El reconocido artista Flavio Mendoza celebra el éxito de su nuevo espectáculo en Córdoba. Con funciones agotadas y una propuesta innovadora, Mendoza destaca el nivel técnico del show, afirmando que es único en Latinoamérica. A pesar de la baja general en la temporada, el circo ha logrado captar la atención del público local.
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00:00Another round of applause for Flavio, we were waiting for the cut.
00:04What are you doing Flavio? You're breaking with the circus in Cordoba.
00:08Invite him.
00:10I'm happy, I'm happy, I'm happy with CircoAnima and with this new proposal,
00:15which is Open Your Wings.
00:17The truth is that it exceeded even my expectations,
00:19because everything we had brought technically,
00:22that we had bought outside, we said, how is all this put together?
00:26And it was like that, it was putting it together, putting it together
00:28and the truth is that it is a mega show.
00:31I am so proud because it is a show, I think,
00:33that at the level of Latin America there is no such show,
00:36and I say it without any arrogance, I want you to see it
00:39and you will see what I am saying.
00:41We are with exhausted functions, thank God,
00:43two functions every day, I have some functions exhausted,
00:46some not so much, because you saw,
00:48I'm not going to talk like everyone else,
00:50but it is a reality that there is a low this season,
00:55but I really tell you, I am a prophet in my land,
00:59I feel that here in Cordoba they protect me a lot,
01:02I am in Cordoba capital, I am not in Carlos Paz,
01:05so I am out of the whole solar system,
01:09but the truth is that it is incredible how it is going for us
01:13and in reality the result of the show is what I like the most.
01:16Sure, well, and in a summer that, as you say, you have to fight it,
01:19but you saw that in all summers you have to fight it,
01:22and this is going to seem exaggerated,
01:28but you see, the history of Wanda, Mauro, China is so strong,
01:33it generates so much attention from the public,
01:36that it is also a free show,
01:38I say it from the best place, as a television event,
01:41can you abstain from that or are you also taken by all the info,
01:45the leaks, the chats, I tell you, I tell you, I told myself?
01:48No, no, no, the fascination of horror,
01:51no, no, no, it doesn't catch me, the fascination of horror,
01:54no, no, it seems to me, no, papelón, a mamarracho all, no, no,
01:59I say, thank God I had a son alone,
02:02when I see all these people who do so many papelones
02:05and that includes the children, you see,
02:07no, no, the truth is that no, that no, that I don't listen much,
02:10that there is always a friend who comments something
02:12and I say, oh, let's talk about something else,
02:14I went to Jesumaría yesterday to see singers,
02:17to see Diego Torres' recital,
02:19I tell you, they give you something, you see,
02:21that people also have to start looking for that a little more,
02:24more culture and not so much nonsense,
02:26it seems to me that taking care so much of the life of the other,
02:30you see, that they fix their problems,
02:32that they have many, that they start with therapy,
02:35I don't know, I don't know, I don't take care of that.
02:38Santiago Esposato greets you,
02:40No doubt, but how do you explain that fascination of the Argentine
02:43for all these stories, in quotation marks, real?
02:51I think that, look, I think that what is happening
02:54is that in society there are worse things
02:56and that they feel a little, you see,
02:58like when someone gives you a hater
03:00or speaks ill of you, I don't know,
03:02put him as my son, someone speaks ill of my son
03:05and then maybe his life is super, you see, more miserable
03:10because he has a lot and it's like he attacks that,
03:12it's like nothing, I think that the fascination of horror,
03:15Moria always said this, people,
03:17more than anything, the Argentine is fascinated
03:19by seeing what the other does,
03:21I also think that many people feel like,
03:23like identified, right?
03:25That is, in the case of Wanda,
03:27for example, I like Wanda very much,
03:29she always liked me very much,
03:31but I think that for Doña Rosa, she says,
03:34Wanda arrived with a panties,
03:36how am I not going to arrive?
03:38You see?
03:40Because it is not the prototype of the perfect woman
03:43or the wonderful woman,
03:45but really Wanda achieved such a great empire
03:49that I think there are many people
03:51who say, if she arrived, why not me?
03:54I think there is like a,
03:56one who looks like in the mirror, you know?
03:59Yes, yes, it is counter-inspirational.
04:01I think that is what Wanda also achieved so much, right?
04:03I think that there is a point, right?
04:05And this that when they expose themselves so much,
04:08we also live their lives for a little while
04:10and we see what happens to them,
04:12as Esposato said, seriously.
