#Hoshyarian #HaroonRafiq #SaleemAlbela #GogaPasroori #AghaMajid #ArzuuFatima #ComedyShow #Funny #Entertainment
Watch Hoshyarian Episode 458: https://youtu.be/KA2GNa11lX0
Watch Hoshyarian Episode 457: https://youtu.be/wGxp14HoCU0
Watch Hoshyarian Episode 456: https://youtu.be/PvUgVdm0H0s
Watch Hoshyarian Episode 454: https://youtu.be/hJtmNPJ0e5U
Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
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Watch Hoshyarian Episode 458: https://youtu.be/KA2GNa11lX0
Watch Hoshyarian Episode 457: https://youtu.be/wGxp14HoCU0
Watch Hoshyarian Episode 456: https://youtu.be/PvUgVdm0H0s
Watch Hoshyarian Episode 454: https://youtu.be/hJtmNPJ0e5U
Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
Follow the ARY News channel on WhatsApp: https://bit.ly/46e5HzY
Subscribe to our channel and press the bell icon for latest news updates: http://bit.ly/3e0SwKP
ARY News is a leading Pakistani news channel that promises to bring you factual and timely international stories and stories about Pakistan, sports, entertainment, and business, amid others.
Official Facebook: https://www.fb.com/arynewsasia
Official Twitter: https://www.twitter.com/arynewsofficial
Official Instagram: https://instagram.com/arynewstv
Website: https://arynews.tv
Watch ARY NEWS LIVE: http://live.arynews.tv
Listen Live: http://live.arynews.tv/audio
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FunTranscript
00:00Assalam-o-Alaikum viewers, I am Haroon Rafiq and you are watching Hoshi Aariyan.
00:21Viewers, I would like to say one thing, especially to the students and to the common man,
00:26that nature is under no obligation to give you opportunities again and again.
00:30I see a lot of people, especially the young ones,
00:33they try to follow their passion and move ahead.
00:37If my passion is something else, my job is something else, my business is something else,
00:40then it won't be fun.
00:41Following your passion in life is absolutely fine,
00:44but if life is giving you an opportunity, an option to move ahead in something else,
00:50then first don't miss that opportunity, that option, that bus.
00:54Sit in that bus and you can follow your passion.
01:00For example, you want to become a cricketer and you have a passion for cricket,
01:03but you are not able to move ahead in it, you are following your passion,
01:06but you have a chance that you are getting a job in a multinational company.
01:11You do that job.
01:13You can go to that company and while working there, you can make your own cricket team.
01:18You can make an academy, you can follow your passion in any way.
01:23A lot of people get left behind in following their blind passion.
01:28So, if nature is giving you an opportunity, a good opportunity is coming,
01:32then hold on to it immediately.
01:34Don't miss that bus.
01:35Because it is not a duty on nature to give you a new option every day.
01:39First, hold on to the option you are getting,
01:41and then embed your passion in it.
01:44Come, let's start today's show with this message.
01:47Today, let's take you to the neighborhood and see what the condition of the neighborhood is like in winters.
01:54These days, the business is not going well.
01:57Is it?
01:58It's cold, it's winter.
01:59So, sell hot milk with cream.
02:02People eat so much.
02:03No, Sonia.
02:04Here, lassi with curd.
02:06Yes, lassi.
02:07People don't drink cold lassi.
02:10Really?
02:10Now, I am thinking of boiling the lassi and heating it up.
02:14Who drinks hot lassi?
02:15A lot of people don't drink hot coffee and black coffee.
02:17Okay, tell me one thing.
02:18What's going on with this Go Show and all?
02:21They have built a house up there.
02:23I don't know where they are coming from.
02:25They have built a portion there.
02:27They are saying that they will pay the rent.
02:28Okay, okay, okay.
02:29This is also a strange thing.
02:31Although, business wise,
02:32this is a very useless business.
02:34This is a rental property.
02:36And especially residential.
02:37If you give a commercial, it doesn't depreciate.
02:40But Mr. Haroon, there are so many people who don't afford to build their own house.
02:44So, it's good for them that they get a rental property.
02:47It's good for them.
02:48But if someone starts this as a business,
02:51and if your property is worth 10 crores,
02:53then you are getting 2 or 3 lakhs per month.
02:57So, it's depreciating because it's a house.
03:00It's a residential house.
03:04Hello, how are you?
03:05Hello, how are you?
