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🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
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Short filmTranscript
00:00:00The End
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:29Oh, my God.
00:02:59Oh, my God.
00:03:01Oh, my God.
00:03:05Yes, small bills.
00:03:07I'll pay you in teeny tiny bills.
00:03:09Oh, I'm going to be magnificent.
00:03:30I don't understand how you get such tone from that little instrument.
00:03:34I was a child protege.
00:03:36Oh, I see.
00:03:37Now, remember, come a half hour early and hide in the bass drum.
00:03:40Thanks.
00:03:40I will see you tonight.
00:03:42Tonight.
00:03:42And what a night it shall be.
00:03:45Oh, come in through the doggie door and watch out for the doggie do.
00:03:48This is difficult for me to say to you, Oliver, knowing that you are married to your wife and her father being a founder of this firm.
00:04:02Is that all, sir?
00:04:04Is that all, sir?
00:04:04Sit down.
00:04:05Sit down.
00:04:05There's more.
00:04:06It has been brought to my attention, Oliver, that there are certain irregularities in your handling of customers' accounts as well as your own personal portfolio.
00:04:16Well, I have been a little behind in my paperwork, but my putting's improving.
00:04:22It isn't your paperwork we're getting to.
00:04:24It's your stealing that disturbs us.
00:04:27Well, perhaps I have been a little over my head, but I was planning to cover my position and the expectation of a market rise.
00:04:35To cover your position, Oliver, the Dow Jones would have to gain 500 points by two o'clock today.
00:04:42Well, that's not entirely impossible, sir.
00:04:44A good piece of news, a fantastic rumor.
00:04:47I'm sorry.
00:04:49Now, in view of your relationship with your wife's father and the adverse publicity to our company, I am not involving the police.
00:04:58Thank you, sir.
00:04:59Is there anything else?
00:05:00Two things.
00:05:02You have a period of 30 days in which to return to us a sum of $250,000.
00:05:10And I accept your resignation as of this morning.
00:05:14I imagine, then, this is not the proper time to discuss the possibility of a raise.
00:05:24What a day, Phillips.
00:05:29Be a good man and fix me a martini.
00:05:32No, sir.
00:05:33Very dry.
00:05:35No, sir.
00:05:36Phillips?
00:05:38Phillips?
00:05:39Phillips?
00:05:40Phillips?
00:05:40You called, mein Herr.
00:05:49Is there something wrong with Phillips?
00:05:51Was he paid this month?
00:05:53Mrs. Oliver has given the staff strict orders to ignore any request you may make.
00:06:00And if I insist?
00:06:10You're dismissed.
00:06:16Jordan?
00:06:17Ah, Clarice, my pet.
00:06:19I didn't hear you enter, though I did feel a slight chill.
00:06:23Have you thought about what we discussed?
00:06:25Yes, my dear, and I have the entire evening arranged.
00:06:29Cocktails at five, dinner at Chasen's, the charity ball, and then a moonlit ride to Catalina.
00:06:35I meant the divorce.
00:06:37Di-
00:06:37Divorce?
00:06:39Divorce?
00:06:40You're joking.
00:06:41I'm perfectly serious.
00:06:43I can't stand living with you another day, Jordan.
00:06:45Maybe it's our sex life.
00:06:46We'll, we'll, we'll, we'll take night courses.
00:06:48We'll, we'll study.
00:06:49We'll work.
00:06:50We'll fix it.
00:06:51Oh, face it, Jordan.
00:06:52You've just never been comfortable being a failure.
00:06:55You always felt I paid your way.
00:06:57Oh, Clarice.
00:06:58It's my pet, my plum, my peach, my pear.
00:07:01Why be hasty?
00:07:02I've been thinking of it for six years.
00:07:06Jordan, I'm going to cut you off when I was saying.
00:07:10Has Judy Woody been a nerdy, woody...
00:07:12Oh, cut out that insipid baby talk.
00:07:15You're a grown man in a suit.
00:07:17That may have been cute when you were in your 20s, but it's not anymore.
00:07:20Don't push me, Clarice.
00:07:21I must have my money.
00:07:23Jordan, I don't want a scene.
00:07:25I just want you to pack your belongings and leave my home.
00:07:28You mean our home.
00:07:30I mean my home.
00:07:31Does the phrase community property mean anything to you?
00:07:34Does the phrase alimony mean anything to you?
00:07:37Alimony?
00:07:38You'll thank me for this, Jordan.
00:07:39I'm doing it for your own good.
00:07:41You're forgetting the stocks and bonds.
00:07:42I'll sell out.
00:07:44They're in my name.
00:07:46In a revocable trust.
00:07:48And now, Jordan, I'm revoking it.
00:07:50And I'm revoking you, and I'm revoking our marriage.
00:07:53Sweetheart.
00:07:54Sweetheart.
00:07:55She's just in a revoking mode this morning, that's all.
00:07:57A good breakfast and it'll pass.
00:08:00That's another thing I've always wanted to tell you, Jordan.
00:08:02Sweetheart.
00:08:03You do a rotten, Bogart.
00:08:08Picasso, Van Gogh, Warhol, Degas.
00:08:15Angra, Degas.
00:08:17David, Warhol, Gainsborough, Warhol.
00:08:21Interesting.
00:08:23Interesting?
00:08:24Is that all you can say?
00:08:26Interesting?
00:08:27What should I say?
00:08:28Oh, forgive me.
00:08:29I forget that you're just an art dealer.
00:08:32It's a pity one must grow callous from overexposure.
00:08:35I am not callous, Mr. Oliver.
00:08:38I am just trying not to be unrealistic.
00:08:40But a true masterpiece must be humbling even to the most sophisticated dealer.
00:08:46Did you purchase all of these in the same sauce, Mr. Oliver?
00:08:49Yes, the von Schlegel Gallery.
00:08:51Normally I would sell them back to von Schlegel, but he doesn't seem to have a gallery anymore.
00:08:56Quite correct.
00:08:57He left for Switzerland.
00:08:59Ah, I will give you $25,000 for the lot.
00:09:04$25 million?
00:09:05$1,000.
00:09:07$1,000?
00:09:08$25,000.
00:09:10$25,000 for these masterpieces?
00:09:14Masterpieces, yes.
00:09:16Masterpieces of fergery.
00:09:17Fergery?
00:09:19Fergery.
00:09:20They are all worthless fakes.
00:09:23The walls, of course, are originals, but I'll give you nothing for them.
00:09:27Fergeries of those would be priceless.
00:09:31Mr. Fletch, I dislike humor at my expense.
00:09:34I have no sense of humor, Mr. Oliver.
00:09:37The $25,000 I offer you is for the frames.
00:09:42They're all so beautifully carved in gold leaf.
00:09:46It's the old agent.
00:09:47But fled.
00:09:48But splayed.
00:09:49These are my infants, my little babies, my children.
00:09:55Ah, children perhaps, yes, but illegitimate children.
00:09:58They must be original.
00:10:00I paid von Schlegel with original money.
00:10:02And so you have original von Schlegel.
00:10:05You're lying.
00:10:06I will give you $25,000 when you get or leave it.
00:10:09$27,000.
00:10:10No.
00:10:10$29,000.
00:10:11No.
00:10:11$30,000.
00:10:12No.
00:10:12$24,000.
00:10:13$25,000.
00:10:13No, that's a deal.
00:10:14All right.
00:10:15You'll have my check in two days.
00:10:16I'll see you in three days.
00:10:18All right.
00:10:18Wait a minute.
00:10:20This is my house.
00:10:22Those are my fergeries.
00:10:23That's my chandelier.
00:10:24Those are my tables.
00:10:25Yes.
00:10:26This is your head.
00:10:26That's my head.
00:10:27Yes.
00:10:28Now perhaps if I were to call a doctor.
00:10:30No.
00:10:30No, no, doctor.
00:10:31I'll walk you to the door.
00:10:32I'll show you in.
00:10:33Out.
00:10:34Yes.
00:10:35Here we are.
00:10:36Strange fellow.
00:11:06Divorce.
00:11:30Divorce is serious business.
00:11:32It could put a severe strain on your marriage.
00:11:34As your lawyer, I would have to suggest that you think the matter through.
00:11:39But that's all I am thinking about.
00:11:41He's grown so selfish.
00:11:43He's obsessed with those paintings.
00:11:46Bought with my money.
00:11:48The worst part is, I still love him.
00:11:50Well, don't worry.
00:11:52We'll see what we can do.
00:11:54I'll immediately transfer all securities and bonds into a separate trust.
00:11:57And of course, as your attorney, we'll have the estate under my executorship.
00:12:02But you'll fight that.
00:12:03I'm afraid to think what he might do.
00:12:05No, no, no, no.
00:12:06Don't fret.
00:12:07Do you want a more piece of cheese?
00:12:08No.
00:12:11Clarice?
00:12:12Clarice?
00:12:13Yeah.
00:12:15Oh, Clarice?
00:12:16Has anyone seen Clarice?
00:12:18Oh, thank you.
00:12:20Clarice?
00:12:22Clarice?
00:12:22Now, we'll take care of everything.
00:12:25We'll control everything.
00:12:27He hasn't got a chance.
00:12:29Ah.
00:12:31Ah.
00:12:32So, when the chicken's away, the rat will play.
00:12:36How long, Jordan?
00:12:37Look, ah, Clar...
00:12:39Chicken leg.
00:12:40Ah, Clarice, my pet.
00:12:41I'm so glad you're still here.
00:12:43I live here, you idiot.
00:12:44Yes?
