Miami Vice Season 5 Episode 14 The Lost Madonna
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00:00Hearing anything coming in loud and clear
00:02The thing I can't figure is why Scali's taking chances
00:21Bringing in a freighter
00:26We're at the $20 million level
00:31Straight into the port
00:35Why not?
00:38Exchange the ship's papers
00:40Hired himself a new crew
00:43No rap sheet
00:45Bypasses the speedboats
00:49That he needs to upload
00:50At sea
00:52He's gotta just help him secure a peer
00:56The man's practically an artist
01:01I'm almost gonna hate taking him down
01:06Not me
01:09We got a visitor
01:12Well, well
01:18Stanley Costa
01:46And he's doing business with this Chianti family
01:57Family told me tonight
02:00It's the biggest load
02:03That has ever come into Miami
02:06That is, of course, after he's swarming a secrecy
02:09Well, me and his favorite bartender
02:13There's a sedan coming in now
02:15Come on, Stanley
02:18Make our bust
02:22Keep your ears and eyes on
02:27We'll see you soon
02:30Who's that?
02:33We'll see you soon
02:33Come on
02:34You're not
02:34You're not
02:36Who's that?
02:37I'm who's that?
02:38I'm who's that?
02:38I'll see you soon
02:40And you're next
02:41You're right
02:42You're now
02:45Of course
02:46And you're next
02:46You're next
02:47You're next
02:50To be back
02:51You're next
02:52You're next
02:54How you doing there, Manuel?
03:01Yeah, looking real GQ there, ready to make a deal.
03:05The trouble is, we're not.
03:09We can't lease you to P.I.P.A.
03:12What?
03:13Are you tired of living?
03:17The freighter's doing right now with a 50,000-pound load.
03:21We need that P.I.P.A.
03:22Well, it's a boat, babe.
03:24Turn the sucker around.
03:30I ain't paying you gringos enough, huh?
03:33Is that it?
03:34I'll lay an extra $300,000.
03:39You don't get it.
03:40Look, the old man's got a moral legit purpose for the pier now, okay?
03:44He's pulling out of dope.
03:45You're going to burn for this.
03:47Oh, I'm going to burn for this.
03:48It won't be as nice as it sounds.
03:51Yeah?
03:51What if it's your neck in cement with Biscayne Bane
03:54filling your mouth with water, okay?
03:57Then get cute.
04:06Well, so much for the Schianti's brilliant career in the dope business.
04:10Oh, is she out of this world or what?
04:34She's something.
04:35All right.
04:36Hey, great bond.
04:37Hey, shut up, Stanley.
04:38You understand absolutely nothing about broads.
04:41Go find the other ladies, would you?
04:44They got hookahs in there?
04:52All right, Stanley.
04:53We'll meet you back at the house in 20, all right?
04:55But, uh, I thought that hair is a little tweaked.
04:59You want a set of helpy?
05:01Nah, I'll handle it.
05:02I'll see you in 20.
05:03Okay.
05:04Okay.
05:04Come on.
05:22Hey, Stanley, what's happening?
05:37Burnett, what the hell are you doing here?
05:39Are you nuts?
05:40Well, you see, Stanley, the thing is, like, I'm a cop, man, and you're under arrest.
05:49Yeah, right.
05:49That's what I am.
05:50I'm under arrest.
05:51Yeah.
05:52No, really, man.
05:55I'm a cop.
05:57Now, I want you to put your hands on the pickup there nice and easy.
06:01Real easy now.
06:10Stanley!
06:13Give it up, Stanley, for what's in your miserable life!
06:16Last chance, Stanley, give it up!
06:24Freeze, Stanley!
06:25Freeze!
06:25Freeze!
06:25Freeze!
06:26Freeze!
06:26Freeze!
06:27Freeze!
06:27This is number four.
06:36This is number four.
06:49We might be able to bust the old scotty after him.
06:52What the hell?
06:57What the hell is this?
