Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 164 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 164 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 165 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 163 Completo HD
Category
🎥
Short filmTranscript
00:30I'm going to buy it, man.
00:31I'm going to allow that beautiful work of art
00:34to fall into the hands of anyone, man.
00:35Atomic number of chlorine.
00:38♪
00:42Damn, and if they catch me, I don't know.
00:45♪
00:47Excellent.
00:48Stay focused.
00:49Don't worry, because you'll learn the rest with us.
00:52If you've already made a decision,
00:55the best thing would be that you don't feed your hopes.
00:59Caspar is a good and noble man.
01:03He will understand.
01:05What if we go to the movies later?
01:07Oh, please.
01:08We have to watch a movie that cheers us up.
01:10Yes.
01:11A...
01:12A romantic one.
01:14But...
01:15A romantic one.
01:17Ridiculous.
01:19The donkey talking with ears.
01:20Pull my hair.
01:21Pull my hair, hypocrite.
01:23I hate you.
01:24Pull my hair, not yours.
01:26Hey, enough, enough, enough.
01:27Since it's a fact that they're not going to call us,
01:29we have to be prepared, man.
01:31To reach our best level.
01:33And don't go.
01:34Why do you need my services?
01:36I want you to go and find your best picture to the maca.
01:39Opera de acti.
01:40♪
01:42To whom?
01:43♪
01:45Are you referring to this one of faith?
01:47Yes, yes, yes, yes.
01:49And yes.
01:50And yes.
01:51♪
01:53This one?
01:54Yes, yes.
01:55And yes.
01:56♪
01:58A-ha!
02:11Oh, what a mess.
02:13Oh, no.
02:14What's so hard about this guy?
02:16Fold his clothes and have his bed.
02:18And on top of that, I have to buy lunch
02:20for those sluts.
02:22What a nuisance.
02:25I don't feel motivated.
02:26I don't feel motivated.
02:27The salary is not enough
02:29for all the work I'm doing.
02:31Oh, but that's...
02:39Oh.
02:41If I get some money,
02:43nothing would happen, right?
02:45Besides,
02:47I deserve it.
02:48I'm working like a slave.
02:51Oh, yes.
02:52Oh, oh.
02:55Yes.
02:57Ha!
02:59Oh.
03:05Thank you, young Chris.
03:09Now I do.
03:10I'm starting to feel a little motivated.
03:13Ha, ha.
03:17Does she really like this painting?
03:19It's a real treasure of modernity.
03:23It has a, I don't know what.
03:25Exactly, yes.
03:26It has something like too...
03:27Quack, quack, quack.
03:28No?
03:29Don't you recommend I buy it?
03:31No, no, no.
03:32I didn't say that, sir.
03:34I mean, it's not my favorite,
03:36but I think...
03:37I think I have one that you might like much more.
03:40Follow me, please.
03:41Look, look.
03:42This work of art.
03:44Ha, ha, ha.
03:47This guy doesn't want me to buy Joel's painting.
03:50Well, the truth is that it's a very shabby painting,
03:53just like the model.
03:56Let's see.
03:57Yes, continue.
03:58Look, look.
03:59Look what a work of art.
04:01Ha?
04:02Quack, quack.
04:03It doesn't impress me at all.
04:05Oh, no?
04:06Let's see.
04:07You're not going to compare this painting with that painting,
04:10are you?
04:11Fuchi.
04:12Fuchi?
04:13It doesn't impress me at all.
04:15On the other hand, this broken portrait is exceptional.
04:19It's magnificent.
04:22How much does it cost you?
04:23Well, the artist has just put it at $100.
04:25Ah?
04:26Yes.
04:27And why not?
04:28Well, because...
04:29What will it be?
04:31Let's see.
04:34Here it has $200 for being an exceptional work of art.
04:39Unique and exceptional.
04:41Are you sure?
04:43Yes.
04:45Don't you have any more portraits with the same model?
04:48No, fortunately, no.
04:49Tell the artist that I want more.
04:51I'm putting together my collection of Peruvian art
04:54to impress my compatriots.
04:56Very good.
04:57I'm sure you're going to impress your compatriots.
04:59Yes.
05:00And I'm going to take it with me.
05:02Very good.
05:06Come on, come on, come on.
05:07Come on, push, push, push, push.
05:09Here, here, here, here, here.
05:11Push, push, push, push.
05:15Valentino, Valentino.
05:19Come on, come on, come on.
05:20Come on, come on, come on.
05:21Come on, come on, come on.
05:22Come on, Choto.
05:23Mentalize the bell.
05:24Strength, strength.
05:25Strength, let the duck reach you.
05:26Let the duck reach you.
05:27Come on, you already won.
