In the tradition of great Hollywood psychological thrillers, comes Turn of the Blade. Married photographer, Sam Peyton has a brief but dangerous affair with Wendy Manning, a beautiful dare-devil helicopter pilot. After walking away from Wendy, Sam finds her obsession with him is turning his life into a living nightmare, as she stalks him from the skies.
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Short filmTranscript
00:02:00You slept with him, didn't you?
00:02:06You home-breaking little slut.
00:02:09I didn't know he was buried.
00:02:13He told me he loved me.
00:02:17That we were going to be together.
00:02:20He lied to me.
00:02:21The bastard lied to us both.
00:02:23Wonderful, ladies, wonderful.
00:02:28Oh, thank you.
00:02:29You might want to try it a little lighter, though, next time.
00:02:31It's a little serious.
00:02:33God, I love this theater.
00:02:35Ellen, if we can fill this dungeon, I'll love it, too.
00:02:38Ah, Peter, I'm sorry.
00:02:40Am I late?
00:02:41Nice of you to drop in, Taylor.
00:02:42I've brought my entourage.
00:02:46Good evening, folks.
00:02:48I'm Sergeant Thomas.
00:02:49This is Officer Johnson.
00:02:51We've been having a lot of vandalism in the area lately, so we're warning people to be on the lookout.
00:02:56You might close off that back door off the alley.
00:02:59Keep trouble from walking in on you.
00:03:00Well, thank you, officer, but unfortunately, I can't do that without locking out my actresses, my actors, and my stage crew.
00:03:07Suit yourself.
00:03:08Come on, Johnson.
00:03:12Well, it looks like it's going to be another late night.
00:03:13I better give Sam a ring.
00:03:15Kelly, dear.
00:03:17How is that lucky dog of yours?
00:03:20Has he gotten used to the fact that you're going to be spending every night this week with another man?
00:03:25Don't flatter yourself, Taylor.
00:03:27These days, Sam's too busy to notice.
00:03:30Hugo, you startled me.
00:03:52That's good, ladies.
00:03:54That's great.
00:03:55Come on, a little more energy, huh?
00:03:57Big smiles.
00:03:58Big smiles, huh?
00:03:58All right, all right, right here, right here, right here, in the lens.
00:04:01All right, that's great, that's great.
00:04:03One more, one more.
00:04:04Beautiful, beautiful.
00:04:05All right, all right.
00:04:07Keep it up, keep it up.
00:04:08More energy, more energy.
00:04:11All right, that's great, girls.
00:04:13Take five.
00:04:15Peyton Photography.
00:04:16Hi, babe, it's just me.
00:04:18I'm going to be late again tonight.
00:04:19Can you fend for yourself?
00:04:21I guess I'll just order some pizza or something.
00:04:23Did you say pizza?
00:04:25I think there's a coupon on the refrigerator.
00:04:30Save me a piece, will you?
00:04:32Yeah, sure, babe.
00:04:33Bye.
00:04:34Remember, your motivation is...
00:04:37...other than it is...
00:04:38...the friend.
00:04:39Master.
00:04:40Cheating.
00:04:40I'm going to be late again tonight.
00:04:41I'm going to be late again tonight.
00:04:42I'm going to be late again tonight.
00:04:43I'm going to be late again tonight.
00:04:44I'm going to be late again tonight.
00:04:45I'm going to be late again tonight.
00:04:46I'm going to be late again tonight.
00:04:47I'm going to be late again tonight.
00:04:48I'm going to be late again tonight.
00:04:49I'm going to be late again tonight.
00:04:50I'm going to be late again tonight.
00:04:51I'm going to be late again tonight.
00:04:52I'm going to be late again tonight.
00:04:53I'm going to be late again tonight.
00:04:54I'm going to be late again tonight.
00:04:55I'm going to be late again tonight.
00:04:56I'm going to be late again tonight.
00:04:57I'm going to be late again tonight.
00:04:58I'm going to be late again tonight.
00:04:59I'm going to be late again tonight.
00:05:30Just me.
00:05:40Hey, don't come in, Kel.
00:05:41I'm printing.
00:05:46Well, my prodigal wife returns.
00:05:50Nice to see you again, kid.
00:05:51Come here.
00:05:56And your faces.
00:05:59Oh.
00:06:00Hey, have I been neglecting your knees lately, my husband?
00:06:08Uh-huh.
00:06:10Care to join me in the shower, big boy?
00:06:13Uh, I just gotta finish up, uh, 15 minutes, 20, max, I promise.
00:06:18All right, but I wouldn't wait too long.
00:06:24Unlike the pizza, I'm not as good cold.
00:06:27Honey, are you awake?
00:06:43Barely.
00:06:44What happened to 15 minutes?
00:06:46Oh, I'm sorry.
00:06:48I just had to finish up.
00:06:51Let me wash off these chemicals.
00:06:55And I'll be right in.
00:06:57Okay?
00:06:59Don't fall asleep.
00:07:00I'll be right in.
00:07:02I'll be right in.
00:07:03I'll be right in.
00:07:04I'll be right in.
00:07:05I'll be right in.
00:07:06I'll be right in.
00:07:06I'll be right in.
00:07:07I'll be right in.
00:07:07I'll be right in.
00:07:08I'll be right in.
00:07:08I'll be right in.
00:07:09I'll be right in.
00:07:09I'll be right in.
00:07:10I'll be right in.
00:07:10Oh, my God.
00:07:32Sam?
00:07:34Honey?
00:07:41Yeah.
00:07:43You're up early.
00:07:45I've got that captor shoot this morning, remember?
00:07:48I've got to be out to the airport by 10.
00:07:50Oh, yeah.
00:07:53Hey, sorry I fell asleep last night.
00:07:56Huh?
00:07:58Oh, me too.
00:08:00Half my fault.
00:08:02I don't have rehearsal tonight.
00:08:04Really? No rehearsal?
00:08:08I could defrost something and cook you a special dinner.
00:08:11We could have the whole night together, just you and me.
00:08:17Well, that sounds great.
00:08:19Um...
00:08:21I've got to stop by the land developers.
00:08:23On the way back from the airport, I'll be home about 7...
00:08:277.30, max.
00:08:30Promise?
00:08:32Absolutely.
00:08:33I've got to go.
00:08:34Absolutely.
00:08:35I've got to go.
00:08:37I've got to go.
00:08:38I don't take half to eternity...
00:08:39I'll leave this out to...
00:08:40further.
00:08:45That's good.
00:08:46Yeah.
00:08:47Squlery?
00:08:48Yeah.
