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00:00:00Transcription by CastingWords
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00:06:29How'd you make out?
00:06:33Badly.
00:06:34He's one of those rotten people who thinks he owns you just because he gives you a ride.
00:06:38Well, I'm sure you were able to handle it.
00:06:40Temporarily.
00:06:41It's bound to get harder if we go any further together.
00:06:44He's waiting for me outside.
00:06:45Well, we'll keep him waiting for you as long as you don't mind riding in the open.
00:06:50Okay, you feel up to it?
00:07:03Sure, I trust you.
00:07:04Just a minute.
00:07:06This young lady is riding with me.
00:07:07Not now.
00:07:08Not now.
00:07:09You're wrong.
00:07:10She's getting in my car.
00:07:11That's what you think.
00:07:14What do you say?
00:07:16I'm coming with you.
00:07:17I'm telling you, for your own good, something will happen.
00:07:22You better have.
00:07:23Look, they've got guests.
00:07:43The usual nobodies who think they're somebody.
00:07:46Well, there's two.
00:07:57Need a car.
00:07:57She's the widow of Elsa's lawyer.
00:07:58Gossip.
00:07:59It's true.
00:08:00Parasites.
00:08:01All they do is leave off others and never say anything pleasant.
00:08:04I don't think you're being fair.
00:08:06Who's he?
00:08:08He's a lawyer's partner who married his widow.
00:08:11It's true.
00:08:12Some men will do anything in order to further their careers.
00:08:15Give me a car, will you, Megan?
00:08:16There's no doubt they're enhancing our reputations.
00:08:22In any case, he's looking after Elsa's affairs now.
00:08:26Go on.
00:08:27I want to know why Elsa's husband isn't here.
00:08:29He's away on a business trip in Soren.
00:08:32Poor old Ernest.
00:08:34I almost hate being a runaround for a businesswoman.
00:08:37I know I'd love it.
00:08:44Yes?
00:08:45Elsa?
00:08:46Ernest.
00:08:47What's happening?
00:08:49I'm expecting you.
00:08:50My lawyer's here already.
00:08:51You're still up in Soren.
00:08:53Ernest, but that's absurd.
00:08:55There's nothing I can do, Elsa.
00:08:57The lawyer's away, apparently, on some very personal matter.
00:09:01And he won't be back until late tonight.
00:09:04Then I suppose you'd better wait.
00:09:05It's important to authenticate that signature.
00:09:08If we don't present the document tomorrow, we lose the option.
00:09:10All right.
00:09:11See you later.
00:09:11We're here in Soren.
00:09:23It's about 60 kilometers from Millen.
00:09:28You'll do that in an hour, easily.
00:09:31What should we do?
00:09:32Stop here for the night?
00:09:33Or keep right on going?
00:09:34I'd prefer to go on to Millen.
00:09:36I would, too.
00:09:39It's getting rather late.
00:09:41Go on.
00:09:42You decide.
00:09:43I don't mind traveling at night, in the least.
00:09:47Come here.
00:09:48I want to call Millen.
00:09:50Keep a change.
00:09:51Thank you, sir.
00:10:18I see from the map there are two roads to Millen.
00:10:23Well, yes.
00:10:24The new highway and the old road.
00:10:25Which is the better?
00:10:26The old one's much shorter, but...
00:10:28But what?
00:10:33It's just that it means going through the valley.
00:10:35And at this time of year, after sundown, there's often quite a bit of fog.
00:10:38Thanks.
00:10:38What do I owe you?
00:10:39$4.50, sir.
00:10:41It's your life, so I guess you can do what you like with it.
00:10:44I guess so.
00:10:45But if you had any dignity, you'd leave your wife.
00:10:49You know damned well, I've always loved Elsa.
00:10:52Yes, I know, all right.
00:10:54Right up until last year, Elsa loved me, too.
00:10:57We were happy together.
00:11:01I hope that one day we will be again.
00:11:03It's not that easy.
00:11:05Time you faced up to it.
00:11:09Up to what?
00:11:10It's Elsa's money you love.
00:11:11That's why you won't leave her.
00:11:15You're wrong, Ellen.
00:11:17I have a fortune of my own.
00:11:19Yes, you did ten years ago.
00:11:21But you threw it all away on drinking women.
00:11:27Ernest, I'm sorry.
00:11:28Don't get mad at me.
00:11:30I don't mean it.
00:11:30I'm just made like that.
00:11:33I must be a silly idiot.
00:11:34Because I love you.
00:11:36Yes, I know.
00:11:36But why doesn't she treat you the way I do?
00:11:41You've become a household pet.
00:11:43All she has to do is whistle.
00:11:47She changed completely when her father died.
00:11:50She was suddenly responsible for the enormous fortune he had left her in his will.
00:11:54I don't know how it happened.
00:11:58But within a few days she was transformed into a hard-headed businesswoman obsessed with deals.
00:12:03And she denies you your conjugal rights.
00:12:06She hasn't let you near her bed in months.
00:12:09Forgive me, Ernest.
00:12:09Forgive me.
00:12:13No need to be angry.
00:12:14Where do you think you're going?
00:12:18You mustn't hate me.
00:12:19I'm a fool for you.
00:12:21Hold me.
00:12:21I adore you.