07:12I always knew old Stanley would end up this way.
07:23I always knew old Stanley would end up this way, but I never thought he'd die for art.
07:32You know, we're gonna do it.
07:33Oh, yeah.
07:33You know.
07:34You know.
07:34You know.
07:43You know.
07:43You know.
07:44You know.
07:44You know.
07:45You know.
09:16Oh, the Schianti bust.
09:18That's right.
09:20The detective maintains that Albert Schianti masterminded an art there from the Marmonton Museum in Paris seven years ago.
09:29And these are the two side paintings to the Marmonton's famous 15th century triptych, The Madonna of the Spirits.
09:39We think Joey Schianti drove away with the centerpiece to the set, The Madonna.
09:48The Schianti family is dealing in art?
09:50I know.
09:51You've got to be kidding me.
09:53Well, these two side paintings could bring him as much as $7 million.
10:00With The Madonna, the centerpiece in Joey's car, the entire masterpiece could command as much as $17 million.
10:11Unbelievable.
10:12Do either of you gentlemen know anything about art?
10:18Got the wrong guy, pal.
10:20Well, what about you, detective?
10:21Oh.
10:23And for $17 million, I could fake it.
10:27Good.
10:27I'm delighted that you can help me.
10:29I understand that these paintings are to be brought back to impound until I can get the proper requisitions to return them to New York.
10:39I would suggest that we keep a full press blackout on the entire operation, the shootout with Stanley Costa, as well as the recovery of the spirits.
10:50For what purpose?
10:51Well, dealing art isn't the same as dealing drugs, lieutenant.
10:58If the Schiantis discover that the police are in possession of the spirits, they'll simply hold on to the Madonna, ruining any chances of recovery.
11:09I'll give you a 36-hour blackout.
11:21Any sign of Stanley?
11:30Checked all his hangouts.
11:32Zebra room, the track.
11:34Guy's nowhere to be seen.
11:36Damn it.
11:40Costa's ripped off with the spirits.
11:42I'm telling you, son, we've got to find our loser before he lays him off.
11:46Yeah, meanwhile, what are you going to say to your old man?
11:48You don't tell the old man Zip.
11:50We've got the odds.
11:52The deal with the grease going down, everything's just dandy.
11:55I mean, you're going to lie to your father?
11:57Absolutely.
11:58Telling him the truth would be absolute suicide, believe me.
12:01Remember I was running the hotbeds down in Haiti?
12:03Yeah, so?
12:05Yeah, so, uh, he suckers me with his, with his sensitivity routine.
12:11He says, confide in me, son.
12:14So I tell him the truth, I lost the load.
12:17So?
12:18So he pours a whole gallon of lighter fluid all over Prince.
12:22All right.
12:25Now, who's Prince?
12:29My barbecue doggie.
12:31This work represents the cutting edge of the art world today.
12:46The movement is called Neo-Dadaism, and the painter in question, Andrew Noble, is generally considered to be its dean.
13:02That's the new stuff?
13:05If I remember correctly, there was a guy named, uh, Paxton.
13:10Used to paint that kind of stuff in the 50s.
13:12This is a piece by Lucy Lamamore, representing a search for the purest possible form.
13:23Uh, uh, the painter here is engaged in a sort of aesthetic mysticism.
13:32Yeah, I'll say it's pure.
13:37Yeah, I'll say it's pure.
13:43So pure I can't even find it.
13:45Lammermoor's work never panders to the viewer, Detective Crockett.
13:52She puts great demands on her audience for visual rewards.
13:57Yeah, I'll say.
14:00I'm still looking for the payoff.
14:04Let's see if we can't learn something, shall we, gentlemen?
14:07It is crucial for your cover.
14:10I knew this was going to be difficult with two detectives from Miami.
14:15Geoffrey, what's the problem?
14:22You don't feel at home here or what?
14:24I'll tell you where I feel at home, Detective Crockett.
