Combo Film
  • yesterday
Transcript
00:00:30Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:00I'm sorry.
00:01:30Hi-ya, Tim.
00:01:41Tim, we're getting something great.
00:01:42Something with a real switcheroo.
00:01:43Yeah, we got a real bubble on it.
00:01:45All right, make me bubble.
00:01:47Make him bubble.
00:01:48Well, you know the story.
00:01:50Yeah, I know the story.
00:01:51Ah!
00:01:52We'll pick it up where the black wasp has grabbed the girl.
00:01:55She's a pretty smart kiddo.
00:01:59She knows what's coming, and she struggles.
00:02:00Wait a minute, Joe!
00:02:01What's the matter?
00:02:02Before she struggles, the wasp gives her the business.
00:02:03Yeah?
00:02:04About the plans, remember?
00:02:05Yeah.
00:02:06He asks her for the plans to Twilight's new rocket ship, and she turns him down.
00:02:07That's right.
00:02:08He's about to give her the sting of his breath.
00:02:09Sting of death!
00:02:10Sting of death!
00:02:11Ah!
00:02:12Captain!
00:02:13Captain!
00:02:14Twilight comes to the rescue!
00:02:15Ah!
00:02:16But Captain, Twilight was caught off guard.
00:02:17What?
00:02:18Does that stop him?
00:02:19No!
00:02:20He gives him everything in his gun.
00:02:21He throws himself out of his stuff.
00:02:22Why, you!
00:02:23Ah!
00:02:24He'll almost come back, Captain!
00:02:25He'll be stopped!
00:02:26Twilight, he comes back again.
00:02:27Ah!
00:02:28Ah!
00:02:29Ah!
00:02:30Ah!
00:02:31Ah!
00:02:32Ah!
00:02:33Ah!
00:02:34Ah!
00:02:35Ah!
00:02:36Ah!
00:02:37Ah!
00:02:38Ah!
00:02:39Ah!
00:02:40Ah!
00:02:41Ah!
00:02:42Ah!
00:02:43Ah!
00:02:44Ah!
00:02:45Ah!
00:02:46Ah!
00:02:47Ah!
00:02:48Why, you!
00:02:49He'll almost come back, Captain!
00:02:50Twilight comes and he comes and he comes!
00:02:51The wasp is about to give Captain Twilight the sting of his breath!
00:02:52Ah!
00:02:53Ah!
00:02:54Ah!
00:02:55Ah!
00:02:56Ah!
00:02:57Ah!
00:02:58Ah!
00:02:59Ah!
00:03:00Ah!
00:03:01Ah!
00:03:02Ah!
00:03:03Ah!
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00:03:08Ah!
00:03:09Ah!
00:03:10Ah!
00:03:11Ah!
00:03:12Ah!
00:03:13Ah!
00:03:14Ah!
00:03:15Ah!
00:03:16Ah!
00:03:17Ah!
00:03:18Ah!
00:03:19Tim!
00:03:20Tim!
00:03:21Tim, what do you say?
00:03:22Is that a great twist or not?
00:03:23Oh, it's great, fellas.
00:03:24I'll buy it.
00:03:25Ha ha ha!
00:03:26And you can have it.
00:03:27Am I crazy?
00:03:28Certainly.
00:03:29Why, if...
00:03:30Well, wait a minute!
00:03:32You gotta be crazy in this business to make any money.
00:03:33Then Mr. Moody is crazy!
00:03:34Oh, certainly he's crazy!
00:03:37Everybody's crazy!
00:03:38We're all crazy!
00:03:39Ha!
00:03:40Ha ha ha ha haah!
00:03:41Hawaw haw haw haw haw haw haw haw!
00:03:44So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:47I couldn't sleep a wink thinking about it.
00:03:50Next time you can't sleep, try counting sheep.
00:03:52I will.
00:03:58My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:03Just a minute, Jones.
00:04:05I'm still general manager of the plant, Hilton Payne, remember?
00:04:08Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:13No.
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:18You wouldn't.
00:04:19Looks like a spot for a pinch hitter.
00:04:20What's the score?
00:04:20Hello, Betty.
00:04:21It's tied.
00:04:22He says no, I say yes.
00:04:24What you boys need is a referee.
00:04:26Now, honey, don't you bother your pretty little head about details.
00:04:29Jones and I will settle this between us.
00:04:32Maybe I could decide.
00:04:33I think I know father's likes and dislikes as well as you do.
00:04:38And I've decided it's tops.
00:04:40Thanks.
00:04:41Well, Betty, I guess your decision just about covers everything.
00:04:49You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:53I can understand that.
00:04:55Father thinks I'm going to marry him.
00:04:59You know, you have the most beautiful eyes.
00:05:01Tim, father isn't a well man.
00:05:05And the most beautiful hair.
00:05:07He, well, he depends on me.
00:05:09And the most beautiful mind.
00:05:11Tim, stop.
00:05:12I'm serious.
00:05:13Yes, I know.
00:05:14And, well, I think that we should do something about it.
00:05:18Yes, yes, we will.
00:05:19But you still have the most beautiful hair.
00:05:21And the most beautiful mind.
00:05:22And I've decided to...
00:05:23And the most beautiful mind.
00:05:24I've decided that I'm going to get a doctor.
00:05:26Yes.
00:05:27Okay, okay.
00:05:41Miss Wilson, where's Mr. Austin?
00:05:43Good morning, Mr. Moody.
00:05:44Yes, yes.
00:05:45Where's Mr. Austin?
00:05:46He should be here any moment, Mr. Moody.
00:05:48Send him in the minute he comes.
00:05:50Yes, Mr. Moody.
00:05:54Good morning, Miss Wilson.
00:05:55Go right in, Mr. Austin.
00:05:56Mr. Moody's waiting for you.
00:05:57Good.
00:06:06Good morning, Annie.
00:06:07Good morning, Hoppy.
00:06:08Glad to see you.
00:06:10Hi, Tilly.
00:06:11Start toiling.
00:06:12Here's the morning news, right on the dot.
00:06:14What happened to Kicklepuss?
