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🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
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Short filmTranscript
00:00:00Bermuda tape, day nine. I'm outside the house. Party's going strong.
00:00:30Such a lovely party, Mrs. Trice. Oh, thank you.
00:00:52I just adore Tootie Pootie.
00:01:05John Deere, the ambassador. Transpicked by Sonya's charm.
00:01:10Go rescue him.
00:01:12And the best part of the whole thing is your mother-in-law will live in Hong Kong.
00:01:17I guess you know that Phyllis and Oscar were married, and then divorced, and then married again.
00:01:26The divorce didn't take.
00:01:32But I don't know why, but I did sail from the Great Bahamas.
00:01:36And I can only tell you that the water was quite rough.
00:01:39Well, they had to lash me to the bar.
00:01:41But I lost at gambling. I really did. I dropped a bundle at the table.
00:01:50And you know, it isn't as though I don't pray, but sometimes I think God doesn't cover the Bahamas.
00:01:56When you realize that the Aruba hate the Bujambul, and the Bujambul hates the Watusi, and the Watusi despise the Pygmies.
00:02:14I don't know why really they're probably always looking up their BBDs.
00:02:21I'll say it before, and I'll say it again.
00:02:37Sticks and stones may break my bones.
00:02:40That's why I never get into fights.
00:02:42And if you're going to the moon, be sure and get that window seat.
00:02:53I don't know why you're going to the moon.
00:03:23Acapulco tape, day one.
00:03:47Two weeks since Dina Hunter was released from the hospital and cleared of manslaughter charge.
00:03:53It's rumored she settled close to a million dollars on the family of the man killed in the accident.
00:03:59Mr. and Mrs. Hunter and her jewels now departing ship.
00:04:01Mr. and Mrs. Hunter will beiceye, Mr. Hunter.
00:04:07Here they come.
00:04:08supposed to come.
00:04:09Mr. Hunter and her jewels finally come upon his own station.
00:04:12Mr. Hunter is calling, Mrs. Hunter.
00:04:15You came to challenges, Mrs. Hunter.
00:04:16Baby, who had a land that had written as the world near Якentiã,
00:04:19and Mrs. Hunter, in coursed in America and has a grownhold near her town and has brought his Speak of Waterstorm.
00:04:24They've even had never lived in a production of Little Mouse thinking.
00:04:25And she's called値 igual Мос when our flags were not and she'll have it.
00:04:27That was six years ago that Gw APART served him up with them for thelings.
00:04:58THE END
00:05:28THE END
00:05:58THE END
00:06:28THE END
00:06:58THE END
00:07:28THE END
00:07:58THE END
00:08:00THE END
00:08:02THE END
00:08:04THE END
00:08:06THE END
00:08:08THE END
00:08:12THE END
00:08:18THE END
00:08:20THE END
00:08:22THE END
00:08:32THE END
00:08:42THE END
00:08:44THE END
00:08:46THE END
00:08:50THE END
00:08:52THE END
00:08:54THE END
00:08:56THE END
00:08:58THE END
00:09:00THE END
00:09:02THE END
00:09:04Is there anything else we can do for you?
00:09:16No, no.
00:09:18Thank you, Maria.
00:09:19I'll call if I need you.
00:09:20Por aquí, muchachos.
00:11:04And there's Dina, very pretty, very protected, but very vulnerable.
00:12:16Lady, if you don't mind, those are my clothes over there.
00:12:28I'm skin diving for real.
00:12:46All right, now, you're safe.
00:13:16About 30 seconds later, we might have met face-to-face.
00:13:21They're usually not this unconventional.
00:13:24You shouldn't dive alone.
00:13:26There's a strong undercurrent here.
00:13:28I don't know a zone.
00:13:30I just moved here.
00:13:31I'm watching the Pearson place while they're away in Europe.
00:13:35The Bede's paying rent.
00:13:41I'm Carter.
00:13:42Paul Carter.
