Aired (December 12, 2024): Ikinuwento ni Rochelle Pangilinan ang kanyang mga naging proseso sa pagganap bilang si 'Amalia' sa 'Pulang Araw' at ang iba pang mga kwento kasama ang iba pang karakter na comfort women sa kanilang serye.
Watch the full episode here: https://youtube.com/live/vjLzJys0A7c
Subscribe to the GMA Network channel! - http://goo.gl/oYE4Dn
Watch the latest episodes of your favorite GMA shows and subscribe to GMA Network's official YouTube channel and click the bell button to catch the latest videos. #GMANetwork #KapusoStream
Visit the GMA Network Portal! http://www.gmanetwork.com
For our Kapuso abroad, you can watch the latest episodes on GMA Pinoy TV! For more information, visit http://www.gmapinoytv.com
Connect with us on:
Facebook: http://www.facebook.com/GMANetwork
Twitter: https://twitter.com/GMANetwork
Instagram: http://instagram.com/GMANetwork
Watch the full episode here: https://youtube.com/live/vjLzJys0A7c
Subscribe to the GMA Network channel! - http://goo.gl/oYE4Dn
Watch the latest episodes of your favorite GMA shows and subscribe to GMA Network's official YouTube channel and click the bell button to catch the latest videos. #GMANetwork #KapusoStream
Visit the GMA Network Portal! http://www.gmanetwork.com
For our Kapuso abroad, you can watch the latest episodes on GMA Pinoy TV! For more information, visit http://www.gmapinoytv.com
Connect with us on:
Facebook: http://www.facebook.com/GMANetwork
Twitter: https://twitter.com/GMANetwork
Instagram: http://instagram.com/GMANetwork
Category
😹
FunTranscript
00:00So what do you miss the most in the scene or in the whole taping, in the set?
00:11I'll follow Eppy in what he's saying, that in one scene, this is what I miss the most.
00:20Aside from the food.
00:22Because I'm always with Sanye.
00:27And I'm always with Sanye.
00:30The scene where all the actors look so good.
00:37Because there's no artist in the red light district that's not ready.
00:44Even for the talents, especially for the comfort women.
00:50Because...
00:52Why?
00:56Ready to do what?
00:58No, ready to do the scene.
01:00I mean, the lines are already set.
01:02It's already set.
01:04They know what they're going to do.
01:06Especially for us, the comfort women scenes.
01:10There's one day where the vibe is happy.
01:15So maybe we were joking around, we were laughing at Ate Isay.
01:20So our group felt that we were laughing after the cut.
01:25So we felt that Direk Leslie was always telling us that this is how it's supposed to be.
01:31This is how it's supposed to be.
01:33Now you're going to die if you don't do this and that.
01:36So I said, okay, we're losing weight.
01:40So we need to lower all of our energy that we're losing.
01:45Because sometimes you want to feel that in this location, especially in the table,
01:52where I was laughing at Adobong Baboy.
01:54That part, that location is really heavy.
02:00Because that's where we're always hoping.
02:02So for us, it's like we're trying, we're trying.
02:06But it's really not possible.
02:08So we need to lower it until we're able to sustain it.
02:12That when we see it, we're the group that's not always happy.
02:16There's really no happiness for us.
02:20When we get to the tent, the only thing that makes us happy is the food and the good morning hug.
02:28Then we'll talk about the scene right away.
02:31We'll just eat a little bit and we'll talk about it.
02:35We'll work on it.
02:37We'll analyze everything.
02:39Because we can't let it go just like that.
02:43Because it's a waste.
02:45The set is beautiful.
02:47Our director is really good.
02:49All the people who work on Pulang Araw are really good.
02:51Then you're going to praise them.
02:53Of course not.
02:55Then the people who give time to watch Netflix.
03:03And then watch our free TV, GMA.
03:07Of course that's time.
03:09So you need to give 100%, 200% if you can do it.
03:13You need to give everything.
03:15It's hard.
03:17Just like what Kuya Epi said.
03:19But afterwards,
03:21you don't have any regrets.
03:23You go home and you're like,
03:25I did it.
03:27It's good.
03:29But before Amalia was removed,
03:31it took me two days.
03:33Two to three days.
03:35Amalia's character is a bit heavy.
03:41So sometimes,
03:43I talk to the production of Pulang Araw.
03:45Take this.
03:47Take this.
03:49Because I want to let go of this part.
03:51Especially with Epi,
03:53with Micheline,
03:55she knows that.
03:57I talk to her.
03:59Please take this.
04:01It's really hard.
04:03If I'm going to do a few scenes,
04:05let me do it.
04:07If there's a scene that's heavier,
04:09let me finish it.
04:11Because I'll leave it at home for a long time.
04:13I have a child there.
04:15You know, your aura is really low.
04:17How do you transition if it's two days?
04:21For example, you did a whole scene
04:23that's heavy,
04:25then you go home.
04:27I don't rush as a mother.
04:29As a mother of Shiloh.
04:31Not as a mother of Louisa in Pulang.
04:33Because Rochelle is connected to Amalia
04:35when it comes to real life.
04:37I think it's just me.
04:39I think it's just Amalia.
04:41Oh my God, I already did the interview.
04:45I already did the interview with Amalia.
04:53You have a chessboard there.
04:57Hey, you might have something there.
05:01It's almost done.
05:03Okay, it's done.
05:05I'm embarrassed.
05:07But those who are really good at it,
05:09they have a chessboard like that.
05:11Then you transition, right?
05:13Yes, because Amalia is the only one.
05:15Sania, Teresita,
05:17Single, rich.
05:19Manuela,
05:21Sister, single.
05:23Lorena, child.
05:25So the others are like that too.
05:27I think I'm the only comfort woman
05:29who's alone there.
05:31My mother is also there, she has a husband.
05:33It's hard for me to separate
05:35because she's connected
05:37to my real life.
05:39You should have poured everything to Art.
05:41I can't do it.
05:45Art should be the one boxing.