00:12:45If you don't mind, I'd like to speak to my wife alone.
00:12:48Well, not really.
00:12:48We have nothing to discuss.
00:12:50We have nothing to discuss, Stuart.
00:12:51Oh, not, Clarice.
00:12:53Well, how can you say we have nothing to discuss with so much going on?
00:12:56How cruel and sensitive.
00:12:59There is much to discuss.
00:13:00We're both grown-ups.
00:13:01We're human beings.
00:13:02This is our life.
00:13:03I want you to answer me honestly, truthfully.
00:13:05I can't feel that these six years were all in vain.
00:13:09Well?
00:13:09Is it really true you don't like the way I do Bogart?
00:13:14Stinks.
00:13:15Stinks.
00:13:16I've always loved the way you did Bacall.
00:13:18Are you going to let six years go down the drain?
00:13:20I'm not a child.
00:13:22I'm capable of change.
00:13:23I can change.
00:13:24I can grow.
00:13:25I could do Gable.
00:13:26Ronald Colvin.
00:13:27Oh, Jordan, six years ago you were you when I was me.
00:13:30But now I'm me and you're you.
00:13:33I'll be you.
00:13:34You be me.
00:13:35We'll be anything we want.
00:13:36We're grown-ups.
00:13:38Jordan, I want to laugh again.
00:13:39That's why I married you, because you made me laugh.
00:13:41Then I will.
00:13:42I'll make you laugh again.
00:13:43Oh, look.
00:13:44Good night, Jordan.
00:13:46Good night, Clarice.
00:13:47Good night, Harold.
00:13:48Good night, Jordan.
00:13:56My life, it's falling apart.
00:13:59I paint things.
00:13:59They're all fakes.
00:14:01I feel, I feel,
00:14:04I feel empty.
00:14:06Ah, those fakes you bought from Von Schlegel, yeah?
00:14:09You know Von Schlegel?
00:14:12Intimately, he's been a patient of mine for years.
00:14:14He tells me everything.
00:14:17You mean all these years I've been built?
00:14:19Thousands and thousands and thousands of dollars?
00:14:22And you never told me anything?
00:14:24Mr. Oliver, I am an psychoanalyst.
00:14:27I am not a district attorney.
00:14:28I do not make moral judgments.
00:14:30I treat you, Rosie.
00:14:32And if I told you I was going to kill my wife,
00:14:36you wouldn't call the police?
00:14:37I would not call the police, correct.
00:14:40I would let you kill her,
00:14:41and then we would talk about it at the next session.
00:14:44And if I were to kill myself?
00:14:46Ah, that would be a different question.
00:14:49You would not be able to talk about it at the next session.
00:14:52Besides, it's a much healthier thing to kill one's wife
00:14:56than to kill oneself.
00:14:58It is?
00:15:00Yeah.
00:15:01But you're not the homicidal type.
00:15:03You could never kill anyone.
00:15:06Why not?
00:15:07Because you're a weakling.
00:15:09You're a coward.
00:15:10You have no guts, no backbone.
00:15:12You're a mere worm of a man.
00:15:14Are you aware of what you're saying, Doctor?
00:15:17Of course I am.
00:15:19Who should know better than I do?
00:15:20I have been your analyst for six years.
00:15:24But I...
00:15:25But, but, but...
00:15:25You are a loat!
00:15:27And that beat, you're not only a ball,
00:15:30you're a foul ball.
00:15:32Here!
00:15:33Look at yourself!
00:15:34Look!
00:15:35No, no, take it away.
00:15:36I can't...
00:15:36Look at yourself!
00:15:37No, no, no, take it away.
00:15:38Wait a minute.
00:15:38Look!
00:15:39Stop!
00:15:40Our time is up!
00:15:42No, no, but, Doctor, you're supposed to help me.
00:15:45I help you?
00:15:48You are supposed to help yourself.
00:15:51You come here, you tell me what to do,
00:15:53you pay me, and you help yourself.
00:15:55And unless you pay me, I will not listen to you.
00:15:59I'll pay you, though.
00:16:00I'll pay you.
00:16:01I don't have the money at the moment.
00:16:02I mean, I don't have access to the money,
00:16:03but I'll find money.
00:16:05There must be way...
00:16:05If you do not find some money,
00:16:09I will not listen.
00:16:11I will let you go crazy.
00:16:13I will let you go crazy.
00:16:15I will let you go crazy.
00:16:16I will let you go crazy.
00:16:17I will let you go crazy.
00:16:25Oh, I'm sorry.
00:16:51Is this a Chinese restaurant?
00:16:53Si, senor.
00:16:55Why are you dressed like a Mexican?
00:16:56Because I am a Mexican, senor.
00:16:58This way, please.
00:17:03Your cheque, senor.
00:17:05Ah, thank you.
00:17:09$14.
00:17:11Very reasonable.
00:17:15Here we are, my good man.
00:17:19Keep the change.
00:17:20Thank you, senor.
00:17:21Don't mention it.
00:17:25Come.
00:17:27Come on.
00:17:30What?
00:17:33Come on.
00:17:34Come on.
00:17:37Come on.
00:17:39Come on.
00:18:09One, please.
00:18:14Okay.
00:18:15Keep the change.
00:18:17Oh, thank you.
00:18:20The charity ball and then a moonlit ride to Catalina.
00:18:24I meant the divorce.
00:18:26Divorce? Certainly. Surely you're jesting.
00:18:28I'm perfectly serious, Jordan. I can't stand living with you a day longer.
00:18:31Perhaps a better sex life. We'll take night courses.
00:18:35Face it, you've never really been comfortable being a failure.
00:18:37You always felt I paid your way.
00:18:39Has Geordie Woody been a nerdy...
00:18:40Oh, cut off that insipid baby talk.
00:18:43I just want you to pack your belongings and leave my home.
00:18:46You mean our home, don't you?
00:18:49I mean my home.
00:18:50Does the phrase community property mean anything to you?
00:18:53Does the phrase alimony mean anything to you?
00:18:56Alimony?
00:18:57You've been living off my money since the day we met.
00:18:59I'm warning you, Clarice.
00:19:00You're warning me?
00:19:01Yes. I'd love to.
00:19:03You?
00:19:03I'd love to just...
00:19:04I'd love to...
00:19:05See?
00:19:06That could easily have been your neck, my precious.
00:19:10Jordan.
00:19:11How masculine.
00:19:17Excuse me.
00:19:18Do you know how this movie turns out?
00:19:19Well, yeah.
00:19:20Yeah, he kills his wife, collects her insurance, and is elected governor of California.
00:19:27So, you see, Mr. Slovin...
00:19:41I'd like to take out a one million...
00:19:46Mr. Slovin.
00:19:48I'd like to take out a one million dollar policy in my wife's name with myself as sole beneficiary.
00:19:55A million dollar policy?
00:19:56Yeah.
00:19:58Would that be a 20 or 30 year policy, Mr. Oliver?
00:20:02I was thinking more of one week.
00:20:04One week?
00:20:06Oh, that's highly irregular.
00:20:08Okay.
00:20:09Make it two weeks.
00:20:11Oh, well, that'll be fine.
00:20:12Now, the premium on a million dollar policy for even two weeks is very, very high.
00:20:19Possibly several thousand dollars.
00:20:21Oh.
00:20:22Well, would it be possible to pay the premium after the two-week period?
00:20:27Oh, I'm afraid not.
00:20:29The policy can only take effect upon the completion of a physical examination and your personal check for the premium.
00:20:36Physical examination?
00:20:37It's routine.
00:20:38It's routine.
00:20:39Mr. Slovin, my wife is very sensitive to doctors, offices, and examinations.
00:20:46Mm-hmm.
00:20:46Could you make other arrangements in this case?
00:20:49Oh, certainly.
00:20:50If you wish, I can have one of our doctors examine your wife in the privacy of your home.
00:20:54Oh, fine.
00:20:56One more thing.
00:20:57Yeah.
00:20:58Could you have the doctor examine her in such a way that she wouldn't know that she was being examined?
00:21:04Could you?
00:21:10Hello, my dear.
00:21:11Where do you think you're going?
00:21:13Out.
00:21:13Oh, I'm afraid not.
00:21:14I have a friend coming over.
00:21:15I'd like you to meet him.
00:21:17That's no concern of mine, Jordan.
00:21:19I'm afraid I'm making it your concern.
00:21:20Back.
00:21:21Back to the wall.
00:21:21Jordan!
00:21:22Have you lost your mind?
00:21:23I mean, what if I were to say,
00:21:24Yes.
00:21:25Phillips, up from behind that door.
00:21:26Put that thing away.
00:21:27It might go off.
00:21:28It might, and it might not.
00:21:29Oh, Jordan, let's not get into flights of fancy.
00:21:32I'm not being fanciful, my dear.
00:21:34Phillips, stop leaning up against my frame.
00:21:36Now, remember, this gun will be somewhere near me at all times.
00:21:41Phillips, into the kitchen.
00:21:42The kitchen?
00:21:43And tell Frida to behave herself.
00:21:46Tell her I have a gun this time.
00:21:48My dear.
00:21:53Phillips.
00:21:54Phillips.
00:21:55Now, behave yourself, Clarice.
00:21:58Yes?
00:21:59Heshi Yamamoto.
00:22:00Mr. Heshi Yamamoto.
00:22:03Heshi.
00:22:03Oh, it's so good, Miss Phillips.
00:22:06It's so good to see you again.
00:22:08You're looking well.
00:22:09Really keeping yourself in good shape.