00:08:49Umm-
00:09:03that's all i need you sure i can keep you up longer no no that's enough for today
00:09:24as beautiful as it is up here i like my feet on solid ground
00:09:29why didn't you tell me you were married
00:09:52why didn't you tell me you were married
00:09:59first time is always a little bit scary
00:10:11yeah does it show that much i'm betting that you're going to learn to love it up here
00:10:19make you tell me about your assignment when he hired me it's not exactly a one-time project
00:10:23yeah i guess we'll be uh going up again soon huh is it uh hot in here or is it me
00:10:35blades have slowed down we can get out now
00:10:37well i got some band-aids in the jeep
00:10:54why are you doing this to me why are you doing this to me
00:11:01why are you doing this to me
00:11:03why are you doing this to me
00:11:13i'm gonna have to take this ring off first let me know if i hurt you
00:11:16i will
00:11:21i uh just wear this to keep the wolves away
00:11:26it's a good idea
00:11:27there you go all better
00:11:37thank you doctor
00:11:41thanks for all your help miss uh manning
00:11:43oh it's wendy but you can call me when how my friends do okay when
00:11:49well it sure is uh gonna be nice working with you sam
00:11:59you bet win
00:12:02then uh
00:12:05see ya
00:12:07bye now
00:12:19to my beautiful new bride
00:12:23whoa
00:12:26thank you
00:12:30to my one and only husband
00:12:34the luckiest man alive
00:12:40beautiful
00:12:49hey driver slow down
00:13:12John, what are you doing?
00:13:18Sweetheart, we can't just leave her on the side of the road.
00:13:20She obviously needs some help.
00:13:42You got some car trouble?
00:13:45Yeah, the damn thing conked out on me in the middle of the road.
00:13:50Do you know much about cars?
00:13:52A little, not much.
00:13:55Do you think it could be the spark plugs?
00:13:57Oh, your radiator's overheated. You got a busted hose.
00:14:00Well, what does that mean?
00:14:01I don't know. This is not good.
00:14:05My name's Heather.
00:14:07John Manning, how you doing?
00:14:08That's a strong name.
00:14:11Oh, careful.
00:14:15You don't want to get your tux dirty.
00:14:17Right.
00:14:19You know what? I think we got a problem here.
00:14:22You know, I should have known not to go to Las Vegas by myself, but...
00:14:27You're going to Las Vegas?
00:14:29Because that's where we're going.
00:14:31Hey, maybe you could ride along with us until you call a tow truck.
00:14:35Well, that'd be great. Are you sure you don't mind?
00:14:37That's no problem at all. That's the way we're going anyway.
00:14:39Well, I'll just get my stuff.
00:14:41Okay.
00:14:42Okay, great.
00:14:43Okay.
00:14:43Wow, I'm sorry. I didn't... I didn't realize this was your wedding day.
00:15:09Hey, I can... I can call a tow truck if you want.
00:15:13We can't leave her stranded out here.
00:15:14There's no telling how long it's going to take for a tow truck to come along.
00:15:18Hey, Wendy, it's cool, right?
00:15:21Sure. No problem.
00:15:22Would you like some champagne?
00:15:42Well...
00:15:42I hate you.
00:15:43I hate you.
00:15:43I hate you.
00:15:43I'll need you.
00:15:46I'm dreading my love.
00:15:49And I promise you.
00:15:52I'll hold you.
00:15:54I'll hold you forever.
00:15:56I'll need you.
00:15:59I'll stop.
00:16:01What I'm going to do, Sam, I'm going to tear down this rat-infested, crime-ridden section of Old Town.
00:16:19And I'm going to put up condominiums.
00:16:23But not just any ordinary condominiums.
00:16:27Luxury condominiums.
00:16:30McHugh condominiums.
00:16:32The problem is the damn fool city council wants an environmental impact report.
00:16:39Well, I'm going to give them one.
00:16:41My own.
00:16:42Make sure the results come out right.
00:16:44That's where your aerial photography comes in.
00:16:49By the way, how's that pilot that I hired working out for you?
00:16:55Good.
00:16:55I think she'll really work out great.
00:16:58She's my niece, actually.
00:17:00Really?
00:17:01Quite a daredevil for a young woman.
00:17:14Kelly, dear.
00:17:26I need you in Century City in 45 minutes.
00:17:28The Goldberg building, can you make it?
00:17:30I can't make it tonight.
00:17:31Then you won't get the part, dear.
00:17:33Too bad.
00:17:34What part?
00:17:35It's a feature.
00:17:36And unlike your theater work, it'll pay the bills.
00:17:39Oh, and, uh, wear something sexy.
00:17:41Capiche?
00:17:42Why sexy?
00:17:43Dear, don't ask stupid questions.
00:18:13I love it.
00:18:39Hi.
00:18:39Hi.
00:18:43I know.
00:18:44I know the same room.
00:18:45What scares me, Kelly?
00:18:47I know.
00:18:47Um, I'm so scared.
00:18:49I'm sorry.
00:18:50Okay, let's go.
00:18:51I'm sorry.
00:18:52I'm so scared.
00:18:53Oh, there's John's.
00:18:55I'm so scared.
00:18:57I'm so scared.
00:18:58I'm so scared.
00:18:59I'm so scared.
00:19:01I'm so scared.
00:19:02I'm so scared.
00:19:03I'm so scared.
00:19:04Kelly?
00:19:05Kelly?
00:19:17Kelly, dear, for the victim role.
00:19:27All right, turn back, please.
00:19:31Thank you, Miss Morgan, we'll let you know.
00:19:35Oh, and don't forget, you've got my pager number.
00:19:44Kelly, dear.
00:19:45Stand under marks, please.
00:19:49Stand up straight.
00:19:52Name?
00:19:53Kelly, dear.
00:19:55Turn to the left.
00:19:58Now the right.
00:19:59Now the right.
00:20:06What do you think of her?
00:20:08I think she's pretty enough.
00:20:10I think her ankles might be too thin.
00:20:13Well, that's good of a victim, a physical sign of weakness.
00:20:17Okay.
00:20:19Will you do nudity?
00:20:20What?
00:20:22Nudity.
00:20:25Possibly, if it's done tastefully.
00:20:29Of course.
00:20:33I like her, I think I can direct her.
00:20:34All right, let's put her on the callback list.
00:20:37Thank you, Miss dear, we'll let you know.
00:20:38Okay.
00:20:53Honey?
00:20:55Sam, you home?
00:20:56Is here on the stage manager, and Mr. Josiah is the general manager.
00:21:02Why didn't you answer me?
00:21:06Sam.
00:21:08Didn't feel like it.
00:21:10Didn't feel like waiting for me either, I see.
00:21:13Nope.
00:21:15Tired of waiting.
00:21:17Look, I had to go.
00:21:18It was a part and a feature.
00:21:20Saul called me at the last minute.
00:21:22Sorry I ruined dinner.
00:21:34But we can still salvage the rest of the evening.
00:21:41Oh, damn you.
00:21:51Sam.
00:21:56The condoms.