00:06:15Did he get out of that jam he was in yesterday?
00:06:17Yeah, he made it all right.
00:06:18Just the cops were closing in on him.
00:06:19Hold it.
00:06:20Don't tell me.
00:06:21I want to read it later.
00:06:23Say, how come his nibs are so scared of the comics?
00:06:25If I could make a million bucks with him like he did,
00:06:27I'd die laughing.
00:06:29Why don't you send one in and see what happens?
00:06:31A very funny idea.
00:06:33The girl that worked before me forgot just once.
00:06:36The comics went inside, and boom, she was outside.
00:06:39Well, that makes a difference.
00:06:44That's why I like you, Henry.
00:06:45You're honest.
00:06:47Don't try to impress me like everyone else.
00:06:49Hilton, for instance.
00:06:51He's just waiting for me to retire.
00:06:53Oh, I thought you approved of him that he was going to marry Betty.
00:06:56He's the man Betty thinks she wants to marry.
00:06:58I'm not going to interfere.
00:07:00I made a mistake in my own marriage.
00:07:03Who am I to tell her what to do?
00:07:05I like Betty.
00:07:06I hope she'll be happy and never want for anything.
00:07:08She won't, at least financially.
00:07:10Oh, then you're going to give Hilton the business.
00:07:13Yes, but not the way he expects.
00:07:17He's a lucky young man.
00:07:18I hope he appreciates it.
00:07:20Henry, the art of appreciation is lost in this world of dog-eat-dog.
00:07:24Everybody is out for something.
00:07:26I know.
00:07:28A bunch of cutthroats.
00:07:35Good morning, Marjorie.
00:07:36Good morning.
00:07:37Come in.
00:07:40Good morning, Miss Moody.
00:07:41Good morning, Henry.
00:07:42How's Dad?
00:07:43Wonderful.
00:07:44He brightens up my whole day.
00:07:47Dr. Calloway.
00:07:48It's good to see you.
00:07:49It's a pleasure.
00:07:50Miss Moody, this is Dr. Swatsky of Prague.
00:07:52Swatsky with a V, Calloway.
00:07:54Oh, sorry.
00:07:55With a W.
00:07:56How do you do?
00:07:57How do you do?
00:07:58If you gentlemen will wait here a minute, I'll go in and prepare Dad.
00:08:08That glint in your eyes can mean only one thing.
00:08:11You've got an idea.
00:08:12I have, and it's a good one.
00:08:14I was afraid of that.
00:08:15Well, what is it?
00:08:16Did you take your medicine?
00:08:17No.
00:08:18Why not?
00:08:19Because my medicine does you more good than it does me.
00:08:28Now, open.
00:08:32Now, open.
00:08:42Now, do you feel better?
00:08:43Very much better.
00:08:46Hello, Dr. Calloway.
00:08:48I hope you have better luck this time.
00:08:50Well, I'm sure we will.
00:08:51I'm fortunate in having Dr. Swatsky with me on the case.
00:08:53Dr. Swatsky?
00:08:55Swatsky, yes, Swatsky.
00:08:57This is very, very interesting.
00:09:00Calloway, my dear colleague, I haven't seen one like this recently.
00:09:04Wait a minute.
00:09:05There's nothing wrong with me.
00:09:06Mr. Moody's the man you want.
00:09:08Moody, yes, Mr. Moody.
00:09:10This is a very intriguing example of the paranoid type.
00:09:14Yes.
00:09:15Consolidated up four points.
00:09:17Associated up five.
00:09:19Go ahead and order that mink coat.
00:09:23But Hilton told me to sell both of them yesterday.
00:09:25Hilton, Hilton, Hilton!
00:09:28Were you calling me RP?
00:09:29No, I'm not calling you.
00:09:30I'd like to forget you.
00:09:37Now, Daddy, don't get upset.
00:09:39What would Dr. Calloway think if he saw you this way?
00:09:42Dr. Calloway?
00:09:43Yes, and we're very lucky.
00:09:45He's brought a famous specialist from Prague.
00:09:47Specialist medicines?
00:09:48What good do they do?
00:09:49Betty, I know you're trying to help me, but it just won't work.
00:09:52All your doctors, specialist medicines, none of them do any good.
00:09:55Please, Dad, try it just once more.
00:09:58This time you'll win.
00:10:00I'll bet on it.
00:10:02All right, but if you lose, this will be the last time.
00:10:05It's a bet.
00:10:13Dr. Calloway, Father will see you now.
00:10:16Oh, Dr. Spotsky?
00:10:17Yes?
00:10:18Oh, thank you very much, thank you.
00:10:22Thank you, thank you very much.
00:10:26Hello, Calloway.
00:10:27Hello, Calloway.
00:10:29Dr. Spotsky, Mr. R.P. Moody.
00:10:31R.P. Moody, how do you do?
00:10:33How do you do, Mr. Moody?
00:10:35Melancholia Maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:39You're welcome to it.
00:10:43In going over your case with Dr. Calloway,
00:10:45we have found that sanity runs in your family.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:56Don't you feel sometimes that you're all alone?
00:11:00No, no, no, please, please, don't interrupt me.
00:11:02Quiet, please.
00:11:04Now, at times you have the feeling
00:11:06as though you are in total darkness.
00:11:09Answer me, please.
00:11:10Yes, many times.
00:11:11Good, good, like going somewhere.
00:11:13Now, tell me, please, when, when those things do occur?
00:11:18When I turn out the light and go to bed.
00:11:20When you turn out the lights and go...
00:11:21No, no, no, no, no, no, no.
00:11:24When you laugh, when you laugh,
00:11:26is it a high-pitched laughter like...
00:11:30Or is it, is it perhaps a hysterical one like...
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full, wholehearted laughter,
00:11:39deep like...
00:11:41I never laugh.
00:11:42You never laugh, no, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean.
00:11:46I haven't smiled, let alone laughed in 20 years.
00:11:49Dr. Calloway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:56No, no, no, the diagnosis we have left behind,
00:11:58my dear colleague.
