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00:00.
00:30Oh, my God.
01:00Oh, my God.
01:30Oh, my God.
01:32Oh, my God.
01:36Oh, my God.
01:40It's beautiful.
01:42It's beautiful.
01:46Was it very expensive?
01:52Yes, it was.
01:54Yes, it was.
01:56I like this about him.
02:02You know that.
02:04I...
02:06Oh, my God.
02:08Oh, my God.
02:12Oh, my God.
02:14Oh, my God.
02:16Oh, my God.
02:18Oh, my God.
02:20Oh, my God.
02:22Oh, my God.
02:24Oh, my God.
02:26Oh, my God.
02:28Oh, my God.
02:30Oh, my God.
02:32Oh, my God.
02:34Oh, my God.
02:36Let's go.
02:38Oh, my God.
02:40Lisa, there's, there's nothing I can say, is there?
02:47Now, please.
02:49Get out of my house.
02:51Don't make a scene, Lisa.
02:52Get out!
02:54Get out!
02:55Get out!
02:56Lisa, please, stop!
02:59You had better get your things.
03:01So this is your wife.
03:03Lisa!
03:04She is charming.
03:07Lisa, I'm sorry.
03:09You're sorry?
03:11You bring that, that slut into my house, into my home,
03:14and all you can say is you're sorry?
03:16No, it wasn't like that.
03:17But do you think she cares for you?
03:18She must be kind.
03:19Lisa, start to shout.
03:20No.
03:21All she cares for is your money.
03:22Shut up!
03:23Ah!
03:24You don't like that, do you?
03:26You don't like the truth.
03:27Truth?
03:28You want the truth?
03:29You are 38 years old, and you look it,
03:32and show it in everything that you do.
03:35Look.
03:36Look in the mirror.
03:37Look.
03:39I'll never forgive you for that, Georges.
03:44Never, never.
03:46I know too much about you.
03:49Things that will destroy you.
03:51And that is what I intend to do.
03:54Destroy you.
03:57I'll live.
04:00I'll see you to your car.
04:02I'll live.
04:04I'll see you.
04:05I'll leave.
04:06You.
04:07You.
04:08Yes.
04:09You.
04:10Understand the truth.
04:11You.
04:12Come.
04:13You.
04:14You.
04:15You.
04:16You.
04:17You.
04:18That will be great.
04:19What do you think?
04:22I'll give you the truth.
04:23You.
04:24You.
04:25Hey, sir.
04:55Lisa!
05:21Hello, this is Josh. Can I speak?
05:23There's been some trouble here.
05:25Lisa has gone, walked out.
05:27She has taken one of the statuettes.
05:29She knows the whole operation and she would talk, I know.
05:33Yes, there is no alternative.
05:37Tell him to be quick.
05:41I don't want that to suffer.
05:43Suffer.
06:13It might be a plan.
06:14I don't want it.
06:15I don't want it.
06:16I don't want it.
06:17You're noΠ΅Ρ perΓ² en bit.
06:18No.
06:19No, you'reolf.
06:20IοΏ½οΏ½ suggested he was gonna be as fred in the car.
06:21Oh, he Jorge.
06:22Oh, yes, he is too late.
06:23Any泑?
06:24Oh, no.
06:25Oh, he is gelir!
06:26Oh, he isμ΄λ.
06:27Oh, he's changing Thor.
06:28Oh, he is bigger.
06:29I don't want it.
06:30Oh.
06:31Oh, I'm king guard.
06:32ΒΆΒΆ
07:02ΒΆΒΆ
07:32ΒΆΒΆ
07:40Where to, sir? The Lindsay Hotel.
07:42Oh, yes. Straight on down, first left, third right.
07:45You'll see the Lindsay on the corner. Thank you.
08:02ΒΆΒΆ
08:12ΒΆΒΆ
08:17ΒΆΒΆ
08:21ΒΆΒΆ
08:27ΒΆΒΆ
08:36Monsieur Manerine?
08:37Uh, yes.
08:42Come in, Monsieur Manerine.
08:46Thank you for coming so quickly.
08:47Not at all.
08:48Oh, I'm so sorry. Of course, you don't know who I am.
