Shirin Farhad Pakistani drama episode 4
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FunTranscript
00:00The name is yours, my name will be my name.
00:30This is the last mistake.
00:32We are in the second mistake.
00:34We are in the restaurant.
00:36We are in the restaurant.
00:38We are not doing good cutting.
00:40No one does not do good.
00:42Yes, sir. Yes, sir.
00:44Yes, sir.
00:46Good morning, Mr. Men.
00:48My job was working.
00:50How are you doing?
00:52Tell me, I'm not going to go to a girl.
00:54If you are a good person in a while,
00:56I will see you.
00:58If you are interested,
00:59I will be able to do this.
01:01Are you reading it?
01:02Seebus,
01:03this is a shock.
01:05If you have anything,
01:06you will take it.
01:07If you have a tree,
01:08then I will raise a tree
01:10and raise a tree.
01:26If you have a tree,
01:28then I will raise a tree.
01:30The day is going on,
01:32but
01:34I will never see you.
01:38Now,
01:40what do we do?
01:43You are living,
01:45you are living,
01:46you are living,
01:47you are living,
01:48you are living,
01:49you are living,
01:51you are living,
01:53you are living,
01:55and have some impact.
01:57What do you think,
02:00Is your mind?
02:02You are living,
02:04your monster,
02:06your ancient thou.
02:08There is love,
02:10but
02:11you are living,
02:13you are living.
02:46Hmm, what's going on?
03:08I don't know about the story, but I don't know about the heroine.
03:13Hmm?
03:14Who?
03:15You're not.
03:16Hmm.
03:17Let's see the rest of the press conference.
03:19I have no idea.
03:21We're fans of your ideas, Rosie.
03:24There's a list of better ideas about this industry.
03:30Those who have been open, don't have anything to do with them.
03:34Hey, don't worry about it.
03:38No one knows about it.
03:40It's a new face.
03:42Taylor Master Saifuddin's girl.
03:45Yeah?
03:46You see?
03:47You see?
03:48You see?
03:49You see?
03:50You see?
03:51You see?
03:52You see?
03:53You see?
03:54You see?
03:55You see?
03:56You see?
03:57I see.
03:58I see.
03:59You see?
04:00You see?
04:01You see?
04:02Yeah.
04:03You see?
04:04Who the hell are you?
04:05You see?
04:06You see?
04:07You see?
04:08You see?
04:09You see?
04:10You see?
04:11You see?
04:12You see?
04:13You see?
04:14You see?
04:15You see?
04:16You see?
04:17You see?
04:18You see?
04:19You see?
04:20You see?
04:21You see?
04:22You see?
04:23You see?
04:24You see?
04:25You see?
04:26Out!
04:27Rosie, baby!
04:28I'm telling you that it's hard.
04:32Because in Golden's studio, the sound of the sound of the Lord can only be the Lord.
04:38Golden, don't do it for me.
04:42It's time for me.
04:44It's finished.
04:46It's time for eating food.
04:48Let's eat food.
04:50Go.
04:51Go.
04:54Go.
04:55There's no way to eat food.
04:56There's no way to eat food.
05:01After that, such ewele has a wreck, I'm not going to give you some fun in the studio.
05:17Hushpaq lies in the story of his cult.
05:20That's why you will stay alive.
05:24You can write life.
05:27What do you know about life?
05:30There is a death.
05:37You can write it.
05:43Baby?
05:45Yes, Abou.
05:50How was the situation with Sultan?
05:55I told them all the truth.
06:00Which truth?
06:02What did you say?
06:04Then you read it.
06:05Which one?
06:07They asked me if you have a shock to the acting.
06:10I told them the truth.
06:12You didn't tell the story?
06:14No, it's a story written.
06:16Why did you tell the story?
06:18What did you ask?
06:20Mr. Sultan has no question.
06:23He had a good question.
06:25And I'm back.
06:27Okay.
06:28Let's see.
06:30But Abou now,
06:31let's leave me.
