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00:00:00I want to talk about the stuff about Stephen, if you feel comfortable, if you feel like we can get started.
00:00:26Who is Stephen Collins?
00:00:30Stephen Collins, to me, is not only one of the finest actors, but one of the finest human beings in Hollywood.
00:00:41Stephen Collins has long been one of Hollywood's busiest actors.
00:00:44Do you remember the time when you met him?
00:00:45I only met him in casting.
00:00:47What was it like when you came in?
00:00:49He was exactly who I thought he would be.
00:00:53He was a father figure on the set.
00:00:54The last eight months, Seventh Heaven's been the top-rated show on the WV.
00:00:58It just showed me what I wanted to be when it came to being a professional actor and how you treat people and how you present yourself, too.
00:01:08That's why it was even more of a shock to hear, you know, what ended up happening.
00:01:14Stephen Collins was America's father.
00:01:17However, the lives you're watching on TV could not be less real.
00:01:21You don't have to believe everything you need.
00:01:24I can't say that working on Seventh Heaven was a very positive experience for me.
00:01:27The fact that he was on a show with a bunch of children really concerned me.
00:01:33You said this one's another girl.
00:01:35I've never told this story.
00:01:36Are you okay telling it?
00:01:37I need people to hear this.
00:01:39Not many things are rarely just black and white.
00:01:43Stephen, over here, please.
00:01:44The shades of grey are where the story is.
00:01:47Sometimes the biggest monsters have the prettiest faces.
00:01:51How many girls all together?
00:01:56David, one down here on your left.
00:02:01Thank you very much.
00:02:05Are you sure?
00:02:07Yes.
00:02:07I've been in this business for 33, 34 years now.
00:02:20So finding myself in Hollywood in the 90s was, it was quite a ride.
00:02:25Basically, I just, I love watching television still today.
00:02:28And I never thought I'd end up working with all those people who did those shows, but I did.
00:02:32I was 17 years old when my mom and I drove out to Los Angeles.
00:02:36And I had some good experiences, and I had some not so good experiences.
00:02:39I would still use Stephen Collins as my benchmark on how you should handle yourself on set.
00:02:45But after the news, it kind of almost made me question my own judgment.
00:03:00The only ones who've ever worked with him that we are able to interview, they're all guys.
00:03:05They're all the men.
00:03:07Well, the fact that the women don't want to talk about it, to me, I think it's probably more a sign of how mixed their feelings are.
00:03:13They probably had a deep affection for him, and they're conflicted in terms of trying to understand how they can have such an affection for a monster.
00:03:20Let's be fair.
00:03:23Stephen Collins, I actually share a heritage with.
00:03:26I also went to Amherst College.
00:03:28You have to be a very bright person to have gone to that college.
00:03:31And he went into an acting career, much to the chagrin of his family.
00:03:35I knew Stephen because I first saw him on the screen from All the President's Men.
00:03:43He's in these scenes with these two guys, one named Robert Redford, one named Dustin Hoffman.
00:03:48And all you're doing is looking at Steve.
00:03:50He had this intensity of a whisper.
00:03:53Tell me, put it this way.
00:03:55I would have no problems if you wrote a story like that.
00:03:57I remember watching Stephen and saying, who is this guy?
00:04:01We'd never seen him before.
00:04:02I wanted to meet him.
00:04:04And then the magic year of 1979, they made Star Trek a motion picture.
00:04:10I was working on that film, and this character starts to walk towards us.
00:04:15And when I get closer, it's Steve Collins.
00:04:17And we became very, very close friends.
00:04:19He gets all the hugs.
00:04:20Back then, if you got a big role, for example, in a movie like Star Trek, that can catapult you forever.
00:04:33Stephen got a big part in a movie called The Proms.
00:04:36It was a tearjerker, an emotion, brilliant.
00:04:38And he was a jumping jack flash.
00:04:40Is he on some kind of medication?
00:04:42Not that I know of.
00:04:43Are you on some kind of medication?
00:04:45Marty!
00:04:46It was wonderful to see him.
00:04:47It became a breakout movie.
00:04:49He also landed a role on a big-budget ABC show.
00:04:54Tales of the Gold Monkey was really sort of what looked like a cheap takeoff of Raiders of the Lost Ark.
00:05:01In 1982, I was one of the writer-producers of Tales of the Gold Monkey.
00:05:06Steve Collins' character was named Jake Cutter, and he had been in The Flying Tigers.
00:05:11But now he has a grum and goose, and he goes off on adventures to different areas there.
00:05:17How did you land the part of Jake?
00:05:18My agent called one day, and I said, I just want to play a hero.
00:05:21That's the side of him that really attracted me to playing the part.
00:05:25In all the other shows, I did all these action shows.
00:05:27You always had the ingenue of the week.
00:05:29But in Gold Monkey, we didn't do that.
00:05:32But one episode, Steve, actually, he said, let's find a very strong way that I can fall in love.
00:05:40And so I came up with this character, and she was this remarkable French girl.
00:05:44And it was very difficult to find an actress for that part.
00:05:50Then Faye Grant walks in.
00:05:53We all went, you know, oh, my God, you know, she's come off the pages of my script.
00:05:58But at one point...
00:06:00I like you.
00:06:01Now, let me explain something about this scene.
00:06:03She goes...
00:06:04If you do not hold me, I'm afraid I will crumble into little pieces.
00:06:08And at that point, he grabs her.
00:06:10And I looked at Steve.
00:06:11This was not acting.
00:06:14He got a look on his face.
00:06:16It's the first time they hugged.
00:06:17First time they got that close.
00:06:18And he kind of started shaking a little.
00:06:22And cut.
00:06:24Cut.
00:06:25Cut.
00:06:27Finally, they released each other.
00:06:28And that was the moment.
00:06:30And Steve told me, after that hug, I realized, I'm going to marry that girl.
00:06:35At the time that Stephen Collins and Faye Grant met, he was 35, she was 25.
00:06:40Not a terrible age gap.
00:06:42He never talked much about his personal life at all.
00:06:45I actually didn't know until later that he had a first wife and that he had been divorced.
00:06:51This was something that was very private and personal to him.
00:06:58People loved the show right away.
00:07:02I found us in the gift shop, our own little gold monkey.
00:07:07Women loved it.
00:07:08Men loved it.
00:07:09And also, like, teeny bopper girls loved it.
00:07:15I grew up in a very small town in Oklahoma.
00:07:19We're not talking about a metropolis.
00:07:23There was one stoplight and one four-way stop sign.
00:07:27And TV was a great escape.
00:07:29And Tales of the Gold Monkey was a big deal.
00:07:31It was the fantasy escapism.
00:07:34Especially growing up in a small town,
00:07:37I want to be taken away into something totally, completely different.
00:07:40That it's not real life, that I don't live every day.
00:07:46In 1983, my aunt Cindy flew me to L.A. for the first time during spring break.
00:07:51Cindy was, at that time, at least the line producer for the premiere commercial director for a lot of years.
00:07:58She became an executive producer for Tony and Ridley Scott.
00:08:02And when I would say Cindy Akins, people knew who she was.
00:08:05When I got to come to L.A., I was excited about seeing new things
00:08:08and experiencing something that was completely different from what I grew up knowing.
00:08:14So, as soon as she picked me up from LAX, we went directly to the complex.
00:08:19And as we're walking up the steps into the courtyard,
00:08:22she pointed to the apartment that was catty-cornered to her and said,
00:08:27Stephen Collins lives there.
00:08:29She said Tales of the Gold Monkey.
00:08:31And that was not a show that I missed.
00:08:33And so to find out that he lived next door to my aunt, yes, I was absolutely starstruck.
00:08:40I remember wanting to get a headshot from him.
00:08:45When I knocked on the door and he opened the door,
00:08:47he was a tall, blonde-haired, blue-eyed god that was really nice and drove a sports car.
00:08:55There's the Polaroid that I posed with with Stephen.
00:08:59When Stephen Collins asked me where I was from and what I was doing there,
00:09:04he was very tuned in.
00:09:06It's almost an electric charge.
00:09:08Like, immediately, it's the lean in.
00:09:10It's the touch.
00:09:11It's the, I'm paying attention to you and nobody else on the planet exists.
00:09:15I mean, and as a very naive child, that becomes all-enveloping.
00:09:20I told him I was a big fan of the show and I asked him for a signed headshot.
00:09:26And he said that he would have his people get that to me.
00:09:29That felt good for a 13-year-old that had never met a movie star before.
00:09:33It was a big deal.
00:09:34So, the autograph he writes to April says,
00:09:39to April, come out and see us again sometime.
00:09:42And then he signs off with love.
00:09:45And for some reason, that was weird to me.
00:09:48I thought that was off-putting.
00:09:49Like, why would he say that?
00:09:51Why don't you just say, great to meet you.
00:09:53Be well.
00:09:54So, after that spring break, I had such a great time
00:10:00that Cindy had decided that I could spend the summer of 83 with her.
00:10:06So, this was me at 13, a complete goofball.
00:10:09And we've got Woody Woodpecker and the Hulk.
00:10:12We also went to the beach.
00:10:14That was, I think, my very first time playing in the ocean.
00:10:17Then we went to Disneyland, which was great.
00:10:20In the summer when I was staying with Cindy,
00:10:23she would go to work,
00:10:24and I just wanted to stay in the apartment.
00:10:28There weren't a lot of people that were around during the day.
00:10:33A couple of days into my trip,
00:10:34I was in the kitchen cooking.
00:10:38And the kitchen opens up with French doors
00:10:40into the private courtyard.
00:10:43So, I was inside, and I was in my nightgown,
00:10:46and I look up, and I see Stephen Collins.
00:10:53He was in the courtyard.
00:10:55He was going left to right.
00:10:58And he had a wad of clothes in his hands.
00:11:02And he was completely naked.
00:11:03Did I, did I just see that?
00:11:10Did I just see what I thought I saw?
00:11:12It was so jarring and so unexpected.
00:11:15I mean, I definitely saw him,
00:11:16and I know he saw me standing there.
00:11:19You might imagine that any 13-year-old seeing that
00:11:22would either scream or ask for help,
00:11:25but that tends not to be how people react.
00:11:28When people are in confusing situations,
00:11:30they freeze.
00:11:33Now, he was in the courtyard,
00:11:36and he walked from the vicinity of his apartment
00:11:38to where the washer and dryer was,
00:11:41carrying a load of laundry or rumpled clothes,
00:11:44and he was completely nude.
00:11:46Why in the world would he be going to wash clothes naked?
00:11:49I'm a former SVU detective.
00:11:55I like to work in child abuse
00:11:57because children are the real victims.
00:11:59They're pure, innocent children,
00:12:01and whatever happens to them is not their fault.
00:12:07In April Price's situation, that's a test to me.
00:12:11And I believe he wants to see what she's going to do.
00:12:14He wants to see if she's going to run away,
00:12:17she's going to be disgusted,
00:12:18she's going to tell everybody.
00:12:20It was just so abnormal and just so bizarre
00:12:22that I didn't really give it a lot of thought at the time.
00:12:27At the time, Stephen Collins was also dating this woman,
00:12:30Faye Grant.
00:12:32Faye was on one episode of Tales of the Gold Monkey.
00:12:34I remember her being on the show.
00:12:36She was young, and she was pretty, and she was blonde.
00:12:39She would show up,
00:12:40and then they would go into his apartment.
00:12:42He was in a committed, happy relationship, it seemed like,
00:12:45and she was gorgeous.
00:12:45So when he walked by,
00:12:49the sexual thing would not have come into my mind,
00:12:52because I knew that he had a girlfriend.
00:12:54I knew I was going to be in California for a long time,
00:13:03so I packed up my Atari.
00:13:05That is an old video system.
00:13:09I had brought the Atari with me.
00:13:11What I had forgotten was the connector,
00:13:13the AC adapter thing that went from the Atari to the TV.
00:13:16So my mom overnighted that so that we would have it,
00:13:19and I had no idea how to hook it up to a TV at that time.
00:13:24So once the UPS arrived with that adapter,
00:13:26I had the adapter in my hand,
00:13:28and Stephen Collins happened to be there.
00:13:30And I approached him, and I said,
00:13:33hey, do you happen to know how to hook up this Atari for me
00:13:38so I can play this?
00:13:39And he said, sure, he could do that.
00:13:41No problem.
00:13:43And he's in the living room in my aunt's apartment
00:13:46hooking up that Atari,
00:13:48and he turned around,
00:13:51and his jeans were completely open,
00:13:55and he's completely exposed.
00:14:03I mean, this poor girl is just setting up her gaming station,
00:14:07and to be exposed to someone
00:14:10who is expressing dominance and control
00:14:13with a sexual behavior,
00:14:15that is traumatizing.
00:14:19At this point, now I'm completely flustered.
00:14:24What do you, like, how do you react to that?
00:14:27What, what's the purpose of this?
00:14:30Why, why, why?
00:14:32All I know is I was supremely shocked,
00:14:36very uncomfortable,
00:14:38and still didn't want to insult him
00:14:41because he was kind to me and nice
00:14:43and doing me a favor.
