Shirin Farhad - Episode 01 [CC] - 26th April 2025 [ Farhan Saeed & Kinza Hasmi ] Blesso , Master Paints & PEL
Shirin Farhad is a compelling new drama that weaves together ambition, love, and family conflict. Saif, a humble tailor, finds sudden success in the film industry and dreams of making his daughter, Shireen, a star. Meanwhile, Farhad, inspired by the glamour of cinema, runs away to Lahore to pursue acting where he crosses paths with Shirin. As their romance unfolds, they face obstacles of family pressures, heartbreak, and ambition.
Will love conquer all, or will dreams pull them apart? Donโt miss Shirin Farhad, a story of hope and resilience.
Digitally Presented By Blesso
Digitally Powered By Master Paints #MasterPaints
Digitally Associated By PEL
๐ Sitaray:
Farhan Saeed,
Kinza Hashmi,
Rashid Farooqui,
Saleem Mairaj,
Ali Tahir,
Zhalay Sarhadi,
Ali Rizvi,
Irfan Motiwala,
Kanwal Khan,
Ali Sikandar,
Rana Majid,
Haider Shah,
Mubashir Mehmood,
Rabya Rizwan,
Neha aur deegar!
๐ฌ Hidayatkar: Asad Mumtaz
โ๏ธ Musanif: Ali Moeen
Momina Duraid Productions Ki Paish-Kash
#ShirinFarhadep01
#farhansaeed
#KinzaHashmi
Shirin Farhad is a compelling new drama that weaves together ambition, love, and family conflict. Saif, a humble tailor, finds sudden success in the film industry and dreams of making his daughter, Shireen, a star. Meanwhile, Farhad, inspired by the glamour of cinema, runs away to Lahore to pursue acting where he crosses paths with Shirin. As their romance unfolds, they face obstacles of family pressures, heartbreak, and ambition.
Will love conquer all, or will dreams pull them apart? Donโt miss Shirin Farhad, a story of hope and resilience.
Digitally Presented By Blesso
Digitally Powered By Master Paints #MasterPaints
Digitally Associated By PEL
๐ Sitaray:
Farhan Saeed,
Kinza Hashmi,
Rashid Farooqui,
Saleem Mairaj,
Ali Tahir,
Zhalay Sarhadi,
Ali Rizvi,
Irfan Motiwala,
Kanwal Khan,
Ali Sikandar,
Rana Majid,
Haider Shah,
Mubashir Mehmood,
Rabya Rizwan,
Neha aur deegar!
๐ฌ Hidayatkar: Asad Mumtaz
โ๏ธ Musanif: Ali Moeen
Momina Duraid Productions Ki Paish-Kash
#ShirinFarhadep01
#farhansaeed
#KinzaHashmi
Category
๐น
FunTranscript
00:00In the first sight of my heart, my soul has fallen, my heart has fallen, my heart has fallen, my heart has fallen.
00:30With my heart, I'll stay open, my heart.
00:33Don't go to your heart.
00:37Thank you, my brother.
00:38I'll see you in the first place.
00:40She will come, my brother.
00:51Mama!
01:00Oh, my God.
01:02Oh, my God.
01:13Cut!
01:15Beautiful.
01:16Beautiful.
01:17Golden.
01:18Sir.
01:19We have to move on to the next scene now.
01:21Now, we have to go there.
01:22We have to go there.
01:23We have to go there.
01:24Exactly here.
01:25Let's go there.
01:28Let's go there.
01:29Let's go there.
01:30What?
01:31Let's go there.
01:32Let's go there.
01:33The food is cold.
01:34Let's go there.
01:35Hurry up.
01:36Hurry up.
01:37Go.
01:38Sir, what did you say?
01:39Take the train.
01:40Come.
01:44Hey, Ovad.
01:45Where are you from Golden?
01:47He was here.
01:48He will be here.
01:49He will be here.
01:50Now, take the tea for 15 minutes.
01:52Yes, sir.
01:53I'll tell you.
01:54Asalaikum, maatsir.
01:55Asalaikum.
01:56Wa-alaikum, asalaam.
