Shirin Farhad - Episode 05 [CC] - 05 May 25 [Farhan Saeed & Kinza Hashmi] Blesso, Master Paints, PEL
Shirin Farhad is a compelling new drama that weaves together ambition, love, and family conflict. Saif, a humble tailor, finds sudden success in the film industry and dreams of making his daughter, Shireen, a star. Meanwhile, Farhad, inspired by the glamour of cinema, runs away to Lahore to pursue acting where he crosses paths with Shirin. As their romance unfolds, they face obstacles of family pressures, heartbreak, and ambition.
Will love conquer all, or will dreams pull them apart? Don’t miss Shirin Farhad, a story of hope and resilience.
Digitally Presented By Blesso
Digitally Powered By Master Paints #MasterPaints
Digitally Associated By PEL
🌟 Sitaray:
Farhan Saeed,
Kinza Hashmi,
Rashid Farooqui,
Saleem Mairaj,
Ali Tahir,
Zhalay Sarhadi,
Ali Rizvi,
Irfan Motiwala,
Kanwal Khan,
Ali Sikandar,
Rana Majid,
Haider Shah,
Mubashir Mehmood,
Rabya Rizwan,
Neha aur deegar!
🎬 Hidayatkar: Asad Mumtaz
✍️ Musanif: Ali Moeen
Momina Duraid Productions Ki Paish-Kash
#ShirinFarhadep05
#farhansaeed
#KinzaHashmi
Shirin Farhad is a compelling new drama that weaves together ambition, love, and family conflict. Saif, a humble tailor, finds sudden success in the film industry and dreams of making his daughter, Shireen, a star. Meanwhile, Farhad, inspired by the glamour of cinema, runs away to Lahore to pursue acting where he crosses paths with Shirin. As their romance unfolds, they face obstacles of family pressures, heartbreak, and ambition.
Will love conquer all, or will dreams pull them apart? Don’t miss Shirin Farhad, a story of hope and resilience.
Digitally Presented By Blesso
Digitally Powered By Master Paints #MasterPaints
Digitally Associated By PEL
🌟 Sitaray:
Farhan Saeed,
Kinza Hashmi,
Rashid Farooqui,
Saleem Mairaj,
Ali Tahir,
Zhalay Sarhadi,
Ali Rizvi,
Irfan Motiwala,
Kanwal Khan,
Ali Sikandar,
Rana Majid,
Haider Shah,
Mubashir Mehmood,
Rabya Rizwan,
Neha aur deegar!
🎬 Hidayatkar: Asad Mumtaz
✍️ Musanif: Ali Moeen
Momina Duraid Productions Ki Paish-Kash
#ShirinFarhadep05
#farhansaeed
#KinzaHashmi
Category
😹
FunTranscript
00:00NAMM TERA MERA RAH JAYEGA
00:16I'm a big brother.
00:18You never get angry.
00:20Wasam!
00:22Wasam!
00:24My brother!
00:26He said that my brother died.
00:34My brother, we will never come.
00:40They will come, right?
00:42What? You mean you're not coming?
00:46You mean you're leaving your father, your sister, and your friends?
00:50My brother, you're my brother.
00:52You're my brother.
00:54You're my brother.
00:56You're my brother.
00:58Oh, my brother!
01:00Oh, my brother!
01:02Oh, my brother!
01:04I won!
01:16Where are you from?
01:18Where are you from?
01:20Out, inside.
01:22I'm waiting for them.
01:24Will you go out, sir?
01:26Yes.
01:28Will you go out?
01:30Yes, yes.
01:32I'm waiting for you.
01:34I'm waiting for you.
01:36I'm waiting for you.
01:38I'm waiting for you.
01:40Where are you from?
01:42I'm waiting for you.
01:44Where are you from?
01:46I'm waiting for you.
01:48I'm waiting for you.
01:50I'm waiting for you.
01:52I'm waiting for you.
01:54Where are you from?
01:56Where are you from?
01:58I've left.
02:00I mean, left.
02:01I mean, left?
02:02You were taking money from your clothes, right?
02:05That's why I left out.
02:07Oh, that's right.
02:08You should also change the place of this small place.
