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Short filmTranscript
00:00♪♪
00:30At this moment, I'm the happiest man on the face of the earth.
00:34We were both inside and someone from outside locked us in.
00:37Who has the key to that study apart from Don Manuel?
00:40I'm not going to grant you those insinuations.
00:42And I've already told you that I had nothing to do with it.
00:45My one word should be enough for you.
00:47Of course.
00:48You know, I love you.
00:51What you said at the exit of the church.
00:55The truth?
00:58Yes.
01:01I love you.
01:04You can't let what happened then make you bitter now.
01:07And what you have to do is live in the present.
01:09I know, and I swear that I fight against it, Emero.
01:14But I'm here and I want to help you.
01:16And I appreciate that.
01:18But I'd better get to work because if I don't, it's never going to end.
01:22I didn't come to hurt you, Cruz.
01:24And if I came today, it's because I'm interested in being with you and knowing how you're doing.
01:30After all, it's my fault that you're enjoying this beautiful family today.
01:36Everything will be fine, you'll see.
01:38Now rest, friend.
01:40Your son has the right to know everything about his mother.
01:44So either you talk to him, or I will.
01:47I'm trying, Mrs. Arcos, but it's not easy.
01:50Well, I'm tired of waiting.
01:53You have until tomorrow, until now, to talk to your son.
01:58Are you okay?
02:00If it were only a nightmare, Manuel, nothing else.
02:04Do you want to tell me?
02:09Are you afraid of going back to sleep?
02:11I'm with you, Ano.
02:13Since we're here, I want to know what's behind that door.
02:16But it has to be now.
02:17What's wrong with that?
02:20Think about what you're going to do.
02:30I don't know.
02:38Lope, maybe it's been a long time since it opened and that's why it's jammed.
02:42Hit harder.
02:43This is not a matter of strength, Marcelo.
02:45And of magic?
02:46Neither. This is a matter of needing a key.
02:49Is it locked with a key?
02:51I'm afraid so.
02:53Well, it makes sense.
02:55If someone risks building a secret passageway,
02:59I wouldn't keep it open either.
03:01That's true.
03:02I'm sure it has a difficult lock to open.
03:09Well, we've tried, haven't we?
03:11Tried?
03:12And we'll keep trying.
03:14We have to go back to the palace and find that key.
03:16But you've gone crazy.
03:18Vera, I need to know what's behind that door.
03:20Curiosity is killing me, aren't you?
03:26Let's see.
03:28It's a bit exciting.
03:30It's like a fairy tale.
03:33Well, we'll have to look for the intrigue in the brochures.
03:36Because it's very difficult to find that key.
03:38Well, let's see.
03:39It's going to be in everyone's sight so that it can come in and out when it's needed.
03:43The truth is that it would be a shame to have come this far and not solved the mystery.
03:48Sure.
03:49If it weren't so complicated, it wouldn't be exciting, would it?
03:52Start the search.
03:56We can go back to the palace.
03:58This place gives me chills.
04:00Especially at night.
04:01Yes.
04:02But let me try one more time.
04:04Maybe the lock is rusty.
04:06Let's see if I can hit it.
04:15Get ready, Samson.
04:17You're going to hate the light.
04:20Come on, let's go.
04:22Come on.
04:53The lights that have danced through our garden.
04:57The new rumors between the heart and the walls.
05:03In the promise there will be particles of love in motion.
05:09There will be secrets that will never come out.
05:13It will be as beautiful as the flight of a plane.
05:19In the promise the farewells are turns on the ground.
05:25Even the flowers will dance in their own way.
05:29Balancers between fear and passion.
05:35We are like a jump to the D3.
05:39We are love when you live life to death.
05:44Un camino largo a recorrer.
05:48En la promesa ya serás cuestión de suerte.
05:52Somos como un salto a la D3.
05:56Somos el amor cuando se vive a vida o muerte.
06:00Un camino largo a recorrer.
06:04En la promesa ya serás cuestión de suerte.
06:15Good morning, Mrs. de Luján.
06:23Have you had a good night?
06:25Well, honestly, I haven't slept much.
06:29Have you had nightmares again?
06:31No.
06:33Have you had nightmares again?
06:35No.
06:37Have you had nightmares again?
06:39No.
06:41Have you had nightmares again?
06:43No.
06:45I don't think so.
06:51Like you said last night.
06:54It's over.
06:56We are husband and wife.
07:06I definitely love being your wife.
07:10And I love being your husband.
07:13And not having to hide our love.
07:16Never again.
07:24The truth is that I find it a little weird to wear this wedding ring.
07:29Yes, and more with these rings.
07:33They are a bit exaggerated, aren't they?
07:37They are horrible.
07:40Say it with all the letters.
07:43You know, it's amazing how something so ugly can symbolize something as beautiful as our love.
07:51The important thing is that we are married.
07:56And that nothing or no one can ever separate us.
08:07Yes.
08:15What?
08:17What's going on in your head?
08:22Aren't you going to tell your newlywed husband?
08:30There is something that bothers me, yes.
08:34And what is it?
08:37It's because of my colleagues.
08:39My colleagues at the service that I couldn't invite them all.
08:45And the few who could come were like isolated.
08:49As if they were punished.
08:53What?