01:57You were able to cut away the night's a good thing.
02:01You gave me to take the tea for 15 minutes.
02:02I'll buy you.
02:03I'll buy you for the tea, and my friend.
02:05I'll buy you for the tea.
02:06You're making so much food.
02:07You're making so much money.
02:08You're making so much money.
02:09You're making so much money.
02:10I'll talk to you.
02:12Master.
02:13If you're getting close to the tea,
02:14then we'll never get out.
02:16Ah, man.
02:18You did not.
02:19You didn't...
02:20And you did not.
02:21But we won't be able to do it.
02:24Come inside.
02:26Come here, brother.
02:28Come here.
02:29Open the door.
02:31Yes.
02:33Yes.
02:34Yes.
02:36Give it to me.
02:38Give it to me.
02:40Wow, wow, wow.
02:42It's a roti and a sore throat.
02:45Master, you've been waiting for the scene.
02:47You've been waiting for the scene.
02:50Come here.
02:52Come here.
02:53You've been waiting for the scene.
02:54That's it, Master.
02:56What do you want to do?
02:57Take care of it, brother.
02:58Gordon, brother.
02:59It's a long time, brother.
03:00Now?
03:01I'll take my clothes.
03:02I'll take it.
03:03I'll take it.
03:04I'll take it.
03:05I'll take it.
03:06I've been here for three days.
03:09I've also remembered the name of everyone.
03:11MashaAllah.
03:13What a sweet sweet sweet sweet sweet sweet sweet sweet sweet sweet sweet.
03:18Master, are you not going to eat?
03:22Haha.
03:23It's for you.
03:24Give it for you.
03:25Nope.
03:26Is that right?
03:27Take it to me or take my clothes.
03:28You're too loose.
03:30Take it.
03:31Haha.
03:32What's happening?
03:33Come and eat.
03:34Let's eat too.
03:36Yes, Master.
03:37I have given you thousands of dollars.
04:05How will you change the train?
04:09God, I want the train right there. Right there.
04:12Master Ji, what have you done?
04:15There's a lot of money.
04:17Our work hasn't been done.
04:19You don't break the train.
04:21Wow.
04:22Let's see.
04:24There will be no way.
04:26Why are you requesting him?
04:29I've made all the payments.
04:35Have you done anything?
04:37Master Ji.
04:39The golden things are not gold.
04:42They are done.
04:44What is this?
04:46What is this?
04:47The government's rights.
04:53Look at the time.
04:55Look at the time on your car.
05:00I've made a car for 15 minutes.
05:03Let's understand the train.
05:11Buche,
05:12I'll do the sequence.
05:18Then tell me something, Master Ji.
05:20Go!
05:21Go!
05:22Go!
05:23Go!
05:24Go!
05:25Go!
05:26Go!
05:27Go!
05:28Go!
05:29Go!
05:30Go!
05:31Go!
05:32Go!
05:33Go!
05:34Go!
05:35Go!
05:36All right!
05:37I've done my work.
05:38But my life isn't done.
05:39You've done a lot.
05:40You've done a lot.
05:42I've done done a lot.
05:43I've done money.
05:44Don't let it out.
05:45Don't let it take you.
05:46We've done it.
05:47This is the main line.
05:49I've cleared the line.
05:51There are many people who are living here from human beings.
05:55Now, tomorrow, if they will give you permission from tomorrow morning, then...
06:02So, I'm working with my lash?
06:04No, I don't have to go with the abduction.
06:07Abba Ji has done the signal down to the car to the house.
06:11They will be waiting for you until now.
06:14Oh, baby, so long?
06:16Yes, don't you?
06:18Just give up and take the Abba Ji.
06:20Why?
06:22What did my Abba Ji say?
06:24No, I'm sorry.
06:25He was still working now.
06:27He was still in short shorts.
06:29Well, he was not the Abba Ji.
06:32The whole production of Abba Ji was giving up to him.
06:35He was out of silence.
06:37Why?
06:38Why did he have all his eyes?
06:40He was 30-40 people.
06:42Why did he have all his eyes?
