Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Nina De Azúcar Capítulo 9 Completo HD
Category
🎥
Short filmTranscript
00:00Bueno solteros del Perú, ya están advertidas.
00:02Si se ganan a Santiago García, ya saben la suegra de oro que se llevan.
00:07Videito manda.
00:09¿Y ustedes qué cuernos hacen en mi casa? ¿Quién los invitó?
00:12Ustedes. Hablamos ayer con el señor Cesar.
00:15¿Cesar?
00:15El Cesar.
00:16¿Por qué no me dijiste nada?
00:17Es que lo que pasa es que te lo iba a decir, pero justo era para hoy.
00:20Antes de mi vida, avisa, pregunta. Pues entra, pregunta.
00:24¡Me preguntan!
00:25¡Cállate! ¿Cómo vas a traer a la gente a la casa sin avisar?
00:29¡Y tú! ¡Deja de grabar! ¡Deja de grabar y quítame la cámara!
00:32¡Quítame la cámara!
00:34Hablamos con su esposo y nos dijo que no había problema.
00:37Por eso vinimos a entrenar.
00:38¡Ay Dios, qué papelón!
00:40¿Por tu culpa es esta vez?
00:41¿Mía? ¿Qué te costaba tratar bien a los periodistas?
00:44Ahora te estaría tirando flores, pero no.
00:45Preferiste darle rienda suelta a la gran Vilma Flores Rossi.
00:49¡Casi los botas a escobazos!
00:51Al menos la ganadora de la rifa ya sabe que se va a encontrar con una suegra recontra brava.
00:56¡Qué miedo!
00:57¡Ay, mi hijita! ¡Te estoy malogrando tu rifa!
01:00Encima salgo así toda desgreñada, con la nariz.
01:03No, tía. Se te ve regia.
01:04¡Ay, imagínate!
01:06La Betty debe estar feliz de haberme visto así en la tele.
01:09Me imagino cómo debe estar rajando.
01:12¡Ja, ja, ja, ja, ja, ja, ja!
01:14¡Ay, me muero! ¡Ay, me falta el aire!
01:17¡Ay, no! ¡Mi papelón me daño!
01:19¿Se dan cuenta, chicos?
01:20¡Hizo el ridículo en televisión nacional!
01:24Escucha, debió peñarse un poquito antes de la entrevista.
01:26Mamá es natural. Está así.
01:28¡Ay, pobre! ¡Ay, lo fregó Santiago!
01:31¿Qué mujer se va a querer casar con esa bruja de suegra?
01:35Pobrecita, pero igual pareciera que la agarraron desprevenida y por eso salió así.
01:39A ver, a ver, Genesis. Aguanta ahí.
01:41No es la primera vez que te escucho defender a la loca de Vilma.
01:45¿Qué pasa? ¿Te cae bien? ¿Prefieres trabajar con ella?
01:48No, no. No es eso, señora Betty.
01:49Simplemente estoy tratando de ser neutral y entender por qué salió así.
01:52¿Neutral? ¡Neutral y los jabones, mamita!
01:55Tú misma has sido testigo de lo agresiva que se puso con el tema del cuaderno.
01:59Bueno, sí. En eso sí tienes razón, señora Betty.
02:01Pero igual yo no voy a aceptarle el cuaderno a Marcos.
02:04¿Has visto, hijo? ¿Te das cuenta?
02:05Sí, ajá.
02:06No le cuesta nada ser empática con la loca.
02:08A mí también me parece.
02:09Más que neutral, mamá, creo que le cae bien la tía Vilma.
02:12Sí.
02:13No, no. No es eso.
02:14Sí. Genesis, escúchame bien.
02:15A mí no me gusta la gente que está bien con Dios y con el diablo.
02:19¿Cómo es eso, señora Betty? No entiendo.
02:21Si quieres seguir trabajando conmigo, tienes que tomar partido y apoyarme.
02:26Nada de andar solidarizándose con la loca y su familia,
02:29y eso incluye a Santiago y Marquitos,
02:31que por más pavo que parezca, es hijo de la maligna.
02:35Mucho cuidadito con esas amistades, Genesis.
02:38De lejitos nomás. ¿Entendido?
02:41Y ahora sí, me voy a llamar a mi bebita para contarle el chisme completo
02:44de cómo es el ridículo su ex-suegra.
02:46¡Ay, le va a encantar!
02:47¡Ay, ay!
02:52¡No lo puedo creer, mamita! ¡No lo puedo creer!
02:55¡Qué fuerte lo que me estás contando!
02:57O sea, ¿pero qué podíamos esperar de la tía Vilma, no?
03:00Ella como que tan delicada y tan educada tampoco es.
03:03Pero eso lo sabíamos tú y yo.
03:05Pero ahora lo sabe todo el Perú.
03:06¡Ay, por Dios! ¡No lo puedo creer!
03:08Vamos a ver, pues, si alguna chica va a querer comprar un boleto con esa suegrita incluida.
03:13¡Yo era una santa, mami! ¡Era una santa!
03:17¿Qué?
03:18Mami, te llamo luego.
03:19¡Rose! ¡Rose!
03:21¿Qué pasó? ¿Estás bien?
03:24¿Qué pasa? ¿Me estás friqueando mal? ¿Qué pasa? ¿Estás bien?
03:26Ay, Rosita, Rosita.
03:28¿Cuántas veces te he dicho que no pele cebolla?
03:32Mira cómo se pone.
03:34Y a mí ni siquiera me gusta la cebolla.