08:55I couldn't even do business with them.
09:00You know ...
09:04We still have time to organize another party.
09:12Manuel ...
09:14I don't want them to think that I only offer them the works.
09:18They wouldn't be the works.
09:21We can celebrate something that doesn't have to do with you.
09:26We can celebrate something that has nothing to do with that protocular and impersonal fuss we had at our wedding.
09:37Yes.
09:39And you know what?
09:41Don't worry about expenses.
09:44Your husband can handle everything.
09:47What?
09:49Really?
09:51Yes.
09:54Talk to Mr. Baeza and get on with it as soon as possible.
09:58We will give them an unforgettable day.
10:01For them and for us, of course.
10:12Do you want us to do something unforgettable right now?
10:18Well, I can't think of how.
10:20No, you ...
10:22You let yourself go.
10:24No.
10:26This time you are going to let yourself go.
10:30No.
10:46Well, I loved the touch that the Duchess of Ornuelos was wearing.
10:50I agree with you, dear.
10:52It turned out to be the most original.
10:54Didn't it remind you of the turbans of the Bedouins?
10:57What you say is true. It had an oriental touch, didn't it?
11:00However, it seemed completely out of place to me.
11:03It was a wedding, not a mask dance.
11:07It seemed quite elegant to me.
11:09What do you know about elegance, Lorenzo?
11:12Besides, it seems to me that you didn't pay attention to the hat of Ornuelos.
11:19It's true. I didn't even notice him.
11:21I thought she was an elegant woman as a whole.
11:25Elegant and attractive.
11:27To judge by the attention you paid her.
11:30Yes, it is true that I saw him dancing with her on several occasions.
11:35How many pieces did they dance together?
11:37I would swear that at least half a dozen.
11:39The truth is that I lost count.
11:42Although I don't see the problem. I remind you that the one from Ornuelos is a widow.
11:45But not you.
11:48That's why he was going around the whole wedding, right?
11:51Okay. I admit it.
11:54That woman exerts a strange enchantment on me.
11:58And that effect will not be due to the excess of spirits, Captain?
12:02It's true that you were a little happy, Lorenzo.
12:04Well, let's call things by their names.
12:07Here my brother-in-law was as drunk as a Cuba.
12:15By the way, all the wines that were served were excellent.
12:20A guest told me to send his congratulations to you, Mateo.
12:24On an occasion like this, you deserve the best broth in the winery.
12:29By the way, it seems that the couple is not going to have breakfast.
12:33And what did you expect, Cruz?
12:36It's a wedding night.
12:38Let them rest, they have to replenish a lot of energy.
12:42I don't think tonight is a novelty for them.
12:46I'm sure it's not the first time they've been together.
12:49It's not decorous that you speak in those terms.
12:52My father is right.
12:54I remind you that you are talking about a marriage.
12:57What are you going to say?
12:59That you would take the same foot?
13:02Who do you think you are to judge me that way?
13:05It is clear that in this house everyone has broken the rules of decor and decency.
13:09Enough already!
13:11And tell me, Curro, which wines were better received, the whites or the reds?
13:31Fresh fruit and freshly baked buns.
13:34They give a lot of energy and recover from fatigue.
13:42Come on, let's go upstairs.
13:53More food?
13:55For the couple.
13:57What less than to have Mr. Manuel and Hanna married on their first day.
14:02Well, yes.
14:03Besides, I'm sure they had a suit this night and will have to recover.
14:08If they don't have a suit, the wedding night will be mine.
14:12I inform you that neither Mr. Manuel nor Mrs. Hanna have come down this morning, ma'am.
14:16Well, being the hours they are, they will not come down.
14:19They must have stuck to the sheets.
14:21Or maybe they still have their things.
14:23Because they are young and they have endurance.
14:25I warn you that Mrs. Marquesa is quite upset about this matter.
14:29She doesn't even care that no one has appeared.
14:31That's a good thing.
14:33You have to have a little wide sleeve.
14:35We have all been young and fiery.
14:37Even her.
14:39People forget their own past so soon.
14:42What I hope she doesn't forget soon is how well everything turned out at the wedding yesterday.
14:47Everything came out on demand.
14:49A ten out of ten.
14:51Despite all the rushes.
14:53It's to be proud.
14:55It's to show off.
14:57I have found out that some guests even praised how rich everything was.
15:01When things are done with affection and love, it turns out well.
15:06And being Hanna's wedding, we had to give it our all.
15:09No one gave a damn.
15:11Everyone shook their shoulders.
15:13So that Hanna had the best day of her life.
15:15Yes. That girl deserves the best.
15:18And more.
15:20The only pity is that we couldn't share that happiness with her.
15:24We had to stay here.
15:26In La Promesa.
15:27We couldn't even go to the ceremony.
15:29Well, I don't understand so much lament.
15:31You are cooks. You have your obligations.
15:34You say that because you don't know Hanna.
15:36But she made us very happy.
15:38Yes. We love her very much.
15:39She is a mother of the family.
15:41Maybe you have her there, but she doesn't seem to have so much love for you.
15:45And why do you say that? You have no idea.
15:47I refer to the evidence.
15:49Since she withdrew the wedding invitation, has she wanted to reject them?
15:53Has she even gone down to visit the kitchens?
