accidentally in love
Category
🎥
Short filmTranscript
00:00:00See, I like your style
00:00:16I like the way you live
00:00:19I like the way you smile
00:00:27You're designed for me
00:00:29I'm done
00:00:31Yeah, I just gotta turn on this paper
00:00:33And I will meet you guys at the ferry
00:00:35Yes, of course I brought the champagne
00:00:38Oh, sorry
00:00:41I'm gonna go, okay, bye
00:00:45Maybe we can start right here
00:00:50Let me get to know you're there
00:00:54Love the way you're living
00:00:57So much more than love
00:00:59Rumors to go
00:01:03We can put it all together
00:01:08Cause we've got this feeling
00:01:11And it feels like hope
00:01:13Rumors to go
00:01:17You make it easy
00:01:20You make it bright
00:01:21Got me believing
00:01:23Feels so right
00:01:25No need to wait
00:01:33We can get it now
00:01:35And if you wanted to come around
00:01:38So sit down
00:01:40With me
00:01:41Are you okay?
00:01:49Yeah, fine
00:01:50You?
00:01:57I'm your teeth
00:01:58Well, I am English
00:02:01No, they're covered in blood
00:02:03Oh
00:02:04Oh
00:02:05I think I just get to go
00:02:09To the top
00:02:10Hey, I'm at the clinic
00:02:18No, no, I'm okay
00:02:21I just
00:02:22I ran into someone
00:02:23On my way to turn to my assignment
00:02:24Like, literally ran into someone
00:02:27He's asleep or passed out or something
00:02:29Yeah, he's cute
00:02:34Stop it
00:02:36Okay, uh
00:02:37Have fun in Greenwich
00:02:38I'll try to meet you when I can
00:02:39Okay
00:02:39Bye
00:02:40Oh, sorry
00:02:52Did I scare you?
00:02:53No, I was just surprised
00:02:55Yeah
00:02:56Me too
00:03:00You have a little
00:03:02Oh, oh
00:03:05All right, let's get this up
00:03:10How does it feel?
00:03:12Yeah
00:03:12Cool
00:03:14Well, it looks pretty good
00:03:16I do probably get going
00:03:18You two took knocks to the head
00:03:20Really?
00:03:20Yeah, one too many in your case
00:03:22It seems
00:03:22You likely have minor concussions
00:03:24And I'd like you to do neurological checks
00:03:26Every four hours
00:03:27I have some pamphlets
00:03:28That'll walk you through
00:03:29Wait, even me?
00:03:33That's a good question, actually
00:03:34I mean, because
00:03:35Evidently
00:03:36You have a
00:03:37Particularly
00:03:38Thick skull
00:03:39So
00:03:40It might not be necessary
00:03:42But you know what?
00:03:43Let's be safe
00:03:44And just do what I tell you
00:03:45Okay?
00:03:46All right
00:03:47Well, oh
00:03:47That lip, actually
00:03:48It's going to be tender for a few days
00:03:50So
00:03:50No, easier
00:03:51Oh, no
00:03:52Paracetamol for the pain
00:03:53And I'll be right back
00:03:55With the pamphlets
00:03:55Thank you
00:03:58So, um
00:04:03Do you really think I'm cute?
00:04:09You heard that
00:04:10Yeah
00:04:11Can I get your number?
00:04:14Yeah, sure
00:04:15Would you mind passing me my phone?
00:04:18Oh, yeah
00:04:19Thank you
00:04:20Oh, no
00:04:28What's wrong?
00:04:30I'm late
00:04:31Oh, no
00:04:32But you
00:04:33You haven't learned how to
00:04:34A neurological check
00:04:35Where the hell are you going?
00:04:39Sorry
00:04:39Thank you
00:04:40Why, hello
00:04:42Miss Master of Art
00:04:44We haven't graduated yet
00:04:47Wait, what are you doing here?
00:04:49Oh, I didn't get his number
00:04:49What?
00:04:51I know
00:04:51I lost track of time
00:04:52And I had to get my assignment in
00:04:54So I just had to leave there in a hurry
00:04:55Well, easy come, easy go
00:04:57Is that all I get?
00:05:05Well, that's why I'm glad you came
00:05:07The champagne
00:05:08Oh, I totally forgot
00:05:09The others
00:05:11Yes
00:05:11Oh, thanks
00:05:12They went somewhere to find a liquor store
00:05:15Wait, where is it?
00:05:16I don't know
00:05:17Across the common?
00:05:18No, no
00:05:19Where is my journal?
00:05:20It's not here
00:05:21I must have left me at the clinic
00:05:22It's got my whole year in there
00:05:24Well, it'll still be there
00:05:25We'll go back
00:05:26I'll go with you
00:05:27After my champagne
00:05:29Okay
00:05:29Oh, beautiful
00:05:34Where have you been?
00:05:39Having a jolly time, I hope
00:05:41Yeah, I was at the university doctor's
00:05:43Oh, here's the, uh
00:05:45If I'd known you were going to take that long
00:05:46I'd have just brought it up to my class finish
00:05:48This is your diary
00:05:49Hmm?
00:05:50Oh, sorry
00:05:51Here it is
00:05:53I made a few notes
00:05:54Nothing too major
00:05:55But just take a look
00:05:56And let me know what you think
00:05:57Where's Richard?
00:05:58Richard?
00:05:59He's still in Prague
00:06:00It's a Saturday
00:06:01Oh, of course he is
00:06:02I forgot
00:06:03What's this?
00:06:04What was I coming over here for?
00:06:06Cup of tea?
00:06:07Oh, yes
00:06:08Please, Harry
00:06:09Thank you
00:06:10James, what were you doing at the hospital?
00:06:12Oh, that is really sweet
00:06:14I, uh
00:06:14I ran into someone
00:06:16At first, I presume
00:06:17Yeah
00:06:17Why?
00:06:20Oh, dear
00:06:21Oh
00:06:23We clean it after every visit
00:06:26There's nothing here
00:06:27Except that
00:06:29Look, are you ready to learn
00:06:32How to do a neurological check?
00:06:34Sure
00:06:35Good
00:06:36Hello?
00:06:48Is anybody there?
00:06:54That's not it
00:06:55Um, James
00:06:57I think you should wait
00:06:58Did you get your assignment in?
00:07:21Yeah
00:07:21I found this
00:07:23Yeah
00:07:25I've got this
00:07:27Should we get a drink?
00:07:34I have to learn my neurological check
00:07:36Oh
00:07:36How about a walk in the park tomorrow?
00:07:41A walk in the park would be great
00:07:42Oh
00:07:44Why are you here?
00:07:46Well, I forgot something important
00:07:48Oh, gross
00:07:50Go on, how'd you go?
00:07:51No, no
00:07:51I need to get
00:07:52What are you doing?
00:07:54You're supposed to be a doctor
00:07:55You need tomorrow at the cafe tea, darling
00:07:57I don't want tea with you
00:07:59Sorry about that
00:08:01Are you doing it?
00:08:03You look better
00:08:15No, I don't
00:08:17But thank you for trying
00:08:19I'm a little bit hungover
00:08:22You know, we had our finals yesterday, so
00:08:24Oh, there's a doctor on campus
00:08:26Who specializes in people with your condition
00:08:28I think the treatment might be worse than the cure
00:08:30Come on
00:08:32I know what will fix you
00:08:34Oh, it's the other way around, actually
00:08:44Now that is the best hangover cure in the world
00:08:54Trust me
00:08:56A bit of salt
00:08:56Carbs
00:08:57Grease
00:08:58You'll be good as gold in that time
00:09:00I am supremely jealous right now
00:09:04So you come here often?
00:09:08All the time
00:09:09I love it
00:09:10Here?
00:09:13It's
00:09:13It's just so adorable
00:09:16Yeah
00:09:16It's tea, darling
00:09:18Yeah, so I'm not technically a student
00:09:30By which I mean I'm not actually a student at all
00:09:34I work for this start-up ad agency
00:09:38And, well, we have this graphic design grad student interning with us
00:09:41So, he prints things for me
00:09:44Isn't that stealing?
00:09:45Nana says stealing's wrong
00:09:47Well, they're on a date
00:09:49Sorry
00:09:51Well, that was rude
00:09:53Get off me, Susie
00:09:55I wouldn't mind if you and I would fly away together
00:10:05Fly away forever, honey
00:10:08I wouldn't mind if you and I would fly away together
00:10:13Fly away
00:10:15Let's hold hands, fly away
00:10:19And skip to the beat of our hearts
00:10:22As they chatter, as they pitter, pitter, patter
00:10:24Didn't you know that I could be a wingman flying around
00:10:30As we soar over the town
00:10:32And I, I, I
00:10:36I wouldn't mind if you and I would fly away together
00:10:41Fly away forever, honey
00:10:44I wouldn't mind if you and I would fly away together
00:10:49Fly away forever
00:10:51You and I could rule the sky
00:10:53No need to think twice
00:10:54We could leave behind our troubles
00:10:56If we flew around like lovers
00:10:58Whenever, wherever
00:11:00Two birds of a feather
00:11:02The sun on our wings
00:11:04Let the adventures begin
00:11:06And I, I, I
00:11:10I wouldn't mind if you and I would fly away together
00:11:15Fly away forever, honey
00:11:17I wouldn't mind if you and I would fly away together
00:11:23Fly away forever, baby
00:11:25I really like for you and I to fly away together
00:11:30Fly through any weather, honey
00:11:32I really like for you and I to fly away together
00:11:38Fly away, happy and carefree
00:11:41Fly away, happy and carefree
00:11:43Going on the days we worry
00:11:47Gliding on the breeze, living life in peace
00:11:54What are the chances?