02:11I'm waiting for you.
02:12I'm waiting for you.
02:14There's a place for you.
02:15You're waiting for me.
02:16You're waiting for me.
02:17No, there's no need.
02:26May I be, sir.
02:27May I be, sir?
02:28May I be, sir?
02:29May I be, sir?
02:30May I be, sir?
02:31May I be, sir?
02:34Well, you've kept a motorcycle.
02:37My friend, sir.
02:40You have come to this.
02:42Oh, that's right.
02:43If I'm just a kid,
02:44I'll have to get you.
02:45Oh, my friend.
02:46We're scared of this.
02:48We're going to the studio.
02:49No, I'll take you to the house.
02:51I'll take you to the house.
02:53No, I'll take you to the house.
02:55I'll take you to the house.
02:56Where are we going to the house?
02:58Where are we going to the house?
03:00Yes, sir.
03:02Sir.
03:03Sir.
03:04Sir.
03:05Sir.
03:06Sir.
03:07Sir.
03:08Sir.
03:09Sir.
03:10Sir.
03:11Sir.
03:12Sir.
03:13Sir.
03:14Sir.
03:15Sir.
03:16Sir.
03:17Sir.
03:18Sir.
03:19Sir.
03:20Sir.
03:21Sir.
03:22Sir.
03:23Sir.
03:24Sir.
03:25Sir.
03:26Sir.
03:27Sir.
03:28Sir.
03:29Sir.
03:30Sir.
03:31Sir.
03:32Sir.
03:33I think he was a hero type.
03:35He was just a kid.
03:42He was just a kid.
03:44I'm not going to stop.
03:47What's wrong with him?
03:52He was all Golden and Mohsin.
03:54Yes, there is a doctor of Sultan.
03:57There are shootings, studios.
04:00They will show you too.
04:01Instead, you will see yourself. Come on, come on.
04:04Yes.
04:12Guddhu, who was given the suit on this set?
04:16I was the one who was there.
04:19Okay.
04:20Can I give you something to me?
04:24Why are you sitting on your feet?
04:27I don't know how much you made my dream.
04:34Come on.
04:36One more dream.
04:40If you've come inside, then leave.
04:49Have you seen the studio?
04:52Yes.
04:53But the rest of the night is always on the night.
04:56I've seen the girl and the girl and the girl.
04:59I'll go with you.
05:02No, I'll go with you.
05:04I'll go with my dreams.
05:06I'm so happy.
05:07Look at that.
05:09Wherever you don't go, there won't go.
05:12Yes, I'll go.
05:15I'll just come here.
05:17Go.
05:18Are you driving a motorcycle?
05:20Yes.
05:21Yes.
05:22Go.
05:23I'll go.
05:24I'll go.
05:25Don't go back.
05:28What's the name written?
05:29Ithihal.
05:30Ithihal.
05:31Ithihal.
05:32Ithihal.
05:33Ithihal.
05:34Ithihal.
05:35Ithihal.
05:36Ithihal.
05:37Ithihal.
05:38Ithihal.
05:39Ithihal.
05:40Ithihal.
05:41Hethihal.
05:42Opening up.
05:43Ithihal.
05:44Ithihal.
05:45Ithihal.
05:46Ithihal.
05:47After that,
05:48I fifthly referred the toism of the girl,
05:50My��.
05:52Itthihal.
05:53Itthihal.
05:54Ithihal.
05:55Mr. Ahmed?
05:58Ithihal.
05:59Why?
06:01Ithihal.
06:02Ithihal.
06:03Where else have you come?
06:06What do you think?
06:07If I am sure that you are going to leave me inside, then what will happen?
06:13Either the police will take the ambulance or take the ambulance.
06:16Look, you better understand this.
06:19I was going to say something.
06:21You will have to test your brain.
06:24Why?
06:26Because you are going to go wrong.
06:29What are you saying, Shiri?
06:31Mr. Ahmed, I am here.
06:33Tell me what you need.
06:37You...
06:38What?
06:39That...
06:41I was thinking that if I would send you to your house, then...
06:45Out!
06:46Mr. Ahmed, out!