00:14:45So I'm trying to look him in the face
00:14:48and have a conversation with him
00:14:50as if nothing was going on.
00:14:52He chit-chatted for a little bit
00:14:55and then left.
00:14:58Would you like to know why
00:14:59you shouldn't get into a strange car?
00:15:02Well, he could hurt you.
00:15:04This is the beginning of the 80s,
00:15:06so this is before a stranger danger, panic.
00:15:09How could you expect a 13-year-old
00:15:11to have the wherewithal
00:15:12to know when it's time to be rude?
00:15:14No one conditioned her for that.
00:15:15And he's famous,
00:15:18so why would he want to do anything bad to anybody?
00:15:21And while, you know, Stephen has a girlfriend,
00:15:23surely an adult would not cheat,
00:15:25and surely an adult would not be interested in a child.
00:15:28But those are assumptions that only children make.
00:15:30I never said anything,
00:15:33first of all,
00:15:35because we all know
00:15:36I wouldn't have been believed.
00:15:40I never said this before,
00:15:42but when I was four,
00:15:44I say it's an uncle,
00:15:45but it wasn't an uncle.
00:15:46They used to babysit me,
00:15:48and he would make me sit on his lap
00:15:50so that he could
00:15:51molest me.
00:15:54And
00:15:55I, of course, didn't like it.
00:16:01And I also remember one time
00:16:03when he basically said
00:16:06I could play with his
00:16:07if he could play with mine.
00:16:10And I remember
00:16:12telling the family
00:16:15that that had happened,
00:16:16and they didn't believe any of it.
00:16:19And I'll be honest,
00:16:20I spent a lot of years of my adult life
00:16:23thinking
00:16:23that trauma
00:16:25of that experience,
00:16:27and now you overlay
00:16:28what happened
00:16:29with Stephen Collins,
00:16:31who is a
00:16:32known actor,
00:16:34charismatic,
00:16:35gorgeous,
00:16:35all of these things,
00:16:37and you add
00:16:38those two traumas together.
00:16:42My response
00:16:43as an adult
00:16:45when I look back at it
00:16:46with me trying to, like,
00:16:48bury it and not say anything,
00:16:49there's reasons that I didn't.
00:16:52And it's,
00:16:52I can see why I didn't.
00:16:58My brain had to protect itself.
00:17:03They didn't want to talk about it.
00:17:05They didn't want to look at it.
00:17:07I just acted like it was,
00:17:08everything was normal,
00:17:09and he hadn't done it at all.
00:17:11From that point on,
00:17:14April attempts to distance herself
00:17:16from the abuser,
00:17:17but at that point in time,
00:17:19there's only so much
00:17:20a young girl can do
00:17:21to distance herself
00:17:22from an adult male
00:17:23who lives in the same complex.
00:17:26There was one time
00:17:28when I was eating breakfast
00:17:29at one of the tables
00:17:30in the courtyard.
00:17:31He came by in a bathrobe
00:17:33and sat down by me
00:17:34and was talking about
00:17:37how pretty my feet were,
00:17:38of all things.
00:17:39I was definitely
00:17:40not comfortable,
00:17:42and I'm, like,
00:17:43doing the wince thing
00:17:44because it's not,
00:17:46I'm not looking for that.
00:17:47I don't need that.
00:17:48I don't need to be built up.
00:17:49I never have liked that.
00:17:52Then he said to me,
00:17:53I need to learn
00:17:54to take a compliment.
00:17:56Just imagine an adult male
00:17:59hanging out
00:18:00with a 12- or 13-year-old female,
00:18:02just that,
00:18:03just hanging out,
00:18:05and then making comments
00:18:06about even her feet,
00:18:08and I suspect
00:18:09he likes his power over her.
00:18:13This is called grooming.
00:18:15Grooming is when a grown-up
00:18:17is established in a relationship
00:18:19with a child
00:18:20in an effort
00:18:20to sexually abuse them.
00:18:23I think Stephen Collins
00:18:24was making April
00:18:25feel special
00:18:26from other kids.
00:18:29Stephen gives her
00:18:29an autograph first,
00:18:30so he gives her some attention,
00:18:32and then he exposes himself
00:18:33to her,
00:18:33and then a third time
00:18:35he comes to her again
00:18:36and offers her
00:18:37a different kind of attention.
00:18:38This one feels
00:18:39a little more sexualized,
00:18:40a little more loaded.
00:18:41He's talking about her feet,
00:18:43which is a particular body part
00:18:44that sort of suggests
00:18:45I'm paying close attention
00:18:47to you.
00:18:48By the point
00:18:49that he is fully harassing her,
00:18:52she's already been in it
00:18:53for so long.
00:18:54How would she explain it
00:18:55to somebody
00:18:55if she ever did want to say
00:18:56to an adult
00:18:57that this was happening?
00:18:58Because there's all
00:18:58these other examples
00:18:59of things that happened before
00:19:00and she didn't say anything.
00:19:02I put that incident
00:19:03out of my head.
00:19:04Cindy and I,
00:19:05we just continued on
00:19:07like normal.
00:19:07I probably went
00:19:08to the office with her more,
00:19:10so Stephen Collins
00:19:11was not my main concern
00:19:13at that point.
00:19:14Close to the end
00:19:20of the trip,
00:19:21I am laying out
00:19:23in the courtyard
00:19:23in my bathing suit.
00:19:25It was completely secluded.
00:19:27This was the swimsuit
00:19:29that I would lay out in.
00:19:30We're not talking
00:19:31about sexy bathing suits here.
00:19:33And into the courtyard
00:19:35walks Stephen,
00:19:36dressed fairly nice,
00:19:37and sits down by me
00:19:40like he was very close.
00:19:42And, you know,
00:19:43I was like,
00:19:44I'm getting ready
00:19:44to go home pretty soon.
00:19:46Somehow talking about
00:19:47Tales of the Gold Monkey
00:19:48and he says,
00:19:49I have some of the memorabilia
00:19:52from that show
00:19:52in my apartment.
00:19:54And, of course,
00:19:55I'm like,
00:19:56perking up?
00:19:57Like, really?
00:19:59You know?
00:19:59And he goes,
00:20:00yeah, you want to come see it?
00:20:01It is weird and creepy
00:20:03that an adult man
00:20:04wanted a child's attention
00:20:06this much.
00:20:08So I get up
00:20:09from laying there,
00:20:11so in nothing
00:20:11but my bathing suit,
00:20:13and follow him
00:20:14into his apartment.
00:20:15The part of me
00:20:16that was still upset
00:20:18about the exposure
00:20:19before is going
00:20:21and justifying,
00:20:23he won't do that again.
00:20:24He won't do that again.
00:20:25This should be fine.
00:20:27For people that think
00:20:29April was dumb
00:20:29to have gone to his
00:20:30apartment with her,
00:20:32he knew what he was doing
00:20:34when he asked about
00:20:34the prop of the tale
00:20:35of the gold monkey.
00:20:36He knew that was
00:20:37the lure that was going
00:20:39to bring her
00:20:39into the apartment.
00:20:41He didn't bring it out.
00:20:42What's the classic metaphor?
00:20:44I got some candy
00:20:45for you, honey.
00:20:46Follow me.
00:20:47Is that child dumb
00:20:48for going after the candy?
00:20:49It's the same damn thing.
00:20:53So, the memorabilia
00:20:55from the show
00:20:56and some pictures and stuff
00:20:57setting up on the top
00:20:58of this credenza.
00:20:59And I'm standing there
00:21:00and I'm looking at it
00:21:01and he goes,
00:21:02do you mind
00:21:03if I go get more comfortable?
00:21:06So, I'm looking
00:21:07at this stuff
00:21:08and he comes walking
00:21:09back from the bedroom
00:21:10completely nude.
00:21:14And my stomach just fell
00:21:17and I'm like,
00:21:18now I'm actually scared.
00:21:22I'm in this man's apartment,
00:21:24I'm in a bathing suit
00:21:25and he's naked.
00:21:25this is bad,
00:21:28this is really bad.
00:21:30I don't know
00:21:31what I'm going to do.
00:21:38Sitting on the couch
00:21:39at this point,
00:21:40I was as rigid
00:21:41and as tight
00:21:42and as small
00:21:42as I could make myself
00:21:43and I'm looking anywhere
00:21:44but at him.
00:21:46And he's nonchalantly
00:21:47like fiddling around
00:21:49the apartment
00:21:49like there was
00:21:50nothing going on.
00:21:51and he goes up,
00:21:53there's a standing lamp
00:21:54that's right beside me
00:21:56and he's screwing
00:21:57in the light bulb
00:21:58and I mean,
00:21:59literally,
00:22:00eye level,
00:22:01completely nude man
00:22:03and I'm in his apartment
00:22:05and I don't know
00:22:06what I'm going to do.
00:22:08How long do you feel
00:22:10like it went on?
00:22:12I would say
00:22:13the entire instance
00:22:14probably 20 minutes maybe.
00:22:17In my experience,
00:22:18oftentimes,
00:22:20these perpetrators
00:22:21will be self-stimulating.
00:22:24Now,
00:22:24she does not remember that
00:22:25but the duration
00:22:26of all this
00:22:27makes me wonder
00:22:27if something like that
00:22:28was happening
00:22:28and remember,
00:22:29a 12 or 13 year old,
00:22:30they don't understand
00:22:31what's happening.
00:22:31It doesn't even get
00:22:32laid down in memory.
00:22:33I was completely
00:22:34defenseless and helpless
00:22:35in his apartment
00:22:36and about that time,
00:22:39Cindy walks by.
00:22:40And she had come home
00:22:41from work early,
00:22:42unexpectedly.
00:22:43And the minute I saw her,
00:22:45I mean,
00:22:45just like that,
00:22:47there's my aunt,
00:22:48I gotta go by.
00:22:49Boom.
00:22:49And I'm gone.
00:22:52There was no time
00:22:53for him to say,
00:22:55hey, don't talk about this
00:22:56or hey, this was okay.
00:22:57He didn't even have
00:22:58a chance to say bye.
00:22:59Like, I was gone.
00:23:02And I immediately
00:23:03go into her apartment
00:23:05and get in the shower.
00:23:08She bolts out
00:23:09to see her aunt
00:23:09as her excuse.
00:23:11But what she needed
00:23:12was adult support.
00:23:14She needed another adult
00:23:16to help pull her out
00:23:17of this.
00:23:18And she got it
00:23:19just in the nick of time.
00:23:20And if Cindy
00:23:20hadn't have come home
00:23:21that day,
00:23:21I hate to think
00:23:22what would have happened.
00:23:25Would he have raped me?
00:23:26I don't know.
00:23:26I'd like to think not.
00:23:29The fact that he
00:23:30didn't touch her,
00:23:32it still makes it a crime
00:23:33because he exposed himself
00:23:35right up to her face
00:23:36and she had nowhere else
00:23:38to go.
00:23:38It was a physical threat.
00:23:40But young kids,
00:23:41they might think
00:23:42if it's not total sex,
00:23:44that it's not as bad
00:23:45because no one
00:23:47ever told them
00:23:47it's bad.
00:23:48Literally,
00:23:49after that point,
00:23:50I hadn't said anything
00:23:51to Cindy.
00:23:53I used to do
00:23:54a lot of reporting
00:23:54on Girls Gone Wild.
00:23:56And one thing
00:23:57I thought was so interesting
00:23:58is the kinds of girls
00:23:59that they picked
00:24:00for those videotapes.
00:24:01It was very important
00:24:03that those girls
00:24:04were not from L.A. or Miami,
00:24:06that they were visiting
00:24:06L.A. or Miami,
00:24:07that they were coming
00:24:08from the Bible Belt
00:24:09or the Midwest
00:24:10or anywhere else.
00:24:12Something similar
00:24:13seems to be happening here
00:24:15with Stephen Collins.
00:24:16A 13-year-old girl
00:24:17from the Midwest
00:24:18is effectively code for
00:24:20I will never have to
00:24:21deal with this again.
00:24:22She will not be somebody
00:24:24that I have to run into.
00:24:25She won't make it anywhere.
00:24:27She won't become anybody.
00:24:28I won't have to deal
00:24:29with the consequences
00:24:30of this action.
00:24:31Is it difficult
00:24:32to maintain a relationship
00:24:34here in Los Angeles?
00:24:36I think what happens
00:24:37to a lot of people
00:24:38when they first hit L.A.
00:24:39or New York
00:24:40in different ways
00:24:41is that all the possibilities
00:24:42of the town
00:24:43sort of grip you
00:24:44and you want to do them all.
00:24:45So as all this is going on
00:24:47with April,
00:24:48he is in a romantic relationship
00:24:50with Faye Grant.
00:24:52Tales of the Gold Monkey,
00:24:53it had only been on
00:24:54for one season.
00:24:55After Gold Monkey,
00:24:56they stayed together
00:24:57and three years later,
00:24:59they got married.
00:25:00And then four years later,
00:25:02they had this beautiful
00:25:03little daughter.
00:25:05So fast forward to 1994
00:25:07and Stephen published
00:25:08this Eye Contact.
00:25:10It's his debut novel.
00:25:11He dedicated it
00:25:13to Faye Grant.
