مدي 1 تي في : مع "بيني آدم" - 15/04/2025
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03:16He is a person who sees his identity and has the real power of his own.
03:26He is a man of the wind.
03:30In this film, there was a lot of threat to the Amazighian. Why?
03:36We are in Gharba, and we want to make sure that we have the skills and the skills of our skills.
03:45So it's important to know the real thing, and to know where we are, we want to know the GT.
03:50According to the information, there are two versions, a French version and a DERIGA version.
03:55Yes, exactly.
03:57So in 2023, how would you say the French or the DERIGA version?
04:02The people who wanted to try and tell it in the third one, who wanted to try and tell it in the French,
04:11but with the same level of sound, the technical level of sound,
04:16so we are able to work together to the most important part of our film, so we have a very technical level.
04:23But the small ones?
04:24And for the small ones, they work with the DERIGA version or French?
04:26We want to know the secrets a little bit.
04:29The small ones work at French.
04:30French.
04:32So after the air, they are doing the dublage in the direction of the air.
04:35Yes, they are not all of them.
04:38But many of them are coming back to the air,
04:42and they are doing the dublage in the direction of the air.
04:45So we have the dublage,
04:47Sarah Perlis, Samia Nasseri, Star, Bravo.
04:50Yes.
04:51The artist Yosef, who is Raoui.
04:53Yes, yes.
04:54So these are the dublages that you said about the artist,
04:58and they are the dublages of the film.
05:03Sarah Perlis, who is incredible.
05:06Samia Nasseri, who is very famous for the film.
05:10And there are other comedians, who are very well.
05:14Nadia Niazi, who is the actor of the woman of the artist.
05:18Murad Zegendi, who is very famous for the film.
05:22What about the music, Anwar?
05:24The music is incredible.
05:26The music of the film.
05:28Yes.
05:29The music of the film is a DJ van.
05:31Yes.
05:32The music of the film is a DJ van.
05:34Yes.
05:35The music of the film and the music of the film.
05:37Yes.
05:38The music of the film is great singers,
05:40like the soprano, Manal, Samibay,
05:43which is a beautiful song.
05:45And one of the extraterrestres...
05:47Who knows them all?
05:49Yes.
05:50Yes.
05:51Yes.
05:52Yes.
05:53Yes.
05:54Yes.
05:55Yes.
05:56Yes.
05:57Yes, yes.
05:58No.
05:59Yes.
06:00And I will tell you very good about this music.
06:02Benny Adam and the Zayaz are a great music.
06:06Benny Adam, how do you know those actors from before?
06:09How do you get connected?
06:10I don't know anything.
06:12I was in studio with DJ Van, which was a film, and I was in the mood.
06:19I was thinking about the kvita, I wanted to eat a kvita.
06:21Like?
06:22He told us, I was going to eat a kvita, but I didn't have any.
06:27But I didn't have any other.
06:29It was important.
06:30I was thinking about the truth, and I got to meet Anwar.
06:34We were in a dinner with a friend, I didn't know anything.
06:38We talked about the discussion about how to change the language.
06:43I think you're interested in it.
06:48Did you still get a message?
06:49No.
06:50Did you still get a message?
06:52No, it was in October.
06:55Yes, it was a message.
06:57So, I was listening to you and I told you that the language was different.
07:00I knew that the language was...
07:03We were working with the language of the film.
07:06Yes.
07:07When I saw one of the scenes that was incredible in the film,
07:12the character of Doudou Mastali, who entered the bank,
07:17this is a little bit of a mistake.
07:18This is the Chinese.
07:19When he entered the bank, when he left the bank,
07:23you could use the choreography.
07:24Yes.
07:25When I saw this language,
07:27I saw it as a language of the chiches and the chiches,
07:30so that they can't afford it.
07:32You can see it.
07:33When I heard her language,
07:36the words that are speaking,
07:38the rhythm and everything,
07:40they really play in the DNA or in the image of the film.
07:45So, you don't know what I'm doing.
07:47You were on the bourgeoisie.
07:49You're expanding with Kharadija,
07:50mix andplatform for the people in the country.
07:52I have taken an amazing country.
07:53Everything is good.
07:54Everything is done with the Canadian.
07:55Even in the Uurizazi, I have started a studio to write with myself.
07:58And I have to make a difference between the dollar.
08:00And my goal was to give the Arabian a message.
08:08I'm sorry, I'm sorry, I'm sorry.
08:10I'm sorry, I'm sorry, I'm sorry.
08:12I'm sorry, I'm sorry.
08:14But I want to give the message to the people.