00:13:46Don't bother to introduce yourself to your grande senora Hunter.
00:13:53There's been a lot of talk about you coming home.
00:14:00I'll wear swim trunks next time, just in case we bump into each other again.
00:14:05Not very likely.
00:14:11So long, neighbor.
00:14:12Contact established, more or less.
00:14:14I don't know if it's millionaire snobbishness, or because he was just let out of the hospital.
00:14:19I'll just have to wait and see.
00:14:21Look, George, I've been working on this San Luis Terese project for months.
00:14:27I think it deserves more than a casual glance.
00:14:29But I gave it more than a glance.
00:14:30No.
00:14:31You know something?
00:14:32I haven't rejected it.
00:14:33And it could work.
00:14:34But on the other hand, if you just sit on that same property, it could double in value.
00:14:36Double in hell?
00:14:37I'm talking about a source of primary...
00:14:38I know, I know.
00:14:39But that land's at a premium.
00:14:40And things are going to get better.
00:14:41Sit on it.
00:14:42I don't want to sit on it.
00:14:43We've been sitting on it ever since Dina's father died.
00:14:44I want to move.
00:14:47I want to move.
00:14:49I want to move.
00:14:52I want to move.
00:14:53source of primary i know i know but that lands at a premium and things are going to get better
00:14:58sit on it i don't want to sit on it we've been sitting on it ever since dina's father died i
00:15:02want to move we've been sitting on it ever since dina's father died i want to move i want to move
00:15:07i want to move nina oh i'm sorry that's okay honey what do you think we ought to do with that land land
00:15:30the san cerise cove project george thinks we ought to sit on it oh oh well i i'm sure george is right
00:15:43dina there's been a lot of time and effort involved i think we should move jerry you do what you think
00:15:49is best do whatever you want with it look i know you don't like me to say this but after all it is
00:15:57your money you just like to know what you think dina i really don't care jerry do whatever you want to
00:16:10just like that just like that
00:16:13she really isn't herself is she you know on behalf of it
00:16:26i'm sorry i thought she'd gotten over the accident
00:16:31well physically she has and she's still haunted well this could be very good for her i mean a month
00:16:40or two in the sun the sea air do her the world of good i hope so
00:16:46good night george i'll see you tomorrow take it back to the sea
00:17:06i said good night to george for you i'm sure george understood
00:17:27you just weren't with us ma'am
00:17:29it was our first dinner here jerry it wasn't a board meeting we had to make a decision an important
00:17:37one
00:17:41why did we come here
00:17:44what do you mean
00:17:47are you going to spend all your time wheeling and dealing
00:17:49honey i love you remember and i'll help you the doctor says you've got to help yourself first you've
00:18:03got to get involved again you got to go out and meet the world laugh at it and fight and be a part of it
00:18:10jerry i just don't know lena this project is for us both i mean i was just a beach bum married money
00:18:16well i'm not anymore i want things to be ours not yours i want our money and our family that's why
00:18:23i work so hard in san cerise because i want to make things happen
00:18:27jerry i'm frightened what you're turning into the kind of man my father was
00:18:33you mean rich no no driven compelled to push hard or make money no matter who it hurt
00:18:48my mother died miserable my father died running
00:18:53i was running too trying to either get away or catch up i don't know which
00:19:00and then i was at the wheel of a car and i couldn't stop
00:19:10you've got to forget it you've got to make yourself forget nobody's going to do it for you
00:19:15i'll try i'll try okay
00:19:18listen tomorrow night i'll take his last braces for dinner okay just the two of us i promise no talk
00:19:30i'll talk about work okay okay
00:20:00hi neighbor
00:20:20well you're not going to stand there all afternoon are you if you are that'll be all right
00:20:24well you're full of surprises i'm not rising from the sea i'm burying my inner soul on canvas
00:20:38you'd like to buy it
00:20:43no no the lady says no
00:20:47uh-huh i'll tell you what i'm gonna do i'm gonna give it a little bath
00:21:00why did you do that why not i'll never finish it not now
00:21:06you're used to telling people down the side aren't you
00:21:09no i just don't like arrogant men as bad as arrogant women
00:21:13would you pose for me what kind of pose stark naked tripping in jewels
00:21:28seems to me mr carter that you're the one who's used to cutting people down to size
00:21:33well that makes us even why don't you call me paul
00:21:37all right paul
00:21:48i always thought artists have total recall
00:21:51oh we do we have total recall
00:21:55then why the memory box
00:22:00there's nothing as dull as my daily routine
00:22:03day one i thought you'd been here well
00:22:07i started counting yesterday when you got here
00:22:14would you like to go for a swim
00:22:19i've got drunks on a day
00:22:23i do
00:22:26come on
00:22:33uh
00:22:44i
00:22:46i
00:22:46i
00:22:48i
00:22:50i
00:22:52i
00:22:56Oh, oh, oh, oh, oh.
