• 4 hours ago
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 24 Completo HD
Los Casablanca Capítulo 25 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 23 Completo HD
Los Casablanca Capítulo 23 Completo HD
Transcript
00:00But Aurelio, please, we've known each other for centuries.
00:05Something like this has never happened to us, you know that well.
00:09You've been to the Aras a thousand times and you've seen how we work with the horses,
00:13with love, with dedication.
00:16Well, that's the point, precisely.
00:20What I mean is that there's someone out there who did this.
00:24There's someone out there who wants to hurt me.
00:28Okay, okay, very good.
00:31You too.
00:35They're calling from La Voz del Valle and they want to know if you want to make a statement.
00:39No, no, no, no statements, not now.
00:41Perfect.
00:43No, Raymundo Casablanca doesn't want to make statements right now.
00:47But thank you very much.
00:49See you later.
00:52Are you sure, Mr. Raymundo, that silence is the best option?
00:56Honestly, I don't know what's best.
00:59Something like this has never happened to us.
01:02But no, no statements, no, no, no.
01:04Now I'm very upset and anything I say can play against me.
01:26Okay.
01:46How are you?
01:49Here.
01:54I trust you.
01:58Thank you for defending me like this.
02:02I couldn't stay quiet.
02:05Have you talked to my dad?
02:08No, not yet.
02:11Hello?
02:13Tormento, Mr. Raymundo wants to talk to you.
02:16Okay.
02:18I'm on my way.
02:23In a shocking turn of events, the eco-industry is shaken by a dopamine scandal.
02:28It's not just a scandal.
02:30It's a huge scandal.
02:32It's not just a scandal.
02:34It's a huge scandal.
02:36In a shocking turn of events, the eco-industry is shaken by a dopamine scandal.
02:41It's not just a scandal.
02:43It's a huge scandal.
02:45It's a huge scandal.
02:47It's a huge scandal.
02:49It's a huge scandal.
02:51It's a huge scandal.
02:53It's a huge scandal.
02:57Are you sure you don't want to make a statement?
03:02Come in.
03:04Excuse me.
03:05Hello, Tormento.
03:06Hello. Did you send for me?
03:07Yes.
03:08I'll leave you alone.
03:09No, no. Stay here with me.
03:12Sit down.
03:14Excuse me.
03:18Here at Aras,
03:20the most important thing is the love and dedication
03:23with which we take care of our horses.
03:26For most people, ordinary people,
03:29that probably doesn't matter.
03:31Horses are simply animals.
03:34Not for me.
03:35Not for me either.
03:37Good.
03:38Unfortunately, in the world of the hippie,
03:41there are many people who think that horses are only used to make money
03:46and are willing to do anything, to play dirty, whatever the cost.
03:51Therefore, we cannot be surprised by anything.
03:55Do you think Braulio could be behind this?
04:01Boss, I wouldn't dare to blame Braulio.
04:04I'm asking you because I want to know your opinion.
04:07You work with him and someone set him up here.
04:10Well, we agree on that.
04:12Someone set him up, but...
04:14I can't say it was Braulio.
04:16I don't know. I wouldn't dare to do it.
04:18Besides, you've been working with him for many years and you know him better.
04:21I understand that it's painful for someone to betray you.
04:27I've suffered that in my own flesh more than once, unfortunately.
04:31The person who did this could have wanted to hurt me,
04:35Huracán,
04:37or you.
04:40Well, either way, I've decided that you continue working with us.
04:46Really?
04:47Yes.
04:48Thank you very much.
04:49Well, you're a great boss. It would be crazy to lose you.
04:52So there's no problem. It's decided.
04:57I want you to take special care of Huracán when he comes back.
05:03This thing they did to him could have hurt him.
05:07Yes, yes.
05:08He's going to be nervous. He's going to be sick.
05:11Take care of him.
05:12Yes, yes. Don't worry. I'll take care of it.
05:14And I repeat, thank you very much for trusting me.
05:17You're welcome.
05:22See you later.
05:23See you later.
05:26See you later.
05:30I'm impressed by the affection you have for horses.
05:32For me, they are something so distant.
05:35Well, if you work here, you shouldn't be distant.
05:38Come with me.
05:40Where to?
05:44You're going to need this.
05:54These are all potrancas.
05:57Potrancas. Excuse my ignorance, Mr. Raimundo, but what is a potranca?
06:01A young mare?
06:02Yes, exactly. Two years old.
06:05Of course, these are ready to make their debut.