15:56Don't you have anything to do, Santos?
15:59Nothing.
16:05Nothing to do?
16:06What a mess.
16:08Poor thing.
16:10How young the boy is, and to have that attitude in front of life.
16:14A few days later.
16:28All this is what's left of Hanna and Don Manuel's wedding?
16:30That's right.
16:31And the needy will thank you.
16:33Well, yes, they take advantage of it, Anton.
16:35Just like they did with what was left of Miss Catalina's wedding.
16:38Yes. They will thank you like a man's water.
16:40And I've already asked for permission, so I'm going to take it right now.
16:43Oh, well, if you want, I'll go with you and we'll share it, like the other time.
16:48Thank you, Maria, but it's not necessary.
16:50But if it doesn't cost me anything, and it makes me even more excited.
16:53I appreciate it, but I can only manage, Maria.
16:56This time there has been much less food left.
16:58Apparently, the wedding guests put on their boots during the invitation.
17:02Yes, they ate as if they were hungry late for a month.
17:06But the other time there wasn't much left, but there was no wedding.
17:10That's why, above all, don't you remember?
17:12It's also true.
17:15It's just that, look, you're stubborn.
17:17I tell you that I can go with you to a thousand loves.
17:19That I have a free space.
17:20And aren't you going to take a rag of Mrs. Petra?
17:23What? Petra has already lifted the punishment of being without days off.
17:27So, what do you say? Are you waiting for me?
17:30I appreciate it, but it's just a couple of boxes that I can take perfectly to the motorcycle by myself.
17:36It looks like you don't want me to go.
17:38No, Maria. It's not that.
17:41You won't be trying to avoid me again, will you?
17:45I'm telling you, it's not that.
17:47Well, thank goodness, because after all we've been through ...
17:50What if we don't get along now? What if we don't get along badly now?
17:52What if we're locked up now and we almost don't get to the wedding?
17:56You're right, Maria.
17:59So why do I feel like you're avoiding me again?
18:05I'm not trying to avoid you, Maria.
18:07It's just that I don't see the need to expose you to an uncomfortable situation at work.
18:11But I want to go.
18:14And I don't want to get you in trouble.
18:18Besides, I can't wait for you until this afternoon either.
18:20I have a couple of services on the outskirts of Lujan that can't be delayed.
18:25I'm sorry, but this time I'm going alone.
18:28I'm sorry.
18:35What a mess.
18:40Aren't you going for a walk after breakfast?
18:43I'll stay with you and we'll talk.
18:47But it's a great day.
18:50Well, if you insist.
18:52We could also go for a walk together.
18:55I'm sorry, dear, but I'm afraid I have a slight headache.
18:59I don't think it would be a good company.
19:02I'm not surprised that you have a headache.
19:05There was a lot of tension this morning in the dining room.
19:09It wasn't that bad. The blood didn't get to the river either.
19:13It couldn't have been because of your good talent.
19:16Are you defying me?
19:19You should repress those disgusting comments about Hanna.
19:23She's your son's wife, Manuel. Your daughter-in-law.
19:26I just said that I don't think it's right that they didn't show up for breakfast.
19:29Cruz, don't deny the obvious.
19:31Everyone has witnessed your bad mood.
19:35You may be right. I'm not going through my best moment.
19:42I am aware that you are making a great effort to overcome this situation.
19:47This situation is humiliating.
19:50I assure you that it doesn't look that bad from the outside.
19:53Really?
19:55Don't you think that my only son is going to marry a maid?
19:59I think that would make any mother bitter.
20:02And it's not seeing your son happy that makes any mother envious.
20:06I think Manuel is very happy with that girl.
20:09And he has chosen her to share his life.
20:11Let's see how long the whim lasts.
20:14But Cruz, don't you see that's not the way?
20:18Accept Hanna from the bottom of your heart.
20:20That's how you'll start to calm down.
20:23And you'll see how those hagekas leave you by magic.
20:25I don't think so.
20:27Why don't you try?
20:30Look, Leocadia, I really appreciate your advice.
20:33I know you do it with your best intentions.
20:35But what you're asking for seems like a waste.
20:38Why?
20:40Because until two days ago Hanna was cleaning floors.
20:43And now she's the future Marquise of Lujan.
20:45Isn't that enough?
20:47Sooner or later, you'll have to accept it.
20:52Well, maybe you're right.
20:53And I have to end up swallowing that toad.
20:55But don't ask me to do it overnight.
20:57Because it's going to take my time.
20:59And who knows if all my life.
21:01I insist that you give that girl a chance.
21:05I have a good feeling about her.
21:07And you know that my instinct is almost infallible.
21:10Almost.
21:11Come on, Cruz.
21:12Good people see her.
21:15Maybe now you perceive her as an enemy.
21:18But life goes around a lot.
21:21And maybe things end up being the opposite of what you imagine now.
21:26I'm telling you.
21:28I've been wrong many times.
21:29Giving my heart to people who didn't deserve it.
21:31I trust you.
21:42Mrs. Marquesa has intestinal problems.
21:44And she asked us to make her a menu with a soft diet.
21:47That's what Mrs. del Río will do.
21:49Yes, it seems that there are foods that cause terrible digestions.