08:50But when I telephoned, I spoke to your assistant.
08:53I didn't give my real name because I didn't want anybody to know
08:56that I was here until after I had spoken to you.
09:00I am Madame Delerre.
09:01Madame Delerre.
09:05Uh, won't you sit down?
09:12I don't think we've ever met before, have we?
09:14But then I live in the country most of the time.
09:16I see Georges only at weekends.
09:19I don't think I know any of my husband's business associates.
09:22I understand.
09:24And how is your husband?
09:26That's what I wanted to talk to you about.
09:33Now, I know what I have to tell you will sound strange,
09:35but I'm not just a jealous wife trying to make trouble.
09:39I took something from our apartment,
09:41which will give you proof that what I tell you is true.
09:44Proof, you say?
09:45You have something with you?
09:47No, it's in a deposit locker at the Gare du Nord.
09:51I have the key here somewhere.
09:54May I have it?
09:55Yes.
09:56But first I must tell you the story from the very...
10:02You're not John Manning.
10:04The initials on my shirt.
10:06You're very observant.
10:07No, I'm not John Manning.
10:09You're quite right.
10:10However, I will have that key.
10:17The people who hired me in Paris explained that I should recover a small statuette.
10:22I imagine that's what's in the locker.
10:24How did you find me?
10:26It wasn't difficult.
10:28You see, that's my job.
10:30And I'm very good at it.
10:34What are you going to do?
10:35Just what I'm paid for.
10:37You see, evidently in Paris somebody wants you dead.
10:41That's the service I provide.
10:56I guess the awesome guy is better.
10:58Nothing.
11:00I guess I'll...
11:04No.
11:05Do anything.
11:07No.
11:09No.
11:10You're already alone.
11:11No.
11:13You're alive.
11:16Nope.
11:19No!
11:21Not yet.
11:22No!
11:52Porter, get an ambulance. Room 40.
12:06No, don't try to talk.
12:22Throat's badly bruised, sir, but she'll get over it.
12:25But perhaps you could give me some details. Do you know the lady's name?
12:28No. No, I don't.
12:30Well, it was you who called the ambulance, wasn't it, sir?
12:33Could I have your name, please?
12:34Sure. John Mannering. Mannering Antiques, Mayfair.
12:44Easy. Easy now.
12:51She'd make it a lot easier on herself if she didn't try to talk. Still, that should make her sleep.
13:04You should do something about that cough.
13:06It's not a cough. It's a way of life.
13:10I'd like my sergeant to sit with the lady. Is that all right?
13:14I'll be in my office if you want me, Inspector.
13:15John, what have you got to tell me?
13:16Not a whole lot, Mac.
13:17I got this message from a woman who wanted to see me. It was urgent.
13:20She left her address but no name. You know the rest.
13:22You don't know her?
13:23No, I never saw her before.
13:26We found a pastor.
13:27We'd have been in a special direction.
13:29It's thechez.
13:30All right, Mac.
13:31Yes, Sir.
13:33We'll be in my office if you want me, Inspector.
13:35Well, John, what have you got to tell me?
13:37Not a whole lot, Mac.
13:38I got this passage from a woman who wanted me. It was urgent.
13:41She left her address but no name. You know the rest.
13:43You don't know her?
13:45Well, I never saw her before.
13:48saw her before. We found a passport. Does that mean anything to you?
13:54Madame Lise Dallaire. Dallaire. Well, there's a Georges Dallaire. It runs my
14:00Paris shop. And the woman in there is his wife.
14:07Are you sure about that? I just got through talking to the Paris police.
14:11What's it all about? I was hoping you'd tell me.
14:16They must have told you something. Your name was mentioned as the owner of the
14:22shop where Dallaire worked. I told them that it was you that found the woman.
14:27They got quite excited. I see. Well, what else? As soon as Madame Dallaire has recovered,
14:31she should be taken to the French Embassy and kept under wraps. Why is that?
14:34Well, something pretty big is going on. And your Paris shop and its manager are
14:39involved in it. Well, since my name is over the door, I guess I better figure out
14:42what this is all about. You have no objections if I leave town, I hope.