06:44And the director, Sultan.
06:46He was beating up to the sea.
06:48Hmmmm.
06:49I'm seeing you, brother.
06:51He's remembered all the names.
06:53He seems to be friends.
06:55Chamsa.
06:56I've thought about it.
06:58I have to do this work.
07:00Don't worry.
07:01Don't even think like that.
07:04If someone wants to take care of the abba,
07:07then they will take care of the abba,
07:09then they will take care of the abba.
07:11Abba Ji is coming.
07:14Abba Ji is coming.
07:15Did you take care of the abba?
07:16Hey.
07:17What was the abba?
07:26What?
07:27You were not sleeping alone.
07:29You were sleeping.
07:30You were sleeping.
07:32What's your self-confidence?
07:34Was she sleeping?
07:35She did, she slept.
07:37You've always been a good person.
07:41You've always been a good person.
07:43Give him a little girl.
07:45What happened?
07:46Leave them behind their heads.
07:51He gave him a lot of money and stole his producer.
07:55What's up now?
07:57The producer?
07:59He's also learned his life.
08:01After that, you've also come to see him close to him.
08:07What do you think?
08:09Yes.
08:11I'll take a motorcycle in the morning.
08:13I'll take a pencher.
08:15If you take a pencher, take a pencher.
08:19Let's go.
08:21Okay.
08:22Asuna,
08:24give me a glass of water.
08:37He got a tube.
08:43Good!
08:45I heard that the tube did not come out.
08:49What do I mean?
08:51I'm not going to move the tube away.
08:57I'll take a picture of my brother.
08:59Sit down and tell me.
09:01I'll put a tube in the middle.
09:03Put it.
09:04Okay.
09:07I don't see if I didn't come here a while, that was couldn't come.
09:24You? When did your job go?
09:27After you go to your work they were doing work.
09:30After that, if you went to Fajr, they were going to ํด๏ฟฝ sฤ
.
09:33I am going to tell you what I was going on,
09:35Do you see a photo of your name?
09:38That was the one who gave Dharzis.
09:41He gave it.
09:42Dharzis?
09:43They call the tailor master.
09:45They call the big hero.
09:47Yes.
09:48They call the clothes.
09:49What's that?
09:50Kriya.
09:55We're going to go.
10:00After the night of the night,
10:02I got a photo of the director here.
10:04Four days of our report.
10:06If you come to Lahore,
10:08then...
10:09Bye.
10:22With my friends,
10:24there will be a lot of time.
10:26This time is extraordinary.
10:29Which one of our viewers has been doing,
10:32that was something else.
10:33And the one who got lost,
10:35there was something else.
10:36We were very frustrated.
10:38But now,
10:39you're coming so much.
10:40The whole situation is gone.
10:41Now,
10:42there's a fear that I am.
10:44Who is scared?
10:45Who is scared?
10:46This is not a fear of my dolly.
10:48This is not a fear of him.
10:50Look at his...
10:52I'll see.
10:54Come on.
10:56Come on.
10:57Come on.
10:58Why are you watching so good? Why are you watching so good? Why are you watching so good?
11:05Why are you watching so good?
11:06Abbu, you didn't come to the house for two days and I called myself here.
11:10And I saw Kader and I didn't get ready for it. I was sitting outside.
11:15Kader is such a good thing. I actually gave me a ticket to the station.
11:21I thought I could get a good place to meet with my daughter.
11:25So I called you.
11:27I was doing good at home.
11:29You have to watch the film in a comfortable and comfortable.
11:32You have to get a good place to live in the house.
11:35So you call me too?
11:36No, no, no.
11:38I don't.
11:39I have to make a conversation.
11:41Let's drink tea.
11:43Let's drink tea.
11:45Let's drink tea.
11:50Why do you drink tea?
11:52What a great day.
11:54I'm enjoying it.
11:56I'm happy.
11:57You drink tea tea.
11:58I'm happy.
11:59I'm happy.
12:00I'm happy.
12:01You are so happy.
12:02I don't care.
12:03It's like kids.
12:04You don't have to stay.