21:52So she gave me a list of ingredients to avoid.
21:56Well, no legumes.
21:58And no garlic with a lot of vinegar.
22:00And also reduce the frying as much as possible.
22:02No, Mrs. Marquesa won't like that at all.
22:05But we know that she loves fried food.
22:07Well, now we have to find a way to please both of them, right?
22:10Yes, that's right.
22:11We will also have to communicate it to Mrs. Arcos.
22:14What surprises me is that it was not the Marquesa who told her directly.
22:19Boro told me this morning while helping her prepare for breakfast.
22:22It seems that she had a terrifying night.
22:25It may have been something that was wrong during the wedding banquet.
22:29I think what has upset her is the wedding itself.
22:34Don't look at me like that.
22:35I think we all think the same thing but we don't have to say it.
22:38Well, it is true that for that reason she has been in a very bad mood for a few days
22:41and maybe that caused stomach aches.
22:45I couldn't be at the wedding but she was also upset during the ceremony.
22:50No, she didn't let it get in the way.
22:52She never lost her composure.
22:54The procession was going on inside.
22:56Well, I understand that you had to see the wedding from a distance from the church.
23:00Yes, well, we seemed a bit out of place.
23:02Mrs. Marquesa ordered that we stay out of the way
23:05and that we did not move until all the guests left.
23:09I think that if it were for her, she would have made us invisible.
23:12I imagine it had to be very uncomfortable, right?
23:15It was not pleasant, of course.
23:16Well, at least I can be with Hannah on an important day for her,
23:19so for me it has been perfect.
23:21And the service was made a lot of effort and the whole celebration was impeccable.
23:25And that's how they ended up in a row, poor people.
23:27Well, all I hope is that they have a happy marriage.
23:30I hope so, but I don't think it will be easy.
23:33Why not? This is already a consumed fact.
23:35Well, I have my doubts.
23:37I think that Hannah's hard path is not over,
23:39but rather, it has just begun.
23:41So they are in a hurry, in the middle of work.
23:44Well, just a few minutes of rest.
23:46Besides, the wedding is already taken care of.
23:48Yes, but there are still pending tasks
23:50until the palace recovers its normal pace.
23:53And who do you think you are to talk to us like that?
23:57Besides, we are dealing with work matters.
24:01Well, if so, in that case you should talk to me,
24:03which is why I am the key lady.
24:05And not with a maid.
24:07It's just that there is no way to find you, ma'am.
24:10Well, look for me with Masa Ingo.
24:12Because I am always locatable.
24:14Not like others.
24:15What do you mean by that?
24:16Enough already.
24:17You don't know how to talk to each other without raising your voice.
24:24THE WEDDING
24:38Good morning.
24:39Excuse me.
24:40I'll put a maid in a vase and take them to my bedroom.
24:46The wedding went very well, don't you think?
24:49Yes, perfectly.
24:51Something surprising,
24:53considering that it was literally prepared in a couple of days.
24:56Well, you see.
24:57Given the circumstances,
24:59it would have been normal for the storm to have broken out.
25:03Be more specific.
25:05What do you mean exactly?
25:08Where to start, right?
25:10I was surprised that Hanna kept her composure
25:14and did not interfere,
25:15revealing her origin and her condition.
25:17Well, Hanna has always had good manners.
25:20How is that possible?
25:22With you, you always reduce yourself to the same thing,
25:24to arguing.
25:25And with her, no?
25:27Have you forgotten your fashion show during the family dinners?
25:31During the first family dinners.
25:34She has known how to keep her composure.
25:36Even in front of truants like you.
25:39I'm sure you have taught her how to do it.
25:42You are wonderful at it.
25:43Stop messing around.
25:44I remind you that you are talking about my brother's wife.
25:47Okay.
25:48Let's leave him alone.
25:51By the way, congratulations.
25:53You concealed your pregnancy perfectly.
25:55No one noticed your condition.
25:57And if he did, he had the prudence not to say anything.
26:05Thank you very much.
26:07In this family, we are very good at pretending and lying.
26:10No one noticed how much you disliked
26:12taking Hanna to the altar, right?
26:15Touche.
26:17Sacrifices.
26:19Sacrifices that one makes for the family.
26:23But don't make that face.
26:25You will also need our support.
26:28It won't be easy for you to raise a bastard.
26:30I will not allow another insult.
26:31I have not insulted anyone.
26:33I have described a reality.
26:35You are not married and this is what is called
26:37children born out of marriage.
26:39Don't worry.
26:40You will never have to help me.
26:42Before that, I would have to be dying.
26:48You are so dramatic, Catalina.
27:05Hanna,
27:06what were you doing with your flamboyant husband?
27:09Manuel is still getting ready and
27:11I have been wearing my career for so many years
27:13to stop doing it now.
27:18One thing.
27:20Hanna,
27:21I anticipate that your mother-in-law,
27:23Aunt Cruz,
27:24did not take your absence at breakfast very well.
27:29How could it be otherwise?
27:31Yes.
27:33And look, her friend, Mrs. Leocadia and Catalina,
27:35will try to intercede for you.
27:38Corre, I promise I told Manuel
27:40that we would go down to have breakfast with everyone
27:42to start on our feet, but ...
27:43He was the one who convinced me.
