あなたの知らない京都旅～1200年の物語～ 2025年2月20日 都の復活物語～明治の偉人たちの足跡～
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TVTranscript
00:00The beginning of the journey is Heian Jingu, a temple that represents the capital.
00:08Kyoto has a history of 1,200 years.
00:12In fact, there was a time when Kyoto was in a crisis.
00:16It was the Meiji era.
00:19However, Kyoto overcame the crisis in a variety of ways.
00:27This time, we will follow the revival of Kyoto, which was in crisis during the Meiji era.
00:35The founder of Biwako, who became the cornerstone of Kyoto's reconstruction.
00:40One of the great people who made a great deal of business connecting Biwako and Kyoto was
00:46Kakuchikako's ancestor.
00:52When I think that my ancestor was involved in the reconstruction,
00:57I feel a sense of relief.
01:00This is the first time I've seen a camera.
01:02It's easily broken.
01:05A roadside train that supported the reconstruction of Kyoto.
01:08It was the first time the TV was broadcast in a car that remained as it was at that time.
01:12Excuse me.
01:20The first yogurt store in Kyoto during the Meiji era.
01:24A popular cookie that has not changed for a year.
01:28How does it taste?
01:35The revival of the capital.
01:38We will follow the traces of the people who were involved in the reconstruction of Kyoto during the Meiji era.
01:47A journey to Kyoto that you do not know.
01:50The story of 1200 years.
01:55Thank you for your time.
02:00Professor Amano Taro, who studies the history of Kyoto from the point of view of geography and tourism.
02:07Mr. Taro.
02:09This time, it's a journey to explore the revival of Kyoto, which was in danger during the Meiji era.
02:19Is this Heian Jingu also the stage of the revival?
02:25That's right.
02:26In this area, in 1895 on May 28,
02:31the 4th Inland Industrial Expo was held.
02:38The Inland Industrial Expo was mainly a government-sponsored expo aimed at industrial development.
02:50Until the 3rd expo, it was held in Ueno, Tokyo.
02:55Kyoto was the first place to be held outside of Tokyo.
03:01Heian Jingu
03:06The Heian Jingu, which was built two weeks before the opening, was also a symbol of the Expo.
03:17At that time, I think there was something that first ran during the Expo in Japan.
03:24Let's go and check it out.
03:28The paintings are vivid.
03:31It's a fine painting.
03:33It's called the O-Tenmon.
03:36Let's go in from here.
03:44It's wide.
03:49There is a statue in the abyss.
03:52That's right.
03:57Excuse me.
04:03In spring, cherry blossoms bloom in the garden of Heian Jingu.
04:15I can see it.
04:19Is this the first roadside train in Japan?
04:23That's right.
04:24This retro feeling is green and white.
04:28It's a little smaller than a normal roadside train, isn't it?
04:32It's a little small.
04:38The first roadside train in Japan was opened in line with the Expo.
04:45We passed near the present Kyoto Station from Fushimi and joined the venue of the Expo.
04:55Hello.
04:57Hello.
04:58Thank you for coming.
05:01I'm Mr. Gojino.
05:02Nice to meet you.
05:04This is a vehicle built in 1944.
05:08It was donated to the Heian Jingu, which had a garden.
05:13After that, it was rejected as an important cultural property.
05:18I see.
05:21Today, I will show you the inside.
05:25Are you sure?
05:27Yes.
05:28No one has shown me the inside yet.
05:31Really?
05:32Is it your first time to see a camera?
05:34Yes, it's my first time.
05:36I see.
05:39You can't see the inside from this angle, can you?
05:43That's right.
05:45It's amazing.
05:47Excuse me.
05:52Be careful of your feet.
05:56This way, please.
06:00Here you are.
06:04Please be careful not to touch it.
06:07It's fragile and easy to break.
06:09I see.
06:12This is the original.
06:15I see.
06:18It's amazing.
06:20Look at this fish skin.
06:23It's less than 100 years old.