12:05You know?
12:06At the time of the film, you were watching me the place of Shabnam.
12:11Huh?
12:12Huh?
12:13Huh?
12:14Appu!
12:15Let's do it!
12:16Why do I do it?
12:17My father's age is too much longer than you.
12:21What do you think?
12:24How many days will it be?
12:26The film is good.
12:27I feel good.
12:28I think it will be good.
12:29I think it will be good.
12:31Hmm.
12:35And how does this Sultan's love go on?
12:37Don't ask him.
12:39I think it will be good.
12:41I think it will be good.
12:44He is a very good director, Sultan.
12:47My wish is to do our first film.
12:50Hurry up, hurry up.
12:53Come on.
12:54Come on.
12:55Come on.
12:56Come on.
12:57Come on.
12:58Come on.
12:59Come on.
13:00Come on.
13:01Come on.
13:10Man.
13:11It feels alone alone.
13:12I don't know.
13:13And your heart was with him.
13:18Man Ali.
13:19I thought.
13:20I have to do the work.
13:22I have to do the work.
13:23Hey.
13:24Hey.
13:25You've heard of your uncle.
13:26You've heard of them.
13:27Both of them.
13:28Why?
13:29It's a bad job.
13:31I've heard of him.
13:32I've heard of him.
13:34He didn't shoot.
13:35He was watching and saying.
13:37He was in trouble.
13:39He was in trouble.
13:40Come on.
13:41Abba Ji.
13:42You've lost all the training and platforms.
13:44You've lost all the rest.
13:46You've lost all the work.
13:47I don't like that.
13:48I feel so much.
13:49I have to do that.
13:50Hmm.
13:51You feel a hero you feel.
13:53Just some note you are.
13:55No.
13:56No,bro right.
13:58No it's no hero.
14:00No.
14:01He was behind the camera.
14:02What, can I do that?
14:04Are you a day I will film something?
14:05Hey.
14:06I'm your face.
14:07I'm in your face.
14:08I'll make it much bigger, too.
14:10myself make my film.
14:11Wow.
14:12No.
14:13No, I'm just.
14:15I'm just going to announce in the temple that
14:19Imgad Hussain's son was going to be in the world
14:21that he was going to be in the house of the house.
14:24What?
14:25Well, Hakeem has praised him.
14:31Dude, don't do the phone.
14:33They will come here too.
14:35Dude, it's about 8-9 hours in Lohar.
14:37It's not like that.
14:39Who wants to do the phone?
14:42He wasn't a girl.
14:44He was given to the Evernews studio.
14:46It's been a year old man.
14:48Give it to me.
14:50This is just your pleasure.
14:52Don't talk about it.
14:54You know what you have done.
14:58Just come here, come here.
15:01Dude, these are books.
15:04Who wants to do this?
15:07This is a book that is saved by my friends.
15:11This is a book that is written in Lohar.
15:15There are some books that are written in Lohar.
15:17What are the books that are written in Lohar?
15:19Brother,
15:21all the books that you have told me,
15:23you need to write a book.
15:25It will be less than 50 pages.
15:27I have written in Lohar.
15:29Here, go.
15:30You can use the books.
15:31But you write a book that you have to write for it.
15:35You can write a book that you have to write it.
15:37I've kept the book that I wrote.
15:40I was a good one.
15:41I've been a poor job.
15:43I've been sitting in Lohar in the College.
15:45I've been working on this.
15:46That's why I've come here.
15:48I am.
15:50In the end, we will have a little talk.
15:56We will have a 10-10 minutes in the train.
16:14Who?
16:16I am.
16:18Who am I?
16:21I am Shiri Ahmed.
16:26You are not in the house?
16:28Yes, I knew it was in the house.
16:32That's why you are here, that we don't have anything to do?
16:37The house is in the house.
16:40But they are not able to see their faces.
16:43They are very good.
16:45Let me wait.
16:47Yes, please wait.
16:49But go to the shop.
16:51We will come there first.
16:53God bless you.
16:54I will come again.
16:55I will come again.
16:56I will come again.
16:57I will come again.