00:22:12Mr. Slovan spoke to you.
00:22:13I'm an old friend of yours.
00:22:15Gordon.
00:22:16Jordan.
00:22:16Jordan.
00:22:16Jordan Oliver.
00:22:18Jordan Oliver.
00:22:19Clarice!
00:22:19I'd like you to meet an old friend of mine.
00:22:23Heshi.
00:22:24Heshi?
00:22:24This is my wife, Clarice.
00:22:26Mrs. Oliver.
00:22:27So nice to be invited to dinner.
00:22:29Dinner?
00:22:30What dinner?
00:22:30Dinner is served.
00:22:32That dinner.
00:22:33Shall we?
00:22:35Shall we?
00:22:35Don't forget.
00:22:42Don't let her suspect you're giving her a physical examination.
00:22:46Don't worry.
00:22:47I have great experience.
00:22:49Once, I helped deliver baby to woman in back of car.
00:22:53And she thought I was repairing transmission of her Toyota.
00:23:03Extra and dinner, Mrs. Oliver.
00:23:06Heshi?
00:23:07Heshi.
00:23:09Shall we talk of old times?
00:23:12Oh, so, Mrs. Oliver.
00:23:15I was just admiring your wrist.
00:23:18Oh, thank you.
00:23:20Aren't they lovely wrists?
00:23:21So delicate.
00:23:22You see, we believe in our culture that the wrist is gateway to a woman's soul.
00:23:28How poetic.
00:23:30We believe that if a woman possess beautiful wrist, she possess beautiful soul.
00:23:37I have never heard that.
00:23:38Are you sure that's true?
00:23:40Well, I could be mistaken.
00:23:42Oh, perhaps.
00:23:43Uh, Clarice, let's play some cards.
00:23:46Oh, please.
00:23:47I don't want to play cards.
00:23:48I want to eat my...
00:23:48Clarice?
00:23:49Deal.
00:23:50Yes, oh, Rummy.
00:23:51We'll play Rummy.
00:23:51We'll play seven-card-Rummy or five-card-Rummy.
00:23:53Mrs. Orwell, seven-card-Rummy.
00:23:54Beautiful brooch.
00:23:55Oh, yes.
00:23:56I bought that for her.
00:23:57It was my mother.
00:23:57Beautiful gown.
00:23:58Your mother's beautiful gown.
00:23:59Thank you very much.
00:24:00Oh, this don't go with this brooch, I'm sure.
00:24:03Pick up.
00:24:03I don't...
00:24:04Uh, it's, it's, it's, uh, my lead.
00:24:06My lead.
00:24:07It's not my kind of thing.
00:24:08Smell the beautiful flowers.
00:24:09The flower.
00:24:10Oh, the flower.
00:24:11The flowers.
00:24:12Oh, the flower.
00:24:13Clarice, smell the flowers.
00:24:15Oh, isn't it good to breathe?
00:24:16Oh, we haven't breathed like this since our honeymoon.
00:24:19Clarice, breathe.
00:24:20Pick up.
00:24:21Excuse me.
00:24:21I'm breathing.
00:24:22Excuse me.
00:24:22Breathing.
00:24:24Pick up.
00:24:25I don't want to play cards.
00:24:26Oh, please.
00:24:26Oh, Clarice.
00:24:27Let's reconsider.
00:24:28Can't you reconsider?
00:24:30Are you all right?
00:24:32Oh, yes.
00:24:32Just I lost my contact lens.
00:24:34Oh, yes.
00:24:35Heshy's been losing his contact lenses since he was a small little nipper.
00:24:39Rummy.
00:24:40Sir?
00:24:40Rummy.
00:24:42Jordan.
00:24:42What?
00:24:43Sir?
00:24:44Oh, don't pay any attention to him.
00:24:46Can't you reconsider?
00:24:48Please, please.
00:24:49You know how much I love you.
00:24:53Oh, Heshy.
00:24:54Yes, I...
00:24:55Nice to see you.
00:24:55On to my kazoo-kazoo?
00:24:57Kazoo-kazoo?
00:24:57Kazoo-kazoo.
00:24:58It's used in Japanese tea drink ceremony.
00:25:02Oh, yes.
00:25:03I've tried that many times.
00:25:04What you do is you put the tea in through this tube, and you press this tube, and you go...
00:25:07Kazoo-kazoo.
00:25:09Kazoo-kazoo.
00:25:10Yes, it's a very old custom.
00:25:11Kazoo-kazoo.
00:25:12Kazoo-kazoo.
00:25:13Mrs. Oroba.
00:25:14Yes, what is it?
00:25:15Please, please.
00:25:16You see, I am a correct, a strange hobby.
00:25:19What is it?
00:25:20What is it?
00:25:20I was wondering, please, would you give me a specimen?
00:25:23Jordan, I've had enough.
00:25:29I'm going now.
00:25:30Oh, Clarice, be a good hostess.
00:25:32I'm going now.
00:25:34Oh, Clarice, it's his hobby.
00:25:36Don't be selfish.
00:25:38Something I said?
00:25:39Oh, Clarice, be a good hostess.
00:26:09I'm going now.
00:26:39Oh, Clarice, be a good hostess.
00:27:09And I was so upset and embarrassed I couldn't even drive.
00:27:13I'm so sorry, Clarice.
00:27:15And you have no idea who this Yamamoto is?
00:27:18He said he was an old army buddy.
00:27:21Harold Jordan was never in the army.
00:27:23Jordan was probably lying.
00:27:26I wonder why.
00:27:27He lies all the time.
00:27:28It's one lie after another.
00:27:29I never even know when he's telling the truth anymore.
00:27:32I've heard of people like that.
00:27:35He hasn't been the same since the day we married.
00:27:38He keeps acting, pretending he's other people.
00:27:40You mean the way he sometimes thinks he's Humphrey Bogart?
00:27:44Oh, that's not so bad.
00:27:47The Bogart thing was a game with us.
00:27:50We were gay.
00:27:52We laughed.
00:27:53He was Bogart and I'd be Bacall.
00:27:56And then without warning, he was Peter Laurie.
00:27:59Harold, he made me be Sidney Greenstreet.
00:28:02I gained 35 pounds in one month.
00:28:05Clarice, it's not worth it.
00:28:08Go ahead and get the divorce.
00:28:09Pretty soon he'll be doing Bela Lugosi.
00:28:13He'll sneak up on you while you're asleep and bite you in the neck.
00:28:39Waiters.
00:29:09What are these things?
00:29:20I'll have a double scotch on the rock straight up and neat.
00:29:23What's that?
00:29:25He said I'll have a double scotch on the rock straight up and neat.
00:29:29Right, right.
00:29:31Some kind of party going on over here, sweetheart.
00:29:40Is it too noisy for you?
00:29:42What?
00:29:43Yeah.
00:29:44Hey, see the quag in here, will you?
00:29:47It's up to midnight.
00:29:52Better?
00:29:55Yes, thank you.
00:30:01Any of these tables open?
00:30:03Well, let me see.
00:30:05How many of there are you?
00:30:07One of me.
00:30:09Party of one.
00:30:10Well, you better take that table over there, huh?
00:30:13Thanks, sweetheart.
00:30:18Believe me, my dear, he's never going to change.
00:30:21Oh, if only he'd just stop doing Bogart and start being Bogart.
00:30:27The poor man, he's going to be lost without my money.
00:30:32What you need is a rest, a vacation to clear your mind.
00:30:37Well, I could use one, I know that.
00:30:39Which is why I've arranged one for you.
00:30:41You have?
00:30:42Mm-hmm, I've taken the liberty of making a reservation for you
00:30:45at the Sands Hotel in Las Vegas.
00:30:47Las Vegas?
00:30:48It'll be very therapeutic.
00:30:50You can gamble, go swimming, play golf, go shopping.
00:30:54Me? Sleep?
00:30:55Well, if that's what you want to do.
00:30:58See?
00:30:59You feel better already just thinking about a vacation.
00:31:02It's a nice idea.
00:31:13Thank you, Harold.
00:31:14You are a good friend.
00:31:18And a pretty good attorney.
00:31:20Now, don't worry about a thing.
00:31:22I'll take care of everything.
00:31:23Oh, oh, excuse me, I didn't mean to wake you.
00:31:49Don't worry about a vacation.
00:31:52Oh, oh, oh, oh, oh.
00:31:53Oh, oh, oh, oh, oh, oh.
00:31:56Who are you?
00:32:00Who, me?
00:32:01Yes, you.
00:32:02Bobo.
00:32:03Bobo?
00:32:05Bobo.
00:32:06Bobo?
00:32:07Captain Bobo.
00:32:08Oh, Captain Bobo.
00:32:11What kind of captain?
00:32:13Oh, no kind.
00:32:15I just called myself a captain.
00:32:17It doesn't hurt anybody.
00:32:18It impresses people.
00:32:20Are you impressed?
00:32:21Oh, yes.
00:32:22Yes, I am very much.
00:32:24Oh, thank you.
00:32:25You're my first one.
00:32:26You mind if I sit down?
00:32:28Please.
00:32:34You know who I am, don't you?
00:32:36No.
00:32:37Yes, you do.
00:32:38No, I don't.
00:32:39You know my name?
00:32:40No, I don't.
00:32:41You know my wife's name?
00:32:42No, I don't know your wife's name.
00:32:44Oh, admit it.
00:32:45No, I don't.
00:32:46You know I have a policy on my wife's life and plan to kill her and collect the insurance,
00:32:50don't you?
00:32:51No, I don't know that.