00:21:58Honey.
00:22:01What?
00:22:03What's wrong?
00:22:07Not this again.
00:22:10Yeah, this again, Kel.
00:22:12Look, I'm just not ready.
00:22:14I want more out of my life than just motherhood.
00:22:17Can we wait a little longer?
00:22:18We've been married for four years.
00:22:21I mean, we don't even use the same last names because of your career considerations.
00:22:26I mean, sometimes this doesn't even feel like a real marriage to me.
00:22:29You know that?
00:22:37Kelly, dear.
00:22:39Hello?
00:22:41Sorry, I wanted paint photography.
00:22:43Oh, that's my husband.
00:22:44He's out with a client right now.
00:22:45Can I take your number and have him call you back?
00:22:48No.
00:22:49I'll call back later.
00:23:07Kelly, dear.
00:23:08I'm watching you.
00:23:09Who is this?
00:23:11Let's just say I'm an interested party.
00:23:13Eric!
00:23:14He's asleep.
00:23:16I've got he's asleep.
00:23:20He wants to stay inside.
00:23:22It's sweet, Margaret.
00:23:24Tell me what he looks like for the reducing of my vida surgery.
00:23:25He wants to be very careful.
00:23:28I love you!
00:23:33Oh, oh, I'm so sick!
00:23:36Oh, you're sorry.
00:23:38I didn't want to be surprised, too.
00:23:40Come on.
00:23:41No, I'm sorry. I didn't see you. It's okay. It's okay.
00:24:02You're on silent type.
00:24:04Don't sneak up on me like that.
00:24:05I'm sorry. Did I scare you?
00:24:07Oh, my. Yes, your hands are so cold.
00:24:11How come you're here so early?
00:24:14No grand entrance tonight?
00:24:15One might ask the same of you.
00:24:18Is it possible that my leading lady now prefers my company to that of her Sam's?
00:24:23Not in a million years, Taylor.
00:24:25I'll see you inside.
00:24:39Hello?
00:24:40When?
00:24:41Sam.
00:24:41Hi. How are you?
00:24:43You caught me in the shower.
00:24:46Well, I won't keep you then.
00:24:48Oh, no. No, that's okay.
00:24:50I just have to dry off.
00:24:53How's the finger?
00:24:57Much better, thanks.
00:24:59Sam, I think you missed your true calling.
00:25:03Helen?
00:25:05Peter?
00:25:05Peter.
00:25:06I don't know.
00:25:06Peter.
00:25:07Oh, no.
00:25:07I don't know if you're a guardian.
00:25:07I don't know.
00:25:08I don't know if you're a guardian manager.
00:25:08Oh, man.
00:25:08I don't know.
00:25:09I don't know if you're here.
00:25:09It's for me.
00:25:10I don't know if you're a guardian.
00:25:11Oh, sorry dear, I didn't mean to stop you.
00:25:39This drafty old place does give one of the creeps.
00:25:42The men aren't here yet.
00:25:44Taylor, I'd press coffee.
00:25:45Ooh, just you, me and the ghosts, huh?
00:25:47Good, then I've got time for a quick smoke.
00:25:55You seem a little down tonight.
00:25:59Trouble with Sam?
00:26:02Why do you say that?
00:26:03Come on, this is Helen.
00:26:07With us, it's always a man.
00:26:10So what's troubling you?
00:26:13Helen, why didn't you ever have a family?
00:26:19Because I chose this.
00:26:22You see, the theater's my family.
00:26:25The joys, the heartaches.
00:26:29Hope.
00:26:31Despair.
00:26:33It's all in here, if it's out there.
00:26:37But at least on stage, you have some control over it all.
00:26:43That's why I love it so much.
00:26:46But once you step off, just one fateful step,
00:26:52and you're right down in the muck with everyone else.
00:27:05Yeah.
00:27:07Uh-huh.
00:27:09Whoa, it's getting late.
00:27:10I'm sorry.
00:27:11This towel is getting a bit drafty.
00:27:14But I enjoyed the company.
00:27:17Yeah.
00:27:18Yeah, me too.
00:27:20Well, I guess I'll see you tomorrow, Sam.
00:27:24All right.
00:27:25Have a good night.
00:27:27Kelly, dear.
00:27:43You got a call back on that victim role.
00:27:46Oh, good.
00:27:47When?
00:27:48One o'clock.
00:27:50Today?
00:27:51Better hurry.
00:27:52Hour and a half?
00:27:54Yeah, I can make it.
00:27:56Exactly.
00:27:57What kind of movie is this?
00:27:59What does it matter?
00:28:01It's a movie.
00:28:02The casting call came over my fax.
00:28:04I submitted your headshot.
00:28:05Sounds like a good part for you.
00:28:07If they want you, we'll get a copy of the script before we sign.
00:28:12You think I'd sell you an olive river without first seeing the boat?
00:28:15No.
00:28:16No, of course not.
00:28:17Jerry Breezen's the director.
00:28:18See, Jerry Breezen.
00:28:19Same place.
00:28:20Downstairs this time.
00:28:22Got it.
00:28:23Keep me updated.
00:28:24Yeah, I'll let you know how it goes, Sam.
00:28:25Bye.
00:28:26Getting used to us yet?
00:28:41A little.
00:28:43It's incredible up here.
00:28:46Terrifying, but incredible.
00:28:48You know, sometimes I feel like a god up here.
00:28:53Just looking down, above it all.
00:28:57Well, if I were just a little more comfortable, I'd book passage to Hawaii.
00:29:02That sounds like fun.
00:29:03I've never been to Hawaii.
00:29:04It's beautiful.
00:29:05You'd love it.
00:29:06Come in.
00:29:07Close the door.
00:29:08You'd love it.
00:29:09You'd love it.
00:29:18Come in.
00:29:22Close the door.
00:29:25Have a seat.
00:29:26Can you make us believe that life as you know it is about to end?
00:29:43Oh, all right.
00:29:44You made it.
00:29:45You don't know how good that makes me feel.
00:29:58Did you doubt me, Sam?
00:29:59Well, let's just say this is all still pretty new to me.
00:30:02But how about I buy you lunch for returning me safely to Mother Earth?
00:30:05Well, I have already got that covered.
00:30:08I figured we would probably be working through lunch.
00:30:11Another benefit of the Wendy Manning Flight Service.
00:30:16Perhaps I'm hoping that you'll become one of my steady clients.
00:30:22You need new pictures.
00:30:25You think so, Mr. Brazen?
00:30:26Yes.
00:30:28Oh, yes.
00:30:30I'd like to take them.
00:30:33I could do so much more with you.
00:30:35The shape of your mouth.
00:30:37That's one of the reasons I was attracted to you.
00:30:47I see most of your experience has been in theater.
00:30:50Yes.
00:30:51I'm in rehearsals now for a new play.