14:27On a Scandinavian liner headed for Paris,
14:31sipping a Dom Perignon, sitting at the captain's table.
14:36You see, in my line of work, Detective,
14:39I've grown accustomed to going first class.
14:45Now this, Detective,
14:48will be your ticket of admission into the Schianti ring.
14:53That's a Mark Kostabi.
14:59Very good, Detective Swiatek.
15:02A man of letters.
15:05What a pleasant and gracious surprise.
15:10Other works by Kostabi hang in a gallery owned by Schianti.
15:15Now this is a very negotiable item.
15:18Now this painting must be worth, I don't know, $900,000.
15:23What happens if it gets lost in the buy?
15:26It's a copy, Detective.
15:28And neither you nor Schianti will ever be able to tell the difference.
15:35It's pretty good.
15:36How come you're not eating, Pop?
15:55Because you haven't mentioned the Madonna of the Spirits once.
16:02Is she taken care of?
16:04Picked them up from the warehouse last night.
16:08Last, would you?
16:10All three pieces.
16:13That's all three pieces.
16:15The Madonna, the two little side paintings,
16:19the whole little softball team.
16:20Stay for the sound, believe me.
16:23They better be.
16:25Because I got a Greek with 17 million bucks waiting for me.
16:30Yeah?
16:30Now go on.
16:35Go drop off the virgin and scoop up that grain.
16:38Go on.
16:39Go on.
16:43It's beautiful, isn't it?
17:05Yes.
17:06Hi, Ron Zaram.
17:09My name's Julius Schiani.
17:11I'm Professor Cooper.
17:13Hello.
17:14It's remarkable to see a Kastavi show.
17:18Actually, I was just working on a monograph about the artist.
17:23Is that right?
17:24It's amazing how he's able to assimilate so many different kinds of religious imagery.
17:32Crucifixes, saints, priestly figures, and not seem emblematic or cheap.
17:42Eloquently put.
17:43I hope I'm not sounding too academic.
17:48It goes along with the turf.
17:50I taught art history for almost 10 years.
17:56This doesn't quite reach the level of Siamese connection.
18:17Now, there's a painting.
18:22I'd give anything down that one.
18:25But it was bought by an anonymous collector a few years ago.
18:31Perhaps it'll resurface.
18:32Oh, I'd say that that's unlikely.
18:38Whoever has it must be in love with it.
18:40They'd never part with it.
18:43Willingly.
18:45Well, suppose it weren't a resurface.
18:48I mean, hypothetically speaking, would you be interested?
18:53Hypothetically speaking?
18:54Yes.
18:56Of course.
19:02I'll give you $200,000 cash.
19:09That's a tad low, don't you think?
19:11If I needed that kind of cash, I'd just as soon hold up the college credit union.
19:19Best I could possibly do would be $250,000.
19:25I shouldn't.
19:27Not really.
19:28But since you're such a true lover of art, when do we make the exchange?
19:41The Colonnade Hotel this afternoon at 5.
19:45I'll set it up.
19:46I must say it's a pleasure of working with an officer who appreciates Mark Costabi.
20:06I love his work.
20:08He's an original.
20:10But he doesn't hold a candle to Neiman.
20:14Neiman?
20:14Is he in the German school?
20:19Nah.
20:21Sports school.
20:22He paints jocks.
20:26Oh.
20:29I can't believe this.
20:31I got buyers from machine gun to the kids with this garbage.
20:37Hey, I know you.
20:39Did you used to hang out with Stanley Costa?
20:42Could be.
20:43I know a lot of guys.
20:49Lately, I've been throwing in with the professor here.
20:54Because he travels first class.
20:56Yeah, so he does.
21:01He got style, teach.
21:04Well, if you prefer the classical period, I work with a consortium of antique dealers who,
21:14say, how best to put this, uh, rip off chateaus in France, take the prof.
21:25You can sell them to the elderly in Palm Beach.
