岩井 狩野 えびちゅうの推しかるちゃー 2024年12月3日 アニメ・ゲーム・マンガなどあらゆる推しコンテンツのスタッフロールに注目！作り手の知られざるお仕事を掘り下げ、作品の推しポイントを紹介！
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00It's started!
00:02Yay!
00:04It's started!
00:06This show is about anime, games, and manga.
00:09We focus on the role of the staff in all of the content.
00:12Along with digging into the work of the creators,
00:16we introduce the points that they talk about.
00:20Today's theme is this!
00:22Shangri-La Frontier!
00:24I challenge the Kusogen Hunter Kamigen!
00:27Wow!
00:29Have you seen this?
00:31I've seen it in anime.
00:33I've also seen it in manga.
00:37I was shocked.
00:39I was like,
00:41this is what the main character looks like.
00:43The characters around him look more like the main character.
00:46That's right.
00:50Let's not forget to enjoy the show!
00:53The anime Shangri-La Frontier is currently on air.
00:59The original story is a novel,
01:01and the comicalized work has sold over 10 million copies around the world.
01:05In addition,
01:07Shibuya people!
01:09It's cold today, too!
01:11It's snowing!
01:12We've filled Shibuya's scenery with works for a limited time,
01:16and even the Shibuya 14th Vision is available!
01:19Wow!
01:21I didn't know that.
01:23This is one of the most popular works among young people.
01:27I see.
01:28The story is about the near future,
01:30and the world is dominated by full-dive VR games.
01:33Even in such an era,
01:35the main character loves Kusogen more than anyone else.
01:39It's Rakuro Hizutome!
01:42All right!
01:43I've finally cleared the first phase!
01:46Rakuro was a passionate fan of Kusogen,
01:50Oh, long time no see, Hizutome-kun.
01:52Oh, it's nothing.
01:53One day, he got a game recommended by the store manager,
01:57and it was...
01:59A full-dive VR game with over 30 million subscribers.
02:06Shangri-La Frontier...
02:12The protagonist, who loves Kusogen more than anyone else,
02:14plays the god game of the game!
02:17As his player name, Sanraku,
02:19he goes to the world of Shangri-La!
02:27In addition, Shangri-La's voice actor is unique,
02:31which is quite surprising.
02:38Here's the question!
02:39Kobayashi-san from the studio,
02:41who is the voice actor of this character?
02:45What? Is it okay?
02:47I'm going to get it right.
02:48I don't know, though.
02:50It's a girl, right?
02:51It's a girl, right?
02:52Here's the answer!
02:54Don't you want to reveal the truth of the world with us?
03:02It's totally different!
03:05In the game world,
03:06it's common for the character to be a pretty girl,
03:08and the actual player to be an old man.
03:12In Shangri-La Frontier,
03:13the gap between the real player and the game is one of its charms.
03:18He challenges the god game with the spirit and player skills
03:21that he has been trained with Kusogen.
03:24The best game adventure by the strongest Kusogamer!
03:28That's Shangri-La Frontier!
03:33The battle scenes were very flashy.
03:36Shangri-La Frontier is very easy to understand
03:38even for people who don't play a lot of games.
03:41Shangri-La Frontier is strange.
03:43When you raise your status,
03:46you usually raise your power and physical strength,
03:51but you raise your luck.
03:52That's right.
03:53It's impossible.
03:54I was wondering if this was the way of a good game player.
03:59In Shangri-La Frontier,
04:01the goal is to clear the game with the first sword.
04:04Even if you're lucky,
04:06you still have one HP left.
04:08That's where you get lucky.
04:10That's right.
04:13Let's find out the points from the creators of Shangri-La Frontier.
04:18Let's search for the role of the staff.
04:25Oh?
04:26It's back to normal.
04:28The shooting director, Hikaru Yamamoku.
04:30I was wondering what shooting was.
04:32He came to Asahi Production.
04:35It's an anime production company with more than 50 years of history.
04:40Hello.
04:41I'm Yamamoku.