06:25That's right.
06:26It was like this.
06:28It's very retro.
06:30Yes, it is.
06:33The floor is made of wood.
06:36It has a rich taste.
06:41Some people stand like this.
06:44Some people sit like this.
06:46You can see the town from here.
06:50This is a rope.
06:52If it was a train, you could press a button and get off.
06:57But you can pull this rope and signal to the driver.
07:01I see.
07:03I didn't know that.
07:06It sounded like this.
07:09I see.
07:18At that time, the train was about 8 kilometers long.
07:22If you run a little, you can catch up with the train.
07:25I see.
07:26It's a roadside train, so it runs on a normal road.
07:30It's dangerous.
07:31There was a person who ran in front of the train.
07:36Really?
07:37It's dangerous to run on a roadside train.
07:39There was a person who ran in front of the train.
07:41People ran in front of the train.
07:43I see.
07:45This is a precious picture of the announcer.
07:53If you look closely, he was running with a lantern at night.
08:01Why was the exhibition held in Kyoto in the first place?
08:05In fact, in Kyoto, the emperor went to Tokyo in the modern era.
08:12The center of politics was moved to Tokyo.
08:15Until then, the population was about 330,000.
08:19The population has decreased to 220,000.
08:22I see.
08:25With the arrival of the Meiji era, the population of the city has decreased and the economy has declined.
08:32It was a serious situation that was said to be the end of foxes and raccoons.
08:40In order to revive Kyoto again, the country and the people became one and engaged in various activities.
08:49One of them is the 4th International Exhibition on Industrial Development.
08:54The exhibition, which was filled with wishes for the revival of Kyoto, was held for four months.
09:00More than 1.13 million people came and it was a great success.
09:08The exhibition held in Kyoto in the Meiji era was a revival of Kyoto.
09:15I felt that it was filled with the desire to revive Kyoto again.
09:26At the moment, the Heian Shogunate is working on a project to revive Kyoto in the Meiji era.
09:32The project is to repair the first Japanese road train and move it to a place where many people can see it.
09:46Professor, there are other things that have been done to revive Kyoto, right?
09:51Yes, there are.
09:52In fact, you can see it in a place where you can walk from the Heian Shogunate.
09:57In fact, my ancestors are also involved in it.
10:07The revival story of Kyoto, Biwako-sosui.
10:11Ijin-tachi has done a great job that has never been done before.
10:17Professor, Biwako-sosui is the place where we can walk.
10:22Yes, it is.
10:23This Biwako-sosui is also a source of hope for Kyoto citizens, which is essential for the revival of Kyoto in the Meiji era.
10:35Biwako-sosui is a canal that was built to draw water from Biwako to Kyoto.
10:44The starting point is Otsu City, Shiga Prefecture.
10:48The water is brought in from the main water source located next to Biwako.
10:57It goes through many tunnels.
11:04In the end, it reaches Fushimi.
11:07It is about 20 kilometers long.
11:13It was built in the 18th year of the Meiji era and took five years to rebuild.
11:19The construction cost was twice as high as the annual budget of Kyoto Prefecture at that time.
11:24A total of 4 million people were employed.
11:28It is still used as a source of water, and it can be used by boat in spring and autumn.
11:39I used to go to the waterway of Nanzen-ji Temple to experience Biwako-sosui.
11:49The waterway was built in the vicinity of Nanzen-ji Temple to let water flow through.
11:55It is a famous place that attracts many people.
12:02There are various purposes of Biwako-sosui.
12:06First, it connects Kyoto and Biwako.
12:09The end of Biwako-sosui is in the northern region.
12:13How to connect them has been a long-standing question in history.
12:21The idea of connecting the Japanese sea through Biwako,
12:25not only by land, but also by boat through Unga,
12:29has been considered for a long time.
12:35The idea of connecting the Taira-no-Kiomori,
12:39Taira-no-Kiomori, and Toyotomi Hideyoshi,
12:45has been considered for a long time.