00:25:14It's a piece of fiction
00:25:15about a woman
00:25:17with sexual compulsions
00:25:19and a lot of fantasies.
00:25:20A laptop
00:25:22and a blank page
00:25:23are a little slice
00:25:23of heaven
00:25:24for Stephen Collins.
00:25:25Collins retreats
00:25:26to his trailer
00:25:26and taps out
00:25:27erotic thrillers.
00:25:30An early instance
00:25:32in the book
00:25:32is of this woman
00:25:33exposing herself
00:25:34to a minor,
00:25:35to a boy.
00:25:36I was surprised
00:25:37because it was
00:25:38a dark story
00:25:39and it wasn't
00:25:41Steve Collins
00:25:42to me.
00:25:42I would get messages
00:25:44like,
00:25:45my machine would beep
00:25:46and I would hear,
00:25:47Stephen,
00:25:48I just read your book.
00:25:50I loved it,
00:25:51but where did this
00:25:52come from?
00:25:53He has started
00:25:53a dozen feature films
00:25:54in the television
00:25:55series.
00:25:56I've never,
00:25:58I've never seen this.
00:26:00Stephen Collins
00:26:01did a sit-down interview
00:26:02with Charlie Rose,
00:26:03but he's carrying himself
00:26:04in that interview
00:26:05like an anthropologist
00:26:06for a particular kind
00:26:08of sexual,
00:26:09in his words,
00:26:10compulsion.
00:26:11I think that
00:26:11it is probably
00:26:12that sexually
00:26:13compulsive behavior
00:26:14is no,
00:26:15at core,
00:26:16not much different
00:26:17from alcohol.
00:26:19He's framing this
00:26:20as if he's an expert
00:26:20on it,
00:26:21but how?
00:26:23Nobody was Googling
00:26:24anything in the 90s.
00:26:26How'd you find out?
00:26:27Would you read?
00:26:28Would you look up?
00:26:29You're telling me
00:26:29that you know.
00:26:30How do you know?
00:26:31In her case,
00:26:32when she's nervous,
00:26:33she turns to an arena
00:26:33where she's in total control.
00:26:35Total control.
00:26:36There it is.
00:26:37There it is,
00:26:38everybody.
00:26:39It's about power and control
00:26:40over another individual,
00:26:41a young individual.
00:26:46In 1996,
00:26:48he was in a movie
00:26:49called Babysitter Seduction.
00:26:50There's a scene
00:26:51with Keri Russell
00:26:52lying in a bed
00:26:54with Stephen
00:26:55slowly undressing her.
00:26:58And what's odd
00:26:59is you would think
00:26:59he'd explicitly
00:27:00avoid these things.
00:27:02Wouldn't it be
00:27:02uncomfortable for him
00:27:04to know
00:27:05that he was in a film
00:27:06and then did what he did?
00:27:08It's just so odd.
00:27:10And then in 1998,
00:27:11Stephen put out
00:27:12another novel.
00:27:14So I wrote about
00:27:14a person who moves
00:27:15into a new apartment
00:27:16and discovers
00:27:17that his kitchen window
00:27:20looks into the kitchen window
00:27:21of a very attractive woman
00:27:23and then he discovers
00:27:23there's actually
00:27:24a sister to that woman.
00:27:26You can't tell me
00:27:27that there's not parallels
00:27:28from what happened
00:27:29to me specifically
00:27:31that's not on the page
00:27:32in one of the novels
00:27:33that he's written.
00:27:35It worried me
00:27:36because he's got power
00:27:37and it is getting bigger
00:27:39and he is getting
00:27:40better known.
00:27:46My name is Garth Ann Sear
00:27:48and in the mid-90s,
00:27:50WB Network
00:27:51was created
00:27:52after the same exact team
00:27:54had created
00:27:54the Fox Network
00:27:55and I was the founding
00:27:57president of programming
00:27:58for the WB.
00:27:59When you're starting
00:28:01a network,
00:28:02you have to figure out
00:28:03what the identity
00:28:04of the network
00:28:04is going to be.
00:28:06At the WB,
00:28:07the most prominent shows
00:28:08we did were
00:28:09Charmed,
00:28:10Buffy the Vampire Slayer,
00:28:12we had the
00:28:13Wayne's Brothers show,
00:28:14which was very popular.
00:28:16So we began
00:28:17to gravitate toward
00:28:19what's ensemble
00:28:20family shows.
00:28:22And when I say family,
00:28:24you know,
00:28:24Charmed is a family.
00:28:25They're three sisters.
00:28:26I mean,
00:28:27there's a family
00:28:27on Buffy,
00:28:28you know.
00:28:31Then it just
00:28:32occurred to us
00:28:33that it had been
00:28:34many years
00:28:35since network television
00:28:36had a true family show.
00:28:37And what kept
00:28:39crossing my mind
00:28:40is where is our
00:28:40age is enough?
00:28:43Because that was
00:28:43a show I grew up
00:28:44watching and it's
00:28:45a big family.
00:28:46So we wanted
00:28:47to create that ethic
00:28:48and my boss,
00:28:50who's president
00:28:50of the whole company,
00:28:51Jamie Kellner,
00:28:52he is the one
00:28:53who suggested
00:28:54we should make
00:28:54the father figure
00:28:55a minister.
00:28:58And so this was like,
00:29:00oh, that's kind of
00:29:01a unique take
00:29:01on a family
00:29:02because he's
00:29:03father to the community
00:29:05and also father
00:29:05to his kids.
00:29:07So we created
00:29:07this show called
00:29:08Seventh Heaven
00:29:09and we needed
00:29:10someone to produce
00:29:11the show.
00:29:13Well, I think a show
00:29:14we did called Family
00:29:15that was about
00:29:15a real family.
00:29:16Aaron Spellings
00:29:17had been such
00:29:18a prolific producer
00:29:19already in his career.
00:29:21You know,
00:29:22Fantasy Island,
00:29:23Love Boat,
00:29:23you know,
00:29:24Hotel,
00:29:25Dynasty.
00:29:26And of course,
00:29:26you always love
00:29:27your last baby
00:29:28so Beverly Hills
00:29:2990210
00:29:29is very close to me.
00:29:31We worked with him
00:29:32at Fox first
00:29:33with 90210
00:29:34and then
00:29:36when we went
00:29:37to WB
00:29:38we knew
00:29:39he was a very,
00:29:40very reliable
00:29:42commercial producer
00:29:43but the thing
00:29:44with Aaron is
00:29:45I didn't think
00:29:45he'd done a show
00:29:46about a minister
00:29:47of family before
00:29:48but when you've
00:29:49done so many shows
00:29:50that you're
00:29:50the most prolific
00:29:51producer
00:29:51of the entire era
00:29:53I started to believe
00:29:56that you have
00:29:57to do something
00:29:57that he's never
00:29:58done before
00:29:59to get him
00:30:00to stretch
00:30:01creatively.
00:30:04Honestly,
00:30:04at the end of the day
00:30:05all scripted programming
00:30:06is about the writing
00:30:07first
00:30:07and then,
00:30:08of course,
00:30:09casting has to be great
00:30:10and so that was
00:30:11the chemistry
00:30:12we had to get right.
00:30:13And I remember
00:30:15with 7th Heaven
00:30:16we cast the kids
00:30:16first because
00:30:17casting the kids
00:30:18in the show
00:30:19was a little easier
00:30:20than casting the adults
00:30:21because the adults
00:30:23of that role
00:30:24needed someone
00:30:25who was believable
00:30:26as a minister
00:30:27and the people
00:30:28we kept looking at
00:30:29were just not
00:30:30quite cutting it.
00:30:32We kept
00:30:32swinging and missing
00:30:34and I then
00:30:36said to Aaron
00:30:37I know this is
00:30:38a long shot
00:30:38but there's a guy
00:30:39I remember
00:30:39from Tales
00:30:41of the Golden Monkey
00:30:41on ABC
00:30:42which is an adventure show
00:30:45but the guy
00:30:46seems to have
00:30:47that sort of
00:30:48the minister
00:30:49vibe going on
00:30:51so Aaron
00:30:53watched it
00:30:54and said
00:30:56I get it
00:30:57that works
00:30:58and we cast him.
00:31:00He's fantastic
00:31:01and he's really fantastic.
00:31:05When we cast
00:31:07Steven
00:31:07for the lead role
00:31:09in 7th Heaven
00:31:10there's obviously
00:31:11no way
00:31:12we would have ever
00:31:12imagined
00:31:14what would be
00:31:16coming down the road
00:31:17after the show
00:31:18was over.
00:31:24The opening credits
00:31:26of 7th Heaven
00:31:26are just iconic.
00:31:28It's also
00:31:29so typical
00:31:30of the 90s.
00:31:31It's like
00:31:31the guitar
00:31:32and like
00:31:33the
00:31:33and it's just
00:31:35cheesy.
00:31:37I loved
00:31:407th Heaven
00:31:40growing up
00:31:41I felt like
00:31:41I was part
00:31:42of the family
00:31:42I really wanted
00:31:43to be
00:31:44this is when
00:31:45I would imagine
00:31:46Rob Anderson
00:31:47in here
00:31:48like squeezed
00:31:49in maybe before
00:31:50like Simon
00:31:51the main characters
00:31:53were Reverend Camden
00:31:55who was the head
00:31:57of this family
00:31:57five kids
00:31:59Catherine Hicks
00:32:01is Mama Bear
00:32:02she's the mom
00:32:03on the show
00:32:04she loves
00:32:05her kids
00:32:06but always
00:32:07overworks
00:32:07oh she just
00:32:08has a lot
00:32:09going on
00:32:10when you look
00:32:11at someone
00:32:11like Catherine
00:32:12you have to realize
00:32:12there need to be
00:32:14experienced actors
00:32:15on the set
00:32:16Catherine Hicks
00:32:17had been on television
00:32:17since she graduated
00:32:18college
00:32:19and she was
00:32:20recently on a
00:32:20short-lived
00:32:21Aaron Spelling
00:32:21soap opera
00:32:22everyone else
00:32:23in the cast
00:32:23they're almost
00:32:24always fresh faces
00:32:25Barry Watson
00:32:28seemed like
00:32:29kind of a little
00:32:30more shy
00:32:31reserved
00:32:31as
00:32:32the boy
00:32:34and the family
00:32:35Jessica Beale
00:32:36plays
00:32:37Mary Camden
00:32:38Jessica Beale
00:32:39played a typical
00:32:40girl in school
00:32:42who didn't know
00:32:43how pretty she was
00:32:44she had grown
00:32:44into her looks
00:32:45and she was
00:32:46a little awkward
00:32:47given her height
00:32:47and
00:32:49that made her
00:32:50more vulnerable
00:32:50even though she was
00:32:51very pretty
00:32:52Seventh Heaven
00:32:53is the reason
00:32:54we know Jessica Beale
00:32:54that is the show
00:32:55that put her
00:32:56on the map
00:32:56every scene
00:32:58she was in
00:32:59she lit up
00:33:00and ended up
00:33:01being the great
00:33:02actor that she became
00:33:03so if you have
00:33:05Jessica Beale
00:33:05then Beverly Mitchell
00:33:06becomes more of
00:33:08the girl next door
00:33:09who wasn't as tall
00:33:10as her sister
00:33:11but probably was
00:33:12everyone's best friend
00:33:13David Gallagher
00:33:16plays Simon
00:33:17he's the youngest son
00:33:18and
00:33:19most of the
00:33:20absurd lessons
00:33:21happen to him
00:33:23for example
00:33:24he flips off
00:33:26his friends
00:33:27at school
00:33:27they act like
00:33:30it was murder
00:33:31the girl who plays
00:33:34Ruthie is
00:33:35Mackenzie Rosman
00:33:36Ruthie's a real
00:33:37bitch in the show
00:33:38honestly
00:33:38like she is
00:33:39a real brat
00:33:40and in one episode
00:33:42has anyone ever
00:33:43hijacked a plane
00:33:43fitting my description
00:33:44and Stephen Collins
00:33:47played Reverend Camden
00:33:48he was
00:33:49the god
00:33:50of the show
00:33:51he was the savior
00:33:53he fixed all
00:33:54the problems
00:33:54Stephen Collins
00:33:56as the father
00:33:57of that show
00:33:57is the heart
00:33:58of the show
00:33:59he is the core
00:33:59of it
00:34:00it is his
00:34:01performance
00:34:02of these ethics
00:34:03that really make
00:34:05seventh heaven
00:34:06they told us
00:34:07you had your friend's
00:34:07baby at their house
00:34:08and there was a beer
00:34:09sitting on the table
