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00:00Well, I guess I'll wait for him while I look at this picture book.
00:10Japanese food.
00:13Speaking of him, it's gourmet food.
00:21There's a lot of delicious-looking food.
00:27I'm hungry.
00:30Oho.
00:33Japanese food is elegant and good for your health.
00:42If he's a gourmet, he'll eat a lot.
00:49Ah.
00:51I want to hear a lot of stories from him.
00:57Tokyo.
01:00A book cafe specializing in books is located in a quiet corner of Tamagawa.
01:09Surrounded by over 1,000 books, which reflect the true nature of Japan,
01:15they talk about the past and the future.
01:20It's okay.
01:21Even if you're listening in,
01:23the two of you, who are so absorbed in conversation,
01:26probably won't notice.
01:43Hey.
01:44What's this?
01:46Chinese food.
01:48Welcome.
01:49I want to see it.
01:51What's this?
01:53Thank you for coming.
01:55Thank you for inviting me.
01:57It's a busy place.
01:58It's a world-class soup.
01:59Are you interested in soup?
02:00No, I'm not.
02:01You're not?
02:02That's no good.
02:03I wonder if you're interested.
02:05I'm interested in soup.
02:06Soup is a must in this cold winter.
02:10I used to eat it in France.
02:13In France.
02:14Onion gratin soup.
02:15Onion gratin looked delicious.
02:17You've had onion gratin soup before, right?
02:20Of course.
02:22It's a basic dish in French restaurants.
02:27You can tell the quality of the restaurant just by looking at it.
02:31Is that how it is in France?
02:33It takes a lot of time and effort.
02:36I see.
02:37If you try to finish it quickly,
02:40the quality of the restaurant will drop.
02:43That's how important soup is.
02:45Can I talk?
02:46Go ahead.
02:48It's like a scene from a movie.
02:51Shut up.
02:52I don't know if miso soup is made of shishio miso or rice miso.
03:00But it's all about miso soup.
03:03I don't know why they made soup stock.
03:05But the effort to make soup is visible.
03:10I'm sure you've heard of it.
03:12Yes, I have.
03:13It's like a scene from a movie.
03:15That's right.
03:17That's the theme of this movie.
03:20It's like a scene from a movie.
03:27Director.
03:29It was great.
03:31I watched it.
03:32Did you?
03:33Of course.
03:34Was it?
03:35It was fun.
03:36Thank you for saying that.
03:38I'm hungry.
03:40I'm hungry.
03:42Are you looking for soup?
03:44My mother made soup for me when I was a kid.
03:47She asked me to drink it again.
03:51Why?
03:52I'm hungry.
03:55There is no border between soup and me.
03:58But I forgot something more important.
04:01I'm hungry.
04:07What do you think of the restaurant?
04:09How is it in Korea?
04:11It was held at the Busan Film Festival.
04:15There were 5,000 seats.
04:20I laughed a lot.
04:22I saw it.
04:25I'm happy when I laugh.
04:28There are many fans of the program in East Asia.
04:34There is a remake of the program in Taiwan.
04:39There is an actor who plays the role of a child.
04:42I appeared in it.
04:44Koreans love me.
04:48I'm very grateful.
04:50I'm more popular than in Japan.
04:54I see.
04:56I'm doing this.
04:58I eat this.
05:00It's fun.
05:02In Korea, there was no culture of eating alone.
05:07Korean food has a lot of small plates.
05:12We ate together.
05:15There was no such thing as eating alone.
05:17It's rare.
05:18It was rare.
05:23Is it a lonely gourmet?
05:27It's almost late at night.
05:30No one is watching.
05:32It's just an old man eating.
05:35I said it was okay.
05:37I'll do it.
05:39I don't think it's going to be a hot topic.
05:43It's full of programs.
05:47How did you feel when the offer came?
05:51I thought Matsushige had a good eye.
05:56Monologue is good.
05:58I was surprised.
06:05I was surprised when I decided to do the opening.
06:09I was surprised.
06:11I was surprised by the playfulness.
06:13I'm a Japanese-style backstory.
06:15I was wandering around in the Ecota area at that time.
06:20I was wandering around in the Ecota area at that time.
06:22I thought there was a tall person.