00:11:57What are the chances?
00:11:59We could find all the answers
00:12:03It would be so nice if we spread our wings and fly
00:12:09Let me be your summer
00:12:17Let me be your summer
00:12:25So is this chair signature?
00:12:26Yeah
00:12:27Yeah, yeah, I've photoshopped it into all the campaigns
00:12:30Oh
00:12:34Oh, I love this one
00:12:36Have it
00:12:39I think I've
00:12:40Oh, yeah
00:12:43I can't take this
00:12:48No, please
00:12:49I would like you to
00:12:51I don't particularly want it
00:12:53Yeah, but
00:12:56You've been hiding something behind your back for about a minute now
00:13:01Which I can only presume is a gift
00:13:04And if you accept that
00:13:06Then I get to take credit for giving you the first gift
00:13:09Even though I didn't actually get you anything
00:13:12Thank you
00:13:16Oh
00:13:21This is beautiful
00:13:25Puts mine to shame
00:13:27I'm embarrassed
00:13:28Oh, I love your picture of another woman
00:13:30Oh, there it is
00:13:33The J on her hand
00:13:34Why do you put that in?
00:13:37For fun, I suppose
00:13:39Not to keep things stimulating
00:13:41What do you mean?
00:13:43Well, doesn't it get creatively stifling
00:13:46Working on drill bit campaigns?
00:13:47No
00:13:48No, the creativity is in making the sale
00:13:51The art is defined by the outcome
00:13:54And this is literally art that moves something
00:13:57I love it
00:13:57Beauty is in the eye of the beholder
00:13:59But art is art in itself
00:14:00Is that what that note that you wrote on my work means?
00:14:07You think we see too much?
00:14:09Well, your whole message is that
00:14:11This company is not just selling drill bits
00:14:14But a way through obstacles
00:14:16Right?
00:14:18This image is awful
00:14:20There's nothing aspirational about it
00:14:23Punch in with a macro lens
00:14:26And show the spiral thingies
00:14:28Thread
00:14:29Show the thread in a way that suggests something more
00:14:33Like a spiral staircase
00:14:37Yeah, but no, because look
00:14:39It's not always as, you know, neat as art for art's sake
00:14:44The what and the why can't be separated
00:14:46For instance, your picture, right?
00:14:48Now that's obviously incredibly special to me
00:14:51To anyone else
00:14:52That's just a picture of a building corner
00:14:55Is that so?
00:14:57A lovely picture
00:14:59You're darn right
00:14:59Look, you're the uncompromising artist
00:15:02I'm the compromising artist
00:15:04You're the starving artist
00:15:06I'm the well-fed artist
00:15:08No offence
00:15:08You're right
00:15:09Maybe I'm clinging to an ideal
00:15:10Maybe I won't make a bunch of money
00:15:12But I believe in what I do
00:15:14I'm proud of it
00:15:14And you're brilliant at it
00:15:16I mean, you'll probably end up
00:15:17Proving me wrong
00:15:18And become the next
00:15:19Famous photographer
00:15:21You can't think of any, can you?
00:15:23I don't think they exist
00:15:24Oh
00:15:25That is spicy
00:15:27Seems like we've run out of things to talk about
00:15:37Shut up
00:15:39That's another way to put it
00:15:41Oh
00:15:44Ow
00:15:45I'm sorry
00:15:45Please, believe me
00:15:48There is nothing
00:15:49I would like more
00:15:50Than to kiss you right now
00:15:51I didn't mean to hurt you
00:15:53It's fine
00:15:54Honestly
00:15:55I mean, if you had it
00:15:56We'd have never met
00:15:57So
00:15:57I'll take it
00:15:59Um
00:16:02Can I see you again?
00:16:06After your pitch?
00:16:08I'd love that
00:16:09Would you want to just meet here
00:16:12And see where the note takes us?
00:16:16Sure
00:16:16Do you want my number?
00:16:21No
00:16:21No
00:16:23Let's
00:16:23Let's do it the old-fashioned way
00:16:25More romantic
00:16:26But what if we miss each other?
00:16:28Well, if it's meant to work
00:16:29We'll make it work
00:16:30James
00:16:32I'm going back to the States in two days
00:16:34If it's meant to work
00:16:38We'll make it work
00:16:39We love it
00:17:09How about we celebrate with a pint?
00:17:16Oh, actually
00:17:17I
00:17:17We'll take it from here
00:17:19We'd love to
00:17:22We're selling a means to an end
00:17:34Another
00:17:35Thank you
00:17:36Let me just put this one over here
00:17:38You know
00:17:38I nearly laughed when you first said that
00:17:41But at the end of the day
00:17:42They're just drill bits
00:17:43But boy, you're onto something
00:17:46James is certainly very competent
00:17:48He's a wizard
00:17:49Don't let go of that one
00:17:51Don't worry
00:17:52I don't intend to
00:17:54All right
00:17:54I'm going to the loo
00:17:56How many pints are we going to have?
00:17:57You're somewhere to be, mate
00:17:58Did you change your shirt?
00:18:00Oh, yeah
00:18:00I want to be comfy
00:18:01Right
00:18:03Yeah, well, as a matter of fact
00:18:05I've got a date
00:18:06Do you?
00:18:07Mm-hmm
00:18:07And she goes home tomorrow
00:18:08Overseas
00:18:09This might be my last chance to see her
00:18:11Who's going overseas?
00:18:13Did you change your shirt?
00:18:15Oh, yeah
00:18:15I want to be comfy
00:18:16So, what?
00:18:18You're going to leave England?
00:18:19I don't know
00:18:20Maybe
00:18:20We haven't figured any of that out
00:18:22That's why I need to go tonight
00:18:24Wow
00:18:26You're not kidding
00:18:27Where's she from?
00:18:28You might need to cancel, darling
00:18:29I can't
00:18:30But we're celebrating
00:18:32No, I mean
00:18:32I literally can't cancel
00:18:34I don't have a number
00:18:36James, blow her off
00:18:38You're about to close on a multi-million dollar campaign
00:18:41And you want to go off chasing some foreign floozy
00:18:43All right, Morgan
00:18:43Firstly, she's not a floozy
00:18:45And secondly, we've already closed
00:18:47As I was just explaining to Henry here
00:18:49Sir, Harry
00:18:50You call me Henry, but my name's Harry
00:18:53As I was just explaining to lowly, meaningless intern
00:18:57You can never take a person at her word
00:19:00Until the ink is drawn, you've got nothing
00:19:02Trust no one
00:19:04This is really important to me, Morgan
00:19:06Sorry, James
00:19:07You're staying
00:19:08How about we order something to eat?
00:19:10Oh, it sounds marvellous
00:19:11Um, all right
00:19:14Harry, mate
00:19:15Can you do me a massive favour?
00:19:16Yes, of course
00:19:17Okay, you know the bridge of the duck pond in the common?
00:19:20Yep
00:19:20I need you to go there
00:19:22Find a girl
00:19:22Um, she's got dark hair
00:19:24Might be holding a camera
00:19:25Answers to eating
00:19:26I need you to find her
00:19:28Tell her I'm really sorry I can't make our date tonight
00:19:30But I will swing by her dorm first thing in the morning
00:19:32You want me to skip dinner?
00:19:36What?
00:19:36Yeah
00:19:37I will buy you dinner if it means that much to you
00:19:40James, what are you eating?
00:19:41One minute
00:19:41Three courses
00:19:42What?
00:19:44You'll buy me a three course dinner
00:19:46And I get to pick the restaurant
00:19:47Yeah, whatever
00:19:50I'm just kidding, James
00:19:52Relax
00:19:52He should have seen your face
00:19:55Two courses is fine
00:19:56Harry, hurry
00:19:56You're going to be late
00:19:58I got it, mate
00:19:59Trust me
00:20:01And I—
00:20:12You don't wanna be late
00:20:13I don't know
00:20:14I don't know
00:20:15I don't know
00:20:16I don't know
00:20:16I »
00:20:17i Can't believe it
00:20:18I don't know
00:20:20That's a big knife
00:20:21I'm just gonna profit
00:20:23I'm just gonna love it
00:20:24Like
00:20:24Oh i made a push
00:20:25I don't know
00:20:26I was just a big knife
00:20:27I don't know
00:20:28I don't know
00:20:29I don't know
00:20:30I don't know
00:20:31Excuse me, Edie.
00:20:48Are you Edie?
00:20:49Yes.
00:20:50Thank goodness.
00:20:52I tried the tube, but it was delayed, so I ended up getting a taxi.
00:20:55I thought I might have missed you, but it doesn't matter.
00:20:58James wanted me to tell you he can't come tonight,
00:21:00but you'll stop by your dorm first thing in the morning.
00:21:03Okay. Yes. Yes.
00:21:06Okay, great.
00:21:08It's nice to meet you.
00:21:09One minute, I just need to send a text.
00:21:12Are you on social media at all?
00:21:15Cape Town, right?
00:21:16And there's this place called Shark Bay.
00:21:18Like 500-foot cliffs, straight down.
00:21:21And the access men are jumping...
00:21:30Keep your crew, please. I just need to make a stop on the way.
00:21:36Okay.
00:21:36What have I told you?
00:21:40What have I showed you?
00:21:42A moment from my life.
00:21:47The times when I wake,
00:21:49I have a heartache.
00:21:52And I can't tell you why.
00:21:58I feel lonely,
00:22:00can't feel the empty.
00:22:02I want to draw the blinds.
00:22:07Like something's missing.
00:22:10And I am wishing
00:22:11this will pass in time.