12:48However, due to technical problems, it did not work out.
12:52The Taira-no-Kiomori and Hideyoshi were not completed.
12:59However, Kunimichi Kitagaki promoted it.
13:09Mr. Kunimichi Kitagaki.
13:12Mr. Kunimichi Kitagaki was a politician born in Hyogo prefecture in the late Edo period.
13:19He became the governor of Kyoto in 1881 and promoted the great business of Mizo.
13:27He was the one who saved Kyoto from the decline.
13:33His great-grandchildren are also involved in Biwako.
13:42My great-grandchildren, Minami and Ichirobe, are involved in Biwako.
13:55I received a request from Mr. Kitagaki on May 14th.
14:01I wrote a petition on May 15th.
14:08Minami Ichirobe is a businessman from Usashi, Oita prefecture.
14:14In addition to the governor of Biwako, he is also the father of the three governors of Japan,
14:20who were involved in the construction of the Asaka governor of Fukushima prefecture and the Nasu governor of Tochigi prefecture.
14:29I was surprised that Kyoto was not active this time.
14:35When I think that my ancestors were involved in the reconstruction of the Asaka prefecture,
14:41I feel very grateful.
14:49Biwako was completed with the efforts of many people, including two foreigners.
14:56The purpose was not only to carry goods.
15:02For example, Biwako was also used as an agricultural water source.
15:08In fact, Biwako was also used to supply water to Kyoto.
15:14What is very important is hydropower.
15:18This was also a big role.
15:21By hydropower, the small and medium-sized industries in Kyoto became a driving force for modernization.
15:30Because Biwako was built, the roadside train at Hakuran-kai was also able to run.
15:38It's connected.
15:43However, there was a big problem with the construction of Biwako.
15:49In fact, there is a height difference.
15:52There is a height difference of about 36 meters between Biwako and Kyoto.
15:5736 meters.
15:58It's pretty big.
16:00It's convenient to do hydropower, but it's a little difficult to get through the ship.
16:08It's difficult.
16:09There is a mechanism to make this Biwako water function while smoothly passing through the ship.
16:18The ship that goes to Unga.
16:20The descent is very steep and it is difficult to climb.
16:24How did he solve this problem?
16:29Is it ahead of us?
16:32Yes.
16:34It's a little back from where we were.
16:42We arrived about five minutes by car from where we were.
16:49Look at this.
16:51What?
16:53What was there?
17:15The revival story of Biwako.
17:19Look at this.
17:22Is this a railway?
17:26Yes, it is.
17:28This was made to reduce the height difference of 36 meters.
17:34It's called an incline.
17:36It's a slope railway.
17:38I see.
17:40I see.
17:41You can put the ship on the rail and carry it down without loading the luggage on the ship.
17:52This is an incline, a slope railway.
17:55A slope railway.
17:56It's about 582 meters, but it took about 5 to 10 minutes.
18:04Incline.
18:06It's amazing to pull a railway and carry a ship.
18:13This is a precious video showing the incline at that time.
18:22The ship from Biwako goes down a 1-fifth slope road by car.
18:30The incline is 580 meters long.
18:36The ship from Biwako goes down a 1-fifth slope road by car.
18:43At that time, there were no cars, so the road was an important road connecting Omi, Kyoto, and Osaka.
18:51People and luggage were carried by this road.
18:57In this way, the ship was able to climb the incline.
19:03The system is the same as a cable car.
19:07Hydropower is used for power.
19:10Water flows through the waterway next to the track.
19:20I feel amazing again.
19:25This incline, a slope railway, was completed.
19:30That's why the ship from Biwako was built.
19:34That's right.
19:37After the collapse of the Showa era in 1923,
19:40the ships and ships that left traces of that time were left in tourist spots.
19:46In the spring, it is popular as a place of cherry blossoms.
19:56I think this was the biggest event because of my efforts.
20:03My ancestors were involved in it.