00:12:24And I can't help it, though I know it bores you.
00:12:27What money, anyway?
00:12:29Try paying the bills.
00:12:31And you'd know.
00:12:44Those damn guests seem to be going at last.
00:12:48You better watch your tongue.
00:12:50I know you when you drink.
00:12:51Somebody's coming.
00:12:59I've spoken to my husband on the phone.
00:13:01Has he had the signature authenticated?
00:13:03Yes, but his car's broken down and I must go and pick him up.
00:13:05Would you like us to go with you?
00:13:07No, no, there's no need.
00:13:08It'll take me no more than an hour.
00:13:10We'll follow you in my car.
00:13:11That way you can hand over the document and we can go on.
00:13:13All right.
00:13:14If you're in a hurry to get back home.
00:13:15Not really, but I'd prefer to get back tonight so I can present the document tomorrow morning.
00:13:20Better to be early.
00:13:21I can't really see this map in the dark.
00:13:51It's impossible to judge the distance.
00:13:53Do you think we may have missed the turning?
00:13:55It's quite possible.
00:13:56Listen.
00:13:57Isn't it the sound of a car coming this way?
00:13:59Yes.
00:14:00Here it comes now.
00:14:04Stop them and ask the way.
00:14:06Well, we can try.
00:14:13Prince!
00:14:14Look out!
00:14:15Look out!
00:14:36Look out!
00:14:37Look out!
00:14:37I can't see a thing.
00:14:46I can't imagine why you insisted I'm going home tonight.
00:14:49How was I supposed to know this fog would come down?
00:14:52It's the same every single year.
00:14:54How can you forget?
00:14:57I'm blind. Can you see the lights of Elsa's car?
00:14:59No.
00:15:00She knows I don't know the road.
00:15:01It's damn inconsiderate.
00:15:02Oh, don't worry.
00:15:03She'll stop and wait as soon as she realizes we've lost her.
00:15:06I wish to God I was for sure.
00:15:07I'll have to drive faster.
00:15:12Take care, I beg you.
00:15:14I don't want to get lost out here in the fog.
00:15:23We should never have come.
00:15:26You're going much too fast.
00:15:28Cut it out, woman.
00:15:30I'm quite nervous enough without your nagging.
00:15:32Look out, there's a bend in the road.
00:15:33Don't shout my ear.
00:15:35You're giving me a headache.
00:15:36Stay on the right.
00:15:37Look out.
00:15:38There's a car.
00:15:39Oh
00:16:09Hello there, can I help you?
00:16:35Hello.
00:16:37Take care when you get up to the crossroads.
00:16:41The turning to Millen is ahead on the left.
00:16:43I hope it's a decent road.
00:16:45This fog's getting pretty thick.
00:16:47It's narrow, but not too windy.
00:16:49Until you get to a bend over the hill.
00:16:53Wait a minute.
00:16:55Have you by any chance seen a big old car?
00:16:57I can't recall seeing any cars.
00:17:05There's a big yellow car.
00:17:07I'm for a while.
00:17:09I'm for a while.
00:17:11I'm for a while.
00:17:13I'll start saying a little bit more.
00:17:15I'm too old, but I ahí.
00:17:17I'm not leaving.
00:17:19I think I'm going to be a bit better.
00:17:21I'm just going to keep going.
00:17:23I don't know what the other ones are.
00:17:55Who are you?
00:18:03Who are you?
00:18:04Get away from me, for God's sake!
00:18:09For God not you!
00:18:11If you are where you are, leave me alone!
00:18:25He's attached to the right road.
00:18:45It can't be the right road.
00:18:47It must be if he turned left.
00:18:49That's what he said.
00:18:50He said it wasn't whiny until we got over the hill.
00:18:52I don't see any hill, dear.
00:18:54I don't see anything, Frank.
00:18:56But I'm sure it's...
00:19:10Are you all right?
00:19:11I think so. What happened?
00:19:13No more road, that's what happened.
00:19:15God knows where we are.
00:19:18Here, give me a hand.
00:19:35Help me! Help me!
00:19:43Help me!
00:19:48I keep getting the feeling that we're on another planet.
00:19:50Roads that disappear and then reappear again.
00:19:53Others that are suddenly interrupted and...
00:20:04Help me!
00:20:05Help me!
00:20:06Help!
00:20:07Oh, God!
00:20:08What's that?
00:20:17What's the matter?
00:20:21What happened?
00:20:24I'm being pursued.
00:20:25There's no one pursuing you.
00:20:38Can't you hear it?
00:20:39What?
00:20:43I can't hear anything.
00:20:46Sort of deep sighing.
00:20:48What happened to you?
00:20:50I don't really know.
00:20:52I was driving my car in the direction of Soren.
00:20:54And lost your way in the fog.
00:20:55Exactly.
00:20:56Same thing happened to us.
00:20:57Only we were heading for Millie.
00:20:59Evidently, you took a wrong turning.
00:21:02Just as we did when we left the main road.
00:21:04No. No, you're wrong.
00:21:05I'm sure it was the right one.
00:21:07Then suddenly I found myself in a cemetery.
00:21:08I couldn't see anyone or hear anything out of the ordinary.
00:21:29Are you sure that...
00:21:30Yes, quite sure.
