مدي 1 تي في : مع لحسن أنير - 14/01/2025
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00:00Welcome to a new episode of your daily and artistic show, Patchwork Saeed.
00:19We are happy to be here with you to share with you some of the latest news in the field of art.
00:26So, let's get started.
00:33First of all, I would like to welcome you to our new Amazigh show.
00:41Stay with us to find out what our guest for today is.
00:56Amazigh song
01:26Amazigh song
01:30Amazigh song
01:46Amazigh song
02:12Amazigh song
02:35Amazigh song
03:06Amazigh song
03:31Amazigh song
03:42Our guest for today is Al-Hassan Aniar.
03:44Hello and welcome.
03:47How are you?
03:48I'm fine, thank God.
03:50It's a pleasure to have you on the show.
03:52It's a pleasure to have you on the show as well.
03:56How are you?
03:57I'm fine, thank you.
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09:01I'm fine, thank you.
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10:01I'm fine, thank you.
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11:01I'm fine, thank you.
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11:31I'm fine, thank you.
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11:35I'm fine, thank you.
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11:37I'm fine, thank you.
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11:41I'm fine, thank you.
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11:43I'm fine, thank you.
11:44How are you?
11:45I'm fine, thank you.
11:47One more video.
11:48Yes.
11:49Greetings to all the followers of remedy
12:03No matter if it's KSIDA, or MDABZA, or anything else.
12:07Everything is happy, because it has a 100% Moroccan relationship.
12:12It's a happy opportunity, and another opportunity for us to thank His Majesty the King,
12:17because this decision, which I am very happy about,
12:21will make the Amazigh culture advance,
12:24because his interest in the Amazigh culture and the history of the Amazigh
12:27didn't start today, but from the beginning.
12:29The beginning of His Majesty the King,
12:32a lot of institutions have given speeches,
12:35the Amazigh Cultural Council, the Amazigh Channel,
12:38a lot of directions that lead to the decision that we have been waiting for for many years,
12:43which is the official decision that on the 14th of January,
12:46we will celebrate with our family, if we can,
12:49and we will travel to our four brothers' countries,
12:52not the people of Agadir.
12:54The people of Amr.
12:56Before we start with the artistic field,
12:59we saw in Zapping a couple of clips
13:02that serve a good international level.
13:07Tell us about this couple of clips.
13:10The first clip is Ana Rouz,
13:13directed by my friend, director Rachid Andrin,
13:16with the song Tahiyeh, and special thanks to him.
13:19A group of participants,
13:22with me is Hussein Fatemi,
13:25and a group of other people,
13:28and many other people,
13:31like Abdullah Al Khattabi.
13:34This is a new experience in the Amazigh artistic field,
13:37and we took it in a new way.
13:39Maybe you will watch the clip,
13:41and you will say that we were filmed in Canada.
13:44My friend is from Switzerland.
13:46We were filmed in Oukimden.
13:50This is a beautiful country.
13:53How did you come up with the idea of filming in Oukimden?
13:57The way to film this clip,
14:00Rachid Andrin was in France,
14:03and we decided to do it.
14:05We saw the weather forecast,
14:07and we thought that it would snow.
14:09He stayed in France,
14:11and we told him that it would not snow next week.
14:14He said that he would make a program next week,
14:18and we came to Morocco,
14:20and there was no snow.
14:22I told him that we should go to Oukimden.
14:25We went to Oukimden,
14:27and it snowed.
14:29We were shocked.
14:31It snowed.
14:33I told him that it would snow next week.
14:36He said that it would snow next week.
14:39I told him that it would snow next week.
14:42He said that it would snow next week.
14:45He said that it would snow next week.
14:48We were shocked.
14:50We filmed it and put it in the camera.
14:53We were shocked.
14:55The clip is called Akfayedlan.
14:58It is a black milk.
15:00It is a struggle between good and evil.
15:03It is a social phenomenon in Morocco.
15:06It is a struggle between good and evil.
15:09It is a struggle between good and evil.
15:12It is a struggle between good and evil.