27:45You don't have to give me explanations, sister.
27:48I know.
27:50I just hope you had breakfast
27:52and that you don't have an empty stomach.
27:55They served it to us in the room.
27:58I imagined it.
27:59Yes, after all,
28:01it was your wedding night.
28:03Well, yes.
28:04And that's why I don't understand Mrs. Cruz's reaction.
28:07She gets mad about anything.
28:09Yeah.
28:10The truth is that my aunt
28:12usually makes a mountain out of a grain of sand.
28:15She is looking for any opportunity to attack us.
28:18Well, rather, to attack me.
28:20Don't pay much attention to my aunt Cruz's love changes.
28:23Yes, she will have risen with her left foot.
28:25This is not something punctual.
28:29No matter how much I do, she will never accept me.
28:34Hanna, it will be difficult.
28:37But maybe in time, well ...
28:39Corre, I'm very clear about it.
28:41No.
28:42It doesn't matter how much time passes, this is not going to change.
28:44Well, even if that's true,
28:46you have to think that the others do accept you.
28:49No, not all of them.
28:51The Marquis will never accept me.
28:54The captain of the MATA, even worse.
28:56He hates me.
28:59Not to mention all those who congratulated me yesterday,
29:01that I am convinced that if they find out who I am,
29:03they would repudiate me.
29:08Hanna,
29:10remember that you don't offend those you love,
29:13but those who can.
29:15And also remember that you have a little brother here
29:17for whatever you need.
29:20You are not alone.
29:39I love you.
29:59Is everything okay, Ricardo?
30:01What is so abstract?
30:03Where is your head?
30:05No, the stain, I was cleaning it.
30:08When you came in, you weren't even brushing,
30:11so you're hardly going to clean it.
30:13Look, don't pretend with me.
30:15Tell me, what worries you so much?
30:21Hanna.
30:24I was thinking about her.
30:26How is it possible that this continues to hurt me after so long?
30:29You have to get over it.
30:31Leave it behind once and for all.
30:33For your own good.
30:34And for everyone around you.
30:37Yeah, but I don't understand it, Romulo.
30:40I can't get a question out of my head and ...
30:43What did I do wrong?
30:44What did I do for her to leave me and go with someone else?
30:47Nothing. You didn't do anything.
30:49So?
30:50Well, if you keep looking for explanations that you can't find,
30:53you'll never get over it.
30:55All this causes me a lot of confusion.
30:57And it makes sense.
30:58We have to learn to live with unanswered questions,
31:01leave them aside.
31:02It's just that now ...
31:03I have confirmation that she is still alive.
31:06In a town in Ávila.
31:07Yes, well ...
31:08It is logical that she is alive.
31:10She was younger than you.
31:11Yes, well, but I had already made up my mind that I was not going to hear from her again,
31:14that I was not going to see her again.
31:16You don't have to see her if you don't want to.
31:18But it's just that ...
31:21That option is very real.
31:23Romulo, it would be enough to simply ask Mrs. Arcos
31:25what is the town of Ávila, where it is,
31:27go there to look for her and ...
31:29That's not a good idea.
31:31Well, first of all,
31:33why would you have to ask Mrs. Arcos for a favor
31:35if we all know how she spends it?
31:37Well, that's the least of it.
31:39I would end up arguing with her whether to do me the favor or not.
31:41Secondly, and most importantly,
31:43why?
31:47Well, honestly, I don't know.
31:51And I'm being honest.
31:53Thinking about going to look for her and ...
31:55and having her face to face in front of me ...
31:59To me that ...
32:02It generates a lot of restlessness.
32:07So?
32:10I wish I had never opened that damn letter.
32:14Do you think you still love her?
32:19Excuse me if I interrupt.
32:21Mr. Baeza, they are waiting for you in his office.
32:23Apparently Hanna wants ...
32:25Mrs. Hanna wants to talk to you.
32:28I'll lend a hand, Mr. Pellicera,
32:30to clean that stain.
32:32Sure, I'll clean it in a moment.
32:57Come in.
33:00I came to see how you are.
33:02Fine, just that ...
33:04I don't smell anything.
33:06What do you mean you don't smell anything?
33:08No, the pregnancy has made me lose my sense of smell.
33:11Are you sure?
33:13Yes. I've been noticing it for days.
33:15That's why I went to the field to pick flowers and ...
33:17Nothing. As if I smelled a stone.
33:20Let me.
33:23Well, it gives off a strong aroma.
33:26I don't know, daughter. Do you think this is normal?
33:28Maybe we should let the doctor know.
33:30No, I don't think it's necessary.
33:32I've read that it can be one of the consequences of pregnancy.
33:35Yeah.
33:39I have to get used to ...
33:41my body changing and transforming.
33:45In fact, soon I won't even be able to see the tip of my toes.
33:50But maybe it's not too much to consult the doctor.
33:53No, really, it won't be necessary.
33:57I would like to help you.
33:59I don't know what I can do for you.
34:07Look, with this hug you are already doing a lot for me.
34:16Daughter, the doctor insisted that it was very important ...
34:19to promote a calm climate for the good development of your pregnancy.
34:24I would like the atmosphere at the prom to be better, but ...
34:30But I don't know how to pacify it.
