塩野瑛久と巡る ミュシャの幻想世界 2024年11月30日 塩野瑛久と巡る ミュシャの幻想世界
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TVTranscript
00:00The City Hall, in the early hours of September.
00:08Here, preparations are underway for a certain art exhibition.
00:13It's like this.
00:19We're preparing.
00:23We asked the actor, Shiono Akihisa.
00:27It's like this.
00:30Oh, wow.
00:34A spacious studio.
00:37Many staff members are working.
00:40Let's lower the color temperature.
00:45What is being done?
00:48What kind of test are we doing today?
00:51It's a video test.
00:54We're doing a small version of what we did at the Shibuya Hikarie.
01:01So the venue is different?
01:05It's a bit taller and wider.
01:10Yes, the venue is the Hikarie Hall in Shibuya Hikarie.
01:15Before the performance, we'll show you a special video.
01:22We'll show you the video.
01:26Mr. Shomei, please turn off your camera.
01:30The video will start.
01:45Shibuya Hikarie
02:15Shibuya Hikarie
02:31How does it look?
02:34It's very immersive.
02:39It's easy to understand each line.
02:45It's fascinating.
02:49The light emitted by the projector reflects...
02:56...a beautiful picture of a woman with colorful flowers.
03:04The artist is Alphonse Mucha.
03:07He is the star of the day.
03:16Alphonse Mucha
03:20The beautiful women and the beautiful flowers.
03:25The elegant curves and the exotic decorations.
03:31Alphonse Mucha, the representative artist of Art Nouveau.
03:36Many of his beautiful works are still fascinating.
03:45This time, we'll show you the charm of his works.
03:52The actor Shiono Akihisa...
03:55...is going to explore the world of Alphonse Mucha.
04:04Shiono Akihisa's fantasy world of Alphonse Mucha.
04:09Shiono Akihisa's fantasy world of Alphonse Mucha.
04:14Alphonse Mucha is the representative artist of Art Nouveau...
04:19...which flourished in Europe at the end of the 19th century.
04:24He is a very popular artist in Japan.
04:28He left many pictures of elegant and beautiful women.
04:33Why do Japanese people like Alphonse Mucha's works?
04:38We asked Mr. Sato, a graduate student of Art Nouveau.
04:42Japanism is a very important element of Art Nouveau's style.
04:52Japanism is the Japanese art boom...
04:56...which was introduced to Europe by Ukiyo-e.
05:00Many artists, such as Gohho and Monet...
05:04...were influenced by Alphonse Mucha at the end of the 19th century.
05:09Mucha, who lived in the same era, was influenced by Alphonse Mucha.
05:14Alphonse Mucha's works have a lot of Japanese elements.
05:21For example, the way Ukiyo-e depicted a woman...
05:26...and the way her body was bent...
05:30...and the way she wore a snow-covered kimono.
05:34When these elements are introduced in Japan...
05:38...it creates a resonance.
05:41Mucha is known for designing many posters.
05:48Mucha's design is based on smell.
05:54For example, Perfecto's bicycle.
05:58It's a bicycle ad.
06:01But it doesn't have a bicycle model on it.
06:05It's a picture of a happy woman...
06:09...holding the handlebar.
06:13Even though it's a bicycle poster...
06:17...it doesn't show the whole bicycle.
06:23This is a poster for a cigarette roll.
06:28The center of the picture is a woman smoking.
06:34And this is a poster for a tourist railway.
06:37The train is not drawn, but you can feel the anticipation of the journey.
06:43He doesn't draw it directly.
06:46By adding a little bit of a part...
06:49...he makes it look like an image.
06:52I think he was the first person to do that.
06:59Mucha is a model of Art Nouveau, which means new art.
07:04It's a beautiful picture of a beautiful woman...
07:08...with a mathematical pattern and a certain drawing power.
07:13His works are still very popular all over the world.
07:23Paris at the end of the 19th century was the most advanced city in the world.
07:30The Belle Epoque.
07:33Mucha was a symbol of that era.
07:38Last year, a large-scale exhibition was held in Paris...
07:43...of Mucha's latest digital technology.
07:47It was called the Immersive Exhibition.
07:51It was a new kind of exhibition...
07:54...where you could see Mucha's world view with your whole body.
07:58France, Paris.
08:05Last year, a large-scale exhibition of Mucha was held...
08:11...at the world's largest opera house, the Opéra Bastille.
08:16It was called the Immersive Exhibition.
08:20With a projector, you could see the works on a large screen...
08:26...and get a better view of the world.
08:33This new attempt was supported by many visitors...
08:38...and closed the curtain on the great success.
08:49Overwhelming elegance.
09:01It was as if you were lost in Mucha's world of works.
09:09The Immersive Exhibition.
09:12Tokyo, Shibuya.
09:15This winter, Mucha's Immersive Exhibition was held in Paris.
09:22It was held at the large event hall, the Hikarie Hall...
09:27...on the 9th floor of Shibuya Hikarie.
09:32Visitors were allowed to participate in the screening.
09:37Mr. Shiono was the first to see the Immersive Exhibition.
09:43Mr. Shiono was the first to see the Immersive Exhibition.
09:47Let's take a look at the Immersive Exhibition.
10:06Two projectors projected images onto the walls and floor.
10:13The staff at the exhibition took a close look at the images.
10:21Was it difficult to bring the images from Paris?