14:46Paris? Where else?
14:49Tread very lightly, John. There's an attempted murder this afternoon.
14:52Thanks for the tip.
14:55So why didn't you let me know you were coming? I have to fly to Zurich tomorrow. I'll see nothing of you.
15:10Well, you know how it is. All in a rush. Glad you could pick me up.
15:13Not at all. Where do you want to go? The hotel or the shop?
15:16I want to go to the Gare du Nord. Taking a train?
15:19No, I have to collect something. Ah.
15:22Pierre, you know all the Paris art dealers. You hear the gossip, right?
15:26Well, I keep my ears to the ground. What do you want to know?
15:30What's the grapevine on my boy, Georges Dallaire?
15:32Ah. Well, now, the shop is doing okay. I suppose you'd know about that.
15:37That leaves his social life. He's currently making time with a chick called, uh, Jean Varda.
15:43And I wish it was me. You do all right.
15:46Wait till you meet her. She's absolutely out of this world.
15:50I'm looking forward to it. What is she, a model or something?
15:54Or something. She's running a hairdressing salon for men. You know, sort of masculine beauty parlor.
15:59Do you want to go there? Uh, later. Yeah, I could use a trim.
16:13Oh, wow.
16:14It's amazing, sir.
16:15Don't leave it, man.
16:16Don't leave it.
16:17Excellent.
16:18You want to go?
16:19No, sir.
16:20Well, sir.
16:21Oh, sir, yes.
16:22Oh, sir.
16:23Oh, sir...
16:24That's why I need a mosquito.
16:27C'mon.
16:28Oh, sir.
16:29Oh, sir.
16:29Oh, sir.
16:30Oh, sir.
16:31Oh, sir.
16:32Oh, sir.
16:33Oh, sir.
16:34Oh, sir.
16:35Oh, sir.
16:36Oh, sir.
16:37Oh, who's not going to go.
16:38Oh, sir.
16:39Oh, sir.
16:40Oh, sir.
16:41Oh, sir.
16:42Oh, can you help me?
16:56Yeah, here we are.
17:01Thanks very much.
17:02Not at all.
17:07Well?
17:09He made the pickup.
17:10That's it.
17:11He's on that.
17:12Pity.
17:13He's very good looking.
17:15Keep your mind on business.
17:17Come on.
17:19Did you get what you wanted?
17:20Uh, yeah.
17:21Well, if you've got time, I'll have that haircut.
17:23Sure, I'll take you there.
17:25Uh, beware of her scissors.
17:26She tends to cut things short.
17:28If you come back bald, I shan't be around to take you to a wig maker.
17:32Thanks.
17:33I'll keep that in mind.
17:34Miss?
17:35Uh, good evening, monsieur.
17:36Do you have an appointment?
17:37No, but I'd be grateful if you could fix me one.
17:40The salon will be closing in a few minutes.
17:41I don't want the complete work.
17:42It's just a trim.
17:43Please take a seat.
17:43I'll see what I can arrange.
17:44A customer's just coming.
17:45It's too late tonight.
17:45Try and make an appointment for...
17:46Wait.
18:08Wait.
18:09Perhaps we can do something.
18:10I don't want the complete work.
18:11It's just a trim.
18:12Oh, good evening, monsieur.
18:13Do you have an appointment?
18:14No, but I'd be grateful if you could fix me one.
18:15No, but I'd be grateful if you could fix me one.