06:24I was wondering how many people were there.
06:27We were in the same time.
06:30I was wondering how many people were there.
06:33I was glad to be invited by Matsushige.
06:36We talked about it on the bus.
06:39I was wondering if it was true.
06:41It's the worst meeting.
06:43I was in the elevator of TVXQ.
06:46It was my first meeting.
06:49I thought it was Mr. Mota of the Bakushu Ondai.
06:52Suddenly, he looked at me and pointed a gun at me.
06:55I thought it was a model gun.
06:57Suddenly, there were only two people.
07:00There was no one to point a gun at me.
07:02It was a private room.
07:06Then he came to the radio.
07:09I was surprised.
07:12I'm doing a repeat broadcast.
07:16I don't know how many weeks I've been doing it.
07:19I've been watching it all day.
07:22It's a waste of time.
07:25Mr. Mota.
07:27You have your own work.
07:30You have a job.
07:32You don't have time to be lonely.
07:35I watch it a lot.
07:38It's addictive.
07:41What would you do if you met him?
07:44I'd be nervous.
07:46How did you feel?
07:48I thought it was a good play.
07:51That's nasty.
07:53I thought it was a good play.
07:56I was impressed.
07:59You're a good actor.
08:02I was nervous.
08:05I was nervous.
08:08I was nervous.
08:11I was nervous.
08:14I was nervous.
08:17You're a great actor.
08:20You're a great actor.
08:24When you joined the Japanese theater,
08:27When you joined the Japanese theater,
08:30When you joined the Japanese theater,
08:33I'm jealous of you.
08:36You're a great director.
08:39You're a great director.
08:42I was in the bus.
08:45I was in the bus.
08:48I was in the bus.
08:51Mr. Matsushige said,
08:54Mr. Matsushige said,
08:57Mr. Matsushige said,
09:00Mr. Matsushige said,
09:03Mr. Matsushige said,
09:06Mr. Matsushige said,
09:09Mr. Matsushige said,
09:12Mr. Matsushige said,
09:15Mr. Matsushige said,
09:18Mr. Matsushige said,
09:21Mr. Matsushige said,
09:24Mr. Matsushige said,
09:27Mr. Matsushige said,
09:30Mr. Matsushige said,
09:33Mr. Matsushige said,
09:36Mr. Matsushige said,
09:39Mr. Matsushige said,
09:42Mr. Matsushige said,
09:45Mr. Matsushige said,
09:48Mr. Matsushige said,
09:51Mr. Matsushige said,
09:54Mr. Matsushige said,
09:57Mr. Matsushige said,
10:00Mr. Matsushige said,
10:03Mr. Matsushige said,
10:06Mr. Matsushige said,
10:09Mr. Matsushige said,
10:12Mr. Matsushige said,
10:15Mr. Matsushige said,
10:18Mr. Matsushige said,
10:21Mr. Matsushige said,
10:24Mr. Matsushige said,
10:27Mr. Matsushige said,
10:30Mr. Matsushige said,
10:33Mr. Matsushige said,
10:36Mr. Matsushige said,
10:39Mr. Matsushige said,
10:42Mr. Matsushige said,
10:45Mr. Matsushige said,
10:48Mr. Matsushige said,
10:51Mr. Matsushige said,
10:54Mr. Matsushige said,
10:57Mr. Matsushige said,
11:00Mr. Matsushige said,
11:03Mr. Matsushige said,
11:06It's hard to do that all.
11:09It's funny.
11:12I can understand that
11:15it's impossible to make a video.
11:18but can you make a film
11:20with the intention of making it into a film?
11:24but can you make a film with the intent of making it into a film?
11:26I made a scenario first.
11:29You had a scenario?
11:32At the point of the scenario,
11:35It was rejected by the film company.
11:39They said they couldn't do it anymore.
11:42At the time of the movie scenario,
11:44they told me it would take about 5 hours.
11:48But I was frustrated,
11:50so I made it even longer and it became that amount.
11:54You increased it.
11:56The scenario was the beginning of the book, right?
11:59It was the beginning.
12:01I added the details of the characters,
12:06and I realized it was too thick.
12:10But if I could get an award like the Nauki Award
12:15or something like that,
12:18maybe I could become a filmmaker.