00:22:16I'm taking it
00:22:22day by day,
00:22:24day by day.
00:22:28I'm taking it
00:22:31day by day,
00:22:33day by day.
00:22:33What is it?
00:22:34Hi, I'm looking for James.
00:22:37Ah.
00:22:38You're American?
00:22:39Yes, and I'm on my way to the airport.
00:22:41I just wanted to make sure he got this easier.
00:22:43Give it to me, darling.
00:22:47I'll make sure he gets it.
00:22:48What do you think you so much?
00:22:50I just...
00:22:51Hurry up, love.
00:22:53Meter's running,
00:22:54and you've got a plane to catch.
00:22:59Who is it?
00:23:00A Girl Scout.
00:23:01And then enter you.
00:23:04Oh.
00:23:07You'll give me reason,
00:23:10bring back a feeling,
00:23:12that maybe a sun will shine.
00:23:16You are a lesson,
00:23:19you are a blessing.
00:23:22You bring me back to life,
00:23:25and I'm taking it.
00:23:30Day by day,
00:23:33day by day.
00:23:35I'm taking it
00:23:40day by day,
00:23:42day by day.
00:23:46And I don't know
00:23:48about tomorrow,
00:23:51about tomorrow.
00:23:54But yesterday
00:23:55is a world away,
00:23:58day by day.
00:23:59And I'm living
00:24:01into the day.
00:24:04Thank you, Mr. Parker.
00:24:05Have a nice day.
00:24:06Oh, it'll be delivered by Wednesday.
00:24:10How much was that piece?
00:24:12Seventeen.
00:24:13Seventeen thousand?
00:24:15Yep.
00:24:16Can you believe it?
00:24:17It looks like the artist
00:24:18just threw a bunch of paint
00:24:19on a canvas.
00:24:19Well, that's an awesome
00:24:20commission for you.
00:24:21It is.
00:24:22And I would be making
00:24:25an awesome commission
00:24:26off of your stuff.
00:24:27I can't afford to be
00:24:27a starving artist anymore.
00:24:29Why?
00:24:29It's too unreliable.
00:24:32Product and portrait shots
00:24:34just pay so much more.
00:24:36Yeah, about that.
00:24:37How's your mom doing?
00:24:39She'll be fine
00:24:39once the divorce is settled.
00:24:40Is it nice living back home?
00:24:43Not the word I'd use
00:24:44to describe it,
00:24:45but now we're just
00:24:46trying not to lose the house.
00:24:47Yeah, I get it.
00:24:50Have you called Noah back?
00:24:52No.
00:24:53And don't make me sorry
00:24:54I told you about that.
00:24:55What?
00:24:55It's a big job.
00:24:57And it'd give you
00:24:58breathing room.
00:24:59Jess, it's literally
00:25:00shooting poop.
00:25:01Whoa.
00:25:02It's fertilizer.
00:25:03Okay, calm down.
00:25:04And it'd give you
00:25:06freedom to do other things.
00:25:08You know I'm right.
00:25:10What did your mom say?
00:25:11She says I should marry him.
00:25:13Well, I'm sure he'd be
00:25:15along for the ride.
00:25:16No, no.
00:25:17See, when the conversation
00:25:18switches to getting
00:25:19romantically involved
00:25:20with Noah Pepper,
00:25:21that's my cue to leave.
00:25:22Oh, you mean that's
00:25:23all I have to do
00:25:23to get you to stop
00:25:24loitering around here?
00:25:25Shut up.
00:25:26Call him, Edie.
00:25:27Honey, just call him.
00:25:29It will help to talk.
00:25:30Okay.
00:25:32I hear you, universe.
00:25:34I guess I'm calling
00:25:35Noah Pepper.
00:25:41Pepper Poop,
00:25:41this is Penny.
00:25:42Hi, this is Edie Stevens
00:25:44returning Noah Pepper's call.
00:25:46Edie Stevens.
00:25:48Yes.
00:25:49Um, can I put you on a
00:25:50can I put you on a brief hold?
00:25:52Uh, sure.
00:25:53Okay, thank you.
00:25:56Noah?
00:25:58Noah.
00:25:59Hi.
00:26:00Um, Edie Stevens is on the phone.
00:26:02Edie's on the phone.
00:26:04Yeah.
00:26:06Okay.
00:26:07Oh, okay.
00:26:09Oh, boy.
00:26:10Um,
00:26:11this is really good.
00:26:13Okay, I'll take her off hold then.
00:26:15No, uh,
00:26:15I'll do it.
00:26:17Um,
00:26:18excuse me.
00:26:20Uh,
00:26:20which
00:26:21button do I press?
00:26:23This one right here.
00:26:23No, no, no, no.
00:26:24Uh, don't touch it.
00:26:25I just
00:26:25need a moment to prepare.
00:26:28Sure, sure, sure.
00:26:31It's all okay.
00:26:32Can we practice?
00:26:34Is that okay?
00:26:35Yeah.
00:26:35Can we, um,
00:26:36you're, you'll be,
00:26:37you'll be Edie,
00:26:38I'll be Noah.
00:26:39Okay.
00:26:41Edie, hi.
00:26:42How are you?
00:26:44Good.
00:26:45She doesn't,
00:26:46she doesn't sound like that.
00:26:47It's all right.
00:26:48Can you just sound a little bit
00:26:49more like her?
00:26:49Sound like,
00:26:50sound like you're trying,
00:26:51can you just,
00:26:52just work with me here?
00:26:54Edie, hi.
00:26:56Hi, Noah.
00:26:57That was pretty good.
00:26:59Edie, I've been
00:27:00following you since high school.
00:27:02Been following your work
00:27:03since high school.
00:27:03Um,
00:27:05been following your work
00:27:06since high school.
00:27:07I noticed you
00:27:09would take pictures
00:27:10really well.
00:27:12And that's stupid.
00:27:13I need a mint.
00:27:14Uh, do you have a mint?
00:27:15Do we have any mints?
00:27:16Do we have any mints?
00:27:18We had a candy drawer here
00:27:19for years, Penny.
00:27:21I'm so sorry.
00:27:22I told you
00:27:22you were in the office,
00:27:24but it's a big deal to me
00:27:25that we keep up
00:27:25with consistency.
00:27:26It's fine, it's fine.
00:27:27It's fine, I'm sorry.
00:27:28I'm sorry.
00:27:29No, I'm sorry.
00:27:30I shouldn't have,
00:27:31I know I, you know,
00:27:31it's fine, I just can't.
00:27:33I need to, um,
00:27:35I was wondering
00:27:36if we could grab,
00:27:37um, food to eat.
00:27:41Do you think
00:27:42she'd like it?
00:27:42I like it.
00:27:44I don't know.
00:27:44I feel like maybe
00:27:45that's a little too flashy.
00:27:47Okay.
00:27:47Yeah, maybe.
00:27:49Well, now you got me
00:27:49in my head.
00:27:50Is it not too flashy
00:27:51or is it too...
00:27:52I like it too.
00:27:53Okay, well, you know,
00:27:54I'm trying to,
00:27:54it's fine, I just can't.
00:27:55I need to, um,
00:27:57this, I need the blood,
00:27:58my, um...
00:28:00I didn't do any
00:28:01of my cardio today.
00:28:02Excuse me.
00:28:03Can I just have
00:28:04a little bit of space, please?
00:28:05I'm so sorry.
00:28:06You're doing a great job.
00:28:07Definitely.
00:28:08You're doing a great job.
00:28:09Thanks.
00:28:10Ah!
00:28:11Ah!
00:28:14It's just too tight.
00:28:15It's too tight.
00:28:15I can't do it
00:28:16in your office, Penny.
00:28:17Okay, um...
00:28:18Dinner?
00:28:21We want to have dinner?
00:28:21I want to offer you a job.
00:28:25I want to offer you a job.
00:28:27I want to offer you a job.
00:28:29Yeah.
00:28:30I want to offer you a job.
00:28:33Mm-hmm.
00:28:34Mm-hmm.
00:28:39Okay.
00:28:42I'm ready.
00:28:44Okay.
00:28:46This one, right?
00:28:47This one right there?
00:28:49That's the one on the left.
00:28:50That's right there.
00:28:51Right.
00:28:51Oh, my gosh.
00:28:59Noah, you're killing me.
00:29:01You're killing me.
00:29:05So, this campaign launched...
00:29:06Jeez, I was 17.
00:29:08So, 12 years ago?
00:29:10Yeah.
00:29:10It, um...
00:29:11It has that vibe.
00:29:12I remember your Eminem phase in school.
00:29:15Phase?
00:29:16I'm joshing you.
00:29:17I'm joshing you.
00:29:20Gosh, it's so good to see you.
00:29:23How are you?
00:29:24How's Susan?
00:29:26Mom sends her love, of course.
00:29:27I mean, she's thrilled we're working together.
00:29:30Yeah, Mom's great.
00:29:31Thanks.
00:29:32Yeah, and it has been a while.
00:29:34It has, hasn't it?
00:29:36You know, I keep on passing your studio in town, and I think to myself, I should go in and say hi.
00:29:41But I know you're so busy running the business and everything.
00:29:44I mean, your life is insane.
00:29:46It certainly is.
00:29:48So, so what should we do?
00:29:54With the campaign?
00:29:55Uh, I'm, I'm used to working with smaller businesses, like, much smaller, and you're turning around, what?
00:30:04330 million and change.
00:30:07Wow, yeah, uh, that's, that's a lot more, uh, you're a much bigger company than I'm used to working with.
00:30:14Have you thought about bringing an ad company on board, like people who do this for a living?
00:30:19Oh, I have one already.