00:30:53That's good.
00:30:54Theater actors know how to take direction.
00:30:57Perhaps I get a chance to sneak down and catch you.
00:31:01Oh, some lunch.
00:31:07All right, get out.
00:31:10Are you sure this landing strip here is closed?
00:31:14Oh, they haven't used it in years.
00:31:16It was closed a long time ago.
00:31:19I like to come out here, come by myself.
00:31:23I listen to the planes approach overhead.
00:31:26And the quiet.
00:31:27I thought you might appreciate the ambiance.
00:31:33Yeah.
00:31:36It's hard not to.
00:31:39So you're married?
00:31:41Yeah, I still wear the ring anyway.
00:31:46I wore mine for a long time, too, after it was over.
00:31:50Yeah, I wouldn't go that far.
00:31:51Well, how far would you go, Sam?
00:31:56Oh, Vicki.
00:32:14Is this your dolly?
00:32:15Here's your baby.
00:32:17Is this your dolly?
00:32:27Here's your baby.
00:32:32Oh.
00:32:34All right, boys.
00:32:36All right.
00:32:37Let's move.
00:32:38All right, boys.
00:32:39Where is it?
00:32:49God damn it.
00:32:52Hello?
00:32:54Hey.
00:32:55I got the part.
00:32:57Sam?
00:32:58Are you there?
00:33:01It's really great, babe.
00:33:04Something wrong?
00:33:05You sound out of breath.
00:33:07We just ran to the car.
00:33:09I heard the phone.
00:33:12Oh.
00:33:13Where are you?
00:33:15By the helicopter.
00:33:17It just came down, as a matter of fact.
00:33:20You're telling me.
00:33:22Are you with someone?
00:33:25Just the pilot.
00:33:39Hi.
00:33:40Hi.
00:33:44Hi.
00:34:00Hi.
00:34:03So whatcha doing?
00:34:06Catching a few rays.
00:34:09Will you do me, please?
00:34:14Sorry about the other night.
00:34:16Yeah, me too.
00:34:18Congratulations, I'm getting the role.
00:34:22So, when do they begin shooting?
00:34:24About a month or so.
00:34:26We have a few preliminary shots to do in a few days, though.
00:34:28Ad department?
00:34:30Not exactly.
00:34:32So what kind of movie is this, exactly?
00:34:36Your usual low-budget erotic thriller.
00:34:40And what part do you play?
00:34:43The victim.
00:34:49So will they be killing you with or without your clothes on?
00:34:57I haven't seen the script yet.
00:35:01I'm gonna go work.
00:35:05It's not as if you don't shoot half-nude models in their underwear.
00:35:09That is how we met.
00:35:13Can I come in?
00:35:15Yeah, come on in. I'm through printing.
00:35:17can i come in yeah come on in i'm through printing what you doing uh just doing the aerial shots
00:35:38looks familiar yeah old town uh mcq wants to tear it down and put up condo rammer
00:35:48apparently he has someone in his pocket on the city council who's going to help him run through
00:35:53zoning then they'll tear down the theater yeah i guess
00:35:57um look cal i won't do it if you don't want me to do what the movie i won't take the role if it's
00:36:07going to tear us further apart it's your job it's your call man i haven't been acting like a very
00:36:16supportive husband jealous i guess greedy too i just i don't want to share you with anybody
00:36:26i'm sorry
00:36:29i'm just sorry
00:36:38why does it feel like we're going in opposite directions
00:36:44what's your titty how about i take my two favorite notes
00:36:52paid in photography would you like to go up again tomorrow sam wendy we never got to finish what we
00:37:19started darling
00:37:19as i told you before these pictures will only be seen by our producer mr bowles and myself
00:37:27could you remove the robe please
00:37:31well just toss it
00:37:36turn more towards me
00:37:46back straight
00:37:48hands on hips
00:37:50good
00:37:51profile
00:37:56i'll lose the top
00:38:06what
00:38:06oh
00:38:08look
00:38:11i know this is uncomfortable but we have to know if we're going to need a body double for the
00:38:17close-ups
00:38:19sagging or misshapen breast can ruin the artistic integrity of the scene the entire film
00:38:29and the role does call for frontal nudity
00:38:39i'll hold you behind me
00:38:45turn on to me
00:38:45you
00:38:46you
00:38:47i know this is what i think i'm going to be with you
00:38:49but for the time i passed them on my personal journey
00:38:51i think it's not sort of a problem
00:38:51i know this is what i want to do
00:38:53and that's not really cool
00:38:54because i think i think i think i think i want to stop you
00:38:56but i think i should be good
00:38:57and i don't want the things i don't want to be good
00:38:58and i think i don't want to do
00:38:59and i don't want to advocate
00:39:01yeah i do have to keep thinking
00:39:01but i think i'll do
00:39:03do
00:39:03and i think i wanna do
00:39:05i think i don't want to do
00:39:07and i think i want to do
00:39:08Well, pleasant surprise.
00:39:32How are you doing?
00:39:35Good.
00:39:38Now?
00:39:41Listen, the reason I came down here when or Miss Manning...
00:39:50Which is it, Sam?
00:39:52I don't think I'll be needing your services any longer.
00:39:57I have all the aerial photographs your uncle needs.
00:40:01Services?
00:40:03And I'd appreciate it if you didn't call me anymore.
00:40:06I am married.
00:40:08Well...
00:40:12I'll give you services!
00:40:14Whoa, whoa, look!
00:40:16I'm sorry if things got a little carried away between us.
00:40:19I didn't mean to lead you on.
00:40:21Did you tell her about me, Sam?
00:40:25About what?
00:40:27Nothing happened.
00:40:29I will never let another man do this to me again.
00:40:39What are you talking about?
00:40:43What are you talking about?
00:40:47Just get the hell out of here.
00:40:50Leave.
00:41:13A pretty voice.
00:41:14A pretty face.
00:41:17Stop calling me.
00:41:21I'll stop when I'm ready, dear.
00:41:26Kelly dear a pretty voice a pretty face stop calling me I'll stop when I'm ready dear
00:41:56you know there's there's this great play that opened last week and this guy that that I was
00:42:03flying with he said he said it was really great and he said he saw it four times and oh honey
00:42:12I've been dying to go I know I'd really like to go too but I really don't think I'm gonna be
00:42:19through with my lessons you only teach in the daylight and I know that you don't jump after
00:42:24dusk besides you promised me that you wouldn't dive after dark I know I promised I won't it's
00:42:31just that I got a lot of paperwork you know I've got scheduling and stuff I gotta pack like a half
00:42:35a dozen shoots you know how long that takes we never do stuff together anymore honey go to the
00:42:43show without me don't let me ruin your night I promise I'll make it up to you you promise
00:42:53I promise
00:42:54be careful
00:43:10be careful
00:43:10be careful
00:43:22I promise
00:43:23be後
00:43:23What the heck do you do?