00:21:33First of all, there was this horrible sound like...
00:21:35someone breathing, harsh and loud.
00:21:39Then all at once...
00:21:41a man appeared.
00:21:43His face was hidden.
00:21:45But he was wearing the uniform of the chauffeur.
00:21:48He was enormously tall.
00:21:51And in the middle of his chest he had a...
00:21:56You think it's my imagination.
00:21:59Maybe it is.
00:22:00Tell me.
00:22:02Was the man in uniform alone?
00:22:06No.
00:22:08There was an old woman in black with him.
00:22:12You don't believe it.
00:22:14You must think I'm crazy.
00:22:15No.
00:22:16Oh, I wouldn't blame you.
00:22:18Well, I'm not subject to hallucinations.
00:22:19No, no, of course not.
00:22:22We don't think you're crazy.
00:22:26It's all right now.
00:22:28I promise.
00:22:30You've obviously had a nasty shock.
00:22:31The only thing that really makes any sense...
00:22:34is that your car has broken down.
00:22:36And here we are, all three lost in a fog.
00:22:39What we're going to do about it, I don't quite know.
00:22:42The map's not very encouraging.
00:22:44We don't seem to be honest.
00:22:45Well, I wouldn't let that worry you.
00:22:47But there's one good thing.
00:22:48We're near a cemetery.
00:22:50The dead are buried by the living.
00:22:52So there's got to be a village somewhere in the neighborhood.
00:22:55You won't think of going through it?
00:22:57No, we'll walk around the wall until we come to the gate.
00:23:00The village must be on that side.
00:23:22Look what we have here.
00:23:24A Rolls Royce.
00:23:25How strange.
00:23:26What's it doing here?
00:23:28Don't you realize?
00:23:29This is just the sort of car to be driven by a chauffeur in uniform.
00:23:36It's the same number plate of the car that...
00:23:38That's really incredible.
00:23:39What is it?
00:23:40What's incredible?
00:23:41That this is the car that tried to run me down less than an hour ago.
00:23:51This cemetery has been abandoned.
00:23:53And I'm afraid the village will be as dead and dark as those unattended graves.
00:23:58What is this awful place?
00:23:59I've never heard of it.
00:24:00I'm sure it doesn't exist.
00:24:01Of course it exists.
00:24:02We're in it.
00:24:10This path must lead somewhere.
00:24:14Look over there.
00:24:15What?
00:24:16The light.
00:24:18Let's go and see who's there.
00:24:21You've got to see who comes in its Pend�use.
00:24:24Let's go and see.
00:24:26Thanks.
00:24:27This obvious snuggle.
00:24:28I'm sure I was looking in it.
00:24:29Hey, good' paljon!
00:24:30I can't see who you are.
00:24:31And stop İll Berger forgot.
00:24:32I should've heard that earlier.
00:24:33Come and see if he's in the opposite side of the door can be heard!
00:24:35Although I was released on the right side of the door he gets south of Tibet Brown,
00:24:38you're blinding me with that flashlight didn't you hear amazing we run into you everywhere
00:25:00i could say the same thing it is strange all right come in
00:25:08elsa so you got fog bound too what a surprise
00:25:28why did you greet us at the door with a gun when we arrived here someone was trying to break in
00:25:34as soon as he saw us he made off and disappeared into the fog he seemed to be wearing uniform
00:25:39yes the sort of uniform a chauffeur might wear yes boots to the knees
00:25:48boots you said
00:25:53certainly i must admit i too was lost temporarily but i know i would soon have found the road to
00:25:58millen if these two hadn't crashed into me it wasn't my fault i'm sure it wasn't but the fact
00:26:04remains we're stuck here now quite true
00:26:13the fog isn't usually this enveloping it'll be gone by morning i'm sure
00:26:18if you'd care to remain here tonight you are most welcome
00:26:22there are only three bedrooms available however and i'm afraid they haven't been aired for some time
00:26:39miss clinton very kindly helped us after the accident
00:26:42i blew the horn of my car and i heard it so i went to see what was going on where are we
00:26:48in an abandoned village around 15 kilometers from millen any chance we could get there tonight
00:26:54the visibility's nil i personally wouldn't attempt why don't you sit down miss clinton
00:27:01tell me how did you get out here on a bicycle by a path that goes straight through the woods
00:27:09but i'm sure i'd never find it again now the fog's so thick
00:27:12i might find it on my motorbike it's idiotic aren't you coming how did you find yourself here
00:27:22i must have taken a wrong turn i obviously tend to the right by mistake no you turned left all right
00:27:28but instead of carrying straight on you took another turn that brought you here but we
00:27:31suddenly found ourselves in a cemetery
00:27:35there's a network of small roads leading to the valley
00:27:39you took the one that comes to the cemetery but luckily you found your way here
00:27:45and now you know how easy it is to get lost
00:27:49why didn't you turn back to millen when you saw the fog beginning to come down it seemed more sensible
00:27:54to spend the night down here you see this is my house and i often come here though
00:27:59i live in minutes what does surprise me is that someone like you should lose your way when you
00:28:08know the area so well but i i'm a good physiognomist generally what does that mean i've seen you
00:28:15many times i don't remember ever having seen you we belong to two different worlds i'm not surprised
00:28:21to hear you say that i keep having the sensation that we've crossed the frontier between the real and