20:10When I think that my ancestors were involved in it, I feel a sense of responsibility.
20:20The story of the revival of the capital.
20:23The first elementary school in Japan.
20:25Foreigners who rebuilt Kyoto with the power of education.
20:30We walked along Muromachi Street.
20:33There is a building with a little atmosphere.
20:37Let's go inside this building.
20:40It's a wonderful building.
20:42That's right.
20:47We visited the Kyoto Art Center in the center of Kyoto.
20:58This building is a re-use of a building with roots in the Meiji era.
21:06Let's go inside.
21:14How is it?
21:20There is a sense of profoundness.
21:23There are stairs.
21:25There is an atmosphere.
21:27Is this a school?
21:29That's right.
21:31It's nice.
21:36I feel nostalgic when I walk here.
21:40There is a court.
21:42That's right.
21:44It's cute.
21:48I feel nostalgic.
21:52This used to be a staff room.
21:55Now it's used as a library.
21:57I see.
21:59Excuse me.
22:06I'm sorry.
22:11As you can see in this document,
22:14there are many books about Kyoto's art culture.
22:19As you can see,
22:21this building was used for the education and development of artists.
22:30This building was built for the activation of Kyoto's art and culture.
22:35Artists used to work in a classroom.
22:46There is a cafe on the first floor.
22:54Originally, this building was an elementary school.
22:58In fact, Kyoto was the first place to have an elementary school for students in Japan.
23:07Kyoto was the first place to have an elementary school?
23:09Yes.
23:10The school was established by a system called Gakusei in the 5th year of the Meiji era.
23:16Three years before that,
23:18in the 2nd year of the Meiji era,
23:20a school called Bangumi Elementary School was established in Kyoto.
23:25Bangumi Elementary School?
23:28The Bangumi Elementary School was established in Kyoto.
23:34In Kyoto during the Meiji era,
23:36there was a local organization called Chougumi,
23:40which divided the north into Kamigyo and the south into Shimonyo,
23:43and each of them had 33 or 32 Chougumi.
23:52They named this Chougumi and called it Bangumi.
23:57And since they established an elementary school for each program,
24:01it was called Bangumi Elementary School.
24:10By the way,
24:11the headquarter of Kyoto Art Center was Shimonyo 3rd Elementary School.
24:17The class was called Yomikaki Soloban,
24:20which was a 4th grade school.
24:24The school was established to prevent human resources from being polluted.
24:29In that sense, the school had a great meaning.
24:34The town was built by people.
24:38That's what led to the reconstruction of Kyoto.
24:44Wow, it's so clean.
24:46I like the sound of this.
24:54The sound of this chalk...
24:57Yes, the sound.
24:58Yes, yes.
24:59It made me feel nostalgic.
25:03This is the first time I've heard of you.
25:05The school was founded in Kyoto.
25:09That's right.
25:10How did you get into education?
25:16As someone who left a great legacy,
25:19I would like to introduce this person.
25:24His name is Kakuma Yamamoto.
25:26Kakuma Yamamoto.
25:29Kakuma Yamamoto was born in Fukushima prefecture at the end of the Edo period.
25:39He was aiming to develop human resources through education,
25:42and in a petition to the government,
25:44he claimed the importance of the school.
25:49If you look at this picture,
25:52you can see that his eyes are closed.
25:55Gradually, his eyes started to get worse.
25:58He finally lost his sight.
26:01Even in that situation,
26:03he was able to get into education in various ways.
26:10Kakuma Yamamoto went to a school for women,
26:13a school for women, a school for women, a school for women,
26:15and the first modern hospital in Kyoto,
26:18the Kyoto Ryobyoin.
26:22He is also related to me, Kimusaki.
26:26He was a colleague of the founder,
26:29the founder of the Niijima castle.
26:32He is also related to the establishment of the Ryobyoin.
26:34That's amazing.
26:36He is that kind of person.
26:37That's amazing.
26:39I was impressed that he had a burning passion
26:43even at the end of his speech.