21:30You don't have to cool them down either.
21:32I know you got to tell you.
21:33I know you got to tell you.
21:37For professor, you got a lot of shady ideas.
21:41All right, that does it.
21:43Now, that's what I call art.
21:48Ben Onesino.
21:50Well, congratulations, detective.
22:03Not at all bad for amateurs.
22:06I think I got the scene figure.
22:15The, uh, professor and, uh, Mr. Burnett there could be in league with our old buddy Stanley Costa.
22:21I'm telling you, those two winners hijacked our paintings.
22:25Maybe we should put a tail on them.
22:27No, no, no.
22:28They'll be back.
22:29I guarantee you they're going to try and take off the Madonna.
22:32And when they do...
22:34Yeah, bye-bye!
22:35You sons of...
22:39I'm going to blow them away right now.
22:40Seventy-five thousand dollars.
22:51May I have eighty?
22:53Eighty thousand.
22:55May I have eighty-five, ladies and gentlemen?
22:59Eighty-five thousand.
23:00Thank you, sir.
23:02I'm holding at eighty-five thousand dollars.
23:05A bargain for this avant-garde piece.
23:07Eighty-five thousand dollars, ladies and gentlemen.
23:11Fair warning.
23:14Sold to this gentleman.
23:15Congratulations, sir.
23:17And now, lot one zero two.
23:21A painting we've all been waiting for.
23:24The latest exploratory probe in the Neo-Dadaism.
23:29A Mark Costavi.
23:31And an asset to anyone's collection.
23:34Who'll start the bidding at seventy thousand dollars?
23:38Thank you, sir.
23:40May I have seventy-five thousand dollars?
23:44One hundred.
23:46Why is he putting him like that?
23:47One hundred.
23:49Thank you, sir.
23:50May I have...
23:51One ten.
23:52One ten.
23:52Sold to this gentleman for one hundred thousand dollars.
24:10And now...
24:11Oh, my God, man.
24:12I didn't even have a chance to bid.
24:15I'm heartbroken.
24:15Okay.
24:16May I have thirty thousand?
24:20I have thirty thousand on the left.
24:22That's clever.
24:23Thirty-five thousand in the back.
24:25You two bought back your own painting.
24:27That's right, professor.
24:29In case the Jardin's come by, we've not got it registered officially.
24:36No more saying.
24:36Forty-five thousand down front.
24:38Maury's a good friend of ours.
24:39Forty-five.
24:40May I have fifty?
24:43That's nice.
24:46I think my painting's in very capable hands.
24:51Holding for forty-five thousand dollars to this gentleman.
24:54By the way, I'd like to invite you and Mr. Burnett to a party
24:57hosted by a very special benefactor to the R's.
25:00That'd be lovely.
25:03All good children need traveling shoes
25:23Drive your problems from here
25:27All good people read good books
25:33Now your conscience is clear
25:37I hear you talk, girl
25:39Now your conscience is clear
25:41How often do you and Professor Cooper attend art auctioneers?
25:47Oh, as often as possible.
25:49Paris, Berlin, Mexico City.
25:53Wherever art is sold.
25:59And how did you two become involved in art, trafficking?
26:07Well, I met the professor in New York, in a little gallery down in Soho.
26:12The professor got tired of faculty sherry parties, and I happened to know an old collector who's interested in collecting some...
26:22So I would say valuable paintings.
26:25When the professor and I became partners.
26:30Sigmar!
26:31I'm so happy to see you.
26:35How are you?
26:39You must know Mr. Burnett.
26:41No, I don't.
26:42Who the hell are you?
26:43No, I don't.
26:44Who the hell are you?
26:46Well, of course you do, Sigmar.
26:48We met at Elaine's in New York.
26:50Don't you remember?
26:54Yes.
26:55Were you the one with the three Chinese girls?
26:58Could be.
27:01Could be.
27:03I remember now.
27:04You're a very bad boy.