00:34:10I don't know
00:34:10that sounds like trouble
00:34:11he was
00:34:12just
00:34:13the pinnacle
00:34:15of what a father
00:34:16should be
00:34:16I think having
00:34:17your joint
00:34:18is trouble
00:34:18it's a soft-spoken
00:34:19nature
00:34:20with like
00:34:21a little bit
00:34:21of judgment
00:34:22underneath
00:34:23have you tried
00:34:24smoking marijuana
00:34:25I don't think
00:34:25we ever mentioned
00:34:26what kind of
00:34:28minister he was
00:34:29specifically
00:34:30I don't think
00:34:31any of us
00:34:31ever thought of it
00:34:32as a religious show
00:34:33we thought of it
00:34:33as a moral show
00:34:35you know
00:34:36teaching
00:34:36you know
00:34:37right and wrong
00:34:38to people
00:34:38through
00:34:39credible
00:34:40parent figures
00:34:41we weren't worried
00:34:42about how it'd be
00:34:42received
00:34:43because we were
00:34:43doing a morality show
00:34:44about raising kids
00:34:46if you think about
00:34:47the kinds of shows
00:34:48that were coming
00:34:49before seventh heaven
00:34:49the dads in those
00:34:51other shows
00:34:52that you were watching
00:34:52they weren't always
00:34:53approachable people
00:34:54this is different
00:34:55this wasn't just
00:34:57changing the way
00:34:57we looked at fatherhood
00:34:58in a pop culture lens
00:34:59but it was also changing
00:35:00how we look at fathers
00:35:01culturally
00:35:02look at how functional
00:35:03this family is
00:35:05every episode
00:35:07they dealt with some
00:35:09issue that happens
00:35:10in America
00:35:11there was issues
00:35:12on gangs
00:35:13and there was
00:35:14issues on racism
00:35:16there was
00:35:17drugs
00:35:18kids huffing paint
00:35:19in the hallway
00:35:20that made you feel
00:35:24good about your own
00:35:24life
00:35:25because you weren't
00:35:26addicted to drugs
00:35:27and you weren't
00:35:27huffing paint
00:35:28in the hallway
00:35:28and your neighbor's
00:35:29not a gang member
00:35:30as I got a little bit
00:35:33older
00:35:34then the 20s come along
00:35:35and I was determined
00:35:36not to allow this one
00:35:38thing to hold any kind
00:35:39of sway over my life
00:35:40so I didn't bother
00:35:43to give him
00:35:43too much of my energy
00:35:45but in and around 1996
00:35:47I was made to understand
00:35:49that he was playing a role
00:35:51of a preacher
00:35:52pastor
00:35:52in a show
00:35:54and he was a family man
00:35:56it did bug me
00:35:57I think we all kind of understand
00:36:01when a show starts to get
00:36:03into the stratosphere
00:36:04there's no escaping
00:36:05the PR for that show
00:36:07I mean you can't
00:36:08not see a commercial
00:36:09you can't not hear a blurb
00:36:12on Entertainment Tonight
00:36:13or Extra
00:36:14you can't not see
00:36:16a magazine cover
00:36:17and the fact that he was
00:36:19on a show
00:36:20with a bunch of children
00:36:22really concerned me
00:36:23congratulations
00:36:25come up to you
00:36:25thank you
00:36:26thank you
00:36:26the actresses were 14
00:36:2813 and 7
00:36:29was red flag for me
00:36:30we hang out
00:36:31we're buds
00:36:32you have your father
00:36:32and daughter on the show
00:36:33but only on the show
00:36:34this is where
00:36:35self-awareness of
00:36:37me keeping my silence
00:36:38started to wear on me
00:36:40we've always had this bond
00:36:41somehow
00:36:42the two of us
00:36:43that's pretty good
00:36:45oh go ahead
00:36:46it's not quite
00:36:47father and daughter
00:36:48it's not quite
00:36:48older brother
00:36:49and little sister
00:36:50because I'd be
00:36:50a way older brother
00:36:51now I'm starting
00:36:52to become worried
00:36:54that it wasn't just me
00:36:56am I the starting point
00:37:00to a marathon
00:37:01when I was in my 20s
00:37:11I was a script supervisor
00:37:12in Hollywood
00:37:13it was more along the lines
00:37:15of following in Cindy's footsteps
00:37:16because of her connections
00:37:18I was determined
00:37:20not to allow this one thing
00:37:21to hold any kind of sway
00:37:23over my life
00:37:24but now he's got a show
00:37:26with a bunch of other children
00:37:28everything is changing
00:37:30so it's time to tell Cindy
00:37:33what really happened
00:37:34I sit down with Cindy
00:37:39and I tell her
00:37:41first of all
00:37:42the instances
00:37:43and she was livid
00:37:45she said
00:37:46if I had known back then
00:37:47I would have gone
00:37:48immediately to the police
00:37:49and I said
00:37:52here's my dilemma
00:37:53here's my biggest problem
00:37:54he's on a show
00:37:56with a lot of children
00:37:58do I say something
00:38:00and both of us
00:38:03understood immediately
00:38:04when we talked about it
00:38:06if I said something
00:38:06first of all
00:38:07I would be called a liar
00:38:08I would not have been believed
00:38:09and I would have lost
00:38:10my entire career
00:38:11people are in love
00:38:14or infatuated
00:38:16with a persona
00:38:17that they've seen
00:38:18scripted out
00:38:20so I kept my mouth shut
00:38:22I kept my mouth shut
00:38:23did you see Stephen
00:38:24working with the young girls
00:38:25and what that was like
00:38:26he's a father figure
00:38:27I never saw him
00:38:29working with the young girls
00:38:30because I wasn't there enough
00:38:32I directly work with
00:38:36all the women on the show
00:38:38so that would be Catherine
00:38:39that would be Beverly
00:38:40McKenzie
00:38:41and Jessica Biel
00:38:43all the women guest stars
00:38:45that came on the show
00:38:47the environments have really
00:38:48always been pretty happy
00:38:50and easy going
00:38:51it felt like family
00:38:52that's what we are
00:38:53we are family here
00:38:54well let's be real
00:38:55most actors
00:38:56bring a lot of themselves
00:38:58into their characters
00:38:59that's part of why
00:39:01you're casting them
00:39:01and you know
00:39:03Sunday you're always
00:39:04playing a version of yourself
00:39:05so for example
00:39:09I used to have Oscar parties
00:39:10at my house every year
00:39:11so Stephen was here one time
00:39:14and my nephew
00:39:15who was then pretty young
00:39:17was kind of doing
00:39:18crazy things out of sight
00:39:19because he's mischievous
00:39:21and Stephen came to me
00:39:23and said
00:39:23I need to talk to you
00:39:25about something
00:39:26and he just like
00:39:27was the father figure
00:39:30saying you know
00:39:30your nephew's
00:39:31doing some things
00:39:32I think you should know about
00:39:33and he did very nicely
00:39:35it was not
00:39:36with any attitude
00:39:37or anything
00:39:38and it was in my house
00:39:39so that was who he was
00:39:42Seventh Heaven
00:39:44aired on the WB
00:39:46the first season
00:39:48it was averaging
00:39:49about 3 million viewers
00:39:50which is not a lot
00:39:51it wasn't a hit that fast
00:39:54it's also not
00:39:54the kind of show
00:39:55that people
00:39:56like oh did you see
00:39:57that episode
00:39:58it's not the kind of show
00:39:59that people would talk
00:39:59about in Los Angeles
00:40:00but that's okay
00:40:01but remember
00:40:02there's a vast audience
00:40:03out there that has
00:40:04lots of different
00:40:04points of view
00:40:05and takes
00:40:06and you're programming
00:40:08for all of them
00:40:09not just for yourself
00:40:10and so people
00:40:14started to recognize
00:40:15this is a special show
00:40:16my name is
00:40:20Melissa Henson
00:40:21I'm the vice president
00:40:22of programs
00:40:22for the Parents Television
00:40:24and Media Council
00:40:25the Parents Television Council
00:40:26it's like a watchdog group
00:40:29started in response
00:40:31to a growing recognition
00:40:32that TV was becoming
00:40:35increasingly unfriendly
00:40:37to family audiences
00:40:38by mid to late 90s
00:40:40we started to have shows
00:40:41like Friends
00:40:42during the family hour
00:40:43you know
00:40:44where they had episodes
00:40:45where the guys suddenly
00:40:46get free pornography
00:40:47and they're afraid
00:40:48to turn off the TV
00:40:49because they won't get
00:40:49the free porn anymore
00:40:50and so it was increasingly
00:40:51difficult to find programs
00:40:53that parents would feel
00:40:54comfortable watching
00:40:55with their kids in the room
00:40:56let alone watch
00:40:57with their children
00:40:58but in 1996
00:41:01Seventh Heaven debuted
00:41:02on the WB network
00:41:03it was on our radar
00:41:06from the fact
00:41:07that they were
00:41:08a religious family
00:41:09a religious household
00:41:10the father was a pastor
00:41:11that alone made it
00:41:12somewhat unique
00:41:13the fact that
00:41:14the dad was a character
00:41:15that was worthy of respect
00:41:16and not a clown
00:41:17someone that the kids
00:41:19would go to
00:41:19for advice
00:41:20and guidance
00:41:21in looking at
00:41:22Seventh Heaven
00:41:23you sort of asked
00:41:23yourself
00:41:24how many shows
00:41:26in the history
00:41:27of television
00:41:27have had morality tales
00:41:29there was
00:41:30Dr. Quinn Medicine Woman
00:41:32there was
00:41:33Touched by an Angel
00:41:34but they weren't
00:41:35necessarily geared
00:41:36toward kids
00:41:36so Seventh Heaven
00:41:37was something
00:41:38that kids actually
00:41:39did seek out
00:41:40and want to watch
00:41:41on their own
00:41:41it wasn't just
00:41:42oh mom's going to
00:41:43make me watch
00:41:43this stupid show
00:41:44it was
00:41:45oh this is
00:41:45something I want to see
00:41:47and of course
00:41:48it didn't hurt
00:41:49that they had
00:41:50Jessica Biel
00:41:51who probably brought
00:41:52in a lot of teenage boys
00:41:53and it was a Barry Watson
00:41:55who probably brought
00:41:56in a lot of teenage girls
00:41:57the parents TV council
00:42:03loved Seventh Heaven
00:42:05we would periodically
00:42:07release our ranking
00:42:09of the top 10 best
00:42:10shows for families
00:42:11and Seventh Heaven
00:42:12was often
00:42:13number one
00:42:14on our top 10 best list
00:42:15TV Guide to cover
00:42:16on it
00:42:17cover was
00:42:19the best show
00:42:19on TV
00:42:20you're not watching
00:42:20and then finally
00:42:22the second season
00:42:23of the show
00:42:23got a million Emmys
00:42:25and so everyone
00:42:26sort of said
00:42:27oh maybe I should
00:42:28watch that show
00:42:29and then suddenly
00:42:30the show
00:42:31had such an intensity
00:42:33around how many
00:42:34people were watching it
00:42:35the audience
00:42:35once they tune in
00:42:37they just love us
00:42:38and they never tune out
00:42:39and the premiere
00:42:41of season two
00:42:41actually was
00:42:42WB's most watched hour
00:42:45it had over 12 million viewers
00:42:47I have never heard
00:42:49of any show
00:42:49being in prime time
00:42:51twice a week
00:42:52it became increasingly
00:42:53an anomaly
00:42:55on the broadcast landscape
00:42:56most people
00:42:58want these kind of shows
00:42:59that's why
00:42:59we're growing so fast
00:43:01it's got humor
00:43:01it's got an edge
00:43:02it was just
00:43:03real
00:43:04and it was simple
00:43:06and
00:43:07those are your
00:43:08next door neighbors