06:32Let's leave it for me.
06:35Let me leave you, my friend.
06:37My dream.
06:38My dream.
06:39That's my dream.
06:40It's my dream.
06:41It's my dream.
06:42It's a reality.
06:43That's my dream.
06:44It's a reality.
06:45It's a dream.
06:46But EIB.
06:48He's a dream.
06:49To enter the intersection.
06:50He's a dream.
06:51And whose dream is our dream.
06:53But the dream was my dream.
06:55God says,
06:56It's a dream.
06:57I'm united.
06:58The dream.
06:59That's my dream.
07:00And the dream was my dream.
07:01God, I'm happy.
07:02And the dream.
07:04I'm going to leave you alone.
07:06You should leave me alone.
07:08I'm going to leave you alone.
07:10I'm going to leave you alone.
07:12I'm going to end my job.
07:14My job will end my job.
07:28We are all for you.
07:32It's because of you.
07:34I'm going to end my job.
07:36I'm going to leave you alone.
07:38You're just so grateful
07:40that I'll go alone.
07:42I'm going to leave you alone.
07:44If you get hurt yourself,
07:46you'll be alone.
07:48You will be alone.
07:50You'll be alone.
07:52You're alone.
07:54You're alone.
07:56You're alone.
07:58You're alone.
08:00You're alone.
08:02What happened?
08:04What happened?
08:06You made your mouth.
08:10Nothing.
08:14Let's eat some food.
08:16No.
08:18Everything looks good.
08:22And...
08:24...and...
08:26...and...
08:28Start.
08:30Come on.
08:32You know what?
08:34Mohsin.
08:40What's this?
08:42You didn't get into that extra?
08:44No, man.
08:46Don't say it.
08:48They don't say extra.
08:50I don't understand.
08:52I don't understand.
08:54Look.
08:56I understand.
08:58I don't understand.
09:00I don't understand.
09:02I don't understand.
09:04I don't understand.
09:06I don't understand the sugar.
09:08But don't go ahead.
09:10Golden wife is the first one.
09:12If any girl is the first one,
09:14you can speak in the studio.
09:16I don't understand.
09:18I don't understand.
09:20I don't understand.
09:22They have a good idea.
09:24They have a good idea.
09:26They have a good idea.
09:28They have a good idea.
09:30Golden wife is the best.
09:32It's a good idea.
09:34It's a good idea.
09:36You love it.
09:38You've left it from Golden wife's album.
09:40Make a place for your work, make a place, but you have to be able to play with acting.
09:56Now I'm thinking that I'm going to study, that I'm going to keep the rest of my life.
10:10Hello, what are you doing?
10:29Are you okay?
10:38Hello.
10:39Oh, hi.
10:41How are you doing today?
10:43Yes, you don't get into it.
10:45You're not making a film with anyone.
10:47Oh, we're making two films.
10:50Yes, but I don't want to support the characters.
10:53This year, we've announced many films.
10:56Tell yourself.
10:57Oh, brother.
10:58I'm taking a break this year.
11:00I'll enjoy a drink.
11:03You have a friend from Sultan.
11:06My friend?
11:07Yes.
11:09I respect his work.
11:11Everything is done.
11:13Cheers.
11:15Yes, sir.
11:21Yes, sir.
11:23Yes, sir.
11:27Yes, sir.
11:29Yes, sir.
11:31Yes, sir.
11:33Yes, sir.
11:35Yes, sir.
11:37Yes, sir.
11:38Yes, sir.
11:39Yes, sir.
11:40Yes, sir.
11:41Yes, sir.
11:43Yes, sir.
11:44Yes, sir.
11:45Yes, sir.
11:46I have seen his boots onkgm ker clothes.
11:47Double Critical
11:49Yes, sir.
11:50Yes, sir.
11:51Yes, sir.
11:53Yes, sir.
11:55Yes, sir.
11:56Yes, sir.
11:57Yes, sir.
11:59That's nothing for him.