18:16do something you attend to him if you will come this way please sir
18:26George listen John Manoring has just come into the salon
18:31Manoring? no there can't be I tell you it is I recognized him and he's got a
18:36statuette with him all right all right now don't panic
18:45just keep him there and send the girls home what are you going to do I'll be
18:52there in about 15 minutes
19:15all right Claudine I'll finish off if you'd like to go home you don't mind
19:33monsieur no not at all all right off you go good night Claudine don't forget to
19:38lock the door all right good night good night you have not been here before now
19:44this is my first trip you were recommended yes my George Dallaire ah monsieur Dallaire
19:50yes I know him very well he comes in here quite often I don't blame him a nice
19:54spot you got here thank you keep your head still must cost a lot of money to set
19:59place like this I have some good friends who helped me with the finance to get
20:03started Dallaire one of them you ask a lot of questions put your head back please oh I
20:16I think we'll wash your hand now
20:46it's about the most athletic haircut I ever had now what else do you specialize in
21:16I want some answers
21:18George we must do something all right I'll take care of it oh yes you take care of it like you took care of
21:29everything else it was going to be so easy we've got him haven't we that's all I planned to do oh we've
21:34got him but not before this dumpy great the place how am I going to explain all this all right we'll think of
21:39something first we must deal with Melanie he may have spoken to somebody and the girls saw him come
21:44here look if anybody comes asking questions I say yes he was here but he left shortly after the salon
21:50closed but we still got to get rid of him well they the streets will be clear of traffic in a couple of
21:56hours we we could take him to Iladan there are gravel pits there filled with water it would be quite
22:03some time before they found his body why wait while he's alive he's a danger no first we must learn how
22:12much he has found out how he got on to us if he talked to anybody he can't know much if he'd have
22:21gone to the police they would have been swarming all over the place by now the fact that he had
22:25this proves that at least he's spoken to my wife so the man that you hired in England to wear fix that
22:33matter as he reported no well at least we have got this back apart from him it's the only real evidence
22:42against us
23:12of
23:42I don't know how you feel, honey.
24:12Well, that looks all right now.
24:39It will do.
24:41Well, it's nearly midnight. You'd better go and get Manning.
24:43Oh, here. Take this.
24:46I shall finish him.
24:47No, you fool. He has to answer questions.
25:11You're not dressed for swimming.
25:26What are you doing here?
25:28I'm scared of Nord.
25:30Aren't you going to let me down?
25:35What are you doing here?
25:37Don't tell me you just happened to be passing and dropped in.
25:40Oh, the joke hurts more than the splinters.
25:43Well, my comedy routines are a little bit rusty tonight.
25:46When I saw you being brought up here, I thought you were dead.
25:48Well, you saw that?
25:49Yeah, I was watching from window across the street.
25:51Except the only thing I did see was you being trundled up.
25:54Well, what are you, some kind of peeping Tom?
25:56Do you do this for money?
25:58Or what?
25:59I'm from the IDTC.
26:00IDTC?
26:01Illicit Drug Traffic Control.
26:03Well, that explains it.
26:05I'm Samantha Ballard.
26:06How do you do? I'm John Manning.
26:08John Manning, I know.
26:09What else do you know?
26:11Quite a lot, really.
26:12I've had you under surveillance since you arrived in Paris.
26:15You have? Why is that?
26:17Well, it's quite simple.
26:19Well, it may be very simple to you.
26:21Would you mind explaining it to me?
26:24Georges Dallaire is using your business for the distribution of drugs.
26:29What?
26:31Heroin is packed into the bases of antiques and packed off anywhere in the world.
26:35And being genuine antiques, they can get an import or export license without question.
26:39Wait a minute, wait a minute. Are you sure about that?
26:41Absolutely.
26:42How long has that been going on?
26:44Four or five months.
26:46We have enough evidence on Dallaire to pick him up any time we want.
26:50Well, in that case, why haven't you?
26:52You want the big fish, the supplier.
26:56Dallaire is due for a big shipment any day now.
26:59That's when we hit.
27:02Wanna help?
27:05No, not exactly.
27:07You see, that's not my line. I'm an antique dealer.
27:10It looks to me like I've been drug in by the heels.
27:13You know, for quite a long time, you were our prime suspect.
27:17That figures.
27:19I trusted that guy.
27:21Yeah, well, don't blame yourself too much.
27:23He only went wrong in the last six months.
27:26Big Money and Jeanne Bader are quite a tempting package.
27:29Well, that may be, but I'm still in no mood for forgiveness.
27:32Well, here's what we're going to do.
27:34Look, do you mind if we talk about it somewhere else?
27:36Let's get out of here.
27:37Oh, I wasn't planning on going out there again.
27:39It's much safer than the stairs. Come on.
27:41Oh!
27:42I'll go and bring the car onto the side entrance.
27:44Oh, Jeanne.