04:42I'm in charge of MVs and culture.
04:44Nice to meet you.
04:46This is Yamamoku, the shooting director.
04:49Yamamoku.
04:51What is shooting in anime production?
04:56This time, we were specially allowed to enter a precious work site.
05:00It's not the era of Zelda.
05:01It's like the second generation.
05:04This is the forefront of anime production.
05:08Is this where you shoot?
05:09That's right.
05:10Basically, this is where all the shooting staff are.
05:14There are about 60 people.
05:18Do you have a camera?
05:19I don't use the camera at all now.
05:22I'm just doing PC work.
05:25What kind of shooting is it?
05:27What is shooting without a camera?
05:31This is the 30th episode that was broadcast the other day.
05:35It's a cell material.
05:36This is a 3-frame cut, so it's a cell material like this.
05:39This cut is a 5-frame cut, so it's a cell material.
05:47If you play this, it looks like this.
05:52What is shooting in anime?
05:54Shooting is a process of stacking background and character materials to complete a one-cut.
06:06In fact, this work is not just a process of stacking materials.
06:10What else is there?
06:11This is the head of Sanraku.
06:13It's a piece of equipment, so it has a texture.
06:17Texture?
06:18This is the original cell.
06:21It's like this.
06:25I think Sanraku's head has a texture.
06:30In fact, the quality of the one-cut is improved by applying effects to the material that came up with the cell.
06:36This is also the work of shooting.
06:40It's completely different.
06:43Furthermore.
06:45It's like this.
06:47It's made like a diamond dust.
06:52If you run this process, you can see the before and after.
07:00It's a scene where a diamond dust is flying all the time.
07:05I put a diamond dust in it.
07:10By adding the effect of diamond dust,
07:13you can also express the environment where the characters are.
07:16It's really detailed.
07:18It's amazing.
07:19Right?
07:20It's not like this world.
07:21There was a Wezaemon battle that became a hot topic.
07:26The battle between the main character and Wezaemon in the graveyard, where the battle between the main character and Wezaemon in the graveyard is developed.
07:33What kind of effect was used for one-cut one-cut?
07:39I'll show you a little bit.
07:43When it comes to this cut, it's super complicated.
07:49This is when I don't do anything.
07:55This is the one-cut before the effect.
07:59I'm going to add a variety of effects from here to improve the quality.
08:04This is a picture of a manga.
08:06It's got a rough texture like this.
08:13As you can see, there's a cell like this.
08:17Is it a black mask?
08:19Yes, it's a mask.
08:20When I was shooting, I added a lot of textures to make it look like this.
08:26I'm going to add a little bit of flare to it.
08:33I think it's okay to just look at this.
08:37I'm going to add a little bit of texture to the yellow part.
08:57Wow, I feel like I'm bumping into something.
09:01What's next?
09:03I'm going to make a particle that matches the blue color of Wezaemon.
09:12When I put it on, it looks like the energy is popping off.
09:16It's like a fireball.
09:18That's right. That's what I'm shooting for.
09:22And the first one-cut is done.
09:29Wow!
09:31That's amazing.
09:33I usually shoot more than 300 to 400 cuts a day.
09:39I'm doing all the cuts.
09:42It's a lot of work.
09:44It's a job that takes a huge number of one-cut, one-cut, and then raises the quality to finish it.
09:53The workers' hands are on their own.
09:57There's a scene where the lycaons disappear and come out.
10:04The strongest monster that appears in the early stages of the work and curses the protagonist.
10:09The lycaon of the night.
10:11I think the effects are pretty good.
10:14This is when I'm not doing anything.
10:16And when I put in the lycaon processing, it looks like this.
10:21It's like a dark aura of lycaon.
10:25It's all like this.
10:28I made it with the director when the anime was decided.
10:34This is the most memorable process for me.
10:41The mysterious aura of the lycaon.
10:44This is the best part.
10:53Shangri-La Frontier's opening is a must-see.
10:56A powerful video that matches the music will liven up the world of the work.