08:19Exactly.
08:21Whether it's human and art,
08:25or whether it's the right of the author,
08:29we can do everything different.
08:32How did you work with Khadija Wurzazi?
08:36I came to the studio,
08:39and she didn't really work for me
08:44in a field that was different.
08:48We wanted to coach her for 20 times.
08:53Yes, of course.
08:54We wanted to work with her.
08:57We wanted to work with her,
08:59and she came to the studio,
09:01and the sound was a little,
09:03but it was a half hour and a half hour.
09:05It's one of the powers that you can see.
09:08No, it's the Kharizm.
09:10It's not the Kharizm.
09:12It's all about the world.
09:14It's all about the American music,
09:16the spectacles, the jazz festivals,
09:18the Tiny Desk.
09:20It's the only Moroccan artist.
09:22It's all about it.
09:23It's all about it.
09:24It's all about it.
09:25It's all about it.
09:26What about the rights and rights?
09:28How do you understand this?
09:29We did it.
09:30Do you want to get the contract?
09:32It's all about legalization.
09:35You're supposed to go first.
09:37You're supposed to put the contract on the mail.
09:39You're supposed to get the contract.
09:40We still want to get a contract.
09:43We want to deal with the rights of her international.
09:47Because the music is not in France,
09:49and the French is also in Canada.
09:50So we want to get the organization
09:52to receive the rights of her.
09:54And that's what happened.
09:56There was a very important point in my opinion, in the first time of the Ottoman government.
10:00I'm not an immigrant, I'm an immigrant, I'm a native, I'm a native native.
10:04So I am a native native native and 100% native native.
10:07Is this important point in terms of your opinion?
10:12It's important to me because there are many people who try to change between us.
10:18I have my passport, I'm a poor person.
10:23I'm a poor person.
10:27I'm a poor person.
10:30It's important that someone doesn't have a difference between us.
10:34We're going to get rid of them.
10:37This is important for us.
10:39Why are the films that are coming to the real world?
10:44Why are the parents?
10:46Because the parents are the real world.
10:48And the real world is the real world.
10:50The real world is important.
10:52You said you are green and you are a poor person.
10:55But you are outside of Canada?
10:57I don't know.
10:59But I think that there are the fumes and the heart.
11:03The fumes are not good.
11:05And the heart is very good.
11:07And the heart is not good.
11:09The heart is not good.
11:10The heart is not good.
11:11The heart is not good.
11:12I'm afraid of the heart.
11:13I think the heart is not good.
11:14But it's important.
11:15The heart is a good thing.
11:16And the heart is a good thing.
11:17It's important to have a heart.
11:19I've left the heart and lived in Canada.
11:21I lived in Canada for 20 years.
11:24But I'm a poor person.
11:26And this is my own.
11:28But there's not a question.
11:30The question is that the beginning doesn't need to be a big one.
11:33The difference between us is that the other people don't need to be a big one.
11:36You don't have any meaning.
11:38I'm not justifying the language.
11:42I'm not justifying the language.
11:44I'm going to tell you something about the French.
11:48When you see a film from France, it's not a film from France.
11:54You don't want to go to France.
11:56But Bruce Lee and Jaquichan.
11:58What was the name of the American people?
12:02Bruce Lee and Jaquichan were making films from the American people.
12:05But in China.
12:07And they're not.
12:09That's what's important.
12:11It's a rich person.
12:13It's something that you're interested in.
12:17You can say that you're a Belgian, a Belgian, a Belgian.
12:21You're a Belgian.
12:23You're a Belgian.
12:25But you want to make a film from the Greek.
12:27You want to make a film from the Greek.
12:29You want to make a film from the Greek.
12:31You want to make a film from the Greek.
12:33I'd like to draw a film from the Greek.
12:35You're a Canadian.
12:37You're a Belgian.
12:39You want to make a film from the Greek.
12:41That's right.
12:42In Canada, I think that you have a lot of confidence in Canada.
12:48I think that you have a lot of confidence in Canada.
12:52I have a condition.
12:54Let's go.
12:56Ahmed, did you take one of the bourse?
13:00Did you do that?
13:02I'm going to give you a lot of confidence in Canada.
13:06Yes, it's true. I was in the university and I already knew that the music is the best.
13:16It's the best.
13:18And I managed to have one of the bourse of studies in Canada.
13:22And finally, I used it to be in the studio for the music.
13:29And finally, you are the one who is the best.
13:32And finally, you are the one who is the best.
13:34And if you are the best, I will be the best.
13:38Yes, yes, yes.
13:39It's important to say that.