00:43:09Steve I love that
00:43:10I love your show
00:43:10thank you so much
00:43:12great thing about this show
00:43:13it can teach a lot
00:43:14but it doesn't reach
00:43:15they did deal with
00:43:17very weighty issues
00:43:18at times
00:43:18but they always handled it
00:43:20in very responsible ways
00:43:22that's a good big shot
00:43:23about the last eight months
00:43:247th Heaven's been
00:43:25a top rated show
00:43:26on the WB
00:43:27cast as far as I'm familiar
00:43:29is our family
00:43:30and I love them all
00:43:32they were certainly
00:43:32recognized
00:43:33and I think Stephen
00:43:34did become
00:43:35true of America's dad
00:43:37you know
00:43:38sometimes the biggest monsters
00:43:42have the prettiest faces
00:43:43you can't just trust
00:43:46that people
00:43:47that are nice to you
00:43:48and kind
00:43:48and charismatic
00:43:49not everybody
00:43:51that's nice to you
00:43:52has nice intentions
00:43:53I didn't realize
00:43:57when I first moved
00:43:58out to Hollywood
00:43:58and started working
00:43:59in the industry
00:44:00Stephen Collins
00:44:01I didn't expect
00:44:02to see him again
00:44:03because mainly
00:44:04I worked on
00:44:06TV commercials
00:44:06sometime around 1997
00:44:09I was asked to do
00:44:10the affiliate promos
00:44:12for CBS
00:44:13I'm sitting at the
00:44:15craft service table
00:44:16and doing my job
00:44:17and they give me
00:44:18a shot list
00:44:19and oh my god
00:44:20oh my god
00:44:21Stephen Collins
00:44:22is coming on
00:44:23to do promos
00:44:24he was a person
00:44:27that I hadn't seen
00:44:28for like 14 years
00:44:30I was like
00:44:33what can I
00:44:34there's nothing
00:44:34that I can do
00:44:35I mean
00:44:36I'm sitting there
00:44:36thinking
00:44:37oh my gosh
00:44:37should I say
00:44:38something to the
00:44:39producers
00:44:39no because
00:44:40I'm dead
00:44:41I mean
00:44:42I'm just stuck
00:44:43I'm sitting at the
00:44:47table
00:44:47at some point
00:44:48he sees me
00:44:50and the moment
00:44:55he saw me
00:44:56he knew
00:44:56I mean
00:44:59you could see
00:45:00his face
00:45:00you could see
00:45:01the whole
00:45:01countenance
00:45:02he knew
00:45:03who I was
00:45:03well
00:45:04at a break
00:45:05when he was done
00:45:09he waited
00:45:11until nobody else
00:45:12was at the table
00:45:13and he came up
00:45:14to me
00:45:14and he said
00:45:15I want you
00:45:18to know
00:45:18what I did
00:45:20was extremely wrong
00:45:22I feel terrible
00:45:23about it
00:45:24please forgive me
00:45:26all of a sudden
00:45:30I thought
00:45:32I don't have to worry
00:45:33about this anymore
00:45:34he's
00:45:34he is sorry
00:45:36he is
00:45:37contrite
00:45:38so
00:45:39I kept my mouth shut
00:45:40I kept my mouth shut
00:45:41looking back
00:45:46I don't think
00:45:46it was sincere
00:45:47I think it was
00:45:48damage control
00:45:49because all of a sudden
00:45:50here is one of my
00:45:52little indiscretions
00:45:53that I shouldn't have done
00:45:54that actually could
00:45:55put words to it
00:45:56and hurt my career
00:45:57I don't know
00:45:59Stephen Collins
00:46:00but I just have this
00:46:02deep concern
00:46:03that he doesn't care
00:46:04about the people
00:46:05he has power
00:46:06and control over
00:46:07he's manipulative
00:46:08he plays on
00:46:10people's affections
00:46:11and it's far worse
00:46:13than April realized
00:46:14the problem
00:46:20with 7th Heaven
00:46:21the cast
00:46:22the arc
00:46:22of all these people
00:46:23who have never been
00:46:25TV stars before
00:46:26is
00:46:27they come in
00:46:29they're very happy
00:46:30to have the opportunity
00:46:31and
00:46:32as the show
00:46:33becomes more and more
00:46:33popular
00:46:34they may
00:46:35want to do
00:46:36other stuff
00:46:37so in the year 2000
00:46:41while she was still
00:46:42on the show
00:46:42Jessica Biel
00:46:43posed for a magazine
00:46:45called Gear
00:46:46on the cover
00:46:47she's topless
00:46:48that was one of those
00:46:49weird blips
00:46:50on the radar
00:46:51of my career
00:46:52that I just feel like
00:46:52like
00:46:53it was a photo shoot
00:46:54that I did
00:46:56it was totally exposed
00:46:57it wasn't a non-purpose
00:46:59thing at all
00:46:59it was you know
00:47:00I'm a woman now
00:47:01sure I can wear
00:47:02that bikini
00:47:03those kinds of things
00:47:04when you're young
00:47:05just sort of
00:47:06it rolls out
00:47:07in a way
00:47:07that you do not expect
00:47:08I never thought
00:47:09that was a big deal
00:47:10at the WB
00:47:11all of our shows
00:47:12had really strong
00:47:13female leads
00:47:14and so
00:47:15she's on a show
00:47:16that's all about
00:47:17growing up
00:47:18and morality
00:47:18and so
00:47:19seeing her
00:47:20a little less
00:47:21clad
00:47:21than she would be
00:47:22on an episode
00:47:23of 7th Heaven
00:47:24probably was a bigger deal
00:47:25however
00:47:26Stephen Collins
00:47:27had something
00:47:28to say about it
00:47:29actually
00:47:29he says
00:47:30the press
00:47:32has gotten
00:47:32Jessica Beale's
00:47:33age wrong
00:47:34in their recent
00:47:34stories about her
00:47:35she's not 18
00:47:37as been widely reported
00:47:38she's 17
00:47:39a minor
00:47:40and as such
00:47:42Jessica's photo spread
00:47:43was
00:47:43child pornography
00:47:45I don't want
00:47:46my kid
00:47:47to get the message
00:47:47that that's okay
00:47:49out of the mouths
00:47:50of babes
00:47:51Stephen Collins
00:47:52is right
00:47:52now is that
00:47:54a smokescreen
00:47:55for his own behavior
00:47:56Stephen Collins
00:47:57wants to be associated
00:47:58with being on
00:47:59a good guy
00:47:59on the right side
00:48:00of this issue
00:48:00to make sure
00:48:01no one has any hint
00:48:02of any trouble
00:48:03Jessica Beale
00:48:05still had two more years
00:48:06on her contract
00:48:06with 7th Heaven
00:48:07but Jessica
00:48:08is essentially
00:48:08written out
00:48:09of the show
00:48:10she's portrayed
00:48:10as a troubled teen
00:48:12who is sent away
00:48:13to go live
00:48:13with the grandparents
00:48:14Jessica Beale
00:48:16she was becoming
00:48:17such a big star
00:48:17on the show
00:48:18she wanted
00:48:19to do other stuff
00:48:20so you know
00:48:22you're trying to
00:48:23protect what's great
00:48:25about the show
00:48:26while being respectful
00:48:27to the actors
00:48:28Jessica would return
00:48:30for a few episodes
00:48:31here and there
00:48:32to fill out her contract
00:48:33our character
00:48:34was popping in and out
00:48:35she wasn't a big part
00:48:36of the show
00:48:37but the show
00:48:38was still a hit
00:48:39Jessica Beale's
00:48:39departure happened
00:48:41on episode 95
00:48:42and reaching 100 episodes
00:48:44is a milestone
00:48:44it's a success
00:48:45I want to thank Aaron
00:48:48on behalf of the cast
00:48:49when you're on
00:48:50a spelling show
00:48:51you can bet that
00:48:52things will go
00:48:54as smoothly
00:48:55and be as professionally
00:48:56run as they are
00:48:57anywhere in the business
00:48:58it feels great
00:48:59it feels great
00:49:00especially when you
00:49:01have a cast
00:49:02like people like this
00:49:03and the rest of the cast
00:49:04it's fun to work with
00:49:05it's a big number
00:49:06of episodes for a show
00:49:07and by today's standards
00:49:09how many shows
00:49:10hit 100 episodes
00:49:11almost none
00:49:12this is my favorite show
00:49:14I have ever been
00:49:16a part of
00:49:17I'm speechless
00:49:18I'm just so honored
00:49:19to have been
00:49:19you know
00:49:20a part of such
00:49:20a wonderful show
00:49:21having 100 episodes
00:49:23means the show
00:49:23can go on
00:49:24in syndication
00:49:25being replayed
00:49:26indefinitely
00:49:26and go on
00:49:27to be exposed
00:49:27to future generations
00:49:28and this potentially
00:49:29means more revenue
00:49:30for all the producers
00:49:32writers actors
00:49:33everyone involved
00:49:34in the production
00:49:34I don't know
00:49:35how long the show
00:49:36will go
00:49:36and if you can
00:49:38keep going
00:49:39and keep the show fresh
00:49:41that's marvelous
00:49:43but in season 6
00:49:45Barry had
00:49:46somewhat of a brush
00:49:48with cancer
00:49:49and he couldn't
00:49:50do all the episodes
00:49:51so producers
00:49:53were very good
00:49:54by introducing
00:49:54new characters
00:49:56fresh cast members
00:49:57to introduce
00:49:59fresh stories
00:50:00with different characters
00:50:01we'd introduce
00:50:01new neighbors
00:50:02the show actually had
00:50:05a good amount
00:50:06of cameos
00:50:06hi
00:50:07Mary-Kate
00:50:07and Ashley Olsen
00:50:08were in it
00:50:09Ashley Simpson
00:50:11was a regular character
00:50:12for two seasons
00:50:13one of the characters
00:50:14that really stood out
00:50:15who I loved
00:50:16so much
00:50:17was George Stoltz
00:50:18I'm baking you a cake
00:50:19now what kind of cake
00:50:20whatever kind of cake
00:50:21you want
00:50:21it's your birthday
00:50:22George
00:50:24and his brother
00:50:25they were a riot
00:50:27I'm Jeremy London
00:50:29Mallrats is what
00:50:31people know me
00:50:31the most from
00:50:32and playing Griffon
00:50:33on Party of Five
00:50:34and coming off
00:50:35of Emmy Award winning
00:50:36shows and Golden Globe
00:50:37winning shows
00:50:37and stuff like that
00:50:38but the 7th Heaven fans
00:50:40are people that
00:50:41like it means so much
00:50:41to them
00:50:42in season 7
00:50:43Jeremy London
00:50:44comes in
00:50:45as a new young minister
00:50:46and then Jeremy
00:50:47plays that role
00:50:48for two seasons
00:50:49Chandler
00:50:50it was a breath
00:50:52of fresh air
00:50:52it just was
00:50:53its own little piece
00:50:54of I don't say heaven
00:50:55but that's cheesy
00:50:56it was its own little piece
00:50:57of serenity
00:50:58my name is Kyle Searles
00:51:01and my friend
00:51:02Tyler Hackman
00:51:03he got booked
00:51:03as a series regular role
00:51:05on 7th Heaven
00:51:06for the role of Martin
00:51:08and I played
00:51:09his quirky best friend
00:51:11Mac
00:51:11who was the girl
00:51:13the blonde
00:51:13that was no girl
00:51:14that was a woman
00:51:16you know
00:51:17he was the one
00:51:17that was getting
00:51:18into trouble
00:51:18and stirring stuff up
00:51:20if you know what I mean
00:51:21hey I read your chapter
00:51:23from your English
00:51:24Lewis Ivan
00:51:25so nice job
00:51:26I also gave my instructor
00:51:29Margaret's paper
00:51:30only it had my name on it
00:51:32why would you do that
00:51:33I don't know
00:51:33that's textbook dad
00:51:35right there
00:51:36before getting cast
00:51:39on 7th Heaven
00:51:40I was your
00:51:41regular
00:51:42struggling actor
00:51:44so once
00:51:46I got the role
00:51:47to play Mac
00:51:48on 7th Heaven
00:51:49I'm coming on
00:51:50to a set
00:51:50where all of the actors
00:51:52for the most part
00:51:52are basically family
00:51:54at this point
00:51:55they're so tight knit
00:51:56and it was nerve wracking
00:51:58for me
00:51:58because I'm like
00:51:59they're not going
00:52:00to accept me
00:52:00but I remember