12:00globalization.
12:01Yes, sir.
12:03Hello, Abbu.
12:04Hello. What was the meeting again?
12:07No, brother. I came to buy a book.
12:10Okay, okay.
12:11Listen, he's a young man who has a job now.
12:16Who are you talking about, son?
12:18Abbu, that's the house.
12:21He's a poor man.
12:22Faraad!
12:28I'll give him this book back to him.
12:31What are you talking about?
12:33Atomia, give me a book.
12:35No, Abbu. I'll give him.
12:39Okay, go.
12:40Give yourself.
12:41I'll give you a video.
12:42I'll give you a video.
12:43All the
13:12There is no direct line.
13:16What is the situation waiting for?
13:18Yes.
13:19It's a certainty.
13:26Yes.
13:27We won't come back to the funeral.
13:30Yes.
13:31We won't come back to the funeral.
13:34Yes.
13:35Yes.
13:36We won't come back to the funeral.
13:38We won't come back to the funeral.
13:40Yes.
13:41I'm telling you to write the funeral.
13:43We will do the composing.
13:45You will get the funeral.
13:47You will get the funeral.
13:49But I think that the time of tea and water is not in their house.
13:53The water is broken.
13:56Why not?
13:57Let's go here.
14:02Yes sir.
14:03I'll tell you about tea and the water.
14:05Okay.
14:06Is that with the gate?
14:08Yes, I know.
14:10Yes.
14:11Yes.
14:12Yes.
14:13Yes.
14:14Yes.
14:15Yes.
14:16Yes.
14:17Yes, sir.
14:18Yes.
14:19Yes, sir.
14:20Yes, sir.
14:21Yes.
14:22Yes, sir.
14:23But at this time, we have an hour of tea.
14:26Yes, sir.
14:27Yes.
14:28Yes, sir.
14:29Yes, sir.
14:31Yes, sir.
14:32No.
14:34Let's do two chai.
14:35No, you're a good man, you're a good man.
14:37You're a good man.
14:38Come here, come here.
14:41Don't let me give up.
14:43Let me give up.
14:44Let me give up.
14:46I've come here.
14:47Khajah Sahib and Rakhir Chiffai.
14:49I mean, you've got to sing.
14:52Why do you want to bring me before?
14:55I know everyone.
14:57Tell me,
14:59you're a good man.
15:03I don't know.
15:04But Aqeem Bhai has read the first one.
15:06Just understand,
15:07we've also put a knife on the plate.
15:09Okay.
15:10I'll put a knife on the plate,
15:11I'll put a knife on the plate.
15:13Come here.
15:14Put a knife on the plate.
15:16If you do something like that,
15:19you'll be with your heart.
15:21What the hell?
15:22Fajah Sahib was still there.
15:25You're a good man.
15:27Yes, sir.
15:28Wahh!
15:29Wahh!
15:30Aqeem Bhai,
15:31I don't believe you,
15:32but I won't write the dialogue of script.
15:33I won't write the script.
15:37Mya,
15:38this tea has come out.
15:39Where is our water?
15:40We're putting it on the plate.
15:43I'm just taking it.
15:44Who is that?
15:45I am, sir.
15:47I don't know, sir.
15:50Yeah.
15:52You too?
15:53Yes.
15:57I'm in the team.
15:58Yes, sir.
15:59I'm the assistant of Kohlen.
16:00Good.
16:01Good.
16:02I'll listen to a story every day.
16:04Yes, sir.
16:06Now,
16:07you're wrong with your song.
16:09Where is the water?
16:11No, I'll go.
16:13No, sir.
16:33Hello.
16:34Yes, sir.
16:35Yes, sir.
16:37You're the girl of Taylor Masa Saifuddin?
16:40Yes.
16:41You know me.
16:45I was thinking about you.
16:46I was thinking about you.
16:48How did you feel so long-term?
16:54Before you go to the house,
16:56you'll see the answer once again.
16:58You'll get the answer yourself.
