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00:00How to get along with the staff
00:04Shyness, Trauma, Lack of charm
00:07The latest work in the human relationship series
00:10From next week, A.R.O.N. to change your life
00:15Amethorp
00:19Tonight, the members who don't know how to get along with the staff will be gathered
00:26I think I'm good at getting along with the staff
00:32It's not that I'm bad at it, but I really don't understand the feelings of people who say they're not good at it
00:37Why is it so difficult to talk to people at work?
00:44Also, I don't believe in Fujimon-san
00:47Why?
00:48Even if you say you're not good at it, there are people like that
00:51There are people like Fujimon-san who are not good at it
00:54It's not shyness, it's like Kusanagi, people who are not good at it
00:58I understand that
01:00Is that the same for Iguchi?
01:02I've only eaten with the staff once or twice in my life
01:07Really?
01:09I don't even have the image of getting along
01:12It's like a daily business
01:16I just go to the store and come back from work
01:20I've been a TV man for a long time
01:24I think I'm just a part of the life of a TV man
01:29That's how you think
01:31Even if I don't have that, I feel betrayed
01:34When I wasn't popular, the staff at the TV station
01:38It's like a cable that pulls me to the studio
01:43I saw it with the same eyes as that
01:47You don't look like a cable
01:50I'm still a little scared of that past
01:54How about you, Inuyama?
01:55I've been doing a lot of talk shows
01:58I thought I was getting closer to the staff
02:02I got an offer to do a show where I don't know how to get along with the staff
02:06I was like, is there such a thing?
02:09When I got the offer, I was like, is that so?
02:12I think Inuyama can do it
02:14He looks like he can do it
02:16He looks like he can do everything
02:17But I got a message that I was wrong
02:19I was wrong
02:22I have a lot of feelings that I want to talk
02:25I'm nervous
02:28When I go to work, I practice talking
02:33It's a loop in my head
02:34Practice talking?
02:36When everyone is talking, I practice talking
02:40You're really bad at talking
02:42I've been told many times
02:44Don't practice
02:45Don't practice, listen to people
02:47I can't do that
02:50I think it's because of the times
02:53I don't know how to get along with the staff
02:57Why?
02:58In the old days, there was a time when it was okay to look at each other
03:02That's how you communicate
03:04It's like closing the distance
03:06I can't do that
03:08I see
03:09If you're good at talking, you'll lose your charm
03:12I'll lose it
03:13I can do that
03:15You're not bad at it, right?
03:17I think I can do it
03:20I'm good at talking
03:22It's just that you're not sensitive
03:24That's why it's rough
03:26I want to be like you
03:28I don't have to think about anything
03:30What are you talking about?
03:32What am I thinking about?
03:34I envy you
03:36I admire you
03:37I'm not bad at it
03:39I'm good at talking
03:41I have a book of communication skills
03:43That's amazing
03:46You can do it with just one picture
03:48That smile is a lie
03:50That smile
03:51I can't do that
03:53He does that smile a lot
03:55Like Atsushi
03:56What kind of steps do people who get along with the staff take?
04:00I summarized the flow in the panel
04:03Here it is
04:06First, you start talking
04:10You start talking to yourself
04:12That's amazing
04:14You start talking
04:15When you say one thing, you change it to more than two
04:18What do you start talking about?
04:20Yesterday, I watched baseball
04:22Yesterday, I went to the derby
04:25Is that before the show?
04:27Before the show, not at all
04:28Don't you practice talking?
04:30What kind of practice is that?
04:32You don't have to talk
04:34You don't have to practice talking
04:36When you start talking, you exchange phone numbers
04:40Then, you go out to drink
04:42When you go out to drink, you can have a deep conversation
04:45If you do that, it will be easier to work
04:49We are number one
04:52We can't be number one
04:54I'm not an entertainer, but I don't have anything to talk about
04:57You're an entertainer
04:59If you're an entertainer, you can talk about anything
05:01If you're not an entertainer, you're just a normal person
05:04I don't feel like talking
05:06Normal person?
05:08I feel like you're a principal
05:11Is there a distance?
05:13Yes, there is
05:14What I often do is
05:16I often hear, how much is it?
05:18How much?
05:19So, how much is this camera?
