn't mean to butt in.
00:27:35Oh, that's all right.
00:27:36My name is Ripley.
00:27:37Milson.
00:27:38Dave Milson.
00:27:39I was just talking over my new fall line with Mrs. Martell here.
00:27:41You can join us.
00:27:42That is, if you're not a competitor.
00:27:44Me?
00:27:46I can't tell a hem from a gusset.
00:27:48Whatever a gusset is.
00:27:49Dave's a friend of the family.
00:27:51Yep.
00:27:52Good old Dave.
00:27:52Friend of the family.
00:27:53That's me.
00:27:55Well, I won't horn in.
00:27:56I hope you make a sale, Mr. Ripley.
00:27:58Thanks very much.
00:27:59So long, Kate.
00:28:00So long, Dave.
00:28:04Dave Milson.
00:28:06Real estate broker.
00:28:07Bachelor.
00:28:07Friend of your husband.
00:28:08I must have memorized the list.
00:28:11By the way,
00:28:11you know a girl by the name of Brenda Rallis.
00:28:16Brenda Rallis?
00:28:19No, I don't believe you.
00:28:21No.
00:28:22Oh, I didn't.
00:28:23I tell you, I didn't.
00:28:24Look, I'll meet you in half an hour.
00:28:26Three cases, one murder.
00:28:46And Agent Ripley had yet to link Brenda Rallis to one of these cases, which were within his jurisdiction.
00:28:52Therefore, the girl, the principal lead to the murder of Agent Stewart, was still under the surveillance of the police department.
00:28:58This is the latest in two-way stretches.
00:29:22This is the latest in two-way stretches.
00:29:28I'd like to try it on.
00:29:30Shirley, the dressing rooms are right over there.
00:29:32Yes, I know.
00:29:39May I help you, sir?
00:29:41Yeah.
00:29:43Give me one of those.
00:29:44What size does your wife wear?
00:29:46It's not for my wife.
00:29:47Oh?
00:29:49Say, is there another exit to that dressing room over there?
00:29:52Yes, there's a back stairway.
00:30:04It's a great place to lose her in the girdle department.
00:30:07You didn't stop to try one on, did you?
00:30:08You could use one.
00:30:10Look, Jake, I lost her in the dressing room.
00:30:13Suddenly it gets modest.
00:30:16I'll talk to you later.
00:30:17Yes, sir.
00:30:20Sorry, Rip.
00:30:21Grant's really a good man.
00:30:22They're great.
00:30:24Get me Harrison.
00:30:25If you need any more men, I...
00:30:26It's all right.
00:30:27Harry, how many men you got out on Rawless?
00:30:30Six cards.
00:30:30That's not enough.
00:30:31What are you saving up for, an earthquake?
00:30:33Look, I want the old points, hot and heavy.
00:30:35Now get on it.
00:30:35I'm coming.
00:30:49I'm coming.
00:30:49I'm coming.
00:30:49Just a minute.
00:30:51I'll take that, Mrs. Steele.
00:30:53Hello?
00:30:53Mommy!
00:30:54I'll take that, Mrs. Steele.
00:30:55Mommy!
00:30:55Who?
00:30:57Wrong number.
00:30:58Mommy!
00:31:00Yes, baby.
00:31:02Look.
00:31:04Well, what is it?
00:31:05It's a picture of you.
00:31:07Oh, well, it looks just like me.
00:31:09But it isn't finished yet.
00:31:11Oh, so it isn't.
00:31:12I'll tell you what.
00:31:13You finish it while Mommy gets ready for dinner, huh?
00:31:15Let's go.
00:31:38Uncle Max, I asked you to knock.
00:31:41I think I was a stranger instead of a member of the family.
00:31:44What is it now?
00:31:45That old hag you call a housekeeper.
00:31:47What about her?
00:31:48You should get rid of her, Catherine.
00:31:50You know, me and Vicki were doing all right before...
00:31:51Vicki's a little girl.
00:31:52She needs a woman's attention.
00:31:54The way she bosses the house when you're not around.
00:31:56Treat me like an outsider...
00:31:57Look, Uncle Max, I work hard all day long.
00:31:59I need Mrs. Downs.
00:32:01Wasting Bill's insurance money that way.
00:32:04But at least I'm not wasting it on horses.
00:32:07Does that bother you?
00:32:09Never seemed to bother Bill.
00:32:14You needn't set a place for me tonight.
00:32:16I know when I'm not welcome.
00:32:22Mrs. Downs?
00:32:23Mrs. Downs?
00:32:29If Uncle Max ever wants to take Vicki somewhere...
00:32:31when I'm not at home...
00:32:33any place...
00:32:34she's not to go.
00:32:37You understand?
00:32:39I understand.
00:32:41And so the little princess lived happily ever after.
00:32:46Now you go to sleep and I'll see you tomorrow morning at breakfast.
00:32:49All right?
00:32:50Night.
00:33:03Who is it?
00:33:04Good morning.
00:33:09Am I early?
00:33:10Well, you'd better hurry up and get dressed.
00:33:12Honey, anything goes tonight.
00:33:13You name it.
00:33:14The Coconut Grove, the show, the Palladium, Ocean Park...
00:33:17We'll stay right here.
00:33:19Make popcorn and hold hands.
00:33:21I'm sorry, Dave.
00:33:22I completely forgot about our date.
00:33:24Oh?
00:33:25It's been one of those days I feel kind of low.
00:33:28Well, all the more reason I should stick around and cheer you up.
00:33:31Well, Dave, I...
00:33:32I just wouldn't be good company.
00:33:34Now, you don't have to do a thing.
00:33:36I'll pop the corn, show you my best card trick.
00:33:39Can I take a rain check?
00:33:40I'm a great little cheer-upper.
00:33:42Please, Dave.
00:33:43Okay.
00:33:45But before I go, let me tell you the news.
00:33:49I sold a house in Brentwood.
00:33:51Biggest deal so far.
00:33:52That's fine, Dave.
00:33:53That's just fine.
00:33:54Well, aren't you going to congratulate me?
00:34:06I'd rather you fought me off, Katie.
00:34:11Anything but you just standing there.
00:34:15That's all right.
00:34:16Mrs. Downs will clean it up.
00:34:19You're really sore, aren't you?
00:34:21Let's say I won't be if you go now.
00:34:26And let's say I just had one too many.
00:34:29Let's say that.
00:34:30And all is forgiven.
00:34:34Nice going, Kate.
00:34:43You break the date.