00:52:02my first day on set
00:52:04and Stephen
00:52:05immediately came
00:52:05straight up to me
00:52:06offered out his hand
00:52:08for a handshake
00:52:08introduced himself
00:52:10I'm like
00:52:10I know who you are
00:52:11you don't have to
00:52:12tell me your name
00:52:13he just
00:52:14was so good
00:52:15at
00:52:16disarming people
00:52:17and
00:52:18you just
00:52:19you immediately
00:52:20feel like
00:52:21accepted
00:52:22Stephen Collins
00:52:23was most certainly
00:52:24America's dad
00:52:25I mean I wanted him
00:52:26to be my dad
00:52:27I still want him
00:52:28to be my dad
00:52:28he would drive
00:52:31to work
00:52:32in a beat up
00:52:32old Toyota Prius
00:52:34every single morning
00:52:35when the man
00:52:36was making enough money
00:52:37that he could have
00:52:38been driving up
00:52:38in a Bentley
00:52:39he could have been
00:52:40decked out
00:52:40dressed to the nines
00:52:41but he was wearing
00:52:43what Jay Leno
00:52:44typically wears
00:52:45with the blue jean shirt
00:52:46and jeans
00:52:47you know
00:52:47I always felt like
00:52:50I want to be like that
00:52:51I need to model
00:52:52myself after him
00:52:53more
00:52:54in between takes
00:52:57Stephen would go over
00:52:58and he would
00:52:59strike up conversations
00:53:00with extras
00:53:01and that's another thing
00:53:03that you didn't
00:53:04really see very often
00:53:05or at least I didn't
00:53:07with main principal actors
00:53:08even associating
00:53:10themselves with extras
00:53:11you know
00:53:13women wanted to
00:53:14talk to him
00:53:14that actually worries me
00:53:16he seems to go
00:53:18out of his way
00:53:19to bring people
00:53:21into his sphere
00:53:22and that
00:53:24that sometimes
00:53:25speaks of sociopathy
00:53:26I don't know him
00:53:27but I worry
00:53:29that that's what's
00:53:29going on here
00:53:30I can't say
00:53:33that working on
00:53:347th Heaven
00:53:34was a very positive
00:53:35experience for me
00:53:36I left 7th Heaven
00:53:37because
00:53:37I got fired
00:53:39Jeremy is a
00:53:42really sweet guy
00:53:44he's super talented
00:53:45he's super open
00:53:46he had a bad
00:53:48drug problem
00:53:49while working
00:53:50on 7th Heaven
00:53:51my wife and I
00:53:52we were driving up
00:53:52from up to 405
00:53:54and things got stupid
00:53:55and we were
00:53:56yelling and screaming
00:53:57over something
00:53:58that we shouldn't
00:53:58have even been
00:53:59fighting over
00:54:00and that literally
00:54:02in that moment
00:54:02changed everything
00:54:04Jeremy's wife
00:54:15there's a question
00:54:16about whether
00:54:16she was using
00:54:17substances
00:54:17at the time
00:54:18as well
00:54:18saying that I
00:54:27beat up women
00:54:28that I was
00:54:28some kind of
00:54:29woman abuser
00:54:30but because of
00:54:33that
00:54:33I got turned
00:54:36into
00:54:36people were
00:54:37saying really
00:54:37horrible things
00:54:38about me
00:54:38and all of a
00:54:39sudden
00:54:40I was a bad
00:54:40person
00:54:41whenever I
00:54:42wasn't
00:54:43and so of
00:54:45course I started
00:54:45doing everything
00:54:46I could not
00:54:47to
00:54:47I'm sorry
00:55:17Hollywood abandoned
00:55:19me and chose
00:55:19to believe lies
00:55:20about me
00:55:21I think one
00:55:23of the strangest
00:55:24things about
00:55:25the business
00:55:26is the world
00:55:27is watching
00:55:28always
00:55:29and it wants
00:55:31to eat you
00:55:31and it wants
00:55:33you to fail
00:55:34that same year
00:55:36of this incident
00:55:37was Jeremy's
00:55:38last season
00:55:39of 7th Heaven
00:55:39it's very surprising
00:55:42to me actually
00:55:43that Stephen Collins
00:55:44didn't say anything
00:55:45about Jeremy
00:55:45publicly
00:55:46with WB
00:55:48we had learned
00:55:49through hard
00:55:50knocks
00:55:51that starting
00:55:52a network
00:55:52was really
00:55:53a completely
00:55:54different level
00:55:54of challenge
00:55:55the most prominent
00:55:56shows we did
00:55:57most of them
00:55:57had become
00:55:57part of the pop
00:55:58culture
00:55:58but then
00:55:59we did the
00:56:00merger
00:56:00with UPN
00:56:01to create
00:56:02a new brand
00:56:03from scratch
00:56:04it was entirely
00:56:05different team
00:56:05that was going
00:56:06to start
00:56:07the CW
00:56:08my job
00:56:09was to shut
00:56:09down
00:56:10the WB
00:56:11so we had
00:56:13internally discussed
00:56:15at WB
00:56:16wrapping up
00:56:177th Heaven
00:56:17at the end
00:56:18of the 10th season
00:56:19and so I went
00:56:20to see Aaron's
00:56:21villain
00:56:21and said
00:56:22I think
00:56:22you know
00:56:23we want to
00:56:24bring this
00:56:24to a natural end
00:56:25and he goes
00:56:26you're canceling
00:56:27my show
00:56:28I remember
00:56:29when they
00:56:31made the announcement
00:56:32that this was
00:56:33going to be
00:56:33the last season
00:56:34the seasoned veterans
00:56:36and the cast
00:56:37and the crew
00:56:38they were ready
00:56:39you know
00:56:39the worst part
00:56:41about doing
00:56:417th Heaven
00:56:42is a little bit
00:56:43of a groundhog day
00:56:43aspect of doing
00:56:44a show like
00:56:457th Heaven
00:56:45because you know
00:56:46we're in the
00:56:46here we are
00:56:47in the kitchen again
00:56:47here we are
00:56:48in the living room
00:56:49again
00:56:49they were ready
00:56:49for the next
00:56:50opportunity
00:56:51and the next
00:56:52stage in their
00:56:52life
00:56:53thanks everybody
00:56:54I think
00:56:54the newer actors
00:56:55we were having fun
00:56:56so why stop now
00:56:58because it's so tough
00:56:59to have that
00:56:59next big role
00:57:00when I left
00:57:02the show
00:57:03I did cry
00:57:04I felt
00:57:07a strong connection
00:57:08to the people
00:57:10that I work with
00:57:12it was
00:57:15in a very real sense
00:57:17the end of an era
00:57:18but there really
00:57:19hasn't been
00:57:21anything in terms
00:57:22of something that
00:57:23you know
00:57:23families can feel
00:57:24100% comfortable
00:57:25letting their kids watch
00:57:26I'm the mother
00:57:27of a 16 year old son
00:57:28and when he was
00:57:29in preschool
00:57:30it was really easy
00:57:31to find things
00:57:32that I was okay
00:57:32with him watching
00:57:33once I get to be
00:57:34about 8-9 years old
00:57:35it's really hard
00:57:37to find something
00:57:38that is
00:57:39clean
00:57:40and wholesome
00:57:41so the show
00:57:43actually was going
00:57:44to go off
00:57:45the next season
00:57:45but because
00:57:46the new network
00:57:47didn't have enough
00:57:48shows
00:57:48they made a choice
00:57:49to bring back
00:57:50the show
00:57:50after you already
00:57:51wrapped it
00:57:52so the 11th season
00:57:55was like
00:57:56an extra season
00:57:57it says a lot
00:57:58about the cast
00:57:59that the world
00:58:01sees and says
00:58:02we want more
00:58:037th Heaven
00:58:04went on for 11 seasons
00:58:06and the final show
00:58:08had an audience
00:58:09of 9 million people
00:58:11who were sorry
00:58:12to see it go
00:58:13it's the longest running
00:58:15family show in history
00:58:16when I worked
00:58:19on 7th Heaven
00:58:20that kind of set
00:58:21the standard
00:58:21in my mind
00:58:22as to what
00:58:23a set
00:58:24should be like
00:58:26and when I look back
00:58:28on my entire experience
00:58:31and in the business
00:58:32there was only
00:58:34a couple people
00:58:35that I could look back on
00:58:36and say
00:58:37they taught me something
00:58:40Stephen was definitely
00:58:43right there
00:58:44probably number one
00:58:46right before
00:58:507th Heaven started
00:58:51I was
00:58:53I played a sort of
00:58:54string of
00:58:54bad guy characters
00:58:56and then along
00:58:57comes 7th Heaven
00:58:57and now it's like
00:58:59I wonder if I'll ever
00:59:00get to play
00:59:00a bad guy again
00:59:01after 7th Heaven
00:59:03Stephen Collins
00:59:03played a lot of dads
00:59:04he was in the office
00:59:06playing a dad
00:59:07he was in Revolutions
00:59:08J.J. Abrams
00:59:09TV show
00:59:10and he appeared
00:59:11on the second season
00:59:12on It's Always Sunny
00:59:13in Philadelphia
00:59:13are these
00:59:14my beautiful children
00:59:16when I saw him
00:59:17show up on screen
00:59:18I'm freaking out
00:59:20this is
00:59:20the exact opposite
00:59:22of 7th Heaven
00:59:23I really can't stress enough
00:59:25how bizarre
00:59:26the second season is
00:59:27there are entire episodes
00:59:28of It's Always Sunny
00:59:29in Philadelphia
00:59:29that are so offensive
00:59:31that you cannot
00:59:31find them anymore
00:59:32they are not available
00:59:33on streaming
00:59:34I just saw you
00:59:35on an episode of
00:59:36It's Always Sunny
00:59:36in Philadelphia
00:59:37and you are so funny
00:59:39are you going to be
00:59:40doing any more
00:59:40of this role?
00:59:41so to see him
00:59:43on that show
00:59:44now he is canonized
00:59:45in the same way
00:59:47to a completely
00:59:48different audience
00:59:48who probably didn't
00:59:49grow up watching
00:59:507th Heaven
00:59:50about seven years
00:59:56after 7th Heaven
00:59:57had wrapped
00:59:58I didn't do
00:59:59a very good
01:00:00job maintaining
01:00:02contact with
01:00:04anybody
01:00:04not even Stephen
01:00:06but I remember
01:00:08getting a phone call
01:00:09it was actually
01:00:11a reporter
01:00:12for TMZ
01:00:13and they said
01:00:17we wanted to
01:00:18interview you
01:00:19on the new
01:00:20Stephen Collins
01:00:20bombshell
01:00:21that just dropped
01:00:22I don't have
01:00:25the slightest clue
01:00:25when you say
01:00:26bombshell
01:00:27I'm assuming
01:00:28you mean
01:00:28something bad
01:00:30right?
01:00:32and they were like
01:00:33oh yeah
01:00:33I read it
01:00:39in the paper
01:00:39I thought
01:00:40oh my god
01:00:41my heart
01:00:42hit the floor
01:00:42how could
01:00:43something like
01:00:43that happen?
01:00:46and within
01:00:4724 hours
01:00:48I spoke
01:00:48to Tom Green
01:00:49and the first
01:00:52things out of his
01:00:52mouth was
01:00:53did you hear?
01:00:57and I said
01:00:58hear what?
01:00:59and he said
01:01:00about Stephen
01:01:00on October 7th
01:01:032014
01:01:04TMZ put out
01:01:05a recording
01:01:05an audio
01:01:06of him speaking
01:01:08in a therapy session
01:01:09with his wife
01:01:09so the audio
01:01:10was actually
01:01:11taken from a
01:01:11session in 2012
01:01:12which is two years
01:01:13before it leaked
01:01:14it was clear
01:01:14that it was
01:01:15a session
01:01:16between
01:01:17Stephen
01:01:17his wife
01:01:18and their therapist
01:01:19and it was
01:01:19a session
01:01:20that was
01:01:20secretly recorded
01:01:21without his
01:01:21consent
01:01:22by his wife
01:01:22at this point
01:01:25he's having
01:01:26some marital
01:01:26discord
01:01:27with his wife
01:01:28Faye
01:01:28in this recording
01:01:32Stephen recounts
01:01:33his experience
01:01:34with a young girl
01:01:35he allegedly
01:01:36abused
01:01:37before April
01:01:37and you exposed
01:01:38yourself to
01:01:3910 year old
01:01:40sister
01:01:40did you have
01:01:41an erection?