03:36Ah, no. A mí tampoco.
03:38Solo en el desayuno con tamal.
03:40Me piso.
03:42¿Y cómo te fue con las compras?
03:44Ay, muy bien.
03:45Te estuve extrañando.
03:46Ay, yo también, mi rey.
03:48Compré algunas cositas que faltaban.
03:50¿Y tú cómo estás?
03:51Nada, ya se me pasó. Ya estoy bien.
03:53Como un toro.
03:57Ay, no sabes lo que salió en la televisión.
03:59¿Qué?
04:00Mi tía Dilma gritándole a unos periodistas, a unos pobres periodistas, y ha sido tremendo show.
04:06Te juro que no entiendo por qué es tan conflictiva.
04:08Mira, se está haciendo viral en las redes sociales.
04:12No déjate hablar de eso.
04:14No lo puedo creer, en verdad.
04:16¿Cómo se le ocurre tratar así a la prensa?
04:18Nosotros dependemos de ellos.
04:20Mira, Santiago, yo no voy a estar apagando incendios cada cinco minutos.
04:23Eduardo, ya te dije que fue un malentendido.
04:26Mi mamá no sabía que le estaban grabando.
04:28Y cuando se dio cuenta, como es lógico, reaccionó.
04:30Se sintió, no sé, invadida.
04:32Perfecto, perfecto.
04:33Cuéntame algo.
04:34Ustedes saben que esto de la rifa va en serio, ¿no?
04:36Porque como están las cosas, parece que piensan que es un juego.
04:39Un juego en el que yo estoy arriesgando todo.
04:41Ya te dije que fue un error, que fue un malentendido.
04:43Ok, y lo de Pamela también fue un malentendido, entonces.
04:46Eduardo, por favor.
04:47Mira, Santiago, no podemos estar grabando videos tuyos,
04:50aclarando las cosas y pidiendo disculpas todos los días.
04:53¿Entendiste?
04:54Ya, ¿sabes qué? Está bien.
04:56Ok, entiendo.
04:58Sí.
05:00Ya, ok.
05:01No hay problema, quedamos en eso.
05:03Hasta mañana, chao.
05:06¿Y?
05:08Dice que viene mañana a primera hora.
05:11¿Y acá?
05:12Sí, quiere una reunión con la familia completa para alinearnos.
05:32Necesito que entiendan que esto no es un chiste, es un negocio.
05:36Y hay mucho en juego.
05:37Así que necesito que actúen a la altura de esa responsabilidad.
05:41Actúen como profesionales, por favor.
05:43¿Les quedó claro?
05:45Como el agua.
05:46Pero ahora, si me disculpa, tengo que ir a decorar una torta.
05:49Señora, por favor, siéntese que no hemos terminado.
05:51Eduardo, por favor, es mi mamá, ¿ok?
05:54Ustedes ya no son una familia de un barrio X
05:58que nadie conoce ni en pelea de gatos.
06:00Los ojos del país entero están sobre esta casa.
06:04Así que, por favor,
06:05comportense a la altura de esa responsabilidad.
06:08Es lo único que les pido.
06:09No debiste votar eso.
06:10¿Periodistas?
06:12Don César,
06:13y usted no puede estar pactando entrevistas a mis espaldas.
06:15Así que si la prensa lo busca,
06:17usted cierra la boca, se queda calladito
06:19y les da mi contacto para que se comuniquen conmigo.
06:21¿Está bien?
06:22Eduardo, disculpe, yo creo que ya escuchamos suficiente.
06:24Ya entendieron ellos.
06:25Santiago, necesito que entiendan bien.
06:28Ya entendieron.
06:29Y la risa es conmigo, no con ellos, ¿cierto?
06:31El contrato es con Santiago, no con los papás ni con el hermano.
06:34Disculpe, disculpe.
06:35El pequeño retraso es que mi micro chocó,
06:37pero estoy vivo.
06:38Un poco mareado, pero vivo.
06:41No me malinterpreten.
06:43Si les hablo así es porque esto es un win-win.
06:49Ganan ustedes, ganamos nosotros.
06:51Ah.
06:52Pero necesito que pongan su parte, es eso.
06:55Está bien, está bien.
06:56Tiene razón, yo la fregué.
06:58No volverá a pasar, pero ahora tengo que irme a trabajar.
07:00Señora, un segundo más.
07:03Necesitamos hacer una entrevista,
07:04pero esta vez bien producida, ¿ya?
07:06Hay que cambiarle ese look a algo más aspiracional.
07:09O sea, un rigan completo. Eso no funciona.
07:11Porque ustedes van a ser los suegros favoritos del país.
07:16Yo encantado.
07:18Encantado, por mí sí.
07:19Pero, ¿cómo es Andrés?
07:21¿Perdón?
07:23Como dijo Isabelita, el contrato es con mi hijo, no con nosotros.
07:26¡No con nosotros! ¡No con nosotros!
07:32Bueno, bueno, bueno, bueno.
07:33Ya veremos cómo solucionamos este pedido que ha hecho.
07:35No se preocupe, ¿ya?
07:37Y ahora sí, a trabajar y no perder el tiempo, ¿ya?
07:40Y tú, hay que comenzar con tu upgrade.
07:43Hay que matricularse.
07:44Son las clases de Taekwondo.
07:45Es la mejor academia del país.
07:46Tranquilo, compadre. Tranquilo.
07:48El mismo es.
07:49¡Feliz cumpleaños a ti! ¡Feliz cumpleaños a ti!