03:07Listen to me.
03:08You should be ashamed of yourself.
03:11You are my tenant.
03:12What did we do?
03:14Mishti was beaten up early in the morning.
03:17Oh, she ran away?
03:19He was a good man.
03:20Why did you beat him up?
03:21He doesn't do any work.
03:22He's just sitting here.
03:23He's just sitting here?
03:24What did you say to him?
03:26I didn't say anything.
03:27He's a woman.
03:28I told him that he doesn't walk.
03:29I told him that he doesn't want to get inside.
03:31You should have told him that.
03:32I told him that.
03:33You don't understand.
03:34Your father is dying.
03:35But you won't move.
03:36What did I tell him?
03:37I just told him that Mishti is very rich.
03:40She's from Kandigarh.
03:40Here, take this.
03:41Is this something to be said?
03:43Listen, I went to Mishti's house.
03:45I found a committee.
03:46I found it on this basis.
03:47I didn't see the same Mishti that I saw in Jhugtaan.
03:50Okay.
03:51Your show has made the entire country Jhugtaan.
03:54Yes, man.
03:54I was thinking that you should start Jhugtaan like me.
03:58You should have got a glass.
03:59You could have had a glass of buttermilk and had a fairing.
04:05By the way, Mr. Roon.
04:06The Mishti that I bring.
04:07Yes.
04:08Her face really makes me believe that I'm handing over my wife to you.
04:12Now, I'm out of breath.
04:16I'm out of breath.
04:17What's her secret?
04:18Fatty. Fatty.
04:19She's fat because of money.
04:21Now, I'm out of breath.
04:22I'm going to get a man.
04:22I don't think you're going to build a house.
04:26Mr. Pulawan.
04:27Did you see if there's a sign on the counter
04:29that says Fawad's shop is closed?
04:31Why? What's the matter?
04:32Why didn't you tell me in the morning?
04:33No, it's nothing like that.
04:34Greetings, Mr. Pulawan.
04:36Greetings, sir.
04:37How are you?
04:38I'm fine, thank God.
04:39Mr. Pulawan, whenever I come to your locality,
04:42I miss your buttermilk.
04:44You'll see.
04:45It's the best thing I have.
04:47Whenever you give it to me,
04:48I'll come back.
04:49What's your name?
04:50Seth Sabdar.
04:51So, what's your introduction?
04:53Haruna, Gujranwala.
04:54It's my buttermilk factory.
04:55Oh, wow.
04:57Is that so?
04:58Yes.
04:58Two factories.
04:59Oh, two.
05:00Praise the Lord.
05:01Three factories.
05:02Why don't you tell me how many factories there are?
05:06Mr. Pulawan, tell us what's so special about your buttermilk
05:09that no one else in Lahore has.
05:11Forget it, sister.
05:13I'll tell you.
05:16Come in.
05:18Mr. Mishri, come in.
05:27You can look at the material outside.
05:28I'll show you everything.
05:30I'll look at it.
05:31Why are you staring at me?
05:34Mr. Nadeem, look at this.
05:36What's his name?
05:38Nadeem says,
05:38give me two names.
05:41Okay.
05:43No one is joking about their nicknames, young man.
05:46He's just asking around.
05:50Tell me honestly,
05:52what's so special about this place?
05:54If we build a roof here,
05:56then there will be windows and windows.
05:57And windows outside will be covered in curtains.
06:02How are you going to do work here?
06:04Are you a laborer or a mason?
06:05This is the hand of a laborer, you idiot.
06:08What about that mason?
06:11How will you work as a labourer?
06:13If you think that you are a skilled worker,
06:16and if you think that I am a poor man,
06:17you will feel as if there are 100 labourers working here.
06:21I think he has been fired from the HL shooting.
06:26Mr. Nadeem, start working. It's getting late.
06:29You will start working.
06:32Tell me the truth, young man.
06:34Where is the limit? Where is the limit?
06:39Uncle, she has taken you to the bed.
06:46Young man, don't waste my time.
06:48If you permit, let's start working.
06:50Start working, Lala.
06:54Where did you get this stick from?
06:55Did you get it broken or fixed on a brick wall?
06:58He looks like a stranger to me.
07:01Remove your bedding from the floor.
07:05I will remove it, young man. Don't worry.
07:08Here you go.
07:08Where did you get the bricks from?
07:09I think he is saying a dialogue.
07:11He will get two bricks in a day.