00:11:59The reasons for it, the etiology, the prognosis of it.
00:12:03That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles, that is correct.
00:12:11That is correct.
00:12:12Will you please lean back?
00:12:14Like this, the facial muscles.
00:12:18That's strange.
00:12:19Strange, very strange, very, very strange.
00:12:23No, no, that's correct.
00:12:25Now let's see the facial muscles and the reactions.
00:12:29Let's see another...
00:12:31Observe, Dr. Calloway, absolutely normal reaction.
00:12:35Now, let's see this.
00:12:37Sit back, please, sit back.
00:12:41Now, everything's absolute, you know.
00:12:43Bet or no bet, he's going too far.
00:12:46Now, now, now, Mr.
00:12:48Moody.
00:12:49Mr. Moody, Mr. Moody.
00:12:50Now, please, please, try to think, if you can.
00:12:5420 years ago, 20 years ago, remember?
00:13:00Your daughter was just a little baby.
00:13:03What happens to you then?
00:13:05What happened 20 years ago is no concern of yours.
00:13:07I've had about all I can stand for today.
00:13:10Dr. Calloway, unless I have a full cooperation,
00:13:13we're getting nowhere fast.
00:13:16This is only an idea, a clue,
00:13:19perhaps a parallel to jump from.
00:13:21What is it, Dr. Swadzki?
00:13:23My dear young lady,
00:13:26in 1783,
00:13:28Philip of Spain was suffering from melancholia
00:13:31so moribund that it threatened his life.
00:13:34After a search, a singer was found
00:13:37whose voice had that therapeutic effect.
00:13:41Now, the singer provided
00:13:43titanic.
00:13:44And the king imagined, the king was healed.
00:13:47Oh, brilliant, a masterly analysis.
00:13:49Now, thank you, thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:56I could have told you that without a fee.
00:13:58The whole world needs laughter.
00:13:59Laughter is a medicine.
00:14:00And you can't take an overdose of it.
00:14:02It's good for what ails you?
00:14:03Falling hair, falling arches, bunions.
00:14:05Why, the whole world's crying for it.
00:14:07Say, why don't we bottle it and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:16Tim, I've got the beginning of an idea.
00:14:19And I've got the end of it.
00:14:27If the king of Spain was cured by one singer,
00:14:30then we'll hire the best talent that money can buy.
00:14:33They should be able to do something for Dad.
00:14:36Freddie Fisher and his band.
00:14:39George McKay.
00:14:41Bill.
00:14:42Dottie.
00:14:44Duffy.
00:14:45And Peanuts.
00:14:46Darby and Darnell.
00:14:48Isabelita and the Guadalajara Boys.
00:14:51Chewie Reyes and his truck of Durban.
00:14:54Mike Riley and his musical maniac.
00:14:56And Bob Roberts.
00:14:57And Mervin.
00:14:59Alphonso and his band.
00:15:01And Bob Roberts.
00:15:02And Mervin.
00:15:04Alphonse Berger and Doris Dewayne.
00:15:07Almodo and his pal.
00:15:28Where's Hoskins?
00:15:29Hoskins took the day off to get married, sir.
00:15:31I'm his brother.
00:15:32Who brought that beast in here?
00:15:34I did, sir.
00:15:35He's not a beast.
00:15:36He's my dog.
00:15:37Well, I'm allergic to dogs, and I think I'm going to be allergic to you.
00:15:40Get him out of here.
00:15:41Say, listen, if you want any help, you better take what's available.
00:15:44And with me, it's love me, love my dog.
00:15:47Besides, he's a fine dog.
00:15:49I'm crazy about him.
00:15:51The greatest trick dog that ever lived.
00:15:54But he won't do easy tricks.
00:15:56Only big tricks.
00:15:58And the bigger the tricks, the better he'll do them.
00:16:01Did you get that build-up I gave you?
00:16:03I told him you won't do easy tricks, only big tricks.
00:16:06Come on, let's show him some class.
00:16:07Ready?
00:16:08Stand up, boy.
00:16:09Up.
00:16:10Come on, boy.
00:16:11Stand up.
00:16:12Up.
00:16:13Come on, boy.
00:16:14Stand up.
00:16:15Up.
00:16:16Too easy.
00:16:17Lay down.
00:16:18Dead dog.
00:16:20When I say dead dog, you lay down.
00:16:22Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24It's all right.
00:16:25Look, over here.
00:16:26I'll show you.
00:16:27Right here, look.
00:16:28Over here.
00:16:29Come on, boy.
00:16:30Come on.
00:16:31Head up, boy.
00:16:32Right here.
00:16:33Look, did you see that trick?
00:16:34He moved.
00:16:35I hope he didn't strain his shoulder, that's all.
00:16:37Take it easy.
00:16:38You're working a little too fast.
00:16:39Slow up a little.
00:16:40Take your time.
00:16:41Go ahead.
00:16:42Lay down, will you?
00:16:43Lay down.
00:16:44I think the suit is too big for you.
00:16:46Look at that.
00:16:47Look.
00:16:48Maybe he's expecting mumps.
00:16:49Why don't you stop suffering and lay down?
00:16:52Collapse.
00:16:53Fold up.
00:16:54Lay down.
00:16:56You won't believe it.
00:16:57When I first got that dog, he couldn't do nothing.
00:17:00Go on and bark.
00:17:02Come on, bark.
00:17:07That was me.
00:17:09Would you like to see him do one more trick?
00:17:11This is the last trick, of course.
00:17:13Come here, Flash.
00:17:15Flash.
00:17:16Come here, Flash.
00:17:18Come on, boy.
00:17:19Look at that speed he's burning up today.
00:17:22He couldn't go any further.
00:17:23It's a little uphill over here.
00:17:25Now the dog is going to jump.
00:17:27He's raring to go.
00:17:28Look.
00:17:29Can you make it?
00:17:30One, two, three.
00:17:32Go.
00:17:33There he goes.
00:17:34There he goes.
00:17:35He's a little out of wind now.
00:17:37Take your time.
00:17:38Why don't I give him a little rub down so he can do it again?