16:59I will come again.
17:01I will come again.
17:02I will come again.
17:03I will come again.
17:04I will come again.
17:13Who was that?
17:14I am.
17:15I am sorry, my boy.
17:16I am sorry.
17:17I have no idea.
17:18I am sorry, I have no idea.
17:19I will come again.
17:21Yes, I will come again.
17:22Yes, it happens.
17:24It was the same thing.
17:25They give me something, right?
17:27Oh my God, we've seen our house.
17:31That's right.
17:35I'll be back again.
17:40You can't, brother.
17:41God will make a problem of life and death.
17:43Put a rule.
17:44Why, man?
17:45I want to see my work.
17:47Don't give up your mind to them, God.
17:50Why are you laughing at me?
17:51Why are you making my clothes?
17:52You can do it without your permission.
17:54Then do it.
17:55I'll give you a gift. What do I do?
17:57You'll listen to the truth of the truth of the government.
18:00I'll be so happy with you.
18:02One thing, I'll do this.
18:04I'll do this.
18:06Okay.
18:08You'll do acting. Who will do it?
18:11I won't do acting.
18:13I was just holding one hand.
18:15I didn't give myself a letter.
18:19You'll do it.
18:21You'll have to do a lot of things.
18:24Wow.
18:26Now, the dialogue is also started.
18:28You'll become a hero.
18:30Jamsa.
18:31Don't judge me.
18:33Don't judge me.
18:34Don't judge me.
18:36Don't judge me.
18:38Don't judge me.
18:40I'm so happy.
18:42You won't do anything in your statements.
18:45No.
18:46Why don't I tell you?
18:48You'll do anything in your statements.
18:49You'll do anything in your statements.
18:50But, brother.
18:51First of all,
18:52You'll think about it.
18:53You'll think about it.
18:55That,
18:56Abba has made a deal for us both.
18:57It was very difficult for us to take care of it.
19:27Hello Mohsen?
19:29Where is Mohsen?
19:31Hold?
19:32Hello?
19:33Hello?
19:35This is not a hold studio.
19:37Everyone is holding it.
19:40Hello?
19:42Hello?
19:44It's $25.
20:06Cut!
20:08Farad!
20:10Let's do the next shot.
20:13Who?
20:14Well done, well done team.
20:27The hell?
20:28The hell?
20:29Yeah even now!
20:31How I will go out there?
20:32The girl is being named as a man.
20:34That's a good idea.
20:36We have a habit of searching for you.
20:38I can't do that again.
20:40How we can be in pain?
20:41If you areๆญปen, wait.
20:42To the next shot.
20:43Then you will have a habit of searching for you.
20:46What we think will do?
20:47How we would do that?
20:49To the next shot.
20:50The next shot.
20:51Who was the guy?
20:52To the next shot.
20:54You've heard that.
21:03What the hell?
21:09Oh
21:14I don't know
21:16Oh
21:18I'm gonna
21:22I see
21:24It's all me matter
21:26Khali
21:28I'm gonna
21:30Yeah
21:35I'm sure you're all done
21:37Shrii Fahd.
21:41He knows about you and your friends.
21:46The stall is empty.
21:48Let's hear it.
21:54Sign.
21:57What?
22:00It's the F.A.P.A.S.
22:01Every day, we have to read the stories of strange and strange, so we have to read it.
22:07Where is the request for appointment?
22:11Sign it.
22:15Who will give me the last one, Abba?
22:17My Abba and his Abba.
22:21Sign it in your waiting.
22:31Sign it in your waiting.
22:39Let's go.
22:47When you have a government office, then you will know what your father has done.
23:01Yes.
23:17Pharhad?
23:19Your brother is not at home.
23:21If he won't meet you tomorrow, let me tell you.
23:27Sign it. You have a moment.
23:31Your whole study is okay?
23:34Okay.
23:36It's just the final year.
23:38Then, I'm sorry.
23:40It's about 2-4 months ago.
23:42Oh.
23:43Okay.
23:45You will tell your brother.
23:47Which one?
23:48That one.
23:49The one who has put it in the book.