00:28:27the unreal i've never heard anybody mentioned this place before that's not surprising the inhabitants
00:28:34abandoned it years ago i imagine they had a very good reason for doing so don't you think
00:28:39of course there are a lot of stories the country folk around here superstitious a mysterious epidemic
00:28:45occurred they say the victims died by being bitten in the throats by a vampire who drained their blood
00:28:57in any case everyone left the village i heard the 12 people died in one night
00:29:03and when their bodies were found the following morning their relatives buried them here in the cemetery
00:29:08and then everyone left this place forever abandoning their houses their land everything they owned
00:29:14oh god do you hear that it's coming from in here please don't open it it's years since i went down to
00:29:31the cellar the last time i saw a rat i'm terrified of brats so i keep that door bolted
00:29:40and the electricity's been cut off tonight it makes me a little nervous well if that's a rat it's a damn
00:29:47big one i'll try to kill it with my gun open the door please no my nerves won't stand it i beg you not to
00:29:56open that door all right as a wish well whatever it was it's gone away
00:30:09i've noticed that you have an interest in that family portrait it's julia clinton yeah
00:30:21she resembles you a lot and my aunt was a very eccentric woman she was a witch so they say
00:30:29maybe that's why she made a collection of all those weird pictures
00:30:32it might explain in actual fact i don't know anything for certain
00:30:39on in this house long after everyone else deserted the place and there were only those graves out
00:30:44there in the cemetery to show that people had once been here and had the life drained out of them
00:30:48by a vampire did she inhabit the place alone no she found she had to employ a man to act as valet
00:30:56gardener chauffeur he was really extremely tall and ugly but she trusted him and evidently drove her rolls
00:31:04royce very well until one day he got drunk and crashed it into the cemetery wall just outside the house
00:31:10they were both killed immediately both killed yes in 1942 she had her head crushed
00:31:16the steering wheel punctured the chest of the chauffeur
00:31:29my dear what's the matter i'm sure she nerves she seems to be in a state of shock
00:31:33huh do something get you see she can't get her breath help me get her to the window yes i'll open
00:31:37she had an attack like this before take deep breaths dear it'll pass is that any better
00:31:50is the air helping perhaps you should lie down
00:31:55no thank you better now you gave us quite a scare i didn't realize you were in such a nervous state
00:32:03i'm sorry but i come and sit down quietly yes does she usually suffer from nerves yes since the death of
00:32:16her father was he killed in an accident no it was a heart attack
00:32:24he was in his daughter's bed with a young girlfriend of hers from college when he died
00:32:27it was a scandal for months but why nowadays i suppose it seems like nothing to the young
00:32:3730 years ago it was a really shocking thing attitudes have changed quite a lot anyway
00:32:44elsa lost her mother when she was still a child she was very attached to her father
00:32:50it wasn't really surprising she took it hard
00:32:52she had a nervous breakdown over it
00:33:12feeling better now all right
00:33:14i must have collapsed yes so sorry better take one of these it'll help you relax
00:33:30they're tranquilized
00:33:35can i be of any help to you
00:33:36no thank you i hope you made yourself comfortable yes i'm much obliged if there's anything you need
00:33:47no thanks i'll be all right good night then mr porter
00:34:06so
00:34:25so
00:35:01This will keep you warm now.
00:35:27Sleep well.
00:35:31Give me a hand, will you?
00:35:43All right.
00:36:14This is all I have to offer you.
00:36:23I'm terribly sorry.
00:36:24Don't worry.
00:36:25That'll be fine.
00:36:26I hope you won't be too uncomfortable.
00:36:28I'm grateful for your hospitality.
00:36:29How is that woman feeling now?
00:36:39I gave her a sedative and she went to sleep at once.
00:36:41I got the impression she wouldn't be able to get to sleep too easily.
00:36:44If you want anything else in the night, don't hesitate to call me.
00:36:47The others have already settled in.
00:36:49Good night.
00:36:51Sleep well.
00:36:51Good night.
00:36:52And thank you.
00:37:22Where are you going?
00:37:24I want to see how else is.
00:37:26She's asleep by now.
00:37:27No need to go waking her.
00:37:28Well, how do you know?
00:37:30Let that Clinton woman see to her.
00:37:33I'm extremely tired.
00:37:35Let's get a little rest.
00:37:36Tomorrow is a very important day for us.
00:37:39Let's get a little rest.
00:39:09Get a grip on yourself, man.
00:39:17Get a grip on yourself.
00:39:22Wait.
00:39:23You don't mean to go in there.
00:39:25I must.
00:39:26Whatever for?
00:39:27I want to find out what's going on here.
00:39:30And you think the answer's in there?
00:39:33Well, it's possible.
00:39:36Go on, then.
00:39:37You see?
00:39:44It slides quite smoothly.
00:39:48No sign of Russ.
00:39:50What are you getting at?
00:39:51But don't you recall?
00:39:53She told us that this door hadn't been opened for a good many years.
00:39:57Yes, that's true.
00:39:57No, I'm going in.
00:39:59I just want a quick look.
00:40:05It's so dark.
00:40:07What do you hope to see?
00:40:08I didn't believe the story about that rat.
00:40:11Why not?