00:32:52What did I just say?
00:32:53You just said you got a policy on your wife's life and you plan to kill her for the insurance.
00:32:57Then you do know.
00:32:58Well, you just said that.
00:32:59You're lying.
00:33:00You heard it before I said it.
00:33:01No, I didn't.
00:33:02Captain.
00:33:03Sit down.
00:33:04Where do you think you're going?
00:33:05You're in this up to your neck.
00:33:06Listen, I'm just a captain looking for a ship, you know, and a little port and a nice home
00:33:11to go home to.
00:33:12That's all.
00:33:13Just as I thought.
00:33:14You're one of those guys who likes to dish it off but you can't take it.
00:33:17I'm just a sweet innocent guy that never gets in trouble.
00:33:24Hello.
00:33:25Whoa, whoa.
00:33:26Oh.
00:33:27Hi, fellas.
00:33:28Vito.
00:33:29Vito.
00:33:30Uh, listen, I didn't expect you today.
00:33:33I, I explained the whole thing to Carmine and he thought he was going to call Nunzio and then he was going to call Big Vito and explained that, see, tomorrow I got a big thing going in a race.
00:33:41I got a horse to finish.
00:33:42You lose.
00:33:43Huh?
00:33:44Carmine is resting comfortably in an abandoned gold mine.
00:33:48And Nunzio don't work for Vito no more.
00:33:50He works for little Louie.
00:33:52Oh, he's a principal man.
00:33:54He'd really like him very much.
00:33:55Oh, excuse me.
00:33:56This is Vito and, and Vito, this is my friend.
00:33:58We don't want to meet no friends of yours.
00:34:00We come for the money.
00:34:01Money?
00:34:02Ah.
00:34:03Just to show you we mean business, we're going to let you pay tomorrow.
00:34:07All five G's.
00:34:09Five G's?
00:34:10I only borrowed two G's.
00:34:12Vito knows that.
00:34:13Yeah, Vito knows that.
00:34:15Vito also knows that five G's is more than two G's.
00:34:18And he knows he comes off better if you pay him more.
00:34:21And he knows more is good.
00:34:24That's a lot of interest.
00:34:26Just to show you we're on the square.
00:34:28We're going to give you your receipt in advance.
00:34:30Vito.
00:34:31I'll be right there, Bobo.
00:34:36No?
00:34:37I can't stand these ruffian techniques.
00:34:39They think they come in off the streets and just run it that way.
00:34:42Well, I, I, I...
00:34:44Vito always does a clean job.
00:34:55Thank you, Vito.
00:34:56Now, just to show you this, say, none of it personal.
00:34:58Wait a minute.
00:34:59Check.
00:35:00No, no, no.
00:35:01I'll take care of it, Chuck.
00:35:02Vito.
00:35:03Check.
00:35:04No, no, no.
00:35:05I'll take care of it, Chuck.
00:35:16Does this happen often?
00:35:17Oh, boy.
00:35:18Money.
00:35:19I need some money.
00:35:20I need some money, otherwise they keep doing this.
00:35:24Don't worry, Bobo.
00:35:25I'm your friend.
00:35:26I will give you the money.
00:35:28Thousands.
00:35:29Thousands?
00:35:30Dollars?
00:35:31Yes.
00:35:32How many thousands?
00:35:33A lot of thousands.
00:35:34More thousands than you ever dreamed of.
00:35:35Boy, what I gotta do?
00:35:36Kill somebody?
00:35:37Shh.
00:35:38You are serious.
00:35:39I mean, that's like murder.
00:35:40Right, murder.
00:35:41You could call it murder if you want to be technical.
00:35:43There's a tremendous punishment given out for things like that if you get caught.
00:35:54Well, you're not gonna get caught.
00:35:55I'm not gonna tell anyone.
00:35:56Are you gonna tell anyone?
00:35:57No, but murder.
00:35:58I mean, taking somebody's life without their written permission?
00:36:02I can't do that.
00:36:03Bobo.
00:36:04Bobo, wise up.
00:36:05You have no choice.
00:36:06What do you think, Bobo?
00:36:07You're not gonna get caught.
00:36:08I'm not gonna get caught.
00:36:09I'm not gonna tell anyone.
00:36:10You're gonna tell anyone.
00:36:11No, but murder.
00:36:12If you don't kill my wife, they kill you.
00:36:20How many thousands?
00:36:22$25,000.
00:36:26$25,000?
00:36:28Yes.
00:36:30Here's one of them.
00:36:34Are they all as pretty as that?
00:36:36Every one.
00:36:37Some of them are even prettier.
00:36:38You got a deal.
00:37:08Good morning, Clarice.
00:37:12Goodbye, Jordan.
00:37:13Where are you going?
00:37:14I'm going to Las Vegas.
00:37:16Must you?
00:37:17It's no concern of yours, Jordan.
00:37:25More than you know, my pet.
00:37:28More than you know.
00:37:29Yes, Bobo.
00:37:31That's correct.
00:37:32Las Vegas.
00:37:34I'm pretty sure it's the one in Nevada.
00:37:37Fine.
00:37:43Yes, my dear.
00:37:44Just think.
00:37:46This time tomorrow, you'll be...
00:37:48Well.
00:37:50And I'll be $1 million richer.
00:37:52Less federal inheritance, Dad.
00:38:00Jordan Oliver here.
00:38:03Mr. Oliver, this is Mr. Slovan of No Fault Insurance.
00:38:08Yes, Mr. Slovan.
00:38:15Huh?
00:38:18Huh?
00:38:19Huh?
00:38:19And that, Mr. Oliver, is a story in a nutshell.
00:38:28If you want, you can keep the nutshell.
00:38:30I don't want the nutshell.
00:38:31What about all these nuts?
00:38:32I don't want any of these nuts.
00:38:33What's the matter with you?
00:38:35Why should I be penalized?
00:38:36You're not being penalized.
00:38:37You're not being penalized, Mr. Oliver.
00:38:40All that remains is for your wife to take another physical examination,
00:38:43and the policy will be renewed, I'm sure.
00:38:45But you know how my wife feels about physicals.
00:38:47She doesn't like...
00:38:48How did you find out, anyway?
00:38:49That Yamamoto wasn't a real doctor?
00:38:50Yes.
00:38:51Well, he was walking by this morning when one of our secretaries asked to borrow his thermometer
00:38:55to take a temperature.
00:38:56So?
00:38:58He didn't know what a thermometer was.
00:39:00How could that be?
00:39:01How could a human being not know what a thermometer is?
00:39:03Well, these things do happen.
00:39:05Happen, they don't happen.
00:39:05Don't you understand?
00:39:07Don't you understand that it's not fair?
00:39:09Life is not fair!
00:39:11I had it planned now, don't you understand?
00:39:14It was perfect.
00:39:14It was going to be perfect.
00:39:16Bobo!
00:39:16Bobo!
00:39:17What?
00:39:18Bobo!
00:39:18What?
00:39:19Clarice!
00:39:19Where is everybody?
00:39:20Anybody here?
00:39:21Anybody home?
00:39:22Hi, Ace, could I help you?
00:39:37Bobo!
00:39:38It's all of us!
00:39:39Bobo, it's all off!
00:39:41You understand?
00:39:41It's off!
00:39:42Did you kill her?
00:39:42It's off!
00:39:43What have you done with the body?
00:39:45You killed her, haven't you?
00:39:46No, no, no, no!
00:39:47Tell me she's alive!
00:39:49What?
00:39:50Is she alive?
00:39:51What is it?
00:39:52Speak louder!
00:39:53Would you talk louder?
00:39:54Can't you see I'm strangling you?
00:39:56Did you kill Clarice?
00:39:58Did you kill her?
00:40:02Oh, thank God!
00:40:07Don't worry about it, because I hired somebody else to do it.
00:40:11What?
00:40:12I paid him $20,000.
00:40:13I gave you $25,000.
00:40:15I only needed five.
00:40:16Who did you give the money to?
00:40:17Oh, I can't tell you.
00:40:18It's a big secret.
00:40:19Yeah, you see, he's in show business.
00:40:21He's a musician, and publicity got out about this.
00:40:23He could possibly hurt his career.
00:40:25Who was it, Bobo?
00:40:26Who was it?
00:40:26Don't you understand?
00:40:27I'm calling the whole thing off!
00:40:29The insurance!
00:40:31She's not covered!
00:40:33If I tell you who it was, will you stop talking to me?
00:40:37Yes, yes.
00:40:40Okay.
00:40:41The man's name was, uh, what the heck was his name?
00:40:45Oh, come on, Bobo, the name.
00:40:46Just think of it.
00:40:47Think of it.
00:40:47Think now.
00:40:48What was the name?
00:40:50Huh?
00:40:52Bobo.
00:40:54Bobo?
00:40:56Bobo.
00:40:57No, Bobo.
00:40:58You've got to help me.
00:41:00No, don't try to use a ploy on me.
00:41:02Come on, Bobo, the name.
00:41:03What was...
00:41:03Bobo.
00:41:05Bobo.
00:41:06Snap out of it.
00:41:07Bobo, come on, come on.
00:41:09Come with me, Bobo.
00:41:12Taxi!
00:41:14Taxi!
00:41:15II.
00:41:24employed…
00:41:26That ain't nothing.
00:41:27The sarà.
00:41:29Have a seat.
00:41:30Wait.
00:41:31Roar.
00:41:32Well, I'll spend your lives.
00:41:33Take care.
00:41:34Look before me.
00:41:35My boy, because it needs a little heart.