06:48What are you doing, Shiri?
06:51I will be so happy that I will remember my life.
06:55Leave it.
06:56Leave it.
06:57I said leave it here.
07:04I will send you to your house.
07:06I will send you to your house.
07:08I will send you to your house.
07:28Good job?
07:29Mr. Ahmed.
07:30Mr. Ahmed.
07:31Mr. Ahmed.
07:32Mr. Ahmed, keep up with your house.
07:34I will meet with Hassan Eskari.
07:37Abu!
07:41Mr. Ahmed.
07:42Mr. Ahmed.
07:43Let's get home with my house.
07:44Mr. Ahmed.
07:45May they get home with me?
07:46I will tell you.
07:47Mr. Ahmed.
07:48Mr. Ahmed.
07:49Mr. Ahmed, what happened?
07:50What's that time he did for extra?
07:51Mr. Ahmed.
07:52Mr. Ahmed.
07:53And Mr. Ahmed has come out.
07:54Good.
07:55Mr. Ahmed.
07:56PD.
07:57Call him to Rosie.
07:58Mr. Ahmed.
07:59Mr. Ahmed.
08:00Mr. Ahmed.
08:03Hello, Gordon.
08:05Mr. Ahmed, how are you doing?
08:06Mr. Ahmed.
08:07Mr. Ahmed at hand.
08:08Mr. Ahmed.
08:09What's your name in the inside?
08:13Farhad.
08:14How's your name?
08:20It's okay.
08:24I don't know what happened that day, Goldenberg.
08:27In fact, Abba has a lot of bad news.
08:30Yes.
08:31You know Abba's bad news.
08:35You know how much of our producer has happened to him.
08:39You know, Ustajji.
08:40You know how much of our producer has happened to him.
08:42What?
08:46Abba, can I get some help, Goldenberg?
08:52Come on, what do you want?
08:54I didn't want to request him to Goldenberg.
08:57You didn't come for 4 days.
09:00No, no.
09:02For those 4 days, my life changed.
09:06Are you here?
09:10Yes.
09:11I was talking about Goldenberg.
09:14Goldenberg needs to be a job.
09:18Which job?
09:20A hero?
09:23No, no.
09:24No, no.
09:24You have to do something with your work.
09:26Just...
09:27No place.
09:28No place.
09:29You have to do two spot boys.
09:32What do you want to do with this?
09:34What do you want to do with this?
09:36Yes.
09:37What do you want to do with this?
09:40You are now, Abba's bad.
09:42You don't have to get any advice on me.
09:45It's all about Goldenberg.
09:47Oh, man.
09:48I'm a little bit of a joke.
09:50I'm a little bit of a joke.
09:52If you make a joke,
09:54I'll never be your friend.
10:00What's your way to you, Goulden?
10:03It'll happen.
10:05First, you'll be able to send a good post.
10:11Okay.
10:12Oh, yes, yes.
10:14I'll do it.
10:16Thank you very much, Golden bhai.
10:18If you have any work, I'll tell you in one minute.
10:21What a point!
10:23Mohsen, put it on your work.
10:25Put it on your work.
10:26Put it on your work.
10:27Put it on your work.
10:29Put it on your work.
10:30And put it on your work.
10:32It will happen.
10:34Listen.
10:36As soon as soon as possible,
10:38I'll take it back again.
10:40That's why I have to put it on your heart.
10:43You have to do it.
10:44Otherwise, you will only see the door from the door.
10:48I'll tell you.
10:50I'll close your eyes, Golden bhai.
10:52Let's do it.
10:54Put it on your face.
10:58And never forget
11:01that you're working for Golden.
11:04Hmm?
11:08Thank you, Golden bhai.
11:10I'm sorry.
11:11I'm sorry.
11:12I'm sorry.
11:13This way I can't forgive her.
11:15What do you say?
11:17I'll take it on my arm.
11:20I'll clean up all of my life.
11:21Why?
11:22You're right.
11:23That's right.
11:24That's right.
11:25That's right.
11:26Before those people come,
11:27we're going to go.
11:28I have a sweetest love,
11:29I'll clean up all of my life.
11:31You're wrong, baby.