27:45Jeanne.
27:46Yes.
27:47Must it...
27:50Must it all be quite so cold-blooded?
27:53He is my friend, not just an employer.
27:56My friend.
27:57Leeser was your wife?
27:59There was no alternative.
28:01But perhaps we could make some arrangement with Mannering.
28:04What arrangement?
28:05You mean to give him half the money to pay him?
28:07No.
28:08He must disappear completely.
28:10Get out of sight.
28:19Hold it!
28:20Get down.
28:37Philippe!
28:40What has happened?
28:45You're a fool.
28:53You all right?
28:54Well, if we go to Countsland Heights, I'm doing fine.
28:55There's my car.
28:56What do you think Delay will do now?
29:11I think you'll panic.
29:13Exactly.
29:14You'll think the game's up.
29:15Isn't it?
29:16Not if you play your part.
29:18My part?
29:19Maybe you better coach me a little.
29:22Well, I hope you're a fast study.
29:23There's not much time for learning lines.
29:25You just give me the plot and I'll ad lib.
29:29You married?
29:31Would that disqualify me?
29:35Come on, coach.
29:36Let's get down to business.
29:37We're taking such a chance coming here.
29:54Mannering will be with the police by now.
29:56But we've got to get some money.
29:57We've got this.
29:58It's worth something.
29:59Not enough.
30:00In a couple of days, we could have had a fortune in our hands.
30:03But now we are running away like a couple of scared rabbits.
30:05Where will we go?
30:06We get in the car and we drive.
30:08How should I know where we're going?
30:09Please, don't begin to go through this.
30:10Oh, well, stop asking stupid questions.
30:11No, don't.
30:16Oh, come on, come on.
30:19You get the money.
30:20I'll get the clothes.
30:21Watch your hurry.
30:27How are you, George?
30:28What are you doing here?
30:29I'll take that.
30:30Wait a minute.
30:31We've got things to talk about.
30:33Don't rush off.
30:34And don't you get any funny ideas
30:36or I'll return that rap on the head you gave me with this.
30:39What do you want?
30:43Practical woman.
30:44I'll tell you in five words.
30:45A piece of the action.
30:49The action?
30:50Oh, come on.
30:51Don't play games with me.
30:52I want in.
30:53You're not going to the police?
30:55If I were, you'd be in handcuffs now.
30:57Besides, you know me better than that, George.
30:59I'm not the sort of guy to pass up an easy buck.
31:01And anyway, I'd be entitled to it.
31:03If it weren't for my shop,
31:04you wouldn't be in the distributing business, would you?
31:07How much do you know?
31:08Enough.
31:09I came onto it by luck,
31:11which was your bad fortune.
31:13I figured out the rest of it,
31:14which was my good fortune.
31:17You want to come in with us?
31:19Oh, no.
31:20You got that wrong, George.
31:21I'm not coming in with you.
31:23I'm taking over.
31:24You can't do that.
31:25Why not?
31:26You don't know how we work.
31:28Oh, I learn fast, and you'll teach me.
31:30Or you'll get a percentage.
31:31Not as much as you were getting, but a fair share.
31:34What do you say, George?
31:40Do we have a choice?
31:42Oh, yes.
31:43We can call the police.
31:49What do you want to know?
31:50Everything.
31:51A to Z.
31:56All right.
31:57All right.
31:58It's daylight already.
31:59I'll get some more coffee.
32:00All right.
32:01All right.
32:18It's daylight already.
32:22I'll get some more coffee.
32:30Of course.
32:31That's the last of it.
32:33Until the next consignment.
32:35When is that?
32:37They contact us.
32:39Tell us the time and place.
32:41You let me know the minute you hear.
32:43I'll be there when you make the pickup.
32:48All right.
32:54You're a funny guy, George.
32:57Funny?
32:59Yeah.
33:00When I hired you, I thought you were the straightest man I ever met.
33:05When you hired me, I was.
33:07Overnight, you turned into a drug peddler?
33:10Well, I never imagined it was possible.
33:15And I met John.
33:18Suddenly, it was all quite simple.
33:22Maybe I was always capable of this thing.