05:28Come on, you already won.
05:29Pass the line.
05:30Pass the line.
05:31Long live Choto.
05:33Point for the...
05:37Come on, Choto.
05:38Come on.
05:39Climbing, gentlemen.
05:40Yes.
05:41Yes.
05:42Keep climbing.
05:43Yes.
05:44Point for the...
05:45Point, gentlemen.
05:46Keep going.
05:47Keep going.
05:48Don't give up.
05:49The shoes.
05:50The shoes.
05:51The shoes.
05:52Choto, Choto.
05:53Choto.
05:54Choto.
05:55I can't.
05:56I can't.
05:57I can't.
05:58I can't.
06:05Come on.
06:06Wait.
06:07I'm stuck.
06:08Come on.
06:09Wait.
06:10I'm stuck.
06:11Come on.
06:12Come on.
06:14Come on.
06:15Come on.
06:29Come on.
06:30One, two, three, go.
06:32How many, how many, how many?
06:3390 points.
06:3490 points.
06:43Let's see, contestant Margarita!
07:12First question!
07:15How many Incas did the Tahuantinsoyo have?
07:21Oh no, that's what they taught me in my school in the wonderful years.
07:26It was Sachaichi!
07:29Hold on, hold on, hold on.
07:31Hello?
07:35What did you say?
07:37What, what, what?
07:38What happened to the first question?
07:40I'm going to be on TV again, man!
07:42Can I ask you a question?
07:44Have you ever been to my house?
07:46Just a little bit, but you're a winner.
07:49Me, me, me!
07:51Him, him, him.
07:53Uh-huh.
07:55What, no?
07:57No?
07:59No, teacher, don't be mean.
08:01My salary is half.
08:03Okay, okay, thanks for letting me know.
08:06I knew it.
08:08The thing is,
08:11they haven't realized your potential.
08:14But look, man, I'm going to tell you one thing.
08:17If you don't go, neither will I.
08:19What? Are you crazy, man?
08:21Are you out of your mind?
08:23You have to go, you need to distract yourself.
08:25Rather, if you see her in the street, send her my regards.
08:28She's so pretty, that girl.
08:30I love her.
08:32You're going to give her your regards in person.
08:35Me?
08:36Of course.
08:37But aren't you saying that I didn't go?
08:39As a contestant.
08:41But you can be my personal assistant.
08:44Oh, yes, yes.
08:45Yes, yes, sign up.
08:46Call me, call me.
08:48My helmet, my knees.
08:50My uniform, my back.
08:52And since you got hurt, you're out.
08:54Don't tell me you sold another painting.
08:56I sold another painting, yes.
08:58Really? Which one, which one?
08:59Best friend.
09:01Joel? See, it was worth $100.
09:04They paid double.
09:06What? I can't hear you.
09:08They paid double.
09:10It was a French collector and crazy,
09:12who was freaking out with that painting.
09:14What's more, he wants more works where Joel's face appears.
09:22$200.
09:24It's cheap.
09:25In the future, this painting will be hung
09:28on the side of the Mona Lisa, without a doubt.
09:31But for now,
09:33you're going to be under my bed
09:35so that the maca doesn't see you.
09:48Miss Macarena.
09:50What happened?
09:51Félix.
09:52What happened?
09:54Give me the whistle.
09:56The whistle?
10:00Very nice, Félix, but no.
10:02Not that whistle.
10:04The other one.
10:06The one you use to call Joel.
10:08I should have said that before.
10:10Here it comes.
10:13There it is.
10:15I'll be right out.
10:17Do you need me for anything else, Miss Macarena?
10:19No, not for now.
10:23You're welcome.
10:33It was you!
10:35Guess.
10:38They bought your painting.
10:40The collector was delighted and wants more works of you.
10:43What do you say?
10:45I understand.
10:47Of course, you ignore me.
10:49You don't answer my calls.
10:51Now that you need me,
10:53I'll be right out.
10:57This one, please.
10:58I'll be right out.
11:22The premium version!
11:23The premium version!
11:27No, no, no, no.
11:29Those are bigger things.
11:31One thing is a few coins and a few ten-sol bills.
11:34And another very different thing is opening a safe.
11:42No, no, no.
11:49Perfect.
11:54Oh.
11:56I wonder what they have in their safes.
11:59I'm sure they have jewels,
12:02watches,
12:04dollars.
12:06Oh.
12:08Just a little taste.
12:15I'll put my birthday.
12:24Beep. Beep. Beep.
12:28Oh!
12:36Just in case, I'll write down that it's my birthday.
12:54I didn't answer your calls,
12:56because you almost ruined my show yesterday.
12:58Oh, please.
13:00Your show against Monsesasa
13:02with the poem of that swindler Gigolo.