10:26The venue was not the same.
10:30So it was important to maintain the same level of perfection.
10:35If you don't do the tests regularly, you can't do it overnight.
10:39If you don't do the tests regularly, you can't do it overnight.
10:43Did you have any difficulties?
10:46The colors of the images are wonderful.
10:50The colors of the images are expressed by the light of the digital projector.
10:56So it was important for us to experience the colors...
11:02...and deliver them to the visitors.
11:07I sometimes adjust the colors of the wall and the images.
11:12I sometimes adjust the colors of the wall and the images.
11:17In order to reproduce the colors beautifully,
11:22the staff is particular about one thing.
11:27The white color looks beautiful,
11:31but the white color makes the light of the projector look white.
11:38If you change the color of the wall, the color will change.
11:44The black color will be more pronounced.
11:48The black color looks more pronounced.
11:53Depending on the content of the work,
11:56the white color is more suitable for vivid colors.
12:02If there is a deep contrast,
12:06the gray color is more suitable for reproducing the colors.
12:13The staff is particular about the color of the wall in the exhibition room.
12:19The staff is particular about the color of the wall in the exhibition room.
12:23We, actors, are also particular about the color of the wall in the exhibition room.
12:27We work together to create a work that touches the audience.
12:34I think that's the case in every exhibition.
12:41The staff is particular about the color of the wall in the exhibition room.
12:46You are standing now.
12:49In this exhibition, you can sit down and watch.
12:53Can the audience sit down and watch?
12:57There is a cushion on the ground, so you can sit down and watch.
13:01Please sit down here.
13:05I think the point of view will change a lot.
13:15I see.
13:29It's amazing that the picture is drawn on the ground.
13:33Yes, it is.
13:35When you sit down, you can see that the picture is drawn on the ground.
13:45It's beautiful.
13:47It's easier for the audience to relax and watch when you sit down.
13:53That's right.
13:55It may be easier for the audience to get in.
14:02I often look at this kind of place.
14:07The picture is projected on the floor, and it feels like being wrapped in the work.
14:14It's amazing.
14:20It's amazing that the picture is drawn on the ground.
14:24It's amazing.
14:29I was really impressed.
14:32It's easy to understand the details of each work.
14:37I was really impressed that the picture was projected on the floor.
14:47Mr. Shiono has finished his experience.
14:50He says there is a work that he is interested in.
14:54It is a historical painting called Slav Joji, which was drawn by the musician in his late years.
15:01This work contains the strong message of the musician.
15:07He was born in the 1860s.
15:11It was a time when the revolutionary movement of the Czech Republic was very popular.
15:18There was always a desire to cooperate with the independence movement with the power of his painting.
15:26At that time, the Slavic people were oppressed.
15:30The musician always had the consciousness of contributing to the Slavic people, which was his root.
15:38The theme of this exhibition is how the Slavic people should contribute to the world so that humanity will never wage war again.
15:56In this exhibition, you can see Slav Joji, which can be said to be the culmination of the musician's painting.
16:08The musician is overwhelmingly popular in Japan.
16:12However, his career was not always smooth sailing.
16:19From here, please take a look at the life of the musician.
16:26In 1860, the musician was born in Moravia, the capital of Austria, where the Czech Republic is now.
16:38We asked Marcus Mischa, the descendant of the musician, about his upbringing.
16:45He was a baby, and he wasn't able yet to walk.
16:50But he was so obsessed with drawing that he asked his mother to give him a pencil.
16:56This was tied around his neck, and he would go around crawling with it and drawing what he wanted to draw.
17:02This is a picture from when he was 8 years old.
17:06He was the owner of the artistic ability of an adult.
17:10In the future, he hopes to become a painter.
17:29However, he can't give up his dream.
17:33While working, he learned to draw and passed the art school in Munich.
17:40Alphonse had this big dream of being an artist, and so he went away to Munich and then to Paris,
17:46and was just about getting by as an artist, doing magazines and illustrations for books.
17:56In Paris, the musician was drawing and working in a printing house.
18:03He was already in his 30s at the time, but his success as an artist seemed to be far away.
18:26He had this chance encounter with Sarah Bernhardt that everything changed.
18:30He was at the printers correcting some proofs, and it was just before Christmas in 1894,
18:39and suddenly news came in that Sarah Bernhardt, who had this new play, She's Monder,
18:45needed a new poster for it because the play was not performing,
18:48and she thought that was because the poster wasn't right for it.
18:51Sarah Bernhardt was the most popular actress in Paris at the time.
18:55She was not satisfied with the new poster, so she went to the printing house where the musician was working.
19:04So Alphonse, so most of the artists who the printer would have usually chosen to use,
19:10were out of town for the holidays, and so Alphonse was by luck there,
19:16and so the only choice of artists that the printer had was this unknown Czech artist.
19:33Alphonse Bernhardt and Sarah Bernhardt signed a six-year contract.
19:40The talent that had been buried was discovered,
19:44and the musician took off as a world-renowned artist.
20:03Did you feel the charm of the musician that fascinates people from all eras?
20:09And this winter, from December 3rd to Hikarie Hall in Shibuya,
20:14the Grand Palais Immersive, the Eternal Musician, will be held.
20:18The immersive experience where you bathe in the musician, know the musician, and enjoy your thoughts.
20:24Please come and see it.
20:33Grand Palais Immersive