17:00What?
17:03Masa P. training is good.
17:05You should give them.
17:06You're good.
17:08You're good.
17:09You're good.
17:10You're good.
17:11If you've ever seen your name in your life,
17:14then God's love.
17:16You won't leave the house without cutting.
17:18You'll never leave the house.
17:22People know us before.
17:24Now, let's go.
17:30Let's go.
17:31Look.
17:32The girl's finger is fine.
17:33Tell her.
17:34The girl, like,
17:35will not survive.
17:36Let's go.
17:37You're good.
17:38I'm going to give her.
17:39The girl said to her.
17:40Look.
17:41You're good.
17:42Thalde and the girl.
17:44The girl's arms.
17:45You're too.
17:47quaadoshitla.
17:49I'm telling you, you're looking for your eyes on the forest, but you didn't see a shadow of your eyes on your face.
18:12You know, this whole studio is what you can do
18:15If someone is wrong with your mind, then you can't give it a chance to get it
18:19Then you can't give it a chance to get it
18:22You can't get it
18:23The kitchen with butter, you can't get it
18:26I'm so happy to be with you
18:29My side is not going to be with you
18:32Abduh, I'm not going to be with you
18:34You're just going to be in the fight
18:37You're going to be with me
18:39Please tell your name. Who told you something?
18:42I don't want to tell you.
18:43Everything is just like that.
18:47He didn't tell you anything about it.
18:50No, Abub.
18:53Whatever he was, he told you.
18:59I just wanted to tell you.
19:02Okay, go home.
19:05Don't worry about it.
19:06Okay, I'm going.
19:07But at home, you won't ask me again.
19:10Go home.
19:11Go home.
19:12Go home.
19:13Go home.
19:14Go home.
19:15sonpoenas cry.
19:22I don't know.
19:31Sorry, голуб.
19:32Oh wait.
19:33What happened to me?
19:35What happened to me?
19:37What happened?
19:39What do you mean?
19:41Rosie said something.
19:43This is your last question.
19:45Don't ask me.
20:03What happened to me?
20:05You don't have to wait for a few days.
20:09Yes, he hasn't come.
20:11Then it's okay.
20:17Come on, Chamanmiya.
20:19Come on, sir.
20:21Come on, Chamanmiya.
20:23If you have to stop,
20:27there will be no work.
20:29What are you talking about, Chamanmiya?
20:31What happened to you?
20:33What happened to me?
20:35We're talking to you.
20:37We're the ones who are asking people.
20:41We're asking people.
20:43Don't understand.
20:45You don't.
20:47I've got a job.
20:49Yes.
20:51Get water from the house.
20:53Let's go.
20:55We'll ask you.
20:57Sure.
20:59We'll ask you.
21:01We'll ask you.
21:03We're all here.
21:05We're here.
21:07We're heading to the house.
21:09Yes, sir.
21:13We're heading to the house.
21:15What is it?
21:16Are you here?
21:17Yes, Mbass.
21:19Mbass, tell me, what is the book of my wife?
21:24What is it?
21:25What is your book?
21:27Your book is our baby.
21:30Is it?
21:31What is it?
21:33My wife has been given it.
21:34What is it?
21:35What are your books?
21:37What's it?
21:38I'm here, Mbass.
21:40I'm close to mypetto.
21:42If we had to eat here, we had to keep you here, then...
21:46No, no, no, sir.
21:47Please ask for your daughter.
21:49Please ask for your daughter.
21:50Please ask for your daughter.
21:51We've read four or five books.
21:53There was a studio, so...
21:54Okay, okay.
21:55We have to keep our work here.
21:59If you don't want to go outside,
22:01it won't be a minute away.
22:04What are you saying, sir?
22:06I understand a little bit.
22:09Our mother has daughters here.
22:12Because of someone's pain and pain,
22:17we won't be able to get rid of our home.
22:31Yes, sir.
22:32I have a note.
22:36Mr. President, please.
22:38No, ma'am.