00:41:36Here we go.
00:41:37See you on the second log.
00:41:38There's only one...
00:41:39I have to think thats far enough.
00:41:40There's a little lies.
00:41:41home.
00:41:42We're gonna live.
00:41:43Oh, my God.
00:42:13What are we doing here?
00:42:30I thought maybe that he would notice us up here.
00:42:33Is that him?
00:42:34Yes, Blake.
00:42:43Ah, bravo, Mr. Pothlow, bravo.
00:42:54It all looks absolutely marvelous.
00:42:57We just have one small problem.
00:43:00What is that?
00:43:01We're long.
00:43:02Can you cut 20 minutes?
00:43:04Are you serious?
00:43:05Do you think that it's easy to conduct Swan Lake with the entire action from the lake's point of view?
00:43:11May I make a suggestion?
00:43:12Of course you may.
00:43:13But I'm not going to listen.
00:43:15Can you cut out the part with the swan?
00:43:19I didn't hear that.
00:43:21Gentlemen, please, I want your attention.
00:43:24You have no talent, and I have to go.
00:43:26I have an important engagement in Canada.
00:43:28Goodbye.
00:43:29Goodbye, Mr. Pothlow.
00:43:30Goodbye, big boy.
00:43:30Mr. Pothlow.
00:43:31Please.
00:43:32Mr. Pothlow.
00:43:34Pothlow.
00:43:34Pothlow, that's the man I was telling you about.
00:43:37That's Mr. Oliver.
00:43:37How do you do?
00:43:38I'm Jordan Oliver.
00:43:39It is not a place to be speaking.
00:43:41Not in front of the boys.
00:43:42Please.
00:43:43You are following me.
00:43:44Boys?
00:43:45There's no...
00:43:47Madness.
00:43:47Reese is a lie.
00:43:50She's a lie.
00:43:51Maybe.
00:43:52Maybe not.
00:43:53I don't know.
00:43:53What do you mean?
00:43:54Tell him to go and ask the man that I paid $16,000 to bump her off.
00:43:58Man?
00:43:59$16,000?
00:44:00What man?
00:44:00I paid you $20,000.
00:44:02I only need it for.
00:44:03What man?
00:44:03What do you mean?
00:44:04Who's the man?
00:44:05You see his lips?
00:44:06No.
00:44:06They're my lips.
00:44:07They're very important to me.
00:44:09Oh, forget the lips.
00:44:10They needed $4,000 immediately.
00:44:12For what?
00:44:13Lip cloth.
00:44:14Lip cloth?
00:44:15$9,000 worth of lip cloth.
00:44:17For $4,000.
00:44:18It was a garage sale.
00:44:19That's a good deal, don't you think so?
00:44:21Partlaw, listen to me.
00:44:22You help me find that man, I'll keep you in lip cloth for life.
00:44:25Oliver!
00:44:26Life is more than lip cloth.
00:44:29He is sick, your friend.
00:44:30He is disturbed.
00:44:30Yes.
00:44:31I'm sorry.
00:44:32I'm sorry.
00:44:32I didn't mean to.
00:44:33Don't touch me, please.
00:44:34All right.
00:44:34I didn't mean to.
00:44:34Tell me this, mister.
00:44:36Have you got ancestors?
00:44:38Yes, I do.
00:44:39On my mother's side.
00:44:41Were they music lovers?
00:44:43Oh, music.
00:44:44They loved music.
00:44:45Music was our whole life.
00:44:47For breakfast, for lunch, for dinner, snacks.
00:44:49It was all music.
00:44:50My family liked music, too.
00:44:51Bobo's family.
00:44:52We all like music.
00:44:55Wait.
00:44:57Okay.
00:44:57You know what, then?
00:44:58Wait a minute.
00:44:59I'll tell you something.
00:45:00Because of what you said, I am going to help you.
00:45:03Yes.
00:45:03It's lovely.
00:45:12What are we doing here?
00:45:14You want to get into the seat of Gerbenay, don't you, please?
00:45:17Yes, well, of course.
00:45:18Then I'm going to take you.
00:45:19All right.
00:45:20Get out.
00:45:20Come on.
00:45:21Wait.
00:45:22Wait.
00:45:24What?
00:45:24What?
00:45:25I don't know.
00:45:26I leave.
00:45:26I've done it.
00:45:27All right.
00:45:28Bo, bo.
00:45:28Then come.
00:45:28OK.
00:45:29Good.
00:45:29Come on.
00:45:30Good.
00:45:30Mrs. Martin, the strap must be secure.
00:45:54Now, don't be afraid.
00:45:55Everything will be just fine.
00:46:00The hammer's sterile, Master.
00:46:08Don't have enough to have it, Doctor.
00:46:10That will be all right, Dagan.
00:46:11We won't be needing that.
00:46:13Will we, Mrs. Martin?
00:46:15Shall I make preparations, Master?
00:46:18Of course, Dagan.
00:46:18You may bring in the bar.
00:46:20Yes, Master.
00:46:25We are going to find him.
00:46:27Yes, we have to.
00:46:28The other one.
00:46:30I will help you, but don't touch my fruit.
00:46:33Bobo?
00:46:34Yes.
00:46:35All right?
00:46:36I don't have cash.
00:46:37Cheers.
00:46:37Yes, please.
00:46:38Just give it a try.
00:46:39Oh, ow.
00:46:44It's going to be all right with us.
00:46:46Easy.
00:46:47Easy, Bobo.
00:46:48Okay.
00:46:49Watch.
00:46:49Please.
00:46:50Come with me.
00:46:55Did I do well, Master?
00:47:01Oh, excellent, Dagan.
00:47:02Excellent.
00:47:03There will be an extra spider in your pay envelope this week.
00:47:06Thank you, Master.
00:47:07Oh, she.
00:47:08Mrs. Martin.
00:47:09I promised you you would lose weight.
00:47:12Meet and greet your new body.
00:47:14But it's on her.
00:47:15Oh, never fear, my dear Mrs. Martin.
00:47:17We only want to give your brain and your home.
00:47:20Is that what you meant?
00:47:21My brain and her body?
00:47:23You will be exquisite.
00:47:25And with a wonderful figure.
00:47:27Don't you agree?
00:47:28You can't do that.
00:47:29That's insane.
00:47:30Insane, perhaps.
00:47:32But it's a little.
00:47:33I refuse.
00:47:33Say it.
00:47:34I want to be let out.
00:47:35Immediately.
00:47:35You're mad.
00:47:37That's what they said at university when I experimented.
00:47:40The verdict was brilliant.
00:47:44But mad.
00:47:45Ow, don't let me out.
00:47:47Ow, you freak.
00:47:48Wait.
00:47:50You realize, of course, you will forfeit your deposit.
00:47:54Ow, I'll get you out.
00:47:55Do I still get my spider, Master?
00:47:57Spider?
00:47:58You know what you get.
00:47:59Yes, Master.
00:48:02This is what you get.
00:48:03Take it.
00:48:05Land back.
00:48:06Land back.
00:48:08You're too kind to me.
00:48:10Take her back to my room.
00:48:12Now, for this exercise, everybody down on their knees.
00:48:16Come on.
00:48:17Whoa.
00:48:17Oh, what are you doing?
00:48:23I told you before, you're going to ruin everything.
00:48:25Bobo, what's up?
00:48:26It must be casual.
00:48:26Casual?
00:48:27Very casual indeed.
00:48:28We must.
00:48:29Don't you?
00:48:29I have to find Clarice.
00:48:31You will never get to Dr. Benede.
00:48:32I'm not behaving in any sort of attitude.
00:48:34Bobo, please.
00:48:34Are you ready?
00:48:35Very pleasant, very nice, and pleasant.
00:48:38Nonchalas.
00:48:39Remember?
00:48:39Oh.
00:48:39Inside.
00:48:43Inside.
00:48:44I found them wandering the grounds in a suspicious manner.
00:48:47They were looking casual.
00:48:49Good work.
00:48:49Leave us.
00:48:50Not you three.
00:48:51Here.
00:48:54Arthur.
00:48:54Bobo.
00:48:55Oh, oh.
00:48:56Oh, Dr. Benede.
00:48:58So we are meeting once again.
00:49:00Have we met before?
00:49:01You don't remember me?
00:49:03I am the famous Lawrence Potlow.
00:49:06That is my nom de flute.
00:49:07I made arrangements with Florence Nightingale here regarding this man's wife.
00:49:12Clarice Oliver.
00:49:13Remember, master, the girl in Las Vegas?
00:49:16Clarice Oliver.
00:49:17Yes.
00:49:18I have so many clients.
00:49:20No, no.
00:49:20She was not exactly a client.
00:49:22You were supposed to kill her.
00:49:25That's why I gave you the $16,000.
00:49:28Gentlemen, this meeting is concluded.
00:49:31Norice Oliver is dead.
00:49:35Oh, no.
00:49:37Oh, goodness gracious.
00:49:38Oh, me.
00:49:39Master, he fall down and go boom.
00:49:41Squeamishness is not an attractive trait on a middle-aged balding man, Mr. Oliver.
00:49:47Look, sir.
00:49:48Now, sir.
00:49:49Now, sir, tell me you didn't kill us.
00:49:51Mr. Oliver, please, I can't remember.
00:49:54I have so many arrangements, I can't remember.
00:49:56My master speaks the truth.
00:49:58He practices brain surgery, and it can affect the memory.
00:50:02What can brain surgery affect the memory?
00:50:04I practice on my own brain.