05:22Then, the cameraman says, how much is it?
05:25Then, the cameraman says, how much is it?
05:27Isn't there a cheaper one?
05:29When you talk about the camera, you can talk more
05:33I was surprised
05:35I thought you were a woman
05:37Compliance is zero
05:42Why are you not good at self-analysis?
05:47Why are you not good at self-analysis?
05:51Let's start with Iguchi
05:54TV staff have a sense of superiority
05:58When I was young, I went to a lot of auditions
06:02The person who chose me
06:05The person who chose me and the person who was chosen
06:08I have a sense of superiority
06:11So, at that time, at the audition
06:13I won't forget what you said
06:16The feeling at that time
06:18I think I can receive it at the live
06:20They said
06:22It's still there
06:24To be honest
06:26I don't know who will become a celebrity
06:28Why do they say that?
06:30It's difficult
06:32It's a difficult time
06:34It's a difficult time
06:36It's really like this
06:38I can't get out
06:40I want to get out
06:42Atsushi doesn't have much experience like now
06:45I have
06:47But I don't want to get close to that kind of person
06:51I want to find out the staff who will look at me
06:55Everyone thinks like that
06:57It's not like that
06:59I think there are a lot of staff who love Iguchi
07:02Really?
07:04Iguchi, Iguchi, Iguchi, Iguchi
07:06It's not like that
07:09Iguchi, I'm sorry
07:11I'm sorry
07:13It's dangerous
07:15Iguchi, I'm sorry
07:17I'm glad
07:20Iguchi, what do you think of the staff?
07:29What do you think of the staff?
07:42Iguchi's regular show
07:44The producer of Miminahana Kappojitte
07:46We've been doing this show together for a year
07:49We've never...
07:51I'm sorry
07:53I'm sorry
07:55I'm really sorry
07:57I'm really sorry
07:59I spilled tea
08:01You were practicing
08:03I was practicing
08:05You were practicing
08:07I don't know
08:09I don't know
08:11It's too narrow
08:13The producer of Miminahana Kappojitte
08:15We've been doing this show together for a year
08:18We've never been called by our names
08:21We've asked the staff
08:23No one has been called
08:26Also, the female staff
08:28We don't see eye to eye
08:30The producer of Miminahana Kappojitte
08:33I want you to listen
08:35He's good
08:37He's good
08:39He's good
08:42Do you remember the name?
08:44Or do you know?
08:46Kuntosanno
08:49He's clearly young
08:51Iguchi-san, please
08:53He's in the production team
08:55He's the same age as me
08:57But he's not the one who called me
08:59I thought it was Kuntosanno
09:01If it's Kuntosanno, I can't call him
09:03That's possible
09:04You can ask him, what should I call you?
09:06Wow
09:08That's possible
09:10That's not possible
09:12You can't ask, what should I call you?
09:15You can ask, anything
09:17You can ask, can I call you Nandoka-chan?
09:20You can't
09:22You can't ask, can I call you Nandoka-chan?
09:24You can't ask, can I call you Nandoka-chan?
09:26You're so cruel
09:28You've been doing this show for a long time
09:31AD-san is clearly younger
09:34Do you have any grudge against him?
09:38What do you mean?
09:40When I was in AD, he called me Kunto
09:43I have a hard image of him
09:45He's like a politician
09:48He's like Yoshida-kun
09:52That's right
09:54It's better to call him by his name
09:57There are times when I don't know
10:00I don't have Wikipedia
10:02If I make a mistake, what should I do?
10:07Even if I think it's almost correct, I can't say it
10:12When I see other people calling me, I think it's correct
10:17I really can't remember
10:19I've been doing radio for 5 or 6 years
10:23I still can't remember a single person
10:26Because you're an idiot
10:27Who's an idiot?
10:29I'm an idiot
10:31Let's move on to Hikoroi
10:33This is my self-analysis
10:35In the end, I'm the weird one
10:38As an adult, it's natural to think that we're weird
10:44But the staff at the TV station think that we're living an excellent life
10:50We passed the university entrance exam and got a job
10:55At that time, I don't know
10:58I think I drank with Mizusawari-san
11:01Why Mizusawari-san?