04:14But what Doña Rosa does not understand is,
04:16hello Flavio Mendoza,
04:18here I speak to you, that sailboat loaded with dreams
04:21crossed the bay.
04:23Mimi, Mimi, Mimi.
04:25They are the Pantoja.
04:27Mimi, my son adores you, Mimi.
04:29I know, I know, but he always gave me a low grade.
04:33So nothing.
04:35And if you were a disaster, Mimi.
04:37Mimi's Shakira was not properly valued.
04:46Oh no, don't come back with the same thing, please.
04:49Well, I'm tired.
04:50Let's talk about anime circus, which is much better.
04:52No, let's talk about Wanda, I'm almost vomiting.
04:55I ask you a question, since you said you love Wanda and others,
05:00I guess you are from the Wanda team,
05:02Wanda team or Chinese team?
05:04That's the typical question we're all asking today.
05:09No, no, I'm from the Flavio Mendoza team,
05:11I'm not from the team, no one,
05:13I play by ear, all that.
05:15The truth is that I'm not from anyone's team,
05:19not at all, I don't do,
05:21no, besides, I'm not interested in making an echo
05:23of the lives of other people that I hardly know.
05:26I know them like you on TV,
05:28I don't have an approach,
05:30I didn't work with them to be able to talk.
05:33The truth is that no, not at all.
05:35I'm always waiting for the moment
05:37when God is a little bigger,
05:39and China comes to look for him.
05:41I love China.
05:43Mendoza, you're terrible.
05:45Yes, because at some point China will appear to look for God.
05:47Oh my God.
05:48You say you want to keep your empire, China Suarez.
05:54No, no, but I think China is great.
05:56I think it's great.
05:57When they hit China so much,
05:59because they go out with each other,
06:01because that sexist thing,
06:03if it's a woman, she can't do it,
06:05now if a man, a gallant,
06:07he slept with all the actresses of life
06:09to see, ah, he's pretty hot.
06:12And when it's a girl,
06:13oh, look at China, why can't she do it?
06:16I think it's great that she does it.
06:17And how do you see China in Extravaganza,
06:19chapter 174?
06:21More or less.
06:23And you have to see.
06:24You have to see if she has talent for that.
06:26You don't trust the talent of China.
06:28You don't trust her.
06:29She knows how to do the helicopter, well done.
06:31Oh my God.
06:32I would have to see her on stage,
06:35but I think she's a beautiful woman
06:37who can do musicals.
06:38I don't know, she's so beautiful
06:40that maybe a Moulin Rouge could do it,
06:42but you have to see if she sings, if she dances,
06:44what she needs.
06:45Well, she sings,
06:46she's supposed to be an actress.
06:47Flavio Cesar Carosa is speaking to you.
06:49How are you?
06:51It wouldn't be that show either.
06:53How are you, Cesar?
06:54Good, love.
06:55You have made people who have not danced dance.
06:58I have accompanied you since you were born.
07:00You literally changed the image of the theater
07:03of the magazine at the time,
07:05and you transformed it,
07:07and you have made anyone dance
07:09who has not been able to dance.
07:10We want names, Cesar Carosa.
07:12No, not that, because they are friends.
07:14I can see that they are friends.
07:17I believe that what many do not abound
07:19is good directors.
07:21There are people with talent or not with talent,
07:23and the director is the one who really has to put together
07:26what suits you well.
07:28There are not so many good directors.
07:30It happens to me when I go to see shows
07:32that I say, but the whore,
07:33with all the possibility they have,
07:35why didn't it go well?
07:36Because there are no good directors,
07:38and apart from that,
07:39the artists out there do not let themselves be directed.
07:41That is the problem or the ego they have.
07:43Because if a good director grabs them,
07:45there are good directors.
07:46There is Ariel del Mastro,
07:47who I think is great as a director,
07:49and they do not bring him to other fields.
07:52But yes, for example,
07:53they make incredible musicals like Matilda,
07:56Disney, and millions of things.
07:58I think there are no good directors.
08:00We are, and I will do this with pride,
08:03very few good directors.
08:05We can see what potential to get from that person.
08:08Flavio!
08:09There are not so many.
08:10That's why shows are still what they are.
08:12They are more or less.
08:14Flavio, what happens if the phone rings
08:16and on the other side is Tinelli,
08:18and he says,
08:19I love you,
08:20if it is confirmed for Bailando 2025.
08:22What do you say?
08:23To dance.
08:26No, because he already said who he wanted for the jury.
08:29He already said it.