26:49Kakuma Yamamoto,
26:50started with an elementary school,
26:53and he put a lot of effort into education.
26:56This elementary school was a very special and important place
26:59for the local people.
27:03There is a place where you can see that,
27:05so let's go see it.
27:07Yes, please.
27:09Where are we going?
27:12I'd like you to come in this room.
27:23Wow!
27:25I turned my voice back.
27:27It's amazing.
27:29It's spacious, isn't it?
27:32This is a space called Ohiroma.
27:35Ohiroma!
27:36It's a small room, but it has 78 tatami mats.
27:39It's amazing.
27:41It's spacious.
27:46Actually, this is a space for the local people.
27:50It's a place where local people get together
27:52and have meetings.
27:55Since then?
27:56Yes.
27:57Since then.
27:58This is a school,
28:00but this is a place for the local people.
28:05I didn't know there was such a place.
28:08This is the characteristic of Kyoto's so-called
28:11Programming Elementary School.
28:15The Programming Elementary School
28:17also served as an office for local actors.
28:24The operating budget was supported by the local people,
28:28including families with no children.
28:34It's a place for the future of Kyoto's children.
28:38I think so.
28:40It's a place where local children
28:43are supported by local people.
28:45It's wonderful.
28:47I felt the strength of Kyoto
28:50because rich people were raised
28:53and supported by local people.
28:58Yes.
29:03The story of the revival of Kyoto.
29:05The Programming Elementary School
29:07led the modernization of Kyoto with architecture.
29:10It takes about 10 minutes
29:13to walk from the Kyoto Art Center.
29:16This is it.
29:18Wow.
29:20It's like a space museum.
29:23Look at the color of the bricks.
29:30Wow, it's cool.
29:35We visited a special museum of Kyoto Art Museum
29:39located near Sanjo-dori.
29:43Hello, I'm Taku.
29:45I'm Yamasaki of Kyoto Art Museum.
29:48Nice to meet you.
29:49Nice to meet you, too.
29:51What kind of building is this?
29:54This is the building of Kyoto City Hall of the Bank of Japan.
30:00It was built in 1839.
30:04In 1839.
30:09The outer wall of the red brick.
30:13The stripe between the bricks
30:17is impressive.
30:25This is a picture of the building
30:29when it was about to be completed.
30:32It stands proudly on Sanjo-dori
30:34where the Bank of Japan is located.
30:43Wow.
30:45It's amazing.
30:48It looks like this.
30:51Yes.
30:54The height of the ceiling
30:57and...
30:58It's stylish.
31:00It's a sense of openness.
31:04The lighting
31:07and the decoration of the wall
31:10and the feeling of this tree.
31:14It's wonderful.
31:18Is this hand-carved as it is?
31:21Yes, it is.
31:22It's elaborate.
31:24It's elaborate in every detail.
31:27First of all,
31:29they will show us to the second floor
31:32where we can't usually enter.
31:36Excuse me.
31:42Wow.
31:44It's amazing.
31:46It's amazing.
31:48It's spacious.
31:52This building is amazing.
31:54Yes, it is.
31:55Right?
31:57That's how strong the feeling was.
31:59Yes, it is.
32:01Who designed this building?
32:06Kingo Tatsuno
32:09and his apprentice
32:11were involved in the design.
32:15Kingo Tatsuno was born in Saga Prefecture
32:18and graduated as the first student
32:21of the Department of Engineering
32:24at the University of Tokyo.
32:26He worked as a British architect
32:29who built the foundation of the Japanese architecture society
32:33and learned the cutting-edge architectural technology at that time.
32:39Tatsuno worked on many modern buildings
32:43such as Tokyo Station, Marunouchi Station,
32:47and Nihon Ginko Honten.
32:50They were symbols of the opening of a new era.
32:59Anyway,
33:00I feel like I'm married.
33:03Excuse me.
33:05Excuse me.
33:06I mean,
33:07this is just a normal building.