00:34:44I have to be the one who's forgiven.
00:34:49She will.
00:34:52Okay.
00:34:53Good evening, Kate.
00:34:54Oh, hello, Alex.
00:34:55Come in.
00:34:59Anything wrong?
00:35:00No.
00:35:01You just surprised me.
00:35:03That's all.
00:35:04Martha told me to return the sugar she borrowed.
00:35:06Oh, thanks.
00:35:08But she didn't have bothered you.
00:35:10There is something wrong, isn't there?
00:35:12I had another argument with Uncle Max.
00:35:14I know, Kate.
00:35:16Realize he's an old man.
00:35:18He did help us get started, bought us furniture.
00:35:20Has he ever let you forget it?
00:35:22If only he'd stopped complaining.
00:35:24He's got his health, makes enough money to lose on the horses.
00:35:27Let him find some other place to live.
00:35:29I don't know. I suppose you're right.
00:35:32See?
00:35:33I'm the kind of man who can work out everybody's problems except his own.
00:35:37Well, I'd better get back.
00:35:39Martha's got one of her crying spells again.
00:35:42Only worse.
00:35:44Keeps telling me to ask for a raise.
00:35:47A raise.
00:35:48A lot she knows.
00:35:50A bookkeeper my age can only ask for so much.
00:35:52That's true, Alex.
00:35:54You'll be seeing it, Kate.
00:35:57Oh, by the way,
00:35:58I know a good stock.
00:36:01Oh, thanks, Alex, but
00:36:02I think I'll keep the money in the bank.
00:36:05That's the safest thing.
00:36:06Good night, Kate.
00:36:08Good night, Alex.
00:36:09This is everything she owns, Jake.
00:36:36Didn't find a photograph, a letter, nothing.
00:36:38She played it solo.
00:36:40Sid, we're all finished with you, Mr. Wicker.
00:36:42Oh, I thought I'd wait around for the reporters and the photographers.
00:36:44They may want to take my picture.
00:36:45Chronicles down the street, two blocks.
00:36:48That was an awful shock, you know, finding her body.
00:36:50I'm not a well man.
00:36:52I fell off a roof once,
00:36:53and all my insides got shoved up two inches.
00:36:55My stomach's up against my liver.
00:36:57My liver's up against my gallbladder,
00:36:58and my gallbladder's between my stomach and my lungs.
00:37:00Besides which, I've got a bad heart.
00:37:03Yeah.
00:37:04You think they'd want to take my picture?
00:37:05After all, a sick man like me finding that girl, huh?
00:37:08I'd certainly think so.
00:37:10Thanks, George.
00:37:11You want to see my x-rays?
00:37:12Doctor says he doesn't know why I'm alive.
00:37:15Yeah.
00:37:17That was ballistics.
00:37:18Bullet they took from Brenda Rawless was fired from a .357 Magnum,
00:37:21the same gun that killed Zack.
00:37:24Three cases, two murders.
00:37:28And the only known killer connected to those cases was Joe Walvo.
00:37:33Miss Anderson was placed under an around-the-clock surveillance.
00:37:37And even in the seclusion of her own apartment,
00:37:39when her actions could only be surmised,
00:37:42every move she made was of possible significance.
00:37:51The waste paper from Miss Anderson's apartment was segregated and picked up daily.
00:38:04The FBI wanted that piece of gift wrapping.
00:38:08It was forwarded to Washington.
00:38:12Skilled technicians took it in charge.
00:38:14They unearthed a single fingerprint, Joe Walvo's.
00:38:19Another clue was hidden in the watermark.
00:38:21The FBI has 17,000 watermarks on file.
00:38:25Each one is the signature of the manufacturer.
00:38:28The gift wrapping bore the imprint of the North Coe Paper Company,
00:38:32a small plant devoted exclusively to gift wrappings.
00:38:37At the North Coe plant, an agent questioned the superintendent.
00:38:41This paper was rolled sometime between September 1st and 12th.
00:38:45How can you tell?
00:38:46From a watermark.
00:38:47Can you tell me where you sold this particular roll?
00:38:50Sure thing.
00:38:50Excuse me.
00:38:51The search for Joe Walvo by scientific analysis
00:38:55was but one method being employed by the FBI.
00:38:59At the same time, Agents Ripley and Barter
00:39:01undertook to reach the fugitive through another method.
00:39:04Their precise understanding of human emotions
00:39:07and weaknesses.
00:39:08Well, it isn't Buster again.
00:39:27I was beginning to feel neglected.
00:39:30I'm a lone rover boy.
00:39:32Now, if only you were.
00:39:33Now, if only you were.
00:39:35Have a drink.
00:39:36No, thanks.
00:39:38Make yourself comfortable.
00:39:40Look, let's save time.
00:39:44I don't know any more about Joe Walvo than I did before.
00:39:48We didn't say you did.
00:39:51As a matter of fact, we owe you an apology.
00:39:54Come again?
00:39:55You see, we were going along on a theory
00:39:57that you're still Walvo's girlfriend.
00:39:59We were wrong.
00:40:01A couple of things had us fooled.
00:40:03One, you never went out with other men in this town.
00:40:06Well, who told you that?
00:40:07We figured you were afraid Walvo would find out about it.
00:40:09I go out.
00:40:12I go out plenty.
00:40:13He still sends you presents.
00:40:15Why not?
00:40:17Joe doesn't forget an old friend.
00:40:19An old friend?
00:40:21No.
00:40:24Well, that's right.
00:40:25He doesn't.
00:40:31What do you think you're doing?
00:40:33You know, it's funny how a man's taste changes with time.
00:40:39This was a girl who was questioned in Denver a couple of days ago.
00:40:44What am I supposed to do, break out in a rash?
00:40:47No.
00:40:48I just thought maybe you were still interested in Joe's activities.
00:40:56That's all right.
00:40:57Here, take a look.
00:41:00She's Cafe Society.
00:41:03That's funny.
00:41:05I always thought Joe liked blondes.
00:41:06You can paste her in your wall.
00:41:10She's not my type.
00:41:13Oh.
00:41:18Would you like to hear something very interesting?
00:41:28This is an official transcription of an interview with Miss Barbara Carmichael,
00:41:32recorded in the Federal Building in Denver, Colorado.
00:41:35Do you mind?
00:41:37Anything for a laugh.
00:41:39Thank you for coming here voluntarily, Miss Carmichael.
00:41:42We appreciate it.
00:41:43Not at all.
00:41:45State your full name and address, please.