11:04Staff role search!
11:12Risa is in charge of the opening theme of Shangri-La Frontier.
11:17Hello, everyone. I'm Risa.
11:27Risa, who has sung many themes with her powerful singing voice and expressive power, has appeared.
11:33The opening theme of the second season of Shangri-La Frontier.
11:37Heat up the queen and liven up the world of the work.
11:44This time, it's a second cool.
11:48It's a different song from the first cool song.
11:54I imagined a song that was attracted to it.
11:57It's a song with a heavy tune and a game-like sound.
12:06As the title suggests, I made this song with the determination to become a queen.
12:12I think everyone has a goal of clearing various quests and games in Shangri-La Frontier.
12:19This time, I'm singing powerfully with the title of queen.
12:29But the main character is a boy. Why is he a queen?
12:35I heard that Saiga-chan will play a big role in the next cool.
12:42That's why I chose the title of queen this time.
12:45It's not a boy, it's a girl.
12:49And I expressed it with my voice.
12:53Saiga-chan is in charge of the opening.
12:57The title of this song is called Red or Green.
13:01It starts with a call.
13:03The opening video of the anime is also dyed in red and green.
13:26It's a cool video.
13:29It's a calm song, so it's intense.
13:34I changed the way I breathe a little bit in the song.
13:39But when it comes to the live performance,
13:41I'm looking forward to the audience saying,
13:45I whispered, Red or Green.
13:51The opening theme of the second season.
13:53Pay attention to the synchronization of lyrics and video.
13:57That's all for today. Have a good day.
14:02The next staff role search.
14:12Otoha is in charge of the ending theme of Shangri-La Frontier.
14:17Good morning.
14:19I'm Shikaru-chan from MBS.
14:21I'm Otoha. Nice to meet you.
14:25Singer-songwriter Otoha.
14:27She has a long reputation for her songwriting sense.
14:30She's an artist who can't help but offer songs.
14:35No matter how much I'm told to write freely and softly,
14:42I can't help but start composing before I read the work.
14:49Of course, it's anime.
14:53This time, it was manga and naro novels.
14:57I followed all of them.
14:59I'm sure I'll sing this part.
15:04Depending on the person,
15:07I think about whether it's the image of the main character or my favorite character.
15:12I leave some space for interpretation.
15:16I think about how to make it first.
15:21Shikaru Otoha
15:32I often make songs without using anything.
15:36For example, in the bath.
15:38Or when I'm walking.
15:40I often make songs without any guitar or piano.
15:45Wow.
15:48Let's take a look at her songwriting.
15:52I had an image of being rough.
15:55So, the riff...
16:00I had the idea of being rough with the shuffles.
16:03I had the idea of being rough with the shuffles.
16:11It's distorted.
16:12It's distorted.
16:15Shikaru Otoha asked her a question.
16:21How do you compose a song in 89 seconds?
16:26Every anime is decided.
16:29I've always wanted to end it like this.
16:33I've always wanted to end it like this.
16:36When I listen to the full version,
16:39there's a fake sound at the end.
16:43When I listen to the full version,
16:45there's a fake sound at the end.
16:47So, I bring it to 89 seconds.
16:51So, I bring it to 89 seconds.
16:54As an artist, she decides the composition of the ending herself.
16:58As an artist, she decides the composition of the ending herself.
17:13She decides the composition of the ending herself.
17:16I'd like to hear it.
17:18I think my composition is my fans.
17:22I think my composition is my fans.
17:28I think my composition is my fans.
17:32I think my composition is my fans.
17:36I think I have a great sense of rhythm.
17:42Also, I use the word baka.
17:45I intentionally use the kanji for baka.
17:49I think that will come out later.
17:53I see.
17:55Shangri-La Frontier, where various workers work.
17:59It's an anime that you can't miss in the future.
18:02How was it, Kano-san?
18:03It's very popular.
18:05Professionals are doing their best to such a small detail.
18:11That's right.
18:13I didn't know that.