07:54¡Feliz cumpleaños, Mike y Artur! ¡Feliz cumpleaños a ti!
07:59¡Qué sorpresa tan hermosa!
08:02¡Ya apaga la velita, mi amor!
08:04Pero antes, un deseo.
08:05Tú eres mi mejor amiga.
08:07¿Y tú?
08:08¿Y tú?
08:09¿Y tú?
08:10¿Y tú?
08:11¿Y tú?
08:12¿Y tú?
08:13¿Y tú?
08:14¿Y tú?
08:15¿Y tú?
08:16¿Y tú?
08:17Pero antes, un deseo.
08:18Tú eres mi deseo, mi Luquita maravillosa.
08:21¡Tú!
08:24¡Que sea un año maravilloso para ti, mi amor!
08:27¡Lleno de amor por muchos, muchos, muchos años juntos!
08:31¡Llenos de pasión, amor y diversión!
08:34Gracias, gracias, mi amor.
08:38¡Juntitos por siempre!
08:40Y ahora sí, tu regalo.
08:44¡Espero que te guste, mi amor!
08:46¡Ay, qué curiosidad! ¿Qué es?
08:48¡Mira, mira, mira!
08:50A ver.
08:52¡Ay, qué lindo, gracias, amorcito!
08:55A ver.
08:56¿Qué es esto?
08:59Para la parrilla.
09:00Porque tú eres mi rey parrillero.
09:04Gracias, amor.
09:05Está lindo.
09:08Ya sé que no es tan ficho ni de marca.
09:11Como esas cosas caras que a ti te gustan.
09:13Pero lo escogí con mucho amor.
09:15No, mi amor.
09:16A mí me encanta, me encanta.
09:18Está precioso, sí.
09:20Además, a mí me gusta mucho la parrilla.
09:22Era motivo para aprender a hacer una.
09:24¡Ay, qué bueno que te gustó, amor!
09:26Te juro que estaba súper, súper angustiada
09:28porque no tenía mucha plata.
09:30Y no quería que te pareciera así, como...
09:32No, mi amor.
09:33¿Cómo dices eso?
09:35A propósito de lo que acabas de decir,
09:37yo también tengo algo para ti que me había olvidado darte.
09:40¿Para mí?
09:41Sí, toma.
09:42¿Para mí?
09:44I'm so sorry.
09:48Ay, me puse nerviosa.
09:49Tu tarjeta de crédito.
09:52¿Qué?
09:53Para que no vuelvas a decir que no tienes mucha plata.
09:58Y para que vayas a comprarte lo que quieras con la tarjeta.
10:01Tiene una línea de crédito bien alta.
10:03¿Qué?
10:04Ay, mi amor.
10:05Te amo, te amo, te amo, te amo.
10:07Gracias, gracias.
10:10Y ahora sí, mi amor.
10:11Tu verdadero regalo.
10:15No tenías por qué hablarle así.
10:17¿Así cómo?
10:18Así, autoritario.
10:19Como si fueras el dueño de un fundo del siglo pasado
10:20y ellos tus peones.
10:21Esta gente solo entiende de esta forma.
10:23¿Esta gente?
10:24¿Qué te pasa, Eduardo?
10:25¿De lado de quién estás?
10:26De lado de nadie.
10:27Eso no es la guerra, así que cálmate.
10:28Si te caen tan bien,
10:29quédate a almorzar mondongo con ellos,
10:30a conversar con el loro
10:31y a ver la tele que están pagando en 18 cuotas.
10:33Qué ofensivo.
10:34¿Y sabes qué?
10:35No quiero discutir más,
10:36así que mejor voy a pedir un taxi.
10:37O mejor te sinceras.
10:38Porque tú estás de ida y yo estoy de vuelta.
10:42Isabela,
10:44ese pata no para de mirarte
10:45y a ti te encanta eso.
10:47¿Tú estás celoso?
10:48No.
10:49Todo ese maltrato es porque estás celoso.
10:50No, no.
10:51No estoy celoso.
10:52Pero tenemos un gran negocio acá.
10:54Gran negocio.
10:55Y este pata se está confundiendo contigo.
10:57Y cada vez que tú le celebras,
10:58le dejas la puerta abierta
10:59para que piense que tiene una posibilidad.
11:01¿Estás escuchando?
11:03Mira, lo único que te pido
11:05es que te comportes
11:06y que mantengas tu distancia,
11:07nada más.
11:08Por favor.
11:12Y ahora,
11:13sube el carro.
11:14Tenemos un montón de cosas que hacer.
11:26¡Qué tipo tan desagradable!
11:28Venir a darnos órdenes
11:29como si fuéramos sus empleados.
11:31¿Lo que una tiene que aguantar a esta edad?
11:33Sí, encima quería vernos la cara de tontos.
11:36¿Qué tienen que hacer una entrevista?
11:37¿Qué tienen que hacer aquello?
11:39Que abra la billetera primero.
11:41Totalmente de acuerdo con ustedes.
11:43Pero,
11:44por más cargoso que sea,
11:45tiene razón.
11:48Familia querida,
11:49no podemos seguir dándole comida a los buitres.
11:50Si no,
11:51la venta de rifas se nos ve picada.
11:53Bueno, a mí no me digan nada
11:54que soy el único que no he hecho roche.
11:56Si tenemos que poner
11:57nuestra mejor sonrisa en la tele por Santi,
11:59lo hacemos.
12:00Pero volver a escuchar a ese tipo
12:01con ese tonito,
12:02ni casa,
12:03ni muerto.