00:43:50Want to play?
00:43:53You forgot this.
00:44:00In other news, the investigators have cleared a young woman of wrongdoing in the accidental
00:44:17murder of her husband, John Manning, whose parachute failed to open.
00:44:24What?
00:44:31Nothing.
00:44:32I was just looking at you.
00:44:36Hey, will you run lines with me?
00:44:38Yeah, sure.
00:44:39All right, let's see what we got here.
00:44:44What scene are we working on?
00:44:45Okay, it's right here.
00:44:46It's beginning of act two.
00:44:50I just found out you're a married man before intermission.
00:44:52Now I'm confronting you.
00:44:54I already know my lines, so whenever you're ready, I'll pick it up.
00:45:00Uh, don't you see?
00:45:02I couldn't tell you.
00:45:03I was afraid I'd lose you.
00:45:07I couldn't risk that.
00:45:08I see you lied to me.
00:45:09That's all I see.
00:45:14Uh, this doesn't have to mean the end for us.
00:45:21Oh, wouldn't that be nice for you?
00:45:24Not one, but two women at your beck and call.
00:45:29You make me sick.
00:45:30Hey, I'll get that.
00:45:31I'll get it.
00:45:32I'll get it.
00:45:33Okay.
00:45:34Hello?
00:45:35It's Kelly's agent.
00:45:36Let me talk to your wife.
00:45:37Yeah, sure.
00:45:38Hold on.
00:45:39It's for you.
00:45:40Yeah?
00:45:41Kelly.
00:45:42So, I got the contract.
00:45:43Really?
00:45:44Yeah, I'm checking it now.
00:45:45Got a script yet?
00:45:46No.
00:45:47No script yet.
00:45:48Apparently they're doing a rewrite.
00:45:49Got a working title.
00:45:50Submission.
00:45:51Submission.
00:45:52Yeah, I'm checking it now.
00:45:53Got a script yet?
00:45:54No.
00:45:55No script yet.
00:45:56Apparently they're doing a rewrite.
00:45:57Got a working title.
00:45:58Submission.
00:45:59Submission?
00:46:00Yeah, submission.
00:46:01What do you know about these two guys?
00:46:03It's good pay for a non-union production.
00:46:05What's there to know?
00:46:06It's not like your phone's ringing off the hook.
00:46:08There's no other picture deal on the table.
00:46:12It's just that they're kind of creepy, you know?
00:46:15Especially this brazen guy.
00:46:17Creepy shmeepy.
00:46:18They make movies.
00:46:19What do you want?
00:46:20We're not dealing with accountants.
00:46:21Look, you don't want to take anything off of the camera?
00:46:25I'd tear up the contract right now, but I tell you dear, being a pretty girl, it's a part of the business you gotta learn to deal with.
00:46:31I gotta go.
00:46:32Okay.
00:46:33Alright.
00:46:34Bye.
00:46:35So, where were we here?
00:46:40Oh, that's enough for now.
00:46:43Thanks.
00:46:44You sure?
00:46:45Yeah.
00:46:46Okay.
00:46:47You mind if I read this?
00:46:50No, no.
00:46:51That's fine.
00:46:52Alright.
00:46:58Hello.
00:46:59I thought you'd be the first to arrive.
00:47:02You startled me.
00:47:03Did I?
00:47:04What are you doing here?
00:47:06I told you I might sneak by.
00:47:08I want to watch you.
00:47:11Well, I assumed you'd wait till we opened.
00:47:14I see the rest of your company has arrived, so I'll just fade into the fabric and let you work.
00:47:24I want to meet with you soon.
00:47:26Work on your characterization.
00:47:28I still don't have a script.
00:47:31Soon.
00:47:32I promise.
00:47:34Soon.
00:47:35Soon.
00:47:42One of your admirers, do you?
00:47:46Yeah.
00:47:47This one right here.
00:47:48See the sidescape?
00:47:49Yeah.
00:47:50This historical monument is right in the middle of every goddamn photograph.
00:47:55I can't use this.
00:47:57I want more coverage.
00:47:59I want to see the rats and the winos.
00:48:02I want dirt, not history.
00:48:06Look, it's not my job to manipulate the city council for you.
00:48:12You wanted aerial photographs?
00:48:14You got aerial photographs.
00:48:16This job is not done to my satisfaction.
00:48:19Now you get back out there and finish what you started.
00:48:23Or I'm calling my lawyers.
00:48:25I thought I was hiring a professional.
00:48:40Not very talkative, are you, Sam?
00:48:44I told you I'm just here fulfilling the obligations of my contract.
00:48:51Are you sure you didn't come just to see me?
00:48:56I suppose you had nothing to do with your uncle's insistence.
00:49:00What was that?
00:49:01Oh, just a little turbulence.
00:49:03Don't let it bother you, darling.
00:49:04I told you to stop calling me that!
00:49:09Look, I'm sorry the way this has turned out, Wynn.
00:49:12Don't be sorry, Sam.
00:49:14Look, I don't want to argue with you.
00:49:16All right, let's just finish this.
00:49:21What are you doing?
00:49:26I'm going down, darling.
00:49:28I'm in charge, up here.
00:49:43I don't want to argue with you, Sam.
00:49:44I don't want to argue with you, you gotta mess with him,
00:49:45make a物 Svena and get in charge.
00:49:46YouTube
00:50:03Runnin' away from me again, darlin'?
00:50:07Afraid I'll bite.
00:50:08You are one crazy bitch, you know that?
00:50:10You're gonna get the both of us killed up there!
00:50:13Tell your uncle to keep his goddamn money,
00:50:15I'll see his corrupt ass in court!
00:50:17AHHHHHHHHHHHHHHHHHHHHHH!
00:50:19RUNNING AWAY FROM ME AGAIN DARLIN'?
00:50:20Afraid I'll bite!
00:50:22You are one crazy bitch, you know that?
00:50:24You're gonna get the both of us killed up there!
00:50:27Tell your uncle to keep his goddamn money,
00:50:29I'll see his corrupt ass in court!
00:50:34AHHHHHHHHHHHHH!
00:50:47I don't know.
00:51:17Reservations for two?
00:51:47Reservations for two?
00:52:17Reservations for two?
00:52:24Reservations for two?
00:52:29Something wrong with the eggs?
00:52:32Oh, no.
00:52:34Great.
00:52:39Wait, wait, wait, wait.
00:52:44What happened to the diet?
00:52:46Oh, it's off.
00:52:48I called Saul this morning and turned down the part.
00:52:51The movie?
00:52:52Why?
00:52:53I didn't like a part.
00:52:57Saul said the director went berserk and threatened me.
00:53:03He threatened you?
00:53:04Yeah.
