Daniela Giron estilista y vestuarista de Velvet
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00:00This is the closet of Anna, where she is our designer. She has a great desire to be a designer in New York.
00:11She is emergent, super creative, she has built her pieces and that gives us a pencil, where we see textures, colors,
00:18a more emergent structure. And within her story, she has a pseudonym called Carmen de la Garza,
00:27and this is one of her designs, where we see that there is a simple, but also elegancia, and that can be carried out to the color that is velvet.
00:39On this side, we have all the women, because this is a very large project,
00:45at the level of the vestuario, until the chapter 50, and this is a data, we have 2,880 changes,
00:52until the 50,
00:53nothing more than our principal, the cast principal, so here the volume of the vestuario is wide,
01:00but where the magic happens is the creation, where there is from zero,
01:05all the construction of our collections, putting our talent and our characters,
01:10at the level of velvet, in the area of posture.
01:15We have, well, at the level of references, we have a great shop here in Telemundo,
01:20but also, we have a lot of designers that also support for the vestuario,
01:25and to give them more sophisticated, more elegant, or, according to the scenes,
01:30to talent, but here we have the magic, we have two of our artists here,
01:37which we can build collections, the vestuario, vestuario, vestuario,
01:44vestuario de novia, the collection that you will see throughout the history of Raoul de la Riva,
01:49the first collection of velvet, that is of Benjamin,
01:52which has the trajectory of velvet a level classic,
01:55then we go to a very future evolution, which is where Raúl de la Riva comes, and well,
02:02all of the collections we are going to face, many of them are made at home and others
02:08we have collaborators from other designers. I invite you because here we go from the concept
02:13that was our grand move-roll, until the final product that we just started our collection,
02:19but I'm going to give you an open-box of what we are going to do.
02:21We learn from fashion, trends, and a little bit.
02:25Here we are going to see our already made collection, which is called Spring by Velvet,
02:30where we are going to see the mood-roll, this is part of the reality, and you can also see here.
02:39The culmination, how it is mounted in the mannequin, how we are going to see it in our galleries,
02:44how it is going to see, they are made at home, they are placed in scenes, where they give us a texture,
02:50a color, sobriedad, elegancia, which is what represents the story of Velvet.
02:55We are very happy because we have, above all, actors disciplined,
02:59and what I like most about this production, as of others that we have done, is that once you
03:05plant the psychology and the characteristics of the character that they are going to interpret,
03:10the actors have felt committed to be in this great project, and they have changed,
03:15without putting restrictions on their image, and that is very important for you to carry out a
03:20character, because at the end of the day, they leave the vestido of the personality
03:24and of the figure, to put the vestido of the character that they are going to do.
03:30We are going to take this pared on to sit here, for here, for here, to share a couple of
03:34tricks, a couple of products, so that we can learn from the Grand Maestro, when we are watching the series,
03:41we are watching, but how do you think that that piece is so sweet?
03:45What is the secret of the hair? I have to leave you to share a few ideas.
03:48No, we have ideas.
03:50Fíjense one thing, that we, as a maquilladores, and with this explosion that exists today, in the
03:57social networks, there are a number of products in the market that I see.
04:02I sometimes think, women say, they are confused.
04:05Because every time you pass a reel, you get someone promoting a product that is supposed to be better than the other.
04:10And to the maquilladores, you get the same.
04:13Because one wants to try something natural, that the skin respire, that the skin is hydrated,
04:20that the person doesn't transform.
04:23Do you remember that, for example, a maquillador would say, I'm going to transform.
04:27And you say, no, the idea is not to transform.
04:30The idea is to take what you have and resalt it.
04:34What do we do with this?
04:36Ahorita, I'm using a wonderful maquillage line.
04:40We have many.
04:41But the one that has better worked on the camera.
04:45And especially when the person is face to face.
04:48It's super natural.
04:49It's a Japanese line that I'm using.
04:52We're using some tintes.
04:55Because we're not using so many labials as you would buy.
04:59In the bar of the labial.
05:01The people are using a pintalabial.
05:02No.
05:03We're trying to manage the truth and the natural of each person.
05:08So what we're using is not using so many polvos.
05:12Because of this issue that you make lines and you put a lot of polvos.
05:16We're using a very good base.
05:18We're preparing for the skin, which is the primordial.
05:22You can put all the maquillages that you want.
05:27All.
05:28But if the skin is not prepared.
05:30If the skin is not prepared.
05:32That you can take care of in the chair.
05:34And then you maquillages.
05:36The result is completely different.
05:39We're using a lot of skin masks.
05:42Because, as I always say.
05:44In the market there are 100 masks.
05:46No the 100 masks are going to be for your eye.
05:49You have to know the eye of each other.
05:52And that determines the type of skin mask that you can use.
05:56So, that's why in a big maquillage team, where we are so many actresses, where there are so many actresses.
06:03We have a lot of products.
06:05But, today I have my top of the products.
06:09These are the correct ones and the ideal ones.
06:12That will not leave a nadie wrong.
06:14Well, you know what you know.
06:15The expert.
06:16That is here.
06:17That is all this magic that we are going to see in cameras.
06:21Very soon.
06:22Yes.
06:23Imperium.
06:27Let's go home.
06:28I refuse to edit everything.
06:29I'm okay to get out of here.
06:32Thank you, winds.