33:10It's like this.
33:12I feel like my strong determination
33:17will change Kyoto
33:21into something different from the past.
33:25I feel like my strong determination
33:28will change Kyoto
33:30into something different from the past.
33:33You can see his meticulous dedication
33:36on the first floor.
33:42Is this a window?
33:44Yes, it is.
33:46This is a bank building.
33:48The place you just entered
33:51is the lobby of the bank.
33:54And over there
33:57is the sales office
34:00of the bank.
34:02Excuse me.
34:03Can I have a look?
34:05Yes, you can.
34:07You can raise and lower the window.
34:12Raise and lower?
34:14You can experience it.
34:15Excuse me.
34:20Wow!
34:22Can I stay here?
34:24Yes, you can.
34:26You can choose where you want to stay.
34:30Really?
34:32I didn't know that.
34:34You can see the system
34:38of how you can choose
34:41where you want to stay.
34:49I'll open this door.
34:52This is the sales office.
34:54It's so spacious.
34:56It's so spacious.
35:02I thought it would be spacious,
35:04but when I opened the door,
35:06I could feel the open space
35:08and the height of the ceiling.
35:10There used to be a desk here,
35:12and the bank staff worked here.
35:14That's right.
35:17Until 1965,
35:20the bank was a building
35:22of Kyoto City Bank.
35:26And this is the counter.
35:29Here it is.
35:35If you look at this,
35:37it's amazing.
35:39This system?
35:41Yes.
35:42The Story of the Restoration of Kyoto
35:47The Story of the Restoration of Kyoto
35:57If you look at this,
36:00if you raise the screen,
36:03you can see that something is moving.
36:05I see.
36:07Can you see it?
36:09With this weight?
36:11Yes.
36:12There is a step here
36:14on both sides.
36:17The weight of this counter is 3 kg,
36:21and depending on the weight of 1.5 kg and 1.5 kg,
36:26it is connected by a lift.
36:29That's amazing.
36:31So you can hang it where you want to hang it.
36:33That's right.
36:34You can hang it where you want to hang it.
36:36This system is amazing.
36:39Can I touch it?
36:41Sure.
36:42How does it feel?
36:44It's really heavy.
36:48It's like a lump of lead.
36:51But this idea is amazing.
36:57This was the entrance to the bank.
37:00I'd like to introduce you to an important place
37:03in the bank.
37:05Yes, it's an important place.
37:08It's an important place.
37:12You're welcome.
37:13Excuse me.
37:22This is the building.
37:27This building was also designed by Tatsuno.
37:32If you look at this door,
37:37you can see the remains.
37:40It's quite heavy.
37:44That's right.
37:45It's this thick.
37:49Is it a safe?
37:50That's right.
37:51It's a safe building.
37:53A safe building?
37:55Yes.
37:56That's amazing.
37:59In the past, it was connected by a building and a corridor.
38:07There are three safe rooms.
38:09One of them is currently used as a cafe.
38:16The door of the safe, which was still in use at the time,
38:19was specially opened.
38:29I'll open the safe.
38:33One, two, three.
38:35Wait a minute.
38:37What?
38:38What?
38:39Wait a minute.
38:40That's right.
38:41Wait a minute.
38:42What?
38:43Wait a minute.
38:44I'll be serious.
38:46It won't open, will it?
38:48No, it will open.
38:49Will it open?
38:50Yes.
38:51Really?
38:52Really.
38:53Look.
38:54Look.
38:55Really.
38:56It's true.
38:57It was a little hard today.
38:59It was hard, wasn't it?
39:00Yes.
39:01It's heavy from here, too.
39:03Look at this thickness.
39:05Wait a minute.
39:06It's heavy from here.
39:09That's right.
39:10It's a safe.
39:14Valuable collections are stored in the safe.
39:27The story of the revival of Kyoto.
39:30Kyoto's first yoga shop.
39:32Modernized by a new food culture.
39:37I'm curious about the food from now on.