13:04Oh, look. And you wanted to amaze her.
13:06Of course.
13:08If it hadn't been for the problem with the vase,
13:10believe me, it would have burned your tone.
13:12Joel, it was an art show, not a cumbia concert.
13:14Couldn't you do both?
13:16Are you going to pose for me or not?
13:18Are you going to pose?
13:20Look at you.
13:21The less valuable one was the first one that was sold.
13:23No, the second one.
13:25I sold one in the morning.
13:27And you say that this collector
13:29wants a little more of my prisioneria.
13:31Exactly.
13:33Oh, look at you, what things you are.
13:35Are you going to pose?
13:37Yes or no?
13:39Well, maybe.
13:41But I'm not going to pose naked, I warn you.
13:43Oh, no. Impossible.
13:45Because I want to sell the work.
13:47Oh, with offense?
13:49No, don't be offended.
13:51Come here.
13:53Oh, come here.
13:55There, there, there.
13:57Oh, Joel.
14:15Here I will be able to check my papers
14:18with ease.
14:21Yes.
14:52Is this a war?
14:54At seven o'clock at night in America.
14:56No, Olinda.
14:58Valentino wants to postulate this is a war.
15:00Does he want to be a warrior?
15:02Olinda, you told me to stay calm,
15:04that if he was going to have a hard time,
15:06he was going to call me.
15:08Yes, that's what he was going to do.
15:10No, Olinda, I have to stop him.
15:12If he starts working there,
15:14I'm going to lose him forever.
15:16Please, not that the warriors were beautiful,
15:18beautiful, athletic, sexy.
15:19Oh, yes, you have to go stop him.
15:21And now how am I going to get in?
15:23I'm going to help you.
15:32Olinda, when you told me you were going to help me,
15:34I thought you had a plan.
15:36This is my plan.
15:39Yes, they will let us in.
15:41Don't worry.
15:43You'll see, you never have to lose faith.
15:45Come.
15:50Sir, we are already waiting for the senate.
15:52Please.
15:54If there is space, they will enter.
15:56Just wait.
16:20Oh,
16:22he hasn't left a single coin.
16:24I hate those who only use a card.
16:37Oh,
16:39what a beautiful clothes this damn girl has.
16:41But why did I have to see her today
16:43just because I have to go out to rumble with my friends?
16:45Oh,
16:47I've never had clothes like this in my life.
16:50I'm sure that skinny girl
16:52is the bad reason.
16:54On the other hand, I would fill it all up.
16:59Oh,
17:01but just a minute and I'll give it back, right?
17:04Anyway, she has a lot of clothes,
17:06I don't think she'll notice.
17:07Besides, she has a lot of clothes,
17:09I don't think she'll notice.
17:10Ay.
17:36So, how about you stop?
17:38Right there.
17:40And you look at the horizon.
17:41Oh, it's easy, Pe.
17:42Like this? Something like this?
17:43Or do you want me like this?
17:44No, something a little more natural.
17:46Something?
17:47Yes.
17:48No, no, don't be boring, Pe.
17:49You have to paint something...
17:50Something at my height, you know?
17:51I mean, open your mind.
17:52You have to do something epic.
17:54Oh, and...
17:55What would be something at your height?
17:57I ask knowing that you are going to regret it, but...
17:59Let's see.
18:00Let's see, let's see.
18:01What do you propose?
18:03Something like this, Pe, look.
18:04Can you paint me like this?
18:06On my horse?
18:08With the sword unclothed, Pe.
18:09No, no, no.
18:10But that's not a horse, Julio.
18:11That's a table.
18:12Yes, Pe, but you paint the horse.
18:13Pe, you are a painter or not a painter?
18:14No, but I don't work like that.
18:15Well, I like to paint beauty in the simplest.
18:18Wait, are you telling me simple?
18:20I mean, are you offending me?
18:22No.
18:23No, no, you're telling me that I'm beautiful, right?
18:25No, no, I don't understand.
18:26Do I offend you or do I not offend you?
18:27No, don't be offended.
18:28No, don't be offended.
18:29Oh, I dropped all the paint.
18:31Oh, what happened?
18:32I dropped all the paint.
18:35Another day I'll paint you with your horse.
18:37Today you do what I say.
18:39Oh, and one more thing.
18:41Loosen your belly, because you won't last two hours like that.
18:45I better bow down.
18:47No, this is not going to work.
18:48No?
18:50I know.
18:51I have a better idea.
18:53And if you do everything I've told you,
18:55by law you have to be a warrior, Pe.
18:57Of course, you have to be focused,
18:59have control of your emotions
19:00and above all of your...
19:02Oh, oh, oh.