00:41:47Barbara Carmichael.
00:41:48112 Westview Drive.
00:41:50Do you live alone at that address?
00:41:53Yes, ever since college.
00:41:55I show you a photograph of Joe Walpole, Miss Carmichael.
00:41:58Can you identify him?
00:41:59Of course.
00:42:01Only I knew him under the name of Joe Allen.
00:42:03Since then, I've discovered who he really was.
00:42:06How did you come to meet him?
00:42:08Oh, at one nightclub or another.
00:42:09We became very good friends.
00:42:11For how long?
00:42:12Two or three months.
00:42:14During that time, he was your house guest?
00:42:18You might call it that.
00:42:19Turn that thing off.
00:42:20Miss Carmichael, I should...
00:42:21You heard me, turn it off.
00:42:22I should have a ticket bill for a topaz necklace.
00:42:23Dirty creeps.
00:42:24I wish you were both dead.
00:42:26Turn it off.
00:42:28When did you last see him, Miss Carmichael?
00:42:31Yeah, Connie.
00:42:34When was the last time you saw Walpole?
00:42:37When was the last time you saw any man?
00:42:40Get out.
00:42:41You lousy crumbs.
00:42:43Get out of here!
00:42:47Get out.
00:42:48Get out.
00:42:53Let's go.
00:42:55Come on, Maureen.
00:43:25This is Perry. Report to Ripley. We're following subject on freeway, heading towards Civic Center.
00:43:55This is Perry.
00:44:00This is Perry.
00:44:05This is Perry.
00:44:11This is Perry.
00:44:21This is Perry.
00:44:27This is Perry.
00:44:39This is Perry.
00:44:43This is Perry.
00:45:03Good-bye.
00:45:13This is Perry.
00:45:23This is Perry.
00:45:29This is Perry.
00:45:33Yes, yes, it's very well made.
00:45:50Let me demonstrate in a crowd.
00:45:52Any ordinary crowd will do.
00:45:54Sorry, I didn't know you were busy.
00:45:55Oh, I'm glad you're here.
00:45:56Mr. Hogarth, meet Agent Barker.
00:45:57An honor and a privilege, Mr. Barker.
00:45:58Yes, Mr. Hogarth invented this, this, well, this. Works on the same principle as a Geiger counter, only it finds spies.
00:46:05And when it does, this light, this one right here, lights up.
00:46:08Yes, yes.
00:46:09Even people I never suspected.
00:46:10My wife's mother.
00:46:11My next door neighbor.
00:46:13The man who came to see me about my taxes.
00:46:15I got a light on all of them.
00:46:18Income tax man.
00:46:19That's very interesting.
00:46:21Ripley speaking.
00:46:22I think it's working, Rip.
00:46:23We tailed her to the subway terminal where she just boarded the number three interurban.
00:46:27Fine, we'll pick you up en route.
00:46:29Mr. Hogarth, I'm sorry, we're going to have to run.
00:46:31Now, you take that to the patent office.
00:46:32They'll give you all the information you need.
00:46:33I think it's wonderful.
00:46:34I wish we had one.
00:46:52We're following north on Glendale, now passing over.
00:47:05Move the gift at Court Street.
00:47:07You drop off there.
00:47:22End of the line.
00:47:24An isolated path in the outermost suburbs.
00:47:27The sprawling city.
00:47:52Joe.
00:47:53Come.
00:47:54Come.
00:47:55Come.
00:47:56Come.
00:47:57Come.
00:47:58Come.
00:47:59Come.
00:48:00Come.
00:48:01Come.
00:48:02Come.
00:48:03Come.
00:48:04Come.
00:48:05Come.
00:48:06Come.
00:48:07Come.
00:48:08Come.
00:48:09Come.
00:48:10Come.
00:48:11Come.
00:48:12Come.
00:48:13Come.
00:48:14Come.
00:48:15Come.
00:48:16Come.
00:48:17Come.
00:48:18Come.
00:48:19Come.
00:48:20Come.
00:48:21Come.
00:48:22It's Connie, Joe.
00:48:43What are you doing here?
00:48:44I had to see you, Joe.
00:48:47I told you I'd let you know when you were supposed to come.
00:48:52Nobody followed me here, I'm sure of it.
00:49:02I couldn't wait any longer.
00:49:05Aren't you glad to see me?
00:49:08I'll let you know.
00:49:22I'll let you know.
00:49:23I'll let you know.
00:49:24I'll let you know.
00:49:25I'll let you know.
00:49:28Joe.
00:49:29Remember me?
00:49:30Connie?
00:49:31That was a dumb trick coming here.
00:49:32I know.
00:49:34But it's been a long time, Joe.
00:49:38It's been a long time, Joe.
00:49:42Remember me, Connie?
00:49:47That was a dumb trick coming here.
00:49:49I know.
00:49:51But it's been a long time, Joe.
00:50:11What's that?
00:50:41Let's go! Let's go!
00:50:45Let's go!
00:50:47That's the eye, Walvo. Come on with your hands up.
00:50:51Let's go!
00:50:55Let's go!
00:50:57Let's go!
00:50:59That's the eye, Walvo. Come on with your hands up.
00:51:11Let's go!
00:51:32Oh, Joe!
00:51:41Joe Walvo's file was closed.
00:51:44Its ugly record listed a score of known crimes.
00:51:47But the FBI proved that on the night of Agent Stewart's murder, Walvo was in Las Vegas.
00:51:51This narrowed the search for his killer down to the cases involving Vince Angelino and Kate Martel.
00:51:56And Kate Martel.
00:51:58Oh, what was the call?
00:52:00Closed on?
00:52:03As the night of the night of the night of the murder of the police, Walvo was in Las Vegas.
00:52:06This narrowed the search for his killer down to the cases involving Vince Angelino and Kate Martel.
00:52:26Hello.
00:52:33Hello, Mrs. Martell.
00:52:36Been waiting to hear from me?
00:52:38What do you want me to do?
00:52:40Okay.
00:52:42Get the money and small bills.
00:52:45Nothing bigger than 20.
00:52:47Take it to the Hillview Cemetery.
00:52:50Cemetery?
00:52:51Arrive there at exactly 12 o'clock.
00:52:54Park 100 yards from the entrance.
00:52:58I'll be watching you.
00:52:59Yes.
00:53:01Then go in the cemetery and take the path to the right.
00:53:05It leads to the Williams Mausolean.
00:53:08Wait there five minutes, then return to your car.
00:53:13Where do you want me to put the money?