00:50:06Oh, doctor, please, tell me, did you kill her?
00:50:09I remember.
00:50:10Yes.
00:50:10I decided to split the fee, so I gave it to another specialist.
00:50:13Oh, and yet, what was the name?
00:50:15A specialist?
00:50:15Yes.
00:50:15Did you get a receipt or a piece of paper?
00:50:17I remember.
00:50:18I hired him from Workers Anonymous.
00:50:21They're very good, you know.
00:50:22They work very cheap.
00:50:23A few bucks.
00:50:24They do everything for you.
00:50:25Take Social Security, withholding, taxes, everything.
00:50:29That's good to know, but what is the name?
00:50:30Yes, the name.
00:50:31The name.
00:50:32I know, it rhymes with rooster.
00:50:35Rooster.
00:50:36Rooster.
00:50:36Rooster.
00:50:37Rooster.
00:50:37Rooster.
00:50:37Rooster.
00:50:38Rooster.
00:50:38Rooster.
00:50:41Kirsten.
00:50:43Kirsten.
00:50:44Kirsten.
00:50:44Sounds familiar.
00:50:46I don't think you'd know him.
00:50:48His top secret is with the CIA.
00:50:51I do hope we're in time.
00:50:53The man seemed most anxious to take a life.
00:50:57I do hope we're in time.
00:51:27I do hope we're in time.
00:51:57Well, it's hard to say.
00:51:59It doesn't have an engine.
00:52:01No engine?
00:52:02What do you mean no engine?
00:52:03Well, that's impossible.
00:52:04It's a brand new limousine.
00:52:06We've traveled over 100 miles.
00:52:08Well, take a look for yourself.
00:52:10But, but, Klobo, look.
00:52:13It's remarkable.
00:52:14We got this far.
00:52:16Where are you going?
00:52:17We're looking for somebody.
00:52:18Who?
00:52:19You wouldn't know.
00:52:20This is top secret.
00:52:22James Kirsten.
00:52:23Oh, the CIA guy.
00:52:24Huh?
00:52:27Why don't you get a bite to eat?
00:52:30No, no.
00:52:31We can't eat now.
00:52:31We have to find that engine.
00:52:32Jordan, perhaps the young man is correct.
00:52:35Why don't we get something to eat?
00:52:36Shall I prepare something, master?
00:52:38No, Dagon.
00:52:39Arrangements have already been made.
00:52:40We're not going to eat now.
00:52:41Don't you understand?
00:52:42We have to get on the road.
00:52:43Jordan, Jordan.
00:52:43We have to keep moving.
00:52:44You will eat.
00:52:49I do feel a little hungry.
00:52:52I, boys, why, gentlemen, do you care to order a cocktail?
00:52:56No, no.
00:52:56This is no time for cocktails.
00:52:57Ah, actually, this is a beautiful time for cocktails.
00:53:01I think I will have a brandy Alexander.
00:53:04I will have a Shirley Temple with a straw.
00:53:07Sounds good.
00:53:08Make mine a Shirley Temple with a straw.
00:53:09I think I'll have a gin fizz.
00:53:12That sounds better.
00:53:13Make mine a gin fizz.
00:53:14I'll have a nice cold beer.
00:53:16That sounds best.
00:53:17Give me a cold beer.
00:53:19Pardon.
00:53:19Are you on Sesame Street?
00:53:21No.
00:53:22Santa Monica Boulevard.
00:53:23Oh, stop it.
00:53:23What's the matter with you?
00:53:24We have no time for drink, Benet.
00:53:25Don't you understand?
00:53:26The time is of the essence.
00:53:27Is the flounder in season?
00:53:36The flounder is always in season.
00:53:39However, I will suggest...
00:53:41The mackerel.
00:53:42No, I would not suggest the mackerel.
00:53:45It must be the mackerel.
00:53:46Give him the mackerel.
00:53:50The perch.
00:53:54The perch.
00:53:57The perch.
00:54:00The perch.
00:54:01I'll take the perch.
00:54:02Shh.
00:54:04Shh.
00:54:06Shh.
00:54:20Shh.
00:54:21Shh.
00:54:22Shh.
00:54:23Shh.
00:54:25Shh.
00:54:26Shh.
00:54:27Shh.
00:54:34Shh.
00:54:35Shh.
00:54:36Shh.
00:54:37Shh.
00:54:39Shh.
00:54:40Shh.
00:54:41Shh.
00:54:42Shh.
00:54:43Shh.
00:54:44Shh.
00:54:45Shh.
00:54:46Shh.
00:54:47Shh.
00:54:48Shh.
00:54:49Shh.
00:54:50Shh.
00:54:51Shh.
00:54:52Shh.
00:54:53Shh.
00:54:54Shh.
00:54:55Shh.
00:54:56Shh.
00:54:57Oh, my God.
00:55:27That's 15 halibut, 38 flounder, one smelt, and one perch.
00:55:37Yes, that's right. One perch.
00:55:40I'd like delivery by the first of the month.
00:55:43If I can't have that, I'll take delivery by the last of the month.
00:55:47Come in, gentlemen, come in. I'll be with you in just a moment.
00:55:50Thank you very much. Goodbye.
00:55:54Good afternoon. May I help you?
00:55:56Yes. Is Mr. Jack Kirsten here?
00:55:59Whom, shall I say, is calling?
00:56:01Tell him Dr. Benet and some friends are here to see you.
00:56:06Mr. Kirsten, there's a Dr. Benet and some friends.
00:56:12Dr. Benet, I'm sorry, I didn't recognize you.
00:56:15No, no, I'm not. This is Dr. Benet.
00:56:18Jack Kirsten.
00:56:19I didn't recognize you, my dear Mr. Kirsten.
00:56:23Kirsten.
00:56:23Kirsten.
00:56:24Are you the waiter?
00:56:25Shh.
00:56:26What are you saying?
00:56:27Look at those lips.
00:56:29They are the second most beautiful pair I have ever seen.
00:56:33They should be in the Guinness Book of Lips.
00:56:35They are magnificent.
00:56:36You know something?
00:56:38With those lips, I could teach you to play the trumpet.
00:56:41You couldn't.
00:56:42Of course I could.
00:56:43Just press down on the middle valve.
00:56:45And.
00:56:51Will you cut that out?
00:56:53Can't you see I'm trying to get some information?
00:56:55We're all trying to get information of one kind or another.
00:56:59So tell me, Hot Lips, you're really not with the CIA, huh?
00:57:01Of course I'm not.
00:57:03I'm a bricklayer.
00:57:05Bricklaying is my life.
00:57:06But I use the CIA as my cover.
00:57:11You know what it is to want to lay bricks.
00:57:13And there are no bricks to lay.
00:57:15Where is my wife?
00:57:16I'm not in union.
00:57:17Bricklaying is my life.
00:57:19Where is my wife?
00:57:20What have you done with her?
00:57:22Sure, I have plenty of them.
00:57:23I don't have any more.
00:57:25I want to know where my wife is.
00:57:26Bricks have to be laid upon each other.
00:57:28Shh.
00:57:31Down!
00:57:36All right, friends, friends, friends, friends, friends, it's all right, all right.
00:57:45Poor fellow.
00:57:46A building that we finished fell on him.
00:57:49He thinks he's still working for Mussolini.
00:57:53Any news from Il Dulce?
00:57:55The news, the news.
00:57:57There are no futility.
00:57:58A spine for a war that has been over for 30 years.
00:58:00And it gets very lonesome.
00:58:03Do they know the Mussolini knows that I know about the Allied,
00:58:06uh, invasion plan?
00:58:08Uh, do you know that he knows that Mussolini knows about the Allied invasion plan?
00:58:13No, I don't know anything about Clarisse.
00:58:18Well, you should.
00:58:19I passed the murder contract on to him.
00:58:20What?
00:58:21Here.
00:58:22Listen to me.
00:58:23I've got to talk to you.
00:58:23It's very important.
00:58:24What I've seen.
00:58:25This is very important.
00:58:26I'm trying to find out.
00:58:27My name is Jordan Oliver.
00:58:28My wife's name is Clarisse Oliver.
00:58:30Does that mean anything to you?
00:58:31Uh, what regiment was she with?
00:58:34Regiment?
00:58:34What is he talking about, regiment?
00:58:35Oh, oh, oh, yes.
00:58:37Colonel, Colonel, yes.
00:58:38We're all on your side.
00:58:39We're friends.
00:58:40I mean, gee, I mean, gee, there's no chance of being court-martialed.
00:58:42Do you understand?
00:58:43What have you done with Clarisse?
00:58:45Ma cosa zice, cosa zice?
00:58:46Ammazzata l'amorio de questo.
00:58:48Mi dispiace, ma io non ammazzata n'essuno.
00:58:50Oh!
00:58:51He's very sorry.
00:58:53He did not murder your wife.
00:58:55Oh!
00:58:56Oh!
00:58:56Oh!
00:58:56Oh!
00:58:57Oh!
00:58:57Oh!
00:58:57Oh!
00:58:58Hey!
00:58:58Hey!
00:58:59Oh!
00:58:59Oh!
00:59:00Oh!
00:59:00Oh!
00:59:01Oh!
00:59:01Thank you, thank you.
00:59:03She's alive.
00:59:04Oh!
00:59:05Oh!
00:59:05He paid somebody else to do it.
00:59:09What?
00:59:09Per quanto?
00:59:10Eh, $6.95.
00:59:12$6.95!
00:59:14$6.95!
00:59:14$6.95!
00:59:15$6.95!
00:59:16No!