27:07Well, thank you.
27:10Mr. Motherland.
27:11Oh, this may sound terribly naive, but what is it your sculptures are attempting to say?
27:22I never explain, madam.
27:25My work is beyond syntax.
27:52Hello.
27:54Yes.
27:55Okay, please.
27:56And more than twists in my sobriety
28:19Joey, Joey, you've been stoning me long enough.
28:23Now, I don't want to have to lose my patience.
28:26It's going to be okay.
28:28Where's the trip?
28:29You promised it.
28:32Nice, it's his little transportation club.
28:35Oh, there's another buyer in San Diego.
28:39You're stalling me while you wait for a better offer.
28:42Come on, Nico.
28:43You get a little paranoid there, aren't you?
28:46Look, I got the Madonna,
28:48and I'm working on the two-side paintings right now.
28:51Listen, Joey, we have a deal.
28:53I want my art.
28:56Oh, come on, Nico.
28:58It's not dramatics, please.
29:00Besides, I got this new Marcus Darby painting.
29:04I give it to you for almost a cost.
29:07Probably $1,000.
29:11What do you think, huh?
29:12I'm going to go run a check on the Greek Nikos.
29:19Cool.
29:19I'll work hard.
29:20Most wise guys, who are they good for?
29:39Hijacking?
29:41Extortion?
29:44Dealing horse?
29:45Me?
29:49I, uh, deal lots.
29:53I'm, uh, deeper than him.
29:57Soon you'll be featured in Art in America, won't you, Joey?
30:01You shut your mouth or you don't get no spending cash.
30:04What does she know?
30:10Pulling up in a college with a bunch of cardigan sweaters.
30:14She don't got to deal with the jackals in the business like me.
30:17Speaking of business,
30:19word has it that you were involved in the Marmottan heist.
30:24Who's word?
30:26Stanley Costa's word.
30:28Who is this, uh, Stanley Costa?
30:33Like you don't know.
30:35No.
30:36I'm afraid I don't.
30:39Come on, Joey, tell me.
30:43The Madonna of Spirits.
30:46Is it in your possession?
30:49You know, you're pretty sharp there, Professor.
30:51What if it is?
30:57I have a buyer.
30:59A very, very wealthy fellow.
31:03Much better off than the Greek.
31:06He'd be interested.
31:09That is,
31:10if you do have the peace.
31:13Yes.
31:13Joyce Chianti's in possession of the Madonna, no question.
31:24And he's already cut a deal with the Greek.
31:27Nikos Plato.
31:29I think the time is right that we lift the press blackout
31:32on the recovery of the spirits.
31:34Why now?
31:36I'd let everyone know that we're in possession of the two side paintings.
31:40We've got a full-board investigation going on in the Madonna.
31:44It'll scare off the Greek
31:46and leave the Chianti's with one buyer.
31:48Us.
31:50It's just a routine buy, Lieutenant.
31:52Bing, bang, boom.
31:54You guys may be hot shots in the dope business,
31:57but I can assure you,
31:59you're complete virgins in the world of stolen art.
32:02With the heat on,
32:05Chianti will simply sit on the Madonna.
32:08He'll look at it as a long-term investment.
32:11I don't think so.
32:13I know the Schianti's.
32:16They live to make deals.
32:19If we press him now,
32:21he'll sell.
32:23And we'll nail him.
32:25You're impossible.
32:27Amateurs.
32:28Amateurs.
32:28Amateurs.
32:32We lift the, uh, blackout.
32:40Well, that wraps it up, Ed,
32:42except for this final score.
32:44Just in.
32:45Believe it or not,
32:47Heat 128,
32:48Lakers 89.
33:02Joey.
33:05Ah!
33:06Goodness.
33:06Who is it?
33:07Joey!
33:07Joey, I thought this was the beginning
33:09of a beautiful shot.
33:11You know, you grab the spirits,
33:13you little leak.
33:13Now, listen, you're misinformed.