00:17:40Try it again.
00:17:41This time sneak up on it and fall on the other side.
00:17:43Go ahead.
00:17:44Go.
00:17:45There he goes.
00:17:46There he goes.
00:17:47Boom.
00:17:48Well, anyway, this is the way he looks after he jumps.
00:17:51Like that.
00:17:52There it is.
00:17:53Oh, he's a great pet, I'm telling you.
00:17:55There's no limit to his tricks.
00:17:57Look at him running around here.
00:17:58Look at that.
00:17:59There he goes.
00:18:00Ka-flunk.
00:18:01Boom.
00:18:02And besides, the dog is a great music lover.
00:18:05Oh, he loves high class music.
00:18:07But let me tell you, of all the music he's ever heard,
00:18:10he likes my music the best.
00:18:12He'd rather hear me play one song on this harmonica
00:18:15than eat 40 or 50 steaks.
00:18:17And this is his favorite song, played by his master.
00:18:31This is the moment when we should observe our patient
00:18:34at the closer range.
00:18:36Yes, at the closer range.
00:18:40Much closer.
00:18:48Doctor, doctor, what happened?
00:18:50Contradictory symptoms, Calaway.
00:18:52Most contradictory.
00:18:54Tell me, please, what is his next move?
00:18:56Oh.
00:18:58Breakfast.
00:18:59Breakfast.
00:19:00That is very good.
00:19:01Very good.
00:19:09Where's Hilda?
00:19:10She took the day off to marry Hopkins, sir.
00:19:12Oh.
00:19:14What are you doing here?
00:19:15What are you doing here?
00:19:16Well, I'm waiting for Vaudeville to come back.
00:19:24Here are your three minute eggs, sir.
00:19:26Now, uh, do you like them that young, or, uh,
00:19:31or would you prefer them on the older side?
00:19:34Betty!
00:19:35Betty!
00:19:37Betty!
00:19:38Betty!
00:19:41That gag always went good in Kansas City.
00:19:43Betty?
00:19:44Who's this man trying to take my job?
00:19:46Oh, it's just for the day, Pygmy.
00:19:48Oh, he's only here for the day.
00:19:50For the day?
00:19:51What is he going to do here today?
00:19:53He's here to entertain father.
00:19:54Oh, entertain your father.
00:19:56Well, I think if you give me a chance to drop my hair,
00:19:58I can entertain your father.
00:19:59And I'm dropping my hair right now.
00:20:13Hey, dee dee, hey dee, oh dee dee,
00:20:19oop-a-dee-dee-dee-dee-dee,
00:20:22ho, hey, doo,
00:20:24hop-a-dee, hey, dee, dee,
00:20:27hey!
00:20:29Hop-a-dee, hop-a-dee,
00:20:31hey-dee-dee-dee-dee-dee-dee-dee,
00:20:33loo-dee-dee-dee-dee-dee,
00:20:34loo-dee-dee-dee-dee-dee,
00:20:36how was that, Miss Betty?
00:20:37I think it might be a very good idea.
00:20:39You think so?
00:20:43a.
00:20:53What's the meaning of this now everything's going to be all right I'm going to be
00:20:57all right with
00:20:57a house full of food I'm going to surprise I don't like surprises what are you
00:21:01doing here I am Mr Jones is just helping helping out well help me out tell me who
00:21:07you're helping well. You aren't we can select the entertainment but
00:21:13for the employees anniversary party but when did you get that idea well we are
00:21:17recently. Yeah that's right it's not
00:21:21a bad idea well let's start selecting I've got
00:21:23a place of business to go to Mr Moody Mr one more question you ask me later please
00:21:28I have something to look at.
00:21:29Crying. Every night I'm alone I keep crying or I seem to be lost in a crazy dream and I'm hopelessly drifting alone.
00:22:00Crying. Every night by the phone I keep crying. I'm just groping around in a hazy dream for there's no use in dreaming alone.
00:22:23The harder I try to forget all our moments the more the tears come to my eyes.
00:22:38Foolish I know but I can't help but feeling that the whole silly thing wasn't wise.
00:22:50I'm lonely. Every morning I wake and I'm lonely. As the days pass me by I go drifting along just like a ship that drifts along at sea.
00:23:14Hey Robin! Hey Robin! Robin I was standing out there and I heard you sing a song.
00:23:18I was singing crying. You said you weren't crying.
00:23:20That's right. Well Robin I laughed. I got fooled last night.
00:23:24I was crying last night too Robin. I was gonna cry.
00:23:29Robin look at me cry. I cry because you. I was. Oh shit. I cried.
00:23:36Robin. Robin you said. You said you had some trouble.
00:23:49Now you can take a bath Mike.
00:23:51What kind of a bath?
00:23:52A bubble bath.
00:23:53Very good. A bubble bath.
00:23:56Robin this is a terrible way to make a living. Robin I cried every night. I cried.
00:24:03Hey I don't want to set the world on fire.
00:24:05Don't worry you won't with that face.
00:24:07I don't want to set the world on fire.
00:24:24Boy am I put out.
00:24:32Let's do it folks.
00:25:03The doctor is making a lion into a sheep.
00:25:18The lamb doctor.
00:25:19The lamb. The sheep. The mutton. What's the difference?
00:25:22It is so beautifully symptomatic of father's fixation.
00:25:24Now I ask you. Where is the mutton?
00:25:26All right. Don't answer. Don't answer. I am going to ask Mr. Moody myself.
00:25:30I've asked him already once, and I'm going to ask him again.
00:25:33Watch me.
00:25:35Mr. Moody.
00:25:35Very good, very good entertainment.
00:25:36But please, my employees.
00:25:38Yes, yes, yes.
00:25:38Mr. Moody, there's one more thing I would like to...
00:25:40Dr. Oplotsky, please, I'm occupied.
00:25:43Mr. Moody, my name is Dr. Vzbatsky.
00:25:46With the V.
00:26:01Well.
00:26:04I'll attend to that, sir.
00:26:05Doris.
00:26:07You can't wear a bathing suit.