11:33I'll see her.
11:34And I'll clean up all of my life.
11:36I'm scared, my brother.
11:38You're wrong, my brother.
11:39You're wrong.
11:40You're wrong.
11:41I told you,
11:42I'll see her.
11:44You go home.
11:45And mahurat...
11:46I'm not going to go to mahurat.
11:47Please.
11:48Hey, mahurat is cancelled.
11:54Now, you go.
11:56Go, baby.
11:57Go.
11:58Let's go.
11:59If you didn't do it,
12:00then I'll do it by myself.
12:02Don't tell me.
12:03Let's leave.
12:04Amit isŐ.
12:05Let's go.
12:14Put it in my hands.
12:15It's okay.
12:16You're doing what's wrong.
12:17I'll tell my name.
12:18Hello.
12:19Why'd you come here?
12:22Sheeri?
12:23One minute,
12:24you don't know what she did today.
12:26What did she do today?
12:28She was like with me.
12:29She was like with my college.
12:30She came to my college and asked me to call my department.
12:34What?
12:35Look, Shiri, your name is Urdu Department.
12:38Shut up! Don't give me my name.
12:41Shiri, one minute.
12:43Why did you reach her college?
12:45She came to me and asked me to call her.
12:48What?
12:49Shiri, what are you talking about?
12:51You're doing good, Shiri.
12:53You're doing good.
12:55Shiri, don't say anything.
12:57You're doing good, Shiri.
12:59You're doing good.
13:00You're doing good.
13:01You're doing good.
13:02Shiri, one minute.
13:04Ahmed didn't want to do this.
13:06She's talking so much.
13:08Why didn't she hit her head?
13:10Shiri?
13:11Look, she's talking again.
13:13My purpose wasn't wrong.
13:16Are you going here?
13:17Let me see, Shiri.
13:23She's a traitor, Shiri.
13:25She's a traitor.
13:27I've left it for more than that.
13:29I got a bit of a lack of love.
13:30I was talking like that, yeah?
13:31You stay a bit.
13:32I'll be with them all alone.
13:33I'll be with them all alone with me.
13:34I'll be with them all alone.
13:55What are you doing?
14:05We've gone from work.
14:07Fair enough.
14:08He's like a big boy.
14:10I've got a job.
14:12Where are we going now?
14:14We'll be going somewhere.
14:16Okay, I'm going.
14:18I'll tell you about your memory.
14:20Usun?
14:22Yes?
14:23Don't come back again.
14:25Okay.
14:29We've got a big deal here.
14:33It's a big deal, sir.
14:35Hello, Chaman.
14:37Hello, Chaman.
14:39Come here.
14:40No, Chaman.
14:41I've got a job.
14:43Where are you?
14:45In the studio.
14:46With S. Sultan.
14:48Really?
14:49I'm sure you've got a job.
14:51You're looking for a job.
14:53I'm sure you've got a job.
14:54You're looking for a job.
14:56I'm sure you're looking for a job.
14:57Let's get your mouth.
14:58That's a great deal.
15:00You're looking for a job.
15:01You've got to leave the master's house.
15:04You've gone from the castle.
15:06That's all you've got.
15:08That's all you've got.
15:10If you don't, you don't get to meet your mother.
15:12Then it's okay.
15:13Now, we have to put the water in here.
15:16Here, here.
15:17Here, here.
15:21Grafis, look at me now.
15:23We have to take it a little bit.
15:26I've been sitting on your side of the way.
15:29I've been spending a lot of time in a poor place.
15:32Yes, I've never been sure I've ever had any trouble.
15:35So, my brother and children are still there.
15:40Now, how are we going to do it?
15:42How are we going to do it?
15:44You can talk about it.
15:46You've got me to do it.
15:48Maybe I'm going to do it.
15:50I'm going to do it.
15:51College is not going to do it.
15:53He's going to do it.
15:54He said, what is going to do it?
15:56He said, what is it?
15:58If you're going to do it, then I'll hear it.
16:00I'll hear it.
16:02You've asked him to ask.
16:04If you're a mistake, you'll hear me and you'll hear me.
16:08That's why you're going to get to get to the end of this.