33:15The police have the ladies.
33:17Oh, the police?
33:17Yes.
33:18What is this?
33:18Comic strips?
33:19No, no, no, no.
33:20Listen, listen.
33:20Just calm yourself down.
33:22You'll see.
33:23I saw it on the news tonight.
33:25I saw it myself at 7 o'clock.
33:27Uh-huh.
33:27The news, huh?
33:28Yes.
33:29Sal, take care of this guy,
33:31would you?
33:31This is hideous.
33:34Look, what are you going to do with that?
33:36I'm going to add you to my list
33:37of top ten hits, professor.
33:39Sal, Sal, I'm not here.
33:40You're going to get the floor on this.
33:41You'd take him outside, would you?
33:43Whoa, whoa, whoa.
33:43Whoa, whoa, whoa.
33:52And finally, local police have announced today
33:55that the two side paintings
33:57of the famous Madonna of the Spirits triptych
34:00have been recovered after a violent shootout,
34:03which resulted in the death of crime world figure
34:06Stanley Icepick Costa.
34:08There's every reason to believe
34:10the $11 million centerpiece,
34:12the Madonna itself,
34:14is in the possession of an organized crime family
34:17based right here in sunny Miami.
34:19It seems even society's filthy underbelly
34:22wants to become part of the art boom,
34:25a sad commentary on our present mores.
34:29I'll tell you what's sad, Bill.
34:31When you squeeze inside a transcompact,
34:34you son.
34:35I am terribly sorry,
34:37but I absolutely detest physical violence.
34:41He seemed to be beside himself,
34:43so I had to hit him.
34:47No problem.
34:50Hey, uh, look, professor,
34:52I checked the TV.
34:55You were right.
34:56The cops grabbed the ladies.
35:00Some deal, huh?
35:01Yeah.
35:02Perhaps you should tend to your friend.
35:05I think you could use some air.
35:07You're looking very out of sorts
35:25this morning, detective.
35:26Those books you gave me on neo-dataism
35:29will keep me up all night.
35:30Well, perhaps they're a little over your head, eh?
35:35I almost got planted in a body bag
35:37off I-95.
35:39So save
35:40the Masterpiece Theater Act.
35:44I suppose you could do me
35:46some physical damage, detective.
35:48I suppose I could.
35:51Or we could sit and discuss this
35:53like two civilized human beings.
35:57Which would you prefer?
36:02What do you mean you don't want to make the body?
36:04Simple.
36:06The heat's on.
36:07I think it's time
36:10for me to make
36:11my Healy pilgrimage
36:13to Crete.
36:14Yeah, well, let me tell you something.
36:15If you're back up and have a deal
36:16with the Schiante family,
36:17you're going to Crete in a box.
36:18I promise.
36:21You're a cute kid, Joey.
36:23Why don't you leave
36:24while you still look good?
36:27Hey!
36:27If we don't find another buyer soon,
36:45Pop's going to waste us out.
36:49I've just communicated with my superiors in New York.
36:54Because Joey Schiante can turn the Madonna
36:58into as much as $11 million,
37:01we need a commensurate sum in flash money.
37:06It just isn't available.
37:08Concurrent investigations have sapped our office's resources.
37:15I'm afraid we won't be able to make the deal.
37:18The Schiantes are in the dope business, too.
37:28We could use dope to make the buy.
37:35A serious collector won't accept narcotics.
37:39Who the hell's talking about serious collectors?
37:42On an evolutionary scale,
37:44the Schiantes are about, oh,
37:46one step below amoeba.
37:49We could use the heroin out of impound.
37:51It could be arranged.
37:54Well,
37:55I would be most grateful.
37:58There's just one more thing, Lieutenant.
38:01This operation must be in my hands.
38:04I'm responsible for the safety of the Madonna.
38:08That's more important than the drugs.
38:10Not if four pounds of number four hits our streets.
38:13My priorities are to the paintings.