22:39We're busy.
22:40We're busy.
22:41You're busy?
22:45Okay.
22:46Mr. President, please.
22:47Mr. President, please.
22:48Mr. President, please.
22:49Mr. President, please.
22:50Mr. President, please.
22:51Mr. President, please.
22:52Mr. President, please.
22:53Mr. President, please.
22:54Mr. President, please.
22:55Mr. President, please.
22:56Mr. President, please.
22:57Mr. President, please.
22:58Mr. President, please.
22:59Mr. President, please.
23:00Mr. President, please.
23:01Mr. President, please.
23:02Mr. President, please.
23:03Mr. President, please.
23:04Mr. President, please.
23:05Mr. President, please.
23:06Mr. President, please.
23:07Mr. President, please.
23:08Mr. President, please.
23:09Mr. President, please.
23:10Mr. President, please.
23:11Mr. President, please.
23:12Mr. President, please.
23:13Do you have written the book of Shakil Adhvizad?
23:18How many times have you come?
23:20Good.
23:21Good.
23:22Do you want to share the book with you?
23:24Great.
23:25You are welcome.
23:27And you cannot go to the reception.
23:29Thanks, sir.
23:43Look, I have told you.
23:45Sultan Sahib is not here.
23:46And now I am going.
23:51Hey, Shabiyan.
23:52The camera has been locked.
23:53Your question is to go.
23:55Okay?
23:56Where is Sultan Sahib?
24:00Do you know Farhad?
24:04Good.
24:05Oh, Mr.
24:07Where is Sultan Sahib?
24:13Oh, Miss.
24:14It is locked.
24:16Where is it?
24:17Nadia.
24:18Tell them what it is locked.
24:23Good.
24:44Farhad?
24:46What was the answer to Master Sahib?
24:50Nothing, man.
24:51He was giving such a gift.
24:52He was giving such a gift.
24:53He didn't come to such a gift.
24:57The truth is that people understand their property.
25:00There is nothing.
25:04This is my friend.
25:06You have not done anything with them?
25:08No one is asking me.
25:09What happened to me?
25:10What happened to me?
25:11What happened to me?
25:16What happened to me?
25:17What happened to me?
25:19It was a surprise.
25:21Shut up, son.
25:22This is a studio.
25:23Here is nothing.
25:24This is a place.
25:25You're not hiding.
25:26You're the one who is hiding.
25:28Oh, my God.
25:32I will not leave you a day.
25:33Why?
25:34That's your Jave card.
25:35That's your Jave card.
25:36That's the one.
25:37I can't leave it.
25:38You're not hiding it.
25:39Don't be oram
26:02through the tucks,
26:05and the days are waiting to forget,
26:09someone is telling me this way.
26:16This love has become your love.
26:23My side.
26:26Your ecstasy is-
26:29What happened to the siren?
26:30What happened?
26:32When I came to my house, I called myself and didn't come out for a couple of times.
26:37You'll be tired.
26:40You just have to keep your eyes closed like this.
26:44What does it mean?
26:47The world that you've been eating for this world has never been made for this world.
26:51You're afraid of fear again.
26:54You're afraid of yourself. You're afraid of yourself.
26:57I'm thankful that my daughter has gone to me in this situation.
27:02So I have to learn which I have learned from my own.
27:07Why are you giving up with respect?
27:10Who will you find this film?
27:13Look at that.
27:15I believe there will be two or four of them.
27:20That's it.
27:21I don't want to be a good person.
27:24I'm looking for a good relationship for the first time.
27:26I'm looking for a good relationship.
27:28I'll make a career first.
27:31And then the world will have to eat food and eat it.
27:35Nobody will believe it.
27:37Look, there will be a bad thing if you do this again.
27:41Please!
27:45You both loved all your life.
27:49But when the time of the decision is,
27:52then one thing is Abbu.
27:55And the other thing is Abbu.