11:03I don't know
11:05After the recording, the staff said,
11:09Hikoroi-san, it was fun. Thank you for today
11:13I'm grateful
11:15I'm really sorry. Thank you
11:17But while editing, I thought that I was saying a lot of bad things
11:23I couldn't get rid of the bad habits
11:29The staff didn't open up at all
11:31When it didn't sell, they said it was interesting
11:35Even now, I still interact with them
11:38I'm grateful for that
11:41I'll never forget that
11:44I thought you two were confident
11:46No, no, no. Don't compare me to Atsushi-san
11:52I can't walk with all the correct answers
11:56I can't live thinking that everything is correct
11:58That's not true
11:59You're disrespecting me
12:01It's a good thing
12:02I can't walk with all the correct answers
12:05Next, Hashimoto
12:07This is my self-analysis
12:09Even if we're close, if it's not interesting, it's over
12:13After all, we're not here to play
12:16We're here to work
12:18What's interesting in this field is everything
12:21That's right
12:22That's why we're practicing
12:25If the recording goes well, we can contribute
12:28We're concentrating
12:30We're talking a lot
12:33When we're in the studio, we don't talk at all
12:35Isn't that a compliment?
12:37I totally understand
12:38Thank you
12:39I totally understand
12:40I'm also watching
12:42Especially Osaka comedians
12:44Osaka comedians
12:45I wonder if there's such a thing
12:46I can't say that Tokyo comedians are bad
12:48But they don't risk their lives
12:52That's not true
12:54You're exaggerating
12:56I'm not
12:57I'm not
12:58When it's over, the way they approach the staff is amazing
13:00It's not like that
13:02It's not good, but there's time
13:04Let's do something about it
13:09It's floating
13:10I'm practicing
13:14There is
13:15There is
13:16That's why you sharpen your sword
13:18That's right
13:20Hashimoto, you don't want to get along with the staff?
13:25I didn't say that
13:28You did
13:29You said, look at the result
13:32Wait a minute
13:34You're a samurai who says, look at the result
13:43That's a good way to say it
13:45You're a samurai who eats onigiri
13:49I don't know
13:51I don't eat
13:53I'm not a samurai
13:55You're a samurai who drinks tea at a tea house
13:58You're a samurai who eats dumplings at a tea house
14:01Of course, it's good to get along with the staff
14:06But you don't want people to think that you're being used
14:12You want people to think that you're being used
14:15What's wrong?
14:17You want people to think that you're being used
14:18I want people to think that I'm being used
14:20You want people to think that I'm being used
14:22I'm always looking at you
14:24I'm always looking at you
14:26Tsuda, please tell us
14:29I don't get along with the staff that I'm involved with
14:33You don't get along with them?
14:35We're on a variety show
14:37When we get along, we slide together
14:42The reaction is too big
14:45If we get along?
14:46If we get along, we slide together and die together
14:52If we don't get along, we slide together and our relationship doesn't change
14:56If we get along, we can't slide together
14:59There's a guy who slides together and gets along with him
15:04He's like Inoue
15:06Yuta!
15:07Non-star Inoue
15:09He talks frankly and gets along with him
15:13But he talks to himself and gets along
15:15I think it's amazing
15:17You want to help him
15:19You want to be his strength
15:20You don't want to be his shame
15:23That's right
15:24Right, Lee?
15:25That's right
15:26If you don't get along, you're embarrassing him
15:29I don't want to be friends with the staff
15:32I get along with the staff that I'm not involved with
15:34But isn't it hard to get along with the staff that you're not involved with?
15:37Like the staff at the music station
15:42It has nothing to do with it
15:43I want to know how they get along
15:45We play golf and get to know each other
15:47I invite the staff at the music station
15:50They talk a lot
15:53They don't slide at the music station
15:55They don't slide at the music station
15:59It would be funny if Tsuda appeared at the music station
16:04What kind of person is he?
16:06What kind of person is he?
16:08I won't refuse
16:10I won't refuse
16:12I won't refuse
16:14Miyama, are you ready?
16:15I'm ready
16:17If you don't get along, you betray him
16:20That's right
16:21That's right
16:22That's right
16:24Everyone in Osaka will understand
16:26Which is better? The person that you don't get along with or the person that you get along with?