38:18You're in charge.
38:22Stan,
38:23Trudy, and Gina will be your backup.
38:28That'll be all.
38:30Well, Professor, looks like you're on.
38:33I always knew I'd get a PhD.
38:37And I only get this straight.
38:39This big art collector wants to buy the Madonna with street dope.
38:43What the hell's this world coming to?
38:49You know, I gotta tell you, Professor,
38:51you're full of surprises.
38:53How much?
38:54I believe he said it was, uh, four pounds of, uh, what is it, uh, pure number four?
39:03Does that sound right to you?
39:05Number four?
39:07Oh, that's a major score.
39:10I could step in there three times and have the hottest smack in Miami.
39:13Oh!
39:16All right, now look, Professor.
39:18Look, I got no problem with the deal.
39:20But I want to meet this guy face to face.
39:23In case he burns me, I want to know who to chase.
39:25That's fine.
39:26And this all goes down in your turf this afternoon at three.
39:30Now listen, Professor.
39:33If this guy doesn't show,
39:35I'm gonna take your house.
39:37Oh, it's good.
39:51Hey, Julia!
39:51That's one classy-looking chick.
40:11Yeah.
40:12Marjorie just brought a new bag in high school.
40:16Anna Maria Valchuk.
40:18She used to take me underneath the grandstands,
40:22do a little cheers for me.
40:24But, uh,
40:26the nuns didn't really dig our act.
40:28What'd they do, send her to a convent?
40:31Nah, I heard she's working on 42nd Street.
40:35That's very funny.
40:38Just what I'd expect from the two of you.
40:41Hey, chill out.
40:42We're taking good care of her.
40:45By selling her for drugs?
40:47I'll soon may forget.
40:50Let me tell you something, smarty pants.
40:51It was drugs that put food in your mouth.
40:54It was drugs that gave you an education
40:56and bought you time so you could learn about
40:58big, fancy paintings
41:00and things like this thing right here.
41:05He wouldn't know a masterpiece from an etch-a-sketch.
41:08All that exquisite detail.
41:16Loving contours of the face and the hands.
41:21To you, it's just a pile of money
41:23to blow at the racetrack.
41:25Shut up.
41:26I can't believe we're related.
41:32It's like you crawled out of a swamp.
41:35And you know something?
41:37Better drop this little attitude you got there, Julia.
41:40I swear, if you weren't my sister,
41:43I'd love to
41:44just whack you with a baseball bat.
41:51Just once.
41:52We're in position.
42:07Ah, yeah.
42:08Hello.
42:09It's Lonely Guy Security.
42:11You fellas set up in a house?
42:14We're open for business.
42:18Ah, Roger.
42:19Stan, here come your boys.
42:41Your customers have arrived.
42:49Gentlemen, right this way.
43:14Joey Sigiani.
43:25Meet Jeffrey Napolitano.
43:27Ah.
43:28Always a pleasure to meet another common sore.
43:32Yes.
43:34Where is the Madonna?
43:36Now, where's the number four?
43:38No.
43:58No.
44:02No.
44:03No.
45:04All right, well, uh, she's out there in the car.
45:09I didn't want her to see this.
45:15Well, uh, let's not keep the lady waiting.
45:19All right, uh, follow me, Jeffrey.
45:23So keep an eye on her party favors, would you?
45:25Let's go, Jeffrey, old boy.
45:49There she is.
45:59Safe and sound.
46:11Emergency.
46:12Officer down.
46:12Mrs. Whitehead, move in.
46:34Check the bedroom.
46:35Cops.
46:46Give it up, Sal.
46:48No way out.
46:50And you told me he was the dumb one.
46:52Oh, okay.
46:54Roger, sorry.
46:55Hey.
46:58How come, you?
47:05Oh, wow.
47:07I'll get you.
47:09Oh, my God.
47:15Oh!
47:15I don't know.
47:45Stan, do you know where Whitehead was staying?