19:03Ochato, Ochato, look at me.
19:04What?
19:05Your platonic love causes.
19:06Oh.
19:08Come, come, come, come, come, come.
19:11Hi, Rosangela.
19:13I'm Valentín and I'm going to do the casting
19:14to be a new member of this war.
19:16Nice to meet you, Valentino.
19:18I wish you good luck.
19:19Thank you, Rose, thank you.
19:23Sorry, I didn't understand.
19:27They say his name is Margarito and that he is your fan.
19:30Oh, I thank you, Margarito.
19:32How cute you are.
19:34They say they want to take a picture with you.
19:37Of course.
19:39Come, come, come.
19:41Let's see the picture.
19:42Smile, smile.
19:43Smile.
19:46Smile.
19:47Kiss, kiss, Ochato.
19:49It's my Ochato, my cause.
19:52It's good, it's good, it's good.
19:55What did he say?
19:56He says he thanks you a lot.
19:58Oh, I thank you for being so nice.
19:59I don't know what to say.
20:00I have to go, guys.
20:01I'll see you later.
20:02Bye.
20:03Bye, bye.
20:04Bye.
20:06Hey, what's up?
20:07Look at your picture.
20:08Look at your picture.
20:09Cool, huh?
20:10Hey, hey.
20:11Yeah, speak well.
20:12Yes, yes, speak well.
20:14Compadre, this will be the best memory of my life.
20:19What were we talking about?
20:20Ah, yes, yes, yes.
20:21That you have to be focused
20:22and above all have control of your emotions
20:24and movement.
20:26And, of course,
20:27control of your emotions
20:28and movement.
20:29Just like you?
20:30Of course.
20:31Just like you right now?
20:32Of course, my compadre.
20:33You want to die today.
20:34Or what was it?
20:35Emotional, my compadre.
20:36I'm also excited,
20:37but Ochato, please.
20:38No, no.
20:39Please.
20:45Good evening to all of Peru.
20:46Today,
20:48a new candidate
20:50arrives.
20:51This is Guerra Renzo.
20:52That's right, Cati Apano, please.
20:54I want you to give me some tips,
20:55some characteristics
20:56of the boy in question.
20:57Okay.
20:58Handsome.
20:59Single.
21:00Athletic.
21:01Sportsman.
21:02God.
21:03Model.
21:04Ay, ay, ay, I'm dying.
21:05Please, introduce him.
21:06Let's not waste time,
21:07so let's introduce here
21:08the new candidate.
21:10Valentino Locanera.
21:13Welcome, Valentino.
21:17That's right, greeting Locanera
21:18and the fighters.
21:19Come here,
21:20how are you, my dear Valentino?
21:21All good?
21:23How are you? Welcome.
21:24All good?
21:25All good.
21:26Happy to be here.
21:28Happy to be here
21:29with all these people.
21:30Hello, how are you?
21:31How are you?
21:32Hello, hello.
21:33Always looking at the camera.
21:34Always looking at the camera.
21:35Valentino, tell us,
21:36are you single?
21:37Is that true?
21:39Yes,
21:40but I prefer not to talk about it.
21:41Ah, very good.
21:42You have to respect.
21:43You have to respect.
21:44So let's go with another question,
21:45rigor.
21:46Are you single or not?
21:47Yes,
21:48but I prefer not to talk about it.
21:49Uy,
21:50it's clear to me
21:51what's going on here,
21:52Cati Apano.
21:53The girl in question
21:54has left a mark.
21:55Has she hurt her?
21:56Has she hurt her?
21:57Has she left a mark?
21:58Has she left a mark?
21:59Yes.
22:00Very good, Valentino.
22:01Are you okay?
22:02Yes, yes, super, super.
22:03Okay, let's get down to business.
22:04Today,
22:05we're going to give you
22:06a circuit of hell.
22:07Uy.
22:08Are you ready
22:09to go through it?
22:11Yes, yes.
22:12Well,
22:13I have to tell you something
22:14not to make you nervous,
22:15but to encourage you,
22:16to encourage you a little.
22:17In this circuit,
22:18you have to occupy yourself
22:19with a time.
22:20If you get that time,
22:21if you don't pass it,
22:22if you get to do it,
22:23if you're in that right time,
22:25if you don't go beyond that,
22:26and ring the bell.
22:27I'm telling you all this
22:28so you understand,
22:29because there are people
22:30who don't understand the first one.
22:31Ring the bell,
22:32at that moment,
22:33you'll be in this war.
22:34Otherwise,
22:35you're going home
22:36and don't come back
22:37because we're not going to
22:38get you out of here.
22:39Understood?
22:40Yes, understood.
22:41Well,
22:42are you ready?