00:26:08I'll have to put some more clothes on you.
00:26:30How do you like this?
00:26:52Beautiful.
00:26:54The dress.
00:27:30And this for an afternoon dress?
00:27:33No pins.
00:27:34No pin.
00:28:00The bride.
00:30:30Beautiful.
00:30:56Beautiful.
00:31:12Beautiful.
00:31:38Say, he's bouncing out of it.
00:31:40Anything can happen.
00:31:41Oh, you think so?
00:31:42I know it.
00:31:44Gee, thanks, Tim.
00:31:45I was beginning to doubt my own impulses.
00:31:47Never do that.
00:31:49I like your impulses.
00:32:11I like your impulses.
00:32:38Mr. Moody.
00:33:01I just remembered.
00:33:20The anniversary of the Moody Comics was three months ago.
00:33:23Betty!
00:33:24Betty!
00:33:26Well, he was bound to find out sooner or later.
00:33:28Don't worry about it.
00:33:29I'm not.
00:33:30I was thinking about something the doctor said.
00:33:32What?
00:33:33He was digging in the past.
00:33:35Oh, and the old man didn't like it, huh?
00:33:37Well, there must be souvenirs or keepsakes or something around the house.
00:33:42Not in the house.
00:33:44Wait a minute.
00:33:46There's a confidential file in the office.
00:33:48No one ever touches it.
00:33:50I've got it.
00:33:52We'll rob the joint.
00:33:54In broad daylight?
00:33:55No, tonight.
00:34:05Here you are, Ralph.
00:34:06Start raffling.
00:34:07Hardly worthy of my talents.
00:34:09This is going to be very easy.
00:34:15I broke my knife.
00:34:17Maybe I should have brought a tool kit.
00:34:19You should find what you want in here.
00:34:21File.
00:34:24Lighter?
00:34:25File?
00:34:26Powder?
00:34:27Let's blast.
00:34:28Blast this time of night?
00:34:29You might wake up the watchman.
00:34:31Don't worry about that.
00:34:32This building would have to fall down before we could wake up Ansel.
00:34:35Ansel?
00:34:38The watchman.
00:34:39Dear old Ansel.
00:34:41There's only one trouble with this thing.
00:34:42It won't open.
00:34:43Oh, why didn't you say so in the first place?
00:34:48Marvelous, darling, marvelous.
00:34:52What's that?
00:34:53Just Ansel, remember?
00:34:55Oh, yeah, Ansel.
00:34:56When may we expect him?
00:34:58Just three more doors.
00:35:02Two more.
00:35:05Perhaps you better go through this.
00:35:07After all, it's your past.
00:35:08Not afraid of old skeletons, are you?
00:35:10Skeletons don't worry me.
00:35:16Mother and daddy when they were first married.
00:35:18Mother's kind of pretty, isn't she?
00:35:20You know, put a modern dress on her and it could be you.
00:35:24Am I crazy?
00:35:26Why, your father's laughing.
00:35:29Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:33He's awfully happy then.
00:35:38Oh.
00:35:52Good evening, Ansel.
00:35:57Who are you?
00:35:58I was expecting Ansel.
00:36:00I wasn't expecting anybody.
00:36:02What's your name?
00:36:03Betty Moody.
00:36:06Betty Moody.
00:36:08Betty Moody.
00:36:11Oh, yes, sir.
00:36:13Your name is on my list, Miss Moody.
00:36:16Yes, well, I'm glad my name's on your list.
00:36:19Well, good night.
00:36:22Good night, Miss Moody.
00:36:35All the time I thought you knew, Ansel.
00:36:39Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:43Oh, that's all right, darling.
00:36:44I'll forgive you.
00:36:46Mother refers to it as artistic temperament.
00:36:49Father calls it blank, blank, blank stubbornness.
00:36:53And three years later, they're of the same opinion.
00:36:57Apparently, they haven't changed a bit.
00:37:01Tim, that could never happen to us, could it?
00:37:05Not in a million years, darling.
00:37:11I'm afraid we're going to have corners again.
00:37:13Back in your cave.
00:37:20Why, Betty.
00:37:23I saw a light in the office as I was driving by and I thought I'd come up and investigate.
00:37:28And now that you've investigated.
00:37:30I am perfectly satisfied with what I've found.
00:37:33What have you found?
00:37:34You.
00:37:36Just when I was getting the silly idea that I'd lost you.
00:37:39You have.
00:37:40Betty, be sensible.
00:37:42You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:47Just a minute, Bub, you're going too far.
00:37:49Where'd you come from?
00:37:51In there.
00:37:52What are you doing here?
00:37:53Looking after Miss Moody's future, starting now.
00:37:56And I'd say you've got a great start going through Mr. Moody's private papers.
00:37:59Hilton, I think you'd better leave.
00:38:01I'm going to.
00:38:02And when I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08I'm not forgetting this, Jones.
00:38:09We'll settle this later.
00:38:17Good morning, R.P.
00:38:18Where'd you get that, Hilton?
00:38:20Well, it was this way.
00:38:21I know, you ran into a door.
00:38:23Yes.
00:38:24No, I was driving by the office last night and I saw a light through the window.
00:38:28I came up to investigate and I found one of your employees going through your private papers.
00:38:33Going through my papers?
00:38:34Yes.
00:38:35Naturally, I took exception and that's how I got the black eye.
00:38:39Who was it?
00:38:40Timothy Jones.
00:38:41Jones?
00:38:42Why, that's good for nothing.
00:38:43How do you do, Mr. Moody?
00:38:44Not now, Swatsky.
00:38:46Good morning, Dr. Swatsky.
00:38:47Oh, the paranoid type.
00:38:49Now look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was the gentleman that you should have talked to.
00:38:56I know, but I'm awfully busy.
00:38:57You shouldn't get excited.
00:38:58You see, in criminal times...
00:38:59Dr. Swatsky, I know, but I'm not the one...
00:39:04Strange character, isn't he?
00:39:07Monk, we'll run through it a couple times before we try it on Tim.
00:39:09Ah, the story begins a way out west.
00:39:14What am I gonna be?