47:56Shangri-La Hotel, just two minutes away.
47:59Too late for that.
48:00He planned this from the get.
48:02He's gone.
48:04Gone, but gone where?
48:10The only place I feel at home is in Paris.
48:15Airport?
48:18No, ships.
48:20Get on the radio and check the departure.
48:22Call us in the car.
48:23Let's go.
48:23아니, let's go.
48:31Yeah.
48:32Yeah.
48:32Yeah.
48:33Yeah.
48:33Yeah.
48:33Yeah.
48:34guitar solo
49:04guitar solo
49:34guitar solo
50:04guitar solo
50:34She's playing
50:40For another love
50:46She's playing
50:52For another love
50:58guitar solo
51:22I see the heart of running
51:25In my life
51:27And it's a
51:30You keep
51:35On telling me
51:37Not to care
51:40But I can hear you
51:43Sing a
51:45You know, I got to miss you
51:50You know, I got to miss you
51:51You know, I got to miss you
51:53You know, I got to miss you
52:15As a broad, you got more class
52:18I'd urge you
52:23I'd urge you not to interfere
52:24Mr. Schianti
52:25What's a twangie like you doing
52:28Taking me off anyway?
52:30I would prefer not to mar
52:32My retirement from active duty
52:34With physical violence
52:36Oh, I'm terrified
52:38Look, I'm breaking out in the eyes
52:40Over here
52:40You really didn't think
52:42I'd endanger the safety
52:43Of the Madonna
52:44By putting her in your hands
52:46Did you?
52:47Come on, look
52:48Let's not get personal
52:49Okay, pal?
52:50Just hand over to ladies
52:52That's real blood, man
53:06To the проход
53:06Let's not get personal
53:07Let's not get for life
53:09Come on, look
53:20Let's not get 있잖아요
53:21Let's not get
53:23Let's not get
54:34Here, give me some more, okay?
54:41Oh, Sigmar, baby.
54:53Y'all ought to lock the front door with all this high-priced art around.
54:57Get out of here, you philistine.
55:04Oh, now, Sigmar.
55:06Come on.
55:07Damn.
55:13Good night, Sigmar.
55:15Sonny, I know how this must look.
55:21I know how this must look.
55:23But you have to understand.
55:25I couldn't let my brother sell her for drugs.
55:30It was protecting her.
55:32You know, I don't know what hurt Whited more.
55:37The fact that he was going to jail or the fact that he got fooled by a fake.
55:43And I started thinking, who could have pulled this off?
55:53Who had the spirits long enough?
55:56Who loved it.
56:00And it came to me.
56:05Only you.
56:08It was the way that you described her.
56:15Her face.
56:17Her hands.
56:19Her hands.
56:24And I realized.
56:27Julia.
56:30Nope.
56:31Julia would have never been fooled by a fake.
56:45Guess where I went last night.
56:49To the library.
56:51Really?
56:52Yeah.
56:54I went there and I looked up the guy that painted the triptych.
56:59What's his name?
57:00Milo Limbrezzi.
57:01I'm aware of him.
57:02Yeah, yeah.
57:03Milo.
57:04Well, are you aware that it took Milo three years to paint those ladies?
57:11And when he was finished,
57:13took his work to his patron,
57:16who was some duke in the Medici family.
57:22And the duke says to him,
57:24eh, it's not exactly what we had in mind, Milo.
57:28So he cut off Milo's hand
57:30to show him how disappointed he was.
57:32Oh.
57:36It's a very sad story, Sonny.
57:38Yeah.
57:42Look.
57:44No one knows except you.
57:48And I'll give you half the money.
57:49It's eight million dollars.
57:57Eight million dollars?
58:02That's a lot of money.
58:03And then we could, like, hang out together.
58:11Go to foreign movies.
58:14Polo matches.
58:20Nah.
58:24Doesn't sound like me.
58:25This one's for you, Milo.