23:51That one?
23:52The one?
23:53The one?
23:54You can explain your brother.
23:57You are friends.
23:59I can explain it.
24:01But it seems that someone has put it in the book.
24:03You have friends.
24:05That's right?
24:06Probably.
24:07That's not the one who has put it in the book.
24:17If you come here, tell me.
24:19No.
24:20No.
24:29No.
24:30No.
24:31No.
24:32No.
24:33No.
24:34No.
24:35That's right.
24:36Almost.
24:37No.
24:38No.
24:39No.
24:40No.
24:41No.
24:42No.
24:43No.
24:44No.
24:45No.
24:46I think I signed my papers on my fancy papers.
24:50What did you say to me?
24:52You haven't told me about your heart.
24:56I'm not thinking so wrong.
25:00What?
25:02What do you think I'll see all your life
25:04in the trains and the lullies?
25:06I'll change my fingers.
25:07I'm thinking you're going to beat your legs
25:09and you're thinking you're going to beat your legs.
25:14They're all full.
25:16Banda Banda Farhad, Bontar gya?
25:19Do you think you don't like it?
25:21No, I didn't get it, but I think I should get it.
25:24What do you mean?
25:27Look, you look at me.
25:29I'll always tell you your friend.
25:31What you're thinking about,
25:33you're thinking about my exeal.
25:36It's your fault.
25:37You're sitting together.
25:38Oh, what's going on?
25:46Oh, what's going on?
25:48Oh, brother.
25:52You're going to take a break.
26:01Oh, brother.
26:04Listen to me.
26:05You're going to take a break.
26:09You're going to take a break.
26:14Oh, hello.
26:21Oh, brother.
26:28Hey, brother.
26:29It's very difficult.
26:32It's crazy.
26:34Yes, sir.
26:35Oh, man. You're crazy. You're crazy. You're a crazy guy.
26:42Don't do this work. You keepzelf at quelque part.
26:46Oh, you have a film. Let me write about it.
26:50Your clumsy Therefore are the film director.
26:54Oh, my dad's gonna go.
26:58Okay, so. I am good or am I good.
27:00Yeah, sir.
27:01Here's two suits, for example, I am told.
27:03I have cut off, so let's take a look at it.
27:07Then we will try it.
27:09Right?
27:10Okay, I'll come.
27:13Will you come back, Master?
27:16Yes, I'll come.
27:18Don't forget.
27:20Okay, Master.
27:26You've been stopped for a long time, but you've stopped me.
27:29Now, you're going to fall down, Master.
27:33I don't want to learn dance alone.
27:38That's all.
27:41If I don't like this, why are you doing this?
27:47You'll have to stop, Master.
27:51And wherever you go, there will be a lot of trouble.
27:54You're still waiting for such people.
27:57There's no one to anyone.
28:00All people are here.
28:03Mother, it's not a bad thing.
28:06Don't make me a fool.
28:08I'm your mother.
28:10I'm your mother.
28:12Whatever you want.
28:14Don't forget.
28:15Don't forget.
28:16Don't forget.
28:17Don't forget.
28:18Don't forget.
28:19Don't forget.
28:20Don't forget.
28:21The Lord will go out.
28:23I'm your mother.
28:24No mood.
28:25You're not going to explain it.
28:26Why do you understand?
28:27I'm your father.
28:28I'll do something for my own children.
28:30I'll do something for you.
28:31Don't forget.
28:32You're not going to talk.
28:33I'm not going to talk.
28:35I'll do something for you.
28:37I'll do something for myself.
28:38I was doing something for you.
28:39When I was doing something for you.
28:41Can't take a look at me.
28:42You're doing something for me.
28:43That's the time you have liked and you don't see anything for me.
28:46I have always come to me.
28:48This is the problem.
28:50Your dreams come to me.
28:54The other brothers are loved to God.
28:58The dreams are very long.
29:00If you fall, you will not fall.
29:04Your dream, your dream.
29:06Your dream, your dream.
29:08Let's go two minutes.
29:10Come on.
29:12Five minutes will take me.