18:15I didn't know that the artist was shuffling in those 89 seconds.
18:20I think it's something that can be made easily with TV size.
18:23That's why we sometimes have anime openings and endings.
18:32In these 89 seconds, how can your solo part be twisted into singing?
18:37I see.
18:39When you're in a group.
18:41Was there a time when you didn't agree?
18:43When I did the ending of Pokemon, I couldn't use the chorus of my head.
18:49It was used from the A melody.
18:51But when I got the part in my head, I thought I was lucky.
18:55But it was definitely used.
18:57I couldn't use it.
18:59I see.
19:00How was it, Mashiru?
19:02It was a song that everyone could sing.
19:06When I heard Mashiru's part, I thought it would end with the chorus of my head.
19:14I see.
19:15That's good.
19:16The ending didn't become a hot topic.
19:18Wait a minute.
19:20Don't you do the opening?
19:23I want to do it.
19:26Here's another staff role search.
19:30Asami Yuusaku from the Anime Game Club.
19:33Asami Yuusaku from the Anime Game Club.
19:38Nice to meet you.
19:41What kind of work do you do?
19:43There are roughly three jobs.
19:48At first, I was looking for a partner company for animation.
19:59I see.
20:00From scratch.
20:02I see.
20:05After this, the behind-the-scenes story of the production of Shunfuro.
20:09It was like, let's go with this.
20:12Well...
20:13It's not like that.
20:20The behind-the-scenes story of the production of Shunfuro.
20:24What kind of work do you do for Shunfuro?
20:27One of the jobs of the producer is to supervise.
20:31When making a TV animation, there are some parts that are difficult or lacking in the original work.
20:38I'm going to submit what I've kept.
20:42I'm going to hand it over to the editor and the writer of the original work.
20:47I'm going to check if there's a problem.
20:50Where do you stop?
20:53Don't you think it's too much?
20:57I want you to hear it as a common story.
21:01It was difficult to make such a setting and move the original picture as it was.
21:08I had to organize the number of lines and the number of design elements for the animation.
21:14When I got the character set, I asked the teacher to do this a little more.
21:19As a cartoonist, I want you to do this a little more.
21:24Did the teacher say, let's go with this?
21:28Well...
21:30It's not like that.
21:31No, no, no.
21:33I'm sorry.
21:34The teacher said that, right?
21:35Yes.
21:36Shunfuro's teacher is a really good person.
21:39He's very flexible about this animation.
21:43He gave me a lot of suggestions.
21:46How did you do the confirmation work in the video?
21:50I think there's one example of the ending.
21:54There was a video of Mr. Otoha earlier.
21:57The concept of the ending was a little different.
21:59It's like a suit.
22:01I made it look cool and chic.
22:05I got the concept from the studio first.
22:08I wanted to do it like this.
22:10I thought it was really good.
22:13Sanraku, the main character, is cursed by the enemy.
22:17Basically, his upper and lower body are naked.
22:20He can't wear equipment.
22:21That's right. He can't wear equipment.
22:22I'm sorry, but I'd like to protect that part.
22:25Can I protect it?
22:26Of course, the studio has already folded it in.
22:28I've been asked to do it.
22:30That's a cool idea.
22:32I'm sorry, but it's about the identity of the character.
22:35I'm sorry, but I can't wear it.
22:38Oh, I see.
22:40As a result, it's a mess.
22:42It's true that if you wear it, you'll wake up.
22:45That's right.
22:47Didn't you guys fight that much?
22:58Didn't you guys fight that much?
23:00It's okay.
23:02When I first got it,
23:05I got a love call saying,
23:07I want to make Sanraku cool.
23:10But I didn't wear Sanraku.
23:13So, I'd like to protect that part.
23:16Next episode is...
23:18Love Live! School Idol Musical The Drama!
23:22Wow, what's this move?
23:25It will make idols shine even more.
23:28It's an art of music and video.
23:31The ending isn't very good.
23:33Oshiculture is on TVer and MBS.