12:21I wrote it with that expectation.
12:24Originally, it was for the sake of the movie.
12:31The movie was a success.
12:37Matsuyama-san, you wrote in your essay,
12:41but the old movie studios
12:44spent a lot of time on making movies,
12:48and the film industry was gone.
12:51But now,
12:53there are a lot of people
12:56who are making movies.
12:58It's like a video distribution service.
13:02But you still want to make movies.
13:06If I don't make movies,
13:09it's good for everyone to do it on their own,
13:13but when I go to a movie theater,
13:16in the dark,
13:18I only have popcorn and coke.
13:21I think it's important to have time to be here.
13:26Everyone is laughing,
13:29so I feel warm.
13:32So when I'm hungry,
13:35I can hear the sound of my neighbor's stomach.
13:40It's good to see it at home,
13:43but I have to make a movie.
13:46It's also important to go to the concert.
13:50There are a lot of young musicians
13:53who listen to records instead of CDs.
13:57In that sense,
14:00there are things that you have to do
14:04to feel what you're doing.
14:09When I saw the movie,
14:13I thought it was like a movie.
14:17I thought it was like a movie.
14:20What Mr. Matsushige is thinking is very straightforward.
14:24It's not like this.
14:28It's like a movie.
14:31It's not like a movie or a TV drama.
14:36In the end,
14:39when it comes to the first movie,
14:42it's often used as a theater version.
14:46I didn't like it, so I asked Mr. Matsushige to make it.
14:51I didn't like it, so I asked Mr. Matsushige to make it.
14:56I didn't like it, so I asked Mr. Matsushige to make it.
15:01I don't want to be bold,
15:04but I want to make a movie
15:07that everyone in the world can enjoy.
15:10I don't want to be bold,
15:13but that's what many big companies and media companies have said.
15:18but that's what many big companies and media companies have said.
15:22It's going to get messed up,
15:26and it's going to be a little more luxurious.
15:30I don't like that.
15:33It's a drama that I was acting alone,
15:36It's a drama that I was acting alone,
15:39I wanted to make sure I was good at this.
15:42It's amazing, so I thought I'd write it myself.
15:47It's not easy to write a story like that.
15:51So I asked Mr. Bonjino if I could do it.
15:55In order to convince everyone, I wrote the story of the movie in one night.
16:01I gave it to everyone and said,
16:03I'm going to talk about this, what do you think?
16:06Then I said, let's do it.
16:09Mr. Bonjino, if you feel that way,
16:11It's not so difficult to create a story.
16:15It's full of creation.
16:17For example, there's a story about Inokashira Goro being a glutton.
16:22If you're going to develop it like a movie,
16:25In Mr. Bonjino's world, it's a completely different way of creating.
16:29It's fun.
16:31Whether it's possible or not,
16:34There may be a movie-like judgment.
16:38If it's possible,
16:40If you can get your imagination in there,
16:44That character is already solid.
16:47You don't have to eat.
16:49Even if you say you didn't eat this time,
16:51I think it's okay.
16:53You've been involved in a lot of things.
16:55I've been doing that for 10 years.
16:57It's amazing.
16:59There are so many customers.
17:02You can betray or make it come true.
17:06I was able to do that.
17:27This is a bookstore full of books.
17:30For example,
17:32I think Mr. Natsuko is interested.
17:34How is it?
17:35Vegetable making.
17:36I used to make it.
17:37Did you make it?
17:38I used to make it.
17:39I used to make it in a small garden in my apartment.
17:42The insects come and I can't grow vegetables.
17:45I was going to grow it with pesticide.
17:47I'm going to use pesticide because it's an insect shop.
17:49I'm going to cause an accident.
17:51That's why it's really difficult to grow vegetables.
17:55I have to watch it every day.
17:57What do you make?
17:59Okra is fun.
18:01Okra is also in the movie.
18:03Okra comes out by putting the tip up.
18:09You can make it with that feeling.
18:12Okra is fun.
18:13Okra making.
18:23I talked a lot when I was shooting.
18:28I was in Yokota at the same time.
18:31I talked a lot about my favorite drama.
18:38I thought I was a good friend of Mr. Matsushige.
18:44I was shot at first.