12:04Sí, mamá, tienes razón.
12:05Eduardo puede ser un poco
12:06prepotente.
12:07Pero,
12:08de que sabe del negocio,
12:09sabe.
12:10Sí, es verdad.
12:11Hay que ponerle freno
12:12antes que pase la línea,
12:13nada más.
12:15Tan linda que es Isabela,
12:17¿cómo puede estar con ese pisado?
12:19Sí, es que ella
12:20no tiene nada que ver con él.
12:21Ella es una chica
12:22súper linda,
12:23amable,
12:25cariñosa con los pies en la tierra,
12:26inteligente,
12:28es chambera,
12:30es divertida.
12:31Santiago, ¿qué pasa?
12:32¿Por qué?
12:34Cuidado, hijito.
12:35No te vayas a meter
12:36entre las patas de los caballos,
12:37¿ah?
12:38Sobre todo cuando ese caballo
12:39te da la chamba.
12:41No, papá,
12:42te estás armando una novela
12:43en la cabeza,
12:44nada que ver.
12:45Permítame.
12:52Génesis,
12:53nada de livery,
12:54nada de salir,
12:55te quedas en la bodega
12:56hasta que regrese,
12:57tipo mediodía.
12:58Vaya tranquila, señora Betty,
12:59yo me encargo de todo.
13:00Como es una peluquería ficha,
13:01tenemos cita.
13:02Y no puedo llegar tarde
13:03ni un minuto.
13:05No puedo ir a la casa
13:06de mi yerno
13:07con estas mechas.
13:08Tu yerno, mamá,
13:09es mucho mayor que tú.
13:10Podría ser tu papá.
13:12Deja de decir tonterías, Iván.
13:14Y cuidadito
13:15con hacer esos comentarios
13:16en la casa de Arturito.
13:17Por favor.
13:18Ya.
13:19Terminas la academia
13:20y te vienes
13:21directo a la casa,
13:22que tenemos que salir temprano
13:23a la casa de tu hermana,
13:24¿sí?
13:25¿Estás nerviosa
13:26por el cumpleaños del viejito?
13:27Ay, sí,
13:28es que todo tiene que salir lindo.
13:29Pues hay que apoyar
13:30a tu hermana.
13:31Y eso sí,
13:32no te quiero ver
13:33con esos jeans bolsudos
13:34que te quedan horribles.
13:35Por favor,
13:36te me pones
13:37una camisita bonita,
13:38tu pantalón,
13:39porque vamos a una mansión.
13:40Ya, pues sí, hijo,
13:41te lo pido de corazón.
13:42Ya, está bien.
13:45Qué raro.
13:47¿Hola?
13:48Buenos días, señora.
13:49Traigo un encargo.
13:50Ay, rosas para mí,
13:51me muero.
13:52Qué cosa más linda.
13:54¿Me firmas aquí, por favor?
13:55Gracias.
13:56¿Aquí? ¿Está bien?
13:57Sí.
13:59Listo.
14:00Gracias.
14:01¿Y a ti me te mandan flores?
14:02Ay, no sé.
14:04Tengo varios pretendentes
14:05aquí en el barrio.
14:07¿Quién será? ¿Quién será?
14:08Quizás de algunos
14:09se animó a darle
14:10el siguiente paso.
14:11Acá dice la tarjeta
14:13Génesis Martes.
14:15¿Para mí?
14:16Sí.
14:18¿Y a ti quién te manda flores, ah?
14:20No sé, señora Betty.
14:23¿La tarjeta está en blanco?
14:24Bueno, no tengo tiempo
14:25que perder.
14:26No puedo estar andando
14:27de detectiva
14:28ni poniéndome triste
14:29porque las flores
14:30no eran para mí.
14:31Portense bien, chicos.
14:33Chao, señora Betty.
14:34Chao, mamita.
14:36Dile a tu amiguito
14:37del frente
14:38que no te haga roche.
14:39Mira que si mi mamá
14:40se llega a enterar
14:41de que andas chapando
14:42en el parque
14:43en vez de hacer deliveries,
14:44se va a hacer horrible
14:45y te va a poner de patitas
14:46en la calle.
14:47¿Ok?
14:54Marcos.
14:56Hola.
14:57Hola.
14:58Vine para hablarte sobre esto.
14:59¿Me vas a regalar flores?
15:00No, bobo.
15:01Vengo a devolvértelas.
15:02¿A mí?
15:03Sí, mira.
15:04Son las flores más hermosas
15:05que me han dado,
15:06te lo juro.
15:07Y te las agradezco muchísimo,
15:08pero no puedo aceptarte
15:09ni esto ni nada
15:10porque si la señora Betty
15:11se entera,
15:12puede ser un problema
15:13y aparte,
15:14Iván nos vino al parque.
15:15¿Nos vio?
15:16Sí, besándonos.
15:17Y ahora me estoy
15:18atreviendo con eso
15:19y bueno,
15:20¿tú sabes cómo está
15:21todo el tema
15:22con las dos familias?
15:23Yo creo que la señora Betty
15:24hasta me podría despedir
15:25y todo.
15:26Sí, mira,
15:27solo hay un problema, Génesis.
15:28Yo no te mandé las flores.
15:29¿Qué?
15:30¿No fuiste tú?
15:32No.
15:33Me hubiera encantado,
15:34pero no fui yo.
15:36¿Estás seguro, Humberto?
15:38Sí, te lo diría.
15:40¿Parece que tienes
15:41otro admirador?