07:13You will have to get a bigger stick, young man.
07:15I will get it. You tell me.
07:18I think you should start working now.
07:20Yes, I will start working.
07:21The scene has improved. I will start working now.
07:24Mr. Rohan, I wanted to be a hero in films.
07:28And fate has given me the opportunity.
07:31And I became a labourer and a skilled worker.
07:33Mr. Rohan, say an action in front of me.
07:35Okay.
07:35I can't say an action in front of you.
07:37I won't say an action. Cut it.
07:39Come on, start working.
07:41Start working.
07:42Your house will become yours.
07:44It will become mine. I have brought you here.
07:45You should be able to make a house.
07:48Give me the bedding.
07:49Yes.
07:50What are you doing?
07:51Okay.
07:52You are making a house for the first time.
07:53No, I am here. They are my tenants.
07:55I will make everything there.
07:56Go and get the bricks. Let's start working.
07:59I wanted to bring a labourer.
08:00You said that I am a labourer, a skilled worker..
08:02I will do everything.
08:03..and an engineer. Now you will die.
08:05I will do all the work.
08:06You just help me get a fat boy.
08:08You will get a fat boy. You will die.
08:12You will get a fat boy.
08:13You can't make a house.
08:15Action.
08:16If you touch two bricks..
08:17Cut it.
08:18Cut it.
08:19Come on.
08:21Come on. Why are you taking so long?
08:23Where was your father?
08:26Father, I am not feeling well.
08:28He has gone to the hospital for his sister.
08:30Come on. Come on.
08:31Why are you taking so long?
08:33Give me the biscuits.
08:34Okay.
08:35Mr. Nadeem, where do you want to keep it?
08:38Keep it here. Keep it here.
08:39You have to work. Otherwise, you will die.
08:42Action.
08:43If you touch one brick..
08:45Cut it. Keep it here.
08:46Keep it here.
08:48Give it to me.
08:49He is so ill-mannered.
08:53Did you bring it?
08:54Yes.
08:54Bring more bricks.
08:55Uncle Lala, you want to eat this?
08:57You had enough in the first round.
08:59I will eat. I am the owner of the house.
09:01Action.
09:03If you want to build a house without bricks..
09:05..then build one for me.
09:06Cut it. Come back.
09:08I brought it.
09:10I brought it.
09:12I brought it.
09:14He likes to build houses.
09:17He is not well-mannered.
09:21Nadeem.
09:22Give it to me.
09:23Now don't say action.
09:25You have to do the work.
09:27Give it to me.
09:29Uncle.
09:30You are building a house without bricks in this lane.
09:33Greetings.
09:35Greetings.
09:36I..
09:37Come here. Come here.
09:39You are very cold.
09:41Come here, son. Come here.
09:42Come here. Is she your daughter?
09:44Greetings.
09:44I was helpless.
09:46Why are you not opening your teeth?
09:50Give me Rs. 100. I am a helpless woman.
09:52She is a helpless woman. She is my sister.
09:54No. I am not a beggar.
09:56I have left my husband's house.
10:00I am looking for a rented house.
10:02But why did you leave your husband's house?
10:05Sister, we don't live in a rented house.
10:07We live in a rented house.
10:08Then you are right.
10:11Mr. Haroon, I am surprised.
10:14He stopped her when she had such a smiling face.
10:18I get angry.
10:20If you keep money, jewellery and moustache in your mouth..
10:22..then you will get angry.
10:25Give me a blanket.
10:26I will feel cold.
10:31Give me a blanket.
10:37Actually..
10:39Why do you think I am feeling cold?
10:42She is not a helpless woman.
10:44Then?
10:45She is just her husband's man.
10:47Actually..
10:49..she is just her young daughter's support.
10:51She has left her husband's house.
10:52She is looking for a rented house.
10:55If you could sleep, I would have given you a house.
10:58When your jaw is unlocked, do you speak normally?
11:01Yes, uncle is right.
11:03Your mother fought with me.
11:05I am so happy.
11:07Look, you should calm down.
11:10Let go of your anger.
11:12It's okay, brother.
11:13We fight and argue.
11:14Okay, you can make amends.
11:16But until then, I'll give you a house.
11:19Look, it's being built.
11:20Okay, okay.
11:21I'll make two rooms and a bathroom.
11:22There's a toilet and a store upstairs.
11:24Mr. Sarfaraz.
11:25Yes.