18:49I was close to him.
18:52I think the scenery I want to see is close to him.
18:58I admired my seniors at that time.
19:01I wanted to do this kind of drama.
19:03I wanted to do this kind of movie.
19:04I wanted to do this kind of comedy.
19:06My seniors are gone.
19:08I don't have Mr. Kuze or Mr. Taichi anymore.
19:12I don't have a goal anymore.
19:14For example, when we were young, we couldn't talk unless we were on TV.
19:21Young comedians now have their own YouTube channel.
19:27It has been played millions of times.
19:32Even if I do a live broadcast, there are quite a few gals.
19:37Gals are raw, but they eat a lot.
19:44There are quite a few young people who don't care about TV.
19:53On the contrary, Mr. Matsushige and I...
19:58Especially comedy.
20:00I admire two people.
20:02There is the Hiokin tribe.
20:05I wanted to do that.
20:06I wanted to do it with Mr. Sanma, Mr. Takeshi, and Mr. Tamori.
20:10I've been doing it for a long time.
20:13I wonder if my generation couldn't make what I longed for so much.
20:23It's the same with the Japanese economy.
20:27It's my generation who has lost everything in the past 30 years.
20:33It's a lot of responsibility.
20:36If we hadn't done anything, we wouldn't have been left behind in other countries.
20:42We were told to leave everything behind.
20:45I feel like I can't say that I'm going to retire.
20:51I have to fix what I haven't been able to do so far.
20:57I'm glad Mr. Matsushige said that.
21:00For example, I want to make a movie.
21:03I want to fix what I haven't been able to do in 40 years.
21:14That's true.
21:15Our generation...
21:20We have to turn it around a little more.
21:23Someone...
21:24It won't end.
21:25Mr. Takeshi made a movie and revolutionized it.
21:31It's the people of the older generation who saw it.
21:36If you look at them, we're weak.
21:41That's right.
21:42But the movie, The Lonely Gourmet, was a very low-budget movie.
21:48But little by little, we've built it up.
21:54There's history.
21:56I think there's a cost-performance part that can be cleared with ideas.
22:05We don't have to rely on VFX like in the United States.
22:13That's right.
22:14We can get a lot of awards.
22:18It's the same as making soup.
22:20It takes a lot of time and effort to make something delicious.
22:26You're bringing it to the soup again.
22:29That's where the Japanese are good at making things.
22:36We've let go of that and played with it.
22:40I think we have to go back to manual labor.
22:45When we were young, Mr. Matsuki said he liked ATG.
22:52At that time, it was said that Japanese movies were for companies.
22:57But the directors and directors of the directors' companies said that Japanese movies were for companies.
23:05Even now, there are a lot of good movies.
23:11But at that time, it was said that young people couldn't do it.
23:17But there were rules and values for making things.
23:27But we were called new humans.
23:32But in the end, we couldn't turn anything around.
23:35That's right.
23:37That's where it's dangerous.
23:40We're all in our 60s and we're getting old.
23:44But we didn't do anything.
23:47There's nothing left in the movie industry.
23:51The moment we changed the history of entertainment,
23:56I don't think we're at that time.
24:00I don't think so, but I don't think Mr. Matsuki is either.
24:04Mr. Oda is trying to make a hole in the wind.
24:09That's amazing.
24:11It's like you're hanging out with a guy.
24:16It's not a normal cut.
24:21It's a way to make a hole in the wind.
24:27I want to make a movie.
24:32Let's make a movie.
24:34Let's make a movie.
24:45There was Kouki Mitani in the same generation.
24:49There was Sunshine Boys at first.
24:51There was Sunshine Boys.
24:55It wasn't recognized as a play at the time.
25:00It was a well-made play.
25:04He was a broadcaster at the time.
25:07It was a well-made play.
25:10It was a revolution for us.
25:14It was a revolution for us.
25:17There was no such thing.
25:19It was a well-made play.
25:21It was a well-made play.
25:23It was a well-made play.
25:25It was a well-made play.
25:27It was a well-made play.
25:29It was a well-made play.
25:31It was a well-made play.
25:33It was a well-made play.
25:35It was a well-made play.
25:37It was a well-made play.
25:39It was a well-made play.