00:53:15I'll contact you.
00:53:16And listen.
00:53:18Bring your kid.
00:53:20Oh, no.
00:53:21And leave her in the car while you're waiting at the Mausolean.
00:53:25I couldn't do that.
00:53:28Nothing will happen to her if you play ball.
00:53:32You're not afraid of cemeteries, are you?
00:53:35You will be if you call the police.
00:53:39No mother can be expected to do what he asks.
00:53:56Leave a child alone in a car at midnight.
00:53:59I can't do it.
00:54:00No mother could.
00:54:04Tell me something.
00:54:05What?
00:54:08Do they make these things up for children's clothes, too?
00:54:11Yes.
00:54:13Why don't you borrow one from the store?
00:54:15Wrap it in a blanket.
00:54:16It's going to be dark.
00:54:17You might be watching the apartment when I leave.
00:54:20It's a possibility.
00:54:22But if you're carrying something in a blanket at night...
00:54:26I'm afraid I'm going to crack up tonight, Mr. Ripley.
00:54:30I'll bet you another lunch you don't.
00:54:31I'll bet you another lunch.
00:55:01Don't answer it.
00:55:09Hello?
00:55:11Hello?
00:55:25Hello?
00:55:31I'm busy, honey.
00:55:33Oh, it's all right.
00:55:35Now, remember what I told you.
00:55:36Don't answer the phone and don't open the door for anyone.
00:55:38No, I won't.
00:55:39But what about the old man?
00:55:40He has a key.
00:55:42Well, I'll be home long before Uncle Max.
00:55:44Oh, well, that's fine, honey.
00:55:45You run along and have yourself a good time.
00:55:47You can depend on...
00:55:48Well, what on earth?
00:55:50Well, I'll explain later.
00:55:51Be an angel and don't ask questions.
00:55:53And be sure and bolt the door after me.
00:56:01Well, Kate.
00:56:06Where are you going at this time of night?
00:56:08I'll be right back.
00:56:09Can I be of help?
00:56:10No, thanks.
00:56:11I can manage.
00:56:31I can't wait.
00:56:32I can't wait.
00:56:33Look at that.
00:56:34I need taking a second time.
00:56:36All right,æ»
00:56:38will be careful with you right now.
00:56:39But the extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra extra��
00:56:48THE END
00:57:18THE END
00:57:48THE END
00:58:18THE END
00:58:48THE END
00:58:50THE END
00:58:54THE END
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01:00:58THE END
01:01:00IT'S ALL RIGHT
01:01:01MRS. MARTEL
01:01:02HE NEVER SHOWED UP
01:01:06HE NEVER SHOWED UP
01:01:08HE NEVER SHOWED UP
01:01:10HE NEVER SHOWED UP
01:01:12HE NEVER SHOWED UP
01:01:14HE DIDN'T INTEND TO
01:01:16THAT'S THE EXTORTIONIST PANDER
01:01:18TO TERRORIZE YOU
01:01:20COME ON
01:01:22COME ON
01:01:24I'LL DRIVE YOU HOME
01:01:50THE END
01:02:04MRS. ANGELINO
01:02:06YES?
01:02:07I'VE GOT A MESSAGE FOR YOU
01:02:08I'M A FRIEND OF YOUR HUSBAND'S
01:02:10A FRIEND OF VENT'S
01:02:12PLEASE COME IN
01:02:17COME IN
01:02:18WHAT DID YOU HEAR FROM VENT?
01:02:20HE'S FINE
01:02:22HE WROTE ME YESTERDAY
01:02:24YOU HAVE A MESSAGE FOR ME?
01:02:26CAN I SEE THE LETTER?
01:02:28MRS. STILLINI HAS IT
01:02:29I GET IT
01:02:30NEVER MIND
01:02:31JUST TELL ME WHAT WAS IN IT
01:02:32THE USUAL
01:02:34HE'S FEELING FINE
01:02:36HE UPS IN THE LIBRARY
01:02:38WHAT ELSE DID HE SAY?
01:02:40YOU SAID YOU HAD A MESSAGE FOR ME
01:02:42WHO ARE YOU?
01:02:44WHAT DO YOU WANT?
01:02:46WHY DID YOU LIKE THE DOOR?
01:02:48LETTERS YOU WRITE AND VENT'S
01:02:50THEY'RE NO GOOD FOR IT
01:02:51THEY MAY START HIM THINKING
01:02:52HE MAY THINK TOO MUCH
01:02:53AND IF HE DOES
01:02:54I'LL SHOVE A KNIFE IN HIS BACK
01:02:56HELP ME UP
01:03:08WILL YOU PLEASE
01:03:10I FEEL
01:03:11WHAT ARE YOU DOING?
01:03:12I'M SORRY I CAN'T SEE
01:03:16DON'T YOU SAY A WORD
01:03:17JULIE ARE YOU HOME?
01:03:27ABOUT THOSE LETTERS
01:03:28I DON'T LIKE WHAT YOU PUT IN THEM
01:03:30I WRITE WHAT I WANT
01:03:31I DON'T GO FOR THIS BLIND STUFF
01:03:32TO ME YOU'RE JUST ANOTHER BROADNER
01:03:34YOU'RE GONNA DO WHAT I TELL YOU
01:03:35NO!
01:03:42I WANT YOU!
01:03:45ALL RIGHT
01:03:49YOU QUIT FILLING VENTS
01:03:51WITH ALL THAT RUBBISH
01:03:52THE NEXT TIME
01:03:53I REALLY WORK YOU OVER
01:04:08DO YOU THINK THAT YOU
01:04:09COULD POSSIBLY DESCRIBE HIM
01:04:10TO US IN SOME WAY?
01:04:11HE WAS TALL ABOUT 6'2
01:04:13AND WEIGHED AROUND 195
01:04:16HOW DO YOU KNOW THAT?
01:04:18UH
01:04:19I COULD TELL HIS HEIGHT
01:04:21BY WHERE HIS VOICE CAME FROM
01:04:23WHEN I STOOD CLOSE TO HIM
01:04:25AND THAT BOARD IN FRONT OF MY DOOR
01:04:28SQUEEKS AT 160
01:04:30AND GETS LOUDER
01:04:31180
01:04:41HIS SCALES ARE OFF 4 POUNDS
01:04:43DO YOU THINK YOU COULD GUESS HIS EDGE?
01:04:46OH ABOUT 35
01:04:48OH ANYTHING ELSE?
