Former Bond girl Olga Kurylenko shines at Dubai International Film Festival. Former Bond girl Olga Kurylenko talks about her experience filming the movie The Water Diviner, which is being screened at Diff 2014. See more at: http://gulfnews.com/gntv
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00:00Prince Hussain asked the man why the carpet he wished to sell was so expensive.
00:14What's the magic word, the one that makes the carpet fly?
00:19Tengu!
00:20That's it, Tengu!
00:21My prince, whoever sits on this carpet, may be transported through the air in an instant.
00:26Alright boys, let's get out of here, all together!
00:29Tengu!
00:30Well, Russell sent me the script and he said, read it, see what female part you like.
00:44And I read it, I said it's wonderful, I love the character.
00:49And the next question was, well, how fast can you learn Turkish?
00:54So of course I said, oh, very fast.
00:57And then I thought, I'll think about it later.
01:00So from that moment, and then he said, the part is yours.
01:03He offered me the part and I was very honoured.
01:06And we met and spoke about the story and the character.
01:10And then I started basically working on my Turkish.
01:13And it was a big challenge because obviously I'm not Turkish, so I wanted to pull it off.
01:19And that was a big responsibility for me.
01:25And I trained a lot with coaches and got Rosetta Stone to learn the language.
01:30Yeah, so that's how I became involved.
01:37Well that's all research and I had to, I watched lots of documentaries, also on Gallipoli,
01:45on the war, the First World War, just to understand the feel.
01:52Also about the country, just the history of Turkey.
01:54I mean, I watched on every subject.
01:57There was not much, it was very hard to find material information about women.
02:04There's a lot of military stuff and war stuff, but not a lot about women.
02:10But I tried and I searched for pictures and, I mean, it's 100 years ago.
02:15So there was just a lot of emerging and understanding the culture.
02:22And I also went to Turkey and met with a woman who was in a similar situation that Ayse is
02:30in the movie.
02:31She was a widow with children, just like my character.
02:37And that also helped me understand, really talking to her helped me understand what the
02:40society was expecting from her, you know, the pressure that she was getting, even when
02:46she's living nowadays, so not 100 years ago.
02:49So it was still the same thing.
02:51So it helped me understand what kind of pressure Ayse could have been going through.
02:58And of course, as you saw in the movie, she's standing against the society, the family,
03:07and goes against what is expected from her.
03:13And tries to protect her little boy, her son, from the truth.
03:21He's lovely, he's great.
03:23He knows, because he's a director, he really knows the language to an actor.
03:28And I mean, because he's an actor himself.
03:31And he just always provided the right circumstances for us on set to be comfortable with.
03:38He knows how the environment and everything around an actor is important.
03:43And he always made sure that it was that way.
03:51I guess you could say that the personal connection is that I was raised by a single mom.
03:56And it's the case in the movie, Ayse raises her little boy by herself.
04:05So maybe in there, you know, just the love and the connection, the strong connection
04:09with your only child, I know what it is.
04:14So maybe unconsciously, I knew what it was like, but I can't really put my finger on it.
04:21It's something unconscious.
04:23You know, I wouldn't really know to tell you exactly how it happens.
04:28It's just the feeling that I know.
04:32Who's the Turk?
04:33Hassan, the assassin.
04:35Walked out of Hothmore Battalion.
04:37We found your sons.
04:39Edward and Henry.
04:42How on God's earth did you know they'd be there?
04:47Arthur, look after me, brothers.
04:49I keep my bloody head down.
04:52If this is your son, he was taken prisoner.
04:56He did not die here.
05:03So he's alive?
05:04I don't know.
05:05But you have hope.
05:06Hope's a necessity where I come from.
05:09The camps are gone.
05:11Go home, Mr. Carter.
05:14Nobody will tell me what prison campers are after.
05:16I will ride with you.
05:20I promised their mother I would find them and bring them home.
05:24I measure a man by how much he loves his children,
05:27not by what the world has done to them.
05:34If you do find your son, what will you say to him?
05:49I'll tell you what I'll tell him.
05:50I'll tell you what I'll tell him.
05:51I'll tell you what I'll tell him.
05:52I'll tell you what I'll tell him.
05:53I'll tell you what I'll tell him.
05:54I'll tell you what I'll tell him.
05:55I'll tell you what I'll tell him.
05:56I'll tell you what I'll tell him.
05:57I'll tell you what I'll tell him.
05:58I'll tell you what I'll tell him.
05:59I'll tell you what I'll tell him.
06:00I'll tell you what I'll tell him.
06:01I'll tell you what I'll tell him.
06:02I'll tell you what I'll tell him.
06:03I'll tell you what I'll tell him.
06:04I'll tell you what I'll tell him.
06:05I'll tell you what I'll tell him.
06:06I'll tell you what I'll tell him.