15:42No, no.
15:43Esto tiene que ser un error,
15:44seguro.
15:46¿Estás bien?
15:47Sí.
15:48Sí, sí.
15:49Seguramente se equivocaron,
15:50pasa todo el tiempo.
15:51Tengo que ir a la bodega, ¿sí?
15:52Ya nos vemos.
15:53Cuídate.
15:54Chao.
16:00¿Josefa?
16:02¿Aló?
16:03Josefa,
16:04justo estoy saliendo para allá
16:05con la torta
16:06que me pediste.
16:07Ay, maravilloso,
16:08Wilmita,
16:09pero quería pedirte
16:10un gran favor.
16:11Mira,
16:12el muchachito
16:13que me hace el delivery
16:14no aparece
16:15y necesito hacer llegar
16:16tu torta
16:17a la casa del cliente.
16:18¿Tú crees
16:19que la puedas dejar
16:20directamente?
16:21Ay, mira,
16:22la verdad,
16:23no lo tenía presupuestado.
16:24No, no,
16:25tómate un taxi
16:26y yo te lo traigo.
16:27No, no,
16:28tómate un taxi
16:29y yo te lo pago.
16:30Ya, mira,
16:31no te preocupes,
16:32yo me encargo,
16:33pido la camioneta.
16:34Más bien,
16:35dame la dirección.
16:36Ay, gracias,
16:37eres un ángel.
16:38Mira,
16:39esto queda en la molina
16:40y la torta
16:41es para el señor
16:42Arturo Thompson.
16:43¿Arturo?
16:44¿Arturo Thompson?
16:45¿Qué Arturo Thompson?
16:46Tú lo conoces
16:47la otra vez
16:48que estuviste aquí,
16:49te encontraste con él,
16:50¿te acuerdas?
16:51Claro que me acuerdo.
16:52Bueno,
16:53es que es su cumpleaños
16:54y su novia,
16:55Pamela Chumbe,
16:56ah, mira tú.
16:58¿Perdón?
17:00No, nada,
17:01nada Josefita,
17:02mira, este,
17:03yo la llevo,
17:04yo me encargo,
17:05no te preocupes,
17:06dame la dirección
17:07y yo veo
17:08cómo hacerla llegar.
17:27Colgate total
17:28previene problemas
17:29antes que aparezcan
17:30porque reduce
17:54Hola.
17:56Mira,
17:57¿te gustaron mis flores,
17:58princesita?
18:01¿Quién eres?
18:04¿Qué pasó,
18:05creíste que no te iba a encontrar?
18:07Te mueres con los ojitos,
18:08que es el timón,
18:09mami,
18:10te juro,
18:11gira así nomás,
18:12¡Plin!
18:13Con el dedo meñique
18:14y llega hasta 100 así,
18:15¡Oh!
18:16Y como si nada,
18:17parece una seda,
18:18te juro.
18:19Ay, si tienes frío,
18:20te va a picar
18:21y te vas a quedar
18:22super bien.
18:23Te va a quitar
18:24y te va a quitar
18:25y te va a quitar
18:26y te va a quitar
18:27y te va a quitar
18:28y te va a quitar
18:29y te va a quitar
18:30y te va a quitar
18:31y te va a quitar
18:32y te va a quitar
18:33y te va a quitar
18:34y te va a quitar
18:35y te va a quitar
18:36And if you're cold, the seats have a system
18:39that warms you up.
18:40Oh, I'm dying.
18:42Oh, my princess, my baby deserves it.
18:45And not only that, but also that good and generous man
18:48who is Arturito.
18:49And you know what, Mommy?
18:51There's more.
18:52There's more?
18:53There's more.
18:54He gave me a credit card so I could spend it on whatever I want.
18:58Oh, Pamelita, you're not kidding me, are you?
19:00Ah!
19:02Ha, ha, ha, ha.
19:04So if you want a lash lift, a perm,
19:07foot massages, a haircut,
19:10my king Arturo will pay you.
19:11Oh, thank you.
19:12How much will it cost to get lashes done here?
19:14And a conditioner.
19:16Oh, I'm dying.
19:18This salon is divine, huh?
19:20Divine, divine.
19:21The life we deserve all the time.
19:22Oh, who told you and who owes you this cross?
19:26Ha, ha, ha, ha.
19:28Hey, isn't that the girl who left the poor boyfriend standing?
19:32She's nice, but she's a whore.
19:34Oh, who told you she's a whore?
19:36Tell me about her face.
19:38Trini, be careful.
19:39It looks like the level in your salon is going down.
19:41It's terrible that it's full of whores.
19:44Tomorrow the ballerinas' boyfriends will show up.
19:46I told you to tell me about her face, skinny.
19:48Tell me.
19:50Please, they're not going to come and fight here, huh?
19:52That poor boyfriend should be grateful
19:54that he didn't marry a woman like you.
19:56Why are you meddling in my life?
19:58Get out of my life, you ungrateful gringa.
20:00Calm down, girl.
20:02Calm down, calm down, calm down.
20:03They're not going to come and fight in this place.
20:06Oh!
20:07You're so aggressive.
20:08What?
20:09What did you say, aggressive, my daughter?
20:10Didn't you look in the mirror with that face?
20:13If your dad didn't have money for plastic surgery,
20:15then he must be the queen of Halloween.
20:17Have you made me ugly?
20:19No, not ugly.
20:20Monster.
20:21And a clown's shoe.
20:23And a clown's shoe with that...
20:25But old.