33:24Then we were both wrong.
33:27Then why are you taking that?
33:32Well, don't worry.
33:34I'm gonna leave it with a friend.
33:36It won't get to the police unless something happens to me.
33:39Mr. May.
33:45We won't let him get away with it.
33:50We can't stop him?
33:52Oh, yes, we can.
33:55I know a way.
33:57There's a million dollars' worth of stuff coming in.
34:00He will be with us when we collect it.
34:04We will kill him.
34:06We will take the stuff,
34:08and we will get out of the country.
34:11He will leave work with the police?
34:13That won't matter.
34:14We won't be here.
34:16We will be far away, George.
34:18Just the two of us.
34:21George.
34:27Kill him for me.
34:28When this is all over, what are you going to do?
34:43Go straight back to London?
34:45I don't know.
34:46What do you have in mind?
34:48Paris is a lovely city.
34:50There are lots of things you should see.
34:52Like what?
34:53Like me.
34:55You know, Sam,
34:57you just don't look like a policeman.
34:59What am I supposed to do?
35:00Have flat feet and carry a whistle?
35:03It's gone five already.
35:04I shouldn't think we'll hear from De Leonal.
35:07We could take the night off.
35:09I know a lovely little restaurant.
35:11Candlelight,
35:13soft music,
35:15terrible food, but it's so romantic.
35:18The food's bad, huh?
35:19But it's got atmosphere.
35:22Don't rush it, Sam.
35:24I was rushing it.
35:25We've known each other nearly 24 hours.
35:33Well, that's what's known as a classic sense of timing.
35:37Mr. Mannering.
35:38Yes?
35:39Hello, Samantha.
35:41John Mannering, Jules Caron.
35:43We work together.
35:44How do you do?
35:46Have you heard anything?
35:47Uh, no.
35:48I called Dallaire about an hour ago.
35:49They had no news in Vicar.
35:51Sit down.
35:52Then I guess we just sit and wait.
35:54We've had one of our,
35:55how is it that you say, operatives,
35:57watching both of them all day,
35:58but they have not moved from their apartment.
36:01Oh, there's one little thing that's just come up.
36:03Madame Dallaire.
36:04She's there.
36:05What about her?
36:06She's vanished.
36:08I thought they were going to keep her in the French Embassy until this whole thing was over.
36:11That was the idea.
36:12Evidently, they left her alone to take a shower.
36:15She found some clothes and through the window.
36:17But if she gets back here, she'll mess the whole thing up.
36:21Don't worry, she won't.
36:22They'll pick her up before she leaves London.
36:24Is there anything else?
36:26No.
36:27Good.
36:28I'm going to take a couple of hours off and take Sam to dinner.
36:33Oh, I accept.
36:34Now, hold it.
36:35What if they're there phones?
36:37Well, I'll call him and leave the restaurant's number.
36:39What was the name of that place?
36:40Oh, I've got it right here.
36:41Hello.
36:48Rattery.
36:51All right.
36:52I'll be at the apartment in an hour.
36:54Right.
36:57That was it.
36:58Yeah.
37:01Sorry, Sam.
37:02Well, I wasn't hungry anyway.
37:04The affair, son les' affair.
37:07Here.
37:10Have you got everything?
37:11Passports. Money.
37:13Ah. I shall miss this place.
37:15Yes, but don't get sentimental about it.
37:19I wish I could be more certain about Mannering.
37:22What do you mean?
37:23I don't trust him.
37:24Well, now, imagine it's mutual.
37:26I have a feeling. I don't know.
37:29Anyway, he should be here by now.
37:31Let's get started. We can wait for him downstairs.
37:37Hmm.
37:47Not running out on me, are you, partners?
37:49We were going to wait downstairs.
37:52Well, now, you don't have to. Here we go.
38:07This is pursuit one to all units. We're in position and standing by.
38:18Please keep receivers open and wait instructions.
38:21Son.
38:23What is it?
38:24I thought I saw someone over by the car.
38:28In the corner, look.
38:37It's the lair's wife.
38:40I'm going to get her.
38:41No.
38:42These subjects have just started around to the rear of the building.
38:45It's too late.