00:53:05Like he's gonna kill me if I don't do the part.
00:53:06That son of a bitch comes anywhere near you.
00:53:08I will wring his neck.
00:53:10Don't worry.
00:53:11He's not gonna bother me.
00:53:12He's gonna find someone else to do the part.
00:53:14And he's gonna forget all about me.
00:53:15Oh, don't forget.
00:53:16I need my copy of my play.
00:53:17I've got dreads working for tomorrow night.
00:53:18And I have to go over my lines.
00:53:19I've got notes scribbled all over it.
00:53:21Yeah, look, Breesena, I'm tired of your nonsense.
00:53:46You said you had to have this girl.
00:53:47Now you're telling me you can't sign her.
00:53:49What the hell's going on?
00:53:52Yeah, yeah, I don't have time for this crap.
00:53:53One more screw up, I'll get a new director.
00:53:57Lunch?
00:53:58Yeah.
00:53:59There you go.
00:54:08Kelly, dear.
00:54:10Hello?
00:54:11It's almost over for you.
00:54:14Damn creep.
00:54:19I was up in the clouds till I heard
00:54:24the sound of love coming down, down, down.
00:54:29It's no way for them.
00:54:32Damn it.
00:54:36Kelly, you know better.
00:54:39What are you doing here?
00:54:41Sam, I.
00:54:42Look, I don't know what you think this is going to accomplish.
00:54:47I came here to apologize.
00:54:55I've acted in a very unprofessional way, and I am sorry.
00:55:03I'm the one who's married.
00:55:04It's my fault.
00:55:06I didn't hear you say happily.
00:55:10Because you just don't listen.
00:55:14Wynn, I can't see you professionally or otherwise.
00:55:16I mean, I'm a married man.
00:55:18Can't you understand that?
00:55:20That didn't stop you before.
00:55:21Well, it's stopping me now.
00:55:23Darling, we could be so good together.
00:55:33Damn it!
00:55:34Stop it!
00:55:35It's over!
00:55:36I mean, hell, it never even was.
00:55:38I made a mistake with you.
00:55:39It was just a mistake.
00:55:40A god damn hell of a mistake.
00:55:43Don't you understand that?
00:55:45The bottom line is this.
00:55:48Man, I love my wife.
00:55:49Well, it's a little late to think of her.
00:55:56Isn't it, Sam?
00:56:07I knew I should have had the waist slit out in this damn thing.
00:56:11You need some help?
00:56:13Only breathing, dear.
00:56:15Ladies, hello, is anybody here?
00:56:17Why isn't anybody backstage yet?
00:56:21OK, ladies.
00:56:24We now have five minutes to the dress rehearsal.
00:56:29Now, for good measure, we would like to start the dress rehearsal on time tonight.
00:56:34OK?
00:56:35And Helen, you know that there is no smoking in the dressing rooms.
00:56:44OK?
00:56:45You think you could do that?
00:56:46Why is it you always assume I'm the one who's smoking?
00:56:54OK.
00:56:55I get it.
00:56:56Just put it out.
00:56:58Four minutes, ladies.
00:57:00You're giving me a damn outside.
00:57:01Notice the way the veins popped out the size of his temple.
00:57:07Where's the rest of my crew?
00:57:08Hugo!
00:57:09It's those little things that make life so worthwhile.
00:57:27Ma'am.
00:57:28You.
00:57:29Didn't I tell you to fix this light an hour ago?
00:57:31Come on, man.
00:57:32Hey, hey, excuse me.
00:57:33Where are you going?
00:57:34I need to talk to Kelly.
00:57:35No, not now you don't.
00:57:36This is a dress rehearsal and you're going to have to leave.
00:57:40You're probably not going to think very highly of me when I tell you what it is I have to say.
00:57:58You see, I'm married, but I wear no ring.
00:57:59Truth is, I chippy around on my old lady.
00:58:00I simply can't help myself.
00:58:02Every beautiful woman that comes into my life I make a play for.
00:58:07I don't know why exactly, I mean, I don't know why at the time.
00:58:11There's always regret and the change.
00:58:14A private company.
00:58:16When you fight for it you.
00:58:18And something.
00:58:19You can never think very highly of me when I tell you what it is I have to say.
00:58:22You see, I'm married, but I wear no ring.
00:58:24Truth is, I chippy around on my old lady.
00:58:27I simply can't help myself.
00:58:29Every beautiful woman that comes into my life, I make a play for.
00:58:31Excuse me, it's my wife's car now.
00:58:41You're a wife?
00:58:44I should have known.
00:58:48And just who the are you?
00:58:52Excuse me.
00:59:15You dance divinely, my dear.
00:59:22I couldn't believe my good luck.
00:59:31She was playing right into my hands.
00:59:52Stay the f*** away from my wife.
01:00:05I'm so glad you've decided to spend the weekend with me.
01:00:21But do you really think you're going to need all these clothes?
01:00:26A girl must be prepared.
01:00:32I don't believe I've ever met a girl quite exactly like you before.
01:00:37You slept with him, didn't you?
01:00:55You homewrecking little slut!
01:00:58I didn't know he was married.
01:01:02He made me believe that he loved me.
01:01:04That we would be together.
01:01:06He lied to me.
01:01:07The bastards lied to us both.
01:01:11Oh my God.
01:01:12No, no, no!
01:01:14It's a real knife.
01:01:21Call 911.
01:01:23Hey!
01:01:24Hey!
01:01:25Hey!
01:01:26Here!
01:01:27Over here!
01:01:31Oh my God.
01:01:32How could this happen?
01:01:33You're going to be okay.
01:01:34It's going to be all right.
01:01:35I thought it was the prop knife.
01:01:37What's the f***ing prop knife?
01:01:39I flagged the cops down in the alley.
01:01:41All right.
01:01:42Which one of you two put the props on the set?
01:01:43Not me, ma'am.
01:01:44Somehow that doesn't surprise me.
01:01:46If Kelly hadn't fallen on her ankle the way she did,
01:01:49we'd be calling the coroner now instead.
01:01:51Somebody should search him and see if he's got the real prop knife on him.
01:01:54No!
01:01:55You let the police handle this.
01:01:57You're going to be okay, man.
01:02:00Get him!
01:02:01Freeze!
01:02:02Put it down!
01:02:03Now!
01:02:04Hugo, put down the screwdriver.
01:02:05Put it down, man.
01:02:11All right.
01:02:12There you are.
01:02:13I really don't think the wound is that deep.
01:02:15She's lost a little bit of blood.
01:02:17She seems a little dazed.
01:02:19They'll probably want to keep her overnight at the hospital just for observation.
01:02:22This is going to be all right, Scott.
01:02:24Let's go.
01:02:27Is there any indication why this guy would want to switch the knives?
01:02:31Nobody ever knows what he's going to do.
01:02:33He ever talk?