16:32That's right
16:33I feel better if I betray the person that I get along with
16:37I'm a little bit different from you two
16:39I want to get along with the person that I can get along with until the end
16:48The staff
16:49If you don't get along
16:51If you don't get along, you betray the person that you get along with
16:54You don't betray the person that you get along with
16:57The celebrity program
17:00They make you feel good if you get along with them
17:04That's great
17:06They make you feel good if you get along with them
17:09I grew up with people from Suisei Japan
17:13You can't just move around around without paying attention to the camera
17:16I'm going to get in trouble, so I'm going to say thank you.
17:19I've built a relationship with him, so I can trust him.
17:22I want to work with a team like this.
17:24He's a good staff member.
17:26We're all working.
17:27Only Atsushi-san seems to be working.
17:30I'm the one who's sensitive.
17:32I'm the one who's sensitive.
17:34He's always praising the staff.
17:37Why the hell did you call us here today?
17:40Atsushi-san.
17:42Wasn't that good?
17:44That was amazing.
17:46Is it all in that book?
17:48It's not a commercial version.
17:51Then I'll buy it.
17:53I'm in a line with Tsuji-san.
17:57What are you talking about?
17:59What are you talking about?
18:00It's a hobby from the north.
18:03You're in a line with the staff.
18:06No one's ever done that.
18:08I'm the only one who's in a line with Tsuji-san.
18:11That's not fair.
18:12Maybe Tsuji-san is charming.
18:19Tsuji-san, please release a book.
18:27Kusanagi, your self-analysis.
18:29I'm afraid of getting close to people.
18:34That's amazing.
18:36I'm happy when I'm told I did well.
18:40I know it's better to tell the staff.
18:46But I don't know why you're on the side of evaluation.
18:52I don't know what to do if you think so.
18:55You've been on the side of evaluation all your life.
18:59You're thinking too much.
19:01It's okay, Kusanagi.
19:04I quit LINE.
19:08I don't want to do it.
19:10You quit LINE?
19:12I'm going to live on my own.
19:18I'm doing a live show once a month.
19:23I don't have a staff member.
19:26I bring a microphone from my sleeve.
19:29I start with my own.
19:31When it's over, I take it home.
19:36I carry it myself.
19:37It's the same as Cool Poco.
19:43I didn't know how to use it until I got it from AmeTalk.
19:51I couldn't get a job because I was bullied.
19:56AmeTalk used it for me.
19:58Suddenly, all the programs were back.
20:03I can't believe it.
20:07That's how it started.
20:10By the way, what do you think of Kusanagi?
20:15I don't want to hear this.
20:26The director of a certain program.
20:28Are you hiding yourself?
20:32You!
20:34Maybe it's a good thing.
20:36I don't know yet.
20:37I've worked several times.
20:39I think the distance has shrunk a little.
20:42I'm back to zero.
20:45I don't want people to think that we've gotten along.
20:48I'm going to reset from here.
20:52You're going to do it.
20:54I don't think so.
20:56There are a lot of people like this.
20:59I've only heard one.
21:02There are others, right?
21:04There are others.
21:06I don't have any more.
21:13I'll say it first.
21:15The situation of the TV station has made me panic.
21:20This space?
21:22If it's an abnormal space, it's a mistake.
21:26When I got in there, I wanted to talk to the staff.
21:30I was too focused on myself.
21:32The name of the staff.
21:34I was told at the beginning.
21:36I got out of my ear right away.
21:38I don't remember your name.
21:40While I was getting angry.
21:42I was a little scared to talk to you.
21:46So I think it's safer not to talk.
21:49I want to hear your name.
21:51What was your name?
21:53I don't remember.
21:55I know your last name.
21:57If you say your last name.
21:59I can get the information of your last name.
22:02Isn't that good?
22:04Nagase from Tokyo also said that.
22:06I remember that.
22:08Nagase from Tokyo?
22:10Former Nagase.
22:12Former Nagase.
22:14You don't remember.
22:16You look like Fuyuki.
22:18Former Nagase.
22:20Former Katakana.
22:22There is a theater in Yoshimoto.
22:24I don't remember the name of the manager there.
22:27When I went to see the music live with my wife.
22:30I met the manager.
22:32I introduced myself as my wife.