00:30:20I went with a British company, kind of glam up our image a bit, you know?
00:30:23Great, uh, so what am I doing?
00:30:26Well, you're gonna shoot it.
00:30:28Look, I know you're not an advertiser, but I remember our senior year art class.
00:30:32Oh, you know what?
00:30:33You've got a darn good eye.
00:30:35And I want you on my team.
00:30:39You, you don't need me.
00:30:40I need someone I trust looking out for me.
00:30:45Now, truth be told, Edie, I'm scared of you creative types.
00:30:48I mean, you're, you're so cool with your crazy hair and old school fashion.
00:30:55I, I don't have either of those names.
00:30:56You know people who do, and you understand them.
00:31:00Should I put that on my resume?
00:31:02Why?
00:31:04It, it was a joke.
00:31:07See, I didn't even get that.
00:31:09But, but you speak their language.
00:31:10I believe it's called English?
00:31:12That, that's funny.
00:31:22English.
00:31:24That's good.
00:31:28Edie, I, I, I need you to keep an eye on these guys.
00:31:33You know, be my woman on the inside, so to speak.
00:31:36You can't have another campaign like the last one.
00:31:39I mean, it was terrible.
00:31:47All right.
00:31:52Welcome to the Pepper Poop family.
00:31:57Maybe we could go out to dinner this Friday.
00:32:00Celebrate.
00:32:02Sure.
00:32:05Edie.
00:32:05Edie, do you really have to do that right now while we're trying to eat breakfast?
00:32:13No, Mom.
00:32:14I'm eating breakfast.
00:32:15You're still on one of your intermittent fasts.
00:32:19I mean, it's the best way to lose weight.
00:32:20Well, you read about the next one in a magazine.
00:32:22Hey, if I could lose weight, I could be a cougar.
00:32:30Yeah.
00:32:32Hold that thought.
00:32:33I'm eating breakfast.
00:32:34I'm eating breakfast.
00:32:35All right.
00:32:35Look what you made me do.
00:32:59Edie?
00:33:04Honey?
00:33:07Honey?
00:33:08Are you okay?
00:33:09Holy...
00:33:10Poop!
00:33:11Tons and tons of poop.
00:33:14You know, people really underestimate it, but I always say that if you want to go green,
00:33:18you gotta go brown first.
00:33:20Obviously.
00:33:21Oh, you know, I could get you a sample if you'd like.
00:33:24Oh, um, no, that's okay.
00:33:26You sure?
00:33:27Okay.
00:33:29And I said, careful mate, that's my face!
00:33:32Can you leave that?
00:33:33He nearly took my face off.
00:33:34He did.
00:33:35Really happy.
00:33:36Edie's here.
00:33:39Edie!
00:33:40Hi!
00:33:41Thank you, Penny.
00:33:43Help yourself some coffee and breakfast.
00:33:45Oh, no, thank you.
00:33:46I'm fine.
00:33:47I already had plenty.
00:33:49Oh, I'm sorry.
00:33:50You mean Edie.
00:33:51I can get you something right now.
00:33:52I'm okay, thank you.
00:33:54Harry was just telling me this funny incident that happened during a commercial shoot.
00:33:58I got loads of stories, my friend.
00:34:00I want to hear all of them.
00:34:02Don't bother.
00:34:03Half of them aren't true and the rest sadly are.
00:34:05Good morning, I'm Morgan.
00:34:06Good morning, Morgan.
00:34:07Edie.
00:34:08Actually, I think I am going to get that coffee.
00:34:11Noah, I have been thinking about it and I have to agree.
00:34:15You should feature prominently in the campaign.
00:34:19Good morning, everyone.
00:34:21James!
00:34:22Noah, nice to finally meet you, mate.
00:34:24You too, buddy.
00:34:25I've heard wonderful things.
00:34:26Oh, no, not from Harry, I hope.
00:34:27If they are, you probably shouldn't trust them.
00:34:29Nah, I only told them the bad ones.
00:34:31Oh, no, no, they've all been really good, I assure you.
00:34:40Oh, uh, James.
00:34:41This is our photographer, Edie Stevens.
00:34:45Nice to meet you, Edie.
00:34:48You too, James.
00:34:52Now that we're all acquainted, you know why we begin?
00:34:55Right.
00:34:57So, we need a new ad campaign, obviously.
00:35:00So, the broad plan is for you guys to come up with the idea and work with Edie to produce it.
00:35:07What's our timeframe again?
00:35:08Uh, I'd like this out by fall.
00:35:10Well, that's doable.
00:35:11Um, do you do many commercial productions, Edie?
00:35:14A few.
00:35:15Uh, she's being modest.
00:35:18I mean, she's done tons.
00:35:20Everyone knows if you want a commercial shot in Charleston, you want Edie.
00:35:25That is a wonderful reputation.
00:35:27I mean, she does portraits.
00:35:29She even does animal portraits.
00:35:31Moving on.
00:35:32Uh, you're looking for exposure across multiple platforms, I'm sure.
00:35:36Have you had any thought as to where?
00:35:38I trust you guys to come up with the best go-to-market strategy.
00:35:42Mm-hmm.
00:35:43And how would you define your customers if you had to place them, say?
00:35:47Mm.
00:35:48Well, uh, our largest clients by far are industrial farmers, but we don't really see much growth in that sector.
00:35:55May I?
00:35:56Go for it.
00:35:57We think there's a high margin retail potential for, um, urban agriculture.
00:36:03You know, people who grow vegetables on top of balconies and rooftops.
00:36:07Farmers and urban millennials, they're two very different demographics.
00:36:10Yeah.
00:36:11Uh, we do quite a bit of business with city parks, uh, suburban gardeners, and believe it or not, cemeteries.
00:36:19So you're literally targeting everyone, the living and the dead?
00:36:22Those are great, aren't they?
00:36:26Oh, yeah, these are very evenly lived.
00:36:31Yeah.
00:36:32Totally.
00:36:33I don't see a single shadow on them.
00:36:36You can see everything perfectly.
00:36:38And they're in focus, too.
00:36:40They sold the product.
00:36:41Isn't that what art is, defined by the outcome?
00:36:43Well, I mean, beauty might be in the eye of the beholder, but surely art is in the art itself.
00:36:51I think somebody told me that once.
00:36:53Do you believe that, or are you just spinning words?
00:36:55Spinning words?
00:36:56Well, that's what you do, right?
00:36:57As an ad man.
00:36:58I believe in what I do.
00:37:00Can you say the same?
00:37:01In my experience, clever words aren't enough.
00:37:04A successful campaign needs follow-through.
00:37:06You don't just launch something and then abandon it.
00:37:08Unless it was always supposed to be a limited campaign, of course.
00:37:11What is this?
00:37:12Is this...
00:37:14A tote bag?
00:37:16No.
00:37:17I know what this is.
00:37:18This is a compromise.
00:37:20Unlimited compromise.
00:37:21I knew I recognized it.
00:37:25Come on.
00:37:26I...
00:37:27I was just playing.
00:37:28Edie.
00:37:29Well, that was a good start.
00:37:30Edie.
00:37:31Edie, Edie, where are you going?
00:37:32I was going to be joking.
00:37:33I haven't seen you in five, maybe six years, and that's how you speak to me?
00:37:38I really don't see what the problem is here.
00:37:40Are you okay?
00:37:41I'm fine.
00:37:42No, I'm sorry, mate.
00:37:43I didn't mean to offend anyone.
00:37:44Oh, okay.
00:37:45Thanks, James.
00:37:46I got this.
00:37:47Okay.
00:37:48What happened?
00:37:49Was it something he said?
00:37:50No.
00:37:51Did I do something?
00:37:52What?
00:37:53What?
00:37:54No.
00:37:55What?
00:37:56No.
00:37:57No.
00:37:58I can't do this.
00:37:59No.
00:38:00No.
00:38:01I can't do this.
00:38:02No.
00:38:03No.
00:38:04I can't do this.
00:38:05Fresh tomato cream.
00:38:06I got this for you.
00:38:07Is that tomato poop?
00:38:08Root pooper.
00:38:09It's that top product right there.
00:38:10You put it on your root vegetables.
00:38:11No.
00:38:12No.
00:38:13No.
00:38:14No.
00:38:15What happened?
00:38:16Was it something he said?
00:38:17No.
00:38:18Did I do something?
00:38:19No.
00:38:20Did I do something?
00:38:21What?
00:38:22No.
00:38:23No.
00:38:24No.
00:38:25No.
00:38:26No.
00:38:27I can't do this.
00:38:28I can't do this.
00:38:29Fresh tomato cream.
00:38:30I got this for you.
00:38:31Is that tomato poop?
00:38:32Root pooper.
00:38:33It's that top product right there.
00:38:34You put it on your root vegetables.
00:38:35It's a miracle.
00:38:36Cool.
00:38:37No.
00:38:38Listen.
00:38:39I don't think it's a...
00:38:40Look.
00:38:41I get it.
00:38:42You do?
00:38:43You're a free spirit.
00:38:44You don't want to be tied down.
00:38:45Kind of.
00:38:46I'm doing the same job over and over again.
00:38:48Oh.
00:38:49No.
00:38:50No.
00:38:51I meant...
00:38:52Look.
00:38:53I know it's going to take some time to adjust.
00:38:54So why don't you go, take the rest of the day, and we'll talk about it at dinner.
00:39:01Thanks.
00:39:03That would be great.
00:39:04Edie!
00:39:05Hey!
00:39:06How did Edie go?
00:39:07It was a disaster.
00:39:10Why?
00:39:11Because I've betrayed every artistic ideal I've ever had, and I'm living a lie.