13:40I'm going to say it.
13:41I'm going to say it.
13:42I'm going to say it.
13:43I'm going to say it.
13:44I'm going to say it.
13:45I'm going to say it.
13:46I'm going to say one of the questions.
13:47Ahmed, we want to make a mistake in our lives.
13:49Absolutely.
13:50I know this problem, I feel it very much when I was younger.
13:55The parents, the families who want you to be scared of you.
13:59They're scared of you.
14:01The wrong thing is the first step.
14:06If you don't have a mistake, you will have a mistake.
14:09You don't have to be scared of you or the other.
14:15You start to learn a little bit.
14:18Let's say it's the same.
14:23If you want to start to run something, you should be able to do it.
14:26If you want to start to run something, you can start to run something.
14:28Like you said earlier, the machine has begun to get in your eyes.
14:30You can make some mistakes, you can start to run something.
14:31You can start to run something around.
14:33So for you to start to run a mark on your own, you can start to run it.
14:35Self-stopping.
14:40What can you do?
14:50You have to live with someone who is berserk.
14:54What can you do when you're working?
14:57One thing is a great job.
14:58They're the people who are not concerned about the wilderness.
15:04I want to listen to him today.
15:06Did you kill me, especially with this film?
15:09This film has been for years and years.
15:12You've had a lot of problems and difficulties,
15:15but I wanted to insist that you wanted to do it,
15:18and you didn't want to do it.
15:20That's right.
15:21The one who wants to stay focused on his objective.
15:24What is the idea?
15:26The idea is to make the film at the level.
15:29If you want to see the film,
15:31you don't have any problems.
15:34You can see the film,
15:35and you can see the film,
15:36or you can see the film,
15:37or you can see the film.
15:38So, for me,
15:40I worked for a film,
15:42and I worked for 3 years to 11.
15:44In the world,
15:46there are films like science fiction,
15:49super power,
15:50and things like that.
15:51They worked for 3-4 years.
15:53For example, street food,
15:55burger,
15:56or the sandwich that you eat in 5 minutes.
15:59But there are no two-parts in the world,
16:01which will be used for 24 hours.
16:02Yes.
16:03They will eat it for you,
16:04and you will eat something good,
16:05and good,
16:06and good.
16:08The images that you saw in the world,
16:10and the region of the Greek,
16:11are you good to see?
16:15For the team of Proud,
16:16including these images,
16:17the station Wurzazate,
16:19which we saw in a cinema,
16:20which is a very difficult way.
16:22Was it difficult to see you?
16:23When you saw you,
16:25the historical ähhh,
16:26and you saw you really?
16:27We saw a musical.
16:28As we saw you as roughly a cruise,
16:30you saw you onlara,
16:32there was a centre of theё at Fruato,
16:33in the station Wurzazate,
16:34in the Alpuzar-Wurzheel,
16:35in the Zôrgan,
16:36the city of the Lubr,
16:37and the city of the Bewnau.
16:38Why?
16:39The important thing in this film,
16:41is not that we were able to see this image of zíng,
16:44but that the image of the character,
16:46the image of the character.
16:47Any image of the characters or the characters,
16:49The first film will be filmed in Mazen.
17:01I insisted that the film is based on the light, on the surface, on the environment.
17:11The film will save the world through the environment and the light of the Lord.
17:19I don't want you to work on the station.
17:22No.
17:23You can see everything, everything, everything, everything.
17:28You can't say, I have a modif, I can't wait.
17:31It's impossible.
17:32It's true.
17:34I sincerely want you to work on the station.
17:37You can see it on the level of security, it's incredible.
17:41The film is the 23rd of May.
17:43The 23rd of May.
17:45We will see the world of Benny Adam in Zapping.
18:07My friend, it's my paradise.
18:10I've always preferred the night.
18:13Because the music is never written.
18:16As I read it, it's not my fault.
18:19If I made me shit at school.
18:22If I made me dance by school.
18:25I've always preferred the night.
18:28Because the music is never written.
18:32You can see it on the level.
18:36You can see it on the level.
18:37You can see it on the level of security.
18:39It's less expensive than not cheap.
18:40And it's free to go to the cash.
18:42I've been lying to you.
18:44I'm a liar to watch more.
18:45I'm a liar like when I had air.
18:46And I'm an liar like when I was taking the bus.
18:48If I love you, I tell you no mistake.
18:51I can be freestyle in the road.
18:52I can even sing in Russian.
18:54I bring three racleys.
18:56I made them on the chain.
18:58I'm crachet in the soup.
18:59Now it's short for all the math.