29:14Three minutes will take me to my mother.
29:24In Mumbai,
29:26what was your dream?
29:28What was your dream?
29:30What was your dream?
29:32What was your dream?
29:34Everyone liked us.
29:38But when we came to Pakistan,
29:42no one saw me.
29:44No one saw me.
29:46No one saw me.
29:48Come on.
29:50Come on.
29:52You don't know the name of the studio.
29:54You don't have to go to Pakistan.
29:56No one saw me.
29:58Look at this.
30:00Sayfuddin Sahib,
30:02he was going to go to the beach.
30:04He was going to go to the beach.
30:06Now, we are getting better.
30:08How long have you come to Pakistan?
30:10How long have you come to Pakistan?
30:12You go.
30:13You go.
30:14Why don't you go here?
30:15Come here.
30:16You are my dream.
30:17This is how long have you come to Pakistan.
30:18So.
30:19I am.
30:22What are you doing?
30:23You go.
30:24You go.
30:25You do.
30:26You go.
30:27You do.
30:28You go.
30:29You go.
30:30You go.
30:31Please take this.
30:33Please take this.
30:35The Lord will say that if there is no doubt about all of us,
30:40then we will change our name.
30:42Of course, my friend,
30:44I will give you a prayer for your prayers.
30:48Come on.
31:01Shabash
31:03Dayahat
31:05Dayahat
31:07Dayahat
31:09Dayahat
31:09Dayahat
31:10Roses Shabash
31:141
31:152
31:163
31:17Acha, you don't do this one
31:22Hey, Master Saifuddin Sahib
31:26Zara Nawazi, Guru Ji
31:28Adab
31:29How do you do Saifuddin Sahib?
31:32You are your guru, Guru
31:33Don't do this, Maharaj
31:35We are our Sahafuddin, Shiri
31:38Adab
31:392-4 times we have met
31:42We have met
31:43We have met many times
31:44We have met
31:44We have met
31:45We have met
31:46Premier, show
31:47Maaf, we have
31:48This is what is
31:49Our mind is
31:50We dance
31:51We have to do this
31:52Acha, a minute
31:56Maharaj, our baby
31:58We have to do this
31:59Please give me a sense of respect.
32:01I'm telling you to come to films from you.
32:04How are you talking about Saifuddin Sahib?
32:07She is our daughter.
32:09Whatever comes to us, we need to teach her.
32:12Thank you very much, maharaj.
32:15Where are you going?
32:21I'll do the scene tomorrow, maharaj.
32:24Today we are waiting for our guests outside.
32:29Please give me a speech.
32:36Oh, Saifuddin Sahib, you are doing full of your guests without you.
32:42Come on.
32:45Yes, maharaj.
32:51Please keep your friends.
32:54How did you see this war?
32:57I'm sorry.
32:58I'm sorry.
32:59I'm sorry.
33:00Do you know me?
33:02How did you get me to get me to get you?
33:04I'm sorry.
33:06I'm sorry.
33:07That you did not have to do it.
33:08What's the need of me?
33:09I'm sorry.
33:10Really, to me, my family will destroy me because of it.
33:14And you will may always do my work.
33:15The people of Meraassi would not do it.
33:16We are human beings.
33:18You can be a person of Meraassi.
33:19And you are mere wicked.
33:20Mate.
33:21Mate, mate, just do it.
33:22I can go and go, mate.
33:23I have a hand over him on the floor now.
33:25Take it away from my eyes.
33:28Take it away from my eyes.
33:29Take it away from me.
33:30I can't do it.
33:31Mate, just do it.
33:32Keep calling me.
33:33Look, relative to my house.
33:34You don't want me to marry her mother.
33:36Don't go, Yasmin.
33:41God, God.
33:53The hatred of God is the hatred of love.
33:56You can make a film here.
33:59You didn't think about me.
34:05What will I do?
34:30Mother?
34:36Mother?
34:39Mother?
34:46Mother?
34:48Mother?
34:50Let's go.
35:12Abba.
35:15Abba.
35:17Abba.
35:18Abba.
35:19Baila Hortula, come on!