00:23:26Oh, oh, oh, oh, oh.
00:23:56Oh, oh, oh, oh, oh.
00:23:59Now you say yes, or else.
00:24:01Yes, it was.
00:24:03Now she'll pose.
00:24:06Yes, I'll pose for you.
00:24:09You promise?
00:24:12Yes.
00:24:15Promise?
00:24:15You understand that my husband will have to approve the painting
00:24:24before we buy it?
00:24:27Yes.
00:24:28I expected that.
00:24:32Just as long as you understand.
00:24:45Oh, it's a beautiful day, isn't it, Jerry?
00:25:01If I'd known you were going down to the beach, I would have gone with you.
00:25:03Oh, I'm sorry.
00:25:04I thought you were busy.
00:25:06Yeah, well, I've got a meeting, but I would have enjoyed a dip in the bay.
00:25:08But now I'm late.
00:25:10Jerry, haven't you heard?
00:25:12They have fiestas down here.
00:25:14Well, that's a luxury only the natives can afford.
00:25:18Darling, I do believe you're becoming a snob.
00:25:21No, I'm sorry.
00:25:22No siesta now.
00:25:23This meeting might take all day.
00:25:24Okay?
00:25:25All right.
00:25:26You have your meeting, but don't forget our dinner date tonight.
00:25:30Yeah, I meant to talk to you about that.
00:25:33You promised.
00:25:35I know.
00:25:35I also promised to finalize the San Cerise project.
00:25:38That means working out with George tonight.
00:25:39He's leaving town.
00:25:42Well, I'm sorry.
00:25:43I mean, if I...
00:25:44I know.
00:25:45But this is supposed to be a vacation.
00:25:47I wanted us to spend it together.
00:25:49I know.
00:25:50Well, if you just let me get this out of the way...
00:25:51I need you now, Jerry.
00:25:53Not tomorrow or the day after.
00:25:55Now.
00:25:59Okay.
00:25:59I'll see you in a couple of hours.
00:26:02Jerry.
00:26:03What would you do if I didn't invest my money in your project?
00:26:10I'd still do what I think is right for both of us.
00:26:12Well, let's see.
00:26:13I'm going to see you in a car.
00:26:26I'll see you in a car.
00:26:28THE END
00:26:58Well, she's interested, no doubt about that.
00:27:06But it's going to be a lot tougher than I thought.
00:27:09A lot tougher.
00:27:10She's nobody's fool.
00:27:12One thing I know for sure.
00:27:15The next move has got to be mine.
00:27:28The next move has got to be mine.
00:27:58The next move has got to be mine.
00:28:28The next move has got to be mine.
00:28:29The next move has got to be mine.
00:28:30The next move has got to be mine.
00:28:31The next move has got to be mine.
00:28:32The next move has got to be mine.
00:28:33The next move has got to be mine.
00:28:34The next move has got to be mine.
00:28:35The next move has got to be mine.