06:09Although, with the problem we've had with Huracán,
06:12I don't know when we'll be able to run again.
06:16Maybe you can solve this problem and clear your name.
06:21Finding the person who doped Huracán, or who changed the blood tests,
06:25is like finding a needle in a haystack. It's very difficult.
06:28Well, but I've been working with you for a while,
06:31and you've solved much more difficult problems, believe me.
06:36Do you know what problem I'd like to solve?
06:38Which one?
06:40The fear you have of horses.
06:42No, that's not a problem, that's something impossible, so don't waste your time.
06:47Give me your hand.
06:48What for?
06:49Trust me, give me your hand.
06:56Look, this is Kika.
06:59She's the most tame potranca in the world.
07:01No, no.
07:02No, no, look, come here.
07:04Kika.
07:07Look, bring your hand closer, closer.
07:09Kika, Kika, Kika.
07:10Closer, closer, closer.
07:11Oh, I'm feeling like I'm breathing.
07:14Look.
07:15Hello.
07:16Now you have your smell.
07:18You can be friends now.
07:22I'm sure that in a short time you're going to ride one of my horses.
07:26Not this one, of course, but the one for a ride.
07:31Come on.
07:42Yes, I wanted to eat here because I didn't want my old man to be alone.
07:46Maybe he had a bad time with the hurricane.
07:48Actually, we all had a bad time with the hurricane, but especially him.
07:51And I don't know, I wanted to accompany him.
07:53It's okay, honey.
07:54I must say that the last meals in your house have been very entertaining.
07:58And you and the Casablancas did our little things.
08:00What a shame.
08:03Hey, honey, we were going to do it alone in the hotel.
08:05We're going to have a good time.
08:08Hey, honey, we were going to do it alone in the three of us.
08:11Or is your sister-in-law coming?
08:12As far as I know, Alex doesn't even love me in painting, honey.
08:15No, honey, I mean Martina.
08:18Juan Pablo.
08:19Oh, yes, I told them, but they were calm.
08:21They wanted to stay in the house.
08:23They're there.
08:26I'm going to look for my dad.
08:28I'm going to the bathroom.
08:38Mish.
08:39Hello.
08:40I didn't know we had visitors.
08:42Yes, we came to have dinner here, dad.
08:44To get out of the routine a little bit.
08:46Ah, that's good.
08:47You give my brother back a little.
08:49I miss him.
08:50You have him kidnapped.
08:51Only you enjoy it.
08:52And you, did you come from the bet?
08:54No, no.
08:55I come from the house of a friend, but I couldn't stay long.
09:00And you are having a little wine.
09:02A friend who seems to be more than a friend, right?
09:05Uff.
09:06If I told you.
09:08But hey, I'll bring you a glass of wine.
09:11No, but it's good.
09:12Yes.
09:13It doesn't matter.
09:14Imagine, we shared the same plate since we were kids.
09:17Okay.
09:18Hey, nice to see you.
09:24That's what he told you.
09:26Uh-huh.
09:27That he had gone to talk to me.
09:30Yes.
09:31Didn't he go to see you?
09:32No, yes.
09:33He went to see me, but not exactly to talk.
09:35He entered my office like a tromba.
09:37He grabbed me, threw me against the window.
09:40What?
09:41That?
09:42That was.
09:43And he threatened me with a lot of bullshit that I was going to regret.
09:46It was very unpleasant.
09:48He told us something else.
09:50Of course.
09:51If he is going to present himself in front of you as a good, noble person.
09:56Look, I assure you.
09:57I assure you.
09:58I assure you that all that issue with the horse.
10:01I don't know what it's called.
10:02Hurricane.
10:03Hurricane.
10:05He put his hand in.
10:08I don't know.
10:09Yes, but Miranda, think.
10:11Raymundo is a very powerful guy.
10:14He's going to blame any idiot.
10:18Why?
10:19I mean, if that horse won.
10:21It was because he cheated on him.
10:23And since they caught him.
10:24That's the victim.
10:25Obviously.
10:26I don't believe it.
10:27I don't believe it.
10:28If he is affected, he was wrong.
10:32You don't believe me?
10:33You don't believe me?
10:34Really?
10:35No, it's not that.
10:36But it's that.
10:37I was with him all the time.
10:38I saw the conversation he had with Tormento, who is his boss.
10:41And really, he was really affected.
10:46Am I wrong or are you defending him?
10:50No, I'm not defending him.
10:52But.
10:53I don't know.
10:54I really think this time they set him up.
11:00And everything I told you about my office.