22:34I told my wife that I was the manager.
22:37I don't remember your name.
22:39I remembered that.
22:41What was your name?
22:43I was told that it was Inoue.
22:45I told her that it was my last name.
22:47She said, you must have forgotten.
22:50But you communicated with her.
22:52That's good.
22:54She said, you must have forgotten.
22:56You are very close.
22:58That's why I didn't appear on TV.
23:00That's right.
23:02That's right.
23:06By the way, I got a question from the staff.
23:10I got a question from a TV producer.
23:14Your eyes are always wide open.
23:16You don't have a good conversation.
23:19That's right.
23:21I want to do something here.
23:25So I have a week to prepare for this talk live.
23:34I want to think that this is an extension of the live.
23:39You can relax a little when you're on the air.
23:42Is that so?
23:44It's bad if the camera is in front of you.
23:46Yeah, and Kaji-san is sitting in a weird chair.
23:49It's easy to move.
23:51What's the point of sitting in a weird chair?
23:53There's no one like that in a live performance.
23:54I'm sitting in a weird chair.
23:56I'm sitting in a weird chair.
23:58It's easy to move.
24:00What makes you think it's a theater?
24:02First of all, you don't need a camera.
24:04What do you think?
24:05That's true.
24:07You can't show it.
24:09Now, Fujimoto.
24:10Here it is.
24:12I don't know what the young staff think.
24:16I've worked with young staff before.
24:19I don't know how to keep up with them.
24:23Just because you have a long career,
24:26doesn't that make the young staff afraid of you?
24:29Fujimoto, you're a great talent and entertainer.
24:32I'm a great entertainer.
24:33You're great.
24:34If you think you can do it for the staff...
24:36I don't think so.
24:38I don't think so.
24:39I've worked with young staff under 20 years old.
24:42I've worked with young staff under 20 years old.
24:44I've worked with young staff under 20 years old.
24:50When I was talking about the episode,
24:54I was going to talk about the kiss scene.
24:57Why?
24:58There's a story like that.
25:00If an old man in his 50s says it,
25:01doesn't it make you feel sexy?
25:04I know what you're thinking.
25:07A sexy man says,
25:11and you try to seduce the staff.
25:16And you try to seduce the staff.
25:19And you try to seduce the staff.
25:22I was wondering if the young staff
25:24needed my gaya.
25:26I was wondering if the young staff
25:28needed my gaya.
25:31When I was in a quiz show,
25:33So, I thought I was doing my job to make GAIA more exciting.
25:39I was doing my job to make GAIA more exciting.
25:42On the way, there was a young, old-fashioned woman, an AD.
25:46She was holding a can-pe.
25:48It was unusual. It was a question to me.
25:51I wanted her to look at the can-pe.
25:53A photo.
25:54What?
25:56Is this possible?
25:58She was drawn by the waves.
25:59She was drawn by the waves.
26:00She was drawn by the waves.
26:02What did you do after this?
26:04I thought it was very quiet.
26:06I wanted to show it.
26:08I thought it was very quiet.
26:09I thought it was very quiet.
26:12That's the era.
26:13That's the era.
26:16It was on other TV shows.
26:17It was on other TV shows.
26:18It was a show with 50 or 60 comedians.
26:2250 or 60 comedians were the highlight.
26:24That's right.
26:26I thought, this is my highlight.
26:28I made GAIA fly.
26:30Then, this staff came to me and...
26:37It was amazing.
26:39It was an amazing event.
26:41It was recorded in a library.
26:42It was not.
26:44Fujimon san did GAIA by the other side...
26:45I did with the other side.
26:47Gundor's microphone and the camera could not receive that far.
26:50That staff went to Riku and...
26:55There was an opening there.
26:58Until the end of the school year, he was like this.
27:02It was embarrassing.
27:05He was really angry.
27:07He was like this.
27:11He was like a dog barking.
27:21In front of the supermarket.
27:22It was funny how he did that.
27:25He was like this.
27:29He was quiet.
27:31He was quiet.
27:34He was quiet.
27:35He was quiet in the TV studio.
27:38He was quiet.
27:40He was tough.
27:41He was like a dog.
27:44Ame Tohoku's first live show.