16:11Because you're a person who is in love.
16:14That's our fault.
16:16Do you understand?
16:17You're not saying that you're a person of your own.
16:21You'll be a person of your own.
16:24It'll be a person of your own.
16:30I don't understand what you are.
16:34He said to me that you can listen to me and listen to me
16:39This was the last mistake of my life
16:42If you remember, remember that we are in a family
16:47Cutting is good for us
16:50We will not do this
17:04This is the source light in the game.
17:13It's a flick. It's a flick. I've heard it.
17:17It's a source light.
17:20It's a source light.
17:21You can write it and see it.
17:23Brother.
17:24What are you doing?
17:25Props.
17:27I'll take it right now.
17:29What's the props?
17:30I'll give it to you.
17:33Okay.
17:34You'll keep the ball on the side.
17:36You're not giving the ball to your boss.
17:39First, I'll give it to you.
17:41Then, I'll give it to you.
17:43Okay.
17:49Have you come here?
17:50No.
17:51You've got a little bit of a ball.
17:54You've got a ball.
17:56You've got a cycle.
17:58Yes, that's right.
18:01I'll give it to you.
18:03You've got a ball.
18:04I'm sure you've got a ball.
18:06I've got a ball.
18:07If a girl's long hair is a big fan,
18:10then the world is more than usual.
18:11What's new?
18:12And the world needs to know each other.
18:14What do we die?
18:16What do you think?
18:17You live.
18:18You have to keep up with a priest.
18:20People understand themselves.
18:23You don't have to ask your brother.
18:26There was a month for my marriage.
18:28I took care of him and took care of Saifuddin.
18:33You live, honey.
18:35I will go to the house of the house tomorrow.
18:37I will show you the good stuff.
18:39You will come and I will go.
18:43You will go.
18:45If your marriage is broken,
18:47you will also forget your marriage.
18:54Who?
18:56Yes, I am Farhad.
19:01Now, you only have to sleep at home.
19:03You forgot to tell me about this.
19:05Yes.
19:07I came to the house of the house.
19:10You are the one who are Bahawalpur?
19:13Yes.
19:14Yes, yes.
19:15My marriage is broken, Maas Saab.
19:16So, go to the studio,
19:18find Abbu,
19:19and take care of them.
19:20Give them to them.
19:25Sorry.
19:27I think I am wrong.
19:29I did not sleep at all of them.
19:30This is my morning.
19:32I am starting to see me at 9.
19:34At 9 p.m.
19:39I am sorry.
19:40I did not sleep at the morning.
19:42I was just walking to the studio.
19:44Do you hear?
19:45Yes.
19:46The next gift of Abbu will be in the shop.
20:03Ammi?
20:07Abba's name is also coming.
20:11It seems it's coming.
20:13Abbu!
20:15Go! Go back!
20:17Go?
20:18Go?
20:19Where are you going?
20:20Where are you going?
20:21You can go so far from outside.
20:23Why can't you go?
20:24Where are you going?
20:25Where are you going?
20:26Ahmed's deceit!
20:28It's me.
20:30Where are you going?
20:32What you want to say,
20:33I'll go to the house of my wife.
20:37To prove.
20:38To prove?
20:39What am I saying?
20:40Where are you going?
20:41Where are you going?
20:42Where are you going?
20:43That's the love of God.
20:45The fuck is going after you.
20:46What do you mean?
20:47What's your blessing?
20:49What am I saying?
20:50What am I saying?
20:52How much it could be possible,
20:54I'll go there and do it.
20:56I hope that we'll be able to take our name.
20:59Let's drink water.
21:15Ayubah, Ayubah.
21:17Eat it.
21:19Lockery was like me.
21:21How are your films going?
21:23The director has put a lot of pressure.
21:25Take it.
21:26God bless you.
21:29I am not worth it.
21:36Shamsa,
21:39the story is true.
21:41I was like one of the three processes.
21:44Everything has happened like
21:46I was so close to my house.
21:48There has been a marriage.
21:51The studio is in front of me,
21:54everything is sitting there.
21:56Do you know what I'm doing?
21:59I'm in the team of Sultan's team.