00:39:15You're gonna be Monk the Killer.
00:39:19I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Phelps, the two boy rangers, trapped in the cabin.
00:39:24Monk, you move, I'll be ready to make a run for the door.
00:39:29I'll get the chalk.
00:39:30I'll get the mail, sir.
00:39:33This is the cabin?
00:39:34Uh-huh.
00:39:35What's that?
00:39:36Little cabin.
00:39:38Oh, remember now, we are the two boy rangers.
00:39:44And you've pre-solidified.
00:39:51The most powerful youth in all the land.
00:39:54Ha, ha, ha, ha!
00:39:59Ah, it's a matter of minutes before the killer bashes down the door.
00:40:01Yes, sir.
00:40:02Send for him to seize the mail, sir.
00:40:03Uh-huh.
00:40:10Okay, Monk.
00:40:13Right, you mean...
00:40:14Rallo!
00:40:15On the floor, on the floor.
00:40:17Rallo!
00:40:18We've got the killer.
00:40:19Quick, the soap.
00:40:20You mean the rope?
00:40:21The rope, the rope!
00:40:22The rope, the rope!
00:40:23I got him.
00:40:24That's the rope.
00:40:25Oh, there we are.
00:40:28I'm tearing fast, Phyllis.
00:40:29But we'll get through.
00:40:33Hey!
00:40:34What's more, the boy rangers come through with victory.
00:40:36Right?
00:40:38They'll keep coming.
00:40:39They'll come till the end of time.
00:40:40They'll all of us come.
00:40:41The boy rangers will all of us come.
00:40:46Hey, how can you be standing there and in the sack, too?
00:40:48Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:51Yeah, who's in the sack?
00:40:53I don't know.
00:40:56You scoundrel!
00:40:57Oh, Mr. Moody.
00:40:58You scoundrel!
00:40:59You're through, you're finished!
00:41:00Yeah, I...
00:41:01Get out and stay out!
00:41:02Yeah, I know, I'm throwing them out.
00:41:03Send my mail to the club, will you, boys?
00:41:04Bye.
00:41:05Bye.
00:41:06Get out of here, both of you!
00:41:10A boy ranger never fails!
00:41:12He always goes through!
00:41:20Dad!
00:41:21Dad, what happened?
00:41:22Everything, everything bad.
00:41:23Mainly Jones.
00:41:24Now, wait a minute, Dad.
00:41:25Nobody's going to sneak behind my back and pry through my private office.
00:41:28I kicked him out.
00:41:29Tim was with me last night.
00:41:30We both poked through your office.
00:41:32Betty!
00:41:33Dad, we were only trying to help you.
00:41:35That's another thing I will not stand for.
00:41:36I will not allow anybody to pry into my private life.
00:41:38Well, this time you're going to stand for it.
00:41:40It's my life, too.
00:41:41And up until now, you've run it.
00:41:42Run it?
00:41:43I've been an indulgent father.
00:41:44Right.
00:41:45You've indulged yourself for 20 years.
00:41:46Made me miserable and sorry for you.
00:41:49Now I know why Mother and...
00:41:50Your mother has nothing to do with this.
00:41:51Leave her out of it.
00:41:52I'm not going to leave her out of it.
00:41:53She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:58And...
00:41:59And another thing.
00:42:01Whether you like Tim or not, I love him.
00:42:20I love you, too.
00:42:50I love you, too.
00:43:20Oh, Tchaikovsky!
00:43:21Oh, Tchaikovsky!
00:43:22Oh, Tchaikovsky!
00:43:23Our city is playing.
00:43:25The army carousel.
00:43:27All four wheels.
00:43:30Oh, Tchaikovsky!
00:43:31Oh, Tchaikovsky!
00:43:32Our city is playing.
00:43:35The army carousel.
00:43:37All four wheels.
00:43:50Whoa!
00:43:55Give me another, will you, Murph?
00:43:56Okay.
00:43:57Make it two.
00:43:59All right, beautiful.
00:44:01You look almost happy.
00:44:02I am, since you came into the joint.
00:44:05I'm sorry about what happened, Tim.
00:44:07I came as soon as I left Dad.
00:44:09Glad you're leaving.
00:44:10Alone.
00:44:11I wish we were alone.
00:44:14What would you do?
00:44:16This.
00:44:20Don't you worry, baby.
00:44:21We'll get along.
00:44:22After all, I've still got that comic strip running.
00:44:26You know, as far as your dad's concerned, he's through with me.
00:44:29But I'm not through with him.
00:44:31Neither am I.
00:44:33And we've got unfinished business.
00:44:37If we could only find Mother.
00:44:40You know, Tim, Henry might be able to help.
00:44:43Henry?
00:44:44Yeah.
00:44:46He's been shaving Dad for the last 30 years.
00:44:48He knows him better than anyone.
00:44:51Hey, Murph.
00:44:52Give me a phone, will you?
00:44:56You got the number?
00:44:57Yeah.
00:45:01Um...
00:45:03Rescue.
00:45:09Hello, Henry.
00:45:10Oh, hello.
00:45:11Hello, Henry.
00:45:12Say, they didn't have saloons like this when I was your age.
00:45:15Stop it, Henry.
00:45:16Oh, so that's what they call them now.
00:45:18What do you have?
00:45:19Lemonade.
00:45:21Lemonade?
00:45:23I get what you mean, but what's in it?
00:45:25Lemons, sugar, and water.
00:45:27Lemons, sugar, water?
00:45:30Henry, I thought you might be able to tell us something about Mother.
00:45:34Where can we find her?
00:45:35Well, she spends her winters in California,
00:45:38the summer season in Connecticut,
00:45:40and the play season here.
00:45:42Then she should be here now.
00:45:44Well, if she is, she's at the Tower Hotel.
00:45:46Tower Hotel?
00:45:47She's a writer, you know.
00:45:48Under the name of Lacey Thornton.
00:45:56Getting excited, darling?
00:45:58Oh, I'm not excited.
00:46:00I just realized what this means.
00:46:02You see, I've never seen my mother.