01:01:44no
01:01:44partial erection
01:01:48in 1973
01:01:51this child
01:01:52was 10 years old
01:01:53Stephen was 25
01:01:53he was living
01:01:54in New York
01:01:55at the time
01:01:55at first
01:01:59I was hearing
01:02:00some buzzings
01:02:00of it
01:02:01but I wasn't
01:02:01putting it
01:02:02with my
01:02:03Stephen Collins
01:02:03because there's
01:02:05not a chance
01:02:05in hell
01:02:07my Stephen Collins
01:02:07is being accused
01:02:09of these things
01:02:09you don't accuse
01:02:11saints of things
01:02:11my defense
01:02:13was coming
01:02:14from a place
01:02:14where I was
01:02:15put in the same
01:02:16position
01:02:17and I didn't
01:02:17do anything wrong
01:02:18how did you talk
01:02:22to her
01:02:22what kinds
01:02:24of things
01:02:25did you
01:02:25the exposure
01:02:29happened
01:02:30a couple
01:02:32of times
01:02:33a couple
01:02:34of times
01:02:34with a 10 year
01:02:35old
01:02:35okay
01:02:36well
01:02:37you know
01:02:38she was 11
01:02:39and then
01:02:39like 12
01:02:40and 13
01:02:41there were
01:02:43like 3 incidents
01:02:44over about
01:02:453 years
01:02:46he admits
01:02:48to exposing
01:02:49himself
01:02:49two times
01:02:50to this victim
01:02:50and then
01:02:51the last time
01:02:52the worst thing
01:02:53that ever happened
01:02:53there was one
01:02:55moment
01:02:56of touching
01:02:56where
01:02:57her hand
01:02:59I put her hand
01:03:00on my penis
01:03:01you put her hand
01:03:02on my penis
01:03:02he seems
01:03:08a little irritated
01:03:09that he has to
01:03:10tell these stories
01:03:11with Faye
01:03:12that was
01:03:15in the disclosure
01:03:15that was also
01:03:16I also told you
01:03:18that
01:03:18when
01:03:19before that
01:03:21when we were
01:03:21in the hotel
01:03:22she knew
01:03:23something was
01:03:24bad
01:03:24and she was
01:03:25on it
01:03:26and that's
01:03:26what he was
01:03:27irritated about
01:03:27that she was
01:03:29blowing his cover
01:03:30and then
01:03:31Steven goes on
01:03:32to describe
01:03:33another alleged
01:03:34victim
01:03:34which sounds
01:03:35like April
01:03:36what were the
01:03:36other girls
01:03:37names
01:03:37was the niece
01:03:40of the woman
01:03:40who lived
01:03:41across the way
01:03:42even though
01:03:43it was beeped
01:03:43out obviously
01:03:44I knew
01:03:44that it was
01:03:45my name
01:03:45that he was
01:03:46saying on
01:03:47that taped
01:03:47confession
01:03:48and this has
01:03:49gone national
01:03:50how many times
01:03:51once
01:03:52oh it was so
01:03:54disgusting
01:03:54and then his wife
01:03:56said did you date her
01:03:57and that was so
01:04:03icky to me
01:04:04to hear her ask
01:04:05did you date her
01:04:06I wanted to
01:04:07almost vomit
01:04:07but what was
01:04:09even worse
01:04:09what the gut punch
01:04:10on that was
01:04:11was finally hearing
01:04:12that there wasn't
01:04:13just me
01:04:13it's also sad
01:04:18but there's a
01:04:19there's a
01:04:19third girl
01:04:20he admits
01:04:21to perpetrating
01:04:22against the
01:04:24babysitter
01:04:25of his children
01:04:25and then this
01:04:27recording
01:04:27ends abruptly
01:04:28I don't know
01:04:33why
01:04:34Faye taped it
01:04:35some people
01:04:35think it's
01:04:36because
01:04:36she
01:04:37just was
01:04:38taping her
01:04:38sessions
01:04:39to listen
01:04:39to them
01:04:39later
01:04:40and maybe
01:04:40reflect on
01:04:41them
01:04:41other people
01:04:42think that
01:04:42she recorded
01:04:42them
01:04:43because she
01:04:43knew
01:04:43that he
01:04:43had done
01:04:44this
01:04:44and wanted
01:04:45proof of
01:04:46it
01:04:46there's a
01:04:48third theory
01:04:48that she
01:04:49taped it
01:04:49because she
01:04:49was trying
01:04:50to get a
01:04:50settlement
01:04:50out of him
01:04:51in their
01:04:51divorce
01:04:51and this
01:04:52was a
01:04:52good way
01:04:52to blackmail
01:04:53him
01:04:53what we
01:04:53do know
01:04:54is he
01:04:54and his
01:04:55team
01:04:55has not
01:04:56come out
01:04:56and denied
01:04:57that it's
01:04:57him on the
01:04:57tape
01:04:58Aisha is
01:04:58completely
01:04:59right
01:05:00the way
01:05:03this was
01:05:03recorded
01:05:04and the
01:05:04fact that
01:05:05it was
01:05:05released
01:05:06unfortunately
01:05:06is reprehensible
01:05:07it's a
01:05:08terrible thing
01:05:09this is
01:05:10not okay
01:05:11but neither
01:05:12is the
01:05:13behavior
01:05:13that was
01:05:14uncovered
01:05:14it's like
01:05:15if I have
01:05:15videotape
01:05:16of you
01:05:16murdering
01:05:17somebody
01:05:17it doesn't
01:05:18matter
01:05:18why I
01:05:19want you
01:05:19to get
01:05:20in trouble
01:05:20you still
01:05:21murdered
01:05:21somebody
01:05:21she sees
01:05:22this clearly
01:05:23and she's
01:05:23correct
01:05:24I don't care
01:05:24what the
01:05:24circumstances
01:05:25were of how
01:05:25it comes up
01:05:26in a courtroom
01:05:27that's one
01:05:27thing
01:05:28but in the
01:05:28court of public
01:05:28opinion
01:05:29it is what
01:05:30it is
01:05:31knowing
01:05:37knowing that he
01:05:37has admitted
01:05:38to these
01:05:40accounts
01:05:41especially
01:05:41one in
01:05:42particular
01:05:42touching
01:05:43with a
01:05:4410 year
01:05:44old
01:05:44how do you
01:05:45feel about
01:05:45that
01:05:46it actually
01:05:46does not
01:05:47line up
01:05:47with the
01:05:48Stephen
01:05:48Collins
01:05:49I knew
01:05:51at all
01:05:51by the way
01:05:52I didn't know
01:05:52all those
01:05:53details
01:05:53about
01:05:54you know
01:05:54the recording
01:05:55did you
01:05:56listen to
01:05:57the recording
01:05:57yeah
01:05:58I don't
01:05:59think that
01:06:00I
01:06:00listened to
01:06:01the recording
01:06:02I think
01:06:02it was just
01:06:03me just
01:06:04trying to
01:06:04you know
01:06:05stick your
01:06:05head in the
01:06:05sand
01:06:06kind of
01:06:06thing
01:06:06walk me
01:06:10through
01:06:10first hearing
01:06:11these rumors
01:06:12whatever
01:06:13something
01:06:14happened
01:06:14I don't
01:06:15know what
01:06:15happened
01:06:15you're
01:06:16messing with
01:06:17somebody I
01:06:17love and
01:06:17care about
01:06:18and to
01:06:19see anybody
01:06:19messing with
01:06:20him
01:06:20it still
01:06:22makes my
01:06:23blood boil
01:06:23so
01:06:25Stephen
01:06:26in the
01:06:27recording
01:06:27he says
01:06:28that there
01:06:28were three
01:06:29incidences
01:06:30which I'm
01:06:38sorry to
01:06:38like
01:06:39put you
01:06:39through
01:06:40it's tough
01:06:40it's hard
01:06:41I'm a
01:06:42dad
01:06:42first and
01:06:45foremost
01:06:45above
01:06:47everything
01:06:47else
01:06:48and so
01:06:50my first
01:06:51um
01:06:52thoughts
01:06:54always
01:06:54go to
01:06:55the
01:06:55children
01:06:55Stephen
01:06:56Collins
01:06:56would be
01:06:57a
01:06:57dead
01:06:57man
01:06:57if
01:06:58that
01:06:58was
01:06:58my
01:06:59child
01:06:59after
01:07:05Faye Grant
01:07:06recorded
01:07:06Stephen Collins
01:07:07in the
01:07:08marriage
01:07:08therapy
01:07:09session
01:07:09she emailed
01:07:10the victim
01:07:11from 1973
01:07:12the same
01:07:15victim
01:07:15made a police
01:07:16report
01:07:16to the NYPD
01:07:17during the
01:07:18investigation
01:07:19the 10 year
01:07:19old girl
01:07:20revealed to
01:07:21police on
01:07:22the record
01:07:22that there
01:07:23was quite a
01:07:24bit more
01:07:24that went
01:07:24on with
01:07:25that
01:07:25contact
01:07:25it was
01:07:27not merely
01:07:28that he
01:07:29grabbed her
01:07:29hand and
01:07:30placed it
01:07:31on his
01:07:31genitalia
01:07:32he moved
01:07:34her hand
01:07:34until he
01:07:35completed
01:07:36the NYPD
01:07:46opened up a
01:07:47case against
01:07:47Stephen Collins
01:07:48they started
01:07:49an investigation
01:07:50and they brought
01:07:51Stephen Collins
01:07:52in for an
01:07:52interview
01:07:53and the
01:07:56information
01:07:56contained in
01:07:57those cases
01:07:57is not
01:07:58available for
01:07:59public information
01:07:59because it
01:08:01involves a
01:08:01minor
01:08:01but I
01:08:03can tell
01:08:03you
01:08:03the detective
01:08:04that had
01:08:04the case
01:08:04thought that
01:08:05Stephen was
01:08:06very weird
01:08:07but there
01:08:11was a problem
01:08:11already
01:08:11with the
01:08:12case
01:08:12because there
01:08:13were
01:08:13statute
01:08:13of limitations
01:08:14statute
01:08:15of limitations
01:08:15is the
01:08:17amount of
01:08:17time
01:08:17after you
01:08:18report a
01:08:19crime
01:08:19whether you
01:08:20can make
01:08:21an arrest
01:08:21or not
01:08:21so in
01:08:23sex crimes
01:08:24it's usually
01:08:26five years
01:08:26from the
01:08:2718th birthday
01:08:27the victim
01:08:28in 1973
01:08:29had until
01:08:30basically
01:08:31approximately
01:08:321986
01:08:32to make
01:08:33a report
01:08:34that we
01:08:34could prosecute
01:08:35and she
01:08:36didn't
01:08:36and she
01:08:37still made
01:08:37the report
01:08:38in 2012
01:08:40no charges
01:08:41were filed
01:08:42against
01:08:42Stephen Collins
01:08:43because of
01:08:43the statute
01:08:44of limitations
01:08:44had passed
01:08:45but it was
01:08:47still going
01:08:47to be
01:08:47investigated
01:08:48because you
01:08:49might find
01:08:49other cases
01:08:50that you
01:08:50can't prosecute
01:08:51there were
01:08:54like 10
01:08:54years between
01:08:55each incident
01:08:55that Stephen
01:08:56Collins admits
01:08:57to abusing
01:08:57these children
01:08:58there absolutely
01:08:59could be more
01:09:00victims
01:09:00after I heard
01:09:04the recording
01:09:04the very next
01:09:05morning I called
01:09:06the Los Angeles
01:09:07Police Department
01:09:07because I knew
01:09:08that they had
01:09:09an ongoing
01:09:09investigation
01:09:10and when I
01:09:12called
01:09:12and I said
01:09:14I'm calling
01:09:15about the
01:09:16Stephen Collins
01:09:16tape that aired
01:09:17last night
01:09:18and I gave
01:09:19them my name
01:09:20I said I know
01:09:20that he said
01:09:21April
01:09:21and I know
01:09:22that the name
01:09:23of the apartment
01:09:24complex was
01:09:25on Havenhurst
01:09:26and immediately
01:09:26they knew
01:09:28I was right
01:09:29and after that
01:09:30Los Angeles Police
01:09:31Department
01:09:32sent a detective
01:09:33to come talk
01:09:34to me
01:09:35they took
01:09:35a full statement
01:09:36and the New York
01:09:37Police Department
01:09:38sent two detectives
01:09:39to come to speak
01:09:40to me
01:09:40and they took
01:09:41a full statement
01:09:42but I knew
01:09:43from the beginning
01:09:44when I was giving
01:09:45the reports
01:09:46to the police
01:09:47departments
01:09:47that the statute
01:09:48of limitations
01:09:49had run out
01:09:49the investigations
01:09:53into him
01:09:54all kind of
01:09:55fell apart
01:09:55one case
01:09:57the girl
01:09:58in question
01:09:58in 1994
01:09:59did not come forward
01:10:01so there was
01:10:02nothing to prosecute
01:10:03how are you guys
01:10:09Mr. Collins
01:10:10how you doing
01:10:11good to see you
01:10:12good to see you
01:10:13I didn't hear much
01:10:15about those young girls
01:10:16but the thing
01:10:17that I noticed
01:10:18was
01:10:187th Heaven
01:10:20was off the air
01:10:21for a period of time
01:10:22well how do you feel
01:10:23about a lot of networks
01:10:24that you know
01:10:25took it off
01:10:26he stepped down
01:10:27from SAG too
01:10:27but I understand
01:10:29he's the figurehead
01:10:30of the show
01:10:31I mean you have
01:10:31to have some sort
01:10:32of reaction
01:10:34around that time
01:10:35he had two movies
01:10:36he was going to do
01:10:37he had a series
01:10:38called Scandal
01:10:39all these things
01:10:40are happening
01:10:40and are all gone
01:10:42thanks Mr. Collins
01:10:43nice to see you
01:10:43thank you
01:10:44appreciate it
01:10:44Mr. Collins
01:10:45thank you so much
01:10:46when it comes
01:10:47to Stephen Collins
01:10:48I think most people
01:10:49would just duck
01:10:50go into hiding
01:10:51after something
01:10:52like that
01:10:52it's exposed
01:10:52but that
01:10:57has not been
01:10:58his style
01:10:58so in December
01:11:012014
01:11:02Stephen Collins
01:11:03decides to sit down
01:11:04with Katie Couric
01:11:05on 2020
01:11:06so you never saw that
01:11:08no
01:11:09all right
01:11:09all right
01:11:09I'm going to pull up
01:11:10the video
01:11:10okay
01:11:11okay
01:11:13whenever you're
01:11:18I know that
01:11:22other people
01:11:22are going to judge
01:11:24and doubt
01:11:25and I can't do
01:11:25anything about it
01:11:26all I can do
01:11:26is tell my truth
01:11:28looking at this
01:11:30it's hard to interpret
01:11:31what you're seeing
01:11:31right
01:11:32because no doubt
01:11:33there's PR
01:11:34and lawyers
01:11:35and people
01:11:36telling Stephen Collins
01:11:37what he should say
01:11:38or what he can say
01:11:39and what he can say
01:11:40and not put himself