00:40:13What are you looking for?
00:40:18That scratching sound we heard couldn't have been a rat.
00:40:25You see?
00:40:25There are no scratches on the lower part of the door.
00:40:29If it wasn't a rat, what was it?
00:40:31I have no idea.
00:40:33I intend to find out.
00:40:35Look.
00:40:36What do you think did that?
00:40:37It's certainly not a rat.
00:40:43Let's get out of here.
00:40:43It gives me the creeps.
00:40:44I'm scared, Fred.
00:41:14No.
00:41:31I don't have to go for it.
00:41:34It gives me gi concentrate.
00:41:37It gives me Coral.
00:41:41It gives me the truth.
00:41:42Oh, my God.
00:42:12Oh, my God.
00:42:42Oh, my God.
00:43:12Oh, my God.
00:43:42Oh, my God.
00:44:12Oh, my God.
00:44:43I wish you'd leave me alone.
00:44:45I'd be terrified.
00:44:46Not only your bedroom.
00:44:48All the rooms are alike, including mine.
00:44:51In fact, I feel very uneasy.
00:44:52Really I do and I thought perhaps a little whiskey would do us a world of good.
00:44:59I don't want your whiskey or your company. Go away.
00:45:02But I...
00:45:03Get out of here.
00:45:08You mean you really want me to go?
00:45:09Yes.
00:45:19I always thought there was something out about you.
00:45:21Now I know what.
00:45:22Get out.
00:45:23I never bother with women who despise men.
00:45:49I'm thirsty.
00:45:52Everything all right, Dad?
00:45:54Pretty good. I feel more like your brother.
00:45:57You're cute tonight.
00:45:58You wouldn't think so if you were sober.
00:46:00I'm only your daughter.
00:46:01Oh.
00:46:02May I have a glass of orange?
00:46:03You may look good, but you're a foul move.
00:46:05I admit you're a handsome man, Dad.
00:46:08Oh, thanks.
00:46:10But one thing gives away your age.
00:46:12That's interesting.
00:46:13Do tell.
00:46:14Your preoccupation with little girls.
00:46:17Oh, that.
00:46:19Your behavior is disgusting.
00:46:21You were propositioning that child.
00:46:23Adeline has no child.
00:46:24She's your age.
00:46:25I know that.
00:46:27Today it's Adeline.
00:46:29It'll be her little sister next.
00:46:32Like me to find out if she likes old men, too?
00:46:34No, thanks, Elsa.
00:46:35I manage alone.
00:46:36I don't usually sleep with my daughter's college friends.
00:46:40At least, not many.
00:46:42I take it you had a row with Ernest again.
00:46:46Yes, I did.
00:46:47I'm happy to hear it.
00:46:49Let me warn you.
00:46:50He's a scoundrel.
00:46:51A good-for-nothing.
00:46:52Ernest is extremely rich.
00:46:53That's what he likes you to think.
00:46:55He'll get through his inheritance and...
00:46:57Sorry, I beg to differ.
00:46:58Have it your own way.
00:46:59I warned you.
00:47:01Now, if you'll excuse me.
00:47:02I have someone waiting.
00:47:10A martini, very dry.
00:47:11Ernest!
00:47:16I didn't expect you.
00:47:18I'm glad you could make it.
00:47:20Really?
00:47:22Do you want to start again?
00:47:26I don't see why not.
00:47:28Be reasonable, Elsa.
00:47:29I'm no longer at that age when love can blind one.
00:47:31I see where you are.
00:47:32Fabricious, dominating.
00:47:35A spoiled child.
00:47:36You mean you don't want me?
00:47:37Yes, yes, I do.
00:47:38I'm crazy about you and you know it.
00:47:40But your behavior is unbearable, Elsa.
00:47:42Oh, I'm not so awful.
00:47:46All right then.
00:47:48Let's try again.
00:47:50Come on.
00:47:52Let's go.
00:47:53Let's go.
00:47:54I'm sorry about yesterday.
00:47:55I promise never to make a fuss about anything again.
00:48:08Let's hope not.
00:48:09Where shall we go?
00:48:10Where shall we go?
00:48:11Wherever you like.
00:48:12Hm.
00:48:13Hm.
00:48:14Hm.
00:48:15Hm.
00:48:17Hm.
00:48:18Hm.
00:48:19Hm.
00:48:20Let's go to my place.
00:48:21Let's go to my place.
00:48:22Where shall we go?
00:48:24Wherever you like.
00:48:49Let's go to my place.
00:48:52Are you quite sure?
00:48:54Yes, I am.
00:48:55The two of us alone.
00:49:22Let's go to my house.
00:49:23Let's go.
00:49:24Let's go.
00:49:25Let's go.
00:50:56In your house, Daddy.
00:51:09In your bedroom.
00:51:10In your own bed.
00:51:40Who is it?
00:51:59Me, Porter.
00:52:06Miss Clinton, can I come in?
00:52:12You there?
00:52:24Was there anything you wanted?
00:52:26No, not really.
00:52:28I'm just a bit lonely.
00:52:31And I thought...
00:52:32Come in, Mr. Porter.
00:52:34And close the door.
00:52:42Thought.
00:52:43Perhaps you'd like a drop of...
00:52:45whiskey.
00:53:02I don't enjoy drinking alone.