20:26Ha, ha!
20:28Hey!
20:29Hey!
20:30Hey!
20:31Hey!
20:32Hey!
20:33Hey!
20:34Hey!
20:35Hey!
20:36Hey!
20:41What's up, bro?
20:42I've always wanted to learn partials.
20:44Remember when we watched Jackie Chan movies
20:46with Chibolos?
20:47Or Netflix, Bandama, or NASA.
20:49Or the best of them all.
20:50Mortal Kombat!
20:52Tarantarantarantarantarantarantarantarantaran
20:57Santi, where's the combat?
20:58Where's the combat? Santi! What's up? Where's your mind?
21:02Nothing, Johnny.
21:04I was just remembering how Eduardo treats my parents.
21:07He's a pro. Don't you agree?
21:10I feel like taking out the mud. What do you think?
21:12What do you think? The owner of the circus?
21:13The boss? The one who pays you?
21:16I don't know, but I'd get mad
21:19if they saw my girlfriend as you see hers.
21:21And the little cock is looking back at you.
21:24I don't know, I think I'd jump too, I think.
21:26Again with the same thing, Johnny.
21:27I already told you that nothing happens with Isabella.
21:29Come on, man, why do you get so angry?
21:30I'm not angry.
21:31Look at yourself in the mirror, you're a tomato.
21:32No, no.
21:33Santi, tell me.
21:36Hey, I'm your friend, you cause your brother,
21:38you can trust me.
21:40If the little cock moves the floor, nothing happens.
21:44Hey, I'm your brother, you know that I...
21:47Tell me.
21:50Yes, yes, it's fine.
21:52So?
21:54Yes, you're right.
21:59It seems that things are happening to me with Isabella.
22:09Ready.
22:10I already sent you the questionnaire for the interview
22:12with Mrs. Vilma and her husband.
22:14I think that with this it will be more than clear
22:15that they are very emotional people.
22:17Very nice and great parents.
22:19Yeah, thank you.
22:21I hope these useless old men behave well.
22:23Because the last thing we need now are problems.
22:26Excuse me.
22:28Here are the contributions you asked me for the party.
22:30Thank you very much.
22:31Contributions for what party?
22:34Our wedding party.
22:37Because do you remember that I asked you to marry me?
22:41Or what?
22:42Have you forgotten that we are engaged?
22:45Or do you no longer want to marry me?
23:15No, no, no.
23:46There it is.
23:47I knew it.
23:48I knew you were getting excited.
23:50I didn't tell you that.
23:51I told you that things are happening to me with Isabella.
23:53It's the same.
23:54Shut up.
23:55Hey, respect.
23:57Falling in love is a very important thing.
23:59I would be a fool if I fell in love with someone
24:01when they just left me planted in the church.
24:03Or do you think I'm a fool?
24:04No, no, no, no, no.
24:05Not a fool.
24:06So?
24:07A little bit, yes, sometimes.
24:08But I'm not a fool.
24:10I'm not a fool.
24:12I'm not a fool.
24:14A little bit, yes, sometimes.
24:15But no kidding, Santi.
24:16One is not sent to the heart.
24:17They can leave you planted in a thousand churches
24:19all over the world, but if the heart wants,
24:20you're going to fall in love again.
24:22And what are you?
24:23Your heart?
24:24What did I tell you?
24:26It means that one is interested in someone.
24:28It means that I don't care about Isabella.
24:30That's it.
24:31That's it.
24:32Do you care?
24:33Yes.
24:34Oh, nothing else.
24:35I care.
24:36And that's how you say it when you're more
24:37tempered than a guitar string.
24:38I care.
24:39I care.
24:40Jolly, I told you it's not love.
24:42I like it.
24:44Yes.
24:45She's a good person, yes.
24:48She makes me laugh, yes.
24:49She runs fast.
24:51She's pretty.
24:52She's pretty.
24:53She's smart.
24:54She's smart.
24:55Do you want her to be the mother of your children?
24:56No, no, no.
24:57Yes, if you want.
24:58I haven't told you that.
24:59I haven't told you that.
25:00Besides, it doesn't matter what I feel.
25:01She's a committed woman.
25:02I sign a contract and it's over.
25:06Your turn.
25:08Go.
25:16How dare you ask me something like that?
25:18What's wrong with you?
25:19Well, it's just that I also have the right to...
25:20I'm sick of your attitude, Eduardo.
25:22What have I done to you?
25:24Okay, that's enough.
25:25You treat everyone badly, including me.
25:27And now you're questioning my feelings.
25:29Every time you get upset, you ask me if I want to marry you.
25:31No, that's fine.
25:32You're right.
25:33I've behaved like a jerk.
25:34Yes, like a jerk.
25:35Besides, you pretend that you're not a sexist, that you're not a classist.
25:37And look at yourself.
25:39Okay.
25:42I swear I don't recognize you.
25:47I'm going to talk to you.
25:48I don't like it.
25:51Please.
25:53Let's forget about this, okay?
25:58Look.
25:59Today is your dad's birthday.
26:01Why don't we go?
26:02We'll talk.
26:03We'll hug.
26:04We'll relax for a while and...
26:06And if you want, we'll talk.
26:07But at night.
26:09What do you think?
26:22You bastard!
26:26No, no!
26:27In my hair salon, you're not going to fight like that!
26:30Record her.
26:31Record her.
26:32No, I'm not going to record you.
26:33I'm not going to record you.
26:35Let's see.
26:36Let's see.
26:37Be brave.