01:04:50YES
01:04:51HE HAD A DEEP SCAR ON HIS RIGHT CHEEK
01:04:53AND UH
01:04:54HIS AIR WAS GREASY AND CUT VERY SHORT
01:04:57HE WAS WEARING A TWEET SPORT COAT
01:04:59THAT MUST HAVE COST A LOT
01:05:01I SMELT IT
01:05:03AND I FELT IT TOO
01:05:05AND ANOTHER THING
01:05:08I THINK HE'S A FIGHTER
01:05:10WHY DO YOU SAY THAT?
01:05:11HIS LEFT YEAR WAS
01:05:14UH
01:05:15UH
01:05:16YOU KNOW
01:05:17OH CALIFLOWER
01:05:18YES
01:05:19WELL THAT SHOULD DO US THANK YOU
01:05:20MRS ANGELINO
01:05:21WE OUGHT TO FIND A PLACE FOR YOU
01:05:22IN OUR OFFICE
01:05:23YOU'RE GOING TO STAY WITH MRS TILLINI
01:05:24TONIGHT AREN'T YOU
01:05:25WELL IF YOU SAY SO
01:05:26BUT DON'T BE AFRAID
01:05:28I'M NOT
01:05:29GOODBYE
01:05:37HE'S ABOUT 35
01:05:386'2
01:05:39WEIGHS AROUND 195 POUNDS
01:05:41GOT A BUTCH HAIRCUT
01:05:42SCAR ON HIS RIGHT CHEEK
01:05:43AND HIS LEFT EAR IS CALIFLOWER
01:05:45HE WOULD BE IN YOUR RACKET
01:05:47I DON'T KNOW
01:05:48I DON'T KNOW HIM EITHER
01:05:50I GO IN FOR FANCY CLOTHES
01:05:52SOMETIMES WEARS A TWEED SPORT COAT
01:05:53OH YEAH
01:05:54HE CUTS HIS HAIR SHORT
01:05:55SORRY CHAMP
01:05:57DOESN'T RING A BELL
01:06:02HE WEIGHS ABOUT 195 POUNDS
01:06:04STANDS 6'2
01:06:05HE'S GOT A SCAR ON HIS RIGHT CHEEK
01:06:07AND A CALIFLOWERED LEFT EAR
01:06:08YEAH
01:06:09I KNOW THE GUY
01:06:10USED TO FIGHT POLIMS A COUPLE OF YEARS AGO
01:06:12WOULDN'T TRAIN SO I DROPPED HIM
01:06:14WHAT'S HIS NAME?
01:06:15YOU OFFERING A REWARD?
01:06:17UH
01:06:18TOO BAD
01:06:19NOTHING LIKE A REWARD
01:06:20TO ENCOURAGE GOOD CITIZENSHIP
01:06:22THANKS FOR THE LESSON IN CIVICS
01:06:23WHAT'S HIS NAME?
01:06:24JUST KIDDING
01:06:33HIS NAME'S MATTY PAVLICH
01:06:35USED TO LIVE AT 1701 PATHERS STREET
01:06:37APARTMENT 3
01:06:38THANKS
01:06:46LOOK I KNOW MY RIGHTS
01:06:47YOU CAN'T GO PICKING UP A GUY
01:06:48FOR NO REASON
01:06:50YOU DIDN'T PAY ANGELINO
01:06:51$50 TO DRIVE A CAR
01:06:52A CAR THAT WAS STOLEN
01:06:53I GO FRYING
01:06:54I TOLD YOU NO
01:06:55WHAT IS THIS A FRAME?
01:06:56WHO'S THIS ANGELINO GUY?
01:06:57WHAT WOULD I BE DOING WITH STOLEN CARS?
01:06:59MY NOSE IS CLEAN
01:07:03KEEP ME HERE MUCH LONGER
01:07:04AND A LAWYER WILL SLAP A SWEET LAWSUIT AGAINST YOU GUYS FOR FALSE ARREST
01:07:08WE HAVEN'T ARRESTED YOU MR. PAVLICH
01:07:10WE JUST WANTED TO ASK YOU SOME QUESTIONS
01:07:12OKAY OKAY
01:07:13SO YOU QUESTION ME
01:07:14I DON'T KNOW NOTHING FROM NOTHING
01:07:15NOTHING
01:07:24YOU KNOW WHY YOU'VE BEEN BROUGHT HERE MR. ANGELINO?
01:07:28NO
01:07:29SPEAK UP SON
01:07:30YOU HAVE NOTHING TO BE AFRAID OF
01:07:32WANT YOU TO TAKE A GOOD LOOK AT THAT FELLOW RIGHT OVER THERE
01:07:34AND TELL US WHO HE IS
01:07:35GO ON WALK RIGHT UP TO HIM
01:07:37DON'T BE AFRAID
01:07:42I NEVER SAW HIM IN MY LIFE
01:07:44I NEVER SAW HIM IN MY LIFE
01:07:45I NEVER SAW HIM
01:07:46I NEVER SAW HIM IN MY LIFE
01:07:53OKAY
01:07:54YOU GUYS SATISFIED?
01:07:56YOUR FRAME DIDN'T WORK NOW LET ME OUT OF HERE
01:07:58THE KID DON'T KNOW ME AND I DON'T KNOW HIM
01:08:02HE PAID YOU TO DRIVE A STOLEN CAR
01:08:04AND HE'S A MEMBER OF A GANG
01:08:05WHO'S BEEN HUSTLING HOT CARS ACROSS THE STATE LINE
01:08:06ONLY YOU DIDN'T KNOW IT
01:08:07ISN'T THAT THE TRUTH?
01:08:08NO I NEVER SAW HIM BEFORE
01:08:09OKAY I NEVER SAW HIM BEFORE
01:08:11OKAY I NEVER SAW HIM BEFORE
01:08:13OKAY I NEVER SAW HIM BEFORE
01:08:15OKAY I TAKE HIM BACK
01:08:16COME ON
01:08:17COME ON
01:08:18OKAY YOU'VE GOT NOTHING ON ME
01:08:19CAN I GO?
01:08:20NO THE LA POLICE WANT TO TALK TO YOU ABOUT
01:08:21THAT GAL YOU BEAT UP THE OTHER NIGHT
01:08:22YOU'RE CRAZY WHAT GAL?