00:39:12Are they going to pay you?
00:39:13Yeah, mom.
00:39:14They're going to pay me.
00:39:15Yay!
00:39:16That's great.
00:39:17Congratulations.
00:39:18Let's go out to dinner to celebrate.
00:39:19I can't.
00:39:20I have a date.
00:39:21I have a date.
00:39:22I can't.
00:39:23I have a date.
00:39:24Don't bother, I'm not telling you.
00:39:25Don't bother, I'm not telling you.
00:39:26I'm not telling you.
00:39:27I can't.
00:39:28I can't.
00:39:29I can't.
00:39:30I have a date.
00:39:31Don't bother, I'm not telling you.
00:39:32I can't.
00:39:33I can't.
00:39:35It's a good friend.
00:39:37I'm a big star.
00:39:41It's not a big artistic ideal I've ever had, and I'm living a lie.
00:39:42Are they going to pay you?
00:39:43Yeah, mom.
00:39:44They're going to pay me.
00:39:45Yay, that's great.
00:39:46Congratulations.
00:39:47Let's go out to dinner to celebrate.
00:39:48I can't.
00:39:49I have a date.
00:39:53Don't bother, I'm not telling you.
00:40:01More. Keep going. Yep. There we go. What's the story here? He's here. Who? James. James? English James. Wait, English James? Flaky English James. Flaky but cute English James.
00:40:30Infuriating, arrogant, and rude English James. You're going to dinner with him? I'm going to dinner with, uh. What? Wait, how? Why? It's not what you think. I think it's a work dinner or something. Some sort of welcome to the company dinner. When I walked out on the meeting earlier today, he chased after me and I wanted to call it all off, but then he just.
00:41:00Wait, wait, wait. One thing at a time. You walked out on a meeting because. James. James and his stupid uppity ad agency are the ones producing Noah's campaign. Oh. That's why he looks so familiar. Who?
00:41:14Well, an English guy came in here this afternoon asking about holding a launch party here. Noah sent him. When you went back to the university clinic, he was with me in the waiting room. Wait, they want to have the launch party here?
00:41:28Yeah, I guess it could work. Of course it will. I can't have too much. I'm having dinner with Noah Pepper.
00:41:33You're right. You can't have too much. What am I doing? I don't know.
00:41:56To us. Finally getting to work together.
00:41:58You know, uh, you probably don't know this, but, I mean, I guess I've never told anyone before, but, uh, back in high school, I, uh, I kind of had a crush on you.
00:42:18Oh.
00:42:19Yeah, secret's out.
00:42:20Uh, you know, but don't, don't worry, though, please. You know, I, I almost didn't even invite you out to dinner, because I didn't want to send mixed messages or act at all in any way inappropriately, because more than anything, Edie, I, I want to work with you.
00:42:38You know, I wasn't kidding the other day. I really meant it. You know, I need someone who can handle these creatives. You know, tell me what's going on.
00:42:45You know, like today, it seemed like that guy was being a jerk, but I honestly had no idea what was being said.
00:42:57James was...
00:42:58Okay, yeah, he was being a jerk.
00:43:03I'll just fire them, then. Get a new agency. I mean, you're, you're more important to me than they are, in every way.
00:43:09No, no, don't fire them.
00:43:12So, are you in or out?
00:43:17Out!
00:43:17In!
00:43:19It's out!
00:43:20I'm pretty sure it was in. Whatever. 40-15, my serve.
00:43:23Now his gold digger is back on the campaign.
00:43:32Gold digger?
00:43:34Oh. I know her type.
00:43:37Morgan, you think that every American's a gold digger?
00:43:39You still haven't gotten over Wallace Simpson.
00:43:42Look, you can't blame Edie. I upset her.
00:43:45A stiff breeze would upset that delicate snowflake, James.
00:43:49Look, creative differences are a part of the job.
00:43:51I don't know. Have you seen her pictures? They're awful.
00:43:55A trained monkey could do a better job.
00:43:57Anyway, you fancy a gin and tonic?
00:44:00It's about 10 in the morning.
00:44:02Not in England, darling.
00:44:04You've got a problem, you know.
00:44:05I know. I'm parched.
00:44:09So, where would the ball be?
00:44:11Good morning, gentlemen.
00:44:13James, this is Jess, the gallery owner.
00:44:15Oh, nice to meet you, Jess.
00:44:17Nice to meet you as well.
00:44:18I was actually in London with Edie, so I guess we have a mutual friend.
00:44:21Well, I hope so, but I'm not quite sure.
00:44:24Well, I wouldn't worry too much.
00:44:26You know, when I came in the other day, I thought you looked familiar.
00:44:30She was on Jersey Shore.
00:44:33No?
00:44:35Survivor.
00:44:36Am I close?
00:44:38Morning.
00:44:38When we were sent from London to open our North American agency branch, we did it with pepper poop on our minds.
00:44:49How are the acoustics?
00:44:51Yeah, they're fine, Morgan.
00:44:52You're not going to say that, though, are you?
00:44:54Well, I don't know what I'm going to say.
00:44:56Do we need a mic?
00:44:58I think we need a mic.
00:45:00Um, Harry, Harry, are you writing this down?
00:45:03Writing what down?
00:45:06I agree with Morgan.
00:45:07With a lot of people here, a microphone will really help cut across the noise.
00:45:10Then we'll get a mic.
00:45:12James, seeing as Edie missed much of Friday, perhaps you could bring her up to speed?
00:45:18Of course, Morgan.
00:45:19All right, uh, let's see, after you left, well, I came to your door, I went to Heathrow,
00:45:33and then the preceding six years were pretty dull and dreary, but, you know, that's England for you.
00:45:39After the meeting, James.
00:45:41Yeah, not much, really.
00:45:43We decided we'd do billboards, print, TV, radio.
00:45:47So, in terms of a creative vision, we're, uh, we're going to emphasize what Vestalizer does rather than what it is for obvious reasons, and, yeah, no one wants to be featured in the campaign personally.
00:46:03Again?
00:46:06You saw that.
00:46:09It was a different time than it worked back then.
00:46:13Right, yeah, I suppose the, uh, the outcome.
00:46:17Made it art.
00:46:19What do you mean?
00:46:21Just, uh, you know, beauty's in the eye of the beholder.
00:46:25Seriously?
00:46:28Oh, come on, Edie.
00:46:31Look, we're both compromised artists now.
00:46:34The only difference is, I don't see any shame in that.
00:46:36Whereas you, clearly haven't come to terms with it.
00:46:39Do you think that's why I'm angry?
00:46:41Isn't it?
00:46:42No.
00:46:43Well, yes, but I'm mostly angry that you never showed up.
00:46:46Excuse me?
00:46:47I waited for you.
00:46:50And then when you didn't show up, I even went to your office.
00:46:53I gave Morgan my number.
00:46:55I'm not having a spotlight on me.
00:46:56I think I'm going to head out.
00:47:01I have enough to get started on some test shoots.
00:47:04It's simple.
00:47:05Sell the function, not the product, feature you.
00:47:08I have some ideas.
00:47:09It'll be easier to show you than tell you.
00:47:10You won't stick around today?
00:47:12No, I think this is a much more productive use of my time.
00:47:15How can they call it football?
00:47:30Only one man on the field ever touches it with his foot.
00:47:34Harry, do you remember about six years ago
00:47:38when I asked you to meet a girl in a park for me?
00:47:41Of course I do.
00:47:41You still owe me dinner for that.
00:47:42Did you actually speak to the girl?
00:47:47Yes.
00:47:48E-Day.
00:47:49Nice girl.
00:47:51We're still friends online.
00:47:52Show me.
00:47:53I always wondered what happened between you two.
00:47:56I always figured it ended naturally when she moved back to Japan, eh?
00:47:59Oh, no.
00:48:00Have you seen her animated cat videos?
00:48:02Aren't those incredible?
00:48:03Harry, what have you done?
00:48:05What?
00:48:06E-D.
00:48:07Harry, I said E-D, not E-Day.
00:48:10You said a foreign girl with a camera who answered to E-Day.
00:48:14This was the only one in the park.
00:48:15E-D.
00:48:17E-D?
00:48:19Oh, God, it's E-D.
00:48:20Wait, that's where I've seen Jess before.
00:48:22She was at the clinic.
00:48:24Where are you going?
00:48:25To beg forgiveness.
00:48:26Do you have chips coming?
00:48:27Do you want your chips?
00:48:29You still owe me for dinner.
00:48:31Noah, how did you get it under your collar?
00:48:50I don't know.
00:48:52It just kind of dripped down.
00:48:53It looks good to me.
00:48:55Come on, go back to Dave.
00:48:55I don't know.
00:49:26Famous photographers?
00:49:29They exist.
00:49:32How did you find me?
00:49:34Harry told me.
00:49:37Did you really go to Heathrow?
00:49:38Yeah, I did.
00:49:40I didn't get very far.
00:49:42Apparently they frown upon young lovers trying to storm security.
00:49:47Mio E-Day, huh?
00:49:50I see he told you a few things.
00:49:52Yeah, he's a nice guy.
00:49:54Unlike me?
00:49:55Pretty much.
00:49:56Okay.
00:50:00I am sorry, E-D, for the way that I spoke to you in that meeting.
00:50:05You should be.
00:50:06But I'm not sorry for what I said.
00:50:08You're insufferable.
00:50:10And I'll admit that.
00:50:11If you admit that you're above shooting tote bags.
00:50:15I needed the money.
00:50:16Since when did you care about money?
00:50:18Yes.
00:50:19I compromised.
00:50:21I betrayed a younger, more pure version of myself because I needed the money to help someone.