26:38You, be brave.
26:39Aurora, come here.
26:40Give me the light.
26:41Enough.
26:42In my hair salon, you're not going to fight like that.
26:44No one likes scandals.
26:45Put your phones down.
26:46Put them down.
26:47Put them down.
26:48It's fine.
26:49Poppy didn't do it to me.
26:52I think it's a great idea.
26:54Okay.
26:55You know what?
26:56I'm not going to step foot in this hair salon again until you let people in like this.
26:59Let's go.
27:01You'd better go.
27:03I don't want to see your monster faces ever again.
27:05Shut up.
27:06Shut up.
27:07You're a very unbearable woman.
27:09I told you.
27:10I told you.
27:11You're my clientele.
27:12Yes.
27:13Come here.
27:15My love.
27:20Attention.
27:21Strong support leg.
27:22Back.
27:25Santiago, watch.
27:26Miguel.
27:31Oh.
27:33Now it's your turn, Santiago.
27:39You.
27:40The nose of Peru.
27:41You are Miss Peru.
27:42Hey, what's wrong with you?
27:43Let's see.
27:44Let's see.
27:45I don't know why we're here like this.
27:47You're warned.
27:49Come on, Santiago.
27:50One more time.
27:52Look for your inner energy.
27:53I'm looking for it, but I can't find it.
27:55Then look for it outside.
27:56Look for it in your opponent.
27:57Something that awakens
27:59all your inferior fury.
28:15That's easier.
28:16And now, Rafael.
28:19Well,
28:20show me that you're capable.
28:22Give your best kick.
28:24Okay.
28:25Or what?
28:26After they planted you on the altar,
28:27you were weak.
28:28Huh?
28:34Come on.
28:37What have you done?
28:38I'm sorry, teacher.
28:39I overdid it.
28:40Santiago Garcia, what's wrong with you?
28:41I know.
28:47Miguel.
28:48Do you know a plastic surgeon?
28:53You have reached your destination.
29:16So this is Mr. Thompson's house.
29:20Pamela is not a fool.
29:25Yes?
29:26Good morning.
29:27I have an order from the pastry shop El Suspiro
29:29on behalf of Miss Pamela Chumbe.
29:32One minute, please.
29:34Rosa,
29:35who knocked on the door?
29:37They're from the pastry shop.
29:38Bring the cake, sir.
29:39Ah, excellent.
29:40I'll go.
29:41Wash the apple for me and cut it.
29:44Okay.
29:46Goodbye.
29:47Goodbye.
29:48Goodbye.
29:49Goodbye.
29:50Goodbye.
29:51Goodbye.
29:52Goodbye.
29:53Goodbye.
29:54I'll lose all my weight because of his cooperation.
29:57And besides,
29:59what stopped you?
30:01What was the reasstignment?
30:04I made a promise to the gecko captain
30:06and I'm going to use it until you get better.
30:08Rosa, please,
30:10the last thing I need is that you remind me every now and then
30:13because my time is running out.
30:15Anyway, I'm not going to get better.
30:17Don't say that.
30:19The apprentice is very miraculous,
30:20he has always fulfilled me.
30:22Besides, this time it will will.
30:23as loud as you can.
30:25Don't just walk around making promises and crying.
30:30I'm not going to settle for it.
30:32You have to do it.
30:33I've already settled for it.
30:36And look, now what's left for us to do
30:39is to enjoy together what's left for me to enjoy.
30:43Okay?
30:45Okay.
30:47Okay, now I'm going to go get my bag.
30:49No, don't go. You're going to shake.
30:51I'll go instead.
30:52What's left for us to do, Rosita?
31:03I can't believe it.
31:05Look who we have here.
31:08It's just a coincidence, right?
31:09I had no idea where you were going to send me.
31:12What a surprise.
31:14I can't believe it.
31:15It's incredible that you, with those hands
31:17that have cars, are able to make the cake of my dreams.
31:22Look, I need to work,
31:24but knowing that the cake was for you
31:25made me think twice.
31:27But don't make that face.
31:29You look so pretty when you smile.
31:31Don't be so cynical, will you?
31:33No one has asked you for your opinion about my face.
31:36But what's going on with women these days?
31:39You try to be a gentleman, a gallant.
31:42I'll tell you a joke and I get this in return.
31:45Besides, you're not old enough
31:46to be from the Crystal Generation.
31:48How funny.
31:50Has the truck with the candles arrived?
31:52What truck with what candles?
31:54All the ones you need to sing happy birthday to you.
31:59Do you think you're going to offend me
32:01because of my age?
32:02You're very wrong.
32:04Besides, we're not that far apart.
32:06We're close, we're the same age,
32:08and I don't know if it bothers you to be called old.
32:11I have no problem with age.
32:14Look, let's get to the point.
32:15There's your cake. Excuse me.
32:17Don't you want to stop by for a cup of coffee?
32:19I don't know about yours, but my time is very valuable.
32:22Mine too.
32:24You can't imagine how much.
32:26Enjoy your cake.
32:28I assure you it will be unforgettable.
32:33Aren't you going to wish me a happy birthday?
32:49I have to run
32:51I'll stay, I'll stay with you
32:53If I come back
33:01What happened? Did I die? Am I in heaven?
33:03How do you feel?
33:05Better than the other one, I assure you.
33:07I don't understand what your face is talking about.
33:10Did they also hit your head?
33:16What does the doctor say?
33:18Everything is fine. All the tests are fine.
33:20The defects of the individual here are factory-made.