15:15We don't want to see it in Morocco.
15:18Everything is going to be lost.
15:21I give advice to all people.
15:23I give advice to all people.
15:25I give advice to all people.
15:27I try to discuss this issue in a way that is white and black.
15:31I try to discuss this issue in a way that is white and black.
15:34I thank all the people who work on this project.
15:37I thank all the people who work on this project.
15:40I thank all the people who work on this project.
15:43I thank all the people who work on this project.
15:46I thank all the people who work on this project.
15:49I thank all the people who work on this project.
15:52I thank all the people who work on this project.
15:55I thank all the people who work on this project.
15:58I thank all the people who work on this project.
16:01I thank all the people who work on this project.
16:04I thank all the people who work on this project.
16:07I thank all the people who work on this project.
16:10I thank all the people who work on this project.
16:13I thank all the people who work on this project.
16:16I thank all the people who work on this project.
16:19I thank all the people who work on this project.
16:22I thank all the people who work on this project.
16:25I thank all the people who work on this project.
16:28I thank all the people who work on this project.
16:31I thank all the people who work on this project.
16:34The Amazigh song has not only become a traditional song,
16:37The Amazigh song has not only become a traditional song,
16:40but it has also become a modern song.
16:43We can say that we can export it to the international market.
16:46First of all, you should know that the Amazigh song is a modern song.
16:49The fusion started in the 1970s.
16:52Omar Ibn Barak, may God have mercy on his soul,
16:55Zin Zar, and a group of singers.
16:58Ahmed Ameinu, Bouhsi Foulan, Hicham Bassin,
17:01and many other singers.
17:04They have created a new style for each of them.
17:07They have created a new style for each of them.
17:10This style is not new, but everyone has their own style.
17:13Music, as you know, does not have a single country.
17:16Music, as you know, does not have a single country.
17:19There are no borders.
17:22There are no borders.
17:25There are no borders.
17:28That is why, all the musicians from the Amazigh culture
17:31are being recruited to international institutions.
17:34That is why, all the musicians from the Amazigh culture
17:37are being recruited to international institutions.
17:40The 40 placas have not been left.
17:43This is why I said that these 40 and 60 placas
17:46have to be distributed in the media
17:49so that our audience can know about them.
17:52and a lot of young people today have become world-famous musicians
17:58and you can say that maybe they will become famous in Europe, the US or Asia
18:04Your career has some difficulties and a lot of successes
18:09but you came today and asked to give a title to your artistic career
18:15What will the title be?
18:17I will call it the path of success, not the success
18:20I am on the path of success, not the success
18:24Despite years of career
18:27I feel that I succeeded because I reached the end
18:30So I am on the path of success to enjoy this path
18:34and also to be a real producer for the young people who will come
18:38I grew up in a family of artists
18:40My grandfather, my uncle and my family
18:44all of them are artists and they gave a lot to the local Amazigh songs
18:48My uncle Abdullah, who is an artist, gave me a special greeting and thank you
18:52and encouraged me to return to the artistic field
18:54and soon I will be able to do something with him
18:56I hope it won't be a limit
18:59God bless you
19:01What is your artistic message?
19:06My artistic message is that I am a person who does not pay attention to commercial songs
19:11I am a social person and a social activist
19:14I have a special relationship with a lot of people from all over the world
19:19I try to have a special message for all the people in my community
19:24My message is that art is not for fun
19:27but to strengthen the memory in order to enrich the Amazigh songs
19:33Art gives us a lot of things
19:35Art gives us a lot of companies
19:36Art gives us a lot of things
19:38Our generation is in the middle between the masters and this new generation
19:42We have to pass the message through us
19:46because art lives longer than us
19:47It can be good, it can be bad
19:50but art remains in the social media, radio, TV, and throughout life
19:57So this message should be a goal and a reference for the youth
20:02Despite the difficulties, despite the obstacles?
20:04We will continue to love the Moroccan culture and Amazigh art
20:08despite all the difficulties
20:09What is your social struggle that gives you more enthusiasm to give more in music?