08:31And he swore at you?
08:32He didn't name me,
08:33so if he didn't name me,
08:35I'm going to shit.
08:38What happens is that he wants to bring him.
08:40Yes.
08:41Of course, my love.
08:43In fact, I told him in private.
08:45I told you singing,
08:47that I was a wave,
08:50and now you're going to do the dancing
08:52and you don't call me?
08:53No.
08:54But he didn't even call you to dance,
08:56because he now wants to put big figures,
08:59that is, figures that came,
09:01that won.
09:03And I'm big.
09:04And that's why I'm saying,
09:05that's why.
09:06Wouldn't you dance?
09:07Ask for a lot of money.
09:09No, no, I wouldn't dance,
09:10because if I break down,
09:11they have to sacrifice me, guys.
09:13No, I can't do it.
09:14You're impeccable.
09:15No, no, no.
09:16I advise my daughter, Flavio,
09:17but you are a mega figure,
09:19you already passed the participant who danced,
09:22you already did it,
09:23it's not that you never did it.
09:24Director, businessman, choreographer.
09:26No, that's why.
09:27I share with you.
09:28I wouldn't do it again,
09:29because I wouldn't do it well.
09:30I don't like to do things wrong.
09:31I would say, Pachano,
09:32to cry to Campito.
09:35Are you angry?
09:36Of course, no, no, no.
09:37That's it.
09:38He also told me,
09:39he wants to open a bar,
09:40and I don't know,
09:41and the typical one.
09:42Then I pay a fortune to Pampita,
09:45and I say, no, no.
09:46You see, like I say,
09:47I already paid a lot for the right to the floor,
09:50if you don't bring me something good,
09:52and really, that you propose to me.
09:54In fact, I would have been,
09:55look, even the director,
09:56because it seems to me
09:57that he also lacks a good director
09:59who turns the program around, you see.
10:01Well, it's the 25th, so.
10:03He hasn't had good directors.
10:05Oh, well, you covered with Diario Zamba.
10:08Don't cover me with Alejandro Ripoll's diaries.
10:10Lucas Areco doesn't cover it either.
10:12You can also cover it with diaries,
10:13with tranquility.
10:14Yes, that's why.
10:15No, but they are not directors,
10:16they are not directors,
10:17they are camera directors.
10:18No, you tell me,
10:19artist director.
10:20Creative directors.
10:21Posters.
10:22Posters, I understand you.
10:23Of course, artistic,
10:24of saying where we want the program to go,
10:26which is to generate.
10:27I'm going through,
10:28I would stay for years
10:29speaking badly of Marce.
10:30Oh, how beautiful.
10:31No, if he loves you.
10:33I love him, but that's it.
10:35No, but don't speak badly,
10:36because I love him,
10:37but well,
10:38he does his launch of reality
10:41and names those he wants to name.
10:43Well, I said,
10:44after I banked,
10:46the singing that I had to go,
10:48300 million planes,
10:49that I spent a fortune on.
10:51No, no.
10:52An ingrate.
10:53An ingrate.
10:54At this point in my life.
10:55Ingrate.
10:56We bank you, Mendoza,
10:57we say goodbye with a super applause.
10:58But they are all ingrates.
10:59Look, Ángel de Brito killed him
11:01all the time singing,
11:02and now he puts it.
11:04Second season.
11:05He led the singing.
11:06More real.
11:07Why did Brito fall
11:08in this turnaround
11:09and in the C31?
11:10Look, we defend everyone here.
11:12Thank you, Flavio.
11:13No, because you remember
11:14that what always killed him
11:15was singing.
11:16I don't remember that,
11:17but you see, well.
11:18Yes, listen,
11:19I'm going to tell you something important.
11:20Let's change.
11:21I'm going to tell you something important.
11:22www.circoanima.com
11:25Score the tickets,
11:26get them there.
11:27There are functions every day.
11:28The truth is,
11:29we are breaking it here in Cordoba.
11:31It's a mega show.
11:32Don't miss it.
11:33Don't miss it.
11:34Or in the circus bookstores too.
11:35Everyone who comes to Cordoba.
11:36Cordoba has something wonderful.
11:38You are in any part of Cordoba,
11:40but you can go to Carlos Paz,
11:41you can go to Cordoba,
11:42Mina Clavero,
11:43and everyone like that.
11:44Bye.
11:45I say goodbye, Flavio,
11:46because I'm 32.
11:47Basoco is going to hate me.
11:48I love you.
11:49I send you kisses.