11:25Give me your hand.
11:27Why?
11:27What have you done?
11:28It's 5.45 pm. It's time to leave.
11:30Give me your hand.
11:31I'll give you a job at 6 pm.
11:35What have you done?
11:36I'll ask for your hand.
11:37You get paid for your time, not for your work.
11:39Action.
11:40If you waste my time because of women like her..
11:45Cut, cut, cut.
11:46Give me my money.
11:48You get paid for your time.
11:49Yes, time.
11:50Give me my time.
11:52What?
11:52Go.
11:53Give me Sarfaraz's money.
11:54I didn't give you a single rupee.
11:55Give me Sarfaraz's money.
11:56I didn't give you a single rupee.
11:56He's right.
11:59I didn't give you a single rupee.
11:59I didn't give you a single rupee.
12:01Sarfaraz is right.
12:02He didn't give me a single rupee.
12:04He didn't even give me water.
12:05I'll give you water.
12:06I'll drive a truck here if you don't give me money.
12:08Hey, stop.
12:10Wait a minute.
12:10Hey, stop.
12:14Look what happened here.
12:15What happened?
12:16Give me my money.
12:17Look at him.
12:19He ran away.
12:19He's your enemy.
12:20Don't let him go out.
12:21What?
12:22Don't let him go out.
12:23Here?
12:24He hit me.
12:25Who hit you?
12:26Hey, what happened?
12:30He's not even breathing properly.
12:32He's dead.
12:32How can a person breathe properly?
12:34He hit me.
12:35I didn't hit you.
12:36Who are you to hit him?
12:37He's drunk.
12:38What?
12:39You?
12:39He went with Biscuit.
12:41Who's Biscuit?
12:42I'm his guardian.
12:43I'm his guardian.
12:44I'm his forensic guardian.
12:46Okay.
12:47Is he breathing properly?
12:50What?
12:50Is he breathing properly?
12:52What?
12:54Hey, there.
12:55Yes.
12:56He's your guardian.
12:57Is he breathing properly?
12:58What?
12:59Is he breathing properly?
13:01I don't know.
13:04Come here, Misri.
13:05What happened, sir?
13:06He hit me.
13:07You're the one who hit me.
13:08Come here.
13:09I don't know.
13:10I don't know.
13:11He's saying that he's here for the pickle.
13:13It's cold.
13:14I'll kill you with your lassi.
13:16Hey, where's Biscuit?
13:17Biscuit is inside.
13:18He'll go inside.
13:19He's in the laboratory.
13:21He's inside the laboratory.
13:22He hit me so hard.
13:23He hit me so hard.
13:24You hit me.
13:25People in front of me are telling me to start a house
13:28or they'll give me a goat.
13:29Oh.
13:29Listen to me.
13:30Call the ambulance immediately
13:31or call his guardian.
13:33Do you know him?
13:34Listen to me.
13:35Yes.
13:35Do you know how I know him?
13:37He lives in another house.
13:37He's here to drink lassi.
13:38He doesn't know anyone else?
13:40No, he lives in the backyard.
13:41His lawyer lives there.
13:42His lawyer and my lawyer are the same.
13:44I'll call his lawyer.
13:46You tell him to come here.
13:47I'll give him four rupees.
13:49He'll come there.
13:50I'll give him four rupees.
13:51I'll kill him.
13:52He's your guardian.
13:53You're not my guardian.
13:55You live on the ground.
13:57He doesn't eat biscuits.
14:00He doesn't eat your stomach.
14:01His lawyer and my lawyer are the same.
14:03I'll call his lawyer.
14:05His car is here.
14:07You come here.
14:08You're unlucky.
14:14Bring the guardian.
14:15I'll bring him.
14:16Bring him.
14:17Hurry up.
14:18Just a minute.
14:19My car is here.
14:20I'll have to repair it.
14:20He's dead.
14:22He said that he'll give me half a kilo of meat as charity.
14:26He didn't listen to me.
14:27He's a fool.
14:28He doesn't have a car.
14:30Hold this.
14:31I'll hold the car. You hold the man.
14:34Sit.
14:34Let's go.
14:44Keep something under his head.
14:45He won't be comfortable.
14:47He's going to the village to be comfortable.
14:50Come. Come.
14:52Come.
14:55Haroon, what was my wife's name?
14:57Shagufta.
14:58Yes.
14:58I'll hit you.
