• 5 days ago
This portion of the interview with the film's director and stars features Nana Patekar discussing his difficulties and the cause of his protracted hiatus from the motion picture business. This will become clear once you have watched the entire interview.

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Transcript
00:00What was the biggest mistake you made during the shoot?
00:05It was a mistake because in the middle of the shot, we have to keep a lot of things in mind.
00:15There are dialogues, camera, lights, what the other person is saying.
00:19In that, if someone comes and says, I am speaking here, and someone else comes and does this.
00:24But that was wrong on my part, so I even apologized to them.
00:28It happens. If you keep working on it, it happens.
00:35But I felt sorry for that.
00:42What is the pressure in this?
00:44Every character has a part in the film.
00:47And you have to do it the way you get the character.
00:50Obviously, there was a film with Sunny sir, Gadhar 2.
00:54Which has Nana sir in it.
00:56So, their experience and what they can deliver is their role, their character.
01:03My character is according to me.
01:05So, where do we see all this in the film?
01:09We see whether the story is good or not.
01:11People will see the character later.
01:13First, whether the story is good or not.
01:15Why did you choose acting?
01:20Because sir still keeps pushing me to go more, to experience more.
01:26And meet different types of people.
01:29Get up and sit among them.
01:31Sir has a lot of personal experiences in his own life.
01:35He has been in the army.
01:37What all has he not achieved?
01:39What all has he not achieved in the national awards of acting?
01:43Yesterday, sir was telling that after the riots, you distributed water.
01:49To the injured people.
01:52No.
01:53Look.
01:54Everyone does what they are supposed to do.
02:01I think, do this at that time.
02:04Now, the biggest name foundation that started.
02:08Because of that, it is difficult for you.
02:15But it is very easy for me.
02:17Go to the village.
02:18I showed you that day.
02:20In such a village, where cars do not go.
02:24You have to go by bullock cart.
02:28There is no water there.
02:30No one gives their daughter.
02:32He does not get married there.
02:34So, I made three ponds there.
02:37Now, there is no problem of water there.
02:39So, marriages started there.
02:41So, I think there are small things.
02:44I will try to do as much as I can.
02:47And I am not the only one responsible.
02:49Our whole organization is there.
02:51The children are there.
02:52Everyone does it together.
02:53Nana sir does so much social activity.
02:57He does so much that there is no value for small things.
03:01Nana sir's whole life.
03:03He lives in the village.
03:04He lives far away from Pune.
03:05He lives in the fields.
03:07And he has dedicated his whole life for his social work.
03:13Which is a great achievement.
03:15No, it is not dedicated.
03:17I get happiness from it.
03:19And one more thing for him, which is very good,
03:23which he always hides.
03:25A part of his remuneration.
03:27Now his name is Foundation.
03:29But earlier he used to give a part for social work.
03:32Which no actor does.
03:34So, as a human, he is an extraordinary person.
03:37No, Anil.
03:38See, we pay the electricity bill.
03:41We pay the water bill.
03:43We pay the house rent.
03:45We feel that this part should be kept separately.
03:51Like it is written in the Quran.
03:53It is also there in the Gita.
03:55So, your, what is called zakat,
03:58Here we are guests.
04:01So, we have to give what we have.
04:04We are not doing a favor.
04:07We have more than a fist.
04:09So, give it.
04:15If it doesn't look good, we won't do it.
04:17If it looks good, we will do it.
04:20Until it doesn't look good, why should we do it?
04:23It won't come out.
04:25It will be visible on the face.
04:26The camera catches everything.
04:29While welcoming, I was completely convinced.
04:31That's when I welcomed.
04:34While doing it, it should be known.
04:36What are we doing?
04:37What kind of film are we doing?
04:39How is it going?
04:41Now, while working with Anil here,
04:43I was not worried about anything.
04:46Technically, I was.
04:47And as far as our emotional graph was concerned,
04:51For that, we were together for the last 10, 12, 15 months.
04:57So, we knew what kind of film we were making.
05:00So, after going on set,
05:02I was not worried about what to do and how to do it.
05:05The problem was how to catch it.
05:08We were ready.
05:09Budhkar Shree, me, Simrat, everyone.

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