00:28:36The next move has got to be mine.
00:28:37The next move has got to be mine.
00:28:38The next move has got to be mine.
00:28:39The next move has got to be mine.
00:28:40The next move has got to be mine.
00:28:41Yes.
00:28:48Oh, excuse me.
00:28:51Well, that takes care of a good bottle of wine.
00:28:55Sorry, I...
00:28:57Nina?
00:29:01Nina?
00:29:04Come on, I'll be sure you drink.
00:29:12What do you have?
00:29:13It's got some work.
00:29:24Hi.
00:29:25Didn't I tell you she was sensational?
00:29:30Flattery.
00:29:32For all Carter, this is Dina.
00:29:34Dina?
00:29:35Yes.
00:29:38Amali?
00:29:40There'll be four for him tonight.
00:29:41George will be here in about 15 minutes.
00:29:43They'll say about a half an hour.
00:29:44Si, senor.
00:29:48Paul's a neighbor of ours had moved into the old Pearson place.
00:29:50We bumped into each other in town.
00:29:52Literally.
00:29:53I'd swear I know him somewhere, but he says no.
00:29:57Well, I've been telling him about our hospitality.
00:29:59Why don't you show him?
00:30:00I'll freshen up a little bit, okay?
00:30:05Why, Paul?
00:30:17I said I'd see you tomorrow.
00:30:19I couldn't wait for you.
00:30:21Don't play games with me.
00:30:23Is that what you think I'm doing, Dina?
00:30:25I don't know.
00:30:26And I don't think I want to know.
00:30:28Do you understand?
00:30:30Yes.
00:30:31They're coming through loud and clear.
00:30:32Tomorrow, when you sit for me, wear those earrings.
00:30:37They're perfect for you.
00:30:39Elegant, beautiful, and ice cold.
00:30:44I don't think I will, Mr. Carter.
00:30:48As a matter of fact, I don't think we need a painting at all.
00:30:52Of course we will.
00:30:54And so you're pouring it out.
00:30:56I think it's a great idea.
00:30:57Why?
00:31:02Well?
00:31:06I'll think about it.
00:31:10Mr. Carter, do you know that area around the San Cerise Cove?
00:31:14I've heard of it.
00:31:15I've never been there.
00:31:16Nothing quite like it, Paul.
00:31:18Oh, you've done a great job.
00:31:19The more I study it, the better I like it.
00:31:21A toast to the San Cerise project.
00:31:24Tina?
00:31:26What?
00:31:28We're toasting my project.
00:31:30Well, you have the final say.
00:31:32Any objections?
00:31:36To San Cerise?
00:31:43Honey, if you'll excuse us, George and I'll have a little discussion.
00:31:46Wrap this up.
00:31:47Don't bother, dear.
00:31:48I'm sure Mr. Carter won't mind having his coffee on the patio.
00:31:50No.
00:31:51Of course not.
00:31:57Now, Paul, before I forget, we're having a little reception tomorrow night,
00:32:00lost conscious.
00:32:01I'd like you to come.
00:32:03I'd like that.
00:32:11Well, first of all, a Mexican citizen has to be the major stopover.
00:32:15It's the law.
00:32:16It's the law.
00:32:17Good.
00:32:18Fine.
00:32:19Get one.
00:32:20Make sure he's cooperative.
00:32:21Mm-hmm.
00:32:22Mm-hmm.
00:32:39You're an unusual man.
00:32:42You know when to be quiet.
00:32:43Maybe it's because I don't have anything to say.
00:32:50I get this feeling that, um, that you're trying to play me.
00:32:58Well, I don't know what gave you that impression.
00:33:00But I've had the wrong impression about you.
00:33:03I had you sized up this.
00:33:05Rich, beautiful, and spoiled.
00:33:09Don't you know anything like that?
00:33:12Just married.
00:33:14Yeah.
00:33:15Married.
00:33:16No, I haven't forgotten that.