00:59:16$6.95 soldi!
00:59:18Ah!
00:59:18He got them very cheap, too, $6.95.
00:59:20Who would kill a human being for $6.95?
00:59:24Che razza d'uomo per commetre un diritto cosi!
00:59:28Oh!
00:59:29An artiste di balcocerico, capisci, da cosa vanno male!
00:59:32An actor.
00:59:32An actor?
00:59:33An actor is going to kill my wife at $6.95!
00:59:37An actor!
00:59:39Find him!
00:59:40Where?
00:59:41Where?
00:59:42Where?
00:59:42How do you say where in Italian?
00:59:43Come si dice dove in Italian?
00:59:45Eh, come si dice dove in Italian?
00:59:46Eh, come si dice dove in Italian?
00:59:47Dove!
00:59:48Dove!
00:59:49Dove!
00:59:50Dove!
00:59:51Dove!
00:59:52Dove!
00:59:53Dove!
00:59:54Dove!
00:59:55Si sta preparando!
00:59:56We have to find the actor!
00:59:57I have to find him!
00:59:58Che?
00:59:59We have to find!
01:00:00Otto!
01:00:01Otto!
01:00:02Otto!
01:00:03Otto!
01:00:04Otto!
01:00:05Otto!
01:00:06Otto!
01:00:07Otto!
01:00:08Otto!
01:00:09Otto!
01:00:10Otto!
01:00:11Otto!
01:00:12Otto!
01:00:13Otto!
01:00:14What did he say?
01:00:15Something about it's hopeless.
01:00:35To come again!
01:00:36To come again!
01:00:37Oh!
01:00:38To come again!
01:00:39woow!
01:00:40To come again!
01:00:41To come again!
01:00:45Oanna V
01:00:50To come again!
01:00:52The elderly συνriad
01:00:52peppercle
01:00:54I'll see you next time.
01:01:24Oh, my God.
01:01:54THE END
01:02:24THE END
01:02:54THE END
01:03:24Get my terrain, this part of the country.
01:03:35Want to see a card trick? Cards? Quick card?
01:03:37I'll show you the cards. We have all different cards.
01:03:39You want to see?
01:03:40Tell me, do you think the Dodgers will have been independent next year?
01:03:43Rufus? You hear me, Rufus?
01:03:46This is a dog good.
01:03:49Here comes Maul.
01:03:55With outer buckets.
01:03:57I don't mean to upset you, sir, but I really think you need treatment.
01:04:01What do I care? Just take a couple of seconds.
01:04:04I can drive this truck over that cliff.
01:04:10It'll be all over. Nobody panic.
01:04:12What am I doing here? What is the meaning of life?
01:04:15Potlow, on the floor. Potlow, don't crack on me, Potlow.
01:04:19Have a drink, fellas.
01:04:22What's this?
01:04:23What is it?
01:04:24Loonshine. Me and myself, Bobo.
01:04:26I'm a titopalo.
01:04:27Excuse me, you have a little chintano.
01:04:30I say drink, fellas. You see, we're priests.
01:04:33We're on our way to a costume party. We can drink.
01:04:36Gentlemen, gentlemen, I think we should humor this man.
01:04:39He has all the earmarks of a psychopath.
01:04:42Yes.
01:04:43If no one drinks, I go over the cliff.
01:04:46Okay, easy, easy. Don't worry.
01:04:51This stuff is poison. I vote for the cliff.
01:05:02Place your bets, please. Place your bets.
01:05:04Winner, 17, black.
01:05:21Winner, 10, red.
01:05:2825, yellow.
01:05:29Get the...
01:05:30I win! I win!
01:05:31I win!
01:05:37Hospital?
01:05:38What seems to be the trouble, nurse?
01:05:40This man is acting very strangely, doctor.
01:05:42Dr. DeHart!
01:05:44I know this man. I can vouch for him.
01:05:46Oh, doctor, it's so nice to see a friendly face.
01:05:50Are you all right? What are you doing here?
01:05:53Why are you dressed like this?
01:05:54We can't all be fashion plates.
01:05:56Oh, doctor, I feel so terrible.
01:05:59I'm a beaten man.
01:06:00It's Clarice.
01:06:01I tried to have her killed when I left your office.
01:06:04I feel so guilty about it.
01:06:06Mr. Oliver.
01:06:07I love her.
01:06:08Mr. Oliver.
01:06:09I hate myself.
01:06:10Mr. Oliver, I am not your doctor.
01:06:12I'm Dr. DeHart, Jr.
01:06:13You are confusing me with my father, Dr. DeHart, Sr.
01:06:17Poor man.
01:06:18He went crazy and lost the use of himself.
01:06:20It's no concern of mine.
01:06:22I have my own problems.
01:06:24This is not a private session.
01:06:25I am on duty here.
01:06:26I have a whole ward full of sickies to take care of.
01:06:29But I have to talk to you.
01:06:30I have to talk.
01:06:31Let go.
01:06:32We have to talk.
01:06:33Don't you understand?
01:06:34Dr. Dishkin!
01:06:35Help!
01:06:36Guido?
01:06:37Guido will know where the actor is.
01:06:38Guido?
01:06:39Guido will know where the actor is.
01:06:40Guido?
01:06:41Ah, yes, my dear captain.
01:06:42We seem to have here a brave little soldier, don't we, eh?
01:06:43Colonello Guido Alconi, Comandante dell'Esercito Italiano.
01:06:44And this is my Batman, Captain Bubu.
01:06:45Bubu?
01:06:46Bubu?
01:06:47The cross of Venice?
01:06:48Of course, that's the cross of Venice.
01:06:49No, no, no, no.
01:06:50He deserved the cross of Venice.
01:06:51No, no, no, no.
01:06:52He deserved the cross of Venice.
01:06:53No, no, no.
01:06:54No, no.
01:06:55He deserved the cross of Venice.
01:06:56No, no, no.
01:06:57No, no.
01:06:58No, no.
01:06:59No, no.
01:07:00No, no.
01:07:01He deserved the cross of Venice.
01:07:02Put it there, please.
01:07:03He deserved?
01:07:04Yes.
01:07:05There.
01:07:06My dear comrade, what can I say?
01:07:07I'm sorry about the Tunisian campaign.
01:07:08And Romel, the Desert Fox.
01:07:09If you only had listened to me, North Africa would have been ours.
01:07:10Very severe.
01:07:11Guido, Guido.
01:07:12I'm looking for the...
01:07:13Do I have to...
01:07:14Silencio!
01:07:15Imbecilla!
01:07:16Attenzione!
01:07:17Ma come non mi disto facere una cerimonia a questo povere soldato ignoto!
01:07:20Imbecilla!
01:07:21Imbecilla!
01:07:22Imbecilla!
01:07:23Imbecilla!
01:07:24Attenzione!
01:07:25Ma come non mi disto facere una cerimonia a questo povere soldato ignoto!
01:07:28Imbecilla!
01:07:29Imbecilla!
01:07:32Bobo, what's he talking about?
01:07:33Did he say anything about the actor?
01:07:34What did he say?
01:07:35He said...
01:07:36Something like that.
01:07:38Kirsten.
01:07:39Why can't I have the medal?
01:07:41Kirsten.
01:07:42Hello.
01:07:43It is one Pumplemous, the Grenadine, the Coco Van Jerry's Jubilee, one Yuhu.
01:07:48Yuhu?
01:07:49Yuhu.
01:07:50Yuhu?
01:07:51Yuhu.
01:07:52Yuhu.
01:07:53Kirsten, you've got to help me.
01:07:54I would recommend the Flander, but it is out of season.
01:07:57You know.
01:07:58You have to help me.
01:07:59I'm sorry.
01:08:00Do you have a reservation?
01:08:01Reservation?
01:08:02Oui.
01:08:03It's me, Oliver.
01:08:04Jordan Oliver.
01:08:05Oliver.
01:08:06Oliver.
01:08:07I do not have you on my list.
01:08:08It's me.
01:08:09Look!
01:08:11Oliver!
01:08:12Oliver!
01:08:13Oh my God!
01:08:14It's Oliver!
01:08:16Yes!
01:08:17You've got to help me.
01:08:18You understand that?
01:08:19I've got to find the actor.
01:08:20Oliver.
01:08:21I think that's what the police is in tremendous danger.
01:08:22I just left Guido.
01:08:23He's with Bobo.
01:08:24I don't know what they're doing.
01:08:25They're putting medals on people.
01:08:26He said something about b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b
01:08:56somebody help me is there an actor in the house to be or not to be that is the line line give me
01:09:22ten more minutes I had it memorized I swear it I can also do Moliere I speak French I do mine I can dance I can move I can make you laugh I can make you cry all I want is a chance oh please let me read I know what you're thinking I'm wrong for the part but I have a wide range I'm a master of makeup all I want is a chance
01:09:52oh I'm willing to work for scale I won't even tell my agent
01:09:56are you the actor you know me then you've seen me work were you in Detroit last year I did streetcar they compared me with Brando it was summer start
01:10:10did you kill my wife did you kill Clarice my my specialty is deaf scenes I I played Camille oh you swine you freak you ass
01:10:25you don't understand I didn't kill her I didn't kill anyone I only kill audiences I killed them in Detroit
01:10:33you didn't kill my wife Clarice is still alive yes yes oh please let go of my throat it's my instrument
01:10:44you didn't give the money to anybody else you kept the six dollars and 95 cents all for yourself you didn't
01:10:53give it to anybody tell me the truth oh that is the truth I didn't go through with it because
01:10:59I couldn't figure out my motivation I needed something bigger a hook an affair I didn't even know the
01:11:09woman I didn't do it it gives me wonder great is my content to see you here before me my soul's joy
01:11:23if after every tempest comes such calm may the winds blow till they have wakened death and the
01:11:34laboring bark climbs hills of sea Olympus high and duck again as low as hell's from heaven
01:11:45hopefully no act to scene one I can do it yes you can't can do it
01:11:53I can do it
01:11:56oh
01:11:57Man, Clarice is alive!