11:03I imagined it.
11:04It was a dream.
11:05No, but I think you're exaggerating a little.
11:10Okay.
11:14You know, Miranda.
11:16I think it's better that one day we don't go together.
11:20What?
11:21That.
11:23Yes.
11:24I don't feel very comfortable with you here.
11:27So I think it's better for you to go home.
11:33Ah.
11:35Well.
11:38I'm going to go get my things.
11:53And?
11:54Was he satisfied with the job?
11:59Very.
12:04It wasn't easy.
12:05There were eyes everywhere at the racetrack.
12:12Do you recognize this?
12:13Yes.
12:14It's a picture.
12:15It's a picture.
12:16It's a picture.
12:17It's a picture.
12:18It's a picture.
12:19It's a picture.
12:20It's a picture.
12:21You will receive the other 50% agreed right now.
12:26And delete these messages.
12:44The Casablancas have never seen us involved in something like this.
12:48No.
12:49But, Aurelio, you know as well as I do that my horse was shot.
12:53He was drugged.
12:55No, I have no proof, but if I didn't, I would have presented it to the board, obviously.
13:01No, it's okay.
13:02Look, I'm going to find the culprit of this.
13:04My name doesn't hurt anyone.
13:11Dad, we're waiting for you.
13:14For what?
13:15To eat.
13:16Do you remember that I told you that Luciana was coming to eat with us today?
13:20Ah, yes, yes, of course.
13:22Well, give me five minutes.
13:25I'm going to the office.
13:37Sorry for the delay.
13:38Hello, Luciana.
13:39Hello, Don Raimundo.
13:40I've been all afternoon dealing with the hurricane issue.
13:43It's just a nuisance.
13:44Dad, let's distract him and I'll tell people what to say.
13:47Don't worry, I'm sure it won't cause so much media fuss.
13:49Remember that.
13:50Yes, people forget quickly.
13:52They have written so many things about me.
13:54Good, bad.
13:55Journalists are special.
13:56Dad, dad, dad.
13:57Watch out, because he's about to get you in trouble.
13:59It's true, it's true.
14:00And I'm going to do it.
14:01No, I'm going to do it.
14:02I'm going to defend the guild.
14:04Excuse me.
14:05This smell, how delicious.
14:06And this is your tea, right?
14:07Yes, like everything that is made here.
14:09Oh, how delicious it is to eat homemade.
14:11Well, you're going to have to come more often, then.
14:14How flirtatious, dad.
14:15You see?
14:16No, people are happy that Luciana is here, sharing with us.
14:20Yes, they are happy that Luciana is here.
14:24And you, who do you write to so much, man?
14:28Who do you write to so much?
14:29Yes, nothing, they are...
14:31Excuse me.
14:32A message that I have to send.
14:34Hey, dad, and if Huracán is still a kid today,
14:36he could still be a good kid, he's the last thing I have.
14:39And, well, in the afternoon I was with Grandma
14:42and out of nowhere Martina appeared, dad.
14:46Do you know who she is?
14:47From the post you have to fill a turn.
14:53What were you telling me?
14:55That, dad.
14:56That in the afternoon I was with the stranger
14:58and she crossed me with Martina.
15:00Yeah, and what did she say to you?
15:02What was I going to say?
15:03Nothing, she went crazy, as always.
15:06Why doesn't she miss me?
15:09Pass me the vinegar, please.
15:17Jonas, pass me the wine.
15:20What?
15:21The wine, can you pass me the wine?
15:22Jonas.
15:23Leave that cell phone, please.
15:25Give him an education.
15:26Yes, yes, yes.
15:29Well.
15:31Do you want to make more?
15:32Yes.
15:34This is like one of the five best dishes of the dinner.
15:37Let's try it.
15:38Yes.
15:42Okay, and you're going to keep telling me it's from the post, right?
15:47Uh ...
15:48Enough, mom.
15:49Why don't you tell your lover that I don't know what his name is,
15:51but that he starts with An and ends with Gel,
15:53to calm down and let you write a little, right?
15:56Gabi, what are you insinuating?
15:57With Angel we are not lovers.
15:59It is obvious that it is him.
16:00No.
16:01Look, in fact, that person who is writing to me is him asking about you.
16:07Oh no.
16:08It's Jonas.
16:12And what does he want?
16:13He is inviting me to go out tonight.
16:16And ...
16:17that he arrives in a little while.
16:26Aren't you going to eat?
16:27I'm not hungry.
16:30Do you want us to talk?