00:50:26Are you happy now?
00:50:27Obviously not, now you put it like that, but it was a joke, E-D, one of life's little ironies.
00:50:39But you took it to this whole other level, which I understand now that I know about Harry and that tourist, but no.
00:50:47No, no, I am, I am not doing this.
00:50:51Doing what?
00:50:52Arguing with you.
00:50:54I bought you that book to say sorry.
00:50:57Why didn't you say it?
00:51:00Because you had company, and I didn't want to intrude.
00:51:06Well, I'm here now.
00:51:08And I'm saying sorry.
00:51:11For the way that I spoke to you.
00:51:13But not for what you said.
00:51:14No.
00:51:16No, because what I saw in there was not inspiring, E-D.
00:51:21And I don't mind saying that to you because I also know that it's not you.
00:51:25You don't know me.
00:51:27I don't know you.
00:51:42This is you.
00:51:45You still have this?
00:51:47Of course.
00:51:48And you carry it with you?
00:51:50Mm-hmm.
00:51:52That's a little weird.
00:51:54Newsflash.
00:51:56I am a little weird.
00:51:58And I didn't keep it because I never moved on from whatever it was that we had.
00:52:04I kept it because I was wrong.
00:52:08And you were right.
00:52:09It's not just a picture of a building corner, or a drill bit, or fertilizer.
00:52:17It's a story.
00:52:20That was our story.
00:52:21And tote bags do not tell stories.
00:52:27Yes.
00:52:28Enough about the tote bags.
00:52:29I get it.
00:52:30But do you?
00:52:32Because I want to work with this E-D.
00:52:35Okay?
00:52:35I am dying to work with this E-D.
00:52:39You know our drill bit campaign won us loads of awards.
00:52:42Practically put the agency on the map.
00:52:44And you know what the centerpiece was?
00:52:47What?
00:52:49A macro photograph of a drill bit, low angle, with the spiral thingies pointing up.
00:52:58They're called threads.
00:53:00That was you, E-D.
00:53:04You put us on the map, in a way.
00:53:09Also, it was me, because my coffee was amazing.
00:53:12Okay.
00:53:42You put us on the map.
00:53:51You put us on the map.
00:54:06Good.
00:54:06Hey, I just thought I'd bring, oh wow. What is that smell? Chicken poop or something,
00:54:22fertilizer of some sort. Why is that smell? You get used to it. Hey, uh, come check these out.
00:54:29You'll be fine. Come on. Oh, Edie, these look great. This is fertilizer?
00:54:36Yeah. Wow, I haven't seen you do anything like this in years. Hey.
00:54:41Dating Noah is, uh, clearly working out for you. We're not dating. How many times have you been out
00:54:49to dinner? Twice. But we were doing a work thing last night. And when are you going out to dinner
00:54:54again? Tomorrow. Well, if it looks like poop. And smells like poop. Yeah, I get it. But this isn't
00:55:02Noah. I had a good conversation with James yesterday. Oh. Yeah. Oh, yes. Oh, these are
00:55:14brilliant. I love this one. That's amazing. Was that in the studio? Yeah. Morning, Penny.
00:55:22Morning, Noah. How was your night? Good. The dog wet the bed again, but it's okay. Just hap...
00:55:28Yeah, it was. I feel like we could maybe figure out a way to incorporate Noah. Maybe like
00:55:33behind her over here. Yeah, behind everything, maybe. Just somewhere small. Hidden in the dirt.
00:55:40Just like way up in the distance. Maybe it's definitely not in it. That'd be more ideal for me.
00:55:45Oh, no. These are great. These are great. Well, we can get some more of these things. Yeah,
00:55:57I have a couple more. I just put it in. Okay, what I'm not talking about about fertile fields
00:56:06and productive farming, we have to at least acknowledge the fact that what we're selling
00:56:09is feces. So we double down. We make a joke out of it. But not out of the campaign. No,
00:56:15we can't undermine it. And Noah needs to be in it. Right. Okay, let's get him in it. I think he's
00:56:24going to like this. Noah. Sorry. I have no idea how late it is. Well, we've been on a roll. Getting
00:56:36it done. That's it. Getting it done, that's the tagline. I love it. Yes. Come on, put it there.
00:56:49Mmm. All right. Should we call it a day there? Heck no. Uh, do you want to do some test shoots?
00:56:58I mean, I'm up for it if you are. Let's go. Let's go. To the studio, baby.
00:57:04Can I have a couple more minutes, please?
00:57:18Things in life should be simple rather than complex. I've been saying this for a long
00:57:34time. I don't know what else to say at this point. I don't think any of them make any sense. Also,
00:57:39how do you use chopsticks? These ones have two. I only have one. Here, you want my other one?
00:57:46Not really. Excuse me. Can I have another double rye on the rocks? Would you like any food,
00:57:55sir? Uh, no. Just whiskey. And the check. Please.
00:58:00Oh. Hey, Noah. This? Do you like the lean? Do I look like the face of poop? That's what I'm really
00:58:25going for you. That's not going to work for Noah. I'm not opening the bed. Come on. We have to show
00:58:29him what we're thinking, right? I'm not showering myself in poop.
00:58:35I don't even want to know what's going on. Harry. Jess. What are you two? There's no time for that.
00:58:40Edie, your mom, and I guess now Noah, is looking for you? What? Oh, no. I forgot dinner.
00:58:47What? Um, I need my phone. Um, can someone call my phone? I'm on it.
00:59:06You need to hide him. Now. Oh, no. We were just working.
00:59:09Yeah, Harry. Mate, we have an awesome campaign. Nice one. Think about what this looks like.
00:59:14Your mom is worried about you. She's looking for you. She and Noah are going to come here.
00:59:22Shoot, you're right. Yeah, you gotta go. What? No, this is absurd. I'll just explain to Noah
00:59:27we were working, show him the shots. You had a date with him. No, it's... Can you just not
00:59:32complicate things right now? Too late. I see Noah and an angry-looking woman that parked across the
00:59:39street. That's Susan. Who's Susan? My mom. Yeah, I'm gonna hide. Yeah, go to the bathroom.
00:59:44Why are you in there? Edie's mom looks really angry. I got scared.
00:59:55Edie? Edie? Why aren't you answering your phone?
01:00:00Mom, I'm not a child. I don't have to explain myself to you.
01:00:02Uh, maybe not to me, but you definitely have to explain yourself to Noah.
01:00:06He called, and you missed your date? It was just dinner.
01:00:09Oh, no, no. Don't sell yourself short. You're wonderful. Do you think I have better things
01:00:14to do than to drive all over town? Mom, if you would just stop talking for two seconds,
01:00:18I could explain. I've been... Yeah?
01:00:22I-I-I've been, uh... Here!
01:00:24With me. Yeah, uh, Edie and I had dinner together, and she just totally forgot about your date.
01:00:31It's my fault. I'm so sorry, Noah. It's okay.
01:00:39Hmm. Is that the Evergreen Pro-Poop Lactic?
01:00:42What? That fertilizer. It's a proprietary, disease-resilient blend.
01:00:48Oh, that's wonderful. It's pepper poop. I was working earlier,
01:00:52and I got caught up. I just... I completely forgot.
01:00:55Telephone? You could've called? It's-it's fine, Ms. Stevens. It's really...
01:00:59Okay. It's fine. I just didn't know where you were, and I got worried.
01:01:04Well, I mean, if you're okay, Noah, I guess we could go.
01:01:08And, um, I'll see you at home, but, uh, I've just got to go to the bathroom real quick.
01:01:11No! Don't!
01:01:12Whoa, whoa, whoa, whoa. What's going on here, girl?
01:01:16Just going home.
01:01:18Uh, Edie, I have to go to the bathroom now.
01:01:21Not later.
01:01:22There's a bar down the block that is open.
01:01:25Okay, you guys are being really weird right now.
01:01:29What is going on, okay?
01:01:31Um, I have to go to the bathroom. Excuse me.
01:01:33There's-there's-no, no.
01:01:34Um, there's someone in there.
01:01:37My...date.
01:01:39Okay. So you have a boyfriend now, Jess?
01:01:42No, no, no. My boyfriend, this is our first date.
01:01:46You brought your new date to dinner with Edie?
01:01:50We're having it after dinner. He-he just needed to use the bathroom.
01:01:53Mm-hmm.
01:01:55Well, do you like him, dear?
01:01:57Yeah.
01:01:58I do?
01:01:59Yeah. Uh, he's...
01:02:00Uh, accidentally offensive and persistent, but there's something really adorable about him.
01:02:09Oh, that's wonderful.
01:02:10Hey, can you fuck this?
01:02:13Yeah.
01:02:13He-he has been in there for quite a while, though.
01:02:18You sure he's okay?
01:02:19Yeah, he's been in there for a minute.
01:02:22Oh, he's not feeling well.
01:02:24Yeah.
01:02:25Oh, okay.
01:02:31Okay.
01:02:32What was that?
01:02:33Yeah.
01:02:33Huh.
01:02:34Good evening, everyone.
01:02:40So, how are you feeling?
01:02:43Uh, much better.
01:02:45Great, in fact.
01:02:47Jess, are you ready for our date?
01:02:49Yep.
01:02:50Yep.
01:02:51Excellent.
01:02:52Okay.
01:02:53Okay.
01:02:54Um, okay.
01:02:57Can I use the bathroom now?
01:02:59Mm-hmm.
01:03:00Okay.
01:03:01Hmm.
01:03:02Oh, what?
01:03:31Noah?
01:03:35Noah?
01:03:45Edie, there's no toilet paper.
01:03:48Okay.
01:03:58Sweetie, what's going on?