00:33:20What kind of a man is he?
00:33:22Where is he?
00:33:25Jerry?
00:33:29Oh, he used to be a lot like you.
00:33:31Used to be?
00:33:34People change.
00:33:35That's inevitable, isn't it?
00:33:38He isn't what he seemed at first.
00:33:41But then who is?
00:33:44How did you meet him?
00:33:46On a beach.
00:33:49And very big at beach pickups.
00:33:54It was three years ago.
00:33:57My father objected, of course, so that made it perfect.
00:34:01Whirlwind romance, instant marriage, and now he's all wrapped up in business.
00:34:09Do I sound disloyal?
00:34:11No.
00:34:12Just disillusioned.
00:34:15Well, somebody changed.
00:34:20Maybe it was me.
00:34:22I don't know.
00:34:25After my accident...
00:34:28They say that...
00:34:30Your whole personality...
00:34:42What's wrong, Amina?
00:34:45I don't know.
00:34:46Why am I talking to you like this?
00:34:48I don't know.
00:34:49Why am I talking to you like this?
00:34:50I don't know.
00:34:51I don't know.
00:34:52Why am I talking to you like this?
00:34:53I don't know.
00:34:54Why am I talking to you like this?
00:34:55I don't know.
00:34:56I don't know.
00:34:57When you're thinking.
00:34:58Why am I talking to you like this?
00:34:59You think you've had to do me like that?
00:35:01I don't know.
00:35:02I don't know.
00:35:03It's okay to win.
00:35:04You don't know.
00:35:05My head is my head.
00:35:07I don't know.
00:35:08No.
00:35:10You don't know.
00:35:11I don't know.
00:35:13You don't know.
00:35:14You don't know.
00:35:16I don't know.
00:35:17No.
00:35:26Dina.
00:35:27No.
00:35:29Paul, just go away.
00:35:30Will you please just leave?
00:35:38Say goodnight for me.
00:35:47Paul seems like a pretty nice guy, doesn't he?
00:36:01We don't know that much about him.
00:36:03Well, he's a relief from the Medicare side we usually get down here.
00:36:07Let me put that away.
00:36:09Let's not talk about him.
00:36:12He must be a pretty fair artist.
00:36:14Otherwise, he couldn't afford to live down here.
00:36:17You want me to pose for him, then?
00:36:22Sure, why not?
00:36:23Honey, I think his sand three-stop is going to be wound up in about 24 hours.
00:36:31Kiss me.
00:36:33What?
00:36:36I said kiss me.
00:36:47I said kiss me.
00:37:05I said kiss me.
00:38:05Pa!
00:38:35Pa!
00:39:05Pa!
00:39:07Pa!
00:39:08Pa!
00:39:09Pa!
00:39:11Pa!
00:39:12Pa!
00:39:13Pa!
00:39:14Pa!
00:39:15Acapulco tape, day two.
00:39:33I spent this morning keeping watch on the villa from the beach.
00:39:37I'm doing a painting for Bate.
00:39:40Here comes Dina now.
00:39:43Accidental meeting with Jerry Hunt went perfectly.
00:39:46But after dinner, it didn't go so well.
00:39:49Reflecting on the event so far, my conclusion.
00:39:53I have to move deadline ahead.
00:39:56I don't know whether Dina will sit for the portrait after what happened.
00:40:01Can't risk waiting for the opportunity to get in the house alone with her.
00:40:05I'll have to be at the reception.
00:40:08The setup is similar to the one at Bermuda.
00:40:15I don't know.
00:40:17I don't know.
00:40:17I don't know.
00:40:18I don't know.
00:41:51Two hours.
00:41:53Two hours in that closet waiting for him to go to bed.
00:41:56I thought I'd lose my mind.
00:41:58I can imagine.
00:42:02But you say there's nothing you can do.
00:42:06Senora Hunter, you are a very valued resident here.
00:42:10But Senor Carter is an American citizen.