00:46:05Now that you're going to see her, you wonder what she's like.
00:46:08Yeah.
00:46:10Whether she'll like you and me and...
00:46:14Well, there's only one way to find out.
00:46:19Do come right in.
00:46:24Oh, it's such a relief to be with young people.
00:46:27You know, usually I'm interviewed by these horribly businesslike people
00:46:31who insist upon pinning you down to places and dates and...
00:46:34Oh, I'm sorry.
00:46:36Mr. Jones, he's...
00:46:38He's going to be your son.
00:46:40That is, I'm going to marry him and I'm your daughter.
00:46:43Oh, I'm sorry.
00:46:44He's going to be your son.
00:46:46That is, I'm going to marry him and I'm your daughter.
00:46:48Why, how delightful.
00:46:50Oh, I love romance.
00:46:52In fact...
00:46:54A daughter?
00:46:56Betty!
00:46:58Oh, it just doesn't seem possible.
00:47:01Little Betty, grown into such a beautiful young lady
00:47:05and about to marry such a beautiful young man.
00:47:08Oh, it's...
00:47:10Beautiful period.
00:47:12Oh, do sit down.
00:47:19I wrote your story once.
00:47:21Let me see.
00:47:23It was the book before the last.
00:47:25No, the one next to that.
00:47:27Mother...
00:47:29Dad has been...
00:47:31He hasn't been well and I thought maybe that we could help him.
00:47:34Oh, poor Phineas.
00:47:36He was always hard to understand.
00:47:39But he has done well in business, hasn't he?
00:47:42Haven't you heard?
00:47:44For months and months.
00:47:46Oh, ever so long.
00:47:48I used to do all my work in Europe.
00:47:50Oh, it's so stimulating.
00:47:52Mother...
00:47:54Dad...
00:47:56Dad is quite ill.
00:47:58No, is he?
00:48:02What are you doing here?
00:48:04You're just the guy I'm looking for.
00:48:06I'm here to do you a favor.
00:48:08Here, grab a chair and hang on.
00:48:11You know what I'm going to do?
00:48:12I'm going to double your production and triple your income.
00:48:15You know the way things are now.
00:48:17The American working man has got to have something besides an automobile,
00:48:20and a house and a lot.
00:48:22He's got to be made happy and he's got to be kept happy.
00:48:25Give music to make him happy.
00:48:27The American working man loves music.
00:48:29You can tell that by the way he jumps when the whistle blows.
00:48:32Do I assure you?
00:48:34Just give him that music and just make his day a big, long, beautiful song.
00:48:38The sky's the limit.
00:48:40Give him that old razzmatazz.
00:48:42Let him have it.
00:49:12I'm plenty slick, fella, from North Dakota.
00:49:15I've even seen a little bit of Minnesota.
00:49:18Oh, give me that teac-a-too.
00:49:20And let me holler wahoo.
00:49:23Now, people think I'm in a rut, but that's because they're off their nut.
00:49:27Oh, give me that razzmatazz.
00:49:42Give me that razzmatazz.
00:50:13Oh!
00:50:38I don't think we're gonna make it.
00:50:40Shake!
00:50:41Oh, give me that razzmatazz.
00:50:43Give me that razzmatazz.
00:50:45Give me that razzmatazz.
00:50:47Hey, how'd you like it?
00:50:49Get that hardware and those spare parts out of here.
00:50:51Absolutely no, sir.
00:50:54Miss Wilson.
00:50:56Yes, sir.
00:50:58Miss Wilson, get me a ticket on a train to California.
00:51:00Make it the cheap.
00:51:02Don't get it on the super cheap.
00:51:04I've had all I can stand of this.
00:51:06I'm getting out of here.
00:51:08Oh, poor Miss.
00:51:10If only he hadn't gone completely sour on cartoons.
00:51:13Cartoons?
00:51:15What about cartoons?
00:51:17Why, uh, he was laughing at one the last time we were together.
00:51:20Or, uh, next to the last time.
00:51:23We had gone to a cafe or a modest little place
00:51:26to celebrate the night before his 35th birthday.
00:51:30That was the night he had the baby.
00:51:33He had the baby?
00:51:35You mean me?
00:51:37No, darling, a brainchild.
00:51:39He drew it on the wall of the cafe.
00:51:42Poor Phineas.
00:51:44His one ambition was to be an artist.
00:51:46But being artistic myself,
00:51:48I realized he could never be a great artist.
00:51:51And there's nothing worse than a poor artist, is there?
00:51:54No, nothing could be worse.
00:51:56That's just what I told Phineas.
00:51:58It was dreadful.
00:52:00He created quite a scene.
00:52:02Poor Phineas.
00:52:04I never realized what that cartoon meant to him.
00:52:07I can.
00:52:09Maybe that cartoon was an ideal and you shattered it.
00:52:12You took everything away.
00:52:14No, I didn't. It was on the wall of the cafe.
00:52:17Maybe it might revive something, give him a new life.
00:52:20Tim, wouldn't it be wonderful if it would?
00:52:24But that was 20 years ago.
00:52:26It surely wouldn't be there now.
00:52:28Could you remember where the cafe was?
00:52:30Well, I don't know.
00:52:32But it would be fun to try, wouldn't it?
00:52:34That's a chance we'll have to take.
00:52:35I love to go places.
00:52:37I remember once in London,
00:52:39where the Earl of Camp was down.
00:52:42Mother, is this your idea of a nice, cozy little place?
00:52:45I'm positive this is where it was.
00:52:47Or is it?
00:52:50Good evening, sir.
00:52:52A table for three, please.
00:52:54Just a moment, sir.
00:54:35THE EARL OF CAMP
00:55:05THE EARL OF CAMP
00:55:36THE EARL OF CAMP
00:56:01Here.
00:56:03Good evening.
00:56:04I think our table was right over there.
00:56:08Right where those people are.
00:56:15As I remember it, Phineas was sitting there.
00:56:18You see, we wanted to be secluded.
00:56:21That's exactly what I was hoping for when we came in here.
00:56:24Pardon, madame.