01:04:00Is it that Englishman?
01:04:02Noah told me about him.
01:04:03I really worry about you.
01:04:05I hate to see you get hurt,
01:04:06and I don't think it's a good thing
01:04:07to be chasing after this guy.
01:04:09I mean, he's the one who left you.
01:04:11I'm afraid he's gonna do that again.
01:04:13You really need somebody stable, dependable,
01:04:15and Noah's a good man,
01:04:17and he would be financially stable as well.
01:04:19I just really worry,
01:04:21and, you know, when your dad left,
01:04:23I promise I'd never let something like that happen to you.
01:04:27I'm afraid this guy's gonna break your heart,
01:04:29and you're gonna lose your opportunity to be with Noah.
01:04:33You know I love you, and I just want the best for you.
01:04:36I'm really glad we had this chat,
01:04:38and thank you for listening for once.
01:04:40Well, now I gotta go to my kickboxing class.
01:04:43See you later.
01:04:45We need to focus on the campaign.
01:04:55What are we selling?
01:04:58Poop.
01:05:00Poop.
01:05:02No.
01:05:03No, we're not selling that.
01:05:05We're selling...
01:05:07Cultivation.
01:05:09Growth.
01:05:11Life itself.
01:05:19I'll go for coffee while we wait for them.
01:05:23I'll help you.
01:05:25Where are they?
01:05:26They're not together.
01:05:27I know that much.
01:05:28I saw James this morning,
01:05:29and he's definitely on his own.
01:05:33A raspberry frappuccino.
01:05:35You got it.
01:05:37Morgan?
01:05:38Black.
01:05:39Good luck.
01:05:52Oh.
01:05:53Nice of you to join us.
01:05:54How was your lie-in?
01:05:55I wasn't aware we had a meeting scheduled.
01:05:57Oh, you must have forgotten.
01:05:59No, Morgan.
01:06:00You must have forgotten to actually tell me.
01:06:02Don't you dare speak to me like that.
01:06:04Especially in front of a client.
01:06:06I expect an apology.
01:06:08For what?
01:06:09For insubordination, tardiness,
01:06:11and inappropriate relations with a team member.
01:06:14Oh, Harry and I are just good friends.
01:06:16With the American girl.
01:06:18Edie and I were working.
01:06:21And the campaign's good.
01:06:23It's really, really good.
01:06:27If you can grow up for one minute, you'll see that.
01:06:30She's his girlfriend, James.
01:06:31I didn't know that, look.
01:06:32Haven't you done enough damage?
01:06:34Yeah, alright, Morgan.
01:06:35Just...
01:06:38Oh, look.
01:06:39Noah.
01:06:45Noah.
01:06:47I understand you're upset that Edie missed your date last night.
01:06:51But we have your campaign.
01:06:54And it's beautiful.
01:06:55Isn't that what you wanted?
01:06:58Can you promise me you have nothing but professional interest in Edie?
01:07:06Excuse me?
01:07:11Can you promise me you have nothing but professional interest in Edie?
01:07:16The campaign.
01:07:30Noah, it's everything.
01:07:35I...
01:07:37need to go to the factory and...
01:07:39check on production.
01:07:41Noah!
01:07:42Noah!
01:07:43Noah!
01:07:44Noah!
01:07:45Noah!
01:07:46Noah!
01:07:47Noah!
01:07:48Noah!
01:07:49Noah!
01:07:50Do you want us to continue working in your absence?
01:07:52I can assure you we are the right fit for your company.
01:07:55But please, just don't do anything rash, okay?
01:07:56We will do whatever is necessary to keep your business.
01:07:58Right?
01:07:59Let's just talk about it when you're back from the factory, okay?
01:08:00Noah?
01:08:01Noah.
01:08:02Noah, I know you can hear me.
01:08:07the factory, okay? Noah? Noah, I know you can hear me.
01:08:37Richard! Darling! I don't understand why they have to be so juvenile about this.
01:08:49Are they wrong? What? You hesitated when Noah asked you that question. Is your interest
01:08:56to me purely professional? Um, yes, yeah. You're lying. E.D., you're dating Noah.
01:09:15No, I'm not. That's not what everyone else seems to think. That's not what Noah seems
01:09:20to think. I mean, you've literally been going on dates with him, E.D. So you're leading him
01:09:25on, or are you leading me on? It's just dinner. Apparently not to him. And frankly, not to
01:09:32me. I'm not that guy, okay? And you seem to be having trouble committing to either of us.
01:09:39If you can't admit to Noah that you have feelings for me, then we can't be anything more than
01:09:47just work colleagues. Can we? Bravo, darling. You know, you might have just single-handedly ruined our
01:10:00North American expansion. No. Labour laws are a funny thing. I wish I could fire you. But
01:10:16alas, all I can do is promote you. You know, I've just got off the phone to Richard. I've been telling him all about the sterling work you've been doing here.
01:10:27Did you know he's looking for a new creative director? The whole agency? Oh, yes. And you've got the job. Congratulations.
01:10:40Well, you can't make me take it. But why wouldn't you? Surely such a promotion is within your professional interest. Yeah.
01:10:53Well, you'd better book a flight, darling.
01:11:01Who's going to replace me here? No, I didn't have raspberry, so I got you blueberry.
01:11:07No. Why is everyone staring at me?
01:11:14Why is everyone staring at me?
01:11:20I'm like, hey, hey, hey, hey.
01:11:27And I'll surprise you put this up beat, and I'll solve it for one day today.
01:11:35Good job, darling. I'm fun now.
01:11:36Thanks, mate.
01:11:37Yeah.
01:11:38It's fun.
01:11:42Okay.
01:11:43But it doesn't always work out that way
01:11:47Girl loves boy and boy hurts girl
01:11:51In the end someone's heart has to break
01:11:54I'm so sick of talking about love
01:11:58All the songs that they play sound the same
01:12:01Want a kick in my radio
01:12:03I'm so sick of talking about love
01:12:06It rips me apart
01:12:08Take my heart, throw it right out the window
01:12:11Oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh oh
01:12:19I'm so sick of talking about love
01:12:22Cause all that it does
01:12:24Is remind me that I'm alone
01:12:30Don't laugh, it's launching in your gallery in less than a week
01:12:33Yeah, but they know I don't have anything to do with it
01:12:36Don't they?
01:12:37Meanwhile my name is all over it
01:12:39I'm kidding. Edie, it's, um, well, it's pretty terrible.
01:12:44But in a goofy Noah kind of way.
01:12:48Have you told him yet?
01:12:50About the campaign?
01:12:52What else do you have to tell him?
01:12:54I try, but he's just so darn happy all the time.
01:12:57I don't have the heart. It's like kicking a puppy.
01:13:01Besides, he hired me to handle the creatives,
01:13:04and I've been completely steamrolled.
01:13:05I can't work with Morgan.
01:13:07She's got awful ideas.
01:13:08And Harry, he's...
01:13:10Oh, it's okay. You can trash-talk Harry to me.
01:13:13I don't... I don't mean to.
01:13:15Harry's really sweet, but...
01:13:18We spent three full days shooting Noah.
01:13:20Thousands of images.
01:13:21At some point, you just need to make a decision.
01:13:24That is the smartest thing you've said all day.
01:13:30So what is your decision?
01:13:31Are you dating Noah or not?
01:13:33Why do people keep asking me that?
01:13:34Because you keep going out on dates with him.
01:13:38Am I dating Noah?
01:13:44Not very well.
01:13:52Room 418. Enjoy your stay with us. Thank you.
01:13:55Excuse me.
01:14:00Yes.
01:14:00I'm looking for Harry Masters.
01:14:04Never mind.
01:14:05I think I found him.
01:14:05I've been meaning to ask about the campaign, Morgan.
01:14:17Out with it.
01:14:18Well, it's sort of similar to the last one, isn't it?
01:14:22I know, darling.
01:14:24Look, Noah doesn't care about it,
01:14:26and quite frankly,
01:14:26we don't want to overwhelm his customers.
01:14:28They're American, remember?
01:14:30They've got less culture than a cup of yoghurt.
01:14:33Well, I don't think...
01:14:35Good.
01:14:36You're not cut out for it.
01:14:38Your service.
01:14:40Right.
01:14:48What was that?
01:14:49My point, I believe.
01:14:51It's just a blinking game, Harry!
01:14:53Harry!
01:15:00Harry!
01:15:03Weedy, what are you doing here?
01:15:06I need to talk to you.
01:15:08Yeah, so why are you here?
01:15:09It's the men's room.
01:15:11I can't let Morgan see us.
01:15:14Huh.
01:15:16She does seem rather omnipresent, doesn't she?
01:15:23The campaign is a train wreck.
01:15:27I know.
01:15:31It's awful.
01:15:32We need to do something.
01:15:34I've tried.
01:15:37Believe me, but Morgan won't listen.
01:15:38She's like a tank.
01:15:40The only person she'd ever listen to is James.
01:15:42So we go over her head.
01:15:48To Richard?
01:15:49We can try, but he won't get involved.
01:15:51There's got to be someone else.
01:15:54I mean, technically, the creative director's more superior.
01:16:01James.
01:16:02Yep.
01:16:03You already knew that.
01:16:04Yeah.
01:16:04Oh, my God.
01:16:10Your team look up to you.
01:16:13Come on, sit down.
01:16:14You know, I wanted to offer you this job when it opened up, but I didn't think you wanted
01:16:22to leave America just after you arrived.
01:16:24So, tell me what you're thinking.
01:16:31Uh, well, I think that the teams are working pretty well individually.
01:16:37They're just reluctant to collaborate.