25:41It was a well-made play.
25:43It was a well-made play.
25:45It was a well-made play.
25:47It was a well-made play.
25:49It was a well-made play.
25:51It was a well-made play.
25:53It was a well-made play.
25:55It was a well-made play.
25:57It was a well-made play.
25:59It was a well-made play.
26:01It was a well-made play.
26:03It was a well-made play.
26:05It was a well-made play.
26:07It was a well-made play.
26:09It was a well-made play.
26:11It was a well-made play.
26:13It was a well-made play.
26:15It was a well-made play.
26:17It was a well-made play.
26:19It was a well-made play.
26:21It was a well-made play.
26:23It was a well-made play.
26:25It was a well-made play.
26:27It was a well-made play.
26:29It was a well-made play.
26:31It was a well-made play.
26:33It was a well-made play.
26:35It was a well-made play.
26:37It was a well-made play.
26:39It was a well-made play.
26:41It was a well-made play.
26:43It was a well-made play.
26:45It was a well-made play.
26:47It was a well-made play.
26:49It was a well-made play.
26:51It was a well-made play.
26:53It was a well-made play.
26:55It was a well-made play.
26:57It was a well-made play.
26:59It was a well-made play.
27:01It was a well-made play.
27:03It was a well-made play.
27:05It was a well-made play.
27:07It was a well-made play.
27:09It was a well-made play.
27:11It was a well-made play.
27:13It was a well-made play.
27:15It was a well-made play.
27:17It was a well-made play.
27:19It was a well-made play.
27:21It was a well-made play.
27:23It was a well-made play.
27:25It was a well-made play.
27:27It was a well-made play.
27:29It was a well-made play.
27:31It was a well-made play.
27:33It was a well-made play.
27:35It was a well-made play.
27:37It was a well-made play.
27:39It was a well-made play.
27:41It was a well-made play.
27:43It was a well-made play.
27:45It was a well-made play.
27:47It was a well-made play.
27:49It was a well-made play.
27:51It was a well-made play.
27:53It was a well-made play.
27:55It was a well-made play.
27:57It was a well-made play.
27:59It was a well-made play.
28:01It was a well-made play.
28:03It was a well-made play.
28:05It was a well-made play.
28:07It was a well-made play.
28:09It was a well-made play.
28:11It was a well-made play.
28:13It was a well-made play.
28:15It was a well-made play.
28:17It was a well-made play.
28:19It was a well-made play.
28:21It was a well-made play.
28:23It was a well-made play.
28:25It was a well-made play.
28:27It was a well-made play.
28:29It was a well-made play.
28:31It was a well-made play.
28:33It was a well-made play.
28:35I had noticed!
28:37I had noticed!
28:39Up to now,
28:41Up to now,
28:43Up to now,
28:45T-Yama was an ill-mannered actor.
28:47T-Yama was an ill-mannered actor.
28:49Yumi was a energetic person.
28:51Yumi was a energetic person.
28:53and too ill-mannered
28:55she became expressive.
28:57She became expressive.
28:59Therefore,
29:01Susan can be��t
29:03At that time, I went to the Honda theater and Kinokuniya hall to see all the stuntmen training.
29:13I thought Hideki Noda was amazing.
29:17But I'm not the type to do that.
29:21You don't just go in.
29:23I don't just go in.
29:25He's a smart guy, so he has a lot of logic.
29:36I don't think I can do that.
29:40It's interesting, but I don't know how to talk about it.
29:50Mr. Noda's world is very special.
29:53That's right. I admired Mr. Noda's acting.
29:58But if I were to do it myself, I'd have to do it.
30:03I've said this before, but I'd have to do it for Tango Fuyu no Owari.
30:08So I was looking at that.
30:12At the time of En, Hashizume was doing the main Cheyho style.
30:20Hashizume Isao's name was a bit of a side character.
30:28It wasn't like that at the time.
30:31But when I saw Hashizume Isao's play,
30:35it was Cheyho style or Shakespeare style.
30:38It's a bit of a deliberate feeling.
30:44Hashizume came out of Cheyho style.
30:49I don't know what you're talking about.
30:52Hashizume has a lot of reality.
30:57I admired his acting.
31:03I wanted to do that kind of play.