00:42:13And to arrest him without evidence...
00:42:16What does your husband think of all this?
00:42:26Hmm?
00:42:29You've told him, of course.
00:42:31No.
00:42:31Hmm.
00:42:32And the tape recorder you mentioned?
00:42:38Pity, you couldn't bring it with me.
00:42:40It was all I could do just to get away.
00:42:44Oh.
00:42:46Senora Hunter, do you wish to make a complaint against Senor Carter?
00:42:48There would be a hearing in which you would have to testify.
00:42:54Hmm?
00:42:54Very well.
00:43:00I'll make some inquiries.
00:43:02Why are the American authorities?
00:43:04See what is known about this man.
00:43:05It will take some time, of course.
00:43:09Perhaps a few days.
00:43:14At the reception tonight,
00:43:16I'll wear the emeralds he's after.
00:43:18Will you be there?
00:43:19I was expected elsewhere.
00:43:24But...
00:43:25I'll come.
00:43:35And may I wish you a speedy recovery, Senora.
00:43:39From your accident.
00:43:41Most unfortunate.
00:43:43It takes time to recover from such a shock.
00:43:46Well, I've had time, Commissioner.
00:43:48And the injuries were physical.
00:43:51My apologies.
00:43:53I had heard that you were still unable to bring yourself to drive a car.
00:43:58A natural reluctance, of course.
00:44:00But perhaps I was misinterpreting the reason.
00:44:05No.
00:44:19Pedro.
00:44:21Neurótica.
00:44:22Por las dudas,
00:44:23manda dos personas a la recepción de esta noche.
00:44:26Sí.
00:44:35I'll drive.
00:45:00Yes, George.
00:45:01Yes, I know you've gotten bored in business in Washington.
00:45:05I'm sure I can handle Senor Verrosa.
00:45:07He'll be at the reception tonight.
00:45:10Yes, I know he's the key, and we'll get the okay from the Planning Commission.
00:45:15I'm sure Dina will be there. She'll be a great help.
00:45:17Blondes are scarce down here, you know.
00:45:20Yes, she's not home now. I don't know where she is. Probably getting her hair fixed.
00:45:24Okay, I'll tell her. And listen, George, I appreciate everything you've done.
00:45:29Okay. I'll call you soon. Adios.
00:45:35Peter Blank
00:46:42You said you'd never wear your emeralds in a public place again.
00:47:00I... I needed them.
00:47:02Well, you both look like a million bucks.
00:47:04Paul, how are you?
00:47:11Good evening, Commissioner.
00:47:30Señora Hunter.
00:47:31He's here.
00:47:32Everyone is here, Señora.
00:47:34Well, he doesn't take his eyes off me.
00:47:36He just stares.
00:47:37You have that effect on everything man here.
00:47:39You look at his business.
00:47:42I had no idea you were so gallant, Commissioner.
00:47:44Come on.
00:48:14You're determined to follow me up one way or another, aren't you?
00:48:20What?
00:48:21Rosa's the one guy down here that can guarantee you the San Sui stage.
00:48:24Oh, Jerry.
00:48:26Jerry, Charlie.
00:48:27They don't do things when you've got down here.
00:48:30Parties are good fun.
00:48:31Not good, isn't it?
00:48:32I want you to dance with me.
00:48:35I want you to dance with me.
00:48:35I want you to dance with me.
00:50:56Adina, what the hell do you think you're doing?
00:50:58I think it's time we both play it cool, don't you?
00:51:03I'm sorry if I embarrassed you.
00:51:11Dina.
00:51:24Bravo, senora. Great performance.
00:51:26Carson, did you see him? He was watching.
00:51:28We were all watching you, senora.
00:51:30No, he was watching this. This is what he wants.
00:51:35But he's gone.
00:51:37Well, he was here.
00:51:39Watching, stalking me all the time. I was dancing.
00:51:42And then he left. Senora, I was watching him.