34:32It's not your fault, father.
34:36It's just that so many emotions are not good.
34:38Yesterday you were at a wedding banquet.
34:40Yes, I had a great time dancing and talking to the guests.
34:44Don't worry about that.
34:46If I enjoy it, my son also enjoys it.
34:49Yes, but not all situations are as festive as a wedding.
34:53This morning there was a very violent one at breakfast.
34:58Cruz has no right to talk to you like that.
35:00Especially not having guests.
35:03Well, actually, I'm already used to his outbursts.
35:09But things shouldn't be that way.
35:11Yes, but they are.
35:14And we can't change how others react.
35:18So that's why ...
35:21And to have a calm atmosphere in the development of my pregnancy,
35:25I'm going to go to Aunt Clara's house.
35:32I wanted to organize, with your permission and with the help of María Fernández,
35:35a toast to celebrate my wedding with all the service.
35:39Olé!
35:40Very generous of you.
35:42Well, you know I stayed with the thorn in my side,
35:44because my intention was that everyone could come to the celebration, but ...
35:48We know.
35:49You know that Mrs. Márquez prevented it,
35:51and I would simply like to make a toast to all my former colleagues.
35:55I feel indebted to them.
35:57But you have no obligation.
35:59I know.
36:00But well, I would like it not to be an ordinary toast.
36:04I would like it to be a moment that we could all share something emotional.
36:09Very well said.
36:10She has a golden heart.
36:12Both of a lady and of a man.
36:14But she is a lady and as such she must be treated.
36:16Well, Mr. Baeza, make an exception when you see Mrs. Petra in front of me,
36:19I don't care.
36:20Okay.
36:22It will be a great joy for everyone, for me first.
36:26You are going to jump with joy.
36:28I am very excited.
36:30By the way, now that I remember,
36:32I gave the leftovers of the invitation to Father Samuel
36:35to distribute it among the needy.
36:37You know very well that no one will need it more than the needy.
36:40For that, only the needy.
36:42Yeah, but I wasn't thinking about the leftovers.
36:45I was thinking that we could prepare something special for the day.
36:50Something they don't eat in their day-to-day life.
36:52Like caviar?
36:53Well, there is no need for excessive luxuries either.
36:56Besides, I suppose caviar is not everyone's favorite.
36:59Caviar tastes like sin or revenge.
37:01Really? And where have you had the opportunity to taste such an exquisite delicacy?
37:05Well, at the dress-up party of the Marquise.
37:07At the dress-up party?
37:10Well...
37:11Yes, because...
37:14Excuse us, Mr. Baeza, we took from a tray.
37:17A tray that had leftovers, nothing more.
37:19Of course, we couldn't contain ourselves.
37:21A curiosity.
37:22But of course, it was when the gentlemen left and it was just the leftovers.
37:26Yes, yes, because we were not going to throw it away.
37:29Right, Don Romulo?
37:30Well, well, let's get back to our subject.
37:32Let's recap.
37:33So you want us to prepare something special, but not too much, right?
37:37Correct.
37:38Don't worry, Hanna.
37:40Don Romulo and I will take care of it.
37:43So that everything comes out to your liking.
37:45And you're going to have a surprise that you're going to love.
37:47Well, there is no need for many surprises, Maria.
37:49And when do you want it?
37:51Well, tomorrow.
37:53I wouldn't like to distance it too much from the wedding.
37:57In fact, if I may, I would like to stay here alone in the office
38:00to be able to write down the dishes on a list that I don't think are missing.
38:03Of course, here you have it.
38:05Use the office as long as you need.
38:21Father, my life will be much more peaceful at Aunt Clara's house.
38:24And the creature I carry inside will thank her.
38:27But you have thought it well.
38:29Do you realize that this would stir up rumors?
38:31And sooner or later they would end up spreading.
38:33Calm down.
38:35I fully trust Aunt Clara's discretion.
38:38In fact, I have told her everything.
38:40And she has not asked any indiscreet questions,
38:42nor has she inquired about who my son's father might be.
38:46As if we did.
38:50The only thing I intend is to avoid situations like this morning.
38:54And find a quiet environment for the final stretch of my pregnancy.
39:00I suppose you are in your right.
39:04And in the end, it may not be such a bad idea.
39:23Ma'am.
39:25I just found out that you intend to organize a toast to the service.
39:31That's right.
39:32I want to celebrate my recent wedding with them.
39:35Well, if the lady needed something, maybe she should have told me.
39:39I would have been delighted to go up to the noble area
39:42and deal with this whole matter calmly.
39:46Mrs. Petra, stop with the formalities.
39:48I'm tired of you telling me the same thing every time you see me down here.
39:52I have made it very clear that I will move freely around the palace when I feel like it.
39:56Both upstairs and downstairs, do you understand?
39:59I'm sorry, ma'am.
40:01Well, I hope I don't have to repeat it to you.
40:04Even so, ma'am.
40:06I insist that I would like to be part of that toast organization.
40:11I don't think it's appropriate for you to meet with Mr. Baeza
40:15and a simple maid like María Fernández
40:18and for me to have to find out for seconds.
40:22Excuse me, Mrs. Petra, I never thought I would want to participate in something like this.
40:26Of course I do.