27:47On May 4th, Gold Week,
27:49at the EX Theater in Roppongi,
27:51the show will be held twice, day and night.
27:53Ame Tohoku's regular show.
27:57Izakiyama Fujimon's Taiwan Grand Prix.
28:01NADAL's Unbelievable.
28:06A game where entertainers have all the information they need.
28:09You can apply today.
28:11Tickets are on sale.
28:13Start!
28:17Next, a rare case of not being good at interacting with staff.
28:21I think a lot of people know this.
28:25There's a time when you have to talk a little
28:28after you get out of the dressing room.
28:31There's a time when you have to talk a little
28:33after you get out of the dressing room.
28:36ZUN's Iiyo is really good at talking.
28:41ZUN's Iiyo is really good at talking.
28:43The staff who are going to watch the show together
28:46were all smiling.
28:48They were all smiling.
28:50When I saw Iiyo go home,
28:52When I saw Iiyo go home,
28:54I thought, this has to happen.
28:57I thought, this has to happen.
29:00First, I thought Iiyo was talking about the weather.
29:03When the staff told me,
29:05When the staff told me,
29:07I said,
29:09I said,
29:11I said,
29:13I said,
29:15I said,
29:17I said,
29:19I said,
29:21I said,
29:23I said,
29:25I said,
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37:39You know what I'm saying?
37:41Who made this V?
37:43Is it you again?
37:45I really want to say that.
37:47You don't have to watch the V.
37:49I don't have to watch the V.
37:51I don't have to.
37:52I don't know if I can say it in the future.
37:54I don't know if I can say it in the future.
37:56It's possible.
37:58Can we use the C from now on?
38:00Of course.
38:01It's everyone's.
38:03It's amazing.
38:04It's amazing.
38:06The C?
38:07I don't have any strength.
38:09You are making a mistake.
38:11You are making a mistake.
38:12What are the words that you are happiest to be told by your staff?
38:17I'm sure you are not good at speaking to your staff.
38:20Tell me what kind of words you are happy to hear.
38:23Tell me what kind of words you are happy to hear.
38:24Tell me what kind of words you are happy to hear.
38:25Please tell us.
38:26I'm sure you know that I've been calling you this much.
38:29In the end, I'm the happiest when you call me again.
38:33I'm happy even if we don't have to talk.
38:36That makes me happy.
38:38People like us are the ones who want to be loved.
38:41We want to be loved.
38:43We don't want to be told that we're ugly when we're too close.
38:47On the other hand, is it okay for the staff to talk to everyone?
38:51Of course.
38:53I see.
38:54That would be a big change.
38:56But the rally won't continue.
38:58That's embarrassing.
39:00I don't want to be told thank you.
39:03I don't want to be told that it was a good idea.
39:06I don't want to be told that it was a good idea.
39:09Do you have a way to deal with being praised?
39:12I just realized that I don't get praised that much.
39:15What?
39:17I don't like it when people praise me when I'm not good enough.
39:21I don't like that.
39:23You don't like it when you're not good enough.
39:25I don't want to be told that.
39:27Why did you say that?
39:29Why did you say that?
39:31Why did you say that?
39:33Next, Hikorohi.
39:35I realized that Hikorohi's words were the starting point when I was editing.
39:41I couldn't hear her voice.
39:44When there are a lot of entertainers, I can't hear her voice.
39:47I couldn't hear her voice.
39:49I couldn't hear her voice.
39:51It was a complex.
39:53But I didn't give up.
39:55But there was a staff member.
39:58He said that for editing, the flow was born and spread through Hikorohi's words.
40:03He said that for editing, the flow was born and spread through Hikorohi's words.
40:06So I could understand.
40:09So I could understand.
40:11I'm happy about this.
40:14I'm glad.
40:16Hikorohi is so good.
40:20I'm glad.
40:22You want to be praised.
40:24No, no, I'm going to choose Hikorohi.
40:28No, you have to choose someone.
40:29Ok, Hashimoto.
40:30Hashimoto.
40:31This one.
40:32You're funny.
40:33That's crazy.
40:34That's too much.
40:36He's so cool.
40:37I was told by a cameraman from Saga TV.