31:08It's an amazing era.
31:10I was able to see that.
31:12The overwhelming power of the older generation.
31:18It's a play that goes far beyond reality.
31:24I was fascinated.
31:26I admired that kind of play.
31:48As Matsushige said, TV plays can't do the real thing.
31:57I was at NHK a while ago.
32:00Emoto Akira was at the workshop.
32:07I saw it.
32:09Wasn't it amazing?
32:11I love Emoto.
32:13Emoto looks at the play from the back.
32:21He looks at people.
32:23He does it by himself.
32:26A young girl who is aiming for a play.
32:31She just comes out and says,
32:33Yes, it's different.
32:35Young people are scared.
32:38Why did you come out now?
32:40It's amazing what you're saying.
32:43I understand.
32:45I came out.
32:47I have no choice but to do something.
32:50Emoto, no.
32:53There are no more people who say that.
32:57I can't even say that I did it while being thrown away.
33:05I was asked if I would do that.
33:09I just did it.
33:13I want to say that it's good or bad.
33:18I can't say that.
33:21When I read Matsushige's essay,
33:25I'm worried about compliance.
33:30I know.
33:32Mr. Ota will do it, right?
33:34I understand.
33:36I'm a person who gets angry.
33:38I'm almost out.
33:40I feel like I'm going to hit you more and more.
33:46It's different.
33:48It's different.
33:50If I think it's good, I'll get angry.
33:56I have to resist here.
34:00It's no good.
34:03I can't say anything.
34:07If you can't say anything, you're nothing.
34:12You're here to do something.
34:14You're here because you want to say something.
34:17If you say this, no one will look at you.
34:22I think TV is really difficult now.
34:26Is it a movie?
34:29Is it a broadcast?
34:31Is it just a theater?
34:34What I really want to do is love and peace.
34:41Love and peace again.
34:43Love and peace.
34:45Mr. Ota's book is like that.
34:47Love and peace are important.
34:51I think it's our theme that doesn't break easily.
34:59I have to make sure I don't get confused.
35:03It's really difficult.
35:06It wasn't supposed to be difficult.
35:10It's such a simple thing.
35:12Why did it become a difficult time?
35:17I'm an entertainer.
35:19I want to make the world a better place.
35:23How do I express it with a filter?
35:28That's the most important thing in a movie.
35:3950s to 90s.
35:42Japanese rock.
35:44In the 70s, there was a band called Sun House.
35:48It's a rock band from Fukuoka.
35:50Makoto Ayukawa was in front of Shinaroke.
35:54This was our charisma.
35:59It's nostalgic.
36:01Ayukawa died in the 70s.
36:04I like Shutoku Mukai of Zazen Boys.
36:09I read the books I wrote with Mukai.
36:14I did it while listening to music.
36:19It was really fun.
36:21Mr. Ota is a rock musician.
36:25It's a combination of laughter and rock.
36:30It's hard.
36:31I can't do it.
36:33We were in a band when we made our debut.
36:37Mr. Kera was in a comedy group.
36:44He always invited us.
36:48We made a band and laughed.
36:51The audience was completely different.
36:54When we went out, everyone went to the bathroom.
36:57Did you do it at that time?
36:59I did it.
37:00I did a live performance of Nagomu.
37:05Did you do it?
37:07It was terrible.
37:09The temperature was different.
37:14I thought I was going to do a performance.
37:17I remembered that I made a mistake.
37:20It hurts.
37:21It hurts.
37:22I have a lot of painful memories.
37:24I'm sorry.
37:34Your Ushio.
37:36I'm sorry.
37:37It's amazing.
37:39You saw the garden and thought it was nice.
37:47The garden and the temple.
37:50When I was shooting in Kyoto, there were many temples like this.
38:01I wondered what it meant to have Japanese people here for hundreds of years.
38:09I thought it was nice.
38:13I thought I didn't have to think about anything else.
38:17Thinking about unnecessary things hurts my mind and body.
38:22I think Buddhism gives me a hint that I can be free from that.
38:31It's not a religion where you can be saved if you believe.
38:34It's a religion where you can do whatever you want.
38:36That's cool.
38:38It's rock and roll.
38:40Rock and roll?