38:47They'll be here any second now.
38:49Well, that makes it quit.
38:50Come on, get in the car.
38:51You all right?
38:52Drive.
38:53Never mind about that.
38:54No.
38:55No.
38:56No.
38:57No.
38:58No.
38:59No.
39:00No.
39:01No.
39:02No.
39:03No.
39:04No.
39:05No.
39:06No.
39:07No.
39:08No.
39:09No.
39:10No.
39:11No.
39:12No.
39:13No.
39:14No.
39:15No.
39:16No.
39:17No.
39:42No.
39:43You want to take her in?
39:54I haven't got time. Keep going.
39:55Okay.
39:57I think that was close.
39:59It certainly was.
40:01This is pursuit two.
40:02Subjects car proceeding north on Arsenal 1.
40:05Maintaining contact.
40:11Oh, no!
40:12Let me take a look at that.
40:20It hurts!
40:26You'll live.
40:28There's a handkerchief in my coat pocket.
40:39Oh.
40:40I'm glad that angry women are lousy marksmen.
40:45And you saved my life.
40:47I'm protecting my investment.
40:50Nothing personal.
40:51Uh-huh.
40:53Okay.
40:56I see.
40:57I see.
41:27Where are we?
41:31Chateau de Luc.
41:32Does the flyer live here?
41:34No, the chateau was burned down many years ago.
41:37It was famous for its beautiful botanical gardens, but it's a jungle now.
41:50Where is George?
41:52He's coming.
41:55Where is this meeting place?
41:58It's in a meadow about a quarter of a mile over that way.
42:01Well away from the road.
42:14There's the car.
42:16Drive on past and park off the road.
42:17This is pursuit one to all units.
42:29Established blocks on all roads around Chateau de Luc.
42:32Allow vehicles to enter the area but not to leave.
42:34Out.
42:35Once our man's inside, we've got him.
42:37Let's look around.
42:38What about her?
42:39I'll get one of the men to stay with her.
42:42I'll get one of the men to stay with her.
42:44I'll get one of the men to stay with her.
42:46I'll get one of the men to stay with her.
42:48I'll get one of the men to stay with her.
42:49I'll get one of the men to stay with her.
42:50I'll get one of the men to stay with her.
42:51I'll get one of the men to stay with her.
42:53I'll get one of the men to stay with her.
42:54I'll get one of the men to stay with her.
42:56I'll get one of the men to stay with her.
42:58You see, you wait here.
43:00I'll get the signal.
43:05Who brings this stuff?
43:06The man himself.
43:07He trusts nobody.
43:09It's going to be hard to find in this place.
43:12Sooner or later, they'll have to break for the cars.
43:14Let's try over that way.
43:26What's she doing?
43:27Just obeying orders.
43:29The man is quite specific.
43:56Right on time.
44:04Right on time.
44:26I'll get one of the men to stay with her.
44:28Reese Alley Mikesell did something like she made her.
44:54It was a helicopter.
44:55Tell the units to move in on foot, quick.
45:10Hello, Marc.
45:12Who's this?
45:13Jean Mainarin. He's in with us now. Don't worry, he's all right.
45:16That the stuff? The stuff's all here. Where's the money?
45:20Easy.
45:22Marc, I am sorry.
45:25There will be no payment.
45:27Easy.
45:29What's the meaning of this?
45:30I think it's obvious.
45:31It's a multipurpose double-cross. We're both being taken.
45:34Our little set-up, Marc, is finished.
45:37The Erwin will give us the money,
45:39and the helicopter will get us away from here.
45:42I can fly it well enough.
45:44Well, what happens to us?
45:48Georges?
45:56Is this what you wanted?
45:58Uh!
46:00Uh!
46:17Soch!
46:28Bring her down! Bring her down!
46:58Oh, what now? Candlelights, music, and bad food.
47:24What's that for? It's an old French custom.
47:31Do you know any others? Well, I have an open mind.
47:54I have an open mind.
48:01I have an open mind.
48:09I have an open mind.
48:16I have an open mind.
48:20I have an open mind.
48:24I have an open mind.
48:31I have an open mind.
48:35I have an open mind.