00:53:16And I wondered if you...
00:53:18would like to keep me...
00:53:20company.
00:53:22Wait just a minute.
00:53:24Why?
00:53:25Would you mind doing me a favor, Mr. Porter?
00:53:28No, any...
00:53:29Turn around.
00:53:31What do you mean?
00:53:33You don't mind, do you?
00:53:35For a second.
00:53:36Oh, I understand now.
00:53:39You're modest.
00:53:41I will.
00:53:43I like Molly's girl.
00:53:44I like Molly's girl.
00:54:06Oh!
00:54:36Fred!
00:54:55Fred!
00:54:57Fred!
00:55:06Fred!
00:55:28Fred!
00:55:29Fred, are you there?
00:55:35Oh, please answer.
00:55:59Don't scream at me.
00:56:15I almost died.
00:56:18I'm sorry, but how the hell was that in that with you?
00:56:21Why, for the torture?
00:56:23What are you doing in there?
00:56:25I'm sorry, but how the hell was that in that with you?
00:56:27What are you doing in there?
00:56:29Looking around.
00:56:30And you'll never guess what I found.
00:56:31If it's something awful, I don't want to know.
00:56:33Don't be silly. Come and look.
00:56:36Fred, let's get out of here.
00:56:38I don't like it.
00:56:40This tunnel leads to a crypt.
00:56:42Honestly?
00:56:43Don't be afraid. Come on.
00:56:45It's just a chapel I found, attached to the family vault.
00:56:57I think it's a little близ, I find a little city where I found something...
00:57:11In the end...
00:57:15What?
00:57:19Elsa.
00:57:39Elsa.
00:57:43Good night.
00:57:49I'm only your father, you know, not God.
00:58:03Just a man like any other with defects as well as virtues.
00:58:07I'm anything but perfect.
00:58:08I'm only a man.
00:58:10You can't expect a husband to be perfect either.
00:58:13But he has a right to be a husband.
00:58:17You can't deny me that.
00:58:18What have I done to deserve this?
00:58:20It's you.
00:58:21You.
00:58:22You who's destroying our marriage.
00:58:24It's your fault, Elsa.
00:58:38I heard a cry, so I thought I'd see if you were all right.
00:58:43But it must have been a nightmare.
00:58:45Yes, it was a nightmare.
00:58:47You seem very upset.
00:58:50If you'd like me to, I could lie here with you until you feel better.
00:58:58Tell me about the dream you had.
00:59:00Was it a bad one?
00:59:01No.
00:59:02It was something very personal.
00:59:04I'd prefer not to talk about it.
00:59:07Don't talk about it then.
00:59:09I'm terribly tired.
00:59:10I think I'll try to sleep.
00:59:11I'm terribly tired.
00:59:12I think I'll try to sleep.
00:59:16I'll try to sleep.
00:59:32This passage under the garden must have been built to reach the crypt of Martha Clinton's family.
00:59:36Whatever it is, it's a spooky place.
00:59:46That's very strange.
00:59:47Why?
00:59:48I don't see anything strange about it.
00:59:50Someone's removed the cover of this coffin.
00:59:53Look.
00:59:55Julie Clinton.
00:59:571864 to 1942.
00:59:59When she died, she was nearly 80 years old.
01:00:01Julie Clinton?
01:00:02It means that Miss Clinton's story was true.
01:00:05But she and her chauffeur were killed.
01:00:08How did we see that man on the way here?
01:00:11That's what I want to find out.
01:00:14Can you see anything?
01:00:18Nothing inside.
01:00:19Well?
01:00:20I don't understand it.
01:00:21She's either making fools of both of us with her fables about vampires,
01:00:25or there's something most peculiar going on around here.
01:00:28Do you think the vampire was her aunt?
01:00:30I'm not sure, but there's a lot of evidence to make me...
01:00:33Make you think so?
01:00:34Well, yes.
01:00:35If you're trying to scare me any more than I am already,
01:00:37you're wasting your time.
01:00:39I'm not trying to scare you.
01:00:40It's just that I'm trying to...
01:00:43get to the bottom of this goddamn mystery.
01:01:00Come on!
01:01:06Cummings!
01:01:08Nooo, nooo!
01:01:11Nooo!
01:01:13Ah!
01:01:43Ah!
01:01:49Ah, ah!
01:01:53Ah!
01:02:02Ah!
01:02:03Ah!
01:02:07Ah!
01:02:09Ah!
01:02:11Ah!
01:02:13Clinton's family.
01:02:42Now do you understand?
01:02:44The only thing I understand, it's better out here in the fog than in that awful house.
01:02:53Hey, who is it?
01:02:56It's Mr. Porter.
01:02:58Porter!
01:03:00What are you doing there?
01:03:02Stop shooting!
01:03:04Must have gone raving mad.
01:03:06Stay here and try not to move.
01:03:12Laura!
01:03:16Come here, quick!
01:03:25What's the matter with him?
01:03:27The man's dead.
01:03:28Are you sure?
01:03:29Yes.
01:03:30I think he had a heart attack.
01:03:32Perhaps it was the shock of seeing us coming out of that tomb.
01:03:35No.
01:03:36He's quite cold.
01:03:37You mean?
01:03:42That's rigor mortis.