39:40I'd like to introduce the revival of Kyoto with food.
39:45I'm going to visit one of my favorite shops.
39:52It's not an exaggeration to say that it's one of my favorite shops.
39:56The popular product is a shop called Ichidenmachi.
40:02I can see the shop window.
40:03This is it.
40:06I visited a yoga shop about five minutes' walk from the Kyoto City Hall.
40:12Kyoto Murakami Kanshin-do.
40:17Excuse me.
40:18Hello.
40:19Hello.
40:20My name is Taku.
40:21Nice to meet you.
40:22I'm Murakami.
40:23Nice to meet you.
40:24Nice to meet you.
40:26It's like a different world.
40:29Yes.
40:30I feel nostalgic as soon as I enter.
40:34Many customers say that it's like a time slip.
40:42The most popular Russian cake.
40:44It's called a cake, but it has a moist cookie-like texture.
40:50The scent of fresh butter and the richness of fresh cream spread out.
40:54It's a baked sweet loved by people all over the world.
41:01Is it rare to see this shape of cookie?
41:04Yes, it is.
41:05It's still in a can.
41:08In the old days, we used to take it out of the can and give it to people.
41:12I see.
41:13My grandmother used to give it to people.
41:19But now, we can't eat it.
41:23I see.
41:27It opened as a yoga shop for the first time in Kyoto in 1940.
41:33The founder is Murakami Seitaro, the great-grandfather of Shoichi.
41:40It's so cool.
41:42Yes.
41:43It's written that he was a man of color.
41:49He wore a hat.
41:51It seems that he liked those elements.
41:56Murakami family has been a family in Kyoto since the Nara period.
42:03Yes.
42:04Murakami family has been focusing on the work of Miyake family.
42:09They were the head chef of Miyake family.
42:14After the Meiji Restoration, Miyake family moved to Tokyo from Kyoto.
42:21Murakami family, who worked in Miyake family, moved to Tokyo together.
42:27Yes.
42:28As Western culture spread, Murakami Kaishin-do was established in Tokyo under the order of learning yoga techniques.
42:41This is Murakami Kaishin-do in Tokyo.
42:43This is the Meiji Restoration.
42:46Seitaro learned yoga techniques from his uncle, the founder of Murakami Kaishin-do in Tokyo.
42:53He opened a shop in Kyoto with his techniques.
42:59Seitaro's idea was to spread yoga techniques from Kyoto to Japan.
43:12Excuse me.
43:13This is the cookie I mentioned earlier.
43:15I hope you enjoy it.
43:18I stood up.
43:20Keep it as a can.
43:21Really?
43:23Please open it.
43:25Murakami Kaishin-do has a lot of cookies.
43:31This smell and this feeling.
43:34This cookie is the signature one of Murakami Kaishin-do.
43:40This is a reservation price.
43:42This is a reservation price.
43:44They make reservation price as soon as the store opens.
43:49That's right.
43:50I like it.
43:51I think I'll buy this.
43:52You like it, don't you?
43:55I like it, too.
43:57I put a lot on it.
43:58It's a reservation price.
44:00It's a speciality here.
44:02We have to make a reservation.
44:04That's right.
44:06We've been waiting for about a year.
44:10I'll start from the middle.
44:13I'll start with this one.
44:22It's delicious.
44:24The sweetness of the butter and the right hardness.
44:30It's a luxury, but it's nostalgic.
44:34I'll hide it if you don't mind.
44:36There's a sandwich with cream on both ends.
44:47It's nostalgic, but it's a different luxury.
44:51I'm glad.
44:55Food is really important.
44:58I think it's wonderful that they put in a lot of effort into the revival of Kyoto.
45:28In this trip, I learned for the first time that Kyoto was in a crisis during the Meiji era.
45:35It was really unexpected.
45:37I also learned that many people were active in order to save the crisis.
45:44The background to that was the love for Kyoto by the citizens of Kyoto.
45:52It was a deep journey.