00:51:46You're wrong. You're wrong.
00:51:49Senora.
00:51:50I'm sorry about my wife, senora. She's not at all like that.
00:51:59Your wife is disturbed, senora.
00:52:02Very disturbed.
00:52:03Oh.
00:52:04Oh.
00:52:10Yeah.
00:52:10Yeah.
00:52:11Yeah.
00:52:13That's all.
00:52:14He takes care.
00:52:14Oh.
00:52:14Oh.
00:52:15Yeah.
00:52:15Oh.
00:52:16Yeah.
00:52:18Oh.
00:52:19Yeah.
00:52:20Oh.
00:52:24Bye.
00:52:25Bye.
00:52:25Bye.
00:52:26Bye.
00:53:07Senora.
00:53:08Senora Hunter.
00:53:11Dina.
00:53:13Dina.
00:53:16Paul.
00:53:17Paul Carter.
00:53:18He was here.
00:53:19What happened?
00:53:21Senores, please.
00:53:22What happened?
00:53:23Oh, he's trying to kill me.
00:53:25He wants to kill me and steal my...
00:53:27But you still have them, Senora.
00:53:32Dina, what are you talking about?
00:53:34He was here.
00:53:36He was here.
00:53:37We'll search the ground.
00:53:42What is all this?
00:53:44You have my deep and very real sympathy, Senor.
00:53:46What is all this about Paul Carter?
00:53:49My men will search the ground, but...
00:53:52But what?
00:53:53He lived some time ago.
00:53:56It seems that your wife had some kind of obsession about this man.
00:54:09Dina, come on.
00:54:10Come on, let's go.
00:54:13Come on.
00:54:15Marty doesn't believe me, does he?
00:54:17Never mind about Marty.
00:54:19Jerry, he was here.
00:54:23Paul Carter was here.
00:54:28It's very important that you believe me.
00:54:31I believe you, Dina.
00:54:32Come on, now, let's go home.
00:54:33Come on.
00:54:34Dina, Dina, come on.
00:54:35I believe you.
00:54:36I can't believe you.
00:54:37Let's go home.
00:54:38Here.
00:54:39Here.
00:54:40Here.
00:54:41Here.
00:54:42Here.
00:54:43Here.
00:54:44Here.
00:54:45Here.
00:54:46Here.
00:54:47Here.
00:54:48Here.
00:54:49Here.
00:54:50Here.
00:55:07Here.
00:55:08I'm afraid to help us do a mass doctor.
00:55:10I'll drive you back to town.
00:55:14Do you think Dina should be left alone in the house?
00:55:17With self-tips I gave her, she should sleep another two hours at least.
00:55:22What do you think is really wrong with the doctor?
00:55:26With all respect, Senor Hunter, I suggest you call in the psychiatrist.
00:55:44What do you think is really wrong with the doctor?
00:55:50I don't know.
00:55:52I don't know.
00:55:54I don't know.
00:55:56I don't know.
00:55:58I don't know.
00:56:00I don't know.
00:56:02I don't know.
00:56:04I don't know.
00:56:16I don't know.
00:56:25Amalia?
00:56:41Jerry?
00:56:55One way or another, I'm going to do it now.
00:57:25Amalia?
00:57:30Sophia?
00:57:55Amalia?
00:57:56Victor?
00:57:57Anyone?
00:58:25Ina?
00:58:52Ina?
00:58:55Dina?
00:59:04Dina?
00:59:10Dina?
00:59:25Dina?
00:59:46Dina?
00:59:55Dina?
01:00:01Dina?
01:00:11Dina?
01:00:14Dina?
01:00:19Dina?
01:00:21Dina?
01:00:23Nia!
01:00:53Nia!
01:01:23Nia!
01:01:53Nia!
01:01:55Nia!
01:01:56Nia!
01:01:57Nia!
01:01:58Nia!
01:01:59Nia!
01:02:00Nia!