22:43Let's go with everything.
22:44Good luck, Valentino.
22:45Let's go.
22:46Go to your position.
22:47Go to your position.
22:48Go to your position.
22:49Go to your position.
22:52Go to your position.
22:53Very good, Mr. G!
22:54Whenever you want.
22:56Oh,
22:57I'm in trouble.
22:59A little more color
23:00on the lips
23:01and I'm done.
23:10Perfect.
23:14Oh,
23:15I hurt my shoes.
23:17The next one
23:18I also bring some tacos
23:20and some gold earrings.
23:22Why not?
23:24Well,
23:25let's see.
23:29I'm ready.
23:42Yes.
23:43Paul.
23:44Hello.
23:48Mr. Gilberto,
23:49and my cousin?
23:52She went out with Maripaz.
23:55I don't know where
23:56because I already forgot.
23:58I wanted to ask you
23:59a favor.
24:00Tell me.
24:02I wanted you to give me permission
24:03to return a little late
24:04to the house today.
24:06Don't you think
24:07you're too old
24:08to ask for permission?
24:11Yes,
24:12but you are the patriarch
24:13of the house
24:14and I see you
24:15as my grandfather.
24:16It's an honor
24:18And where are you going?
24:20I'm meeting
24:21a friend.
24:23And she can't come?
24:25No,
24:26no.
24:27The poor thing
24:28is going through
24:29a very delicate situation
24:30with her husband
24:31and I want to take the opportunity
24:32to tell her
24:33that I got a new job
24:34and that I'm very happy
24:35living with you.
24:38Well,
24:39okay.
24:41But more
24:42and advise her well.
24:44Yes, yes, yes.
24:45I will.
24:46Tell me,
24:47is Pepito there?
24:49Pepito?
24:50Of course,
24:51Pepito, my king.
24:53No,
24:54no,
24:55because I was trying
24:56to call him,
24:57but the call didn't come in.
24:58I'll keep trying
24:59a little later.
25:00Well, Mr. Gilberto,
25:01have a good rest.
25:14Very good,
25:15now yes,
25:16silence guys
25:17because the time has come.
25:18My dear Valentino.
25:20It's good
25:21that they let us in,
25:22right?
25:23Look at this place.
25:25Enough, Olinda,
25:26we have to focus
25:27on looking for Valentino.
25:28Oh my God,
25:29these guys are real.
25:30There's Mario.
25:34Please,
25:35can you concentrate?
25:36Maripaz?
25:37What are you doing here?
25:40Olinda,
25:41there's Valentino.
25:45Let's go,
25:46this is war.
25:47Valentino,
25:48put the tape on.
25:49Run Valentino,
25:50come on,
25:51faster,
25:52faster.
25:53Come on,
25:54Valentino.
25:55Olinda,
25:56we don't want him to stay,
25:57Valentino.
25:58Sorry,
25:59sorry,
26:00I'm sorry,
26:01I'm excited,
26:02I'm excited.
26:03What are you doing here?
26:04To get my boyfriend back.
26:05Oh,
26:06how I wish,
26:07a girl like that
26:08who loves me just as much
26:09and that girl
26:10is Rosalina.
26:13That Patricia Parodi
26:14is like water
26:15for chocolate.
26:16I won't forgive her.
26:17No, no,
26:18what are you saying?
26:19What?
26:20No,
26:21I was talking about
26:22my uncle,
26:23Richard Parodi.
26:24Yes,
26:25I remembered him.
26:26Right now,
26:27he's playing
26:28a soccer match
26:29in Pisco.
26:30Really?
26:34Isn't that Valentino?
26:36Let's see.
26:37Yes.
26:40Maripaz,
26:41Valentino
26:42is on TV,
26:43Chica.
26:45Mappi,
26:46he's not here.
26:47He left with Molindy.
26:48Who's on TV?
26:49What, what, what?
26:50Valentino,
26:51Chica.
26:52Did you see him?
26:53No,
26:54he must look like you.
26:55No, no,
26:56I don't know,
26:57I don't know,
26:58I don't know.
26:59Let's see,
27:00let's see,
27:01let's see,
27:02let's see,
27:03let's see,
27:04let's see,
27:05let's see,
27:06let's see,
27:07let's see,
27:08let's see,
27:09let's see,
27:10let's see,
27:11let's see,
27:12let's see,
27:15let's see,
27:17let's see,
27:19let's see.
27:21Valentino!
27:22Valentino!
27:23Valentino!
27:24I love him,
27:25more than Pon-Pon!
27:27Valentino!
27:28Valentino!
27:31Let's go, you're old!
27:36Valentino!
27:37Valentino!
27:40Valentino!
27:42Hi mom, did you get the videos I sent you?
