The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task | dG1fVmEzRkllemZXWU0
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Short filmTranscript
00:00Dancers, please sign in if you haven't.
00:12Thirty minutes till the first ballet of the evening, Justin Peck's Paz de la Hoya.
00:30Maybe you're thinking about it being like a full turn.
00:38It really should be more like...
00:40Okay, so the first one I'll do and the second one, no.
00:54We want it to sit more like that.
00:56No, bring them down through and then around.
01:02No.
01:04You have to lift her up and lift her down.
01:06Yeah.
01:07Not just lift her up.
01:09There's this disconnect between what's happening here and you're kind of this kid.
01:13You know, I mean, it's cool.
01:15Stop!
01:17We need to do that again.
01:19Light Q10, go.
01:21How far do we push a story with the light?
01:28This side?
01:29That side.
01:30It's really important to play with like a lot of energy and vigor.
01:37It's wonderful, it's lovely.
01:38We've been talking about energy and vigor.
01:40We've been talking about energy and vigor.
01:46And it's really the best thing that we see.
01:50We see that there'slon at the end of the day.
01:52It's like the end of the day.
01:54It's just the best thing that we like.
01:56And it's just like a lot of energy and vigor.