40:29Well, then I will notify Mr. Baeza and help him with the preparations.
40:36Anyway, I have already informed Mr. Baeza of everything I want
40:39and right now I am going to give him this list so that he has all the complete instructions.
40:44Do you want me to give it to him?
40:47No.
40:48I don't want the same thing to happen as with the invitations to my engagement party.
40:53Don't you think?
40:55Good.
41:10Let's see, before we start looking for the key,
41:12let's make sure that we are following the clues correctly.
41:15We go in this way.
41:17And we go a long way.
41:19And there is no doubt that we arrive at the palace.
41:21Then we find the steep slope that would probably go up to the floor of the gentlemen's rooms.
41:27And we arrive at the Marquise's room.
41:29It may or may not.
41:31Let's see, look, what is this supposed to be?
41:34I think whoever made the plan left a room in the middle of the drawing.
41:39So what's the point of that? If there is nothing on the other side of the wall.
41:42Well, maybe they were going to build something and then they regretted it.
41:45Or they did, but they hid it.
41:47Let's see, let's see, a little bit of sanity.
41:49Tie your imagination short.
41:51Why? It's exciting to fantasize.
41:53Vera is right.
41:54But it is more important to find out what is behind that door and not speculate.
41:58Yes, Teresa, but until we find the key that opens that door, we won't know.
42:01Well, that's exactly what we have to focus on.
42:03And not make up absurd stories.
42:06But where can we find that key?
42:09I have no idea.
42:11And I don't know the palace as much as you do.
42:14Let's see, if we think logically,
42:16it would be normal for Mrs. Marquesa to have that key in good hands.
42:19That is, in her bedroom.
42:22If Mrs. Marquesa is the one who uses the passage,
42:24it is most sensible not to be far from the key.
42:28I hope you are not thinking about what I think.
42:32No one is going to enter Mrs. Marquesa's room.
42:34Are you listening to me?
42:36Do you know what would happen if she found us with our hands in the dough?
42:39Let's see, I'm not sure that key is in Mrs. Marquesa's room.
42:44Listen to me.
42:45What if the person who used those passages
42:47did it by entering from the outside?
42:51Maybe the key is somewhere else.
42:56So what you're trying to say is that you think that key can be anywhere in La Promesa?
43:02But that's like looking for a needle in a haystack.
43:05Well, if it's looking for a needle in a haystack, we'll look for it.
43:09And we're going to find it among the four of us.
43:11Okay?
43:14Let's go.
43:19There is no problem in preparing the dishes that are written down here.
43:22These are the requests that Mrs. Hanna has made personally
43:24for the invitation she wants to give in the service area.
43:27If this girl is more majestic, let's see if the rest of the gentlemen
43:30learn something from her now that they have her living up there.
43:34I need a lemonade for Miss Catalina.
43:37On my way.
43:39And you said that this celebration is going to be tomorrow, right here.
43:44That's right.
43:45And I remember that Mrs. Hanna put special emphasis on that,
43:48although she wanted it to be an intimate celebration,
43:50she also wanted it to be very special.
43:52There is no doubt, Mr. Baeza.
43:54It will be something very important for all of us down here.
43:57Yes, we will be up to the expectations.
44:00I hope so, because I think that this celebration makes Mrs. Hanna
44:04more excited than her own wedding.
44:06Are you sure this is so?
44:07It's normal that Hanna wants to share her joy with the people she loves.
44:12And that she loves her.
44:14Didn't you say that Hanna didn't value us, boy?
44:20Time to time, ladies.
44:22Time to time.
44:24Or you're going to get bored of waiting so long.
44:30First of all, Mrs. Hanna.
44:34And secondly, can someone tell me what happened here?
44:37Nothing.
44:39It's just that this morning, the saint told us that Mrs. Hanna,
44:43since she got married, has already forgotten about us.
44:47And now she will have to swallow her words and her malababa.
44:51Well, I'm not going to get into childish discussions.
44:53Talk to Mr. Ruiz and make sure that all the dishes on the list are ready.
45:03Yes.
45:08Croquettes.
45:09I don't see anything.
45:10Chasinas, ensaladillas, croquettes.
45:12You see?
45:13Yes.
45:14Okay.
45:25Curro?
45:30Calling on the phone?
45:33I wanted to contact Martina.
45:35Ah.
45:37She must be so calm with Julia.
45:39Yes. Yes, of course.
45:44Does Julia's family have a phone in their house?
45:48No. No, no, no. Of course not.
45:51I wanted to call the post office of her town.
45:58Which town?
46:00The town ... of Julia's town.
46:02Yes, yes.
46:03But what's her name?
46:13Explain it to me, Curro.
46:15Are you telling me that you want to call the post office of a town that you don't even know the name of?
46:20No. No, of course not.
46:25When you want, you can explain it to me.
46:33Okay.
46:36Martina didn't go with Julia.
46:39I mean, they did go together.
46:42But their paths parted in Cordoba.
46:47And where is my cousin supposed to be?
46:50As far as I know, in Santander.
46:53At her friend's house, Peluca de la Serna, which is where I intended to call.
46:57Santander.
46:59Of course.
47:01Of course. That's why she couldn't come to the wedding.
47:03Yes. She wasn't close.