15:01Come out. He's dead.
15:02What did you do? You killed Mr. Seth.
15:05Sir, Feroz.
15:06Yes.
15:06How did he die?
15:08I think he ate the biscuits that I gave him.
15:11I'm dead.
15:12Look, Haroon.
15:13You didn't give him time.
15:15Why?
15:15He came to me today.
15:16He said that I own billions of rupees.
15:18I asked him to give me a name and he didn't listen to me.
15:21Oh.
15:22He didn't even sign. He didn't even give me a thumb impression.
15:24He just forgot to tell me his name.
15:26So, whoever's name is written, the property belongs to him.
15:31Absolutely.
15:38What happened, brother?
15:39I've always considered you as my brother.
15:46What happened?
15:47I've always considered him as my son.
15:53Did you consider me as your brother?
15:57Yes.
16:00You considered me as your sister.
16:06You considered me as your daughter.
16:12Dad left me alone.
16:14What?
16:19Dad, I've lost a lot of sisters.
16:23I don't think you're his relatives.
16:25You're lying.
16:27Absolutely right.
16:27I'll transfer all the property to him.
16:29He'll be his real relative.
16:31Call his sister.
16:32Yes, I'll call her. I'll call her now.
16:35Is she his sister?
16:36Yes, she's his sister.
16:37Call her.
16:40Dad, what's the matter?
16:43I've a cousin who drives a beautiful van.
16:47It's viral on social media.
16:49I've started calling her.
16:51I think she's his real sister.
16:53Call her. The funeral should be grand.
16:55He's a murderer.
16:57He's also a murderer.
17:00He's a murderer.
17:00You're a murderer.
17:01Your evidence is against you.
17:03I know.
17:04I hope you don't shed blood on me.
17:09I'll call him.
17:11Listen to me.
17:12I called him. His sister is on her way.
17:15I don't want to go with him.
17:17I want to go with him.
17:18Dad.
17:19Oh God.
17:20Wait. Wait.
17:21His sister is here. Nanni is here.
17:22Oh God.
17:24Nanni.
17:24Look at the dead body.
17:25Where's the dead body?
17:26Come here.
17:27Sit here.
17:28Come here.
17:30Sit next to me.
17:31Sit next to me.
17:33Where did you sell the dead body?
17:34Over there.
17:36Nanni, sit here.
17:37Sit here.
17:38Sit next to me.
17:39Oh God.
17:43I used to be a good man.
17:48I used to be a bad man.
17:49I was a liar.
17:51Oh God.
17:52I've come a long way to find out about your shape.
17:57Oh God.
18:00Oh God.
18:03I was a bad man.
18:05My brother gave me some papers.
18:08I told my brother to keep this jewelry for me.
18:12Is she really your sister?
18:13Yes.
18:14She's my real sister.
18:15She's not crying.
18:17Sit next to her. Let her cry.
18:18Come here.
18:19This is the right thing to do.
18:21Oh God.
18:23I don't know how to make biryani.
18:25My brother told me that I should only eat pearls.
18:29I don't know how to make biryani.
18:33I'm very sad.
18:37Where did you get this from?
18:38It's my cousin.
18:40Oh God.
18:41You morons.
18:42Tell them that I'm your real sister.
18:48I used to be a good man.
18:51Why don't you let me cry?
18:53My brother left me.
18:56Why don't you let me cry?
18:57Cry. Cry.
19:06You don't know how to cry normally.
19:09Don't cry like this.
19:10I'll tell you how to cry.
19:12How?
19:12My brother will like it.
19:14Go to the high note.
19:16Go to the high note and drop it.
19:19Oh God.
19:22Oh God.
19:25Oh God.
19:29Oh God.
19:34Oh God.
19:37He can't even cry properly.
19:42I'm not active.
19:44Why don't you be active?
19:46Be active.
19:47Oh God.
19:50Oh God.
19:53Oh God.
19:59I'm so sad.
20:01My brother left me.
20:07What was that?
20:09What was that?
20:09He's alive.
20:10No. He's dead.
20:12Yes.
20:13He's dead.
20:15He's alive.
20:21You're dead.
20:25Oh God.
20:27No one is hurt.
20:29No one is hurt.
20:33We'll take a short break.
20:34We'll meet again after the break.
20:38I'm a savage.
20:40Classy, bougie, ratchet.
20:43What was that?
20:45What do you want?
20:51This is a scene from a movie.