01:08:23TURNED OUT TO BE PRETTY SERIOUS PABLY
01:08:24TURNED OUT TO BE PRETTY SERIOUS PABLY
01:08:25THE KID DON'T KNOW ME AND I DON'T KNOW HIM
01:08:26THE KID DON'T KNOW ME AND I DON'T KNOW HIM
01:08:27HE PAID YOU TO DRIVE A STOLEN CAR
01:08:28AND HE'S A MEMBER OF A GANG
01:08:29WHO'S BEEN HUSTLING HUSTLING HOT CARS ACROSS THE STATE LINE
01:08:30ONLY YOU DIDN'T KNOW IT
01:08:31ISN'T THAT THE TRUTH?
01:08:32NO I NEVER SAW HIM BEFORE
01:08:33OKAY I TAKE HIM BACK
01:08:34COME ON
01:08:35OKAY YOU'VE GOT NOTHING ON ME
01:08:40CAN I GO?
01:08:41NO THE LA POLICE WANT TO TALK TO YOU ABOUT
01:08:42THAT GAL YOU BEAT UP THE OTHER NIGHT
01:08:44YOU'RE CRAZY WHAT GAL?
01:08:46TURNED OUT TO BE PRETTY SERIOUS PABLYCH
01:08:47MEDICAL REPORTS SHOWED TWO FRACTURED RIBS
01:08:49A POSSIBLE RUPTURED SPLEEN
01:08:50AND MULTIPLE BRUISES ON THE FACE
01:08:52CHECK COPPLE DOESN'T LIKE A SALT AND BATTERY
01:08:54YOU'RE IN A REAL JAM PABLYCH
01:08:56SHE IDENTIFIED YOU
01:08:57WERE YOU CRAZY?
01:08:58SHE COULDN'T
01:08:59BLIND
01:09:02WHAT?
01:09:05YEAH SHE'S BLIND
01:09:08WHAT DID YOU DO TO MY WIFE?
01:09:10WHAT DID YOU DO TO MY WIFE?
01:09:12AH!
01:09:13I'LL KILL HIM!
01:09:14I'LL KILL HIM!
01:09:15I'LL KILL HIM!
01:09:16ALL RIGHT
01:09:17I'LL KILL HIM!
01:09:18I'LL KILL HIM!
01:09:19ALL RIGHT
01:09:20ALL RIGHT TAKE IT EASY!
01:09:21ANGELINO
01:09:23DO YOU WANT TO MAKE A STATEMENT?
01:09:26YOU BET I DO
01:09:28YOU BET I DO
01:09:30ALL RIGHT
01:09:31ALL RIGHT GREG
01:09:32TAKE HIM OUT OF HERE
01:09:33COME ON
01:09:34THAT KID DON'T KNOW WHAT HE'S TALKING ABOUT
01:09:43I'M ADMITTING NOTHING
01:09:44THIS IS A FRAME-UP
01:09:45YOU GUYS DON'T SCARE ME
01:09:46LET'S GET BACK TO YOU PABLYCH
01:09:48WHAT ABOUT THURSDAY NIGHT?
01:09:50THURSDAY NIGHT?
01:09:52WHAT DO YOU MEAN THURSDAY NIGHT?
01:09:54LOOK YOU GUYS DON'T SCARE ME
01:09:55WHERE WERE YOU THURSDAY NIGHT?
01:09:57THURSDAY NIGHT AGAIN
01:09:59I DON'T KNOW WHAT YOU'RE TALKING ABOUT
01:10:00WE'RE TALKING ABOUT YOU
01:10:01ONE OF OUR MEN WAS KILLED THURSDAY NIGHT
01:10:03WHERE WERE YOU THURSDAY?
01:10:05OH
01:10:06I DIDN'T KILL NO FIT
01:10:07I WASN'T EVEN IN CALIFORNIA ON THURSDAY
01:10:09I WAS IN ARIZONA SHOVING HOT CARS
01:10:11I SWEAR I WAS
01:10:13I WAS IN ARIZONA ON A JOB
01:10:15I GOT FIVE WITNESSES TO PROVE IT
01:10:17SIT OUT
01:10:27HEY
01:10:29DO I HAVE TO GO BACK?
01:10:31WE'LL TALK ABOUT THAT
01:10:32AFTER YOU'VE MADE YOUR STATEMENT
01:10:33IN THERE
01:10:34IN THERE
01:10:54TRUDY
01:11:04I WIRE WASHINGTON RIGHT AWAY
01:11:16AND MANY THANKS
01:11:17PHOENIX POLICE CONFIRMED PAVLICH'S STORY
01:11:21THEY JUST PICKED UP THREE OF THE GANG
01:11:22CONGRATULATIONS RIP
01:11:23THANKS
01:11:24THE PRESENCE OF PAVLICH IN PHOENIX ARIZONA
01:11:27ON THE NIGHT OF AGENT STUART'S KILLING
01:11:29WAS DEFINITELY CONFIRMED
01:11:30THAT LEFT ONE OPEN FILE
01:11:33THE MARTELL CASE
01:11:35AGENT STUART'S KILLER AND THE EXTORTIONIST
01:11:38HAD TO BE ONE AND THE SAME PERSON
01:11:40INTENSIFYING HIS EFFORTS
01:11:42AGENT RIPLEY REVIEWED ALL INFORMATION
01:11:45THESE ARE THE PEOPLE CONNECTED WITH
01:11:47MRS MARTELL'S DAILY LIFE SCENE
01:11:48LEAVING HER APARTMENT
01:11:49FIRST ONE
01:11:54MAX CHARLES MARTELL
01:11:57HER LATE HUSBAND'S UNCLE
01:11:58WORKS AS A NIGHT WATCHMAN
01:12:01IN 1937 HE WAS ACQUITTED OF A BUNCO CHARGE
01:12:041938 HE WAS IN TRIED AND ACQUITTED
01:12:06OF ATTEMPTING TO DEFRAWD MRS. BELLA BLOCK
01:12:08HABITS IRREGULAR
01:12:12ALEX SHIRK
01:12:14BOOK KEEPER NEIGHBOR OF THE VICTIM
01:12:16EARNS $86 A WEEK
01:12:18HIS ONLY TANGIBLE ASS IS CAR AND FURNITURE
01:12:22MERCHANTS CREDIT ASSOCIATION CONSIDES HIM A GOOD RISK
01:12:25HABITS IRREGULAR
01:12:28DAVE MILSEN
01:12:32REAL ESTATE BROKER
01:12:34FRIEND OF THE VICTIM AND HER LATE HUSBAND
01:12:36DRESSES EXPENSIVELY AND LIVES BEYOND HIS MEANS
01:12:39HAS BEEN SEEN IN THE COMPANY OF WOMEN
01:12:41WITH KNOWN RECORDS OF SOLICITING
01:12:43HABITS IRREGULAR
01:12:46LEWIS CALLOW
01:12:50HOSTMAN
01:12:52MARRIED 18 YEARS HAS THREE CHILDREN
01:12:54HABITS
01:12:56VERY REGULAR
01:12:58THANK YOU VERY MUCH
01:13:00WELCOME
01:13:02THAT'S PRETTY CLASSY
01:13:04WHO SENT IT?