01:03:43He's been dead quite a while.
01:03:45See that?
01:03:46He was murdered.
01:03:48But then how did he shoot it up?
01:03:51I don't know, but the barrel of his gun's still warm.
01:03:56Do you hear that?
01:03:57Yes, he did.
01:03:58What is it?
01:04:00God knows.
01:04:06Stay there.
01:04:07Who are you?
01:04:08Stay where you are.
01:04:09I'll shoot you.
01:04:14What are you waiting for?
01:04:15A fire!
01:04:17Stop.
01:04:18I'm warning you.
01:04:19Let's go, please.
01:04:30You're right.
01:04:31Dangerous to stay here.
01:04:34We'll take him back to the house.
01:04:35Here.
01:04:37Help me.
01:04:49Help me.
01:05:05What happened?
01:05:06Hurry, please.
01:05:07Shut the door.
01:05:08Now, please tell me what you were doing out there.
01:05:19Porter's dead.
01:05:20Dead?
01:05:22But how?
01:05:23Have you seen my wife?
01:05:25No.
01:05:26Why?
01:05:27Well, she just disappeared.
01:05:30Disappeared?
01:05:33Yes, we went to sleep last night.
01:05:35And when I woke up, there was nobody beside me.
01:05:38I took the liberty of knocking on Elsa's door.
01:05:40But there was nobody there either.
01:05:42You're saying that both Elsa and your wife have disappeared?
01:05:46Yes.
01:05:47I've searched everywhere and found no trace.
01:05:52Oh, my heavens.
01:05:54What's the matter with Mr. Porter?
01:05:56He's dead.
01:05:57I'm afraid.
01:06:01I don't believe it.
01:06:03How did it happen?
01:06:05He had a heart attack.
01:06:07Probably brought on by a great shock.
01:06:10But we can't know for sure until there's an autopsy.
01:06:13I hate to change the subject.
01:06:15But I smell burning.
01:06:16So do I.
01:06:17Look, it's coming from there.
01:06:18You're right.
01:06:19You're right.
01:06:49You're right.
01:07:07Laura, do your best to put this fire out.
01:07:09I'll have to hurry back and help me.
01:07:19She's coming, too.
01:07:20You keep an eye on her.
01:07:21She's coming, too.
01:07:22You keep an eye on her.
01:07:23Oh, please don't leave us alone.
01:07:24I have to.
01:07:25But why?
01:07:26Because there's something I have to do.
01:07:27What's so important?
01:07:28To uncover the truth.
01:07:29You keep an eye on her.
01:07:30Oh, please don't leave us alone.
01:07:31I have to.
01:07:32But why?
01:07:33Because there's something I have to do.
01:07:34What's so important?
01:07:35To uncover the truth.
01:07:36Here, take this.
01:07:38You know how it works, don't you?
01:07:39Yes.
01:07:40I take off the safety capture.
01:07:41Yes, that's it.
01:07:42Now let's go.
01:07:43first of all.
01:07:44I'd like to go and help the left.
01:07:45Oh, let's go.
01:07:46Let's get this.
01:07:47Okay.
01:07:48Sure, I need to go.
01:07:49Good to see.
01:07:50For me, sir, I need some time.
01:07:51I need some time to see it.
01:07:52Oh, let's see it.
01:07:53Thanks.
01:07:54I need some time.
01:07:55So I want to get to see it.
01:07:56We might not get to go.
01:07:57I need some time.
01:07:58See, I need some time.
01:07:59I need some time to be in the city.
01:08:00I need some time.
01:08:01I need some time.
01:08:02Let's see.
01:08:03I take off the safety cap.
01:08:04Yes, that's it.
01:08:05Then all you do is pull the trigger.
01:08:10Be back soon.
01:08:33How is she?
01:08:37I'm afraid she's still suffering from shock and a certain amount of exciation.
01:08:43What she really needs is medical help.
01:08:46I don't know where you're going.
01:08:48But I don't advise trying to get to Millen if that's your idea.
01:08:51It is?
01:08:52Just what I'm going to do.
01:08:53Don't.
01:08:55You'll never make it.
01:08:56You know what this fog's like.
01:08:59I'm sure you're right.
01:09:01But I'm going to do my best.
01:09:03Goodbye.
01:09:33Listen, if you get to Millen, go straight to the police.
01:09:38Don't worry.
01:09:39I will.
01:09:39I'm going to do my best.
01:09:45I'm going to do my best.
01:09:45I'm going to do my best.
01:09:46I'm going to do my best.
01:09:52I'm going to do my best.
01:10:53How could you leave me alone like that?
01:11:11But I thought you were sleeping.
01:11:13Yes, of course I was.
01:11:15But I was woken up by a sound and I didn't have any idea where you were.
01:11:17Well, there's no need to worry now that I'm here.
01:11:21Where have you been?
01:11:22I went to see if I could find a blanket somewhere.
01:11:24You don't want to get cold.
01:11:25No, I want to get dressed immediately.
01:11:27It's better for you to stay there.
01:11:29I want to get dressed.
01:11:29All right.
01:11:31All right, if that's what you want, I'll help you.
01:11:34Where did you put your clothes?
01:11:35In that cupboard.
01:11:36I put it on the bed.
01:11:52Come on.