27:58you
28:00when you win
28:02you tell me
28:04i will be like
28:06now
28:20you will come
28:28you
28:32what is it
28:34you are looking at me
28:36what is it
28:38yes
28:40some people have come
28:42I am scared
28:44you are not
28:46I can talk
28:48I can talk
28:50and
28:52I will not know
28:54I will not know
28:56what is it
28:58what is it
29:00you
29:02can take my brother
29:04you can take my brother
29:06what will he do
29:08and you will be angry
29:10you will be angry
29:12but if your brother is here
29:14he will never do
29:16he will never do
29:18he will never do
29:20you know
29:22where
29:24yes
29:25everything
29:26I will send my mother
29:28you
29:30you
29:32you are so much
29:34I will see a girl
29:36too
29:38you
29:40tell me
29:42the phone
29:44tell me
29:46tell me
29:50the phone
29:52to the
29:58go
30:00tell me
30:01hello
30:02honey
30:04Good morning, brother.
30:06Yes, what is happening?
30:08He called the phone to tell.
30:11So, he would tell me the message?
30:14You don't like to listen to his name.
30:17He called the phone three times.
30:20So, he means to talk to his daughter in a empty house?
30:26He's not at home.
30:29I promise you,
30:31that you will be able to keep your faith up.
30:34Don't worry.
30:36Don't worry about it.
30:55After that, we will go to your house.
30:59What the hell is my God? Why do you find me every thing?
31:05I'm not going anywhere.
31:08After 10 days, your marriage will be done.
31:13No, Abba, Abba, you're wrong. You can't do this.
31:16Abba, you can't do this.
31:18You can't do this. You can't call me.
31:21No, no, no, no, no.
31:24You can't do this.
31:28He called my brother.
31:32My brother.
31:37Come on, Abba. That's the studio.
31:39Everton's studio.
31:41Thank you very much, Abba.
31:43Thank you very much.
31:45Thank you very much, Abba.
31:58And I'll see you on the next one.
31:59You're welcome.
32:00And I'll see you on the next one.
32:01I'll see you on the next one.
32:03I'll see you on the next one.
32:04I'll see you on the next one.
32:06I'll see you on the next one.
32:08I'll see you on the next one.
32:10I'll see you on the next one.
32:11I'll see you on the next one.
32:13Okay.
32:14I'll see you on the next one.
32:15Okay.
32:16Now,
32:20to meet them.
32:22They are always open for us.
32:30This is the best friend of mine.
32:36Do you want me to call me?
32:43You are not coming from home.
32:47No, I'm just going to meet him with Faraad, but I'm going to take him to take him.
32:52Take him?
32:53Listen, go ahead and call him Faraad.
32:58He's going to take him to take him.
33:01They'll come here, aren't they?
33:03Yes, don't listen to me.
33:06Take him, come on, come on.
33:08If it's late, then we'll meet with God.
33:11Sit down.
33:13Thank you, Mr. Manwari.
33:17Come on.
33:19Come on.
33:21Come on.
33:23Come on.
33:25Come on.
33:27Come on.
33:29What a mess.
33:31How do you tell me?
33:33How do I tell you?
33:35I'm coming to emergency.
33:37What's going on?
33:39Are you all good?
33:41Can you talk about it?
33:43No, go inside.
33:45Thank you, Mr. Manwari.
33:47What?
33:49How long have you been here?
33:51Yes.
33:52Come on.
33:53Let's see you in the studio.
33:57I knew that Abba Ji would like this.
34:00Faraad, you'll have to do something.
34:05Where is the girl?
34:07I don't know anything.
34:09But she knows that Shamsa doesn't want to marry her.
34:11She's called her.
34:13She's called her.
34:14Now she'll be able to make her happy.
34:16She'll be able to make her happy.
34:19Does Shamsa love anyone?
34:22Yes.
34:23Who?
34:24Who?
34:25Who?
34:26Who?
34:27Who?
34:28Me.
34:29and
34:31and
34:33and
34:35and
34:37and
34:39and
34:41and
34:43you