01:02:34No, not to any of us.
01:02:36He works for the building's owner.
01:02:37He kind of came with the states, but, uh,
01:02:39he's never been any problems before.
01:02:41Well, unless we find his fingerprints all over the knife,
01:02:44or we get something out of him down at the station.
01:02:47We'll probably have to turn him loose.
01:02:48Turn him loose?
01:02:50For now.
01:02:51Come on, big guy.
01:02:53Yeah.
01:02:54Why haven't you called me?
01:02:58Called you?
01:02:59It's the middle of the night.
01:03:00What if my wife...
01:03:01Why haven't you called me?
01:03:02Called you?
01:03:03It's the middle of the night.
01:03:04What if my wife...
01:03:14You knew she wasn't here.
01:03:18Has she left you, sir?
01:03:22I mean, what if my wife...
01:03:25You knew she wasn't here.
01:03:30Has she left yourself?
01:03:31Mm-hmm.
01:03:33Has she left you, Sam?
01:03:36It was you.
01:03:37You switched the knives.
01:03:39Are you crazy?
01:03:41Has something happened to Kelly?
01:03:43Look, you come anywhere near her, and I will kill you.
01:04:03Oh, baby, would you quit treating me like I'm dying?
01:04:12Doctor said it was only a flesh wound.
01:04:14Shh.
01:04:15It's easy out there, easy.
01:04:17You're acting like this is nothing, huh?
01:04:19Right there, right there, yeah.
01:04:22When I saw you fall on that stage,
01:04:27I thought I really might lose you.
01:04:30You're not going to lose me.
01:04:33What happened to your lip?
01:04:38Oh, it's nothing.
01:04:40I really missed you last night.
01:04:47I really missed you, too.
01:04:51I've been thinking about something.
01:04:56Oh, yeah?
01:04:58What?
01:04:59You know what we've been talking about lately?
01:05:02About having a baby.
01:05:07Really?
01:05:15You still want to, don't you?
01:05:17What about your career?
01:05:19I can do that.
01:05:20I can do that.
01:05:21I can do that.
01:05:22I can do that.
01:05:26Yeah.
01:05:27Hello?
01:05:28I didn't mean to disturb you.
01:05:35I just came by to return this.
01:05:41Uh, well, you, you must be Kelly.
01:05:56Sam left this in my helicopter.
01:05:58And I just wanted to know how it ended.
01:06:05How considerate of you.
01:06:11Had an accident?
01:06:14Sam, you really ought to take better care of your women.
01:06:19You never mentioned your pilot was a woman.
01:06:36Yeah.
01:06:37I know.
01:06:38Sam?
01:06:39Did you have an affair with her?
01:06:42My God, Sam.
01:06:43No, it wasn't an affair.
01:06:45We had lunch.
01:06:46Is that what you call it?
01:06:49Let me explain, all right?
01:06:50Okay, okay.
01:06:51We did have lunch.
01:06:56It was stupid, but I kissed her, all right?
01:06:58I know I shouldn't have.
01:06:59There's no excuses.
01:07:00But with all the pressure between, uh, work and with us, I just...
01:07:06What about me, Sam?
01:07:07I just got stabbed again.
01:07:10This time by my husband.
01:07:13I'm sorry.
01:07:14I'm sorry.
01:07:15I'm sorry.
01:07:16I'm sorry.
01:07:17I'm sorry.
01:07:18I'm sorry.
01:07:19I'm sorry.
01:07:20I'm sorry.
01:07:21I'm sorry.
01:07:22I'm sorry.
01:07:23I'm sorry.
01:07:24I'm sorry.
01:07:25I'm sorry.
01:07:26I'm sorry.
01:07:27I'm sorry.
01:07:28But this time by my husband.
01:07:31I've received threats and phone calls.
01:07:33Wait, wait.
01:07:34What kind of phone calls?
01:07:36Never mind.
01:07:39Just stay away from me.
01:07:42Stay away from me.
01:07:58I keep waking up lonely, wishing you were here with me.
01:08:09I keep praying that it's only some kind of awful dream.
01:08:18Tell me how can I put back the pieces?
01:08:23And how can I get through the night?
01:08:30Hello?
01:08:31Next time you won't be so lucky.
01:08:33Who is this?
01:08:35Is there life after love?
01:08:42Is there life after you?
01:08:49Is there life after love?
01:08:53What can I do?
01:08:58Kelly, dear.
01:09:00Breezin just left my office.
01:09:02He got fired from his picture.
01:09:04He's threatening legal action.
01:09:06Claims you breached an oral contract by backing out of his picture too late.
01:09:10Oh, and your husband's in deep shit too.
01:09:13Sam?
01:09:14What's he got to do with this?
01:09:16Apparently Sam beat the crap out of him.
01:09:18What are you talking about?
01:09:20Did you get Breezin my phone number?
01:09:22I don't remember.
01:09:24Look, you better get an attorney.
01:09:26I got a call on the other line.
01:09:28How's your arm?
01:09:29It'll be okay.
01:09:30Shit, I gotta go.
01:09:39Guys!
01:09:40Where is everybody?
01:09:41Guys!
01:09:42She's gonna do it.
01:09:45What?
01:09:46I just got off the phone with her.
01:09:47She's gonna be here.
01:09:48Really?
01:09:49She's out of the hospital?
01:09:50We're gonna open?
01:09:51Yes, yes, yes.
01:09:52There is a God.
01:09:53Yes.
01:09:54Now, and with all the free publicity we've been getting from our little accident over here,
01:09:57we might actually be able to fill this place.
01:09:59Now, she said she's gonna need some, uh, some sleeves or something to cover up her bandages.
01:10:03Now, she might favor that just a little bit.
01:10:05That's okay, because the important thing is she's gonna be here tonight.
01:10:08Yeah, but that's all right, that's all right, because whatever her shortcomings are, I can overcome them.
01:10:14Oh, put a fucking sock in it, Taylor.
01:10:17What's he doing here?
01:10:20Now, now, now, leave him alone, Taylor.
01:10:23Look, he is not a murderer, okay?
01:10:26Look, if it was his fault, it was an accident, okay?
01:10:30He probably feels bad enough as it is.
01:10:39Yes?
01:10:44These lilies just arrived for you?
01:10:45For me?
01:10:46For you.
01:10:47And Peter wanted me to let you know in 30 minutes.
01:10:50Are they from Sam?
01:10:52I don't know.
01:10:53There's no card.
01:10:54Hmm.
01:10:55They're lovely.
01:10:56Though this isn't a funeral.
01:10:58Unless, of course, the play dies.
01:11:17One by one by one, I keep remembering.
01:11:22Every touch, every kiss.
01:11:27Every time I think I'm over you.
01:11:32My tears remind me of all I miss.
01:11:37I see your face.
01:11:38I see your face.