40:40He said, after the day's shoot,
40:43he was like, ok,
40:44and he put the camera, the most important thing in his life,
40:46on the floor.
40:47You're funny.
40:49That's crazy.
40:50He said, shake my hand.
40:52Shake my hand.
40:53I've never met anyone as funny as you.
40:56He said, thank you.
40:58That's amazing.
41:00You're crazy.
41:02He's a cameraman.
41:03Yes, he is.
41:04He's a veteran cameraman.
41:06He said, you're amazing.
41:08I still remember that feeling.
41:10Ok, Atsuda.
41:11Atsuda.
41:13I've been offering him,
41:15but he didn't give me a schedule.
41:18He didn't give me a schedule at all.
41:22He was busy.
41:23He was tickling me.
41:27He wanted you.
41:29That's crazy.
41:30That's crazy.
41:31What would you do if he said that?
41:34What would you do?
41:37What is that?
41:39I can't say anything.
41:40I can't say anything.
41:42Let's go to Niiyama.
41:43Here it is.
41:45He's a regular.
41:48I'm close with Eguchi.
41:50He's coming at me.
41:52How much is he coming at me?
41:55He's a regular.
41:58He's calling me.
42:00I'm happy that he's coming at me.
42:04Why is he coming at me?
42:05He's calling me.
42:07That's what I'm saying.
42:09He's calling me.
42:11Kusanagi.
42:12Kusanagi is...
42:15He's a liar.
42:17Ame Talk Club.
42:18You're the real deal.
42:19The original work,
42:20Ido Shogi's favorite entertainer.
42:23Tachitou, who has a loose body.
42:27Show Race, Yosou Derby, Gotai Amase.
42:30Entertaining entertainers.
42:32Entertainers who have information that entertainers don't need.
42:35More than 90 works are available.
42:38In April, the entertainers who love erotic games will be on air.
42:42P-Radio will also be on air in April.
42:45More than 480 works are available.
42:49Entertaining entertainers who are on the same age as me.
42:51Entertaining entertainers who get nervous easily.
42:55Entertaining entertainers who used to do karate will also be on air.
42:58Today's missed broadcast will be on air for two weeks.
43:02Here's a look at last week's HANSAMA.
43:04HANSAMA
43:06HAKU NO SHIBUYA
43:08Available on Ame Talk Club.
43:13What about Kusanagi?
43:15He said that the recording was very interesting.
43:20He commented on my broadcast on X.
43:29I'm happy with that.
43:31I feel like I'm going to pass.
43:36It was interesting.
43:38What do you feel when you hear it directly?
43:40I feel like I'm going to pass.
43:43SNS is just right.
43:45I want to be like Atsushi.
43:47Is that so?
43:49Before I became an entertainer.
43:52I thought it was a world where I could live.
43:56It's a world of communication.
43:58I'm angry.
44:00I'm angry.
44:02I'm angry.
44:04NEDATE
44:06Here it is.
44:08It's called LACHISA.
44:10LACHISA
44:12I got a direct message from Kaji when I was on Ame Talk.
44:17Kaji?
44:19Kaji?
44:21He was sick and had a blood transfusion.
44:24He was sick.
44:26He was on LACHISA because he didn't have a director.
44:31That's what I thought.
44:34FUJIMOTO
44:36I was impressed by the hard work of the veteran.
44:41The young writer who planned the event said it to the entertainer.
44:51I heard it from the entertainer.
44:52I was very happy.
44:54I was impressed.
44:56The young writer said it to the entertainer.
44:58I was impressed by the young writer.
45:01You should call Mahalo.
45:03FUJIMOTO's team.
45:05I don't want to go drinking with them.
45:08If they say they want to come, will you call them?
45:11Of course I'll call them.
45:13I'm an old man, but I know the music of young people.
45:18Music
45:19That's amazing.
45:21Music
45:23Stop it.
45:25If the entertainer says it, it's over.
45:28It's almost over.
45:31I'm looking forward to the event in front of the elevator.
45:35I see.
45:37If you say that, it's hard to talk.
45:40Stop it.
45:42I think the number of conversations will increase.
45:47Let's do it with everyone.
45:57What's up?
46:00What's up?
46:03I'm sorry.
46:11What's up?
46:14What's up?
46:15Oh
46:45You