38:41When it comes to music...
38:46I did a theme song with Hiroto the other day.
38:53We went to the promotion together.
38:57We still have the judgment of whether it's rock and roll or not.
39:08When I was in my 20s, I watched a lot of Japanese movies with Mr. Ota.
39:15I've been a fan for a long time.
39:19The scariest thing is when a boy who used to hang out with Mr. Ota says,
39:25It's not funny.
39:27That's the scariest thing.
39:29That's right.
39:30He says that to himself.
39:31He says that to himself.
39:33If you're not ashamed of yourself, you're cool now.
39:38That's what I feel.
39:41If you're not ashamed of yourself, you're cool now.
39:49I don't know.
39:52I had a solo live performance of manzai yesterday.
39:59I did manzai non-stop for 1 hour and 50 minutes.
40:05It's been 36 years since I became a manzai artist.
40:10I make a new story every month.
40:13I do it almost every month.
40:17I finished it yesterday.
40:20I was talking to Tanaka.
40:23Why is it so good?
40:26I've been doing it for 36 years.
40:29I got sick on the way yesterday.
40:32I couldn't make the tone I wanted to make.
40:35That's the basic thing.
40:38I've made the same mistake over and over again for 36 years.
40:43I couldn't do it yesterday either.
40:48That's why it's really good.
40:50Greed is always high.
40:53Greed is always high.
40:57But that's definitely a good thing.
41:00That's why I mentioned your name earlier.
41:04I've been doing shows with you all year round.
41:10I'm already a master of rakugo in my 30s.
41:19I'm already a master of rakugo in my 30s.
41:23I have so much skill that I can't complain.
41:27When I was in my 40s, my master told me
41:30that I was lost.
41:33I kept wondering if I was okay.
41:37He told me I didn't have to think about anything until I was 50.
41:42When I got closer to my 50s, I was even more lost.
41:47He told me that I didn't have to think about anything until I was 50.
41:52He told me that I didn't have to think about anything until I was 50.
41:55He told me that I didn't have to think about anything until I was 50.
41:59I was like, did I really say that?
42:02He told me he would make me 60.
42:05I was relieved, but now I'm trying to be 60.
42:10I don't know what to do.
42:13I don't watch a lot of boys' shows in real time.
42:17But I can feel that the rakugo of boys' shows
42:20is a bit lost in the changing times.
42:23is a bit lost in the changing times.
42:27is a bit lost in the changing times.
42:30I can feel it.
42:33It's not like a completed form.
42:36It's not like a completed form.
42:38It's not like a completed form.
42:41There's something that keeps you thinking,
42:43There's something that keeps you thinking,
42:46It leads to the fun.
42:49I think you were intentionally told that.
42:52I think you were intentionally told that.
42:55They're so lost.
42:58I think you're so much more lost than a young man.
43:01I think you're so much more lost than a young man.
43:04Look at the manzai he's doing. He's really good at it.
43:07He's good.
43:09He's a great actor.
43:11He's really good at it.
43:13He's getting better.
43:15He's really good.
43:17You should give him some advice.
43:19No, it's not about giving advice.
43:21We have the experience of being told
43:24what our generation was like.
43:29It's not good for the elderly.
43:33Mr. Matsuike should be the one to make it happen.
43:40He's already 60.
43:42That's why.
43:44Let's do it.
43:46If Mr. Matsuike says so, I'll do it.
43:51Let's do a detective drama together.
43:55Sure.
43:58I'll do it properly.
44:00I know you'll do it.
44:02I'll do it.
44:04If the viewers want to see it.
44:07How was the time spent with the manga artists?
44:14There are parts of the story that have the same smell.
44:20I was able to confirm that.
44:24If I say something like this, it may come true.
44:31I want to do it again.
44:36I only saw Mr. Gota as a producer at that time.
44:44He still has potential.
44:49I want to expand it to the maximum.
44:54I couldn't stop talking.
44:56It was fun.
44:58Mr. Matsuike is a cool guy.
45:01When he comes out, he says something.
45:06Actually, it's a lump of desire.
45:11I was very happy.
45:13Let's do something big.
45:15It's a bit of a dirty story.
45:18I hope I can do something like that.
45:24Please subscribe and like.