47:06But there's something I don't understand.
47:10Why did she pretend to go with Julia if she actually went to her friend Peluca's house?
47:16Well, it's ... it's hard to explain.
47:20Well, you try to explain it to me and I'll do everything I can to understand it.
47:26Okay.
47:31It was because of Jose Juan.
47:36What does Jose Juan have to do with my cousin's death?
47:41Well, Jose Juan lost his mind and tried to end Martina's life.
47:46What?
47:47Yes. He tried to shoot her, but everything is fine now.
47:49How is everything going to be fine, Corro?
47:51Are you telling me that Martina was forced to break her promise because Jose Juan tried to kill her?
47:55Yes. But it was just in case.
47:57That's it.
47:58What do you mean, just in case?
48:00This is very serious. You should have told me.
48:02It was Julia's idea.
48:04That Jose Juan tried to kill her.
48:05Do you want to lower your voice?
48:07Manuel, this is not a matter for the whole palace to find out.
48:11Besides, everything turned out well.
48:14Martina has left and is far from all this.
48:17Fine. Martina has left and is far from all this.
48:20And the best thing is that Jose Juan has no idea about Martina's whereabouts, so she can be calm.
48:24Are you sure?
48:25Yes. Very sure.
48:29Okay.
48:31But at some point she will have to come back.
48:33Yes. That was the idea.
48:37I already told you that she left just to heal us.
48:39So since she sent the telegram apologizing for not coming to the wedding, we have not heard from her again.
48:45Well, please call that slut.
48:48Right now we have to find out where she is.
48:50And that's what I was going to do.
48:56Don't hide me again, Aguasín.
49:04Operator.
49:07Hanna has given us total freedom, Mr. Rómulo and me, to organize the toast of his wedding.
49:11So you're going to take care of the whole thing?
49:13Yes. And everything has to come out great.
49:16Don't worry, we're going to put everyone on our side.
49:20So I count on you and your criteria for food.
49:23Of course. Mrs. Simona has passed me the list of dishes that Hanna has personally ordered.
49:27You're taking too long to get ready, we don't have much time.
49:29And to that list you have to add Hanna's favorite dish.
49:33Mrs. Simona's pipirrana is also planned and underway.
49:36Yes, but it's not that. It's something that only you, with your magical hands, can do.
49:42Well, you'll tell me what it is, because Mr. Báez has given me permission to buy everything I need.
49:46Well, you know that Hanna is not very picky about food.
49:49But there is one thing that she loves and that she can never resist.
49:53And what is it?
49:55Well, it's like ...
49:57Like soft colored cookies with a very strange name.
50:02Soft colored cookies with a strange name.
50:05Yes, man. You have prepared them several times at the visit of the Marquise.
50:08They were like ... filled with almonds.
50:11Ah, the macarons.
50:13Yes, the macarons.
50:14But for that I need almonds, Maria.
50:16Although I think we have almonds in the pantry because Captain De La Mata likes the puro salda soup with almonds.
50:21Well, the soup is over. Now Hanna is the priority.
50:24And all the almonds for her.
50:26Of course.
50:28And are you going to prepare them in colors?
50:30Of all the colors I need.
50:32Oh yes, they look so beautiful when served. Hanna will love them.
50:36I hope so.
50:39Teresa, what's wrong? Are you okay?
50:44Yes, I have already spoken once. What's going on?
50:50Samuel. Father Samuel.
50:55He had a giant.
51:08Do you still love your wife?
51:10I'm sure she's still alive and that I could go looking for her at any time, meet her.
51:16Are you thinking of going looking for her?
51:18And don't misinterpret my interest. It's not for me.
51:21It's for Mrs. Adarre.
51:23You may be my friend, but I will not allow you to hurt her. She has suffered a lot.
51:28It looks like Martina is no longer in Santander.
51:31Well, that's because she's back.
51:33No, because Don Celia didn't have that information either.
51:37But her friend Abiluca will know where she is.
51:39Her friend has also left.
51:41She's alive, yes. At least she's alive.
51:43And what does that mean?
51:45Well, the doctor doesn't fear for her life.
51:48Hanna will be clear. She's going to look stupid.
51:51Relax, Catalina. It looks like you're accusing me of something.
51:54I do. Even if I went to the other end of the world, I would never forget what you have done to me.
51:59Which of all your misfortunes am I guilty of now?
52:01I know the reasons why Pelayo came to the promise.
52:04Well done. You married the church, but this is the real celebration.
52:08That's it. The other thing was just a rehearsal.
52:12Because you'll see what we have prepared for you.
52:14But what have you done, girls?
52:17Surprise!
52:18When we spoke, she didn't explain to me why she left Spain.
52:21Well, it was going to be a quick trip, a matter of a few months.
52:25But in the end, it turned out to be years.
52:28Which I regret because I didn't have the opportunity to say goodbye to your mother as I should.
52:33But well, it's never too late if the fortune is good, as they say.
52:37Maybe it would be good if I came to pay a visit to the sanatorium.
52:40Long live the bride!
52:48You have to stop it, ma'am.
52:50It's a scandal that a house like this allows that ... that pantomime.
52:54Give me the order, ma'am. Give me the order and right now I'll put an end to that ...
52:58to that disgusting celebration.