22:02Bahawalpur, these people came.
22:05I don't understand how much I can do my happiness.
22:18Now you can see...
22:21How will your name be your brother?
22:24My brother, I'm tired.
22:27I know.
22:29What are you doing?
22:31No.
22:33I'll tell you.
22:35I'll see you in front of me.
22:38Listen.
22:40I'll tell you.
22:42I'll tell you.
22:44I'll tell you.
22:45My brother.
22:47I'll tell you.
22:50Thank you, sir.
22:57Dhan.
22:58Welcome.
22:59Thank you very much.
23:00Thank you very much.
23:01It's been a lot of work.
23:03It's been a lot of work.
23:04You've been given the amount of work and the son of the son of the son.
23:07You've understood that we are all the way to the people.
23:10Sir, we're okay.
23:12I've sent you to the director.
23:15You tell us that he will go to the head office.
23:20Thank you sir.
23:22Thank you sir.
23:23No, you're honest.
23:26We are all the way to the son of the son.
23:29Sir.
23:31It was warm.
23:33Can you clean up your feelings?
23:34Great.
23:35We can remove that matériel you need to
23:42Ah, yes, we're warm right now.
23:45We'll see how it feels.
23:47Maybe you are, even if we want to move by.
24:01Who is it?
24:03From the shop. Master has called you.
24:07Who has called you?
24:09Right now.
24:11Right now?
24:13Right now.
24:15Okay, let's go.
24:17I'm coming.
24:19I'm coming.
24:21I'm coming.
24:23I'm coming.
24:25I'm coming.
24:27I'm coming.
24:29I'm coming.
24:35This is very good.
24:37Oh, my God.
24:39Come on.
24:43Assalamualaikum.
24:45Assalamualaikum.
24:47What did you do?
24:49Yes, it's done.
24:51And you?
24:53Yes.
24:55You go inside and write books.
24:59And I'm coming.
25:01I'm coming.
25:03No.
25:05I'll come.
25:07Why not?
25:09I'll come.
25:11But I'll come.
25:13I'll come.
25:15I'll come.
25:17I'll come.
25:19I'll come.
25:21I'll come.
25:23I'll come.
25:25I'll come.
25:27I'll come.
25:29Anyway,
25:38I'll come.
25:39Why not?
25:41Because,
25:43But I understand that now, when will I tell you that I will send you?
25:50Because I will become you soon.
25:54You are Ali.
26:03Yes!
26:04Shansha?
26:05Yes!
26:08Abba?
26:09Yes.
26:10What happened to your interview?
26:16Who were these people?
26:22For your family.
26:25My family?
26:27My family?
26:28Abba, now?
26:30I have fallen asleep and now.
26:36I have only a young girl in my house.
26:38Abba!
26:40Abba!
26:42You didn't teach us.
26:48If I was dead, then...
26:51I'm going to be doing this wrong.
26:54Abba, it won't happen.
26:59Please don't do that.
27:01Abba, it will start my future.
27:03I'll be with you.
27:07I'll be with you.
27:10Abba, too.
27:11Abba, too.
27:12So.
27:13You are living in the middle of the day.
27:15Then you are living here.
27:16You did.
27:17I am living here.
27:18I am living here.
27:22Abba, I am living here.
27:23So I want to make my mind so that I will see you in the end of my life.
27:31God, God, God.
27:33Don't do that.
27:35Don't do that.
27:37Don't do that.
27:39Don't do that.
27:41Don't do that.
27:43Don't do that.
27:45Don't do that.
27:47Don't do that.
27:49Don't do that.
27:51I'll go to the girl in two days.
27:55If you're interested, I'll do the same thing.
27:59No. God!
28:17Don't do that.
28:19Don't do that.
28:21Don't do that.
28:23Don't do that.
28:25Don't do that.
28:27Don't do that.
28:29Don't do that.
28:31Don't do that.
28:33Don't do that.
28:35Don't do that.
28:37Don't do that.
28:39Don't do that.
28:41Don't do that.
28:43Don't do that.