01:12:00Come on.
01:12:02Oh, for God's sake.
01:12:04Get out of here.
01:12:05You coming in here?
01:12:20I'll shoot.
01:12:20Get in here!
01:12:46Don't you stand there!
01:12:48Help me!
01:12:50Help me!
01:12:52Help me!
01:12:53Help me!
01:12:54Help me!
01:12:55Help me!
01:12:56Help me!
01:12:57Help me!
01:12:58What is it?
01:13:00What are you doing here?
01:13:01I took it.
01:13:02My husband.
01:13:03Where is he?
01:13:04What is wrong, Mrs. Tremont?
01:13:05Tell me what it is.
01:13:06The pills I took.
01:13:07What pills?
01:13:08The pills I took.
01:13:09What pills?
01:13:10The pills.
01:13:11What pills?
01:13:12The pills.
01:13:13The pills.
01:13:14What pills?
01:13:15The pills.
01:13:16The pills I took.
01:13:17What pills?
01:13:18The pills that my husband gave me.
01:13:22Pills too hard.
01:13:24Pills for my insomnia.
01:13:27I couldn't go so.
01:13:30I couldn't go so.
01:13:57Pills for my insomnia.
01:13:58I can't do that.
01:13:59I can't do it.
01:14:01Stop me.
01:14:02I can't do it.
01:14:03I can't do it.
01:14:04The pills.
01:14:05I can't do it.
01:14:07I can't do it.
01:14:08You can't do it.
01:14:09I can't do it.
01:14:10What pills?
01:17:07My congratulations.
01:17:08It worked perfectly.
01:17:09Easily the best performance of your illustrious career.
01:17:13Too bad it wasn't a theater.
01:17:19It's curious to what point a human being can be terrorized.
01:17:22Porter's heart literally stopped beating.
01:17:24Else has been driven insane.
01:17:26And those two kids are convinced that Porter's body shot at them.
01:17:29Without realizing that the only live bullet was the one left deliberately in the gun.
01:17:35And that all the others were blanks.
01:17:38We must destroy the loudspeakers and tape recordings as soon as possible.
01:17:47Igor will take care of that.
01:17:48Don't worry about it.
01:17:49It will be dawn soon.
01:17:50We must hurry.
01:17:51I can just imagine the faces of the policemen when those two start talking about walking corpses and vampires.
01:17:57And when we tell them that nothing happened here at all?
01:18:01They'll probably end up in an asylum along with Elsa.
01:18:03Certainly.
01:18:06It's you.
01:18:09Everything went very smoothly.
01:18:10In fact, exactly as we planned it.
01:18:12There's a minor detail that should be cleared up.
01:18:17The cost of the operation.
01:18:19We would like double.
01:18:23What are you doing?
01:18:25Have you gone mad?
01:18:27What do you want me to?
01:18:36It sounded like a shot.
01:18:37Someone fired a shot.
01:18:38What was it?
01:18:39Wake up, Mrs. Tremont.
01:18:40Please don't go to sleep again.
01:18:41Not now.
01:18:42You mustn't now.
01:18:48What did you have to do that for?
01:18:50We've done everything you wanted us to do.
01:18:53What do you want from us now?
01:18:54No.
01:18:56Don't point that.
01:18:57Don't point that.
01:18:58Just give us the amount we agreed to do it for.
01:19:00Whatever you like.
01:19:01No.
01:19:04No.
01:19:06No.
01:19:07Don't shoot me too.
01:19:09I'll never tell anybody about it.
01:19:11You've nothing to fear from me.
01:19:12You want to fear for me?
01:19:13No.
01:19:14Uh, uh, uh...
01:19:44Oh, my God.
01:20:14Oh, my God.
01:20:44Laura.
01:20:46Laura.
01:20:47Laura.
01:20:48Laura.
01:20:49Laura.
01:20:50Laura.
01:20:51An air press.
01:20:52Here.
01:20:53Open the door.
01:20:54I have to move this desk.
01:21:00Are you all right?
01:21:02Oh, Fred.
01:21:03I thought I'd never find you.
01:21:04We've no time to lose.
01:21:05We'd better get out of here.
01:21:06We can't possibly leave these two here alone.
01:21:10There's no choice.
01:21:11We must get to the police and send an ambulance.
01:21:13It's almost dawn.
01:21:14And we only have the motorcycle.
01:21:15We can't possibly leave these two here alone.
01:21:16There's no choice.
01:21:17We must get to the police and send an ambulance.
01:21:18It's almost dawn and we only have the motorcycle.
01:21:19It's almost dawn and we only have the motorcycle.
01:21:20There's no choice.
01:21:21There's no choice.
01:21:22We must get to the police and send an ambulance.
01:21:25It's almost dawn and we only have the motorcycle.
01:21:28There's no choice.
01:21:31There's no choice.
01:21:32There's no choice.
01:21:33We must get to the police and send an ambulance.
01:21:34It's almost dawn and we only have the motorcycle.
01:21:36I have the motorcycle.
01:22:06I have the motorcycle.
01:22:36I have the motorcycle.
01:23:06I have the motorcycle.
01:23:36I have the motorcycle.
01:24:06I have the motorcycle.
01:24:36I have the motorcycle.
01:25:06I have the motorcycle.