01:16:39Yeah, yeah, yeah.
01:16:39Not about work.
01:16:41There's, um, something else going on, isn't there?
01:16:46Have you ever been in love?
01:16:52Ah.
01:16:56Um, three times.
01:16:59Married four.
01:17:01Yeah.
01:17:02So, uh, tell me about her.
01:17:06How long you got?
01:17:07Well, 40, 45 minutes.
01:17:13Come on.
01:17:15I want to hear it all.
01:17:18I'm having a hard time deciding between the fish and the steak.
01:17:22Oh, the fish is great.
01:17:24It's so rich.
01:17:25It's so soft.
01:17:28Yeah, it looks rich.
01:17:30Yeah, it's so rich.
01:17:31And the butter sauce is super mellow.
01:17:33I mean, it's a safe choice.
01:17:35Well, how about the steak?
01:17:36I don't know.
01:17:40Do you like hot English mustard?
01:17:43I mean, yeah, I like a bit of heat.
01:17:45I just can't do it.
01:17:46It gives me hiccups.
01:17:47But, you know, you get whatever you want.
01:17:50You know, don't let me sway you.
01:17:52Are you ready to choose me out?
01:17:53Yeah, I think I am.
01:17:58Whoa, whoa, whoa.
01:17:58She told me Girl Guide.
01:18:02No.
01:18:03No, no, Girl Scout.
01:18:04American.
01:18:05Oh, that Morgan, she's a piece of work.
01:18:07Yeah, we'd need another bottle to get through all that.
01:18:09Oh, I have one, actually.
01:18:10No, no, please.
01:18:11My head's already spinning.
01:18:13Oh.
01:18:16I'm going to be sorry to see you leave.
01:18:20Excuse me?
01:18:21Well, you're going back, of course.
01:18:23What, to America?
01:18:24Mm-hmm.
01:18:24No, no, no, I don't want to muck things up more than I already have.
01:18:29Well, perhaps you could help rescue them.
01:18:33What do you mean?
01:18:34Well, you see, your love life was not the only thing that Morgan was sabotaging, it seems.
01:18:41Huh?
01:18:43Yeah, the, uh, pepper poop campaign is a total disaster.
01:18:46Oh, yeah, I know, but what do you want me to do?
01:18:51It's about to launch.
01:18:52Mm-hmm.
01:18:54What if I told you there's a way you could save it?
01:18:58There is?
01:18:59Mm-hmm.
01:18:59You see, James, sometimes, in order to see forwards, you have to look backwards.
01:19:12To the past?
01:19:14You think there's something I could have done differently?
01:19:15Probably.
01:19:16Um, just look back.
01:19:20Well, I mean, me and Edie came up with...
01:19:22Oh, for goodness sake, you're as thick as two short planks.
01:19:25Just look behind you.
01:19:26Edie.
01:19:30Edie?
01:19:33Developed the concept you both came up with and made it work.
01:19:37Harry is printing and swapping it now.
01:19:40So what do you need from me?
01:19:43Authorization.
01:19:44As creative director, it's your responsibility to maintain the company's meta reputation worldwide.
01:19:50Morgan's not going to like this.
01:19:52James, James.
01:19:54I believe in you.
01:19:56You're scared of her, aren't you?
01:19:58Terrified.
01:19:58Ha ha ha ha ha.
01:20:12Are you ready for your speech, Morgan?
01:20:14There are a few things that I detest more than public speaking.
01:20:17I can do it.
01:20:21That, my dear, is one of them.
01:20:25I mean, to be honest, I don't even know what to expect.
01:20:28I saw one mock-up early on, but these guys have been making all sorts of changes since then.
01:20:33Real creative types.
01:20:34They've got me to...
01:20:35Noah.
01:20:36Noah.
01:20:37Noah.
01:20:38Is that...
01:20:39Penny?
01:20:42Uh, Noah, can I talk to you?
01:20:46Uh, yeah.
01:20:48Yeah.
01:20:49Uh, Mrs. Stevens, if you can excuse us for a second.
01:20:52Sure.
01:20:52Of course.
01:20:52Of course.
01:20:53Your mom doesn't know yet, huh?
01:20:59I think she's going to take it harder than anyone else.
01:21:03I enrolled in a painting class.
01:21:05Cool.
01:21:06Noah, um, there's something...
01:21:07It just kind of helps me take my mind off of things, which is good.
01:21:10Right.
01:21:10Uh, but about the...
01:21:11Uh, just stop.
01:21:13It's fine.
01:21:15I'm fine.
01:21:17I get it.
01:21:19You don't feel about me the same way that I feel about you.
01:21:23It's not the first time this has happened.
01:21:25Noah, I do care about you.
01:21:28You're a kind, sweet, sensitive guy, and you're going to make the right woman very happy someday.
01:21:35But I'm not her.
01:21:36I know.
01:21:38But...
01:21:42That's not what I needed to tell you.
01:21:48The campaign is terrible.
01:21:51Oh, gosh, yeah.
01:21:52I can't stand any of it.
01:21:54Why didn't you say something?
01:21:56I felt bad for letting Morgan send James back.
01:22:00I...
01:22:00I didn't want to admit that we needed him.
01:22:03That...
01:22:04I needed him.
01:22:06And more importantly, Eadie...
01:22:09You needed him.
01:22:14Well, about that.
01:22:15We've made some changes to the campaign.
01:22:24I'm going to talk to him.
01:22:26Mm-hmm.
01:22:27Everyone's attention?
01:22:28All right, well...
01:22:28First off, please join me in showing our appreciation to Jess Hammond here for hosting us in her amazing gallery.
01:22:37Jess Hammond, everybody.
01:22:38You came back.
01:22:45I love her, Noah.
01:22:47I love her, Noah.
01:22:50Yeah, me too.
01:22:57I'm sorry, mate.
01:23:00I didn't want to ruin everything.
01:23:03No, it's...
01:23:04No, it's not about what you want.
01:23:07It's not about what I want.
01:23:10It's about what Eadie wants.
01:23:12Isn't it?
01:23:12She lights up whenever she's around you, James.
01:23:17When she's angry.
01:23:20Mm.
01:23:21Especially when she's angry.
01:23:23Let's grab a drink.
01:23:29It is a privilege, of course, for any agency new to these shores or well-established to work with Poop.
01:23:47Noah Poop.
01:23:50But, uh, sorry.
01:23:51Noah Pepper.
01:23:51Well, um, I, uh, hope you enjoy, all enjoy watching the campaign as much as we've enjoyed giving it life.
01:23:59Um, and please, don't forget to promote us.
01:24:03So, um, without further ado, we give to you Peppa Poop like you have never seen it before.
01:24:43Surprise!
01:24:44I know it's not what you're expecting, but we did it!
01:24:47Ah!
01:24:48You did something, but you didn't do that.
01:24:53I'm just happy these two were here.
01:24:55And Harry.
01:24:56If you hadn't made me take thousands of photos, we wouldn't have had what we needed.
01:24:59I always say you can never take too many photos.
01:25:01I've heard all about your games, Morgan.
01:25:04And unfortunately, I can't promote you.
01:25:06But I can't fire you.
01:25:08We'll take it from here.
01:25:10You presumptuous little toad.
01:25:12I am the agency in America.
01:25:14Actually, Morgan, you're not.
01:25:17Excuse me, Morgan.
01:25:18Oh, shut up, Harry!
01:25:20What do you think you're doing?
01:25:22Pulling rank.
01:25:23Richard would like a word with you.
01:25:27Richard.
01:25:28Darling.
01:25:29Yeah, no, you can't.
01:25:33Hang on, you can't.
01:25:34Wait a minute, that's my phone.
01:25:35Just a second.
01:25:36Richard, please.
01:25:40Well, I'm going to go make sure the bar is stocked.
01:25:43Shall we go somewhere quieter?
01:25:51Shall we go somewhere quieter?
01:25:51Seems like we've run out of things to talk about.
01:26:10Shut up.
01:26:11Shut up.
01:26:15That's another way to put it.
01:26:21That's better.
01:26:25Do you want my number now?
01:26:26Happy day.
01:26:31Please, I'm a happy day.
01:26:35Da da da, da da da, da da da da da da
01:26:43Da da da, da da da, da da da da da da
01:26:51May you be at ease with the willow trees
01:26:58We'll lie through the canopy
01:27:01May you be at ease with the willow trees
01:27:05I'll taste it, rock with humanity
01:27:09My happy days
01:27:13These are my happy days
01:27:17My happy days
01:27:21These are my happy days
01:27:28Every day I'm in a
01:27:30Cause all I got inside is love
01:27:33Yeah, every day I'm in a
01:27:38Cause all I got inside is love
01:27:41That went great, Noah
01:27:42Thanks
01:27:43You look amazing, by the way
01:27:47Really?
01:27:49Yeah, I was like, wow
01:27:52Thank you
01:27:54Um, I'm sorry about Edie
01:27:58It's okay
01:28:01Have you ever loved someone so much that you feel like they don't even see you?
01:28:10Yeah, yeah, I know exactly how that feels
01:28:12I mean, maybe, maybe I don't love Edie
01:28:16I mean, I just love the idea of her
01:28:19I mean, she's a creative
01:28:20Exactly
01:28:21I should find somebody in the industry
01:28:23Somebody who knows how to support you
01:28:27Someone who loves fertilizer
01:28:29And would do literally anything to be noticed by you
01:28:32Oh, I would definitely notice
01:28:34Really?
01:28:37Yeah
01:28:38And I would never let her go
01:28:41Well, good night
01:28:45Okay, good night
01:28:48Okay, good night
01:28:48Okay, good night