00:56:26Your table is over there.
00:56:28Oh, but we don't want to be over there.
00:56:31We want to be over here.
00:56:32Perhaps we could sit over there.
00:56:44Madame, if you could...
00:56:46Pierre, don't go yet.
00:56:48If you could remember approximately where it was.
00:56:51Yes, I remember.
00:56:53I remember it was that wall.
00:56:55Was it near the corner?
00:56:57Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:01Yes, madame. What would you like?
00:57:03I'd like a full plate, please.
00:57:06Yes, madame.
00:57:08I'd like a full plate.
00:57:30Excuse me, Curley.
00:57:32If you insist on annoying our guest, I'll have to ask you to leave.
00:57:35Pardon me, Junior.
00:57:37Junior, huh?
00:57:43Darling, didn't I teach you not to flirt with strange ladies?
00:57:46Oh, but you can meet some lovely people that way.
00:57:49Mother, would you say the picture would be about here?
00:57:52Yes, it would be right there.
00:57:54Only over there.
00:58:25How do you like that? No picture?
00:58:27No picture.
00:58:29Sorry, Gus.
00:58:34Eddie, you're all wrong.
00:58:36The little man wasn't there.
00:58:38But why an egg?
00:58:40I ordered roast beef medium.
00:58:42Madame, F is an egg. F is beef.
00:58:45You ordered F and not F.
00:58:47Why didn't you say that in the first place?
00:58:49Madame.
00:58:51He doesn't understand French.
00:58:53Probably born in Brooklyn.
00:58:56Well, I know it here someplace.
00:58:58Then it's very simple.
00:59:00All we have to do is take all the paper off the wall.
00:59:02Oh, not all the paper.
00:59:04Just the part of the picture.
00:59:06See, we couldn't do that.
00:59:08Now, supposing the picture were here.
00:59:16The picture isn't there.
00:59:18All you have to do is put the piece back.
00:59:20The baby.
00:59:22There it is.
00:59:24Right where I said it would be.
00:59:29Would you mind bringing our check?
00:59:33Mind? It will be a pleasure.
00:59:35I don't think Phineas would recognize his own work.
00:59:37But you've got to draw it so that he will.
00:59:40I'm sorry.
00:59:42I'm sorry.
00:59:44I'm sorry.
00:59:46I'm sorry.
00:59:48I'm sorry.
00:59:50I'm sorry.
00:59:52I'm sorry.
00:59:54I'm sorry.
00:59:56I'm sorry.
00:59:58I'm sorry.
01:00:00I'm sorry.
01:00:02I'm sorry.
01:00:04I'm sorry.
01:00:10I never pay bills.
01:00:12I just sign my name.
01:00:14I was afraid of something like this.
01:00:16I'll have to see the manager.
01:00:18That's a good idea.
01:00:20I hate to complain, but I think he ought to know how you've been loitering.
01:00:25Gentlemen, observe that the original cartoon has its lines up, up, and up.
01:00:30That means that the creator of it was in the up mood.
01:00:34a happy that's good logic thank you very much. That had
01:00:41a I really can't say Timothy but it does look like I don't think could be keep it
01:00:47up to him you're doing well. That isn't it to take over the mind but yeah.
01:00:56Gentlemen of course I'm not an artist but from the medical point of view if Mr
01:01:01Timothy will trade his nose with this gentleman's ears. He couldn't do that but
01:01:06why because I like his nose much better thank you Eddie thank you.
01:01:12Mr Timothy yes remember that laughter that you wanted to put in bottles do you
01:01:18think that has commercial possibility Oh definitely definitely.
01:01:21How's that Eddie Timothy I just know that is not
01:01:28a quack quack now that's baby all right let's go home let's put baby to bed.
01:02:21I'm going to.
01:02:32Be we've got to hurry the cabs waiting I don't want you to miss this train I don't
01:02:37intend to. California relaxation in the sun by the way.
01:02:45That he happens to need a day now you look out for
01:02:47a won't you of course are you leave everything to me you just get out and that's
01:02:51done stop harping on that son business will you I don't care and I've burned I know
01:02:57that but as I was saying count on me forget the first I've forgotten it already
01:03:01our feet we've got to go the cabs waiting if you forgot anything I'll send it to
01:03:05you who's taking this trip you or me. But you know I haven't seen finish for years
01:03:11and it gives me
01:03:11a funny feeling or am I beginning to be afraid you don't have to be afraid we're
01:03:15doing all we can he growls that to you just growl right back mother. Oh
01:03:22are you taking
01:03:23a trip those are father's back yeah he's off to California you excuse me there's
01:03:27a cab waiting but he can't do that to us and not after all the trouble we've got
01:03:31to. You just explain it to him mother.
01:03:36And. I had been used to how
01:03:42wonderful you look after all these years but it seems just like yesterday and we
01:03:47were so happy and you were so foolish I was not foolish nothing is if you're going
01:03:52to be stubborn I'll have to growl at you and remember you didn't like it before so
01:03:57don't be silly and do it all over again I am not silly why are you taking
01:04:01a trip you took
01:04:02a trip a long one oh but I like trips trips are so nice but you can't not we've
01:04:08just found each other oh heady my little flutter brain if you'll excuse me R.P.
01:04:14We've got to get going the train won't wait Hilton can't you see I'm busy
01:04:18a young man just explain to them that he'll be a few moments late. Oh well
01:04:24Phineas I want you to meet you have
01:04:25a nice young people I don't want to meet any more people I've met enough people
01:04:29today forever and that's such
01:04:30a sweet thought Phineas but we'll be all alone or almost and we'll see the picture
01:04:34together picture yes it'll be like old times Phineas darling. But I don't want to
01:04:41see any picture now or any other time and that's fine father you sit right down
01:04:45Phineas you'd better do what she says I guess you're right chip off the old block.
01:04:50I know that I'm the paranoid I know that we've got all that but my name is.
01:05:50The.
01:06:05Right now.
01:06:14I don't.
01:06:21Have.
01:06:25That I want to hear.
01:06:33Right now.
01:06:50I.