01:02:01Nia!
01:02:02Nia!
01:02:03Nia!
01:02:04Nia!
01:02:05Nia!
01:02:06Nia!
01:02:07Nia!
01:02:08Nia!
01:02:09Nia!
01:02:10Nia!
01:02:11Nia!
01:02:12Nia!
01:02:13Nia!
01:02:14Nia!
01:02:15Nia!
01:02:16Nia!
01:02:17Nia!
01:02:18Nia!
01:02:19Nia!
01:02:20Nia!
01:02:21Nia!
01:02:52I'm going to call the police.
01:03:18Arthur's gone, you are gone.
01:03:22I killed him.
01:03:24Killed?
01:03:24What are you talking about?
01:03:26I had to.
01:03:28Paul's murder was.
01:03:31New York, Bermuda, for the jewelry.
01:03:37Carter.
01:03:38You're talking about Paul Carter.
01:03:40He came today.
01:03:42He must have watched you leave the house.
01:03:45I tried to hide, and then he came to the back of the house, and I ran.
01:03:52I took the car, but he chased me along the cliff road.
01:03:57So I killed him.
01:04:01I just turned the wheel, and he was dead.
01:04:06That poor man lying there.
01:04:09Lena.
01:04:10Dying.
01:04:10I killed him.
01:04:11We're going back.
01:04:12You'll still be alive.
01:04:13I killed him.
01:04:13I killed him.
01:04:16I killed him.
01:04:17I killed him.
01:04:18I killed him.
01:04:19I killed him.
01:04:20I killed him.
01:04:21I killed him.
01:04:22I killed him.
01:04:23I killed him.
01:04:24I killed him.
01:04:25I killed him.
01:04:26I killed him.
01:04:27I killed him.
01:04:28I killed him.
01:04:29I killed him.
01:04:30I killed him.
01:04:31I killed him.
01:04:32I killed him.
01:04:33I killed him.
01:04:34I killed him.
01:04:35I killed him.
01:04:36I killed him.
01:05:37He must be around here somewhere.
01:05:51Here's his tape recorder.
01:05:53Here's his tape recorder.
01:06:22In New York, his first victim was my sister.
01:06:25I've been trailing him ever since.
01:06:27I almost caught up with him in Bermuda.
01:06:30I even found an earring he lost getting away.
01:06:33That was three years ago.
01:06:34But Dina, it's Jerry, your husband.
01:06:37He's the murderer.
01:06:38I've got to convince you.
01:06:40One way or another, I'm going to do it now.
01:06:43So that's where I knew him from.
01:06:47Bermuda.
01:06:51Don't look so shocked, my dear.
01:06:54It's too bad, really.
01:06:56For a while, I thought about stopping after I missed him that first try.
01:07:00You know, those breaks didn't fail by themselves.
01:07:05But then I was afraid another accident might raise suspicions.
01:07:09But for all that money, being that close to the money, but never really having it, like some puppy on a leash.
01:07:15Three years I waited and planned.
01:07:18Jerry, you'll never get away with it.
01:07:20Paul's got to be around here somewhere.
01:07:23He's somewhere in these rocks.
01:07:25And I hope he's not quite dead yet, because I want to thank him personally.
01:07:29See, there'll be another banner headline.
01:07:31Jewel murderer Paul Carter dies with his final victim.
01:07:35If that's any comfort to you, Dina, you can take that thought with you.
01:07:38That you'll definitely be his final victim.
01:07:43Jerry, you'll never get away with it.
01:07:45After you've accused Paul of being the murderer in front of all the people in Acapulco, practically?
01:07:48No, it's going to be Paul and you over the cliff.
01:07:54In one final death struggle in a speeding car.
01:07:57And then it's ended.
01:07:58And I'm home free.
01:08:00Paul.
01:08:08Hello, Paul.
01:08:11I don't think you're in any condition to argue.
01:08:18I don't think you're in any condition.