27:55Yes, my love.
27:56Right away.
27:57Claro's mobile network is very fast.
27:58Change to the fastest mobile network in Peru, 0800-00200.
27:59What happened?
28:00What happened?
28:01Please get up.
28:02Are you okay?
28:03And you, miss, who are you?
28:04Yes, who are you?
28:05Can you tell us, please, who you are?
28:06Oh, yeah.
28:07My name is Linda Zapayal.
28:08I was born in Chalhuanca, in the province of Aymaraes, in the Apurímac department.
28:09My measurements are 90-60-90.
28:10What was that?
28:11Are you giving your cell phone number?
28:12Don't be silly, grandpa.
28:13Now I understand why Maripaz is not at home.
28:14I don't know.
28:15I don't know.
28:16I don't know.
28:17I don't know.
28:18I don't know.
28:19I don't know.
28:20I don't know.
28:21I don't know.
28:22I don't know.
28:23I don't know.
28:24I don't know.
28:25I don't know.
28:26I don't know.
28:27I don't know.
28:28I don't know.
28:29I don't know.
28:32I don't know.
28:40I don't know.
28:45I don't know.
28:53Well, it's better if I explain it to you, Maripaz.
28:56She's also in the sex.
28:58Where?
28:59In the sex, so they don't tell her about this beautiful place.
29:02That's not from 4 in the morning. Right now it's the set.
29:04Television set.
29:05Ah, yes!
29:07This can only be solved in one way.
29:10Let Maripaz come in!
29:14Let's go, let's go, let's go!
29:16No!
29:19Come down, don't worry!
29:21Maripaz!
29:23Now I understand, how beautiful!
29:25Valentino, come here, come here!
29:27Good, Valentino, she is!
29:29They are little things.
29:31Now I understand everything.
29:32You are Maripaz, right?
29:33Yes.
29:34Can you tell us what's going on here?
29:35I really don't understand anything.
29:39Valentino, I'm here to tell you that,
29:42even if you don't believe me,
29:45I love you with all my heart.
29:47Oh, that's so sweet!
29:49Come on, come on!
29:51What else, what else, what else?
29:52And that you are the most beautiful, tender, funny boy I know.
29:57And that every time I look you in the eyes,
29:59I fall in love with you once again.
30:01Oh, my eyes!
30:03How cute, Valentino!
30:05And even if I don't know what's going to happen to us in the future,
30:09nothing would make me happier than spending every moment by your side.
30:13Oh, how beautiful!
30:14This is better than a soap opera, better than a soap opera!
30:16You don't know what's going on!
30:17Wait, wait, wait.
30:18Let's take a little break.
30:19Let's see, let's see.
30:20Maripaz, are you aware that this gentleman here, Valentino,
30:24is applying for this war to stay here on the show?
30:27Did you know that or not?
30:28I don't want to meddle in anyone's private life, much less.
30:30But did you know that?
30:31Answer everything, please.
30:32Don't exaggerate.
30:33No, no, I didn't know.
30:34You didn't know that?
30:35I didn't know!
30:36Well, without the mood to meddle in your lives,
30:37what do you think of that?
30:40Well, I love this show.
30:42But I don't know if I would like Valentino to be apart,
30:45unless it's his dream.
30:48Valentino, it's your time.
30:50Choose.
30:51Do you prefer a life of fame and luxury,
30:53or come back with Maripaz?
31:02For God's sake, Valentino, don't stay quiet!
31:04Choose her.
31:05I don't think so.
31:06And shut up!
31:07Hey, let her listen.
31:08Don't screw her, Valentino.
31:10Don't screw her!
31:12Choose.
31:22I...
31:23You.
31:26I choose the life of luxury.
31:28What?
31:29What?
31:30Don't be stupid.
31:31What?
31:32What?
31:33No!
31:34For me, there's no greater luxury than being with Maripaz.
31:38Oh, no!
31:40Come on, tell me. I want to be the godmother of this.
31:42Kiss, kiss, kiss.
31:44Come on, I don't want to feel bad.
31:46It was a long time ago.
31:48It was a long time ago.
31:52Hey, cover his eyes.
31:53Yes, yes, I'll break everything today.
31:54I'm going to get the thermometer.
31:55No, better a beer.
31:56Remember the holy, patience.
31:58Yes, yes, please.
31:59I think she burned.
32:00Please, calm down.
32:02I'm not going to make any scandal.
32:04What?
32:05Valentina is a good boy and ...
32:07My little girl is not a superficial.
32:11Not anymore, not anymore.
32:12Hey, not anymore.
32:13Not anymore, not anymore.
32:14Hey, hey, not anymore.
32:15Not anymore.