01:11:42in harm's way
01:11:43so this is all
01:11:45carefully crafted
01:11:46I'm sure
01:11:47the first incident
01:11:49how old was the victim
01:11:51she was 10
01:11:53I noticed
01:11:56he doesn't look
01:11:56so hurt to say it
01:11:58I had no idea
01:12:00the first one
01:12:01was 10
01:12:02I mean
01:12:05it's
01:12:05all three are wrong
01:12:07don't get me
01:12:07don't get me wrong
01:12:08but
01:12:09like I'm kind of like
01:12:15shaking right now
01:12:16well in 1973
01:12:19there were
01:12:21two occasions
01:12:23when I
01:12:24exposed myself
01:12:27to this young woman
01:12:28isn't that interesting
01:12:30he calls her a young woman
01:12:32she's 10
01:12:33how many 10 year old women
01:12:35do you know
01:12:36I don't know any
01:12:37that's interesting language
01:12:38for someone
01:12:39arguably too young
01:12:41to even really have a period
01:12:42he is warping language
01:12:44so subtly
01:12:45it twists
01:12:47fundamentally
01:12:48what he's done
01:12:49and
01:12:50I
01:12:52took her hand
01:12:54and
01:12:55moved it
01:12:56in such a way
01:12:57that
01:12:57she was
01:12:58touching me
01:12:59inappropriately
01:13:00he said
01:13:01she was touching me
01:13:02inappropriately
01:13:03you are
01:13:04molesting a child
01:13:05she is not touching you
01:13:06inappropriately
01:13:07those are a lot of words
01:13:08to say
01:13:09I
01:13:09forced her to give me
01:13:11a handjob
01:13:11I think we both
01:13:14just sat there
01:13:15we really didn't
01:13:16move a muscle
01:13:17he says
01:13:19we realized
01:13:20something unfathomable
01:13:21happened
01:13:22like they're in it
01:13:24together
01:13:24a lot of times
01:13:25pedophiles see
01:13:26the victims
01:13:28as a participant
01:13:29then a kid
01:13:31is 10 years old
01:13:32there is no we
01:13:32it's a child
01:13:34and after about
01:13:37what I recall
01:13:38is about 45 seconds
01:13:39I
01:13:41took her hand
01:13:43and
01:13:43moved it back
01:13:45he was very
01:13:47precise
01:13:48like
01:13:48it only happened
01:13:49this many seconds
01:13:50there was no talking
01:13:52and it was very quick
01:13:5345 seconds
01:13:54that's his interpretation
01:13:55he's saying
01:13:56it's 45 seconds
01:13:57let's be fair
01:13:58and say it's 45 seconds
01:14:00I think you should
01:14:02take some time
01:14:02to count 45 seconds
01:14:04and you tell me
01:14:05that's not a long time
01:14:07for a 10 year old
01:14:08to have her hand
01:14:09on your penis
01:14:10there were
01:14:11two times
01:14:12in 1982
01:14:14when
01:14:1520 years ago
01:14:16a lot of men
01:14:17who are accused
01:14:17of sexual violence
01:14:18do this
01:14:19where they
01:14:20will frame it
01:14:21in how many years
01:14:21it's been since
01:14:22they did it
01:14:23what does that have
01:14:23to do with anything
01:14:24you didn't admit
01:14:25to it then
01:14:26you didn't say sorry
01:14:27you didn't have
01:14:29to present in court
01:14:30you didn't have
01:14:31to pay a fine
01:14:31you didn't have
01:14:32to do anything
01:14:33you're right
01:14:34you've had 20 years
01:14:35to just live free
01:14:36despite what you
01:14:37are admitting
01:14:37to have done
01:14:38the look on
01:14:41the one in 1982
01:14:42was such
01:14:43that it immediately
01:14:45just stopped
01:14:47everything cold
01:14:47that's not what
01:14:49happened
01:14:50the way he portrayed
01:14:52it that it only
01:14:53happened once
01:14:53and everything
01:14:54it sent me
01:14:55into a fury
01:14:56he's trying
01:14:56to save his career
01:14:57and he's downplaying
01:14:58it but on the other
01:14:59hand as the person
01:15:00that it happened
01:15:00to I was enraged
01:15:01I am not
01:15:03attracted to
01:15:04underage girls
01:15:05this is the first
01:15:06time
01:15:06that
01:15:09I've ever thought
01:15:12that he's full
01:15:12of
01:15:12no I'm not
01:15:15I'm not
01:15:15satisfied with this
01:15:18I had like a knot
01:15:23in my stomach
01:15:24my whole world
01:15:28changed when I had
01:15:30kids of my own
01:15:31a whole world view
01:15:33and certainly my
01:15:35tolerance for
01:15:36this
01:15:37I think that goes
01:15:39without being said
01:15:40but you know
01:15:41what I mean
01:15:42I just think
01:15:45that maybe I
01:15:46put him up
01:15:47on a
01:15:48professional pedestal
01:15:50a bit too much
01:15:51are you a pedophile
01:15:54I do not fit
01:15:56the either clinical
01:15:57or dictionary
01:15:58definition of it
01:15:59that to me
01:16:00seemed like
01:16:00a prepared answer
01:16:01because
01:16:02we're just
01:16:03missing words
01:16:04pedophilia is a
01:16:05is a specific term
01:16:07that does refer
01:16:07to children
01:16:08but it's usually
01:16:09children under
01:16:09about 10 or 11
01:16:11what he is
01:16:12is a
01:16:12hemophiliac
01:16:13which is somebody
01:16:14who's attracted
01:16:14to prepubescent
01:16:16girls usually
01:16:17so 11 to 14
01:16:18so he's right
01:16:19there is a distinct
01:16:20word for what he is
01:16:21for him to know
01:16:22what the clinical
01:16:23definition is
01:16:24he knows the line
01:16:25to walk doesn't he
01:16:26the answer should
01:16:28have been
01:16:28doesn't matter
01:16:29what we call it
01:16:30what I did was
01:16:31I victimized
01:16:32young women sexually
01:16:33and I harmed them
01:16:34that's it
01:16:35that's what you did
01:16:41in seventh heaven
01:16:47there were three
01:16:48young women
01:16:48on the show
01:16:49from 7 to 15
01:16:50they're exactly
01:16:52the ages
01:16:52that
01:16:53a predator
01:16:54would love
01:16:55so did you ever
01:16:56witness anything
01:16:58with Stephen at all
01:16:58nothing
01:16:59it just didn't happen
01:17:00I would see
01:17:01I mean
01:17:01it may have happened
01:17:02but I wasn't
01:17:03I didn't see it
01:17:04what did you notice
01:17:05about him working
01:17:05with the young girls
01:17:06or with extras
01:17:07or anything like that
01:17:08what I noticed
01:17:08about Stephen Collins
01:17:10working with young girls
01:17:11and extras
01:17:11is that I never noticed
01:17:13a damn thing
01:17:13about Stephen Collins
01:17:14working with young girls
01:17:16and extras
01:17:16never crossed any lines
01:17:18of any
01:17:19any kind
01:17:21there's lots of safety rails
01:17:23when you have kids
01:17:24on a show
01:17:24for minors
01:17:25there are always
01:17:26people on set
01:17:27or teachers
01:17:28or monitoring
01:17:29situations
01:17:30got a sense
01:17:31that this was a
01:17:32really protected set
01:17:33I'm actually a personal
01:17:36friend of Beverly Mitchell
01:17:37she never reported
01:17:38any issues to me
01:17:39he was a nice guy
01:17:42he is a smart dude
01:17:43he is engaging
01:17:44and interesting
01:17:45and charming
01:17:47he is all of those things
01:17:48and he was engaged
01:17:50in some monstrous behavior
01:17:51after the child abuse scandal
01:17:567th Heaven
01:17:57became something
01:17:58that a lot of people
01:17:59didn't talk about
01:18:01but there were
01:18:04other actors
01:18:06on that show
01:18:06I love your show
01:18:07thank you so much
01:18:09this was their career
01:18:10and their lives
01:18:11it's honestly
01:18:12like just amazing
01:18:13and they're
01:18:14great people
01:18:15I'm actually
01:18:16very honored
01:18:17that I
01:18:17that I get to be part
01:18:19of this
01:18:19rare thing nowadays
01:18:21so one person's actions
01:18:22should that also
01:18:25take this piece of culture
01:18:27that we all have
01:18:28and destroy it
01:18:29do you feel
01:18:37that you can make
01:18:38a comeback
01:18:38as an actor
01:18:39oh you know
01:18:41I'm lucky enough
01:18:42to get past
01:18:43Stephen Collins' story
01:18:45broke a few years
01:18:46before similar stories
01:18:48about other Hollywood
01:18:49icons
01:18:49and well before
01:18:50the Me Too movement
01:18:51I'm so glad
01:18:55that there
01:18:55people saying
01:18:56how much
01:18:57the show
01:18:57means to them
01:18:58he just
01:18:59was able
01:18:59to fade away
01:19:00into obscurity
01:19:01over that
01:19:02I used to always
01:19:07say that
01:19:07memories are
01:19:08like they're
01:19:09all encased
01:19:09in little amber
01:19:10balls
01:19:12to keep them safe
01:19:14like the insect
01:19:15in Jurassic Park
01:19:16and the amber
01:19:16you don't put
01:19:18the memory
01:19:18on a table
01:19:19and get a sledgehammer
01:19:20and go
01:19:20and break it open
01:19:21I feel
01:19:24we all
01:19:25are angry
01:19:26the victims
01:19:27and the friends
01:19:28we all feel
01:19:29betrayed
01:19:30you can't change it
01:19:31the person
01:19:32and the thing
01:19:33that was in that amber
01:19:33was someone different
01:19:34and that's what you loved
01:19:36and when something
01:19:37now has happened
01:19:37here
01:19:38you don't defend them
01:19:40you don't say
01:19:41it's okay
01:19:42but you don't
01:19:43then destroy
01:19:44you know
01:19:45all of these
01:19:46bits of amber
01:19:47memories
01:19:47Stephen Collins
01:19:50now lives
01:19:51with a woman
01:19:52who is 40 years
01:19:53younger than him
01:19:53she was a super fan
01:19:55the age difference
01:19:57given what we know
01:19:58about his history
01:19:59does certainly
01:20:00raise an eyebrow
01:20:01let's hope
01:20:01he can commit
01:20:02to this woman
01:20:02and not
01:20:03perpetrate on others
01:20:04I'm sure
01:20:08Stephen Collins
01:20:09would hope
01:20:09that he is remembered
01:20:10for being an actor
01:20:12he is not
01:20:13and will not
01:20:13be remembered
01:20:13for that
01:20:14I know
01:20:15Stephen Collins'
01:20:17face
01:20:17from 7th Heaven
01:20:18but I know
01:20:19his name
01:20:19because of
01:20:20his scandals
01:20:21off screen
01:20:21and when you look
01:20:24back at Stephen Collins'
01:20:25career
01:20:26you can see
01:20:27some of these
01:20:28signs along the way
01:20:29he wrote
01:20:30erotic thrillers
01:20:31he was in that movie
01:20:33Babysitter Seduction
01:20:34two years after he
01:20:35admittedly exposed himself
01:20:37to a babysitter
01:20:38when I'm rewatching
01:20:407th Heaven now
01:20:41in one of the last few seasons
01:20:42Ruthie who's now
01:20:44basically like
01:20:45a teenager
01:20:46is dancing provocatively
01:20:48and her father
01:20:50is watching her
01:20:51it's actually so
01:20:52uncomfortable to watch
01:20:53so growing up
01:20:54you were my favorite
01:20:55preacher dad
01:20:56these things
01:20:58don't need to read
01:20:59as creepy
01:20:59they don't need to
01:21:00they shouldn't
01:21:01but they do
01:21:02because now we know
01:21:03what kind of a person
01:21:04Stephen Collins is
01:21:06I played a sort of
01:21:07string of
01:21:07bad guy characters
01:21:09so there's a scene
01:21:10and it's all of a sudden
01:21:11in Philadelphia
01:21:11save the children
01:21:14save the children
01:21:16save the children
01:21:17save the children
01:21:18just it's hard
01:21:20to listen to
01:21:21when these kind of
01:21:22stories come out
01:21:23how do you separate
01:21:24the work from
01:21:25the person
01:21:25and
01:21:27it's so hard
01:21:29for me to imagine
01:21:30anyone doing that
01:21:31Stephen Collins
01:21:32played dozens
01:21:33of different characters
01:21:34but perhaps his
01:21:35greatest acting job
01:21:36was transforming
01:21:38himself into
01:21:38the Stephen Collins
01:21:39we thought we knew
01:21:41as opposed to
01:21:42the Stephen Collins
01:21:43we now know
01:21:44does he offer
01:21:46real life
01:21:47playing 7th Heaven
01:21:48what's your message
01:21:49tonight
01:21:49for you
01:21:49and kids
01:21:50don't believe
01:21:53everything you
01:21:54hear on television
01:21:55don't believe
01:21:57everything you hear
01:21:58on television
01:21:59I rest it
01:22:09yeah
01:22:10he's not a Power Ranger
01:22:13he's people
01:22:14Power Rangers has
01:22:18a dark history
01:22:19he ran him
01:22:20through with the sword
01:22:21he started
01:22:24sending pictures
01:22:25of my house
01:22:26and of my car
01:22:28it's like
01:22:30okay
01:22:30this is getting
01:22:31serious now
01:22:31Sheriff's deputies
01:22:33found
01:22:33this is one family
01:22:35a single generation
01:22:36of six brothers
01:22:37and I'm the only one
01:22:39left now
01:22:39if there were ever
01:22:40a circumstance
01:22:41that looked like a curse
01:22:42it's this one
01:22:43you always hear
01:22:44with a child
01:22:44and it comes out
01:22:45all wild
01:22:46I don't know
01:22:46why you guys
01:22:47did this to me
01:22:48my friend
01:22:49just hang himself
01:22:50about to be sued
01:22:51I'm innocent
01:22:51I think the majority
01:22:53of people
01:22:53don't know
01:22:54the true story
01:22:55why did you decide
01:22:58that you wanted
01:22:58to speak now
01:22:59what is going on
01:23:02can I just have
01:23:04a moment
01:23:04I don't know

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