01:13:05MR. RIPLEY
01:13:06YOU REMEMBER HIM
01:13:07YOU MET HIM AT THE TOWN AND COUNTRY
01:13:08WHO'S HE TRYING TO IMPRESS?
01:13:10I'M GETTING HER THE LARGEST DOLL I CAN FIND
01:13:13I WONDER WHERE I CAN HIDE IT BEFORE VICKY GETS HOME
01:13:15WELL HOW ABOUT THE SHERKS?
01:13:17OH NO I DON'T WANT TO BOTHER ALEX
01:13:19YOU KNOW HE LOST HIS JOB AFTER ALL THESE YEARS
01:13:21WELL DON'T WORRY
01:13:23I'LL TAKE CARE OF IT AND BRING IT TO THE PARTY TOMORROW
01:13:25THANKS DAVE
01:13:26YOU KNOW
01:13:27YOU CAN BE PRETTY SWEET WHEN YOU WANT TO BE
01:13:30I'LL BET YOU HAVE A LOT OF FUN AT A KEHOE
01:13:42WELL SO LONG KATIE
01:13:44I'LL STOP BY EARLY TOMORROW TO HELP YOU OUT
01:13:46YOU SURE YOU DON'T WANT TO STAY FOR DINNER?
01:13:48NO THANKS VERY MUCH
01:13:50SO LONG DAVE
01:13:51BYE
01:13:52HOW YOU CAN CUTTLE UP TO THAT MILTON FELLOW
01:13:54I DON'T KNOW
01:13:55IT'S NONE OF YOUR BUSINESS UNCLE MAX
01:13:573 TO 1 HE'S AFTER BILL'S INSURANCE MONEY
01:13:59YOU'RE A GREAT ONE TO TALK
01:14:01ME? I ONLY WANTED A FE-
01:14:02YOU LISTEN TO ME
01:14:03STOP WALKING INTO MY BEDROOM
01:14:05AND STOP INTERFERING WITH MISS DOWNES
01:14:07AND STOP POKING YOUR NOSE INTO MY PERSONAL LIFE
01:14:10BOTHER ME ONCE MORE AND YOU MOVE OUT OF THIS HOUSE
01:14:12AND I MEAN IT
01:14:13I MEAN EVERY WORD I SAY
01:14:15I SHOULD HAVE SAID IT A LONG TIME AGO
01:14:17LEAVE ME ALONE
01:14:23THERE YOU ARE
01:14:24HERE YOU GO
01:14:25MAMMY MAC
01:14:26THANKS RID
01:14:28CAN'T IMAGINE HOW GLAD I AM THAT YOU COULD COME WITH US TODAY
01:14:31YOU SEE ALL THOSE PIGEONS RIGHT OVER THERE
01:14:33I SEE A LOT OF THEM
01:14:35GO GET ONE FOR ME WOULD YOU
01:14:36I NEEDED COMPANY
01:14:40YES SO DO I
01:14:42YOU KNOW IT'S FUNNY
01:14:45I NEVER COULD FIGURE OUT PEOPLE WORKING AROUND THEIR HOUSE ON WEEKENDS OR IN THE GARDEN
01:14:49NOT ME I LIKE MY JOB
01:14:51I LIKE TO WORK 24 HOURS AROUND THE CLOCK
01:14:53JUST CAN'T RELAX THAT'S ALL
01:14:59I'LL BE GLAD WHEN I CAN RELAX AGAIN
01:15:01EVERYTHING IS GETTING TO BE SUCH A CHORE
01:15:03I EVEN WONDER IF I SHOULD GO AHEAD WITH VICKY'S BIRTHDAY PARTY
01:15:07OF COURSE YOU WOULD
01:15:09IT WOULD BE A GREAT HELP TO US IF YOU DID
01:15:15QUIET NOW EVERYBODY
01:15:17IT'S TIME FOR OUR BIRTHDAY GIRL TO BLOW OUT THOSE CANTLES
01:15:19AND YOU'RE GONNA MAKE A GREAT BIG WISH
01:15:21AND MAKE IT A GOOD ONE
01:15:23HAVE YOU MADE IT
01:15:24GO AHEAD DEAR BLOW THEM OUT
01:15:25YOU BLOW THEM OUT
01:15:26OH NO IT'S YOUR BIRTHDAY
01:15:27YOU CAN DO IT YOURSELF
01:15:28ALL YOU HAVE TO DO IS A GREAT BIG HUP AND A PUP
01:15:31ONE TWO THREE
01:15:33AT AGENT RIPLEY'S DIRECTIONS
01:15:35FINGERPRINTS WERE TAKEN OFF THE GLASSES
01:15:37USED BY THE GUESTS AT THE PARTY
01:15:39TO BE FORWARDED BY TELEPHONDER TO WASHINGTON
01:15:41THE GUEST'S CONVERSATION WAS RECORDED
01:15:43TO BE DELIVERED TO AN EXPERT ON SEMANTICS
01:15:45FOR COMPARISON WITH THE RECORDING OF THE TELEPHONE CALL
01:15:48FROM THE EXTORTIONIST
01:15:49AS YOU KNOW THE SCIENCE OF SEMANTICS CAN DETERMINE WITH
01:16:00RATHER A HIGH DEGREE OF ACCURACY THE IDENTITY OF ONE INDIVIDUAL IN A GROUP
01:16:05BY BREAKING DOWN THE VARIOUS WORD PATTERNS USED BY EACH INDIVIDUAL IN THAT GROUP
01:16:10AND THEN COMPARING THE RESULTS
01:16:11I'VE JUST FINISHED MY PRELIMINARY WORK ON THE MARTEL BIRTHDAY PARTY
01:16:15AND I'M READY TO COMPARE SENTENCES, PHRASES AND WORDS
01:16:18USED BY GUESTS A, B, C, D, AND E
01:16:28Hello, Mrs. Martell speaking
01:16:30You've been talking to the FBI
01:16:33Did you hear me?