32:16Oh, how beautiful!
32:17My God.
32:18How beautiful.
32:19Why is it silent?
32:20Yes!
32:21A big hug!
32:22A big hug!
32:37Go down, go down.
32:41Oh, now it started.
32:53Oh, how I danced.
32:56How good I went with this dress.
32:58Everyone ate me with their eyes.
33:02Oh, I would have stayed until later, but tomorrow I have to work.
33:06The good thing is that working in that house brings me its benefits.
33:22The good thing is that working in that house brings me its benefits.
33:52I don't want to think anymore when the light went out.
33:55I don't want to think anymore when the light went out.
34:01It hurts me to have been so long with a fool like you.
34:08I see you and I don't believe it.
34:10Look why you changed me.
34:15I should not be happy.
34:17Why did you leave me?
34:19Good morning.
34:21Good morning.
34:23Hello.
34:24What are you going to do?
34:25To put fertilizer in the whole garden.
34:27Take out weeds and plant some bushes.
34:30It's going to take me all day.
34:33So I don't have to water now?
34:36I'm going to water when you finish.
34:39Excellent.
34:40Wonderful.
34:41Beautiful.
34:42Oh, how nice.
34:50It's great.
34:55You wash your wings all day, right?
34:57There is no lemon.
34:58Besides the baby is at home and I want to smell good.
35:01Oh, yes, yes.
35:02And the other one?
35:03When?
35:04What's wrong with you?
35:05That is always clean.
35:06What's wrong?
35:07I need you to go to the gallery and buy the new paint that the maca made yesterday.
35:09But this time I only pay $100.
35:11Because I'm already staying in Mision.
35:13Be careful!
35:14You're crazy or you're going to run out of money.
35:16No, no.
35:17I'm a good guy.
35:18I know a lot of art.
35:19I'm not going to spend a dime on you.
35:21I would be spending a thousand soles on you, son.
35:23No, I'm not going to spend a dime on you.
35:25Oh la la!
35:27It's even more perfect than the previous one!
35:29Magnifique!
35:31If you say so.
35:33I'll take it.
35:39Sir, it's 400 dollars.
35:41Excuse me?
35:43Yes, yes.
35:45Due to the high demand, the artist has decided to raise the price.
35:47I hope you don't have any inconvenience, sir.
35:49No, no, no.
35:51No inconvenience.
35:53It's just that I forgot my wallet in the drawer.
35:55But I'm going to ask my driver to bring it to me.
35:57Excuse me.
35:59Very well.
36:01It's 400 dollars, remember.
36:03Yes, yes.
36:09Inflate, inflate.
36:11Inflate, inflate.
36:17Hello, hello. Did you buy it?
36:19It's 400 dollars, man.
36:21Oh, it's the crazy onion roll.
36:23Don't worry.
36:25I'll put a flower in it and I'll take it off.
36:27No, no, no.
36:29It's expensive, but just buy it.
36:31Are you crazy?
36:33Where are you going to get so much money from?
36:35You can see that.
36:37Man, that guy doesn't worth that much money.
36:39Hey, hey, hey.
36:41Wait a little bit.
36:43Tell the guy that you're going to split it with 100.
36:45Just like gum and juice.
36:47The earth trembles when I enjoy.
36:49I am as I am, but I have my style.
36:51And to dance, I dance it round.
36:53Round, round.
37:15Round, round.
37:41Hello, Miss Alicia.
37:43Juana.
37:45What were you doing?
37:47I was tidying up your room and now I'm going to attend to your bed.
37:51What?
37:53I forgot my phone.
38:13I go out to the street to have a good time.
38:15I put on my shoes and my heels too.
38:17Joel, with this you already have 600 coconuts.
38:19I know. Don't remind me anymore.
38:21I'm just telling you.
38:35Soon you're going to cost a million dollars, clown.
38:43Now I better go to the workshop.
38:45So that Cristian doesn't get the bad taste.
38:47It's all because of that damn teacher.
38:57No.
38:59The moment I was frozen.
39:01But then when I cut my hair, I couldn't stop laughing.
39:03Come on, don't get bored.
39:05It was too funny.
39:07Joel was there and he wanted to sing.
39:09And suddenly he threw the whole jar.
39:11I'm sorry.
39:13I'm sorry, but I can't.
39:15I laugh a lot.
39:17Only Joel, I swear.
39:19Besides, when he wanted to put the pizza on the table,
39:21I didn't have a prize.
39:23That's why I didn't announce it.
39:25No, I didn't announce it.
39:27I told everyone.
39:29Everything was broken.
39:31Give me Francesca's face, please.
39:33No, it was horrible.
39:35I was frozen.
39:37I didn't know what to do.