33:23We just have to wait for him to wake up well
33:25and we can take him.
33:26What about you, brother? Did you have a hard time?
33:28He wanted to pull my teeth out, Isabela.
33:30He started it seriously.
33:31I wanted to pull out the mucus because if not...
33:33Do you know if someone recorded him while everything was happening?
33:35No, no, no, no one.
33:36Maybe it wasn't Santiago's fault. He provoked him.
33:38And here, did someone recognize him?
33:40I don't know.
33:42I hope not.
33:44Well, if you want, we can go.
33:46I already feel good.
33:47Are you sure?
33:48Yes.
33:49Yes?
33:50I'm going to let him know.
34:00Hello!
34:02How is the most beautiful teacher of all?
34:05Azu...
34:07Look at you.
34:08Look at you, Betty. What did you do?
34:10Do you like it?
34:12Of course, I should be blind.
34:15You are spectacular.
34:17I knew you were going to like my new look.
34:20Well, did you come to ask me that?
34:22No, I wanted to know if you had thought about the concern I left you yesterday.
34:27About the innocent proposal.
34:32Well, yes, I've been thinking about it.
34:34And?
34:36Look, Betty, regarding what happened between us,
34:38I prefer to turn the page, yes?
34:40Especially after the death of my buddy, Gaspar.
34:43Hey, what does death have to do with Gaspar in this?
34:46I never told you.
34:48But since his death, I can't get rid of the idea
34:50that the heart attack that killed him
34:52was like a kind of punishment for what we were doing.
34:55Hey, are you crazy?
34:56What does that have to do with it?
34:57Gaspar died from the amount of cholesterol he had in the arteries
35:00that just happened to him on the day of the bike ride.
35:05Well, whatever it was.
35:07But that helped me worry more about my wife.
35:10And thanks to that, we've been fine for years.
35:13Fine? With Vilma?
35:14Yes.
35:15Tell me stories.
35:16That you can't be fine with a crazy woman.
35:18Did you see the scandal that ended on TV?
35:21No, but that wasn't her fault, huh?
35:23Oh no?
35:24No.
35:25Cesar, I think all this is nothing more than excuses
35:28not to take the step.
35:31Did you forget how well we were having fun?
35:36Impossible to forget.
35:38Impossible to forget what?
35:45Hey, Marcos.
35:46Hey.
35:49Hey, what about Genesis?
35:51I don't know.
35:52I suppose she works with you, not with me.
35:54Hey, don't play the fool with me.
35:55Did you see her or not?
35:57Why are you asking me?
35:58Because she left and she's not here.
35:59Well, yes.
36:00I saw her at the bus stop,
36:01but we agreed to meet in the afternoon.
36:03I'm telling you she left.
36:04She took all her things.
36:05Look.
36:06She even left a farewell letter.
36:08If she told you she was going to see you,
36:09it's not because she left,
36:10it's because she didn't want to see you.
36:12She left a farewell letter.
36:14If she told you she was going to see you,
36:15it's a lie.
36:26Look, Eduardo.
36:27I'm going to tell you one thing, okay?
36:30You are a thousand times more interesting
36:32and smarter,
36:33more attractive,
36:34more entertaining,
36:35sexier than your poor boyfriend.
36:38And you're also real.
36:40You're very real.
36:42Now you've gone crazy.
36:44It's obvious that they're going to catch you
36:45and the business you have with the lady
36:46in the pastry shop
36:47is going to come to an end.
36:48They will never realize
36:49what happened.
36:50Relax.
36:51How are you so sure?
36:52Oh, because with everything
36:53they must be eating,
36:54all the filth,
36:55plus the drink,
36:56they won't realize
36:57that it was the cake
36:58that they didn't like.
36:59All I needed
37:00was to put a little camera
37:01to see how all this ends.
37:03Hey, baby.
37:04You're bad.
37:05Now you've gone crazy.
37:07Sit like at home.
37:08Okay?
37:09Yes,
37:10as much as I don't live here,
37:11this is still my home.
37:12Yes, of course,
37:13obviously, yes.
37:14Well, I introduce you
37:15to my mommy,
37:16my mommy,
37:17Chabelita Chavita.
37:18Hello, my heart.
37:20Hello, Isabella,
37:21how are you?
37:22I write to you,
37:23sorry,
37:24I talk to you
37:25to tell you
37:26that today
37:27I felt like
37:28a strange feeling,
37:29I don't know.
37:30Is everything okay?
37:31Are you okay with me?
37:32Do you feel good?
37:33Are you upset?
37:34Say something.
37:35If so,
37:36you can calmly
37:37tell me
37:39with all confidence,
37:40right?
37:41I mean,
37:42I know this
37:43is a business,
37:44that we are working,
37:45that you are my boss,
37:46but if you weren't
37:47my boss
37:48and it was another person,
37:49no,
37:50it wouldn't be the same,
37:51right?
37:52And also,
37:53if you have something
37:54to tell me,
37:55you can tell me
37:56and if you didn't
37:57tell me something,
37:58I don't know,
37:59I'm already talking
38:00like a tongue twister
38:01in reality,
38:02so nothing,
38:03we already talked,
38:04I hope you understood me,
38:05kisses,
38:06sorry,
38:07greetings.
38:08It is clear that
38:09although it is not the right thing,
38:10there is an attraction
38:11between you and me,
38:12but that is exactly
38:13why I asked you to come,
38:14because I need
38:15this to be finished
38:16and that from now on
38:17you and I
38:18keep our distance.