01:16:35Yes
01:16:36I know everything that's going on
01:16:38Monday the kid was at the playground with the old lady
01:16:42Tuesday at the dentist
01:16:44Wednesday she went with the old lady to market
01:16:47didn't she?
01:16:48And last Sunday in the park
01:16:51Remember the rubber ball?
01:16:53I could have killed her then
01:16:55Lord, don't you believe me?
01:16:57Yes, sir
01:16:59Okay, then write this down
01:17:02And this time don't tell the FBI if you really love your little girl
01:17:07Get the dough
01:17:09All in tens and twenties
01:17:11Go half a mile up Duranda Drive
01:17:14These are two
01:17:16Get it?
01:17:17Two o'clock
01:17:18Duranda Drive
01:17:20Park at slow grade sign
01:17:22You'll see a pile of stones
01:17:25Look under the stones
01:17:27Yes
01:17:28Got it?
01:17:29Yes
01:17:30Remember
01:17:31Keep your mouth shut
01:17:33Miss Downs
01:17:34Well what on earth?
01:17:35Is Vicki asleep?
01:17:36Yes
01:17:37I've got to talk to you
01:17:38Well what's the matter?
01:17:39What's the trouble?
01:17:40Somebody might kill if I don't give them my insurance money
01:17:41Oh no
01:17:42Who?
01:17:43I don't know
01:17:44He called me a half hour ago and he wants me to bring the money to him now
01:17:48He wants me to go half a mile up Duranda Drive
01:17:50Now let's analyze the various expressions used by guests
01:17:53A, B, C, D, S
01:17:55And compare them to the peculiar intensifiers used by the extortionist
01:18:01One minute professor
01:18:02Okay speaking
01:18:03Please speak
01:18:04I'm sorry
01:18:05Please speak
01:18:06You're a little bit
01:18:07I'm sorry
01:18:08Well what's the matter?
01:18:10What's the trouble?
01:18:11Somebody might kill if I don't give them my insurance money
01:18:12Oh no
01:18:13Who?
01:18:13I don't know
01:18:14He called me a half hour ago and he wants me to bring the money to him now
01:18:17He wants me to go half a mile up Duranda Drive
01:18:20Now let's analyze the various expressions used by guests
01:18:23A, B, C, D, and E at the party and compare them to the peculiar intensifiers used by the extortionist
01:18:24Kay speaking.
01:18:26Yes, Mr. Cooper.
01:18:28Thank you very much. We appreciate it.
01:18:30Rip, there was a head cashier at the bank.
01:18:32Kate Martell just threw out all her money.
01:18:33Let's go, Greg.
01:18:34Excuse us, Professor Wilson.
01:18:52Where'd she go, Miss Downs?
01:18:54Out.
01:18:55We know that, but where?
01:18:56She didn't say.
01:18:57We know you're devoted to her,
01:18:58but right now her life might be in danger.
01:19:00Oh, no.
01:19:01Every minute counts.
01:19:02She said half a mile up Duranda Drive.
01:19:04Durandal, let's go.
01:19:05I've been number 10.
01:19:20The similarity of expressions between the extortionist
01:19:22and subject A leads us to feel there's a strong possibility
01:19:26that subject A is your extortionist, gentlemen.
01:19:33From Washington.
01:19:34Number three print from birthday party identical to print of Thomas Gibson.
01:19:39Question on extortion charge, Cleveland, 1946.
01:19:42Using alias Joe Connors, questioned extortion and assault of woman, Philadelphia, 1948.
01:19:47Using alias Fred Thompson, questioned extortion and blackmail of woman, Boston, 1950.
01:19:52Number three print belongs to subject A, Professor.
01:19:58The victim reported heading up Duranda Drive.
01:20:13We're following.
01:20:14Out.
01:20:15The victim too, Boendar.
01:20:16The victim.
01:20:17The victim.
01:20:19I'm not telling him, if they didn't know what happened,
01:20:26aspects of eventually the men as death had already been gone.
01:20:30What I know is that somebody didn't know whether they are done by it.
01:20:32His nightmare is distant.
01:20:33Of course it affects the storm.
01:20:34Leave it on ice upon 2050.
01:20:35Tim Millerí•™?
01:20:36What do you know?
01:20:40The halt Hindut��, Rabbi?
01:20:42Come on.
01:21:12Come on.
01:21:30The green Chevy Coop passed by here. A young lady driving it.
01:21:33Yeah. Matter of fact, she stopped here for a bit.
01:21:38Where'd she go?
01:21:40See that sign?
01:21:41Thanks. Let's go.
01:21:42Let's go.
01:22:12Let's go.
01:22:13Let's go.
01:22:14Let's go.
01:22:15Let's go.
01:22:16Let's go.
01:22:18Let's go.
01:22:19Let's go.
01:22:20Let's go.
01:22:21Let's go.
01:22:22Let's go.
01:22:23Let's go.
01:22:24Let's go.
01:22:25Let's go.
01:22:26Let's go.
01:22:27Let's go.
01:22:28Let's go.
01:22:30Let's go.
01:22:31Let's go.
01:22:32Let's go.
01:22:33Let's go.
01:22:34Let's go.
01:22:35Let's go.
01:22:36Let's go.
01:22:37Let's go.
01:22:38Let's go.
01:22:39Let's go.
01:22:40Let's go.
01:22:41Let's go.
01:22:42Let's go.
01:22:43Let's go.
01:22:44Let's go.
01:22:45Dave.
01:23:13That's right, Kate.
01:23:14Good old Dave, friend of the family.
01:23:17Only I never really knew your husband.
01:23:19I first heard of him when I read that he'd left you $10,000.
01:23:23You've given me a bad time, Kate.
01:23:25I had to kill Brenda Raleigh's and an FBI man to get to this money.
01:23:34Oh, no.
01:23:38Oh, no.
01:23:44I won't tell anyone.
01:23:45I promise.
01:23:46I never take a chance.
01:23:46Let me go.
01:23:47I won't tell anyone.
01:23:48No, let me go.
01:23:50I won't tell anyone.
01:23:53I won't tell anyone.
01:23:56Oh!
01:24:00I won't tell anyone.
01:24:07The End
01:24:37Mr. Jermaine will drive you home. Come on.
01:24:44Rip, I don't know what to say.
01:24:47You just don't say anything.
01:24:49Here.
01:24:50Thanks.
01:25:06Let's go, Rip.
01:25:06Sometimes you meet some nice people in this business.
01:25:09Let's go, Rip.
01:25:12THE END