20:16It gave me more experience
20:18I moved from Anoukrim in 1989
20:23I settled in Auril, a community called Auril Community of Culture and Sports
20:29where the president of this community is Abdullah Baleel
20:32He is a great man
20:35May he rest in peace
20:37I started working in the community, I discovered the responsibilities
20:40I entered the theater field, I worked a lot
20:44In 2004, I entered the theater at the Atelier de la Faculté de Dessin
20:48at the Ibn Zohr University, we did a play called Al-Aqtib
20:51The first time I entered the theater in Saudi Arabia, in the city of Agadir
20:55I was in a contemporary theater
20:57A contemporary theater that conveys the message more than words
21:00We participated in a mirage
21:02This generation that you see today in Telefazab, Duna Boutazot, you see a lot of brothers
21:06The two friends came with us at that stage, the 16th round of the Mirage of Music
21:11That play was called Al-Aqtib
21:13We met a lot of people who came from here
21:16We did a play with them at that time
21:18These people came from one area
21:21So, we didn't consider art
21:24We didn't want it to give us more than it gave us
21:27But today, it has become a profession
21:30and an occasion to express our gratitude
21:33and a special greeting to the directors of the Moroccan Library of Composers
21:36who have made a great development in this institution
21:39along with the founders and employees of this institution
21:41Even today, the artists are strengthening their rights
21:45Composing is the right of the neighbor
21:47All the artists in Morocco today, I see, are achieving their rights
21:50Although there are a lot of issues
21:52I mean, the organizational documents that they have to submit to the administrative council
21:55But today, there was a time to film
21:58Some artists in Morocco used to receive
22:01200 or 250 dirhams from the authorities in France
22:06I wish...
22:08But today, you can tell us about us
22:11And you can live comfortably
22:13Sometimes, only from the rights of the people
22:15Of course, you can live comfortably
22:17And that's a right
22:19It's a right, but I don't consider it as a right
22:22I don't consider it as a right
22:25As I told you, recently, a special thank you to Mr. Minister Ben Said
22:30who supported this project
22:33and submitted the organizational documents
22:35and we were waiting for other laws
22:37But what I...
22:40Between the two sides and the work of the Moroccan committees
22:45I would like to ask you about their role
22:47which is the preparation, the preparation
22:49and the celebrations
22:51and the organization of festivals and parties
22:53What is the role of the committees?
22:55The role of the committees is the preparation, the celebration
22:57and the participation of the artists
22:59so that they can earn their rights and know their knowledge
23:01Because many artists today have their own records
23:03but they don't know how their work is done
23:05They don't know how they are celebrated
23:07They don't know the law
23:09Now, if someone meets you and says
23:11I don't know how to write the request for the artist's card
23:13Do you know how?
23:15It's not that they don't know
23:17But the committees, how do they show their rights?
23:19What are they going to do?
23:21Everything is digital
23:23So, my message to the committees
23:25is that they play their role
23:27which is assigned to the committee
23:29I got the idea
23:31Do you have any projects?
23:33Soon, I will release a single
23:35called
23:37Aklah
23:39Aklah
23:45And a project I have
23:47with the Ministry of Culture
23:49Recently
23:51It's called Ibnig
23:53Ibnig is the emigrant
23:55who welcomes the emigrants
23:57Soon,
23:59we will see it
24:01on YouTube,
24:03Instagram and Facebook
24:05Hassan Anir, you are a great artist
24:07and you did a great job
24:09in your interview today
24:11Any last words?
24:15I want to thank you
24:17for inviting me
24:19It's been a long time
24:21I haven't had a chance to
24:23talk to you
24:25but I want to thank you
24:27for inviting me
24:29to this program
24:31and to the world
24:33and to the people
24:35of Morocco
24:37Thank you
24:39for inviting me
24:41Thank you
24:43Thank you
24:45Thank you
24:47This is the end of today's episode
24:49Thank you for joining us
24:51We are very happy
24:53to see you again
24:55Take care
24:57See you soon