01:12:06Colonel Guido, round up the troops.
01:12:09Kirsten, pay the checks.
01:12:10Dakin, get the bedpans.
01:12:11We're going overboard.
01:12:13Raise the sheets.
01:12:14Get the pillows.
01:12:15Man the toast.
01:12:16Raise the sand.
01:12:18Read all about it.
01:12:19Wealthy socialite, Clarice Oliver, found dead on the streets of Las Vegas.
01:12:25Extra!
01:12:25You have the Wall Street closing?
01:12:27Yes, sir.
01:12:28Oh, good.
01:12:29Very good.
01:12:30Put it on my bill.
01:12:31Keep the change.
01:12:33Wealthy socialite slain and vain.
01:12:35Extra!
01:12:37Read all about it.
01:12:37She's dead!
01:12:38Wealthy socialite!
01:12:40Clarice Oliver, found dead on the streets of Las Vegas.
01:12:42But she's dead!
01:12:45You lied to me.
01:12:46You all lied to me, didn't you?
01:12:49You're splitting the money.
01:12:50You're splitting the money among you.
01:12:52It's a coincidence.
01:12:52It's a coincidence, my foot.
01:12:54You are Clarice, my darling.
01:12:58I have to claim the body.
01:12:59Not if I get there first.
01:13:01It's my wife.
01:13:04I tell you, that's not who you say it is.
01:13:06That's my wife.
01:13:07Are you Mr. Oliver?
01:13:08No.
01:13:08I'm Ramos.
01:13:09Mr. Alonzo Ramos.
01:13:11And that woman is Bonnie Ramos, not Clarice Oliver.
01:13:13Then how do you explain those things that we found on her?
01:13:17The license, the purse, and the feathers.
01:13:20Simple.
01:13:21Besides being a hired killer, she was also a fig.
01:13:24She stole them!
01:13:25Would you hold that pose, please, sir?
01:13:26Who are you?
01:13:48Shh, I'm escaping.
01:13:51There's my mess up in that tree.
01:13:53The street's the other way, you fool.
01:13:56I know, I know, I know.
01:13:57I'm trying to fool the guards.
01:13:59They never let me sit on my eggs anymore.
01:14:01Never.
01:14:01Never.
01:14:01Never.
01:14:02Never.
01:14:05How's everybody?
01:14:25Oh.
01:14:26Oh!
01:14:30Oh!
01:14:31Oh, it's because of people like that, our blue cross rates are going up.
01:14:44It's a good thing the ground was here to break our fall.
01:14:47Is everyone all right?
01:14:48Clarice, are we all right?
01:14:49Clarice, I'm coming.
01:14:51Clarice!
01:14:52Dear acquaintances, family and friend, we are gathered here on this day as a reminder
01:14:59to the terrible tragedy that befell Bonnie Ramos, affectionately known to those who knew her
01:15:07as Dirty Bonnie.
01:15:10It can be said of Bonnie Ramos, she was the best hit woman in the business, but she never
01:15:16killed anyone who didn't need killing.
01:15:19What more can be said about Bonnie Ramos?
01:15:23I can't think of a thing.
01:15:25Clarice!
01:15:27Clarice!
01:15:29Oh, forgive me.
01:15:34Who is this man?
01:15:35I don't know.
01:15:36Oh, Clarice.
01:15:38Clarice?
01:15:40Clarice, it's me, Jordan.
01:15:41I'm sorry I'm late.
01:15:43There was a lot of traffic.
01:15:44Oh, my darling, I love you so much.
01:15:47It's not fair that you should go.
01:15:49Why do we always learn things too late?
01:15:51It's not fair.
01:15:52Life is not fair.
01:15:54Shouldn't we try to stop them?
01:15:56Shh, it may be some strange and unusual religious cult of some kind.
01:16:00But what those five feet could do, has anybody seen again?
01:16:19All right, get out of my wife's grave.
01:16:23She was six foot three.
01:16:25Bury me.
01:16:25Bury me.
01:16:26This is the woman I love.
01:16:28That's the woman I love.
01:16:31Were you having an affair with my wife?
01:16:34That's my Bonnie.
01:16:36This is Clarice, my pet.
01:16:37Are you Jordan Oliver?
01:16:41Yes, I am.
01:16:42Well, there's been a mistake.
01:16:44My wife had your wife's identification.
01:16:48The hit and run who killed my wife thought it was your wife.
01:16:52Oh, then that means that your wife is...
01:16:57Oh.
01:16:59I'm terribly sorry.
01:17:01Sorry?
01:17:02She was a thief and a murderer.
01:17:05Oh.
01:17:05You know how many people she killed?
01:17:07Hey, hey, hey, hey, hey.
01:17:08I'll show you sorry.
01:17:09Hey, hey, hey, hey, hey, hey.
01:17:10Stop it.
01:17:12Father, he's been way out of line.
01:17:14Give him some Hail Marys.
01:17:15Bobo, did you hear that?
01:17:16She's not the reason alive again.
01:17:17I know.
01:17:18That means there's a killer loose.
01:17:19Now, if it's not one of us, who could it be?
01:17:22I've got an idea.
01:17:24If it's not one of us, it must be somebody else.
01:17:28Hit it.
01:17:29Which way is Las Vegas?
01:17:44Oh, never mind.
01:17:46I'll find it myself.
01:17:47Men.
01:17:50This is not farewell, for we are friends and we shall meet again.
01:17:54Goodbye, my dear Jordan.
01:17:56What a beautiful time for the...
01:17:59Hey, hey, hey.
01:18:00Of course.
01:18:01Yes, of course.
01:18:02I've got a place in the...
01:18:04Oh, I've got a place in the...
01:18:07I'm looking at you.
01:18:08I'm looking at you.
01:18:09Scars.
01:18:10I'll look up.
01:18:11The triumph.
01:18:12They're well, Jordan.
01:18:22Oh, vilezza, giovinezza, primavera di bellezza.
01:18:35The triumph.
01:18:43Oh, vilezza, vilezza, primavera di bellezza.
01:18:50The triumph.
01:18:51Oh, vilezza, primavera di bellezza.
01:18:56Hey, Jordan.
01:18:58Oh, vilezza.
01:19:28Oh, vilezza.
01:19:42See where?
01:19:51See where?
01:19:56Oh, my God.
01:20:26Oh, my God.
01:20:44Booker, you.
01:20:49Yes, me.
01:20:51Why not me?
01:20:52But why?
01:20:53Why?
01:20:54Always why?
01:20:55Why not?
01:20:56Perhaps because I've become sole executor of Clarice's estate.
01:20:59You know what that means in terms of money?
01:21:0110% and all I can steal.
01:21:03Is that a good enough why for you?
01:21:05Easy, Booker, easy.
01:21:06You're probably under a lot of stress.
01:21:08Why don't you sit down?
01:21:09We'll talk.
01:21:10Talk?
01:21:11Do you realize I have to kill you both now?
01:21:12Not if I don't have you.
01:21:13Clarice!
01:21:14Look what you made me do with your questions.
01:21:28I attacked myself in the mirror.
01:21:30You're such a fool.
01:21:31What an incompetent you are.
01:21:34Ow!
01:21:35I feel sick.
01:21:37Ah!
01:21:38Jordan!
01:21:39Ah, Clarice, my...
01:21:40Harold!
01:21:41What's going on?
01:21:42Oh, it's quite all right, my dear.
01:21:43He tried to kill you.
01:21:44Harold, my favorite attorney?
01:21:46Why?
01:21:47Why?
01:21:48If I hear one more why, I'm gonna scream.
01:21:51It has to do with your estate.
01:21:53Is that why you had me sign all those papers?
01:21:56So that you could kill me and control my money?
01:21:59I need a doctor.
01:22:00Is there a doctor in the house?
01:22:02Excuse me, my dear.
01:22:03One moment, my precious.
01:22:04Oops.
01:22:05Oops.
01:22:07Hello, front desk.
01:22:08Send up some punishment.
01:22:11Did someone call for punishment?
01:22:13Nurse Dagan, how nice to see you.
01:22:15Hi, Jordan.
01:22:16Take care of this man's wounds.
01:22:18Wonderful!
01:22:19Another body for science.
01:22:21That's a nasty cut.
01:22:22You ought to have that taken care of.
01:22:24Wait!
01:22:25Wait!
01:22:26Jordan!
01:22:27What lovely shoes!
01:22:28Jordan, I've got a great tax shelter in Florida!
01:22:31Free income tax service!
01:22:34Jordan!
01:22:35Jordan, we have a crazy marriage.
01:22:37I know that, sweetheart.
01:22:38But that's what makes it so worthwhile.
01:22:40There's never a dull moment.
01:22:41I love you, you zany you.
01:22:43Oh, you know something?
01:22:44I love you too, you crazy mixed up wonderful kid.
01:22:47In the future, if you ever need me, just whistle.
01:22:50You know how to whistle, don't you?
01:22:56That's right, kid.
01:22:57That's how to whistle.
01:22:58Thanks.
01:23:00You're welcome.