16:33About the petitioner.
16:34No, please, no.
16:39Samuel went to my office to try to get on well with me.
16:44Samuel went to get on well with you?
16:46Uh-huh.
16:48I wanted to see a subject of some cork vineyards and ...
16:51the subject of what happened yesterday at my dad's house arose,
16:53he told me that we had to row to the same side.
16:58What are you laughing at?
17:01No, you are very impressive.
17:04Instead of calling them Casablanca, they should call them Cara Raja.
17:07Sorry?
17:08Alexandra.
17:09You made a scandal yesterday.
17:11You made a fool of yourself.
17:12In passing, you made a fool of me.
17:15You trashed your brother.
17:17You made him a bag in front of everyone.
17:20And you find it very normal that he is the one who is going to apologize to you
17:24when the thing should be absolutely the other way around.
17:26What my dad is doing is an injustice.
17:29What he is doing to me is not right.
17:31No, no, please, leave it there.
17:33Poor little Alexandra.
17:34Nobody loves her, nobody has helped her.
17:36Oh, how hard it has been for the poor thing to get ahead,
17:39to make her own way in life, to earn her own house.
17:41No, please, really, don't regret that again,
17:43that they are going to come and burn the house.
17:45The victim, you?
17:46No, please, no.
17:48Are you going to leave me eating alone?
17:50I'm not hungry, I told you.
17:57I'm staying in the Aras.
18:00Thanks to your dad and thanks to you.
18:07I'm glad.
18:09Really.
18:10What are you doing now?
18:14I took a cane.
18:16I'm going to the Aras.
18:18I'm going to the Aras.
18:20I'm going to the Aras.
18:22I'm going to the Aras.
18:24I'm going to the Aras.
18:26A glass of wine?
18:33Me, a glass.
18:40I can imagine.
18:42I don't see her drinking a cane.
18:49Appearances deceive.
18:51Cheers.
18:56Cheers.
19:26Cheers.
19:36Cheers.
19:39Cheers.
19:56Cheers.
20:27Hello.
20:29How are you?
20:35Good.
20:42I didn't sleep very well.
20:46It's been so long since I was here,
20:47the milk was cut.
20:57I don't like it when we're like this.
21:00Distanced.
21:06I don't like it when you don't trust me either.
21:27There's nothing like your coffee, my Geno.
21:30It's delicious.
21:32Well, drink all the coffees you want.
21:35After being with Gavirino, I'm going crazy.
21:38Piri, don't say that word from the first century.
21:41Are you calling me old?
21:44An old woman that I adore.
21:47I'm going to the Aras.
21:49I'm going to the Aras.
21:51I'm going to the Aras.
21:53I'm going to the Aras.
21:54I'm going to the Aras.
21:56And since you adore me,
21:58can you tell me what's going on with you?
22:01Because there's something going on in your heart.
22:08There are many things.
22:10I'm fighting with Don Tomás.
22:13We fight with Tomás almost every day, Geno.
22:16If it's not one thing, it's another.
22:17I swear he's unbearable.
22:19Well, maybe I am too.
22:22You know, I think all this that has happened to my dad,
22:26it hurts me a lot.
22:28Well, it's that hurricane thing.
22:30It was terrible, wasn't it?
22:32It left him all stressed out.
22:34Your dad?
22:36He had a face like four meters.
22:39Well, who knows?
22:41Maybe he looked for it.
22:43What are you saying?
22:47That they did that to him for a reason.
22:49That maybe there's someone,
22:51there's a person who's mad at him,
22:53or angry at my dad, right?
22:55Are you still mad at your dad?
22:58I feel like I don't know him.
23:02I feel like he's not the man I thought he was.
23:06And that maybe...
23:11Maybe what?
23:13That maybe
23:15he deserves what's happening to him.
23:18How can you say that about your dad?
23:21Huh?
23:23Your dad is a good man.
23:25You're confusing me with your attitude.
23:28I trust him, I love him,
23:30but then what does he do, stab me in the back?
23:32That's it.
23:34You can't talk about your dad like that.
23:37Your dad is a good man.
23:39And all the bad things that have happened to him in life,
23:42it's because he's so good.
23:44Don't forget that.
23:48I won't forget.
23:51Bye.
23:59I'll see you at the river.
24:18Hello?
24:19Hello, Gaby, it's Martina.
24:21Oh, hi.
24:23I asked my brother to give me your number because
24:26I wanted to apologize for my inappropriate comment the other day.
24:31Yes, well, it's good that you can realize it.