39:39It was so funny.
39:51Don't you want to fix the brakes?
39:53I already did it.
39:55It's longer than a giraffe's neck.
39:57What's wrong with you?
39:59We have to be friends, cause, family.
40:01Don't get confused, I'm just telling you.
40:03I'll fix it.
40:05It was so funny.
40:07I was trying to pick up the pieces.
40:09And I couldn't.
40:11I couldn't.
40:13Didn't you hate each other?
40:15Couldn't even see each other?
40:17Cousin.
40:19I hate you.
40:21Enough, enough, enough.
40:23Please stop this.
40:25I just saw you. I know you're friends.
40:27Well, yes.
40:29What's wrong?
40:31Julie has the right to be friends with whoever she wants.
40:33Cousin, you and I have never lied to each other.
40:36Our relationship has always been based on sincerity,
40:38and we have always been united.
40:40Cousin, I wanted to tell you,
40:42but I felt that I had developed so many antibodies
40:45towards the Malini Montalban, and I preferred to shut up.
40:48And why do all this number of hating each other,
40:50to make me mad or what?
40:51No, no, no, no, no.
40:52We decided to take this issue as mature and civilized people,
40:56and we realized that our friendship goes beyond any hate and nonsense.
41:00See? You see? You see?
41:01You're still offending me, right?
41:02Now I'm not mature or civilized.
41:04Who told you that?
41:05Please, use that tone, Alessia.
41:09We're in a public place.
41:10Let's not raise our voices.
41:12Well, let it be clear that I have not insulted anyone
41:14and I have not used any tone either.
41:15The truth of the matter is that I have nothing to talk to this lady,
41:17but I do with you, cousin.
41:19So I'll see you at home.
41:20Bye.
41:27He hates me.
41:29He doesn't hate you.
41:31But he thinks you never loved him.
41:36That you knew you weren't meant for each other,
41:38and yet you dreamed of him like a future.
41:41Are you talking about me or Cristóbal?
41:43Get out of here.
41:45I'm sorry, but it's hard not to mix it up.
41:51Julie, neither Cris nor I play with his feelings.
41:55We already said we weren't going to talk about them.
41:57Yeah, but why does he think that of me?
41:59He's resentful.
42:00Yeah, you can tell.
42:01That's why he went to Tokyo with the other girl.
42:03Just like Cristóbal and his princess.
42:05Hey, let's go to the games for the sake of it.
42:08But first we have to pay them.
42:15I hate you.
42:16I hate you.
42:17You didn't think of anything else.
42:18Neither did I.
42:20You're so stupid.
42:21Come on, let's go.
42:23You're great.
42:24I can't take it anymore.
42:26I can't take it anymore.
42:27I'm sorry.
42:28I can't take it anymore.
42:29Wait.
42:36Xavi, give me good news.
42:39He sold out.
42:41I can't believe it.
42:43Tell me.
42:45This, I have to tell Joel.
42:50Hello?
42:51Hello?
42:52What do you have to tell him?
42:53Nothing.
42:56Nothing.
43:00Mom?
43:02Macarena?
43:03I'm going to get your luggage.
43:05Of course, handsome.
43:12I didn't know you were coming.
43:14Well, I didn't know you were here either.
43:17Hi.
43:22What an unpleasant surprise.
43:25I also like to see you, dear daughter-in-law.
43:30Mrs. Francesca, I serve the...
43:33Oh, how nice to see you again, Mrs. Antonia.
43:37What happened?
43:38Have you returned to the slums?
43:40But what are you doing with an old man like you?
43:44I had a little accident the other day.
43:47Don't look at me.
43:48Save yourself the details that don't interest me.
43:55Where do I leave your luggage?
43:57Wherever you want.
43:58After all, this house is also mine.
44:13Cool, right? Cool, right?
44:14Yes, yes, it was cool.
44:16Oh yes, super cute and romantic.
44:19Hey, hey, hey.
44:22That's exactly what I wanted to talk to you about.
44:25What happened on TV qualifies as public consent.
44:30Ah?
44:31That's how things are going to be, right?
44:33So, I take a step to the side, faith.
44:35Calm down, love, love, love.
44:36What's wrong?
44:37You're making trouble for nonsense.
44:39No, it's not a problem for nonsense.
44:41What do you mean by taking a step to the side?
44:43I'm leaving.
44:44I leave you with your workshop.
44:45Okay?
44:46I'm going to continue with my musical dream.
44:48I have abandoned it for a long time.
44:54Cristóbal!
44:55What's up?
44:56Oh no.
44:57Jimmy is going to pick up a fight with Cristóbal.
44:58Do you know what he told me?
45:06What's going to happen when a midwife comes and takes me away?