28:45and
28:47you
28:49you
28:51you
28:53you
28:55you
28:57I
28:59I'm gonna go
29:01you
29:03I'm
29:06I
29:08I
29:09I
29:11I
29:13I
29:15I will listen to Shiri's truth and listen to Shiri's truth.
29:24Sir, I know you...
29:25I know your truth.
29:28Shiri's audition will be today.
29:32In this film, we all don't have to fight and fight.
29:36I don't know.
29:43Yeah, are you ready?
29:45Roll the camera.
29:47And...
29:48Action!
29:51Life is a shame.
29:53Only a shame.
29:55And the workers are those who know this shame.
30:01Love has come to the store.
30:04That's why it's a shame.
30:09Cut.
30:11Good.
30:12Very good.
30:13One more variation.
30:15It's a bit more emotional.
30:18Why not?
30:19Let's do it.
30:20Ready?
30:21One second.
30:23Come to the emotion.
30:30Action!
30:32Cut.
30:33Cut.
30:34Cut.
30:35Cut.
30:36Cut.
30:37Cut.
30:38Cut.
30:39Cut.
30:43Cut.
31:00Very good.
31:01It's good. It's good.
31:04It's good, isn't it?
31:11Tell me. The audition was good.
31:15It was very good.
31:19It was good.
31:21Tell me the truth. I can do better.
31:25It's not golden. It's done.
31:28It's better.
31:34Sir, have you seen the audition?
31:38Yes.
31:40How was it?
31:45Have you ever loved it?
31:52I have loved it from my life.
31:54What was so bad?
31:59It's good. It's good. It's good.
32:01It's good. It's good.
32:05Really?
32:06It's good.
32:07It's good.
32:08It's good.
32:09It's good.
32:10It's good.
32:11It's good.
32:12It's good.
32:13It's good.
32:14It's good.
32:15It's good.
32:16It's good.
32:18What are you doing?
32:19It's good.
32:20It's good.
32:21Good luck.
32:23Then, we'll discuss the story later?
32:25Yes.
32:26Sir.
32:27Sir.
32:32Who asked her to love?
32:35Then, we'll go.
32:37No.
32:38No.
32:39No.
32:40No.
32:41No.
32:42No.
32:43No.
32:44No.
32:45No.
32:46No.
32:47No.
32:48No.
32:49No.
32:50No.
32:51No.
32:52No.
32:53No.
32:54No.
32:55No.
32:56No.
32:57No.
32:58No.
32:59No.
33:00No.
33:01No.
33:02No.
33:03No.
33:04No.
33:05No.
33:06No.
33:07No.
33:08No.
33:09No.
33:10No.
33:11No.
33:12No.
33:13No.
33:14No.
33:15No.
33:16No.
33:17No.
33:18No.
33:19No.
33:20No.
33:21No.
33:22No.
33:23No.
33:31You didn't get a new disappointment?
33:34No.
33:37No.
33:39There wasn't a failure.
33:42Hmm.
33:45Did you ask me to sit here in my way?
33:48No, no.
33:50I got a job in production.
33:54I got a job in my way.
33:59Are you reading it?
34:01Yes.
34:02It's a shock.
34:03Do you want me to do it?
34:05Yes, I was looking for you.
34:07Yes, I was looking for you.
34:09Yes, I was reading it.
34:10This will never happen again.
34:13Why?
34:15Why?
34:16Why?
34:17I will go back.
34:19I will go back.
34:21No, I don't need it.
34:23Why?
34:24Why?
34:25Why?
34:26Why?
34:27Why?
34:28Why?
34:29Why?
34:30Why?
34:31Why?
34:32Why?
34:33Why?
34:34Why?
34:35Why?
34:36Why?
34:37Why?
34:38Why?
34:39Why?
34:40Why?
34:42Why?
34:43Why?
34:44Why?
34:45Why?
34:46Why?
34:47Why?
34:48Why?
34:49Why?
34:51Why?
34:52Why do
34:54Why?
34:55Why?
34:56Why?
34:57Why?
34:58Why?
34:59Why?
35:00Is it my honey?
35:01If I made a tree with it,
35:03then I also have to raise a tree,
35:05and to raise my tongue.
35:30If I made a tree with it,
35:32then I will leave my tongue.