01:11:43In every face I see.
01:11:46I can't escape your memory.
01:11:50Your memory.
01:11:59Pretty Sam can't make it tonight.
01:12:02Helen, you left your headlights on out back.
01:12:05Oh, damn.
01:12:06Will you please?
01:12:07Do me a favor.
01:12:08Wait until you're outside before you light that thing.
01:12:11I don't want the fire department coming in and shutting us down.
01:12:14Okay?
01:12:16Now, we have exactly 25 minutes, ladies.
01:12:19Okay?
01:12:21Kelly, are you feeling okay?
01:12:22Mm-hmm.
01:12:23Okay.
01:12:24Great.
01:12:25Thank you, ladies.
01:12:26Thank you, thank you, thank you.
01:12:27All right.
01:12:2825 minutes, ladies.
01:12:29Does anyone listen to me in this production?
01:12:32No.
01:12:33Hell no.
01:12:36I don't know how I could have left those bloody headlights some.
01:12:41Be right back.
01:12:42You've reached the studio of Sam Payton Photography.
01:12:59Leave a message and I'll get back to you as soon as I can.
01:13:02The final curtain comes down tonight, Sam.
01:13:05Kiss your dear wife goodbye.
01:13:10Hello?
01:13:11Hello?
01:13:19Jesus Christ.
01:13:41What are you doing here?
01:13:42I thought we should have a talk.
01:13:43Alone.
01:13:44Get the hell out of my dress anymore.
01:13:47You're just not a bimbo.
01:13:48You cost me my movie.
01:13:49You're just not a bimbo.
01:13:50You cost me my movie.
01:13:52You're just not a bimbo.
01:13:53You cost me my movie.
01:13:54You're just not a bimbo.
01:13:55You're just not a bimbo.
01:13:56You cost me my movie.
01:14:00You're not a bimbo.
01:14:01You're just not a bimbo.
01:14:07You're just another bimbo.
01:14:15You cost me my movie.
01:14:23Now it's your turn to pay.
01:14:2920 minutes, ladies.
01:14:31And this is for that husband of yours, too.
01:14:37I need some help in here.
01:14:59Did you get my lilies, Kelly dear?
01:15:07I need some help in here.
01:15:19Hugo, get your butt down here!
01:15:23Where the hell is Helen?
01:15:31Helen?
01:15:31You okay?
01:15:35Have I seen Helen?
01:15:36What do you mean, have I seen Helen?
01:15:38Where the hell is Helen?
01:15:39The curtain goes up in 15 minutes, Kelly.
01:15:41God, you guys!
01:15:43This is opening night!
01:15:45We have a full house out there.
01:15:46Now please, go upstairs and get into costume.
01:15:49I'll look for Helen.
01:15:57You all right?
01:15:58Can you walk?
01:16:00Yeah.
01:16:01I gotta go.
01:16:03I gotta find Kelly.
01:16:05Okay?
01:16:05You okay?
01:16:06Call the police.
01:16:07Now!
01:16:17Helen.
01:16:18Let's knock him dead tonight.
01:16:20Break a leg.
01:16:24Brush adrenaline.
01:16:26Here we go.
01:16:29Helen?
01:16:29There you are.
01:16:31Helen?
01:16:37Where'd you go?
01:16:37My God, it's almost time.
01:16:40God, you missed all the action.
01:16:41You wouldn't believe what happened to me.
01:16:43You slept with him, didn't you?
01:16:46What?
01:16:47Helen?
01:16:51You home-wrecking little slut!
01:16:539-1-1 emergency service.
01:17:08Yes.
01:17:09I need the police.
01:17:10Let me get your address, sir.
01:17:13Sir?
01:17:14Do I sound like a bloody man to you?
01:17:16What do I sound now?
01:17:21You sound fine, miss.
01:17:23I didn't know he was married.
01:17:27He made me believe that he loved me.
01:17:32And that we'd always be together.
01:17:35But he lied to us.
01:17:37The bastard lied to us both.
01:17:40Wendy, don't!
01:17:41Don't do this.
01:17:51I am begging you.
01:17:55Please.
01:17:55I have been over this a million times in my head, darling.
01:18:03And there's no other way.
01:18:07I'm afraid that your wife's part has been cut.
01:18:14And if it wasn't for you,
01:18:16Sam and I would be together.
01:18:19Somebody always has to die.
01:18:26In the sky.
01:18:27Ow!
01:18:57It's over. She can't hurt us now.
01:19:27Aren't you people dressed yet?
01:19:53Oh my god.
01:19:55Well, it appears we may be a little late opening tonight.
01:20:25Oh my god.
01:20:35Oh my god.
01:20:45Feel this world no more.
01:20:49Happiness and deception.
01:20:53Oh my god.
01:21:03Oh my god.
01:21:11Oh my god.
01:21:13Oh my god.
01:21:15Oh my god.
01:21:25Oh my god.
01:21:35Oh my god.
01:21:37Oh my god.
01:21:47Oh my god.
01:21:49Oh my god.
01:21:59Oh my god.
01:22:01Oh my god.
01:22:03Oh my god.
01:22:07Oh my god.
01:22:09Oh my god.
01:22:11Oh my god.
01:22:13Oh my god.
01:22:15Oh my god.
01:22:17Oh my god.
01:22:19Oh my god.
01:22:23Oh my god.
01:22:25Oh my god.
01:22:27Oh my god.
01:22:29Oh my god.
01:22:31Oh my god.
01:22:35Oh my god.
01:22:37Oh my god.
01:22:39Oh my god.
01:22:41Oh my god.
01:22:43Oh my god.
01:22:45Oh my god.
01:22:47Oh my god.
01:22:49Oh my god.
01:22:51Oh my god.
01:22:53Oh my god.
01:22:55Oh my god.
01:22:57Waiting for you, Lord
01:23:02Till no one might end
01:23:27I was up in the clouds
01:23:33Till I heard the sound
01:23:36Of love coming down, down, down
01:23:39It's nowhere to be found
01:23:42Then it's all around
01:23:44Love's coming down, down, down
01:23:47There was nothing here for me
01:23:51The waves of cold light spinning over me
01:23:56Nothing new for me
01:23:59Then I could see
01:24:02I was up in the clouds
01:24:05Till I heard the sound
01:24:07Of love coming down, down, down
01:24:10It's nowhere to be found
01:24:13Then it's all around
01:24:15Love's coming down, down, down
01:24:19Coming down, coming down, yeah
01:24:26I don't know, yeah
01:24:30I don't know, that's the best
01:24:32The Hehe
01:24:33The Cheeto
01:24:34The Cheeto
01:24:35That 해주ded
01:24:36The Cheeto
01:24:37The Cheeto
01:24:39The Cheeto
01:24:407
01:24:413
01:24:41Of the Cheeto