24:34Apologies accepted, anyway.
24:36That's nice, cutie.
24:38Hey, I wanted to ask you something else, nothing to do with...
24:41Yeah, tell me.
24:43You left your letters in the drawer yesterday.
24:46Do you read the Tarot?
24:47Oh, yes, sometimes.
24:50That's good.
24:52And do you think that one of these days I could have a drink?
24:55Maybe.
24:57Wait, Gaby, I'll call you later, okay?
24:59Yes, of course.
25:02Hello.
25:04Sir, I'm going to have to tell you to leave now.
25:06Hey, Taló, save yourself this unpleasant welcome.
25:09I'm here because I wanted to come personally to inform you that
25:13this afternoon a truck with all its shitty wine will arrive.
25:15The intact boxes, okay?
25:17Now, I hope that when you receive it,
25:20you give me back what I paid you, okay?
25:23Of course, that's how it's going to be.
25:25We're decent people.
25:27Decent people.
25:29Thank you for not interrupting a prayer.
25:31A prayer?
25:33Why? To give back some wine?
25:35And who's talking about the wine?
25:37I'm talking about the horrible number that your dad sent yesterday
25:41in my office.
25:42What are you talking about? What number?
25:44Ah, he didn't tell you.
25:46Of course.
25:48Typical of decent people.
25:51Please review this document and if you think everything is fine,
25:54sign it.
25:56Of course.
26:01You seemed a little sad this morning.
26:03No reproach, right?
26:06Well, yes.
26:08But nothing serious.
26:10Thank you for your concern.
26:12Can I help you, Narco?
26:14I doubt it.
26:16Yes?
26:18Excuse me, sir, can we talk?
26:20You take it. Yes, of course.
26:22I'm going to take this to the kitchen.
26:24Yes, excuse me.
26:29Seat?
26:31No, thank you. I'm fine standing.
26:33I heard you made a decision.
26:35Yes, I made a decision regarding Tormento.
26:37I'm not going to kick him out.
26:39I see you didn't care what I thought about it.
26:42Of course I cared.
26:44I heard you.
26:46But like Alexandra,
26:48I think you have no evidence against him,
26:50so I can't kick him out.
26:52Excuse me, father-in-law, but
26:54Alexandra has nothing to do with Aras.
26:56But Alexandra is my great counselor.
27:00Let's see, father-in-law,
27:02without any desire to create any conflict,
27:05if you put me in charge of Aras,
27:07I think I should make the decisions, right?
27:09Yes, correct.
27:12But I'm still the owner of Aras.
27:14No, there's no doubt about that.
27:16It's very clear, but ...
27:18Well, I'm glad you don't doubt it.
27:20Anything else?
27:23No.
27:25That was it.
27:38Come this way.
27:39That's it, slowly.
27:41Hey, be brave to go home.
27:43Anyway, I put a bandage on him
27:45to make him last longer,
27:47but he has to rest as much as he can.
27:49And I've already told him that it's not necessary
27:51to bring me a healthier one.
27:53It's just that he doesn't feel so good, son.
27:55Well, but for the next one it's not necessary.
27:57See you later, son.
27:59Elena, I'll leave you.
28:03Bye, take care.
28:05What happened now?
28:07What happened now?
28:09I don't know.
28:11Do you have a driver's license?
28:13License?
28:15I can give it to you in 3 or 4 days.
28:31I'm coming.
28:40Are you going out?
28:42Yes.
28:44Do you need something?
28:46Where are you going?
28:48To talk about something with the accountant.
28:51The accountant is sick.
28:53Did you forget?
28:55No, I didn't forget.
28:57That's why I'm going to talk to her replacement.
28:59Excuse me.
29:01Listen, Alexandra,
29:03you and your family still think
29:05that I'm an idiot, right?
29:06What are you talking about?
29:08You don't know.
29:10So I'm going to explain it very clearly.
29:12That defense that you made yesterday
29:14about the petitioner,
29:16don't interrupt me, please,
29:18what am I talking about?
29:20That defense,
29:22the outrage you made yesterday about the petitioner,
29:24I didn't like it at all.
29:26And not so much day at the fish market,
29:28not so much horse riding,
29:30not so much look with that similar shit.
29:33I don't want to
29:34and listen to me well,
29:36I don't want to know again
29:38that you put a single foot
29:40in that hungry dead man's house.
29:42I already told you, Alexandra,
29:44I don't like it when you or anyone else
29:46sees my face.
29:48Is it clear to you or not?